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Title: Bethel African Methodist Episcopal Church, Philada Founded in 1794 by the Revd. Richard Allen, Bishop of the first African Methodist Episcopal Church in the United States. Rebuilt in 1805
Description: Exterior view of the rough cast second edifice of the African American church at 125 South 6th Street. Pedestrians and church attendees, predominately women, stroll the sidewalk and enter the house of worship adorned with a simple stone tablet inscribed, "Bethel Church." Known as "Mother Bethel," the church was formed from African American congregants discriminated against by the Methodist Episcopal Church. The 1805 building, the site of the first convention of the Unified African Methodist Episcopal Church, stood until 1841 when a third building was erected on the site., Title from item., Kennedy and Lucas, operated by David Kennedy and William B. Lucas, printed the city's first commercial lithographs, a series of church subjects drawn by W.L. Breton, probably including "Mother Bethel.", Philadelphia on Stone, POS 39, Wainwright retrospective conversion project, edited., Description revised 2021., Accessioned 1965., Access points revised 2021.
Creator: Breton, William L., artist
Date: July 1829
Location: Library Company of Philadelphia | Print Department W26 [7500.F]

Title: Centennial Westward the course of empire takes its way
Description: Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Ames, Daniel T., artist
Date: 1876
Location: Library Company of Philadelphia | Print Department ***BW - Centennial [P.9974.2]

Title: City Marble Works and Steam Mantel Factory. Corner Tenth and Vine Streets Philadelphia. J.E. & B. Schell
Description: Advertisement depicting a corner view of the three-building showroom and factory operated by the Schells from 1853 until 1856. J.E. Schell continued the business as J.E. Schell & Company starting in 1857. On Tenth Street, patrons enter the four-story storefront and mantle room adorned with signage and statuary displayed on a second floor veranda. At the corner, a coach waits, the disembarked African American man driver standing at the ready. On Vine Street, behind the showroom, a family of passerby admire the marble statuary, monuments, and headstones in the factory's fenced-in yard. White men factory laborers load a headstone onto a horse-drawn cart, inspect open crates lining the street, and review slabs of marble outside the factory's storage building. Partial views of adjacent buildings and the "10th" Street carriage are visible., Title from item., Although Wainwright suggests date of publication as circa 1855, date of circa 1854 is used since Rease relocated to the new business address of 97 Chestnut Street as of 1855., Text printed on recto: Having greatly improved their facilities for the Manufacture of every variety of Marble Works embracing the best styles of Mantels, Table Tops, Flooring, Tombs and Monuments, are prepared to supply all orders upon reasonable terms., Philadelphia on Stone, POS 134, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease & Schell, artist
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W71 [P.2032]

Title: Commissioners Hall, Northern Liberties, Phila
Description: Exterior winter view of the hall as it looked on February 22, 1852, with adjoining fenced property, adorned with an American flag, and containing the district's police station and Mayor's office, on the busy, snow covered Third Street between Buttonwood and Green streets. Several warmly dressed white pedestrians, hall officials, and a policeman mill about and converse on the sidewalk; white children throw snowballs and play with a sled; horse-drawn sleighs pass by; white men shovel snow off the street and hall steps; and an African American man carrying a basket of celery and a dead goose stops in the street and looks behind him and toward the passing sled. A broadside inscribed, "Washington, 22nd Feb. 1852" adorns a nearby building. Prior to the city's consolidation with bordering townships in 1854, neighborhoods maintained and housed their own police stations, mayors, and other government officials in Commissioners Halls, including Northern Liberties. Built in 1814, the Northern Liberties' hall served as the quarters of the Northern Liberty Barracks until the American Revolution, and was torn down circa 1869 for the erection of Northern Liberties Grammar School., Title from item., Date of publication supplied by Wainwright., Reproduced in Edwin Wolf's Philadelphia: Portrait of an American city (Philadelphia: Camino Books in cooperation with the Library Company of Philadelphia, 1990), p. 199. Incorrectly identified as Commissioners Hall, Spring Garden., Philadelphia on Stone, POS 151, Print described in Public Ledger, July 1, 1853., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Kuchel, Charles Conrad, 1820-, artist
Date: [1853]
Location: Library Company of Philadelphia | Print Department **W79 [P.2034]

