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Title: Saturday jaunts one-day holidays spent near the city by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks., Columns, signed by the author, reference the attending jaunters; describe their routes taken by foot, train (Reading Railroad), elevated rail, and coal cars; and provide stories, myths, and histories of the botany, geology, fauna, and architecture of the locales and sites visited. Specific sites and landmarks described in detail include Marble Hall marble pit; Spring Mill (Schuylkill Valley); Reading Coal and Iron Company; Livezey's meadow and Devil's Glenn (Wissahickon Valley); the "Great Valley," i.e., Chester, Plymouth, and Whitemarsh valleys; George Bullock's former land and mill (Gulf Creek); Plymouth Quaker Meeting House; Belvoir Estate on the summit of Sandy Hill; "Crystal" and Cold springs (Laurel Springs, Camden County, N.J.); Norristown Railroad Bridge; John Kelpius's log cabin and caves (Germantown); Rittenhouse Mill on Monoshone Creek; McKinney’s Quarry (Wissahickon); Neversink Mountain; Bear Inn (Reading); Rockdale picnic grounds; Barren Hill; Augustinian College (i.e., Villanova University); monastery and church of the Augustinian Fathers at Villanova; Berks, Lebanon, Schuylkill, Columbia, Northumberland and Union counties; Port Carbon; and Cornwall Ore Bank Company. Columns also report about the railroad and industrial officials who provided tours and served as guides; "Photius"'s photographs; jaunter's scientific, philosophical, and literary discussions, including the plant life, flora, and fauna of the Wissahickon, the geology and landscapes of the Schuylkill and Lebanon valleys, and Potsdam sandstone; and jaunter's activities including fishing, collecting arrowheads, and playing baseball. Columns also report about the jaunters more colloquial conversations, including the three different Indian Rock hotels and Joseph “Rooty” Smith root museum on the Wissahickon and the Mt. Gretna Farmer’s Encampment Association annual encampment (August 16-22, 1891)., Photographs taken by "Photius," (i.e., Edmund Stirling) a photographer by avocation, depict group portraits of the "jaunters" and their families during excursions; a summer home in Chestnut Hill; a Marble Hall pit; Pottsville coal mine; a tree in the Plymouth Meetinghouse yard; a Germantown cave where Johann Kelpius or his followers resided; cascades, creeks, and streams in "Happy Valley," Laurel Springs, and the Wissahickon; Mt. Gretna train station; and a portrait of "jaunter" Alban, i.e., Robert C. Clipperton, attired in walking gaiters, and a handkerchief under his hat during the Villanova jaunt., Tan leather binding stamped "Saturday Jaunts" on spine., Includes illustrated title page containing the figure of a plump monk, in his robes, and holding a pipe., Names of jaunters supplied from unillustrated edition in the collections of the Historical Society of Pennsylvania (Vd. 503)., Photographs annotated: H [number]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Edmund Stirling, born September 13, 1861 in Philadelphia, began his career in the newspaper trade as a reporter in his later teens. By the 1890s, he started his avocation of photography and worked as an editor at the Public Ledger. Stirling was also active in the Photo-Secession Movement and a member of several other clubs in addition to the "jaunters," including the Photographic Society of Philadelphia, the Pen and Pencil Club, and Manufacturer's Club. He was married to Anne J. Biddle, who also practiced photography. The couple had one son, Charles Biddle, who died in infancy.
Date: [MDCCCXCVIII. [1898]
Location: Library Company of Philadelphia | Print Department albums - Saturday [79214.O]

Title: [Scrapbook of prints]
Description: Scrapbook containing primarily engraved periodical illustrations issued between circa 1820 and 1852 from American publications, including "Wellman's Literary Miscellany" and "Sartain's Magazine." Illustrations predominantly depict sentimental, religious, and genre views, many after European paintings, and often including children and animals, predominantly dogs. Titles include The Village School; Sunday Morning; Samuel & Eli; The Invasion; Early Piety; Sunday Morning; Calumet, or the Christian Indian; Christ Healing the Sick; The Child and the Mastiff; The Reaper's Friend; Hawk and Dove; The Young Tutors; The Farmer's Daughter; Rural Life (Wellman's Literary Miscellany); Innocence and Roguery; The Magic Lake, a scene from The Pilgrim of Love, The Valley of Repose, and The Exiles at Babylon from Sartain's Magazine; The First Friend; and The Sermon on the Mount. Other illustrations, some vignette on mauve-colored paper, depict Philadelphia and regional landmarks, including Schuylkill Near Flat Rock; Gilpin Mills on the Brandywine; Andalusia, the seat of Nicholas Biddle, Esq.; The Residence of the Count de Survilliers (i.e., Joseph Bonaparte) Bordentown; Pennsylvania Hospital, Philadelphia; and Pennsylvania Hospital for the Insane. Also includes a tipped in miniature, embossed die cut of a vase of flowers., Patterned red paper binding., Artists and engravers include William Redmore Bigg; Thomas Birch; Hugh Bridport; J. G. Chapman; Thomas Doughty; George B. Ellis; Jean Augustin Franquelin; Hendemann; Illman & Sons; David G. Johnson; T. Kelley; J. B. Longacre; John B. Neagle; J. Holmes; F. Humphrys; W. Mason; John McArthur; Frederick Richard Pickersgill; J. W. Steel; Stuart & Fowler; W. E. Tucker; Henry Warren; Welch & Walter; Benjamin West; and Franz Winterhalter., Printers and publishers include Benjamin Rogers and Key & Biddle., Contains hand-colored title page printed "On stone by P.S. Duval's Lithy. Phila." and titled "Manchester Print Works. I. P. Wendell & Co. Philadelphia.", Some prints identified with title written in manuscript below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Contains several blank pages, many with glue marks.
Date: [ca. 1820-ca. 1852]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [P.9844.54]

