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Title: The fugitives
Description: Engraving depicts an episode from Chapter XIV, "How the Flight Ended." Here, the fictional characters Maum Guinea, Rose, and Hyperion, fugitive slaves hiding in a cavern, are discovered by a party of whites that includes a colonel and a judge., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 206., Fels Afro-Americana Image Project, Resistance.
Creator: N. Orr & Co., engraver
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 206, https://digital.librarycompany.org/islandora/object/Islandora%3A2807

Title: Turning the tables on the overseer
Description: Bitter anti-slavery print depicting a group of slaves about to whip their white overseer, who has been bound to a tree on the plantation grounds. Before the overseer, the male slave holding the whipping lash boldly pulls up his sleeve as the slave next to him takes off his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Illustration in New York Illustrated News, November 28, 1863, p. 73., Also published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first black press to publish separate prints., Fels Afro-Americana Image Project, Resistance.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per D 8.5 1571.F Nov 28 1863 p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2863

Title: [B stands for bloodhound]
Description: Image is accompanied by a verse, which begins as follows: "B Stands for Bloodhound. On merciless fangs / The slaveholder feels that his "property" hangs, /." With his arms extended over his head, an escaped slave falls to his knees. Behind him, a bloodhound bites at his shoulders and claws his thigh; two other dogs surround him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette B, https://digital.librarycompany.org/islandora/object/Islandora%3A2814

Title: [F stands for fugitives]
Description: Image is accompanied by a verse, which begins as follows: "F Stands for Fugitives hasting from wrath, / And furies are hot on their dangerous path. /." A group of four fugitive slaves, including a mother and child, hide in a thicket, hoping to avoid the bloodhounds who trail them. To the left, in the distant background, an American flag waves., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette F, https://digital.librarycompany.org/islandora/object/Islandora%3A2815

Title: [K stands for kidnapper]
Description: Image is accompanied by a verse, which begins as follows: "K Stands for Kidnapper. Whoso receives / What others have stolen, is leagu'd with the thieves. /." In this night-time scene, a bearded kidnapper uses one knee to pin a fugitive slave to the ground in a face-down position. With a dagger between his teeth, the kidnapper leans over the slave, and bends his left arm behind his back. Handcuffs lie on the ground next to him., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Fugitives.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette K, https://digital.librarycompany.org/islandora/object/Islandora%3A2816

Title: A typical negro
Description: Three engravings accompanying the article "A Typical Negro." The text identifies them as "portraits" of Gordon, a fugitive Mississippi slave who joined the Union army in Baton Rouge. According to the unnamed author, the engravings were taken from photographs by McPherson and Oliver. The engraving on the left bears the title "Gordon as he entered our lines." It shows Gordon sitting on a stool with his hands folded on his lap and one leg crossed over the other. His clothing is frayed and tattered, and he wears no shoes. As the author explains, Gordon "entered our lines, with clothes torn and covered with mud and dirt from his long race through the swamps and bayous, chased as he had been for days and nights by his master with several neighbors and a pack of blood-hounds; . . . ." The middle engraving is titled "Gordon under medical inspection." Here, Gordon is seated on a stool with his bare back facing the viewer. The image offers a detailed view of the wounds and scars that cover his back. As the author commented, the engraving "shows him as he underwent the surgical examinations previous to being mustered into the service -- his back furrowed and scarred with the traces of a whipping administered on Christmas day." The portrait on the right is titled "Gordon in his uniform as a U.S. soldier." It shows Gordon in full military uniform, with all of his gear and his musket. This engraving, the author notes, "represents him in United States uniform, bearing the musket and prepared for duty.", Illustration in Harper's Weekly, vol. 7, no. 340 (July 4, 1863), p 429., Fels Afro-Americana Image Project, Fugitives.
Date: [July 1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 7 n 340 July 4 1863 p 429, https://digital.librarycompany.org/islandora/object/Islandora%3A2877

Title: Chorus -- sing, darkeys, sing
Description: Pro-slavery image set on Fairfield Plantation, a fictional plantation near Macon, Georgia. This scene of casual socializing shows a large "corn-shucking" or husking. A group of men, women, and childen sit around a large pile of corn husks. Laughing and talking with one another, they husk the corn and toss the ears aside. A man identified in the text as Uncle Cato sits on top of pile and leads the others in singing. Two white overseers, who, according to the text, provided the slaves with whiskey, stand near a tree in the background., Illustration in Robert Criswell's "Uncle Tom's Cabin" contrasted with Buckingham Hall, the planter's home; or, A fair view of both sides of the slavery question (New York: Printed and published by D. Fanshaw, No. 108 Nassau-street, 1852), p. 64., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Whitney & Annin, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 660 71441.O p 64, https://digital.librarycompany.org/islandora/object/Islandora%3A2652

Title: The festival
Description: Set at Buckingham Hall, a fictional plantation near Charleston, South Carolina, this pro-slavery image presents a scene of general merriment. In accordance with the wishes of their benevolent master, Col. Buckingham, the slaves celebrate a "holiday and festival." Jerry, the leader of the band, sits upon a hogshead and plays his fiddle. Next to him, others play banjos, bones, and other instruments for the entertainment of a group of dancers. Other slaves eat ("from a fatted calf"), drink ("something better than water"), and socialize. Col. Buckingham and his family enjoy the festivites from a raised platform in a tree to the right., Illustration in Robert Criswell's "Uncle Tom's Cabin" contrasted with Buckingham Hall, the planter's home; or, A fair view of both sides of the slavery question (New York: Printed and published by D. Fanshaw, No. 108 Nassau-street, 1852), p. 112., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Whitney & Annin, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 660 71441.O p 112, https://digital.librarycompany.org/islandora/object/Islandora%3A3139

