Search results

Title: [Arthur Showell]
Description: Full-length studio portrait showing Showell, seated in a chair, and attired in a suit, tie, and spats. His legs are crossed, with one hand resting on his knee, and the other hand resting on the arm of the chair. A studio backdrop is visible in the background. Showell, a resident of South Philadelphia, worked as a laborer with the Adams Express Co. He also served in World War I in the 368th Infantry, part of the African American 92nd Infantry Division known as the "Buffalo Soldiers.", Title supplied by cataloguer., Gift of Brice C. Showell., Fragile condition.
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - Showell [P.2015.1.1]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length studio portrait of the acclaimed emancipated slave girl. Depicts Lawrence standing behind a balustrade. She is attired in a fashionable off-the-shoulder white dress with dark stripes on the bodice and tiny polk dots on the skir also adorned with a dark trim. Dark-colored ribbons adorn the edges of her cap sleeves. A vase with flowers adorns the post of the balustrade on which Lawrence rests her elbow., Publication information from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Photographer's imprint on verso. Includes an ornament depicting a bundled and intertwined ribbon bordered by vinery., See Kathleen Collin, "Portraits of Slave Children," History of Photography 9 (July-September, 1985), p. 187-210., Purchased with the Davida T. Deutsch African American History Fund.
Creator: Kellogg Brothers, photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2015.23.1]

Title: [La Roche & Stahl florist shop, 1237 Chestnut Street, Philadelphia]
Description: Group portrait showing a line of eight men, including an African American employee and possibly co-owner Balthazar Stahl (third from right), standing in front of the flower store with large display windows marked "LaRoche & Stahl." Bouquets of flowers, floral wreathes, and other floral arrangements are displayed. A retracted awning with the name if the business adorns the building. A large garland of flowers is weaved across the awning frame. Potted plants line the base of the building and entryway near where the men stand. In the far left, the back of a horse traveling in the street near men patronizing a vendor's stand at the side of the flower store is visible. In the far right, signage for the adjacent business is partially visible. Florist Maximilian F. La Roche partnered with his brother-in-law Batlhazar Stahl in 1878. The partnership also managed several large greenhouses in Collingdale, Pa., which specialized in chrysanthemums and roses. Previously, La Roche had operated his own floral business in Philadelphia beginning circa 1876 when he purchased Brooker & Co. at 1319 Chestnut Street. La Roche removed his store to 1237 Chestnut in 1881. Stahl, who was in charge of the retail business, left the partnership circa 1898 when he started his own business at 27 South Eleventh Street., Title supplied by cataloguer., Date inferred from the attire of the men included in image.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Business - L [P.2008.11.6]

Title: [Robert Purvis]
Description: Bust profile portrait of the Philadelphia African American abolitionist during his later years. Shows Purvis with white hair, wearing mutton chops, and attired in a jacket and bow tie. Purvis was a founder of the American Anti-Slavery Society and the Library Company of Colored People, as well as a president of the Pennsylvania Anti-slavery Society and a vice-president of the woman's Suffrage Society., Title supplied by cataloger., Mount trimmed with the upper edge of three letters of the name of the publisher barely visible., Purchased with the Davida T. Deutsch African American History Fund.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Cabinet Cards - Sitter - P [P.2014.31]

Title: [Two African American men advertising Higgin's German laundry soap]
Description: Portrait photograph showing two African American men, side-by-side, attired in suits, as well as top hats with advertising text for Charles S. Higgins Company soap. One hat reads "Try it" and the other reads "Higgins German Laundry soap is the best." One man holds a swagger stick and the other a walking cane, and both stand in front of a backdrop depicting a bucolic mountain scene. Charles S. Higgins Company, established by Higgins's father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title supplied by cataloger., Photographer's imprint printed on verso. Includes illustration of a paint palette., Purchased with funds from the Albert M. Greenfield Foundation.
Creator: Block, B., photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department cdv portraits - group - advertisements - Higgins [P.2013.26]

Title: South
Description: Photographic reproduction of a racist caricature showing an African American boy as a visual metaphor for the South, i.e., the Confederate States. Shows a raggedly dress boy holding a banjo and the Emancipation Proclamation, while standing on the Confederate flag. Face of toddler after carte de visite photograph showing a bust-lenth portrait of an African American toddler titled "Young Africa, Or the Bone of Contention" issued by E. Anthony in 1862., One of two companion cartes de visite titled "North" and "South." LCP holds "North." [5780.F.52r], Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., See LCP copy "Bone of Contention" (cdv - Anthony [P.2002.5])., Duplicate listed in Early American Historical Auctions Catalog (April 2014) contains stamp on verso: A.M. Bailey agent for American Photography.
Date: [ca. 1863]
Location: Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.52e]