Title: John Jay Smith and Rachel Collins Pearsall Smith Family photograph album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith. Also contains views of family residences, including Ivy Lodge (John Jay Smith, Germantown), Robert P. Smith's residence (below Grumblethorpe, Germantown), The Cedars (Whitall family summer home, Haddonfield, N.J.), and The “Mansion” at Millville, New Jersey ("Lloyd Logan Smith's birthplace"). Other portraiture includes group portraits showing the Haverford and Bryn Mawr Classes of 1885, "The Spices" cooking Club, "The Band of Cousins, a wedding banquet, and the Grange (London, England). Album also contains photographs showing family treks to Wyoming and Yellowstone (1879 and 1881); "H[annah] W. S[mith] at her table in 1315 Filbert St. Phila. Writing Life of John M. Whitall"; and a full-length silhouette of Robert P. Smith's daughter Gulielma who died in childhood., Sitters include John Jay and Rachel Collins Pearsall Smith; their children and their spouses Lloyd P. Smith; Robert Pearsall Smith and his wife feminist evangelical Hannah Whitall; Horace J. Smith and his wife Margaret L.; and Elizabeth P. Smith; their grandchildren Mary Whitall, Alice (Alys) Whitall (wife of philosopher Bertrand Russell), Ray Pearsall, and Lloyd Logan Smith; members of the Whitall and Thomas families (R.P. Smith in-laws and relatives of M. Carey Thomas); and Haverford students and other young Quakers, including William. S. Hilles; Charles Baily; Emma and Patty Mellor; Birdee Shoemaker; Carrie Cope; Katie Stokes; and Annie Bacon., Brown cloth binding., Damaged morocco label on front cover: Por[traits].... &c. Vol., Majority of contents identified by inscriptions on album page., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album housed in phase box with index to sitters., John Jay Smith, Quaker editor and librarian of the Library Company of Philadelphia married Rachel Collins Pearsall Smith, granddaugher of noted Quaker printer Isaac Collins on April 12, 1821. The couple had six children: Lloyd Pearsall Smith, librarian of the Library Company; Albanus Smith (1823-1842); Robert Pearsall Smith, printer, businessman, and evangelical leader; Gulielma Smith (died in childhood); Horace J. Smith, agriculturist and author; and Elizabeth Pearsall Smith, editor of "Recollections of John Jay Smith." Richard P. Smith was a proprietor of Whitall, Tatum & Co. glass manufactory in New Jersey during the 1860s. He and his brother Horace J. relocated to England in the later 19th century.
Date: ca. 1856-ca. 1885
Location: Library Company of Philadelphia | Print Department albums [P.2008.15]

Title: [Collection of portraits]
Description: Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date: [ca. 1855-ca. 1885]
Location: Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints connected by accordion folds and depicting Centennial Exhibition buildings. Titles include U.S. Government Building; Delaware Building; Connecticut Building; Indiana Building; Ohio Building; Pennsylvania Building; New Jersey Building; Arkansas Building; Colorado and Kansas Building; Spanish Building; English Commission Building; and Japanese Dwelling. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Marbled brown paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto and verso. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Name of publisher from advertisement pasted on inside back cover. Advertising text reads: 12 copyright Photographs transferred on to stone by the New German Process rendering Photographs permanent. From Philip Frey & Co.'s Art Repository. Sole first hand Manufacturers and well-known original Makers of "Souvenirs" of the most frequented and interesting Countries and cities of the World in a variety of objects, such as Albums, Medallions, Fans, Baskets, Roses etc. containing illustrated Views in Photographic and Coloured Print., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Frey [P.9617]

Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

Title: Philadelphia Zoo photograph album
Description: Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: 1902
Location: Library Company of Philadelphia | Print Department albums [8193.F]

Title: Philadelphia [viewbook]
Description: Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]

Title: James Burrill Angell, 1829-1916
Description: Journalist, diplomat, Pres. Univ. of Vermont., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(II)P.9100.14e]

Title: A mark of friendship's pleasing power
Description: Album page with embossed border and containing a drawing depicting a bunch of flowers above a four-line sentimental poem about friendship and rememberance. Flowers include a rose. Other flowers are depicted in the colors of orange, red, and violet. Image also includes a stem and leaves., Title from manuscript verse., Probably by civil rights activist and educator Ada Howell Hinton who founded a school in 1849. Hinton was daughter of Philadelphia African American elite community member, barber, perfumer, and abolitionist Frederick Augustus Hinton., Contains four lines of verse: A mark of friendship pleasing power,/In this small trifle see/And sometimes in a lonely hour,/View it and think of me., RVCDC, Description revised 2022.
Date: ca. 1840
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.73]

