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Title: Library Company of Philadelphia scrapbook
Description: Scrapbook containing newspaper clippings, photographs, ephemera and prints predominantly issued between the 1930s and 1970s documenting exhibitions, loans, collections, events and the history of the Library Company. Clippings include newspaper articles about a loan of American political cartoons to the Toledo Museum (1936); exhibitions commemorating the centenary of librettist W.S. Gilbert (1936); the tercentenary of Swedish Settlement (1938); and the library's Afro-Americana collection (1971). Columns also describe the presentation of the Christopher Sower library (1909); the return in 1876 of a book 99 years overdue since the American Revolution (1938); the demolition of the Library's Juniper and Locust streets building for a parking lot (1939); and the vandalism of the former Ridgway Building at 901-933 Broad Street (1969). Photographs predominantly depict the exteriors and reading rooms of the library buildings at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building). Other photographs include a series of views from the 1939 unveiling ceremony of the James Logan memorial (to be erected in Fairmount Park) on the steps of the Ridgway Branch. Ephemera includes invitations (several from The Women's Committee), brochures, catalogs, announcements and placards related to library events; bulletins and pamphlets describing collections; dues notices and book plates; the variant 1884 and 1906 "Rules of the Library Company"; an off-print of the 1882 Louise Stockton entry in "A Sylvan City..." about "The Old Philadelphia Library"; and a 1961 citation from the city recognizing the library as a "Philadelphia first.", Title supplied by cataloger., Cut outs of the seal and motto of Library Company from bookplate pasted on title page., Some contents annotated with dates and typewritten descriptions., Several loose photographs removed and rehoused as "Library Company of Philadelphia Scrapbook Photographs Collection" [P.2010.17]. Contains a ca. 1865 portrait of library donor John A. McAllister misidentified as librarian Lloyd P. Smith, a ca. 1935 portrait of librarian George Abbot, and interior and exterior views of the library buildings, including artifacts, at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2022., Access points revised 2022., Typewritten index inserted in volume., The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: [ca. 1865-ca. 1971, bulk ca. 1936-ca. 1945]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2010.17], Library Company of Philadelphia | Print Department Library Company of Philadelphia Scrapbook Photographs Collection [P.2010.17]

Title: Philadelphia Zoo photograph album
Description: Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: 1902
Location: Library Company of Philadelphia | Print Department albums [8193.F]

Title: The old houses and stores with memorabilia relating to them and my father and grandfather
Description: Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856)., Other narratives describe the yellow fever epidemic of 1793; J. A. P. Lewis's service in the volunteer militia; G. Albert's siblings S. Weir, John A., and Theodore C.; John F. Lewis's successful management of the financial panic of 1828 and his entertaining, including fireworks and "ample supplies of groceries, provisions, wine and liquors" on store; the business practices of the import trade; the conversion of Second Street residences into storefronts; the regrettable disposal of family possessions from the China trade, including card receivers, satins, pearl and ivory seals, artificial flowers, tortoiseshell combs, and silk covered boxes; the childhood of Eliza Mower along the Schuylkill River, her clandestine marriage to Lewis, and her death; John F. Lewis's lucky Mexican dollar; and the childhood and young adult years of G. Albert Lewis, including his "spying" at family parties, Christmas memories, sailing excurisons on the Schuylkill and Delaware rivers, and work for the Lewis firm., Album also contains numerous captioned and dated graphic and ephemeral materials, including watercolors and drawings by G. Albert Lewis, photographic views of family churches, family