Title: [Lillie Showell]
Description: Full-length studio portrait showing Showell, seated in a chair containing an ornate back. The young woman wears glasses and is attired in a shirtwaist and long skirt. She rests one hand on the arm of the chair and the other on her knee. A studio backdrop is visible in the background. Family lore suggests Showell, born in Philadelphia, died from the flu during the 1917-1918 pandemic following World War I. Showell, younger sister of Arthur Showell (1894-1943), resided in Maryland as a child and young adult., Title supplied by cataloger., Gift of Brice C. Showell.
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - Showell [P.2015.1.2]

Title: [Sarah E. Showell]
Description: Cameo portrait showing Showell from the bust up. She wears a shirtwaist and possibly a tie. Family lore suggests Showell died from the flu during the 1917-1918 pandemic following World War I. Showell, younger sister of Arthur Showell (1894-1943), was born and resided in Maryland as a child and young adult., Title supplied by cataloguer., Gift of Brice C. Showell., Very worn condition.
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - Showell [P.2015.1.3]

Title: Brice Leon Showell
Description: Class photograph showing a bust-length portrait of Showell as a teen. He wears a zippered pullover, collared shirt, and tie. Showell, the nephew of Arthur Showell (1894-1943), was born and resided in Maryland as a child and young adult., Title from manuscript note on verso., Printed above portrait: School Days., Printed below portrait: 1946-47., Gift of Brice C. Showell.
Date: [1946]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - Showell [P.2015.1.4]

Title: Facsimile of the Emancipation Proclamation
Description: Photographic reproduction of a lithographic facsimile of the original draft of the proclamation printed and sold as a fundraiser for the Soldiers Home of Chicago. Facsimile includes a portrait of Lincoln and patriotic vignette. Lincoln gave the draft to the organizers of the 1863 Northwestern Sanitary Fair to be sold at auction and then donated to the Chicago Historical Society. Draft was bought by Thomas B. Bryan and given to the Soldiers Home before its display at the historical society., Originally part of McAllister scrapbook of materials related to Abraham Lincoln., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [5792.F.4j]

Title: [Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
Description: Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes.Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Union Volunteer Refreshment Saloon and Hospital
Description: Series of titled views of the exterior and interior of the facilities of the Civil War volunteer relief agency near the Navy Yard at Swanson and Washington Avenues in Philadelphia. Predominately shows the patriotically adorned refreshment saloon with male and female members of the working committee, staff, and a patient in a robe posed among rows of tables set for a dining service. Also includes a view of patients posed near beds and a model ship in a ward at the hospital and a large crowd of men and boys standing in front of the hospital and saloon. Exterior also shows a parital view of the cannon, known as "Fort Brown." Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency in operation between 1861-1865 provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen., Yellow mounts with square corners., Accompanied by publisher's labels inscibed with titles., Created postfreeze., Originally part of a McAllister scrapbook of materials related to the Cooper and Union Shop Volunteer Saloons and Hospitals., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Associations [5778.F.26b & c; 27a, ax, bx & c]

Title: [Peace Jubilee parade, military men marching along North Broad Street near Columbia Avenue, Philadelphia]
Description: View showing the white men members of an unidentified marching band playing instruments as they walk down Broad Street, Philadelphia during the Peace Jubilee, a celebration commemorating the end of the Spanish American War. The Tenth Cavalry Regiment, an African American regiment that served at San Juan Hill, Cuba, marches and performs behind them. A large crowd stands on the sidewalk and sits in the viewing stands near the Columbia Avenue Savings Fund, Safe Deposit, Title & Trust Co. Depicts the east side of Broad Street looking southeast, including the spire of the Oxford Street Presbyterian Church in the distance. Bunting and American flags decorate the buildings. In October of 1898, Philadelphia honored the end of the Spanish-American War with the Peace Jubilee. To pay tribute to the armed services, the Court of Honor was built on Broad Street with the Triumphal Arch erected at Sansom Street. The celebration included military reviews and parades, and President William McKinley attended., Title supplied by cataloger., Gift of Albert L. Doering, 1994., Description revised 2022., Access points revised 2022.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.266]