Title: Concentrated leaven or bread powders
Description: Advertisement for baking powder depicting an African American woman cook, portrayed as a racist caricature, displaying her oversized bread to a white woman. In the right, the African American woman, attired in a yellow kerchief, hoop earrings, a red dress with the sleeves rolled up, a white apron, white stockings with red stripes, and yellow shoes, holds a shovel in her left hand and points to the bread with her right hand. The gargantuan bread in the pan rests on a table covered in a white tablecloth alongside other pans of baked goods. Behind the table, the brown-haired, white woman, attired in a white dress with blue stripes with lace at the neck and sleeves, holds her hands up in shock over the over-proved bread. Underneath the table, the cook’s young daughter, attired in a short-sleeved yellow dress, sits on a rug and makes bubbles with a bowl and stick to play with a cat. Image also includes an oven and a metal basin., Not in Wainwright, Title from item., Date from content., Philadelphia on Stone, POSP 40, Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [(7)1322.F.441b]

Title: Destruction by fire of Pennsylvania Hall. On the night of the 17th May, 1838
Description: Exterior view of Pennsylvania Hall engulfed in flames. A large crowd looks on. Fire fighters spray water on an adjoining building. Pennsylvania Hall was constructed 1837-1838 at Sixth and Haines Streets in Philadelphia as a meeting place for local abolitionist groups. Dedication ceremonies began on May 14, 1838 and continued over several days in a climate of growing hostility. On the night of May 17, 1838, a mob stormed the Hall and set it on fire. Fire companies refused to fight the blaze, and the building was completely destroyed. Bowen issued this print commemorating the event within a few days of the fire., Title from item., Artist and publication information supplied by Wainwright., Philadelphia on Stone, POS 179, Gift of Mrs. S. Marguerite Brenner, 1984., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: [1838]
Location: Library Company of Philadelphia | Print Department *W94 [P.9057.27]

Title: Foering & Thudiums cheap stove ware-house
Description: Advertisement depicting the three-and-a-half story warehouse operated by Frederick Foering and C.A. Thudium at 87 North Second Street. In the open entranceways, a white man clerk assists a white woman shopper and an African American laborer lifts a stove. Displays of stoves line the sidewalk and the store walls. On the second floor near open windows, white laborers work. A horse-drawn cart departs an adjoining exitway. Foering and Thudium, one of the city's first domestic stove manufacturers, started in business in 1828, and operated on North Second Street from 1845 until 1847., Print trimmed and lacking caption., Title from item., Date from Poulson inscription on recto: Dec. 1846. North Second Street., Philadelphia on Stone, POS 266, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., lithographer
Date: [December 1846]
Location: Library Company of Philadelphia | Print Department *W132 [P.2045]

Title: Girard-college
Description: View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Copyrighted by Augustus Kollner in New York., Plate 9 of series of fifty-four views published by Goupil, Vibert and Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 316, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: 1848
Location: Library Company of Philadelphia | Print Department BW - Education [P.2283.23]

Title: Girard-college
Description: View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Plate 9 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 305, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Education [P.2283.15]

Title: Goodyears Rubber-Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description: Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Luders, E., artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W158 [P.2080]

Title: Goodyears Rubber, Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description: Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Luders, E., artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W159 [P.2079]

Title: Hart, Montgomery & Co. Successors to Isaac Pugh & Co. Manufacturers and importers of paper hangings, No. 118 Chestnut Street, Philadelphia. Manufactory N.E. Cor. Schuyl[kill] Front & Wood Streets
Description: Exterior view of the manufactory operated from 1849 until 1860 by William Hart and A.J. Montgomery at Schuylkill Front (i.e., Twenty-second) and Wood Streets depicted within a lithographed tromp l'oeil wood frame. A horse-drawn cart stands idle by a side entrance of the multi-storied factory and four goats roam a nearby yard. Smaller factory buildings are visible to the right. Horse-drawn delivery carts, one steered by an African American man, travel pass each other on the adjacent street. Pedestrians and laborers walk the sidewalks and converse near a street lamp. Eastern State Penitentiary is visible in the background. During the mid-nineteenth century, Philadelphia was the premier American city of fine wallpaper production., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Philadelphia on Stone, POS 344, Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., artist
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department **W169 [P.2072]