portraiture, newspaper clippings, certificates, bills of lading, and business and calling cards. Lewis's works depict family crests and coats of arms; sentimentalized genre scenes representing family lore, including J. A. P. Lewis's immigration to America for love; his childhood haunts, Christmas presents, and play areas; exteriors, interiors, grounds and gardens of the family residences and storefronts, including parlors, front rooms, gates, a weather vane designed as a cavalryman on the Walnut Street stable, dormer window (Second Street residence), store house on Laurel Street, and stores on Front and Walnut street; ground plans of Lewis residences (264 S. Second and Walnut Street); the "Great Tree" (South Second Street property); and Chinese exports and china patterns. Photographs depict family portraits of Johann Andreas Philipp and Anna Maria Lewis, John F. and Eliza Lewis, and G. Albert and Anne C. Lewis; the Lewis cargo ship "Globe," family churches and residences, including the altar of St. John's Lutheran Church, Crailsheim (J.A.P. Lewis's baptismal font) and St. Michael's Evangelical Lutheran Church, Swedes Church, (Gloria Dei), and St. Johns Evangelical Lutheran Church (Philadelphia), and the final residence of Eliza Lewis at 1927 Spruce Street; and family artifacts, furniture, and mementoes, including Ludwig's sword and secretary and John F. Lewis's lucky Mexican dollar. Also contains engraved portraits of Frederick the Great and pictorial details by Lewis incorporated at the end of narratives and as frames around portraits., Ephemera includes certificates, bills of lading, and calling cards (including in Chinese) related to the Lewis firms; G. Albert's share certificate in the Philadelphia Museum Company; photomechanical and chromolithographed genre prints; an engraving sample possibly by James Otto Lewis; newspaper clippings, including advertisements and announcement for the Lewis firms, family obituaries, and poems; manuscript "endorsements on notes received, but protested for non-payment" by Weir, Lewis & Co. and family signatures, including that of Eliza Lewis; and textile swatches from Chinese curios, wall paper, and upholstery. Family trees and a chronology of the Lewis firm (until 1828) also form the content., Floral border in watercolor on title page. Border also includes pictorial details showing a sailing ship and Chinese character., Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Dedication: "Dedicated to the Memory of my dear Mother who made the homes of my childhood most lovely and so beautiful!" Surrounded by watercolor frame reading "Haec Olim Meminisse Juvabit Virgo," i.e., "This will help you remember once upon a time.", Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., One of six Lewis Family albums held in the Print Department., Housed in clamshell box., George Albert Lewis, son of Philadelphia China trade merchant John F. Lewis (1791-1858) of John A. Lewis & Co. and Eliza Mower (1788-1885), was a banker, genealogist, and artist descended from Hessian solder and Philadelphia Prothonotary Johann A. P. Lewis [formerly Ludewig]. Lewis studied art with G. W. Holmes, frequently exhibited at the Pennsylvania Academy of the Fine Arts and Artist's Fund Society, and was a member of several organizations, including the Numismatic & Antiquarian Society of Philadelphia, Genealogical Society of Philadelphia, and the Library Company. He married Anne C. Larcombe on July 1, 1851 and with her had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator: Lewis, G. Albert, 1829-1915
Date: 1900
Location: Library Company of Philadelphia | Print Department albums [P.9829.2]

Title: Views of Loudoun and Stenton, residences of Maria Dickinson Logan and her brother, Albanus C. Logan, Germantown, Philadelphia
Description: Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
Creator: Logan, Maria Dickinson, 1857-1939, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department albums [P.9276.81]