Title: [Landscape view showing a residence in a rustic setting]
Description: Album page containing a rustic view. Shows a white man on horseback conversing with a white man standing near a stone house. The house is comprise of mutiple sections, each at different heights. View also includes trees, including one with several missing branches, a fence, and shrubery., Title supplied by cataloguer., Date from item., Possibly by Amy Matilda Cassey., Former supplied title: Residential New York Street., RVCDC, Description revised 2022., Access points revised 2022.
Date: November, 1838
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.49]

Title: [Rose with open scroll]
Description: Album page containing an incomplete drawing of a spray of red rose and three rose buds behind a blank open scroll. The stems of the flowers are depicted with thorns. Image possibly corresponds to an 1849 entry written by African Methodist Episcopal Bishop Daniel Alexander Payne (1811-1893) about the death of his wife and daughter that began, “Just by the side of this Rose, there grew a Rose-bud perfectly formed and softly tinged with the brightest carmine ….” (verso of p.64-66)., Title supplied by cataloguer., Date estimated from span of dates of dated entries within album., Possibly by Amy Matilda Cassey., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.62]

Title: [Floral watercolor]
Description: Album page containing a drawing of a rose bud. The rose bud is depicted on a stem with a number of leaves and thorns., Probably by educator and anti-slavery activist Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist, and prominent member of the Philadelphia African American elite community., RVCDC, Description revised in 2022., Access points revised in 2022.
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.69]

Title: "Forget me not!"
Description: Album page containing a drawing of a stem of blue forget-me-nots above a poem about remembrance. Shows the stem with mutiple flowers and leaves., Title from manuscript verse., Date from item., Probably by Margaretta or Mary Forten, civil rights activists and members of the multiracial Pennsylvania Female Anti-Slavery Society. The women were the daughters of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten, Contains lines of verse: Forget me not”!—how sweet the token,/ When early hours have faded long,/ And hopes as well as hearts are broken,/ To know they still exist in song!/ Thus, may the exile fondly dream of/ Many a dear and transie[n]t ray/ And watchful memory catch a gleam/ Each colouring of a by-gone day. What tho the wave with ceaseless motion/ Protracts the union of o’er lot:—/ Our Hope’s the rock, which stems Time’s ocean,/ Our Love’s the flower, “Forget Me Not.” Excerpt adapted from poem by William G. Simms Jr., “The ‘Forget Me Not,’” in Early Lays (Charleston, South Carolina: A. E. Miller, 1827)., Manuscript of "Philadelphia" outlined with dots., Manuscript numbers for year "1834" formed with dots., RVCDC, Description revised 2022., Access points revised 2022.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.14]

Title: [Vase of flowers]
Description: Album page containing a drawing of a white, urn-shaped vase of flowers. A variety of flowers are depicted including a pink rose and white lilies. Leaves also comprise the depicted floral display., Title supplied by cataloguer., Possibly by Amy Matilda Cassey., Date estimated from span of dates of dated entries within album., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.21]

Title: [Lily watercolor and poem]
Description: Album page containing an unattributed drawing of a purple lily above a four-line poem about friendship. Lily is depicted with green leaves., Title supplied by cataloguer., Date from item., Includes four-line poem: "The crown imperial, lillies of all kinds,/The Flower-de-luce being one. Of these I lack/To make you garlands of, and my sweet friend/To strew thee o'er and o'er., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1839
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.26]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: 1877-1880
Location: Library Company of Philadelphia | Print Department albums [P.9317]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains informal portraits of family friends and views of excursions and landmarks in Bethlehem and Nazareth, Pa.; Wilmington, De.; Belividere and Burlington, N.J.; and the Philadelphia area. Images depict the Pennock-Miller family Delaware County mansion Forest Hill, including the library, "Mrs. Pennock's [ceramic] Collection," greenhouse, and Sarah Pennock Miller with her son Caspar on a mule; Old Moravian Boarding School, Moravian Sisters House, Protestant Episcopal Church, and "Old Oil Mill" (Bethlehem); Old Swedes Church (Wilmington); and an old Moravian brewery, buildings, and Whitfield House (Nazareth). Other photographs depict Haines Spring house; "Andersons" at Belvidere; a family picnic at Pierson's Ravine (Belvidere); the Wissahickon; [Fairmount?] "Park guard house"; portraits of a family dog and posed portraits of Mary (Mame) Steele, including one showing the extreme length of her tresses, and Ettie Lewis, Anna, May, Katie and Bessie Shippen attired in costume. Some views include fellow amateur photographer architect George W. Hewitt. One Bethlehem view also shows D. & A. Luckenbach mill., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Some annotated "Dry (albumen)" or "Dry.", Green cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two photographs of "Pennocks House" removed prior to acquisition by repository., Eight inserted loose prints in envelopes removed and housed separately in John C. Browne Collection., LCP AR [Annual Reports] 1989 p. 33-34., Inventory available at repository.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: ca. 1873-ca. 1877
Location: Library Company of Philadelphia | Print Department albums [P.9316]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: Original & selected poetry &c
Description: Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator: Cassey, Amy Matilda, 1808-1856
Date: [ca. 1833-ca. 1856]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]