Title: [BRL?] minstrels of Philadelphia
Description: Group portrait photograph depicting nine white members of a minstrel club, including two in Blackface, seated in a row on a stage in front of a paneled wall. The performers are attired in dark tuxedo suits or Buster Brown suits in a checkered pattern, gloves, and comical corsages. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title from item. First word is illegible., Date inferred from content and attire of the sitters., Photographer's imprint inscribed in negative., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 2004., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paul, Dan E., photographer
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department group portrait photographs - organizations [P.2004.42]

Title: House of refuge (girls), 22nd & Girard, Phila
Description: Exterior view of the House of Refuge Dormitory for Colored Girls at North 22nd and Poplar Streets built circa 1898 after designs by Addison Hutton. Shows the wrought iron fence before the front facade of the three-story building that has ivy growing on it. Trees line the sidewalk in the foreground., Title from manuscript inscribed in the negative., Manuscript inscribed in the negative: 7014., Sheet number: 138B08., Divided back., Gift of George M. Brightbill, 1999., Description revised 2022., Access points revised 2022.
Creator: Brightbill, George M., collector
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Organizations (By Name) - 138]

Title: [Caricature of the capture of Jefferson Davis May 10, 1865]
Description: Photographic reproduction of a caricature satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Davis being inspected by Union soldiers as he emerges from a tent, holding a basket, while attired in a hood and skirt. His wife, Varina Davis, stands next to him and an African American servant, portrayed in racist caricature with grotesque features, peers from behind the tent flap. Bottles and a case marked "Silver Spoons, C.S.A." (an allusion to Jefferson's safeguarding of the remaining Confederate treasury) lay on the ground in front of the tent. Also shows a saddle hanging in a tree to the right of the tent., Title supplied by cataloger., Date from copyright statement: Entered according to act of Congress, in the year 1865, by Francis Hacker, in the Clerk's Office of the District Court of Rhode Island., Originally part of a McAllister scrapbook of Jefferson Davis and Confederate material. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See related carte de visite: cdv - miscellaneous - Civil War - Caricatures & cartoons - [P.2016.63].
Creator: Hacker, Francis
Date: 1865
Location: Library Company of Philadelphia | Print Department photo - Hacker [5795.F.15a]

Title: I wish I was in Dixie
Description: Photographic reproduction of a racist and anti-abolition caricature of Abraham Lincoln showing Lincoln as a banjo playing Southerner with a copy of the Emancipation Proclamation in his pocket., Title from item., Date inferred from content., Originally part of McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.4f]

Title: Maxwell's gypsum, prepared gypsum. Trade mark
Description: Illustrated trade card advertising George E. Maxwell's paint and depicting an African American man carrying a bucket of gypsum and a brush over his shoulder. He stands, attired in a white collared shirt, a tie, a red waistcoat, a black jacket, pants, and bowler hat, in front of a window displaying barrels of "Maxwell's gypsum.", Title from item., Date inferred from operating dates of advertised business., Advertising text promoting Maxwell's prepared gypsum for whitening and coloring walls, fences, barns printed on verso. Also notes awards (First Premium, Special Diploma) issued by the Pennsylvania State Agricultural Society in 1880., Imprint printed on verso: For sale by Geo. E. Maxwell, No. 528 South 16th Street, Philadelphia., Stamped in red ink twice on recto and once on verso: 1431 South St., Gift of Emily Phillips, 1883., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Creator: Rogers, E. (Edward), 1831 or 1832-, engraver
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Maxwell's [1975.F.632]

Title: [Portrait of an unidentified woman]
Description: Bust-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, and looped behind the ears. She is attired in hoop earrings, a white collared chemisette, a dress with polka dots, and a dark-colored shawl. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Dark purple velvet. No design., Mat: Oval., Case: Leather. Surrounded by scrolls, a spray of lillies is in the center. Geometric design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.4]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, crimped, and looped behind the ears. She is attired in a striped, long-sleeved dress with a wide lace collar, a brooch, black laced fingerless gloves, and a ribbon around her neck attached to a pair of spectacles. She rests her left arm on a table covered with a patterned tablecloth on which a book sits. Her right hand rests at her side below her waist. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded golden colored velvet. Geometric design in center surrounded by swirls., Mat: Double elliptical., Case: Leather. Geometric design: striated lines in the center within interlocking circles. Shell-like designs at the four corners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.5]

Title: [Portrait of an unidentified African American woman]
Description: Bust-length, forward facing portrait of a seated, African American woman whose eyes look to the right. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeved, silk dress with a white collar and cravat. A small, decorative button or brooch is pinned in the center of the collar. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with a single swirled feather design., Mat: Oval., Leather. Geometric design with a crosshatched oval surrounded by ovals, each of which has a flower in the center. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.8]