Title: Saturday jaunts one-day holidays spent near the city by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks., Columns, signed by the author, reference the attending jaunters; describe their routes taken by foot, train (Reading Railroad), elevated rail, and coal cars; and provide stories, myths, and histories of the botany, geology, fauna, and architecture of the locales and sites visited. Specific sites and landmarks described in detail include Marble Hall marble pit; Spring Mill (Schuylkill Valley); Reading Coal and Iron Company; Livezey's meadow and Devil's Glenn (Wissahickon Valley); the "Great Valley," i.e., Chester, Plymouth, and Whitemarsh valleys; George Bullock's former land and mill (Gulf Creek); Plymouth Quaker Meeting House; Belvoir Estate on the summit of Sandy Hill; "Crystal" and Cold springs (Laurel Springs, Camden County, N.J.); Norristown Railroad Bridge; John Kelpius's log cabin and caves (Germantown); Rittenhouse Mill on Monoshone Creek; McKinney’s Quarry (Wissahickon); Neversink Mountain; Bear Inn (Reading); Rockdale picnic grounds; Barren Hill; Augustinian College (i.e., Villanova University); monastery and church of the Augustinian Fathers at Villanova; Berks, Lebanon, Schuylkill, Columbia, Northumberland and Union counties; Port Carbon; and Cornwall Ore Bank Company. Columns also report about the railroad and industrial officials who provided tours and served as guides; "Photius"'s photographs; jaunter's scientific, philosophical, and literary discussions, including the plant life, flora, and fauna of the Wissahickon, the geology and landscapes of the Schuylkill and Lebanon valleys, and Potsdam sandstone; and jaunter's activities including fishing, collecting arrowheads, and playing baseball. Columns also report about the jaunters more colloquial conversations, including the three different Indian Rock hotels and Joseph “Rooty” Smith root museum on the Wissahickon and the Mt. Gretna Farmer’s Encampment Association annual encampment (August 16-22, 1891)., Photographs taken by "Photius," (i.e., Edmund Stirling) a photographer by avocation, depict group portraits of the "jaunters" and their families during excursions; a summer home in Chestnut Hill; a Marble Hall pit; Pottsville coal mine; a tree in the Plymouth Meetinghouse yard; a Germantown cave where Johann Kelpius or his followers resided; cascades, creeks, and streams in "Happy Valley," Laurel Springs, and the Wissahickon; Mt. Gretna train station; and a portrait of "jaunter" Alban, i.e., Robert C. Clipperton, attired in walking gaiters, and a handkerchief under his hat during the Villanova jaunt., Tan leather binding stamped "Saturday Jaunts" on spine., Includes illustrated title page containing the figure of a plump monk, in his robes, and holding a pipe., Names of jaunters supplied from unillustrated edition in the collections of the Historical Society of Pennsylvania (Vd. 503)., Photographs annotated: H [number]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Edmund Stirling, born September 13, 1861 in Philadelphia, began his career in the newspaper trade as a reporter in his later teens. By the 1890s, he started his avocation of photography and worked as an editor at the Public Ledger. Stirling was also active in the Photo-Secession Movement and a member of several other clubs in addition to the "jaunters," including the Photographic Society of Philadelphia, the Pen and Pencil Club, and Manufacturer's Club. He was married to Anne J. Biddle, who also practiced photography. The couple had one son, Charles Biddle, who died in infancy.
Date: [MDCCCXCVIII. [1898]
Location: Library Company of Philadelphia | Print Department albums - Saturday [79214.O]

Title: The City Hall Philadelphia. Architecture, sculpture and history
Description: Limited edition volume, organized in 18 topical sections, containing photomechanical reproductions of engravings (by Faust) and photographs showing views of the interior, exterior, and architectural and sculptural details of the municipal building built 1871-1901 after the designs of John McArthur, Jr. Sections, predominately titled, include Modeling of the William Penn statue; views of court rooms, Mayor's Office, entrances; Window Spandrels Tower; Bronze Groups on Towers; Centre Pavilion Dormers; Caryatides (i.e., supporting columns sculptured in the form of a draped female figure); Medallions in Conversation Hall of Councils; Doorway Spandrels. Northern & Eastern Entrances; Keystones; Panels. Stairway; Impost Panels of Windows; Spandrels and