[Sketch of an unidentified residence and garden] [graphic].
Title
[Sketch of an unidentified residence and garden]
Description
Sketch depicting an exterior view of an unidentified residence and a garden. Shows a gabled roof and the wall of a building, probably a house. In the foreground is a garden with a square pathway bordering a circle. Trees and shrubs grow on the other side of a wall or fence., Title supplied by cataloger., Date inferred from content and active dates of artist., Gift of David Doret and Linda G. Mitchell, 2019.
Creator
Graeff, Henry F., artist
Date
[ca. 1930]
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Drawings & Watercolors [P.2019.66.15]
[Girard Trust Company on South Broad Street, Philadelphia] [graphic].
Title
[Gir ard Trust Company on South Broad Street, Philadelphia]
Description
Exterior view of the Girard Trust Company building constructed in 1905 to 1907 based on designs by Furness, Evans & Co. with detailing by McKim, Mead & White at 34-60 South Broad Street, Philadelphia. Shows the building, inspired by the Roman Pantheon, with porticos supported by Ionic columns, pediments decorated with a portrait of Stephen Girard and ships, and a dome. Numerous pedestrians walk along the sidewalks. Also visible are City Hall and the Land Title Building., Title supplied by cataloger., Date inferred from date of construction of the building and accompanying label., Labels removed from the frame: For [Girard Trust Ceo.], Order No. [A149], Date [6-8-08], Ketterlinus Litho Mfg. Co. Philadelphia. [R356]. Mellon Bank No #1., Gift of David Doret and Linda G. Mitchell, 2022.
Date
[ca. 1908]
Location
Library Company of Philadelphia | Print Department **Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.18]
[Panoramic view of Center City, Philadelphia looking east from non-existing suburban perspective] [graphic] / Edwin F. Bayha '28.
Title
[Panoramic view of Center City, Philadelphia looking east from non-existing suburban perspective]
Description
Panoramic view of Philadelphia from an imagined, suburban perspective. In the foreground from a raised viewpoint are suburban houses with landscaped lawns and trees. Cars travel down the street. A stylized view of Philadelphia is depicted including industrial and office buildings, Broad Street leading to City Hall, the Benjamin Franklin Bridge, and the Delaware River., Title supplied by cataloger., Signed and dated by the artist in lower right corner., Gift of David Doret and Linda G. Mitchell, 2022., Edwin Frank Bayha (1880-1937) was born in Philadelphia to German immigrants. He graduated from the Pennsylvania Museum and School of Industrial Art in 1899 and was a member of the Pennsylvania Academy of the Fine Arts from 1898 to 1933. He worked as an illustrator and commercial artist.
Creator
Bayha, Edwin F., 1880-1937
Date
1928
Location
Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.19]
Plan of Cresson's land in the 23d ward, Philadelphia [cartographic material] / Isaac Shallcross, Sur 10th Dist, 1860.
Title
Plan of Cresson's land in the 23d ward, Philadelphia
Description
Map showing the Cresson property and including Erie, Venango, Tioga, Ontario, F, G, H, and I Streets. Shows the border lines of the property in red ink. Several rectangles, probably symbolizing buildings, are depicted between G and H Streets and Venango Street. Beneath the map is an American flag on a pole., Title and date from item., Text written on recto: Established Curl heights at corners in red ink. Grade per 100 feet in blue. Surface heights in black., Stamped on the verso: Alfred Fitler, Conveyancer, Phila., Jan. 13, 1869., Gift of David Doret and Linda G. Mitchell, 2020.
Creator
Shallcross, Isaac, surveyor
Date
1860
Location
Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.20]
Plan of Auburn Farm belonging to the estate of Sarah Emlen Cresson, decd. Twenty Fifth Ward Philadelphia. [cartographic material] / Isaac Shallcross, Sur. and reg. 10th dist.
Title
Plan of Auburn Farm belonging to the estate of Sarah Emlen Cresson, decd. Twenty Fifth Ward Philadelphia
Description
Map showing the estate of Sarah Emlen Cresson including Erie, Venango, Tioga, Ontario, Westmoreland, F, G, H, I, and J Streets. Shows the property divided into plots numbered 1 through 7 and labeled with the acreage. Depicts the mansion located in plot 5 and the tenant house and two barns located in plot 7., Title and date from item., Scale statement on map reads, “scale-80 feet to an inch.", Text on recto: Note-All areas extend to middle of streets. Blue figures represents confirmed curb elevation. Red [figures represents] present surface [elevation]., Table in the lower right depcited as a scroll and listing the seven plots with monetary valuations on the acreage., Gift of David Doret and Linda G. Mitchell, 2020.
Creator
Webster, George S., surveyor
Date
Nov. 1883
Location
Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.21]
Plan of Auburn Farm belonging to the Cresson estate, Twenty-fifth ward. Philadelphia. [cartographic material].
Title
Plan of Auburn Farm belonging to the Cresson estate, Twenty-fifth ward. Philadelphia
Description
Map showing the Cresson estate (likely Sarah Emlen Cresson) including Erie, Venango, Tioga, Ontario, G, H, and I Streets. Shows the property bordered and shaded in red. Several rectangles, probably symbolizing buildings, are depicted between G and H Streets and Venango Street. Shows the total acreage and railroad acreage., Title from item., Date inferred from content., Text on recto: Note-copy of a survey and plan made by Isaac E. Shallcross with location and area of rail road added., Gift of David Doret and Linda G. Mitchell, 2020.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.22]
[Thomas H. Wilkinson watercolor views of Philadelphia] [graphic].