Title: Henry Simons. Wagon & U.S. national coach works. Philadelphia
Description: Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Creator: Rease, W. H., artist
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department **W174 [P.2143]

Title: High Street and market shambles
Description: View looking east from above Third and High (Market) streets showing the High Street Prison built circa 1723 and the nearby old market stalls during the colonial era. Shows white men in colonial attire walking on the sidewalks and street. In the right of the image, an African American man walks beside a white man. Two African American men are depicted in a stockade and attached to a whipping post near the jail. The man attached to the whipping post is attired in a white cloth that is tied around his waist. The prison operated until the early 1770s when replaced by the Walnut Street Prison. The market shambles were replaced by the permanent Jersey Market circa 1765., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 301., Title from item., Philadelphia on Stone, POS 354, Gift of James Rush., Description revised 2021., Access points revised 2021., RVCDC, Free Library of Philadelphia: Philadelphiana - Streets - High (2 copies)
Creator: Breton, William L., artist
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Markets [9245.Q.21]

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: The International Exposition 1876 at Philadelphia, PA. U.S.A View from George's Hill
Description: Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator: Ellsbury, George H., lithographer
Date: 1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.8966]

Title: John Hibler, importer & wholesale dealer in foreign & American wines & liquors. No. 56, North Third Street, (second door above Arch,) Philadelphia
Description: Advertisement depicting the four-story shop containing signage advertising wines & liquors. The doors, windows, and cellar are open for business. Inside the shop, wine casks, crates, jugs, and bottles line the floors and a laborer raises a cask with a pulley. Outside, a white man laborer loads casks onto a horse-drawn cart. In the right, an African American man peddler with a basket and ringing a bell passes by. Partial views of the adjacent stores, possibly an apothecary and bolting cloth business, are visible. Hibler, operated the wine business at the location from 1840 until 1844, where afterward he operated a grocery., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 410, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until 1872.
Creator: Rease, W. H., lithographer
Date: [1844]
Location: Library Company of Philadelphia | Print Department *W203 [P.2116]

Title: Lacey & Phillips
Description: Advertisement depicting William N. Lacey's and Samuel R. Phillips' busy four-story equestrian store at 12 South Fifth Street selling "ladies and gentlemen's saddles, single and double harnesses, and bridles and whips." Saddles, bridles, harnesses, and blankets are prominently displayed in the storefront window and on the building facade. On the upper floors, several white men employees work by open windows. Elegantly dressed, white men patrons converse near the entryway and four horses are lined up in the street awaiting and receiving service including a pair reined in by an African American man coach driver. Partial view of the adjacent building containing the carpenter, W.B. Morrell, is visible. Lacey and Phillips, established in 1845, remained at the site until 1854. The firm, known as the finest horse equipment makers in the world, won the first and only prize medal for harness at the World Fair in 1851 and a gold medal at the Exhibition of the Industry of All Nations in 1853. The South Fifth Street address was damaged by fire in 1854 and the firm relocated to larger facility at 14 and 16 South Seventh street in 1855. Lacey died in 1860 and the firm was renamed S.R. Phillips Company. Phillips Company remained in business until circa 1880., Title from item., Date from Poulson inscription on recto: Aug. 1847., Philadelphia on Stone, POS 425, Print trimmed and lacking caption., Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., artist
Date: [August 1847]
Location: Library Company of Philadelphia | Print Department *W215 [P.2108]

Title: Leadbeater's renowned stove polish
Description: Racist advertisement for Leadbeater & Co.’s stove polish depicting a white woman and an African American woman polishing stoves. In the left, the brown-haired white woman, attired in a blue ruffled dress, white gloves, a necklace, and bracelets, stands holding a bottle of Leadbeater’s stove polish in her left hand, which she brushes onto a heating stove. In the right, an African American woman domestic, attired in a yellow head kerchief, gold hoop earrings, a red collared shirt with the sleeves rolled to her elbows, and a green skirt with black stripes, kneels as she brushes polish on the cooking stove. She turns her head to see her reflection on the stove in the left. Also visible in the image are a framed portrait, landscape, and still life, and a green sideboard with white plates and a cup. Leadbeater & Company, was a one year partnership between Philadelphia stove polish merchants, F.C. Leadbeater and D.L. Wells, at 920 Market Street., Title and date from manuscript note written on recto: Leadbeater's Renowned Stove Polish; Feb. 1861., Not in Wainwright, Philadelphia on Stone, POSP 134, Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Date: [February 1861]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [(7)1322.F.441a]