Title: Osman
Description: Illustration accompanies the narrative, "The Dismal Swamp." A fugitive slave identified only as Osman sits amidst some tangled undergrowth. Holding his gun, he appears watchful. According to the text, a "tattered blanket" is wrapped about his shoulders, and he wears "little other clothing than a pair of ragged breeches an boots." His hair and beard are described as "tipped with gray." (p 453), Illustration in Harper's New Monthly Magazine, vol. 13, no. 76 (September 1856), p. 452., Fels Afro-Americana Image Project, Fugitives.
Date: [September 1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 13 n 76 September 1856 p 452, https://digital.librarycompany.org/islandora/object/Islandora%3A2873

Title: The successful manhunt
Description: Engraving portrays an episode described in Hildreth's fictional narrative. With blood- hounds in tow and "armed to the teeth," a party of mounted slave-hunters proceeds with two captured fugitives: the young man marching in front around whose neck a rope has been tied, and the older man, identified in the narrative as Wild Tom, who rides on horseback and whose arms are tied behind his back. In the center of the image, the lifeless body of Snapdragon, a Yankee overseer, is draped over a horse. He was killed by Wild Tom during the course of the man hunt., Plate in Richard Hildreth's Archy Moore, the White Slave; or Memoirs of a Fugitive (New York and Auburn: Miller, Orton & Mulligan, 1855), p. 290., Fels Afro-Americana Image Project, Fugitives.
Creator: Baker & Smith
Date: [1855]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1855 Hildr 72210.O p 290, https://digital.librarycompany.org/islandora/object/Islandora%3A2801

Title: Eliza crosses the Ohio on the floating ice
Description: Engraving illustrates an episode from Chapter 7, "The Mother's Struggle." With her young son, Harry, in her arms, Eliza crosses the frozen Ohio River in search of freedom. In the background at the left, the slave-trader from whom she has fled stands on the river's edge. Next to him, two slaves lift their hands in a gesture of rejoicing., Illustration in Harriet Beecher Stowe's Uncle Tom's Cabin (London: John Cassell, Ludgate Hill, 1852), p. 16., Caption underneath the image reads: "The huge green fragment of ice on which she alighted pitched and creaked as her weight came on it, but she staid there not a moment. With wild cries and desperate energy she leaped to another and still another cake; -- stumbling -- leaping -- slipping -- springing upwards again! Her shoes are gone -- her stockings cut from her feet -- while blood marked every step." --Page 51., Fels Afro-Americana Image Project, Fugitives.
Creator: Green, W. T., fl. 1837-1872, engraver
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Sto 72726.O p 16., https://digital.librarycompany.org/islandora/object/Islandora%3A2788

Title: [Outdoor group]
Description: Set on a plantation, this outdoor scene of casual socializing aims to portray everyday slave life. Six slaves and a young white woman are loosely arranged in seated and standing positions, with the white woman occupying a central place in the image. Although one slave (front left) holds a pitchfork and another (front right) is positioned next to a small shovel and an over-turned bucket, the slaves appear to be at rest., Title page vignette in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D title page vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2656

Title: The holiday dance
Description: Set on a plantation, this merry scene portrays a harvest dance. A man and a woman dance bare-foot to the music of a fiddler, who is perched high upon a stool. Others look on. A young man kneels in the foreground, his straw hat and hoe lying on the ground. In the background, two stocky, resolute-looking white women observe the festivities. Both wear kerchiefs, the ties of which, in one case, resemble devil's horns., Plate at the front of Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), np., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D np, https://digital.librarycompany.org/islandora/object/Islandora%3A2654

Title: Uncle Peter putting the chickens in the window
Description: Egraving accompanies a fictional episode described in Chapter XIV, "Isabel's Winter." It features Uncle Peter, a former slave of the late Mr. Courtenay, an extremely kind master, whose family fell into dire poverty after his death. Although Uncle Peter has a new master, his ongoing affection for the members of the Courtenay family, who were struggling to feed themselves during a long winter, led him to secretly deposit two chickens inside their window., Illustration in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), p. 158., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D p 158, https://digital.librarycompany.org/islandora/object/Islandora%3A2655

Title: "Old Joseph, the Patriarch"
Description: Engraving accompanies a fictional episode described in Letter IV, "The 'Purchases' -- Old Joseph." Episode takes place on Christmas Eve in the cabin of the coachman Rafe, the slave seated on the log near the fireplace to the extreme right. Rafe has learned that he will soon be sold, and thus separated from his wife, who sits to his right, and their young child, who rests on her lap. Other slaves cluster around the couple, trying to comfort them. Leaning on his walking stick, Old Joseph (described as "the beau ideal of a patriarch, at once humble, dignified and venerable") stands and faces the group, offering words of wisdom and consolation. Interior is furnished with a bench, a chest of drawers, a large chair, and stools of varying sizes. The men's discarded top hats are placed throughout the room, as are assorted utilitarian and domestic objects, such as pots and pans, an umbrella, and an axe. In the foreground, a book, quite possibly the Bible, rests on a stool., Frontispiece for Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hedge, Franklin, b. ca. 1830, engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2792