Title
[Thomas H. Wilkinson watercolor views of Philadelphia]
Description
Series of watercolors by British-born, Canadian artist Thomas H. Wilkinson showing views of historic and prominent landmarks, sites, and residences in Philadelphia, including the Roxborough and Germantown neighborhoods. Many of the sites are historically significant in relation to the American Revolution. Includes “Arnold Mansion,” i.e., Mount Pleasant (built 1761) in East Fairmount Park where British General James Agnew died after being wounded in the Battle of Germantown (P.2017.8.2); Cannon Ball House (built ca. 1715) also known as Blakely House on Mud Island through which a cannonball went during the largest British bombardment of the Revolution in 1777; Dunkards Church (built 1770) also known as Church of the Brethren, 6613 Germantown Avenue; Gloria Dei (built 1698-1700) also known as Old Swedes Church, 929 South Water Street; Haines House, i.e., Wyck (originally built ca. 1690), the ancestral family home of the Wister-Haines families, 6026 Germantown Avenue; Johnson House (built 1765-8 and used as a stop on the Underground Railroad), 6306 Germantown Avenue (P.2017.8.7); The Jolly Post (built ca. 1680), a colonial inn on Main Street, Frankford where the American Army rested on its march to capture Cornwallis at Yorktown in 1781; Market House at Second and Pine Streets, i.e the Newmarket or Head House Square Market (originally built 1745) from the Northwest; Mennonite Church, Germantown (built 1770), 6119 Germantown Avenue and used as a hospital during the American Revolution;, "Morris House" also known as the Deshler-Morris House (built 1772) and used as the summer residence of President George Washington 1793 and 1794; "Old Fort Mifflin" (built ca. 1772-98) on Mud Island; Penrose Ferry Hotel near the Penrose Ferry Bridge in Kingsessing; St. Peter’s Church at Third and Pine Streets (built 1758-61); Smith Mansion on Queen Lane, Germantown also known as Carlton built ca. 1780 and owned by Cornelius S. Smith ca. 1840-ca. 1880s; Wagner House also known as Mechlin-Wagner House (built 1747), 4840 Germantown Avenue and used as a hospital during the American Revolution; and "Wister House, Germantown" (built 1744) also known as Grumplethorpe, 5267 Germantown Avenue. Most of the views include the surrounding property and/or adjacent buildings and residences. Some of the views also show street and pedestrian traffic, including persons in conversation, market visitors, and a street car. Some of the church views show the church’s graveyard as well. Penrose Ferry Hotel view includes chickens in the side yard., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Title supplied by cataloger., Watercolors signed by the artist in lower left or right corner: T.H. Wilkinson., Small number of the drawings include a title in the lower left corner., Accompanied by label: The Historical Collection of the late Samuel Castner, Jr. of Philadelphia., Gift of David Doret and Linda G. Mitchell., LCP also holds glass plate negatives in the Marriott C. Morris Collection showing a variant ca. 1893 watercolor view of the Morris-Deshler house by Thomas H. Wilkinson [*P.9895.6.3 and *P.9895.11.18]., New items acquired for and housed with collection after 2017., See Lib. Company. Annual report, 2017, p. 62-64., Description revised 2022., Access points revised 2022., Thomas H. Wilkinson (1847-1929) was a British-born artist who specialized in landscape views. Although he settled in Canada in the later 19th century, he traveled the United States through the 20th century to execute his art works. During the 1890s, he created several watercolor views of Philadelphia. He died while a well-known local artist and resident of Hamilton, Ontario.
Creator
Wilkinson, Thomas H., 1847-1929, artist
Date
[ca. 1890-ca. 1895]
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Watercolors and Drawings - Wilkinson [P.2017.8.2-18]
The German bleeds & bears ye furs of Quaker lords & savage curs ... [graphic].
Title
The German bleeds & bears ye furs of Quaker lords & savage curs
Description
Political cartoon depicting Quakers and racist caricatures of Native Americans riding on the backs of German and Scots-Irish settlers surrounded by burning houses and the bodies of dead men, women, and children. In the left, Benjamin Franklin stands holding a paper reading, "Resolved/ ye Prop[riete]r/ a knave/ & tyrant/ NC D/ gov[erno]r D:o." A fox, representing Quaker Joseph Fox, stands between his legs. Quaker leader Israel Pemberton rides on the back of a Scots-Irish man, who holds a rifle. Pemberton stretches his right hand out to grasp Franklin's paper and holds a band of wampum in his left hand. A rope wrapped around his left arm is attached to the nose of a blindfolded German man who walks behind him carrying a Native American man on his back. The Native American man holds a tomahawk in his right hand and carries a pack on his back labeled, "I.P." In the foreground are bodies of a dead man, woman, and child with cut marks on their heads indicating scalping. Native American men burn houses in the background. Joseph Fox and Israel Pemberton were leaders in the Quaker "Friendly Association" that was often accused of supplying money secretly to the Native Americans., Title from item., Date inferred from content., Attributed to Claypoole., Text printed under image: "The German bleeds & bears ye furs/ Of Quaker Lords & savage Curs/ Th' Hibernian frets with new Disaster/ And kicks to fling his broad brim'd Master/ But help at hand Resolves to hold down/ Th' Hibernian's Head or tumble all down.", Retrospective conversion record: original entry, edited., See Philadelphia printmaking: American prints before 1860 (West Chester, Pa.: The Tinicum Press, 1977), p. 70-89., RVCDC
Creator
Claypoole, James, 1720-1784?, etcher
Date
[1764]
Location
Library Company of Philadelphia | PRINT PRINT political cartoons 1764 Ger [66984.O.9]
Congressional Pugilists [graphic] : He in a trice struck Lyon thrice ... / Congress Hall, in Philada Feb. 15, 1798 ...
Title
Congressional Pugilists He in a trice struck Lyon thrice
Description
Depicts a fight on the floor of Congress Hall between Vermont Representative Matthew Lyon and Connecticut Representative Roger Griswold. In the right, Griswold kicks Lyon and holds a cane up to strike him. Lyon grasps Griswold's right arm and raises a pair of fireplace tongs to hit him. Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others look on. In the background on the wall is a framed picture with two roosters whose caption reads "Royal sport." The fight was originally prompted by an insulting reference to Lyon on Griswold's part., Title from item., Date inferred from content., 19th century restrike., Weitenkampf lists three states of this print: in the first only the title appears above the image and the four lines of verse in the center below the image and "Congress Hall, in Philada. Feb. 15, 1798" etched in the lower right corner; in the second the title, and keyed references in the (plate) margins of the second appear above the image and "Congress Hall, in Philada. Feb. 15.1798" is etched in the lower right corner; the third is identical to the second state but has "17" etched in the upper right hand corner and "Congress Hall, in Philada. Feb. 15, 1798. "S.E. Cor. 6th & Chesnut St." in the lower right corner; the images remain the same in all three states., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Retrospective conversion record: original entry, edited.
Date
[1798]
Location
Library Company of Philadelphia | Print Department political cartoons - 1798-3b (second state) [2569.Q.17]
The election, humbly inscrib'd to the Saturday-Nights Club, in Lodge Alley [graphic].
Title
The election, humbly inscrib'd to the Saturday-Nights Club, in Lodge Alley
Description
At the top, depicts the 1765 the election for the county and city of Philadelphia. In the left, shows Britannia, depicted as a white woman, with a shield with the Union Jack and a liberty cap and pole, saying "Oh my sons, my sons." America, depicted as a white woman, carries a sword and replies "Don't grieve too much sister." Treachery, depicted as a white women with two faces, stands behind Britannia with a dagger and says, "I hope that will do for you Madam." A large group of men stand in the foreground, including clergymen, and discuss the election. In the background, a line of men enter a building to vote., Title from item., Date from Evans., "About 150 lines of blank verse [in four columns] engraved on copper, with a picture of the election at the top."--Hildeburn., First line: Long with a Cruel, and perfidious Hand:, Manscript note by DuSimitiere: Published after the election of the members for the county and city of Philadelphia for the first of 8be 1765., Retrospective conversion record: original entry, edited.
Creator
Dawkins, Henry, d. 1786?
Date
[1765]
Location
Library Company of Philadelphia | PRINT political cartoons [1765] Ele [959.F.88 (DuSimitiere)]
[Sketchbook of Philadelphia area landscapes and buildings] [graphic].