Statuary Centre Pavilion; Panels; Tower Capitals; Spandrels Interior of Tower; Panels in Eastern Entrance; Spandrels in Northern Entrance; and Window Spandrels in Northern Entrance. Interior views often include pedestrian traffic., Architectural and ornamental details depict allegorical, historical, ethical, anthropological, and political and governmental figures and tableaux, including "Distinguished Early Philadelphians"; the continents; the four natural elements and seasons; "Indians"; Swedes; mammals, reptiles, and birds, including eagles, bears, and buffalo; the natural and social sciences, arts, and humanities; industry, mechanics, and commerce; civilization and barbarism; prayer and meditation; victory and fame; admonition and repentance; and liberty and law; and youth. Details also show the seal of Pennsylvania and stereotyped, ethnographic facial studies, and cherubic figures., Edition de luxe limited to one thousand copies. Copy no. 48., Frontispiece shows a view engraved by Faust of the exterior of City Hall. Includes street and pedestrian traffic., Front matter is misordered ([p. 4] and [p. 5] reversed) and includes an "Historical" overview of the location and construction of the building; "Description of the Buildings," including the styles of "Architecture" and dimensions; the "Comparative Heights of the Principal Buildings of the World"; and the "Inscription upon face of Corner-stone in centre of tower foundation.", Reproduced wood engravings contain artist's signature or initials: F. Faust; F.F., Original cloth bindings, brown cloth grained with gilt stamped front cover and endpapers removed and rehoused with rebound album for conservation., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Frederick Faust, born in Germany in 1849, immigrated to the United States in 1870 and worked as a wood engraver in Philadelphia by the early 1880s. He continued in the trade as an illustrator into the early 20th century and was retired by 1930.
Creator: Faust, Frederick
Date: c1897
Location: Library Company of Philadelphia | Print Department albums - Faust [It 7 2779.F]

Title: Memories of the home of Grandma Lewis
Description: Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets., Album also contains several captioned and dated graphic and ephemeral materials, including family portraiture, views of residences and summer lodgings, clothing and upholstery scraps, tickets, invitations, calling cards, and watercolors and drawings by G. Albert Lewis. Lewis's works depict sailing trips; interiors and exteriors of their residences, including during the Civil War; home furnishings, including a pier table (Eliza Lewis's); lodgings, sites, and flora from family excursions; family souvenirs, memorabilia, and crests, including a Chinese pipe, John F. Lewis's "Little Chair" as a child, Anne's life membership badge in the Philadelphia Skating club, a family clock (Mrs. John F. Lewis estate), and "Indoor amusements of G.A.L." Other imagery includes photographs of Broad Top Mountain House, Bryn Mawr Hotel, Devon Inn, Eastwick Park, St. Johns Evangelical Lutheran Church, First Baptist Church, views of European churches, including St. Michael Church of Schwabisch., and the interior (parlor, dining room, library, front rooms) and exterior of the Delancey Street residence. Portraits, predominantly photographs and photographic reproductions, depict G. Albert and Anne C. Lewis (including in the second story front room on Delancey); Alberta and Hermann Lewis and their spouses Frederick B. Allen and Sally Draper Lewis; grandchildren Hidegard, Frederick ("Fritz"), Barbara, George, and Margaret; John F. and Eliza Lewis; Thomas and Anna Larcombe; and family pets. Also contains pictorial details by Lewis incorporated at the end of narratives and as frames around portraits, as well as a memento "To our dear Papa, July 3, 1863" adorned with two, small circular works of handcrafted art, possibly with flower petals (p.80a)., Ephemera includes mementoes from trips, including pressed flowers; tickets to the Sanitary Fair (1864) and Eastwick Park; scraps of ribbons, collars, and clothing worn by Anne as a child, at her wedding, and during her honeymoon; upholstery and fabrics from the China trade and home furnishings; newspaper