Title: Centennial Exhibition, Philadelphia. 1876
Description: Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.8965]

Title: Views of Fairmount Park Philadelphia 1866
Description: Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Creator: Cremer, James, 1821-1893
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums [P.8465]

Title: Photographic views of New City Building
Description: Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences., Volume 1 (Oct. 1873-Aug. 1874) contains two tipped in letters, dated December 26, 1873 and June 27, 1874, from President of the Commissioners for the Erection of the Public Buildings Samuel C. Perkins. Correspondence presents the stereographs, "authorized to be taken by the commissioners," as a means for the library to "have for preservation in [the] archives a complete photographic record of the progress of a work which under any aspect must be considered as of marked importance in our local history.", Stereographs numbered, dated, and printed with the series title "Views of Construction in Sub-Basement" or "Views of Construction" and the names of the architect, chief assistant, and board of commissioners on the verso., Calf bindings, polished and mottled., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 image reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 116., Samuel C. Perkins, a Philadelphia lawyer, served as president of the Commissioners for the Erection of the Public Buidlings 1872-1891., Housed in phase boxes.
Creator: Cremer, James, 1821-1893
Date: 1873-1875
Location: Library Company of Philadelphia | Print Department albums - Cremer [(1) 23455.D & (2) 23455.D]

Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: [Album]
Description: Album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, possibly created as a pedagogical exercise, with contributions dating from 1833 until 1882. Contains engraved plates depicting scenic views, and original and transcribed poems, prose, essays, and drawings on topics including friendship, motherhood, mortality, youth, death, flowers, female beauty, and refinement. Also contains a one page record of family deaths, marriages, and births with entries up to the birth of Mary Anne's grandson in 1882. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural communities of mid-19th century Philadelphia, New York, and Boston., Contains the following contributions: "The Mother's Joy," a poem by C.F., possibly by abolitionist and second wife of entrepreneur James Forten, Charlotte Vandine Forten; illustration after "The Boroom Slave" and the poem, "To the Album," by artist and activist Robert Douglass; prose, "To Mary Ann", about living a happy life by Philadelphian anti-slavery activist Amy Matilda Cassey; a memorial, "To My Dear Willie," by Mary Anne to her deceased son, William Jones; poem, "The Night of Death," by J.A.J., Mary Anne's husband, John A. Jones; Boston author and civil rights activist William C. Nell's transcription of the poem, "The Rights of Women"; allegorical prose on the meaning of life by New York abolitionist Harriet Forten Purvis; transcription of the poem, "The Pearl Diver," by white Philadelphian anti-slavery activist Arnold Buffum; prose to "Mary Annie" about remembrance by Ada, possibly by anti-slavery activist Sarah Forten Purvis or educator and anti-slavery activist Ada Howell Hinton; floral drawing by A.H.H., probably by Ada Howell Hinton; prose and floral watercolors by educator, abolitionist, and Quaker Sarah Mapps Douglass, the sister of Robert Douglass; "Lines Addressed to a Wreath of Flowers Designed on a Present for Mary Ann" by E.S. Webb, possibly Elizabeth Susan Webb, sister of novelist Frank J. Webb; and prose by Mary Anne about mortality. Additional entries of prose and poetry by John G. Dutton, E.S. Webb, Lydia A.B., Henrietta, W.F.P, and S.L.C., unattributed entry, "To Esther," and unattributed entry of a floral watercolor. Also contains engraved plates by A.B. Durand, C. Fielding, C.G. Childs, Robert Walter Weir, James Smillie and Thomas Cole entitled respectively, "Falls of the Sawkill"; "Italy, The Bay of Naples"; "Weehawken"; "Delaware Water Gap"; "Catskill Mountains"; "Fort Putnam"; and "Winnipiseogee Lake"., Title supplied by cataloguer., Inclusive range of dates inferred from entries inscribed with dates., Contains engraved illustrated title page: Album. The Mother's Joy., Blank album published in New York in 1833 by J.C. Ricker., Embossed and gilt morocco binding., Release of Dower document dated 1838 giving the Dickerson home to the surviving children, contemporary unidentified newspaper clippings, manuscript poetry transcriptions, contemporary greeting cards, trade card, and other miscellaneous loose items removed and housed separately., Lib. Company. Annual Report, 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Mary Anne, 1822-1858
Date: [ca. 1833-ca. 1882]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q]

Title: The first steamboat on the Missouri
Description: Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing is after Joseph Andrew's engraving of the work by painter John Gadsby Chapman. Depicts two Native American men on a rock, one seated, and portrayed with a forlorn expression, and the other standing with their arms raised in an anguished pose, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., Title from album page., Date from album page., LCP exhibit catalogue: African American Miscellany p. 45., RVCDC, Description revised 2022., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
Creator: Douglass, Robert M. J., 1809-1887, artist
Date: September 25, 1841
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.70]