Title: The marriage
Description: Engraving accompanies a fictional episode described in Letter XI, "The Marriage." Leaning over the staircase balustrade in the upper left, the story's narrator observes the scene taking place below, as does Cleopatra, an elderly slave, who watches from several steps down. In the center of the scene, mistress Rosalie forces the slaves Mima and Juniper to jump over a broomstick that stretches between two chairs. This is part of the forced marriage ceremony over which Rosalie presides. When the weeping Mima hesitates to jump, Rosalies boxes her ears with her slipper. In the background, another house-slave watches from behind a door., Plate in Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853), p 168., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hayes, George H., engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O p 168, https://digital.librarycompany.org/islandora/object/Islandora%3A2793

Title: The bridal dance
Description: Engraving depicts a fictional episode from Chapter IV, "Christmas." The scene takes place on Fairfax Plantation on Christmas day. The newly married couple, Jim and July, dance merrily to the music of fiddles, banjos, and tamborines, while other slaves look on. The pair are still dressed in their wedding attire: July is described as "resplendent in a white dress, white cotton gloves, a string of mock-pearls about her neck, and a wreath of silver flowers about her head," while Jim wears "a gorgeous waistcoat, had a sprig of flowers in the button-hole of his coat, and also sported white cotton gloves." According to the text, a bonfire provided the illumination for these festivities, which grew gayer as evening turned into night., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: N. Orr & Co., engraver
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2808

Title: Exorcismus der täuflinge unter den Negern
Description: Depiction of an exorcism performed on a group of black baptismal candidates under the authority of the Moravian Church. According to the caption underneath the engraving, the figure marked "A" is the pastor who performs the ritual; those marked "B" are the deacons who assist him. The three figures marked "C" are black men who will be exorcised. With their hands folded in prayer, the candidates kneel around the pastor and the two deacons. The pastor and each of his deacons places a hand upon one of the candidates' heads; the two others wait. Behind them, the four figures marked "D" are black women who will be exorcised. Those marked "E" are identified as members of the black parish., Fold-out plate at the back of David Cranz's Kurze, zuverlässige Nachricht von der, unter dem Namen der Böhmisch-Mährischen Brüder bekanten Kirche Unitas Fratrum (Halle: s.n., 1757), plate NIV., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1757]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1757 Cran 72764.O plate NIV, https://digital.librarycompany.org/islandora/object/Islandora%3A2674

Title: [Getaufte Neger]
Description: Episode follows the baptism of several blacks under the authority of the Moravian Church. Three men, presumably the pastor and two deacons, stand to the far right. The baptismal font, a large barrel, rests on the floor in front of them. According to the caption, the image depicts newly baptized blacks who, after praying and prostrating themselves, are helped to their feet and kissed by other members of the community. Two groups of parishoners -- one consisting entirely of men, the other of women -- watch from the left., Fold-out plate at the back of David Cranz's Kurze, zuverlässige Nachricht von der, unter dem Namen der Böhmisch-Mährischen Brüder bekanten Kirche Unitas Fratrum (Halle: s.n., 1757), plate NVII., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1757]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1757 Cran 72764.O plate NVII, https://digital.librarycompany.org/islandora/object/Islandora%3A2675

Title: Washington and his servant
Description: Illustration included in Chapter II, "First Years of the Constitution." It shows President George Washington walking on a cobblestone sidewalk with his black manservant, who follows a few steps behind him. Image appears in the context of a discussion of Washington's taste for fashion and "courtly etiquette," and it relates to the following passage: "When he walked the streets his body-servant in livery followed him at respectful distance." Carrying a walking-stick, the well-dressed Washington wears breeches, a dark vest and waistcoat, and a bicorne, a type of hat commonly worn by intellectuals. His servant carries his dark-colored overcoat. The servant himself wears a lighter suit and a tricorne., Engraving in Charles Coffin's Building the Nation: Events in the History of the United States from the Revolution to the Beginning of the War between the States (New York: Harper & Brothers, Franklin Square, 1883), p. 37., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1883]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Cof 23709.O p 37, https://digital.librarycompany.org/islandora/object/Islandora%3A2831

Title: "The Sabbath among slaves"
Description: Engraving depicts the author's experience of the Sabbath among slaves. As Bibb explained, having no moral or religious instruction, slaves generally "resort to the woods in large numbers on that day to gamble, fight, get drunk, and break the Sabbath." This behavior, Bibb noted, was encouraged by the slaveholders, who viewed the slaves' activities as a form of entertainment, and who liked to watch them fight, "dance, 'pat juber,' sing, and play the banjo." To this end, the slaves were often provided with whiskey. Accordingly, the illustration shows a slaveholder pouring a libation into a slave's glass. In the background left, a group of white men and women observe the Sabbath festivities., Illustration in Henry Bibb's Narrative of the Life and Adventures of Henry Bibb: an American Slave (New York: Published by the author, 5 Spruce Street, 1849), p 23., Fels Afro-Americana Image Project, Scenes of Slave Life.
Creator: Strong, Thomas W., engraver
Date: [1849]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1849 Bibb 65732.D p 23, https://digital.librarycompany.org/islandora/object/Islandora%3A2778