clippings of marriage announcements, obituaries, and poetry; wedding invitations and after cards; and a University of Pennsylvania graduation program for Hermann Lewis. Manuscript material contained in the scrapbook includes a letter by Anne to her mother during her honeymoon captioned "First 'Lewis' signature of A.C.L" and a letter of introduction from the Department of State for the Lewises., Vignette photograph after a daguerreotype portrait of Anne Lewis as a young woman pasted and set within a watercolor frame on title page, Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Inscribed on front free end paper: Tender regards, old memories, blossom in pages such as these, Voices that speak from heart to heart, When hands and lives lie far apart. The thought of our past years, in me, Doth breed perpetual benediction., Dedication: "These memories I dedicate to my dear husband G. Albert Lewis whose thought inspired the writing of this simple story. Indeed, it would be of little interest without his numerous and varied illustrations, many of which are his own design and handiwork. A number of the photographs are copied of absolutely correct watercolor sketches, made by him; the whole being a mutual work of love, for our dear grand-children.", Photographers include the Langenheims and William H. Rau., Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., One of six Lewis Family albums held in the Print Department., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., Housed in clamshell box., Anne Cornelia Larcombe Lewis, born in Connecticut, was daughter of Rev. Thomas Larcombe (1791-1861) and Anna S. Larcombe (1794-1872), president of the board of the Baptist Home. She relocated with her family to Philadelphia in 1835 and married George Albert Lewis, a Philadelphia banker, artist, and genealogist descended from a family involved with the China trade on July 1, 1851. During her married life, Lewis resided in the Rittenhouse Square neighborhood, was active in genealogy, and a member of the Philadelphia Skating Club and Humane Society. She and Lewis had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator: Lewis, Anne C., 1831-1898
Date: 1896
Location: Library Company of Philadelphia | Print Department albums [P.9829.1]

Title: [Philadelphia Inquirer art supplements]
Description: Series of art supplements depicting genre, historical and allegorical scenes, landscapes, portraiture, and character studies. Includes "Aurora" showing a white female fairy figure smelling a flower; "The Pilot" portrait of an older white man sea captain smoking a pipe; "The Partners" showing a white girl and boy with a broom and shovel; "Tambourine Girl"; "Playmates" depicting a white girl holding a cat; "Deep Sea Fisherman"; "Night of the Ball" depicting an exterior view of a palatial estate in the snow with an inset showing a young white woman in evening attire; "One of the Four Hundred" showing a white boy costumed as a vagabond; "By the Sea" showing an older African American seaman, attired in a grey top hat, a white collared shirt, a blue and gold bowtie, red suspenders, a yellow jacket with a flower boutonniere, brown pants, and boots, smoking a pipe; an older white man reading "Fairy Tales" to a white girl; "Sheik of the Desert" a bust-length portrait of an Arab man; "A Lively Scrimmage" during a football game; a dog inspecting "Five O'Clock Tea"; a white clergyman having "A Disappointing Luncheon"; a view "Off the Belgium Coast near Ostend"; "Spring" and fall landscapes; "Does You Mother Know You're Out" depicting a white girl with a newly hatched chick; "Napoleon and the Old Guard"; "Wellington and His Soldiers"; a white man and woman couple on "A Honeymoon at Niagara"; and a white lady portrayed fancifully "Among the Roses.", Title supplied by cataloger., Various artists, including M. Duboy, C.L. Van Vredenburgh, Charles P. Gruppe, A. I. Keller, and W. Merritt Post., Various printers, including Forbes Lithograph Manufacturing Company; Leopold Gast & Brother; Julius Bien & Co.; Donaldson Bros.; Ketterlinus; and J. Ottmann., Two of prints designed to stand as display cards., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., Description revised 2022., Access points revised 2022., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1894-1898]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Philadelphia Inquirer [P.9349.282, 287, 295, 310, 313, 323-325, 330-331, 413, 424, 432, 434, 440, 457, 463-464, 466, & 469]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