Title: London Coffee House
Description: Exterior view of the coffee house and merchants' exchange at the southwest corner of Front and Market streets in Philadelphia during the colonial era. An auction of enslaved African American people occurs outside the coffee house and pedestrians traverse the sidewalks and street, including an African American woman carrying a basket on her head. Views of the adjacent printing house and book store of "Pennsylvania Journal" publisher, William Bradford, are visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. Razed in 1883., Title from item., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 339., Philadelphia on Stone, POS 442, Gift of James Rush., Description revised 2021., Access points revised 2021.
Creator: Breton, William L., lithographer
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Hotels, Inns, Taverns [9245.Q.20], http://www.lcpimages.org/afro-americana/F-London.htm

Title: Louis L. Peck manufacturer & dealer in burning fluid varnishes, pine oil, virgin & sp[iri]ts of turpentine absolute, apothecaries, deodorized and fluid alcohol, of a superior quality linseed oil, white lead, lamps of every description, German & English bronzes, Dutch metal, sand paper, &c Hecker's farina, family flour, & Hope Mills pure ground spices. Flour & farina store, 101 S. Front St. Varnish Store, 15 Dock Street. Lamp, pine oil & fluid store, 3 & 5 N. Eighth St. Philadelphia
Description: Advertisement showing the busy street corner at Front and Walnut streets near the Delaware River with a view of the building containing the oil manufactory, and the flour and farina store. The scene is depicted within a lithographed tromp l'oeil wood frame containing an inset of an exterior view of Peck's Works at Dock Street. Delivery wagons and drays traverse the business-lined streets, including one for Peck's driven by an African American man. Pedestrians walk the sidewalks and cross the intersection, and a white boy rolls a hoop past a white woman peddler sewing by her food stand. Visible in the background are the busy Walnut Street Ferry wharf and Smith and Windmill Islands in the Delaware River. Louis L. Peck's varnish business operated from around 1848 until 1855., Title from item., Date supplied by Wainwright., Printed below the image: Orders for the City, Country, or Shipping put up, with Care and Despatch, at the lowest market prices., Philadelphia on Stone, POS 444, Reproduced in Edwin Wolf's Quarter of a millennium (Philadelphia: The Library Company of Philadelphia, 1981, rev. 1990), p. 177., LCP exhibition catalogue: Made in America #79., Lithograph reproduced on the cover of Nicholas B. Wainwright's Philadelphia in the romantic age of lithography (Philadelphia: The Historical Society of Pennsylvania, 1958). Proof of cover in the Library Company's collections (W222.1)., Accessioned 1982., Description revised 2021., Access points revised 2021., Wagner & M'Guigan, was an early successful experimenter in chromolithography, winning a silver medal at the 1844 Franklin Institute exhibition.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department **W222 [P.2134]

Title: Market Street, from Front St
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.3, Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (3 copies; 2 hand-colored), Snyder, Martin. "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography (January 1953, Vol. LXXXVII), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: c1840, 1848
Location: Library Company of Philadelphia | Print Department W227.3 [P.2099]

Title: McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue]
Description: Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W.H, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department **W230 [P.2129]

Title: Melloy & Ford, wholesale tin ware manufacturers
Description: Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates," "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements, including a large scale model of a coffee pot, contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a white man and woman couple strolls, two white laborers lift a crate onto a horse-drawn sulky, and a woman customer enters the store. An African American man peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address., Title from item., Date from Poulson's inscription on recto: Mar. 1849; Market Street., Philadelphia on Stone, POS 465, Print trimmed and lacking caption., Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., artist
Date: [March 1849]
Location: Library Company of Philadelphia | Print Department *W231 [P.2105]