Title: The broomstick wedding
Description: Illustration is included in Chapter XIV, "I am the Innocent Cause of a Fight -- Religious Services among the Slaves in 'Ole Virginny.'" It shows a "broomstick wedding" that the author recalls having seen. Standing to the left, the betrothed slaves Pompey and Susan hold hands as they wait to jump over the broomstick, which is held by two slaves who are bent at the waist. Uncle Aaron, an elderly slave know as a preacher and a conjuror, presides over the ceremony. According to the author's description, the bride and groom wore the cast-off clothes of their mistress and master: she in a half-worn, ill fitting, maroon-colored merino gown, and he in checked trousers, a white vest and a brown linen duster that was several sizes too big. Numerous wedding guests fill the cabin., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 257., Caption underneath the image reads: "'Look squar' at de broomstick! All ready now! one-two-three-jump!'", Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 257, https://digital.librarycompany.org/islandora/object/Islandora%3A2839

Title: A plantation "corn-shucking" -- social meeting of slaves
Description: Illustration is included in Chapter XIX, "The Slave-Trader's Purchase -- A Slave Gang Bound for the South -- Distressing Scenes at Parting -- 'We'll Shuck dis Cawn Befo' We Go!'" Image shows a large, festive, night-time corn-shucking in which slaves from several neighboring plantations were said to have participated. Sitting and standing around an enormous pile of husks, the slaves strip the ears of corn and throw them into buckets. According to the text, the slaves sang while they worked, and some tried to outdo each other in husking contests., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 336., Caption underneath the image reads: "Costumed in every variety of nondescript gaments, with faces of every shade of black, as diverse in aspect as were their garments in fashion, they seated themselves in groups around the mounds of unhusked corn.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Helmick, Howard, designer
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2840

Title: [Friedenstahl in St. Croix]
Description: As the caption suggests, the image is set on the island of St. Croix in early May 1769, and it shows a group of black baptismal candidates being led into the "Negro church," for baptism. Dressed in long white robes, trousers, and turban-like head-dresses, the men file into the church first. They are followed by the women, who are dressed in long white dresses and white caps. In front of the long, simple hall that serves as the church, some black women sit in a courtyard bordered by trees and shubbery. According to the caption, the ceremony takes place around noon. Missionaries, soldiers, and black citizens (all men) meet and converse in the open space in front of the church. Others watch the procession of baptismal candidates;some appear to pray, holding their palms upward. The missionaries' quarters appear in the background of the image, while the Negroes' quarters are seen to the right., Folded plate at the back of Christian Georg Andreas Oldendorp's Geschichte der Mission der Evangelischen Brüder auf den caraibischen Inseln S. Thomas, S. Croix, und S. Jan (Barby: Bey Christian Friedrich Laux, und in Leipzig in Commission bey Weidmanns Erben und Reich, 1777), n.p., Caption underneath the image reads: "Friedenstahl in St. Croix an einem Bettage, da die Täuflinge zur Taufe in Kirche geführt werden, 1768 zu Anfang May und zu Mittage, da die Sonne übern Scheitel steht, aller Schatten senckrecht faellt, überhaupt weing Schatten ist. Hinten das Wohnhaus, zur linken die Neger Kirche, zur rechten Negerhaeufer." The text can be translated as follows, "Friedenstahl in St. Croix on a day of prayer, on which the baptismal candidates are led into church for baptism, Wednesday, the beginning of May, 1769, because the sun is at its apex, all shadows fall perpendicular to the ground, there is little shade. In the background, the missionaries' quarters; to the left, the Negro church; to the right, Negro quarters.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Nusbiegel, Georg Paul, 1713-1776, engraver
Date: [1777]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1777 Olde 69802.O n.p., https://digital.librarycompany.org/islandora/object/Islandora%3A2678

Title: Intérieur de salle à manger à Ste. Marthe
Description: Dining room on the plantation of Ste. Marthe. As a planter dines with his family, a female slave serves them, while a male slave fans the family (?) with a contraption that swings from the ceiling., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2748

Title: La Batugue à San-Paulo
Description: In an open, outdoor space, two couples dance to music performed by the two men at the left. One musician appears to play a percussion instrument, while the other seems to play a string instrument. The dancing women are bare-breasted, and some of their facial features correspond to racist stereotypes, particularly in the case of the woman closest to the right. On the left, a third woman sits underneath a pole that supports a straw roof. Some pieces of tropical fruit lie on the ground near her feet. Batugue, a type of dance still practiced today, is an Afro-Brazilian circle dance., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 210., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 210, https://digital.librarycompany.org/islandora/object/Islandora%3A2749

Title: Case a Negres
Description: Tropical landscape in which a black family is featured in the foreground. The father wears a straw hat, and carries some type of tool or bundle over his shoulder. The mother sits with their child on her lap in a posture that suggests breast-feeding. Behind a stone and wooden fence, the thatched roofs of two small houses are visible., Illustration in Abel Hugo's France pittoresque ou Description pittoresque, topographique et statistique des départements et colonies de la France (A Paris: Chez Delloye, éditeur de la France militaire, place de la Bourse, rue des Filles-Saint-Thomas, 13, 1835), vol. 3, p. 274., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Chamouin, Jean Baptiste Marie, b. 1768, engraver
Date: [1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Hugo 10039.Q v 3 p 274, https://digital.librarycompany.org/islandora/object/Islandora%3A2743

Title: Creole de la Martinique
Description: Outdoors on the island of Martinique, a well-dressed Creole couple is waited on by a black male slave who carries a serving tray upon which rests a bottle and small drinking vessel. The woman sits stiffly in a chair; a book rests upon her lap. The man stands next to a tree and holds one of its branches., Illustration in Abel Hugo's France pittoresque ou Description pittoresque, topographique et statistique des départements et colonies de la France (A Paris: Chez Delloye, éditeur de la France militaire, place de la Bourse, rue des Filles-Saint-Thomas, 13, 1835), vol. 3, p. 292., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Hugo 10039.Q v 3 p 292, https://digital.librarycompany.org/islandora/object/Islandora%3A2744