Title: [Portrait of an unidentified African American girl]
Description: Three-quarter length, forward facing portrait of an African American girl seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and tied in pig tails. She is attired in a dark-colored, short-sleeved dress with white lace decorating the cuffs. She clasps her hands together slightly and rests them at her waist. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with fleur de lis in center surrounded by scrolls., Mat: Oval., Case: Leather. Geometric design with a six pointed star within a shield flanked by banners. Same design on verso., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on cover and on page 44 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.9]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and tied behind her head. She is attired in a dark-colored, diagonally striped, long-sleeved dress with a lace collar, a brooch, and a long necklace. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Cinnamon colored velvet with one large leaf., Mat: Octogonal., Case: Leather. Design is curved octagon within scroll and is Plate 219 in Floyd and Marion Rinhart's American miniature case art (Cranbury, NJ: A. S. Barnes and Co., Inc., 1969). Case made by William Shew who was active in Boston in the 1840s. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.10]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has dark hair that is parted in the middle and combed close to and tied back behind her head. She is attired in a long-sleeved, button down, plaid dress with ruffles at the cuffs and wears a matching, round, brooch necklace and earrings. She rests her right forearm on a table and her hands, forming slight fists, rest in her lap. Her cheeks and lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet. Fleur de lis in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Geometric design featuring a six-pointed star within a shield flanked by banners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.7]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle with ringlet curls on either side of her face, and tied behind her head. She is attired in a long-sleeved dress with a lace collar, a brooch, and a ring. She rests her right arm on a table covered with a patterned tablecloth, and she clutches a purse in her right hand. Her left hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pad: Faded red silk., Mat: Nonpareil., Case: Leather. Geometric design: A striated circle in the center within a striated oval. Nonpareil border. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.6]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Dark purple velvet with a scroll design in the center., Mat: Oval., Case: Square thermoplastic. On recto is a leaf design surrounded by scrolls. This design is #3-128 reproduced in Paul K. Berg's nineteenth century photographic cases and wall frames (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) The design on the verso is a bunch of grapes, #2-25 in Berg's book., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 1993, p. 17-24.
Date: [ca. 1850-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos -Dickerson Family Collection [P.9427.16]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, front facing portrait of a seated African American woman. Sitter has dark hair, parted in the middle, crimped, and looped behind her ears. She is attired in a dark-colored, silk dress with long, bell-shaped sleeves with trim details and ruching below the shoulder. She also wears a lace collar and cuffs. A pin adorns the front of her collar. She rests her left forearm on a book which sits atop a table covered in a patterned cloth in the right of the image. A ribbon adorns her left wrist and she wears a ring on her left forefinger. Her right hand rests in her lap. Her lips and upper cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Tinting on sitter's lips and upper cheeks., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Case design showing small vase of flowers in the center surrounded by ornate decorations is called "Flower Vase Motif" and is Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., Die-engraver's name on case design reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.15]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of an African American woman seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeve button-down, silk dress with a lace collar and cuffs. A broach adorns her collar. She also rests her right forearm and hand on a book which sits atop a table covered in a patterned cloth in the left of the image. She wears a ring on her right hand and her left hand, in a slight fist, rests in her lap. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Tinting on cheeks., Pad: Dark red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Same design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Reproduced on cover and on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.12]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of a seated African American woman posed behind a prop window frame. Sitter rests her left elbow and right hand on the bottom edge of the frame. Her left hand rests on her shoulder, near the side of her face. She has dark, crimped hair, parted in the middle and that is pulled back into a braided crown at the back of her head. She is attired in a dark-colored, satiny dress with a plunging V-neck and that is adorned with a frilled ribbon and long sleeves with ruching below the shoulder. She also wears a white V-neck collar adorned with a broach, frilled white cuffs, hoop earrings, and a ring on her right hand. Her cheeks and lips are tinted pink. Image also includes a creeping grape vine in the right of the image. Sitter probably from or related to the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Sitter's cheeks tinted pink., Name of daguerreotypist inferred from studio prop (window and trailing vine) visible in image., Pad: Bright red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Geometric design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Creator: Broadbent, Samuel, 1810-1880, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department cased photos [P.9427.13]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pink tinting on lips., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The"Flower Vase" design is reproduced as Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., The die-engraver's name is below the design in reverse, and properly reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000), Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.11]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with a white chemisette with a collar and under sleeves, a brooch, and a ring. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded red velvet with small floral spray in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Case design of a bouquet of flowers in an urn within a nonpareil border is called "The Romanesque Urn" and is Plate 141 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.14]