Title
[Sketchbook of Philadelphia area landscapes and buildings]
Description
Sketchbook containing pencil drawings of exterior views of buildings in the Philadelphia area, flowers, trees, tigers and lions, and portraits of men and women. Titled sketches include: Bartram's Barn, May 5th, 1900; Bartram's Gardens May 5, 1900; Bridgwater May 13th, 1900; Poplars, Tree at Folcroft; Ridley Park Lake; Independence Hall Garden Front, the Lunch Counter May 16th, 1900; Fidelity; French Ballet, Carnival May 25, 1900; Settee Phila. Nat'n'l Bank, 421 Chestnut St.; Rocks, Nov. 2, 1901; Cupola for a stable; Tiger; Rock Nov. 2, 1901; The Grist Mill, Nov. 2, 1901; Pusey House, Feb. 15; Dr. Robert's Woods, 12-30-20; Leiper's Quarry Avondale 12/30/20; West Farm 12/30/20., Title supplied by cataloger., Date range from dated drawings., Cloth binding with "Sketch Book" embossed and "E. Donald Robb + Donald Robb Cochran" written in manuscript on the cover., Gift of David Doret and Linda G. Mitchell, 2022., Donald Robb Cochran (1897-1986) was born in Chester, Pa. He graduated from the University of Pennsylvania with a degree in architecture in 1921. From 1921 to 1923, he worked as a draftsman at the Boston firm of Frohman, Robb & Little. He then worked at the Philadelphia firm Mellor, Meigs & Howe until 1932. In 1933, he joined Sun Oil Co. as a staff architect., Eccles Donald Robb (1880-1942) graduated from the architectural department of Drexel Institute in Philadelphia in 1899. He worked at Cram, Goodhue & Ferguson in New York. From 1911 to 1914, he partnered with Clarence Brazer to form Brazer & Robb. He then formed Frohman & Robb and later Frohman, Robb & Little.
Creator
Cochran, Donald Robb, 1897-1986
Date
[ca. 1900-1920]
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – albums [P.2022.62.3.52]
David McNeely Stauffer Collection of Prints and Original Drawings for his Extra-Illustrated Westcott’s History of Philadelphia
Title
David McNeely Stauffer Collection of Prints and Original Drawings for his Extra-Illustrated Westcott’s History of Philadelphia
David Doret and Linda Mitchell Original Art Collection
Title
David Doret and Linda Mitchell Original Art Collection
David Doret Collection
Title
David Doret Collection
David Doret and Linda Mitchell Collection of Original Art
Title
David Doret and Linda Mitchell Collection of Original Art
[Architectural drawing of the front elevation of Strawbridge & Clothier, 8th and Market Streets, Philadelphia] [graphic].
Title
[Architectural drawing of the front elevation of Strawbridge & Clothier, 8th and Market Streets, Philadelphia]
Description
Shows the five-story, multi-section front facade of the department store (established in 1868) at the northwest corner of 8th and Market Streets. Sign at the top reads, "Strawbridge & Clothier." The expanded Strawbridge & Clothier building was completed circa 1897 after the designs of Philadelphia architect Addison Hutton. Justus Clayton Strawbridge (1838–1911) and Isaac Hallowell Clothier (1837–1921) founded Strawbridge & CLothier in Philadelphia in 1868., Title supplied by cataloger., Date inferred from manuscript note on related print. See related print **Architectural Drawings - unid. - Strawbridge [P.2010.35.9], Gift of David Doret.
Date
[ca. 1891]
Location
Library Company of Philadelphia | Print Department **architectural drawings - unidentified - Strawbridge [P.2010.35.8]
Double Head Study of an Older and a Young Woman.
Title
Double Head Study of an Older and a Young Woman
Description
Gift of David Doret and Linda G. Mitchell, 2022., Label on the verso from Montclair Art Museum (Montclair, N.J.) (Double Head Study), Gift of Mr. and Mrs. Ethan D. Alyea. 1964.51., Bust-length, forward-facing portrait study of two white women. In the left, shows an older woman with brown ringlet curls framing her forehead and attired in a white lace day cap tied in a bow under her chin and a dark-colored dress with a white lace collar. In the right, shows a young woman with her dark brown hair parted in the middle and tied back and attired in dress with a white neckline. There is an additional portrait of a woman on the verso of the canvas. A cut out in the frame reveals the eyes of the portrait. A photocopy reproduction is taped to the back. Bust-length portrait of a white woman with her blonde hair tied back and attired in drop earrings, a multi-stranded necklace, and a light blue dress.
Date
ca. 1830s-1840s
Location
OBJ 922
[Collection of engraved printing plates] [graphic].
Title
[Collection of engraved printing plates]
Description
Collection of printing plates, including several with a Philadelphia provenance and a number with engraved marks on the recto and verso. Designs include calling cards, scientific illustrations, border specimens, and the frontispiece in "Count Roderic's Castle, or, Gothic Times" (Philadelphia, 1795) illustrated with a swordfighting scene. Engraved marks depict birds, floral imagery, filigree, mathematical and anatomical diagrams, and geometric details. One plate also used as a trial plate and contains a montage of details, including a shield, sickle, female allegorical figure, a female figure leaning on a horse and with a basket at her feet, the monogram “CPH,” and strings of letters. Collection also includes two envelopes with inscriptions about their content and two type blocks containing marks depicting monograms. One type design also includes a woodpecker., Names on calling cards include Jabez Maud Fisher; Mr. J. F. Fisher; The Misses Fisher, Alverthorpe; Mr. George Harrison; William Bradford, 319 S. Fifteenth St., and Mr. Harrison., Engravers include John Vallance, E. Trenchard, and Dreka., Plate makers include J. B. Keim., Gift of David Doret., Housed in a phase box., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Louis Dreka was first listed as an engraver in Philadelphia city directories in 1863.
Date
[ca. 1795-ca. 1863]
Location
Library Company of Philadelphia | Print Department albums - engraved printing plates [P.2010.35.10-26]
Alterations & additions to Messrs. Strawbridge & Clothiers store on 8th & Market Sts. [graphic].
Title
Alterations & additions to Messrs. Strawbridge & Clothiers store on 8th & Market Sts
Description
Architectural drawing for renovations to the Strawbridge & Clothier department store (established 1868) on the 800 block of Market Street. Shows "Elevation on Market St." (building section at corner of Eighth & Market) and details of "Elevation of Cornice on Eighth St."; "Part Elevation of Cornice"; and "Increased Projection of 3 [in.] at Pediments." Details show close-ups of the roof of the building section, including cornices, windows, and pediments. Sections of the drawing are annotated in watercolor or with printed notes indicating dividing partitions between buildings; structural elements; and their spacing. The expanded Strawbridge & Clothier building was completed circa 1897 after the designs of Philadelphia architect Addison Hutton. Builders Stacy Reeves & Sons worked on additions and alterations to the building through the early 1900s. Justus Clayton Strawbridge (1838–1911) and Isaac Hallowell Clothier (1837–1921) founded Strawbridge & CLothier in Philadelphia in 1868., Title from item., Date inferred from manuscript note: This drawing belongs to Stacy Reeves & Sons and was [used?] from them Aug. 26, 1891., Includes: Scale 1/8 [in.] = 1 foot, Includes: Scale for details 3/4 [in.] = 1 foot, Includes printed notes: Equal Space; Bracket over [?]; Dotted lines show outline of large end brackets; Party Line; Center Line; and Large Bracket terminating cornice., Includes annotations in red ink for dimensions of sections of the "Elevation on Market Street" view., Includes pencil annotations: 11-9 Floor Co. joints; B of J., Gift of David Doret.