Title: Two weeks in the Yellowstone
Description: Limited edition, souvenir miniature book containing a photographic frontispiece and describing a Vaux family trip to the Yellowstone National Park in August 1885. Photograph shows a woman and young man, probably Mary Vaux and one of her brothers, standing near a geyser, probably one of the several described in the text., Paper binding., Back endpaper printed: Two weeks in the Yellowstone, By Wm. S. Vaux Jr., Contains extract taken from a diary kept at the time. Edition limited fifty copies. Illustrated with Photographs. Price 25 cts., post paid. Address: Wm s. Vaux Jr., 1715 Arch St., Philada., Dedication: To the member of our family, whom I plague while at home and mourn for while away, This book is affectionately dedicated., Registered no. 3., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Copy also held in the Special Collections, Haverford College Library, Haverford, Pa., Housed in phase box., William S. Vaux, Jr. was one of the trio of siblings of Philadelphia photographers, mountaineers, and scientists that also included Mary M. Vaux (1860-1940) and George Vaux, Jr. (1863-1927). An architect by trade, Vaux and his siblings extensively explored, studied, and photographically documented the West beginning with their trip to Yellowstone National Park in 1885. The family photographic expeditions focused on the Canadian Rocky and Selkirk Mountains over a period of twenty years following their first visit to that region in 1887. The Vauxes, recognized as expert glaciologists published and spoke about their observations of the glaciers in the scientific community, delivering papers for such organizations as the Philadelphia Academy of Natural Sciences. Vaux was also a member of the American Academy of Natural Sciences and an executive of the Photographic Society of Philadelphia until his untimely death in 1908.
Creator: Vaux, William S., 1872-1908
Date: 1887
Location: Library Company of Philadelphia | Print Department albums - Vaux [102888.D]

Title: Atlantic City [viewbook]
Description: Souvenir viewbook containing eighteen captioned views of prominent sites and landmarks at the shore town. Contains views of "The New Iron Pier, Massachusetts Ave."; hotels "'The Brighton' Indiana Ave.", "The 'Traymore' and The 'Berkeley,' Illinois Ave."; "Camden & Atlantic and West Jersey R. R. Depot"; "Old Ocean Pier, Kentucky Ave." and "Applegate's Pier, Tennessee Ave."; "Board Walk"; amusement houses and grounds of the "Excursion House" and "Childrens Sea Shore House"; "Bathing Scene, from Ocean Pier"; "Atlantic Avenue" including West Jersey R.R. Depot, C[amden] & A[tlantic] R. R. Depot, City Hall, and St. Nicholas R.C. Church; "Intersection of Pacific and North Carolina Avenues" including First Baptist Church and St. James P.E. Church; "Boat House at the Inlet; "Absecon Light House," including the Buoy House and Life Saving Station; a "Regatta"; the Disston, R. H. Turner, Shirtcliffe and Ladner villas on Indiana, Pacific, and North Carolina avenues; "The Breakers," i.e. waves breaking onto the shore; "Elephant Pavilion, South Atlantic City," i.e., Lucy the Elephant; "The Wreck"; the duties of the "U. S. Life Saving Service," (later the U.S. Coast Guard), including "Launching the Surf Boat," "Taking the Tackle Cart to the Beach, " "Throwing the Life Line" and a person "Saved" during practice maneuvers. Views also show street, pedestrian and maritime traffic, including beach goers; bath houses; amusement rides; and shops along the boardwalk., Title from embossed olive morocco binding, front cover stamped: Atlantic City., Prints connected by accordion folds and separated into two sheets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Helen Beitler., Adolph Witteman was a prolific publisher of souvenir viewbooks from the 1870s through 1880s. He and his brother Herman later established The Albertype Company in 1890, which issued post cards in addition to viewbooks until 1952.