Title: Emancipated slaves
Description: From left to right, the group portrait shows: Wilson Chinn, a man of about sixty, whose forehead was branded with the initials V.B.M.; Charles Taylor, an eight year-old boy identified in the accompanying text as white; August Broujey, a nine year-old girl whose mother was "almost white;" Mary Johnson, an adult woman; Isaac Watts, a black boy of nine; Rebecca Huger, an eleven year-old, who "to all appearance . . . is perfectly white;" the Reverend Robert Whitehead, an ordained preacher; and Rosina Downs, a "fair child" of "not quite seven years." In addition to the group portrait, cartes de visite of the individual sitters were made. As the accompanying text explains, both could be purchased through the New York-based National Freeman's Relief Association; the proceeds went to support Louisiana schools., Full-page illustration in Harper's Weekly (New York: Harper & Brothers, 1864), vol. 8, no. 370 (January 30, 1864), p. 69., Small caption underneath the image reads: "Emancipated slaves, white and colored. -- The children are from the schools established in New Orleans, by order of Major-General Banes.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [January 1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v 8 n 370 Jan 30 1864 p 69, https://digital.librarycompany.org/islandora/object/Islandora%3A2878

Title: [Plate from Nicolas Ponce's Receuil du vues des lieux principaux de la colonie francaise de Saint-Domingue]
Description: Illustration after the romanticized paintings and drawings of artist Agostino Brunias (ca. 1730-1796) when he worked in the British West Indian colonies, particularly Dominica. Brunias’s work was often copied and the West Indian island or community depicted identified inaccurately. Moving clockwise from the top left, "Place et Fontaine Montarcher" shows a fountain and a city square idenitifed as in Cap-Francois (now Cap Haitien) in Saint-Domingue (Haiti). "Fontaine D'Estaing" shows a fountain in a city's port. Set on a street, "Costumes des Affranchies et des Esclaves des Colonies," shows differences in dress between free residents and enslaved peoples. In this scene, an enslaved woman offers food on a platter to two "Affranchies." The plaid cloth from which the enslaved women's shawl and head-dress are fashioned contrasts with the finery worn by the other two. Again, the fourth engraving,"Costumes des Affranchies et des Esclaves des Colonies" highlights differences in dress, this time in a landscape setting., Title supplied by cataloger., Illustration in Nicolas Ponce's Receuil du vues des lieux principaux de la colonie francaise de Saint-Domingue (A Paris: Chez Moreau de Saint-Mery, en son domicile, rue Caumartin, no. 31. [Chez] Ponce, rue Saint-Hyacinthe, no. 19. [Chez] Phelipeau, rue Saint-Jacques, près celle des Mathurins, no. 45., 1795), plate number 25, n.p., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Ponce, Nicolas, 1746-1831, engraver
Date: [1795]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Am 1795 Ponce 6368.F no 25, https://digital.librarycompany.org/islandora/object/Islandora%3A2690

Title: [Plate from Nicolas Ponce's Receuil du vues des lieux principaux de la colonie francaise de Saint-Domingue]
Description: Illustration after the romanticized paintings and drawings of artist Agostino Brunias (ca. 1730-1796) when he worked in the British West Indian colonies, particularly Dominica. Brunias’s work was often copied and the West Indian island or community depicted identified inaccurately. Image consists of four separate roundels. Moving clockwise from the top left, "Blanchisseuses," shows three women at the edge of a river. To the left, on the bank of the river, a woman dressed only in a long skirt and a head-dress carries a child on her back while balancing a tray (and some type of load) on her head. In the center of the image, a lighter-skinned woman, draped only in a cloth, stands ankle-deep in the river. It appears as if she holds a mirror in her hand. Next to her, a third woman sits on a rock in the water. "Affrainchis des Colonies" shows three free residents (two women and a man) in fashions influenced by European styles. "Négres Jouant au Baton" is an outdoor sporting scene that features two men engaged in a baton fight; a large group of male spectators is assembled around them. "Danse de Négres" shows a group of men and women dancing and clapping to the music of a drum and a tamborine., Title supplied by cataloger., Illustration in Nicolas Ponce's Receuil du vues des lieux principaux de la colonie francaise de Saint-Domingue (A Paris: Chez Moreau de Saint-Mery, en son domicile, rue Caumartin, no. 31. [Chez] Ponce, rue Saint-Hyacinthe, no. 19. [Chez] Phelipeau, rue Saint-Jacques, près celle des Mathurins, no. 45., 1795), plate number 26, n.p., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Ponce, Nicolas, 1746-1831, engraver
Date: [1795]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Am 1795 Ponce 6368.F no 26, https://digital.librarycompany.org/islandora/object/Islandora%3A2691

Title: [Liberator masthead, 1831]
Description: As indicated by two signs, the vignette is set in a horse-market, and depicts an auction of "Slaves, Horses, & Other Cattle," complete with an auctioneer standing at a podium at the right. In the center of a small group consisting of slaves and potential bidders, a female slave covers her face in desperation as two small childen huddle around her. To her right, a male slave sits at the base of the podium. In a clear gesture of despair, he rests his elbows on his knees and holds his head in his hands. A domed building that appears to be a court-house is visible in the distant background. A large flag reading "LIBERTY" waves from its top., Masthead from the Liberator (Boston: William Lloyd Garrison and Isaac Knapp, Publishers), vol. 1, no. 27 (July 2, 1831), p. 105., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [July 1831]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v 1 n 27 July 2 1831 p 105, https://digital.librarycompany.org/islandora/object/Islandora%3A2880