Date
[1891]
Location
Library Company of Philadelphia | Print Department **architectural drawings - unidentified - Strawbridge [P.2010.35.9]
Storming of Missionary Ridge.
Title
Storming of Missionary Ridge
Description
Panoramic view showing the Union victory at the Battle of Missionary Ridge near Chattanooga, Tennessee on November 25, 1863. Shows Union troops carrying an American flag as the men break through the Confederate line. An African American Union corps drummer marches behind the soldiers. Shows Union and Confederate soldiers firing and falling in battle near brush and fallen trees, and Confederate troops retreating past a homestead in the background., Title from item., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Philadelphia Panorama Co., distributor
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Missionary Ridge [P.2002.50.3]
Woman's mission [graphic] / C. Schussele 1865; Painted by C. Schussele; Engraved by A.B. Walter.
Title
Woman's mission
Description
Genre print showing Union women volunteers, in plain clothes, aiding soldiers within a tent. In the central foreground, a seated volunteer comforts a soldier, lying in a cot, his head bandaged, and a pen and paper resting on his blanket. The aid worker pats him with one hand and holds a book in the other. Across from the soldier's knapsack, rifle, and tin cup, a dog watches nearby, his head resting on the soldiers blanketed legs. In the right, another young woman volunteer stands with a basket over her arm. In the left, an older volunteer offers a bowl of food to another soldier, still in uniform, and also lying on a cot under a window flap. Also shows crates of supplies of the "Ladies Aid Mission" piled and open. In the left background, male aid workers assisting soldiers on the grounds are visible through the tent opening., Title from item., Date from copyright statement., Artist's signature lower left., To the patriotic and benevolent ladies of the Union who by their devoted services aided their country in its trying hour and comforted its brave defenders this print is respectfully dedicated., Passage from Sir Walter Scott's "Marimon Canto vi. Stanza 30" printed below the image: Oh woman in our hours of ease, uncertain, coy and hard to please, and variable as the shade. By the light quivering aspen made, when pain and anguish wring the brow, a ministering angel thou., Gift of David Doret.
Creator
Walter, Adam B., 1820-1875, engraver
Date
1865
Location
Library Company of Philadephia | Print Department *GC - Civil War - Hospitals - W [P.2009.17.7]
[Edwin McMasters Stanton] [graphic].
Title
[Edwin McMasters Stanton]
Description
Half-length portrait of Edward Stanton, wearing a beard and attired in spectacles, a white collared shirt, waistcoat, and jacket. Stanton served as Secretary of War between 1862 and 1868., Title supplied by cataloger., Date from copyright statement: Entered according to act of Congress A.D. 1863 by M.B. Brady in the clerk's office of the District Court of the U.S. for the So. District of New York., Text on verso reads in part: From photographic negative in Brady's National Portrait Gallery., Manuscript text on verso reads: Stanton., Gift of David Doret.
Creator
Brady, Mathew B., approximately 1823-1896, photographer
Date
1863
Location
Library Company of Philadelphia | Print Department cdv- portraits - sitter - S [P.2010.6.32]
Traveling teams of Mr. J. Campbell Harris,- starting from his "White Mountains" stables, to return to Philadelphia. (his mountain buggy-team on the left.) [graphic]/ Merrow, photographer, Bethlehem, N.H.
Title
Traveling teams of Mr. J. Campbell Harris,- starting from his "White Mountains" stables, to return to Philadelphia. (his mountain buggy-team on the left.)
Description
View showing three horse-teams each harnessed to the three carriages waiting in the yard of a clapboard house and stable. In the left, a white man driver sits in one carriage and holds the reins. In the center, a man stands beside the horse hitched to another carriage. In the right, the third carriage is empty. Two woman sitting on the porch and a boy in the yard watch the carriages. An unhitched carriage sits below the wide roof of the stable's verandah. Harris, son-in-law of Thomas Powers of Powers & Weightman, was a Philadelphia businessman involved in real estate development., Title from item., Date inferred from content., Photographer's imprint stamped on verso., Gift of David Doret.
Creator
Merrow, Edward L., ca. 1861-1922, photographer
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department photo - Merrow [P.2010.6.21]
On foot of Blue Ridge Mountains, Pa. [graphic].
Title
On foot of Blue Ridge Mountains, Pa
Description
Lithograph showing a covered wagon hitched to four hourses. In the center, a man sits on horseback and talks to a man standing and holding a whip. A woman holds a baby and stands in front of a wooden home with a paddock. In the left is an empty cart. Trees and hills fill the background., Printed lower left: 13., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: on., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator
Kollner, Augustus, 1812-1906, artist
Date
1860
Location
Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.4]
Near Gettisburg [sic] [Pa.] [graphic].
Title
Near Gettisburg [sic] [Pa.]
Description
Lithograph showing a stream coursing through the landscape, finally flowing under a bridge in the background. In the foreground, there is an island in the middle of the stream with three trees. In the right, a horse lowers his head to drink. A horse-drawn covered wagon travels over the bridge in the background., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: near., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator
Kollner, Augustus, 1812-1906, artist
Date
1860
Location
Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.3]
[Bunch, the horse, pulling William W. Cutair's West Philadelphia express wagon] [graphic] / G. D. DiFazio Art Studio, 906 So. 8th St. Phila.
Title
[Bunch, the horse, pulling William W. Cutair's West Philadelphia express wagon]
Description
Shows Bunch the horse harnessed to a wagon on a dirt road. A young man, attired in a collared shirt with the sleeves rolled up, suspenders, tie, pants, and boots, is seated in the driver's seat and holds the reins. Three children sit in the vehicle and look at the viewer. Another man, attired in a collared shirt with the sleeves rolled up, suspenders, pants, and boots, stands next to the wagon with his left hand holding the side of the vehicle., Title supplied by cataloger., Date from manuscript note written on verso: Taken Sept. 1908 on 66th St. north of Haverford Av. Bunch (horse) bought Jan. 4, 1907, the day Frances was born., Photographer's imprint stamped in lower right corner., Gift of David Doret.
Date
1908
Location
Library Company of Philadelphia | Print Department photo - DiFazio [P.2010.6.20]
Near Harrisburg Pa. [graphic].