Creator: Wittemann, A. (Adolph), 1845-1938
Date: c1886
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.65]

Title: Scrapbook
Description: Scrapbook possibly compiled by Fanny Keene containing trade cards, sentiment cards, holiday cards, rewards of merit, die cut and embossed scraps, and a temperance pledge card primarily issued in New England. Majority of the contents are chromolithographs and some contain trompe l’oeil, embossed, die cut and overlay designs. Pictorial themes include landscape, marinescape, seasonal, residential and genre views; women and children; fruits and flowers; animals (cats, dogs, mice, and birds); comic scenes; and portraiture, including Frances Folsom Cleveland. Several of the holiday cards contain religious passages and sentiments and several of the trade cards advertise sewing machines, patent medicines, soaps, and J. & P. Coats thread. Scrapbook also contains series of Arm & Hammer (i.e., Church & Dwight Co.) trade cards depicting different species of birds., Other business establishments and products advertised include A. Stowell & Co., jewelers (Boston); California Fig Syrup Co.; C. F. Santelle, stationery (Rockland, Me.); C. I. Hood & Co., tooth powder; Electric Lustre Starch; E. W. Hoyt & Co., cologne; F. M. Evertleth, M. D., druggist (Waldoboro, Me.); Household Sewing Machine Company; Ingall’s Throat and Lung Specific; Kendall Mfg. Co. soapine; Lydia E. Pinkham; Mansion House (Troy, N.Y.); Munson’s 99 Cent Store (Boston, Ma.); The New Home Sewing Machine; R. H. Stearns & Co., department store; Rush’s Sasparilla and Iron; Stickney and Poor’s Mustard; M. A. Packard & Co., shoes; Vegetine; W. H. Levansaler & Co., wool; and Whittemore, Bros & Co, shoe gloss., Blue paper binding printed in color with a marinescape view and pictorial and border details. Also contains chromolithograph overlay showing a young lady carrying a basket., Some of contents inscribed Fanny Keene, Jessie Keene, Mrs. Annie Leland., Printers include New England and Mid West firms Bufford; Calvert Lith. Co; Crosker & Co.; Donaldson Brothers; Knapp & Co.; Mayer, Merkell & Ottman; and W. J. Morgan & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: ca. 1885-ca. 1889
Location: Library Company of Philadelphia | Print Department albums [P.9763]

Title: [Motion studies]
Description: Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Creator: Eakins, Thomas, 1844-1916, photographer
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department albums - Eakins [P.8713.1-5 & 7]

Title: Franklin W. Kohler bicycling events 1884
Description: Scrapbook of local newspaper and sports periodical clippings compiled by competitive Philadelphia bicyclist Frank W. Kohler, predominantly about his cycling pursuits and achievements, and involvement with the Pennsylvania Bicycle Club. Clippings describe local and regional bicycle tournaments and meets, including the exhibition at Jumbo Park in South Philadelphia and the second annual meet of the Pennsylvania Division League of American Wheelmen (1884); time records broken by Kohler and his peers, including the "Lancaster Pike" (1886); Pennsylvania Bicycle Club cycling tours, including to Baltimore (1884), Niagara (1885), and upstate New York (1888); and the history of the Pennsylvania Bicycle Club. Also contains various bicycle club event and race programs (some annotated with times), including for the West Philadelphia Athletic Association and Buffalo Bicycle Club; prize ribbons; a sign up sheet for a two week tour to Dingman’s Ferry organized by Kohler in August 1888; a pencil sketch titled “The Way the Victors get There Moral. Buy a____?" showing a bicyclist and his bicycle in a horse-drawn wagon; an invitation to the 1888 opening of the new building of the Pennsylvania Bicycle Club (3940-42 Girard Avenue); menus for club banquets; and two inscribed photographs. Photographs show a group portrait of the club in front of the "Penna. Bicycle Club House Philada Pa. 1884 [sic]" at Girard Avenue and racers lined up to start the "2 mile race won by F.W. Kohler" in Fairmount Park on September 14, 1884., Other ephemera includes tickets to the Columbian Exposition (1893); golf score cards for Griffith Park, Los Angeles (1918); and an 1893 "Street Railway Review" article about Kohler and his brother G. A. (possibly the Albert Kohler cited in some clippings) managing the Eddy Electric Manufacturing Company. Articles clipped from the "L.A.W (League of American Wheelman) Bulletin"; "The Philadelphia Press"; and "The American Athlete." Authors include Ninon Neckar., Title from plate on front cover., Brown morocco binding., Front free end paper inscribed: Bicycling., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report], p. 55-56., Binding in poor condition. Album housed in phase box., Frank W. Kohler (b. 1861), son of prominent Philadelphia bookbinder Ignatius Kohler (1817-1901), worked in his father's trade, was a premier amateur bicyclist, and member of the Pennsylvania Bicycle Club. Kohler served as First Lieutenant of the club founded in 1882 in West Philadelphia; held club speed records; and organized cycling tours of its members. By 1893, Kohler had relocated to Chicago and operated the Eddy Electric Manufacturing Company with his brother G. A. Kohler.