Title: [Liberator masthead, 1850
Description: Engraving is divided into two parts by a roundel in the center that features a Christ-figure with a cross. The words "I come to break the bonds of the oppressors" are printed around the roundel's periphery. To the left, a black man kneels at Christ's feet. With shackled wrists, he holds his hands together in prayer. To the right, a slaveholder is positioned on the ground; most of his body is oriented away from Christ. Scene to the left of the roundel shows a slave auction, identified as such by a sign that reads "Slaves, Horses, & Other Cattle in Lots to Suit Purchase." (Versions of the sign appear in earlier Liberator mastheads.) An auctioneer stands on a raised platform over which an American flag flies; a small black child sits at his feet. Crying, the child covers his face with his hands. Several other slaves (adults and children) huddle around the rear of the platform, while a number of slaveowners stand in front of it. A courthouse (or another government building) appears in the distant background; a flag that reads "SLAVERY" waves above it. The scene to the right of the roundel depicts the emancipation of the slaves. A similar building appears in the background. In this case, however, the flag above it reads "FREEDOM." With a sea of flags, a parade (of troops?) marches through a triumphal arch marked "EMANCIPATION." In the foreground, freed slaves of varying ages cluster in front of a building that may represent a schoolhouse. Seated in a rocking chair, an eldery slave holds an infant in her out-stretched arms. A lamb, a dog, and other animals stand on the edge of the group., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Y.B. Yerrinton & Son, Printers, 1850), vol. XX, no. 22, whole no. 1012 (May 31, 1850), p. 85., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hartwell
Date: [May 1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v XX n 22 May 31 1850 p 85, https://digital.librarycompany.org/islandora/object/Islandora%3A2882

Title: [Liberator masthead, 1838]
Description: Divided into two halves, the masthead vignette contrasts the consequences of slavery and the benefits of emancipation. Scene to the left is a reworking of the original masthead illustration of 1831 showing a slave auction with a slave being whipped in the background and a capitol building adorned with a flag reading "Liberty." A common graphic strategy of abolitionists was to picture scenes of slavery alongside symbols of American freedom such as the capitol, the flag, etc. In this revised version, the slave auction is set on Freedom St., and joining it on the right is a scene showing emancipated slaves enjoying the benefits of freedom. Added vignette commemorates the abolition of slavery in the British colonies., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Published weekly at no. 25 Cornhill by Isaac Knapp), vol. VIII, no. 9 (March 2, 1838), p. 33., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [March 1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v VIII n 9 March 2 1838 p 33, https://digital.librarycompany.org/islandora/object/Islandora%3A2881

Title: The whitewasher
Description: Illustration shows a familiar Philadelphia character: a black, female whitewasher. The woman is dressed in work-clothes and coarse shoes; her sleeves are rolled-up and the illustrator emphasizes her muscular forearms. According to the accompanying text, the bucket on the floor contains a mixture of lime and water, with a little salt and indigo to make it clear. In the course of her work, the whitewasher dips long-handled brushes (like those seen here) into the mixture and rubs it onto the walls for cleaning., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 12., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 12, https://digital.librarycompany.org/islandora/object/Islandora%3A2782

Title: The laundress
Description: Illustration shows a familiar Philadelphia character: a black laundress. She is neatly dressed in a long, flowing skirt; and her head is covered with an untied bonnet. "This woman," as the accompanying text explains, "is engaged by rich people to wash and iron clothes, which have been soiled by wearing." The text continues, "The woman in the picture looks as though she had just finished a hard day's work and was taking clothes home to the owners; she what a large basket she carries. It is full of articles of clothing neatly folded up; and this shows how much the woman has done in one day.", Illustration in City Characters, or, Familiar Scenes in Town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 32., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 32, https://digital.librarycompany.org/islandora/object/Islandora%3A2783

Title: The rag-picker
Description: Illustration shows a familiar Philadelphia character: a black, male rag-picker. He wears a coarse, loose-fitting smock, trousers, and a cap. He carries a basket fastened to a stick over his shoulder and a hooked instrument in his hand. The accompanying text explains, "You see him with his hooked stick exploring heaps of rubbish, and carefully selecting whatever he finds which may be turned to good account, and storing all away in his basket.", Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 80., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 80, https://digital.librarycompany.org/islandora/object/Islandora%3A2784

Title: The wood-sawyer
Description: Illustration shows a familiar Philadelphia character: a black wood-sawyer. As the text explains, "This is a hard occupation, followed generally by coloured people. They are old men, and have little ones to support, so that they have to work very hard." Shown in full profile, this mature wood-sawyer carries an axe in his hand and a "Horse" on his back. According to the text, when the wood-sawyer cuts his logs, he puts them on this "curious-four legged machine," which is "very strong, and made of oak or hickory wood." Holding the logs down with one knee, the wood-sawyer cuts off one piece at a time., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 96., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 96, https://digital.librarycompany.org/islandora/object/Islandora%3A2785