Title
Near Harrisburg Pa
Description
Lithograph showing a view of a river with a large tree in the foreground. To the left of the tree, two men push a raft away from shore. A house is visible on the far bank of the river and above it are a few wispy clouds., Printed lower left: 9., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: near., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator
Kollner, Augustus, 1812-1906, artist
Date
1860
Location
Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.5]
[Portrait of a woman at her toilet] [graphic] / Rembrandt Peale 1826.
Title
[Portrait of a woman at her toilet]
Description
Half-length portrait of a young woman after Titian's masterpiece "Woman with a Mirror." Shows the woman holding her long hair off of her shoulder. One of the first two lithographs printed by Peale., Title supplied by cataloger., Date from artist signature and date in the lower left recto: Rem Peale 1826., Gift of David Doret., Created postfreeze., Library Company of Philadelphia, Annual Report, p.68-69., Described in Sarah J. Weatherwax's "A Newly-Discovered Rembrandt Peale Lithograph" in Imprint: Journal of the American Historical Print Collectors Society (Spring 2006), p. 29-32.
Creator
Peale, Rembrandt, 1778-1860, lithographer
Date
[ca. 1826]
Location
Library Company of Philadelphia | Print Department portrait prints - unidentified [P.2004.24]
Residence for J. Monroe Shellenberger esq., Doylestown, Penna. [graphic] / F. Burns, del., April 8, 1886; Chas. M. Burns, Jr., architect, 717 Walnut St., Philada.
Title
Residence for J. Monroe Shellenberger esq., Doylestown, Penna
Description
Architectural print showing the Queen Anne-Eastlake-style residence built for the notorious Doylestown attorney in 1887 after the designs of Charles Marquedent Burns on East Court Street. Residence, later known as Windemere, contains towers, Gothic windows, a gable roof, and covered porch. Print also shows landscaped lawns. In 1890, the former district-attorney and member of several boards was convicted of forgery and sentenced to Eastern State Penitentiary. The following year, his residence was sold to Dr. George C. Wheeler of Philadelphia., Title from item., Publication date from copyright statement: Copyright, 1886 W. T. Comstock., Possibly published in 1886 edition of Architecture and building (New York: W. T. Comstock, 1882-1899)., Gift of David Doret., Frank Burns, brother of architect Charles M. Burn, worked as a City of Philadelphia Bureau of Surveys draftsman from 1892 until 1912.
Creator
Burns, Frank, 1844-1913, artist
Date
1886
Location
Library Company of Philadelphia | Print Department *GC - Residences [P.2010.21.3]
Sharples homestead [graphic] / drawn on stone by Martha Sharples about 1876 as suggested by S. Emlen Sharples.
Title
Sharples homestead
Description
Historical view showing the over 200-acre West Chester homestead, including a residence, barn, and outbuilding at 22 Dean Street. In the foreground, cows graze near a boy whittling while seated on a log. Lombardy poplars surround the residence in the background. The original log residence built before 1750 was removed and replaced about 1802, and the depicted barn was destroyed by lightning before the Civil War., Title from manuscript written on recto., Date inferred from content., Possibly printed by West Chester printer and younger brother to Martha Sharples Robert P. Sharples., Gift of David Doret., Library Company of Philadelphia Annual Report 2010, p. 73-74., Martha Sharples (b. 1852), daughter of coal and lumber dealer S. Emlen Sharples, worked as a teacher in 1870 and studied at the Philadelphia School of Design for Women 1877-1878. She also was a member of the Chester County Historical Society.
Creator
Sharples, Martha, b. 1852, artist
Date
[1876]
Location
Library Company of Philadelphia | Print Department *GC - Residences - Sharples [P.2010.21.1]
Porter & Coates' Bookstore, (interior view, from the front). [graphic].
Title
Porter & Coates' Bookstore, (interior view, from the front)
Description
View showing the interior of Porter & Coates' Bookstore (822 Chestnut) from the front. Book-filled cabinets and tables line the walls. There are three chairs for customers to sit. A grand staircase with a sign that reads, "Art Gallery," stained glass window, ornate moldings, and tile floor adorn the store. Robert Porter (1842-1899) and Henry T. Coates (1843-1910) formed Porter & Coates in 1867. They published over a hundred children's or juvenile libraries, series, and sets. The store at 822 Chestnut Street operated from 1869 to 1885. After Porter died in 1899, Coates renamed the firm Henry T. Coates & Co., Title printed on mount., Date inferred from content., Distributor's label pasted on verso., Photographer and publisher inferred from distributor's label pasted on verso., Stamped on recto: Henry T. Coates, Jr., Yellow mount with rounded corners., Gift of Raymond Holstein.
Creator
Cremer, James, 1821-1893
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department Holstein stereo - Streets - Chestnut Street [P.2011.47.1857]
A "jam" on Dock Street, Philadelphia's produce market place. [graphic].
Title
A " jam" on Dock Street, Philadelphia's produce market place
Description
View of street traffic at the produce market on the 200 block of Dock Street. Horse-drawn carts and wagons packed with sacks, barrels, and crates crowd the cobblestone street lined with storefronts, including C.G. Justice & Co. (123 Dock St.); Rosskam, Gerstley & Co. (133 & 135 Dock Street); Carstairs & McCall Co (139 Dock St.); and J. M. Morris & C. H. Peacock warehouse. Signs advertising "Carstairs & McCall Co. fine rye whiskies," "Rosskam, Gerstley & Co. fine whiskies," and "Fruits" adorn the buildings. Produce dealers C.G. Justice & Co. was established in 1871. Isaac Rosskam and Henry Gerstley founded the whiskey wholesale firm Rosskam, Gerstley & Co. in circa 1869 and continued until 1921. Brothers Charles and James Carstairs, Jr. and John C. McCall founded the whiskey company Carstairs & McCall Co. in 1868., Title printed on mount., Date from copyright statement: Copyrighted 1903 by William H. Rau., Curved buff mount with rounded corners., Distributor's imprint printed on mount: Sold only by Universal View Co., Publisher's imprint printed on mount., Gift of Raymond Holstein.
Creator
Rau, William Herman, 1855-1920, publisher
Date
1903
Location
Library Company of Philadelphia | Print Department Holstein stereo - Streets - Chestnut Street [P.2011.47.1840]
[Man lying on a mechanical invalid bed] [graphic].
Title
[Man lying on a mechanical invalid bed]
Description
Documentary portrait, possibly a mendicant photograph, showing a man lying on an invalid bed. The bed is composed of a bed frame, the mattress on which the man lies, overhead vertical rails, side "rails" made of stretched cloth, and a hand crank. The man, possibly a Civil War veteran, has a dark bushy mustache and rests his head on a pillow in the left of the image. He looks toward the viewer. He rests his hand on one of the side slats. A jacquard blanket covers him. To the side of the bed, is a lower "ledge" covered in jacquard fabric. A basket of fruit and two books adorn it. In the left forefront is a side table on which a book rests. In the right background, a window with curtains is visible. The stereograph was possibly sold as a means to raise funds for the man portrayed in the photograph., Title supplied by cataloger., Date inferred from mount and content., Warped yellow mount with rounded corners., Purchased with funds for the Visual Culture Program (Junto 2015).