Title: The old Phila. fire department. Period of 1850. The great engine contest on Sunday evening July 7th 1850 at 5th & Market sts
Description: Arousing scene after the memory of Spieler showing the city's volunteer fire companies battling the July 7, 1850 fire at Peter Wright & Sons glass store on the north side of the 500 block of Market Street. Shows firefighters, in full uniforms, congesting the street around the market houses and in front of the burning building. Members, including an African American firefighter, from the United States, Vigilant, Diligent, Southwark, Pennsylvania, Weccaco, Liberty, and several other companies battle the blaze using hand pump engines and hose carriages. The men run and connect hoses, transport the vehicles, and spray streams of water at the smoking building that also contains the businesses of Hieskell, Hoskins & Co., dry goods and James Smith & Co., booksellers and publishers. Other firefighters pump the engines, blow trumpets, and stand on the roof of the storefronts. Several lines of hoses, several weighed down and or leaking water, criss cross in the street in the foreground. Clusters of spectators, including men, women, and children gather near the firefighters and under the market sheds. Also shows the neighboring buildings on the block, including Pennington's Merchants Dining saloon, which sounded the first alarm bell., Not in Wainwright., Copyrighted by Chas. H. Spieler., Philadelphia on Stone, POSP 250, Historical Society of Pennsylvania: Bc 814 S 753. HSP copy contains handbill describing the provenance of the scene. Transcription of handbill included with LCP copy of print., Free Library of Philadelphia: Oversize - Philadelphiana - Fire Companies
Creator: Sched, H., artist
Date: c1882
Location: Library Company of Philadelphia | Print Department **BW - Events [P.9504.5]

Title: Penn Hotel & Denny's harness shop
Description: Advertisement depicting the three-and-a-half-story building containing the hotel and tavern operated by John Thompson at 329 Market Street and Robert Denny's saddles and harness store at 327 1/2 Market Street. Harnesses and other horse paraphernalia hang from the shop's display window and entranceways, including a stable entrance marked, "Entertainment for Horses." In front of the building, a white man with his horse enters the marked entrance; a white man clerk from Denny's converses with a white man customer by a stack of trunks; and other horses rest nearby and in front of the adjacent hardware store, including one attached to a sulky attended by an African American man. Hotel guests stand near the second floor windows and enter the hotel entrance. The hotel, tavern, and harness and saddle store resided together at the site only for the year 1848 to 1849., Date from Poulson inscription on recto: Dec. 1848 No. 327 1/2 Market Street., Philadelphia on Stone, POS 550, Print trimmed and lacking caption., Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease, W. H., artist
Date: [December 1848]
Location: Library Company of Philadelphia | Print Department *W270 [P.2156]

Title: Pennsylvania Hall
Description: Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall was erected in 1838 as an arena for "free discussion." On May 17, 1838, after 3 days of interracial dedication ceremonies and services, hostile mobs set the hall on fire. The ruin continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from item., Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Published in: [Samuel Webb's] History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the plate to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Philadelphia on Stone, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W274 [P.2159]

Title: The Philadelphia Firemen's Anniversary Parade March composed for his brass band expressly for the occasion, arranged for the piano forte and respectfully dedicated to the Fire Department by Francis Johnson Philadelphia. [graphic] / Designed & drawn on stone by J. Queen ; P.S. Duval Lith.
Description: Sheet music cover. Wainwright originally dated ca. 1848., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: Sheet music collection 8189.F., Historical Society of Pennsylvania:
Creator: Queen, James Fuller, 1820 or 21-1886 artist., creator
Date: 1837-1842.
Location: http://www.lcpgraphics.org/wainwright/W392.htm, Library Company of Philadelphia Print Dept. W392 [Sheet music 8189.F]

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department W315 [P.2179]

Title: Shad fishing (taking up the net.) On the Delaware opposite Philada. Glo'ster bleaching mills in the distance
Description: View of several fishermen, including African American men, most waist deep in the river and all but one in a semi-circle, gathering up their catch into a rowboat. A Philadelphia pier lined with residences, the mills of Gloucester, New Jersey, and sailboats on the river are visible in the foreground and background., Title from item., Date from manuscript note written on recto: April-May 1855., Philadelphia on Stone, POS 691, Accessioned 1982., Description revised 2021., Access points revised 2021., Queen was a premier Philadelphia genre, nature, and advertisement lithographer who with fellow lithographer P.S. Duval, was an early successful chromolithographer.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: [1855]
Location: Library Company of Philadelphia | Print Department *W335 [P.2189]