Title: [Tobacco house]
Description: Engraving accompanies the section, "Of the Tobacco House and its Variety," which begins Part II, "On the Manner of Housing, Curing, and Vending Tobacco in Virginia." A key to the illustration is printed at the front of the book. A denotes "the common Tobacco House." B shows tobacco hanging on a scaffold. C illustrates "the operation of prizing." D offers an "inside view of a Tobacco House, shewing [sic] the tobacco hanging to cure." E is an outside view of the public warehouse; F is an inside view of the public warehouse, "shewing the process of inspection.", Plate in William Tatham's An Historical and Practical Essay on the Culture and Commerce of Tobacco (London: Printed for Vernor and Hood, by T. Bensley, 1800), p. 27., Fels Afro-Americana Image Project, Work Scenes.
Creator: Newman, W., engraver
Date: [1800]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1800 Tat 2783.O p 27, https://digital.librarycompany.org/islandora/object/Islandora%3A2705

Title: Must have their baskets full
Description: Illustration included in Chapter XXVII, "Compromise of 1850." Set on a plantation, it shows two slaves, a man and a woman, at work in a cotton-field. Woman balances a basket of cotton on her head, while the man carries his on his shoulders. Image relates to the following description of slave life: "From the auction-room they went to the plantation to work in the cotton-fields, beneath the broiling sun, driven by a brutal overseer sitting on a horse, with a whip in his hand, which he delighted to crack over them, or to bring down upon the back of any one that lagged. The weak and feeble must keep up with the strong in wielding the heavy hoe. When the fields were snow-white with the bursting bolls they must perform their allotted tasks in picking; the baskets must be full and running over: the number of pounds specified for a day's work to be tipped by the steel-yards, or in default they would be flogged." (p. 387), Engraving in Charles Coffin's Building the Nation: Events in the History of the United States from the Revolution to the Beginning of the War between the States (New York: Harper & Brothers, Franklin Square, 1883), p. 388., Fels Afro-Americana Image Project, Work Scenes.
Date: [1883]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Cof 23709.O p 388, https://digital.librarycompany.org/islandora/object/Islandora%3A2832

Title: View of Negroes washing for diamonds at Mandango on the River Jigitonhonha in Cerro do Frio, Brazil
Description: According to Mawe, Mandango was the "greatest of the diamond works," and employed "about a thousand negroes." (p. 219) Here, under the supervision of four overseers, numerous slaves work one next to another in a long line. Each slave is bent deep over his individual trough, and rakes through sediment in search of diamonds. As Mawe explained,"there is no particular regulation respecting the dress of the negroes: they work in the clothes most suitable to the nature of their employment, generally in a waistcoast and a pair of drawers, . . . . While washing they change their posture as often as they please, which is very necessary, as the work requires them to place their feet on the edges of the trough, and to stoop considerably." (p. 225), Frontispiece for John Mawe's Travels in the Interior of Brazil (London: Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster-Row, 1812)., Engraving is probably the work of J.G. Warnicke who completed another large plate showing a mining scene set in the bed of the River Jigitonhonha (p. 220)., Fels Afro-Americana Image Project, Work Scenes.
Date: [1812]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1812 Mawe 1555.Q frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2719

Title: [Processing tobacco]
Description: Engraving shows four slaves at work in a tobacco house. In the lower right-hand corner, a female slave sits on the ground and strips (?) tobacco. Behind her, another slave twists tobacco, while a third slave (to the left) puts it on a roll. Drying tobacco leaves hang upside down from the house's rafters. In the background, a woman and a child work hanging leaves., Fold-out plate in Jean Baptiste Laban's Nouveau voyage aux isles de l'Amerique (A Paris: rue S. Jacques, chez Pierre-François Giffart, prés la ruë Mathurins, à l'image Sainte Therese, M.DCC.XXII [1722]), vol. 4, p. 496., The key in the upper left-hand corner reads: 1. Negre qui ejambe le tabac. 2. Negre qui torque le tabac. 3. Negre qui le met en rolle. 4. Tabac a la pente., Fels Afro-Americana Image Project, Work Scenes.
Date: [1722]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1722 Lab 62402.D v 4 p 496, https://digital.librarycompany.org/islandora/object/Islandora%3A2665

Title: Settlement of M As estate in St. Domingo
Description: The engraving shows the plan of a coffee plantation in Saint Domingo (Haiti). According to the key, A denotes the dwelling house and coffee store; B shows the garden; C is the orchard; D corresponds with the kitchen, out houses, hospital, and hospital yard; E is the mill house; F is a "bason [sic] to wash the coffee;" G is marked "D.o for Scum Coffee;" H is the "Platform for D.o;" I denotes a canal or pipe; K shows the drying platforms; L is the "Negro Houses;" M is the poultry yard; N marks the stables and pen; OO is the river; PP is the road; and Q is the bell., Fold-out plate in P.J. Laborie's The Coffee Planter of Saint Domingo (London: Printed for T. Cadell and W. Davies, 1798, plate 4., Fels Afro-Americana Image Project, Work Scenes.
Creator: Neele, engraver
Date: [1798]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1798 Labo 77534.O plate 4, https://digital.librarycompany.org/islandora/object/Islandora%3A2704

Title: Plantation scene -- coffee
Description: Illustration is set on a coffee plantation in either South American or the West Indies. Sitting in the shade of a palm tree, a planter watches several slaves at work. To the right, two women and a child pick coffee beans and place them in baskets. In the middle, three women carry full baskets up an incline and dump the beans on the ground. Two men rake and shovel them., Plate in William Blake's The History of Slavery and the Slave Trade, Ancient and Modern (Columbus, Ohio: Published and sold exclusively by subscription J. & H. Miller, 1858), p. 288., Fels Afro-Americana Image Project, Work Scenes.
Creator: Felch-Riches, engraver
Date: [1858]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1858 Blake 70419.O p 288, https://digital.librarycompany.org/islandora/object/Islandora%3A2803