Title: [Vase of flowers]
Description: Album page with embossed border and containing a drawing of a vase of flowers. Shows an arrangement of flowers including roses, camellias, pansies and forget-me-nots, in an urn-shaped vase. Border is composed of a leaf design., Title supplied by cataloguer., Date from album page., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: 1843
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.78]

Title: Forget me not
Description: Album page with an embossed border and containing a drawing of forget-me-nots. Shows a sprig of red and blue flowers, and red and blue buds, as well as green leaves. Border is composed of ornament details., Title from album page., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1843]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.83]

Title: Fuchsia
Description: Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [July 15, 1846]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]

Title: "A token of love from me, to thee"
Description: Album page containing a drawing of a black butterfly on a twig with pink flowers. Shows the butterfly with a black head, thorax, and abdomen and black wings with specks of green and red. The twig also contains several green leaves that fold up, fold down, and/or droop. The stem and branches of the twig are outlined with pink lines., Title from manuscript note., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.2]

Title: "I love a flower!"
Description: Album page containing a drawing of a wild pink rose above eight lines of allegorical verse about the beauty of flowers. Shows the rose with a stem, five green leaves surrounding the petals, and two buds., Title from manuscript verse., Date inferred from complementary entries in album., Contains eight lines of verse: I love a flower! it ever brings/ A warmth of feeling to my heart,/ Unlike those gay and gilded things/ That flatter coldly, coldly part./ But flowers! – Oh they are eloquent/ They speak when lips would still be dumb/ When by the hand of friendship sent,/ Her price interpreters they come., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.9]

Title: No marvel woman should love flowers
Description: Album page containing a drawing of coupled red and blue flowers above six lines of allegorical verse about unappreciated beauty. Shows the red camellia with fluffy stamens below three, five-petal blue flowers, possibly forget-me-nots. The flowers are also depicted with buds, leaves, and stems. The stem of the red flower contains thorns., Title from manuscript verse., Date inferred from complementary entries in album., Contains six lines of verse: No marvel woman should love flowers, they bear/ So much of fanciful similitude/ To her own history; like herself repaying/ With such sweet interest all the cherishing/ That calls their beauty or their sweetness forth;/ And like her too—dying beneath neglect. Verse from a poem by English writer Letitia Elizabeth Landon that was frequently published, including in the Ladies’ Miscellany (Salem, Mass., April 7, 1830)., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.24]

Title: [Motion studies]
Description: Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Creator: Eakins, Thomas, 1844-1916, photographer
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department albums - Eakins [P.8713.1-5 & 7]

Title: The City Hall Philadelphia. Architecture, sculpture and history
Description: Limited edition volume, organized in 18 topical sections, containing photomechanical reproductions of engravings (by Faust) and photographs showing views of the interior, exterior, and architectural and sculptural details of the municipal building built 1871-1901 after the designs of John McArthur, Jr. Sections, predominately titled, include Modeling of the William Penn statue; views of court rooms, Mayor's Office, entrances; Window Spandrels Tower; Bronze Groups on Towers; Centre Pavilion Dormers; Caryatides (i.e., supporting columns sculptured in the form of a draped female figure); Medallions in Conversation Hall of Councils; Doorway Spandrels. Northern & Eastern Entrances; Keystones; Panels. Stairway; Impost Panels of Windows; Spandrels and Statuary Centre Pavilion; Panels; Tower Capitals; Spandrels Interior of Tower; Panels in Eastern Entrance; Spandrels in Northern Entrance; and Window Spandrels in Northern Entrance. Interior views often include pedestrian traffic., Architectural and ornamental details depict allegorical, historical, ethical, anthropological, and political and governmental figures and tableaux, including "Distinguished Early Philadelphians"; the continents; the four natural elements and seasons; "Indians"; Swedes; mammals, reptiles, and birds, including eagles, bears, and buffalo; the natural and social sciences, arts, and humanities; industry, mechanics, and commerce; civilization and barbarism; prayer and meditation; victory and fame; admonition and repentance; and liberty and law; and youth. Details also show the seal of Pennsylvania and stereotyped, ethnographic facial studies, and cherubic figures., Edition de luxe limited to one thousand copies. Copy no. 48., Frontispiece shows a view engraved by Faust of the exterior of City Hall. Includes street and pedestrian traffic., Front matter is misordered ([p. 4] and [p. 5] reversed) and includes an "Historical" overview of the location and construction of the building; "Description of the Buildings," including the styles of "Architecture" and dimensions; the "Comparative Heights of the Principal Buildings of the World"; and the "Inscription upon face of Corner-stone in centre of tower foundation.", Reproduced wood engravings contain artist's signature or initials: F. Faust; F.F., Original cloth bindings, brown cloth grained with gilt stamped front cover and endpapers removed and rehoused with rebound album for conservation., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Frederick Faust, born in Germany in 1849, immigrated to the United States in 1870 and worked as a wood engraver in Philadelphia by the early 1880s. He continued in the trade as an illustrator into the early 20th century and was retired by 1930.
Creator: Faust, Frederick
Date: c1897
Location: Library Company of Philadelphia | Print Department albums - Faust [It 7 2779.F]