Title: State-House
Description: Exterior view from the southeast showing the intersection of Sixth and Chestnut streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, omnibuses, delivery carts, an African American man porter pushing a hand-cart, and white men, women, and children strolling and conversing. Visible on the northeast corner of Sixth Street is Hart's Building, a row of stores and offices owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected in 1848., Title from item., Plate 11 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 721/722, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Government Buildings [P.2283.20]

Title: State-House
Description: Exterior view from the southeast showing the intersection of Sixth and Chestnut streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, omnibuses, delivery carts, an African American man porter pushing a hand-cart, and white men, women, and children strolling and conversing. Visible on the northeast corner of Sixth Street is Hart's Building, a row of stores and offices owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected in 1848., Title from item., Not in Wainwright., Plate 11 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 721/722, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: [1848]
Location: Library Company of Philadelphia | Print Department *BW - Government Buildings [P.2283.26]

Title: Terrible conflagration and destruction of the steam-boat "New Jersey," On the River Delaware, opposite Philadelphia, on the night of Saturday, March 15th, 1856, between 8 and 9 o'clock, by which dreadful calamity sixty-one lives were lost. Names of all on board
Description: Dramatic view of the steamboat engulfed in flames and smoke, the captain still at the helm as the passengers escape into the icy river. Panicked-looking passengers jump into the water already teeming with disaster victims, including an African American man, who thrash, swim, and attempt to stay upon and assist others onto cakes of ice, debris, and a single rowboat. Rescuers from the nearby wharf, including firemen, work in a frantic manner and desperately throw a rope to a white woman standing on an ice floe. Also shows a horse on the fire engulfed deck and a white woman propelled by a flame off of the rear of the boat. A sign for "Baths" is visible on the riverbank in the background. Contains the names of the 107 white and "colored" dead, missing, and saved passengers in three columns below the image. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as a result of defective boilers, a fireplace, and brick work. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river., Title from item., Date supplied by Wainwright., Copyrighted by A. Pharazin., Philadelphia on Stone, POS 744, Accessioned 1982., Description revised 2021., Access points revised 2021.
Date: [1856]
Location: Library Company of Philadelphia | Print Department *W478 [P.2252]

Title: Trotting cracks of Philadelphia returning from the race at Point Breeze Park Having a brush past[sic] Turner's Hotel, Rope Ferry Road, Philadelphia, 1870. Respectfully dedicated to the lovers of horses and the sporting public in general by the publisher
Description: View depicting eighteen trotting horse teams racing on a dirt path passed the South Philadelphia hotel, surrounded by lush trees and near an open stable. White men stand on the covered porch and converse and watch the teams including one steered by a one-armed gentleman. Near the stable, a white boy and an African American man, probably a stablehand, wave their hats at the racers. Contains a key to the names of all the race horses below the image. The park, established in 1855 by the Point Breeze Park Association of sportsmen, promoted trotting races as agricultural exhibitions to circumvent an 1817 city ban of horse racing. The park was sold to a private owner in 1901 and later sold for an amusement park in 1912., Title from item., Date from copyright statement: Entered according to Act of Congress, in the Year 1870, in the District Court of the United States for the Eastern District of Pennsylvania., Copyrighted by H. Pharazyn., Philadelphia on Stone, POS 760, LCP exhibition catalogue: Philadelphia revisions #40., Lib. Company. Annual report, 1974, p. 58-59., Purchase 1974., Description revised 2021., Access points revised 2021.
Date: 1870
Location: Library Company of Philadelphia | Print Department **BW - Recreation [8094.F]

Title: U.S. Custom House (formerly U.S. Bank)
Description: Exterior view of a classical style building constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house from 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Title from item., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Not in Wainwright., Philadelphia on Stone, POS 763, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: 1848
Location: Library Company of Philadelphia | Print Department *BW - Banks and Financial Institutions [P.2283.27]

Title: U.S. Custom House (formerly U.S. Bank)
Description: Constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Title from item., Date inferred from content., Not in Wainwright., Philadelphia on Stone, POS 763, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 4th-5th, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Banks [P.2283.19]