Title: Scene in a Lynchburg tobacco factory
Description: Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828

Title: Making salt, at Saltville, Virginia
Description: Illustration included in Chapter LXIII, "Among the Mountains -- From Bristol to Lynchburg." It shows two black men working in the salt works in Saltsville, Virginia. In the accompaying text, King wrote the following of the two subjects: "The stout negroes working over the boiling salt were both delighted and amazed when their pictures appeared in the artist's [James Wells Champney's] sketch-book; they had never seen 'no such writin' befo'.'" (p. 571), Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 571., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 571, https://digital.librarycompany.org/islandora/object/Islandora%3A2829

Title: View of cotton plantation and gen [sic] in West Indies in 1764
Description: According to the title, the image is set in the West Indies in 1764. The lithograph accompanies a brief discussion of the history of cotton cultivation in the New World. The featured plantation is situated near the coast, and three ships (presumably trading vessels) are visible in the background. In the right foreground, a slave picks cotton from a plant and places it in a basket. Behind him, another slave carefully cleans the picked cotton. At the far left, a female slave operates an early cotton gin, and two men pack large sacks of finished cotton. Two full sacks of cotton occupy the left foreground; one bears the label "7 No. 120 / P.R.M.", Plate in the Report on the Agriculture and Geology of Mississippi (Philadelphia: Lippincott, Grambo, and Co. for E. Barksdale, State Printer, 1854), plate VIII, p. 140., Engraving is based upon a print executed by Prevost and published in the first volume of Diderot's Encylcopedia (Paris: 1762) under the title "Oeconomie Rustique, Culture et Arsonnage du Coton.", Fels Afro-Americana Image Project, Work Scenes.
Creator: Fuchs, F., lithographer
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Miss Sta 13287.O p 140, https://digital.librarycompany.org/islandora/object/Islandora%3A2798

Title: A free negress and other market-women
Description: Illustration accompanies Chapter III, "Province of Rio de Jainero." As the title suggests, it depicts a free negress (presumably the woman closest to the left) and three market women. A small child, not mentioned in the title, is visible at the far left. Sheltered by a small canopy, the four women sell fruits and vegetables: pineapples occupy a basket in the right foreground, melons and squash (?) are scattered on the ground, and two women balance baskets on their heads. Three large sacks contain additional market-goods, possibly beans. While it is ultimately unclear, the image appears to show a conflict between the negress and the market-woman seated on the bench., Illustration in James Henderson's A History of Brazil: Comprising its Geography, Commerce, Colonization, Aboriginal Inhabitants, &c. &c. (London: Printed for the author, and published by Longman, Hurst, Rees, Orne, and Brown, Paternoster-Row, 1821), p. 70., Fels Afro-Americana Image Project, Work Scenes.
Creator: Shoosmith, C., artist
Date: [1821]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1821 Hender 1814.Q p 70, https://digital.librarycompany.org/islandora/object/Islandora%3A2724

Title: [Frontispiece for the Curious Adventures of Captain Stedman]
Description: Image relates to an episode that Captain John Stedman witnessed during his travels in Surinam, and went on to describe in his text, Narrative, of a five year's expedition against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America; from the year 1772 to 1777 (London: Printed for J. Johnson, St. Paul's Church Yard, & J. Edwards, Pall Mall, 1796). In the corresponding passage, Stedman described how a beautiful Samboe girl of about eighteen was tied by both arms to a tree limb and flagellated by two overseers in such a manner that "she was from her neck to her ancles [sic] literally dyed over with blood." When Stedman arrived on the scene, the girl had already received 200 lashes, and he begged one of the overseers to let her down. At this point, the overseer explained that, in order to prevent strangers from interfering with his government, he had made an unalterable rule to double any slave's punishment when a stranger tried to intervene on his or her behalf. To Stedman's utter dismay, the girl thus received another 200 lashes. Stedman's own 1796 text included an illustration of this terrible episode: an engraving done by William Blake after one of Stedman's drawings. Like Blake's engraving, the 1809 aquatint shows the two black overseers who carried out the girl's punishment, the planter who presumably ordered it, and the slave girl herself. The aquatint, however, differs substantially in style, composition, and interpretation., Folded frontispiece for the Curious Adventures of Captain Stedman, during an expedition to Surinam in 1773 (London: Printed for Thomas Tegg [1809])., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1809]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1809 Cur 68448.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2718

Title: Douglass wird von Coven gezüchtigt
Description: Engraving accompanies a brief history of Frederick Douglass' early years (c. 1817-1838), and was included in the article, "Bilder aus dem Sklavenleben" (Pictures from Slave Life). Set in a plantation field, the scene shows Douglass on his hands and knees with his shirt hanging around his waist. Standing behind him, a slave-holder named Coven (Douglass' master from approximately 1833-34) beats his bare back with a stick. According to the text, Coven never let a week go by without whipping Douglass and his back never healed., Illustration in Weber's Volks-Kalendar (Leipzig: Verlag von J.J. Weber, [1853]), p. 143., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Web 21101.O p 143, https://digital.librarycompany.org/islandora/object/Islandora%3A2796

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