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - unidentified photo - Genre [P.2016.26.1]
Old Nick's new patent plan to make Nova Scotia tories, federals coodies, Hartford conventioners, nullifiers, national republican bankites &c. [graphic].
Title
Old Nick's new patent plan to make Nova Scotia tories, federals coodies, Hartford conventioners, nullifiers, national republican bankites &c
Description
Cartoon issued during the Bank War attacking Nicholas Biddle, president of the Bank of the United States, and his allegedly bribed New York newspaper editors for propagating an artificial financial crisis to sway public opinion in favor of the Bank. Depicts editors James W. Webb, Mordecai Manuel Noah, and probably Charles King using large screw presses to crush masses of working men ("workies"), including sailors, laborers, and butchers. Noah, fearing the strength of the "workies," loses control of his press from the shifting weight of his men; King twists his press and talks of the "division of the spoils"; and Webb urges a "good screwing" to gain the workers's suport and Biddle's fees. From below, the "workies" criticize the Bank as an institution of the aristocracy; allude favorably to Jackson and his veto of the Bank's recharter; scream their refusal to bow to a "golden calf"; and exclaim that they vote for liberty, not their "merchants breeches pockets." To the far right, Biddle hollers support to his "cousins"; "Jack Downing" questions the success of the presses; and a man with a monocle declares that the "workies" will not vote in the next election if they fail., Retrospective conversion record: original entry, edited.
Date
[1834]
Location
Library Company of Philadelphia | Print Department political cartoons - 1834-5 [5760.F.59]
A Correct chart of Salt River [graphic] / Prepared by Father Ritchie.
Title
A Correct chart of Salt River
Description
"Salt River," the fictitious river of political doom, is charted here as a meandering stream of Democratic misfortunes. The chart was purportedly "prepared by Father Ritchie," i.e., Democratic editor and Polk administration spokesman Thomas Ritchie. Swipes are taken at the Tariff of 1846, Polk's Vice President George M. Dallas, Martin Van Buren, and 1848 Democratic presidential nominee Lewis Cass. The river winds upward from the Ohio River (Ohio was a Democratic stronghold in 1848) to the Lake of Oblivion with an island on which sits the "Mansion of Despair." The "Fast Sailing Steamer Free Trade," captained by Lewis Cass and piloted by Ritchie, sets out on the "Slough of Despond" below (one of the landmarks in John Bunyan's "Pilgrim's Progress). The ship approaches a fork, from which the "Old Fox Branch" on the right leads to "Cabbage Point" and the home of Martin Van Buren. Van Buren can be seen sitting in a rowboat on the river complaining, "Hard work this all; your fault 'John, ' with your D--d Free Trade." His son John, a Free Soil party leader and campaigner, encouraged Van Buren's bid for the party's presidential nomination in 1848. On the left Salt River continues past the "Sub Treasury Bluffs," "Noise and Confusion Shoals," "Two Face Points," and "Irish Relief Shoal" (a reference to Democratic support for anti-British insurgents in Ireland), to another fork, "Prince John's Creek." Here John Van Buren walks along the shore and calls, "Good bye Dad! We could not Gull the People." The main branch of the river continues to "Pillow's Cemetery" (named after Gen. Gideon Pillow, conspirator against popular Mexican War commander Winfield Scott and a friend of James K. Polk), "One Seal Island", "Casting Vote Point," and "St Anna Pass." The last is named after Mexican president and commander Santa Anna, whom the Polk administration returned from exile only to see him lead the war against the Americans. On Lake Oblivion is a small ferry boat heads toward the shore at upper right where it will connect with a train named "Tariff [of 18]42," bound for Washington. On the left is a funerary monument "In Memory of Dallas," a memorial to Vice President and former Pennsylvania senator George M. Dallas. Many of Dallas's fellow Pennsylvanians viewed him as a traitor to the state's interests in his support of the Tariff of 1846, which supplanted the popular 1842 tariff., Title from item., Date inferred from content., Library copy has manuscript written on lower right recto: March 5th, 1849., Retrospective conversion record: original entry.
Date
[1848]
Location
Library Company of Philadelphia | Print Department political cartoons - 1848-50 [P.2275.28]
Bank-ometer [graphic] : Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress / Designed by Seth Luther; Drawn by Stephen Lawton.
Title
Bank-ometer Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress
Description
Cartoon designed by radical labor activist Seth Luther to promote the dissolution of the United States banking system. Depicts the U.S Bank as operated by the industrial turbine "Currency Reservoir." The "Bank of England Tube," "State Bank Tube," and "Expansion and Contraction Tube" extend from the reservoir and power meters labeled "Paperometer," "Stockometer," Flourometer," and "Wageometer," which flank the bank and measure the system. Meters measure the benefits to industry and the disadvantages to the artisan of the banking system from 1816 to 1840, including: the expansion and contraction of paper money; the prices and amounts of import and export commodities; the economic effects from the monetary fluctuations on manufacturers and mechanics; the price of stocks and flour; and the wages (lower in 1840 than 1816) and cost of living of New York carpenters. Also contains seventeen boxed quotations from prominent political figures criticizing paper money and banks, including statements by Washington, Jefferson, Adams, Jackson, Van Buren, Samuel Young, John Tyler, and Bank of the United States supporter Henry Clay; a chart containing figures indicating an increase in the number of banks from 1774 to 1840, the amount of hard and paper currency in circulation, and the "aggregate receipts" from public land sales; as well as references to Jackson's 1832 veto of the Bank of the United States and Van Buren's 1840 Independent Treasury Bill. Dedicated to Andrew Jackson for his "righteous" veto of the Bank of the United States on July 4, 1840., Title from item., Date from copyright statement: Entered according to act of Congress July 22, 1840 Seth Luther Author and Proprietor in the Clerks Office of the District Court of the So. District of N.Y., Retrospective conversion record: original entry, edited., Library Company Annual Report, 2001, p. 30., Advertised in Public Ledger, October 8, 1840. Price listed as 25 cents.
Creator
Lawton, Stephen, lithographer
Date
designed Nov. 1833, drawn 1840, cJuly 22, 1840
Location
Library Company of Philadelphia | Print Department *political cartoons - 1840-Ban [5760.F.84]
Protest against the British government; [Portrait of a young woman] [graphic] / Brightly sc.