Title: View of the department for coloured children of the House of Refuge Looking from the north west
Description: Exterior view of department buildings, including the girls' and boys' dormitories; girls' dining and sewing rooms; boys' school rooms; and the superintendent's rooms. A tall brick wall surrounds the rear and sides of the complex of buildings. Two men and a boy convene on the grounds in the foreground. The buildings, located between Parrish and Brown Streets between 22nd and 24th Streets, opened in 1850. The House of Refuge opened in 1828 at 15th and Coates streets, i.e., the 1500 block of Fairmount Avenue. Boy and girl residents attended school and worked at a variety of employments, including book binding and shoe making (boys) and washing and cooking (girls)., Title from item., Frontispiece of the Thirtieth annual report of the Board of Managers of the House of Refuge (Philadelphia: Printed by Henry B. Ashmead, 1858) (LCP Am 1858 Phil Hou 14483.O.7), Philadelphia on Stone, POS 792, Originally part of Charles A. Poulson's scrapbook of illustrations of Philadelphia [(1)1525.F.41a]., Gift of Clarence Wolf, 2013 [P.2013.81.8]., Description revised 2021., Access points revised 2021.
Date: [1858]
Location: Library Company of Philadelphia | Print Department W426 [(1)1525.F.41a & P.2013.81.8]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: White's great cattle show, and grand procession of the victuallers of Philadelphia
Description: Lithograph after genre painter John Lewis Krimmel's 1821 watercolor, "Parade of Victuallers." Depicts a view from publisher M. Carey & Son's Bookshop at the southeast corner of Fourth and Chestnut streets of the March 15, 1821 trade union parade organized by butcher William White to celebrate, promote, and sell the city's high quality meat stock. The streets, balconies, doorways, and open windows teem with spectators, including an African American man oyster peddler sitting upon his cart and a small white boy displaying an illustrated banner inscribed, "Fed by William White." Image includes: the crowd watching white smocked victuallers on horseback turn on to Fourth Street pass the grocery of William Whelan; a two-tier horse-drawn platform with a band and a handler with a live ox and banner inscribed, "Fed by Lewis Clapier"; carts of meat; floats, including a replica of the ship, "Louis Clapier"; and a hot air balloon inscribed, "Fed by White," floats in the sky. Contains text from detailed local newspaper accounts of the event below the image. Also contains a seal of butchers with the motto: "We Feed the Hungry.", Title from item., Fate inferred from content., Philadelphia on Stone, POS 837, See Anneliese Harding's John Lewis Krimmel: Genre artist of the early Republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 215-218. (LCP Print Room Reference)., See Milo Naeve's John Lewis Krimmel: An artist in Federal America (Newark: University of Delaware Press, 1987), p. 116-118., See Philadelphia: Three centuries of American art (Philadelphia: Philadelphia Museum of Art, 1976) #211., See LCP exhibition catalogue: Made in America #33., See LCP exhibition catalogue: Noteworthy Philadelphia, p. 27., Free Library of Philadelphia holds version printed circa 1850 by George Dubois. [Oversize Philadelphiana - Processions]., Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department **BW-Processions [P.8970.29]

Title: Williams Ogle, coach & harness maker No. 280, Chesnut [sic] Street, above 10th south side, Philadelphia Premium coach
Description: Advertisement showing an elegant coach parked in front of the ground floor of "Ogle's. Coach Manufactory" on the 1000 block of Chestnut Street. An African-American coachman stands behind the lively two-horse team hitched to the coach that is adorned with fringe on the drivers' seat, a lamp, and window shades. Two gentlemen converse in the street at the rear wheels of the vehicle and a couple admires if from the sidewalk. The figure of an animated horse adorns the "280" sign displayed above the entrances to the building. Ogle, previously of Ogle & Watson, operated as a sole proprietor from the address 1847-1850., Date supplied by Wainwright., Philadelphia on Stone, Wainwright retrospective conversion project, edited.
Creator: Rease, W. H., artist
Date: [ca. 1847]
Location: Library Company of Philadelphia | Print Department *W457 [P.2243]