Title: "Long long be thy heart with your memory fill'd..."
Description: Album page containing a drawing of a white vase of flowers on a square-shaped base and above a poem about memory and remembrance. Flowers depicted are of various kinds and include roses. They are long-stemmed, have leaves, and are in colors of pink, red, yellow, white and blue., Title from manuscript verse., Date inferred from complementary entries in album., Contains four lines of verse: Long, long be my heart with your memory fill’d!—/Like the vase in which roses have once been distill’d—/ You may break, you may ruin the vase if you will;/ But the scent of the roses will hang round it still., RVCDC, Description revised 2022., Access points revised 2022., Forten, was a civil rights activist, founding member of the multiracial Pennsylvania Female Anti-Slavery Society, and educator. She was the daughter of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten.
Creator: Forten, Margaretta, 1806-1875, artist
Date: [ca. 1834]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.16]

Title: Catalogue of theatrical and public celebrities
Description: Trade catalog containing pages with rows of numbered vignette-size reproduced portrait photographs of female , male, and child entertainers. Includes bust-length, half-length, and full-length portraiture, with one sitter often depicted in several differently posed portraits. Sitters, predominantly women, are usually attired in costume and occasionally are posed as couples, or in character and with props and ornate backdrops. Costumes and props include hats and head pieces; tights and shorts; nautical, peasant, medieval and roman garb; umbrellas, fans and valises; chairs and hammocks; guns and swords; and instruments and animals. Unique costumes and poses include Jeannie Winston as a devil with wings; Kate Forsyth depicted as a sculpted bust; and Lizzie Harold sprawled on a floor., Sitters include French operatic soprano Marie Roze (1846-1926); American entertainer Lotta [Crabtree] (1847-1924); American actress Annie Pixley (1858-1893); comic actors Charles E. Holland and Ben Maginley (d. 1888); actress and theater manager Mrs. John Drew (i.e., Louisa Lane Drew); French magician Prof. Hermann, i.e., Alexander Hermann(1843-1896), author and actress Lillian Chester; and characters from "Pinafore.", Accompanied by pocket-size, printed catalog with preface promoting Gilbert & Bacon's large stock of portrait views of the "most artistic and prominent in their profession" in the sizes "Cabinets" and "Panels." Includes lists of sitters for 1692 "Cabinets" and 115 "Panels.", Front endpaper inscribed: George P. Campbell, Continental Hotel, August 1880. Campbell, probably a Gilbert & Bacon agent, resided at the hotel in the 1880s., Cloth binding, stamped "Scrap" on front cover and "Patented March 1876" on back cover., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century.
Creator: Gilbert & Bacon
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums [P.8681.1 & 2]

Title: Louella Home of J. Henry Askin, Wayne Station, Penna. Rail Road, Radnor Township, Delaware Co. Pa. Views of mansion, farm houses, surrounding scenery, etc
Description: Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: Photograph album
Description: Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator: Hatch, Albert, 1844-1910
Date: ca. 1866-ca. 1888
Location: Library Company of Philadelphia | Print Department albums [P.9250]

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

Title: Views of Ashwood, Gulph Mills, and other sites in Delaware County and surrounding counties in Pennsylvania
Description: Album containing 24 photographs showing landscape views of Delaware County and portraiture of family and acquaintances. Images include exterior and interior views of the Leaming family estate Ashwood near Villanova and views of Conshohocken, Darby Creek near Lewis Mill, Valley Forge, Gulph and Morris mills and dams, Hammer Hollow, and farmland in Cream and Pleasant valleys. Also contains an image of Radnor Meeting House and a photographic reproduction of a cloud filled sky captioned "Sic Itur ad Astra" (i.e., thus you shall go the stars). Many of the views include Leaming's wife and children and others posed in parlors; with animals; on bridges and dirt paths; at brooks, creeks, spring houses, and barns; and in modes of transportion, including canoes and horse-drawn vehicles. Other portrait sitters include Alice Bourda and children Ernie Law, Tommy Gaffney, Henny Lewis, and Og Hoffman., Wooden binding., Title supplied by cataloger., Captions by Robert Waln Leaming on the recto and verso of the album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln (1765-1836), was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: ca. 1873
Location: Library Company of Philadelphia | Print Department albums [P.9759.2]