Title
Protest against the British government; [Portrait of a young woman]
Description
Political print designed by Joseph H. Brightly protesting the British government's policies toward Ireland containing a half-length portrait in left profile of Robert Emmett above text protesting for the equal rights of the Irish. Portrait surrounded by border captioned "Martyred Emmett. 'Let no man write my epitaph till Ireland is free.'" Text surrounded by a border shaped as a lyre and adorned with a heart marked "Liberty," vines of clover, and two bare-breasted angels holding scrolls. Scrolls inscribed with the names of eighteen Irish nationalists including John Mitchel; T.F. (Thomas Francis) Meagher; P. O'Donohue; and Rich. O'Gorman. Text references the infringement of franchise, a free press, and the separation of church and state; the American Revolution; the epitaph of Emmett; and the 'High court of Heaven.", Portrait showing a young woman holding a bouquet of roses. Roses adorn her hair., Two-sided lithograph containing a political print on recto and portrait on verso., One title supplied by cataloger., Date inferred from content., First line of text: Time is the arbiter of all things; slow in its progress, but wonderful in its results., Gift of Davd Doret.
Date
[ca. 1858]
Location
Library Company of Philadelphia | Print Department *political cartoons - [1858] Pro [P.2005.36.19a&b]
The old way. The new way. [graphic].
Title
The old way. The new way
Description
Cartoon satirizing old and modern business practices. Shows a split view of two white men, possibly merchants or bankers. In the left, a thin man with disheveled hair sits on a crate near an overturned basket filled with credit vouchers at his feet. He is attired in a shirt, ragged pants and jacket, and shoes with holes in them. He holds his right hand up to his forehead in a gesture of distress for “he gave credit.” To his right is an open window in which a sign reading “The Poor House” is visible. In the right, a white man, sits, cross legged, in a chair between a table covered with a cloth on which he rests his elbow and a safe on which a “Government Securities” box of “U.S. Bonds” is set. He wears his hair combed back and has long mutton chops. He is attired in a suit, bow tie, vest adorned with a watch fob, and shined shoes. He holds a cigar in his left hand, his lapel in his right hand, and blows smoke from his mouth., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1870 in the clerks' office of the district court of the United States for the southern district of New York., Image captioned: I Gave Credit. I Sell for Cash., Lib. Company. Annual Report, 2019, p. 91.
Creator
Currier & Ives
Date
1870
Location
Library Company of Philadelphia | Print Department political cartoons - 1870 Old [P.2019.54.2]
An Au-Gust Convention [graphic].
Title
An Au-Gust Convention
Description
Cartoon satirizing the National Union Convention, which met in Philadelphia in August of 1866, in an attempt to support President Andrew Johnson and his Reconstruction policies and elect a new Congress. Muzzled dogs, each representing a state, walk down a path towards a dog house labeled, “Wigwam,” which was the name of the structure in Philadelphia that was quickly erected for the convention. Outside the house, two guard dogs, representing Johnson supporters Edgar Cowen and James Rood Doolittle, each hold cats in their mouths, representing the two notorious Peace Democrats, or Copperheads, Clement Vallandigham and Fernando Wood, who were barred from the convention. At the head of the parade, the Massachusetts and South Carolina dogs march together, representing General Darius Nash Couch and Governor James Lawrence Oliver, the representatives from those states, respectively. These two men entered the Convention arm-in-arm to demonstrate the possibility for national reconciliation. The South Carolina dog, however, also has its genitals muzzled, as it was the first state to secede from the Union at the beginning of the war. In the left is a small, muzzled dog with a brush and bucket, labeled “N.Y. Times,” tied to its tail that represents Henry Raymond, co-founder of the New York Times and pro-Johnson Republican Congressman. Raymond organized the convention and was removed from his position as Chairman of the Republican National Committee because of it. In the left background, shows the White House with a Confederate flag, with “My Policy,” flying and a dead dog lying on the ground representing Johnson. Radical and moderate Republicans in Congress believed that his treatment of the Southern states under his Reconstruction plan was too lenient., Retrospective conversion record: original entry, edited.
Date
[1866]
Location
Library Company of Philadelphia | PRINT political cartoons - 1866-11 [5760.F.113]
The True peace commissioners [graphic].
Title
The True peace commissioners
Description
Cartoon depicting an angered response of Democrats in support of war to what many considered to be false Confederate peace overtures and to the push for reconciliation with the South advanced by the Peace Democrats in 1864. In the center, Confederate general Robert E. Lee and president Jefferson Davis stand back-to-back trying to ward off an attack by Union officers (from left to right) Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. Sheridan points his sword at Lee, saying, "You commenced the war by taking up arms against the Government and you can have peace only on the condition of your laying them down again." Grant, also holding a sword, insists, "I demand your unconditional surrender, and intend to fight on this line until that is accomplished." Lee tries to placate them, "Cant think of surrendering Gentlemen but allow me through the Chicago platform to propose an armistice and a suspension of hostilities . . . " The 1864 Democratic national convention in Chicago advocated "a cessation of hostilities with a view to an ultimate convention of the states, or other peaceable means" to restore the Union. Davis, unarmed with his hands up, agrees, " . . . if we can get out of this tight place by an armistice, it will enable us to recruit up and get supplies to carry on the war four years longer." Farragut threatens with a harpoon, snarling, "Armistice! and suspension of hostilities'.--Tell that to the Marines, but sailors dont understand that hail from a sinking enemy." Sherman, with raised sword, informs Davis, "We dont want your negores or anything you have; but we do want and will have a just obedience to the laws of the United States.", Title from item., Date inferred from content., Probably drawn by John Cameron., Retrospective conversion record: original entry edited.
Date
[1864]
Location
Library Company of Philadelphia | Print Department political cartoons - 1864-6 [P.2275.5]
The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink. [graphic] : "The Lord delivered the people."
Title
The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink "The Lord delivered the people."
Description
Cartoon analogizing the victory of 1866 Radical Republican Pennsylvania gubernatorial candidate John W. Geary with the Biblical story of Moses's passage of the Red Sea (Exodus) to signify the election result as a moral and political conquest over the Conservative Republicans who supported the policies of President Andrew Johnson. Shows Johnson as "Pharaoh," riding a chariot labeled "My Policy." His crown has been knocked off his head, and the sea rushes around the horse-drawn chariot. Conservative Republicans, including William Seward, are washed away around him. In the distance, "the people" trek across the land of "Pennsylvania" holding a "Geary and Victory" flag., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator
Magee, John L.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866 Des [(2) 1322.F.20]
Beauties of the Sunday Law [graphic] / J.L.M. delt.
Title
Beauties of the Sunday Law
Description
Cartoon mocking Philadelphia's Sunday Law depicting an absurd street scene where citizens are barred from patronizing several closed businesses and public facilities, except for church. Renewed enforcement of the unpopular law proceeded the election of Sabbatarian Mayor Robert T. Conrad in 1854. Police patrol the street enforcing the law, including preventing a downed horse from dying; a "segars" store chimney from "smoking"; and a mourner from hiring a carriage to travel to a funeral "20 miles away." Other citizens angrily mob the church and plead to patronize the businesses and public services, including: a mother unable to purchase medicine from an "Apothecary" for her sick child; a fire victim unable to request a fire engine; a man with a "bellyache" prevented from using a locked "Public Water Closet"; and a wife barred from purchasing provisions as a result of her husband's tardily received wages. Also contains: a clock, a dog, and a rooster padlocked to prevent them from making noise. In the background, the steamship John "Stevens" remains docked at the pier near signs stating, "This river is stopped from running on Sundays" and "No fish allowed to swim on Sunday.", Title from item., Date inferred from content., Artist's monogram lower right corner., Probably drawn by Philadelphia and New York lithographer John L. Magee., Retrospective conversion record: original entry, edited.