Title: [Wine & liquor store. Charles Egner 10 North Third Street, Philadelphia]
Description: Advertisement showing the busy four-story storefront for "Charles Enger Wine & Liquor Store." Two white gentleman converse near a row of stacked barrels within the store and two male workers, including an African American man, hoist a barrel at the second entranceway. In front of the open cellar to the building, a white man employee rolls one of several barrels lined on the sidewalk. To the left of the worker, three barrels stand upright and a white gentleman approaches. Also shows boxes in the first-floor store window; the shutters and windows of the upper floors in various states of being open; and partial views of the adjacent buildings., Poulson inscription on recto: N. Third St. Third Street. Oct. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 845, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking title., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Breton, William L., approximately 1773-1855, artist
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department W460 [P.2244]

Title: Wm. D. Rogers' coach and light carriage manufactory, corner of 6th & Master Streets, Philadelphia Carriages of every description built to order, which for style, durability & elegance of finish, shall not be surpassed by any in the country. The work is conducted under the immidiate superintendance [sic] of the proprietor, who is himself a practical coach maker. N.B. orders from any part of the world, promptly executed. Southern & western merchants will find it to their advantage to call at this establishment. The 6th St. line of omnibuses run from the exchange to the factory every few minutes
Description: Advertisement depicting an exterior view of the Rogers' industrial complex, the "model coach factory of America," at the busy corner of Sixth and Master streets. A white man clerk displays a carriage to a man and woman couple as laborers work on the upper stories. Drays, surreys, "Rogers" delivery carts, and a young African American man with a horse traverse the intersection. A white man passenger disembarks from a Sixth Street line horse-drawn omnibus near the factory entrance. A second omnibus rests at the corner, the white man driver unhappily receiving a citation from a white man constable; his young, white boy passenger watching with a look of awe sitting beside his mother. Rogers, the business established in 1846, and the factory erected in 1853, absorbed rival manufactory George W. Watson in 1870. The business operated over sixty years., Title from item., Date supplied by Wainwright., Philadelphia on Stone, POS 855, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease & Schell, artist
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W464 [P.2268]

Title: Wootten's excelsior stove lustre or pure black lead Prepared by John Wootten, Jr. No. 94 Spruce St. Wholesale Depot, no. 13 North Third Street Phila
Description: Racist advertisement promoting Wootten’s Excelsior Stove Lustre and depicting an African American man, portrayed in caricature, polishing a stove. Shows the African American man servant, barefoot and attired in a plaid, collared shirt and pants, kneeling before a stove with a brush in his left hand. On the floor in front of him is a glass of water, an open can of polish, and a box labeled, Wootten’s Excelsior Stove Lustre or Pure Black Lead. In the right, a white woman stands wearing her brown hair in a bun and attired in an off-the-shoulder dress with a bow at the chest and lace sleeves. She looks toward the man and asks, “Uncle Tom whose blacking is that you are useing [sic].” He replies in the vernacular, “La Missey don’t you know dat -- dat is Wooten's Lustre." To the left of the woman, a black cat stands on a wooden chair with its back raised and looks at the man. Also visible in the image are plates, bowls, and cups on shelves, another wooden chair, and an open window that has a potted plant on the ledge. John Wootten Jr. (1820-1872) is listed in the 1861 Philadelphia city directory as a blacking maker., Title from item., Date from Poulson inscription on recto: Mar. 28 -59; S. 4 (old no.) Spruce Street., Not in Wainwright., Text printed on recto: For polishing and beautifying stoves, this Lustre stands unrivalled. It may with perfect justice be called The Housekeeper’s Choice; it gives a more brilliant appearance, retains it gloss longer, and requires Fifty per cent less labor than any other preparation in existence, when moistened with a little water, and applied vigorously to iron work of any kind, the effect is truly magical; housekeepers and others are well aware what great labor is requisite, and time expended in the attempt to give a fine polish with many of the lustres sold at the present day – here however both these evils are remedied; a beautiful gloss is obtained in a few minutes, and without scarcely any exertion whatever. Another advantage which this article possesses over all others, is, that it tends to preserve the iron from the deleterious effects of damp and rust, which so often render a stove entirely useless in the course of a few seasons. This Lustre is prepared with great care from the very best lead that can be found in the market, and is entirely free from all those foreign substances which so greatly destroy the efficacy of other articles.", Philadelphia on Stone, POSP 279, Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Sinclair, Thomas S., approximately 1805-1881, lithographer
Date: [March 28, 1859]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.21]

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