Title: Photographs taken by Robert Waln Leaming 1865-1875 at Ashwood, Villa Nova, Delaware County, Penna. Lancaster Pike and Spring Mill Road
Description: Album containing 67 photographs showing the grounds and residence of the Ashwood estate near Villanova during different seasons; neighboring properties in Delaware and Montgomery counties; and formally posed family portraiture. Images include the front and rear facade of the Ashwood residence and landscape views of the grounds; Paxson's Mill and Dam in Radnor; J. Howard Lewis's paper mill at Darby Creek; 'Hammer Hollow," including the mill dam; Gulph Mill (Montgomery County); Leaming's other family estate Waln Grove near Frankford; old spring houses near Gulph Mill and Paxson's Mill; and Ancrum, "Seat of the Scotts Baronets of Ancrum Scotland." Many of the estate views include Leaming's wife and children (attired in clothing appropriate to the season) posed at the residence and on the grounds, including near fences, the barn, woods, and creek and in characters, as tableaux, and with farm and domesticated pets. Also contains photographic reproductions and photo-collages. Reproductions depict the the "Scott of Ancrum" family tree and Leaming's painting "Where the Sea Mew roams" and the collages show Leaming's daughters in a parlor setting (possibly Ashwood) and painted works by Jean Louis Ernest Meissonier, James Reid Lambdin, and Edwin Henry Landseer including the visage of Robert Waln Leaming. Other portrait sitters include Alice Burda, Tom Stewart, "Our Truck-man" in his horse-drawn buggy; the "Coachman" with horse "'Nelly'"and Mrs. Scott, i.e., probably, Leaming's mother-in-law Mary Emlen Scott, Blue morocco binding, plate on front cover: R. W. Leaming and stamped: Photographs., Title from inscription on front free end paper. Also includes family tree of descendants of Robert Waln Leaming and his wife Julia Scott (1821-1914)., Insert: Portrait print of Robert Waln engraved by Samuel Sartain after 1825 painting by Jacob Eicholtz. Verso inscribed with biographical information., Captions by Robert Waln Leaming below the images., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln, was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: 1865-1875
Location: Library Company of Philadelphia | Print Department albums [P.9759.1]

Title: Views of Loudoun and Stenton, residences of Maria Dickinson Logan and her brother, Albanus C. Logan, Germantown, Philadelphia
Description: Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
Creator: Logan, Maria Dickinson, 1857-1939, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department albums [P.9276.81]

Title: Portrait photograph album of Mary McPhilomy
Description: Photographs predominantly depict the acquaintances and relatives of the McPhilomy family of Philadelphia, including men, women, and children. Most are bust-length portraits, with a number of full-length portraits, including a couple in bathing wear, children in sailor suits, and women fashionably attired and holding fans and purses. Many of the women and girls wear jewelry. Also includes images of a priest, a nun, a display of religious floral decorations; a sepulchral monument; a religious allegorical scene; a reproduction of a framed testimonial with portrait photograph vignettes; and a photo-collage portrait showing a man driving a horse-drawn wagon., Sitters include Mary, John and Frank McPhilomy; Rev. Mother Louis Gonzaga of the Sisters of Notre Dame (Boston); members of the Logue family, including Charles Logue; David Mulcahy (died March 31, 1876); Al. Schaff; members of the Bradford family, including John Bradford; John Keenan; members of the Sacriste family, including Mr. and Mrs. Sacriste and Hortense Sacriste White., Chromolithographed title page: The Photographic Album. Philadelphia. J.B. Lippincott & Co., [ca. 1875]., Embossed leather binding with gold stamping., Spine embossed and stamped: Photographs., Inscribed: To Miss Mamie McPhilomy with compliments of the season, Dec 25 1875. D.P.M. E.S.C., Various photographers, including A. P. Beecher of Wilmington, De.; L. S. Griffin of Jersey City, N.J. and B. Frank Saylor & Co. of Lancaster, Pa. and Philadelphia photographers, including George W. Evans, Gilbert & Bacon, and O. B. De Morat., Several sitters identified by inscriptions on mount or album page. Some misidentified due to the relocation and removal of photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition. Album housed in phase box.
Creator: McPhilomy, Mary
Date: ca. 1865-ca. 1920, bulk ca. 1865-ca. 1875
Location: Library Company of Philadelphia | Print Department albums [P.2007.17]