Title: [Portrait of an unidentified man]
Description: Bust-length, forward facing portrait of an African American man. Sitter is attired in a white collared shirt, a black bowtie, and a black jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pad: Red/brown velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. Spray of flowers in a nonpareil like border. Scroll work all around. Plain verso. Design called "Lily and Rose" and is Plate 114 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.), Gift of Mary P. Dunn, 1993., Reproduced on cover and on page 42 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.2]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of a woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a high lace collar, a brooch, hoop earrings, a ring, and a long necklace. She rests her right arm on a table covered with a patterned tablecloth, and her left hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Red velvet embossed Van Loan & Co's Gallery 118 Chesnut St. Philada. Geometric border., Mat: Nonpareil., Case: Leather. Spray of flowers in a nonpareil like border. Scroll work all around. A different floral spray within a modified double elliptical border is on the back. Design called "Lily and Rose" and is Plate 114 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.), Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021., Van Loan operated from 118 Chestnut Street circa 1849-circa 1851.
Creator: Van Loan & Co., photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.3]

Title: [Portrait of an unidentified man]
Description: Bust-length, portrait of an African American man facing slightly right. Sitter is attired in a white collared shirt and a dark-colored necktie and jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and sitter's attire., Pad: Red velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. A small floral spray is within a curlicued border within a modified oval. Scroll work all around. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.1]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: Views of the Wilson family on their estate
Description: Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Residences [P.9439.1-22]

Title: D.P. Brown
Description: Bust-length portrait of the Philadelphia lawyer, orator, dramatist, and a president of the Philadelphia Anti-Slavery Society. Brown, attired in a white collared shirt, a black bowtie, and a black jacket, sits facing slightly left., Title from manuscript note on mount., Date based on depicted age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1861]
Location: Library Company of Philadelphia | PRINTS cdv portraits - sitter - Brown [(1)5750.F.59e]

Title: The negro on the brain
Description: Photographic reproduction of a racist woodcut caricature showing Abraham Lincoln wearing a naked African American shaped as a stovepipe hat. Contains photographic reproduction of several lines of verse in English and German on verso: A goodly difference does exist; Among the party that did call; There is among them many a [one?]; Conservative and true at heart; But there are others [who insist?]; The white man's freedom would deny; To place them on an equal footing; No matter what the cost may be; Something is for the negro done; The negro on the brain., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5792.F.1a]

Title: President Lincoln's hearse
Description: Photographic reproduction of a print showing the five horse-team drawn catafalque carrying the flower-covered casket of the President stopped in front of a church. White men funeral officials, attired in black suits and top hats, attend the horses and hearse. Mourners line the city street, including an African American man., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by Henszey & Co., Photographers, No. 812 Arch St., in the Clerk's Office of the District Court, for the Eastern District of Pennsylvania., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Henszey & Co.
Date: 1865
Location: Library Company of Philadelphia | Print Department cdv - Henszey & Co. - Lincoln [5792.F.48b]

Title: Rev. Thomas Brainerd
Description: Bust-length portrait of the Philadelphia Presbyterian minister, abolitionist, and founder of the Union League. Brainerd, attired in a white collared shirt, a white bowtie, and a black jacket, looks at the viewer., Title from manuscript note on mount of (1)5750.F.55a., Date based on photographic medium and attire of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department portrait photographs - sitter - B [(1)5750.F.55a&56c]

Title: [Men harvesting hay on the Stouton farm, Philadelphia, Pa.]
Description: Depicts a group of men harvesting hay in the field behind Stouton. Three African American men stand on and near a horse-drawn cart overloaded with hay, while a white man and two boys stand near a horse-drawn plow, operated by a man neatly attired in a long shirt and tie. Stouton, the former country seat of William MacPherson, was inhabited by the Webster family beginning in 1805., William MacPherson was the son of Captain John MacPherson (1726-1792) from Edinburgh. William served as lieutenant for the British army during the first year of the Revolutionary War, but joined the Colonial army under the leadership of Lafayette. Appointed surveyor of the Port of Philadelphia in 1789 and commanded the Philadelphia battalion, the "MacPherson Blues", during the Whiskey Insurrection in 1794. Married Margaret Stout and resided at their country seat "Stouton". Site later named MacPherson Park., Attributed to John H. Webster but may have been taken by other Webster family members.
Creator: Webster, John H., 1861-1934, photographer
Date: ca. 1890
Location: Library Company of Philadelphia | Print Department Webster [P.9501.24]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

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