Date
[ca. 1855]
Location
Library Company of Philadelphia | Print Department political cartoons - [1855]-Beau [8365.F]
[Front facade to Lubin's nickeleon movie theater] [graphic].
Title
[Front facade to Lubin's nickeleon movie theater]
Description
Shows the front facade to one of the motion picture theaters built for Philadelphia motion picture entrepreneur Siegmund Lubin. The exterior of the theater is heavily decorated with architectural ornaments, predominately female figures. In the center, shows the ticket booth with a sign that reads, "Lubin's 5¢." There are four sets of double doors. Above the doors in the left is a sign reading, "Entrance to Theatre. Box Office" with a finger pointing left. An African American man, attired in a cap, a white collared shirt, tie, and suit jacket and pants, holds a broom and stands in between the first two sets of doors. A second broom leans against the wall beside him. In the left is a door that reads on the glass, "Filling's Wine Room." Adjacent building in the right has two visible signs, "Der Doo" and a partial view showing "Chinese" probably a Chinese restaurant. Der Doo (1874-1929?) emigrated from China to Baltimore in 1900. He opened Chinese restaurants in Baltimore and Washington, D.C. He served as president of the Chinese Reform Association, which sought to repress the opium trade., Title supplied by cataloger., Date inferred from content., Retrospective conversion record: original entry, with corrections.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department photo - unidentified - theatres [P.9260.450]
[Virginia and Trudy at the Daylesford, PA train station] [graphic].
Title
[Virginia and Trudy at the Daylesford, PA train station]
Description
Two smiling women, a suitcase at their feet, stand on a wooden train platform next to a small station identified with a sign as Daylesford. In the center, two white women, attired in brimmed hats, gloves, jackets, and skirts, look at the viewer. Empty train tracks stretch out behind them. Built as part of the Pennsylvania Railroad, the station, razed in 2000, was located on Lincoln Highway and Conestoga Street, 18 miles west of Philadelphia., Title supplied by cataloger., Date from manuscript note written on recto: 1914; Daylesford, Pa; Va and True., Gift of David Doret.
Date
1914
Location
Library Company of Philadelphia | Print Department photo - 5x7 - unidentified - Transportation [P.2010.6.22]
Old Tun Tavern.
Title
Old Tun Tavern
Description
David Doret and Linda G. Mitchell Collection, 2018., Label on the front reads: Old Tun Tavern, Philadelphia, Where the First Grand □ of F. & A.M. was Held in America. Tun Tavern stood at the intersection of King (later Water) Street and Wilcox (later Tun) Alley. It was the location of the first lodge of Free and Accepted Masons in the colonies as early as 1732. The June 26, 1732 Pennsylvania Gazette contains an announcement of William Allen being chosen Grand Master. The Tavern is also regarded as the location where the United States Marines held their first recruitment drive in 1775. In 1781, Tun Tavern burned down. A reproduction was built on the grounds of the 1926 Sesquicentennial and demolished after the exposition ended.
Date
circa 20th c
Location
OBJ 907
The First Presbyterian Church, New Orleans, L. [graphic] : Rev. Benjamin M. Palmer, D.D. Pastor / P.S. Duval & Son's lith. Phil.
Title
The First Presbyterian Church, New Orleans, L Rev. Benjamin M. Palmer, D.D. Pastor
Description
Exterior view of the Gothic-Revival style church built in 1857 after the designs of architect Henry Howard. Shows the front entrance of the church with the large steeple. Men, women, and children pedestrians walk on the sidewalks and cross the street in front of the church. The church building was destroyed by fire in 1854. The newly rebuilt church opened in 1857 and was destroyed by a hurricane in 1915. Rev. Benjamin Morgan Palmer (1818-1902) served as pastor of the First Presbyterian Church in New Orleans from 1856 to 1902. He advocated for Louisiana to secede and join the Confederacy., Title from item., Date inferred from active dates of the artist and publisher and content., Gift of David Doret.
Creator
P.S. Duval & Son, lithographer
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department GC - Churches & Meetinghouses - First [P.2010.35.1]
Ledger Building, Sixth and Chestnut Streets.
Title
Ledger Building, Sixth and Chestnut Streets
Description
Faded street scene showing commercial establishments on the block including the Public Ledger Building built 1866-67 after designs by Philadelphia architect John McArthur, Jr. Depicts the western corner of the State House covered with theater broadsides., Title and publisher's imprint from series list printed on verso. One of 106 numbered titles in the series (No. 139-245)., Yellow mount with rounded corners., Also published as a half stereoview mounted on paper [(6)1322.F.117d]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Robert Newell's son Henry entered the business in 1872 and the name changed to "R. Newell & Son".
Creator
R. Newell & Son
Date
[ca. 1872]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Streets [P.2010.6.17]
Church, Broad & Arch Sts., Phila. (Methodist) New Masonic Temple in the background.
Title
Church, Broad & Arch Sts., Phila. (Methodist) New Masonic Temple in the background
Description
View looking southeast at the Methodist Episcopal church constructed 1869-70 after designs by Addison Hutton. Shows the west front of the adjacent Masonic Temple built 1868-1873 after the designs of James H. Windrim, a coach parked in the right foreground, and the liquor store operated by Charles P. Collins at the northeast corner of Broad and Arch Streets., Title from two different manuscript notes on verso., Photographer's imprint stamped on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Creator
R. Newell & Son
Date
[ca. 1873]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Religion [P.2010.6.18]
U.S. Mint.
Title
U.S. Mint
Description
View looking northwest at the second mint building at 1331-1337 Chestnut Street (northwest corner of Juniper and Thirteenth streets) completed in 1833 after the designs of William Strickland and possibly John Haviland. Also shows two horses on Chestnut Street in the left foreground., One of 107 titles printed in series list on verso (No. 139-245)., Publisher's imprint on verso., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Creator
R. Newell & Son
Date
[ca. 1872]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Government buildings [P.2010.6.16]
New Masonic Temple, corner Broad & Filbert Sts. Phila, Pa. To be dedicated Sept. 26, 1873.
Title
New Masonic Temple, corner Broad & Filbert Sts. Phila, Pa. To be dedicated Sept. 26, 1873
Description
View looking northeast showing the west front and north flank of the new Masonic Temple, built 1868-1873 after the designs of Freemason and Philadelphia architect James H. Windrim. Also shows construction materials and a dray in the street in front of City Hall in the right foreground., Attributed to Robert Newell., Title from manuscript note on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Creator
Newell, Robert, 1822-1897
Date
[ca. 1873]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Associations [P.2010.6.19]

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