Title: Old Philadelphia views 1861
Description: Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog., Title from inscription on spine., Spine stamped in gilt: Photographs., Blue morocco binding., Photographs arranged four to a page, numbered, and identified by captions inscribed below the images., Letter from Ferdinand J. Dreer to [George W. Childs?], March 12, 1861 pasted on verso of front cover. Letter begins "Accept from your friend a few photographs & stereoscope views... of the work of a young native artist" and explains they were not sent for "their intrinsic value, but as beautiful studies and highly artistic.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Ruth Molloy.
Creator: Moran, John, 1831-1903, photographer
Date: 1860-1861
Location: Library Company of Philadelphia | Print Department albums [P.9265]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing pencil and watercolor landscapes and marine views, and life studies of animals. Many of the landscapes and marines are identified with a date, title, and notes about color. Identified views include a landscape showing a hillside with rocks and foliage in "Portsmouth, N.H., July 30"; a lumber mill at "Pleasant Point, Portsmouth, N.H."; a ship at a pier in "Norwich - Con., Aug 18/82"; wood houses along the shoreline and a hillside lined with trees and bushes in 'Old York" (latter dated Aug. 7th/82); cows, and a ship at a wharf in "Gloucester Aug 12/82; landscape in "Concordville, N.H. [sic] Aug 1"; a sailing ship on the coast in "Gloucester, Aug 13/82"; the lighthouse "The Nubble, York Beach"; "Falls, Quinebaug River"; landscape, including a partial view of a roof in "Putnam, Con. Aug 17/82"; seaside view with residence at "Old York Aug 7/82 and Aug 8/82"; a laborer "Carting Sand, York Beach, Aug 8/82" into a cart hitched to bulls near a sleeping dog; a panoramic view of "Old York Aug 7/82," including buildings, a seated figure, and a sailboat; mountainside in "Gloucester Aug 14/82"; and "York Beach Aug 1/82." Unidentified sketches show bucolic residential and hillside views, cows grazing, wharf scenes, and studies of a gated fence, a cliff, and a bull standing and lying in the grass., Front outside cover inscribed: Moran., Several images dated, titled, or include inscriptions, often illegible., Inside front cover inscribed with several manuscript notes. Notes include: 36 [same back pack?] Elias Baker, York, Hamlin Maine; David Trowbridge, Eastford, Windom Co., Conn.; P. Moran, 1322 Jefferson St. Philadelphia; Ann Weston, Aug. 2nd; P. Moran. Also contains miniature sketches of human figures., Inside front cover stamped in blue ink: Frost Adams, Artists Materials, Boston., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71.
Creator: Moran, Peter, 1841-1914, artist
Date: [1882]
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 1 [P.2011.39a]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing predominantly life studies of animals in pencil, often composed as montages. Animals depicted include cows, dogs, chickens, and cats. Images include studies of heads, bodies, hooves, and joints, as well as full-length depictions, primarily cows, while grazing, wading in water, and lying in the grass. Other sketches show human figures, including probably Emily and Charles Moran; landscapes, including a panorama containing a factory; tree and flower studies; and a scene captioned "Destruction of Schenectady by French & Indians. Attack at night. Cold and snow on the ground" bordered by a view of a couple seated on a bench near a lake. Also contains a small number of pasted in scraps containing studies of sheep, cows, and a landscape., Front outside cover inscribed: Moran., Some images include inscriptions, often illegible., Inside front cover inscribed: P. Moran, 1322 Jefferson St., Philadelphia, Penna.; 100 [Drawing?] Label for “A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Label pasted on inside front cover: A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Contains one dated sketch. Dated "Aug 29/82" and shows a landscape, including a pond., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71., Final leaves (pp. [38]-[40]) of volume reassembled to original order in spring 2021. Digital images of album taken before 2021.
Creator: Moran, Peter, 1841-1914, artist
Date: [1882]
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 2 [P.2011.39b]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing predominantly life studies of animals in pencil. Animals depicted include sheep, cows, horses, goats, dogs, frogs, and a pig. Some sketches are composed as scenes, including depictions of a herd of sheep in a hutch; sheep grazing by a tree on a farm; cows wading in water, and grazing near a creek by a bridge; and a family group of sheep, including a ram. Other sketches show a female figure carrying a bucket (Emily Moran?), landscapes, tree studies, a view of a barn and farm, detailed compositions of a saddle on the back of a horse and a dog laying in the grass, as well as a view, with manuscript notes about color, depicting a fire-ravaged area of forest . Also contains a small number of watercolors of landscapes and pasted in scraps containing sketched studies of sheep, a landscape, donkey, and pig., Some images include inscriptions, some partially legible, including about dimensions and color., Inside back cover contains faint sketch of possibly buildings., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71., Missing front cover.
Creator: Moran, Peter, 1841-1914, artist
Date: 1882
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 3 [P.2011.39c]

Title: Photograph album of Philadelphia and vicinity
Description: Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns., Images also include neighboring and tenant businesses, including Charles Oakford & Sons, hats, Continental Hotel (29a), John C. Clark & Sons, stationers and printers, L. S. Boyer & Co., coal, and a "Shaving and Hair Cutting Emporium," on 228-232 South Third (29b), and a real estate office, 524 Arch (45b); street vendors (74b); and broadsides displayed on buildings and walls (49b & 79b). Several of the Fairmount views also show visitors, patrons to refreshment saloons, and park guards. Scrapbook also contains a small number of photographic reproductions of engravings, including one of Masonic Hall (700 block Chestnut) and images reproduced in R. Newell & Son's "Old Landmark" series (1876), including Old Swede's Church, Friends Almshouse, and Robert Morris Hotel., Title supplied by cataloger., Some of the contents identified by inscriptions on album pages. Inscriptions annotated and corrected in different hand., Texts from R. Newell & Son's "Old Landmark" series tipped in between album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Images from album reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006)., Album reformatted for conservation. Housed in two phase boxes, including binding and index., Robert Newell, the prominent Philadelphia commercial photographer operated a studio from circa 1855 to 1900. His firm, which originally specialized in portraiture, later focused on "Artistic Business and Landscape Photographs" and was reorganized as R. Newell & Son circa 1872. In 1876, the studio (Robert and Henry Newell) issued a series of six viewbooks under the title "Old Landmarks & Relics of Philadelphia." Newell also produced series of stereographs during the 1860s depicting commercial streets, the volunteer fire companies, and views of Fairmount Park and local cemeteries, as well as invented acid proof photographic ware in the 1870s.
Creator: Newell, Robert, 1822-1897
Date: ca. 1860-ca. 1900
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9062]

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