Creator: Kohler, Frank W., b. 1861
Date: 1884-1926, bulk 1884-1888
Location: Library Company of Philadelphia | Print Department albums - Kohler [P.9414]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing pencil and watercolor landscapes and marine views, and life studies of animals. Many of the landscapes and marines are identified with a date, title, and notes about color. Identified views include a landscape showing a hillside with rocks and foliage in "Portsmouth, N.H., July 30"; a lumber mill at "Pleasant Point, Portsmouth, N.H."; a ship at a pier in "Norwich - Con., Aug 18/82"; wood houses along the shoreline and a hillside lined with trees and bushes in 'Old York" (latter dated Aug. 7th/82); cows, and a ship at a wharf in "Gloucester Aug 12/82; landscape in "Concordville, N.H. [sic] Aug 1"; a sailing ship on the coast in "Gloucester, Aug 13/82"; the lighthouse "The Nubble, York Beach"; "Falls, Quinebaug River"; landscape, including a partial view of a roof in "Putnam, Con. Aug 17/82"; seaside view with residence at "Old York Aug 7/82 and Aug 8/82"; a laborer "Carting Sand, York Beach, Aug 8/82" into a cart hitched to bulls near a sleeping dog; a panoramic view of "Old York Aug 7/82," including buildings, a seated figure, and a sailboat; mountainside in "Gloucester Aug 14/82"; and "York Beach Aug 1/82." Unidentified sketches show bucolic residential and hillside views, cows grazing, wharf scenes, and studies of a gated fence, a cliff, and a bull standing and lying in the grass., Front outside cover inscribed: Moran., Several images dated, titled, or include inscriptions, often illegible., Inside front cover inscribed with several manuscript notes. Notes include: 36 [same back pack?] Elias Baker, York, Hamlin Maine; David Trowbridge, Eastford, Windom Co., Conn.; P. Moran, 1322 Jefferson St. Philadelphia; Ann Weston, Aug. 2nd; P. Moran. Also contains miniature sketches of human figures., Inside front cover stamped in blue ink: Frost Adams, Artists Materials, Boston., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71.
Creator: Moran, Peter, 1841-1914, artist
Date: [1882]
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 1 [P.2011.39a]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing predominantly life studies of animals in pencil, often composed as montages. Animals depicted include cows, dogs, chickens, and cats. Images include studies of heads, bodies, hooves, and joints, as well as full-length depictions, primarily cows, while grazing, wading in water, and lying in the grass. Other sketches show human figures, including probably Emily and Charles Moran; landscapes, including a panorama containing a factory; tree and flower studies; and a scene captioned "Destruction of Schenectady by French & Indians. Attack at night. Cold and snow on the ground" bordered by a view of a couple seated on a bench near a lake. Also contains a small number of pasted in scraps containing studies of sheep, cows, and a landscape., Front outside cover inscribed: Moran., Some images include inscriptions, often illegible., Inside front cover inscribed: P. Moran, 1322 Jefferson St., Philadelphia, Penna.; 100 [Drawing?] Label for “A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Label pasted on inside front cover: A.A. Walker & Co., Importing Artist Colormen, 538 Washington St., Boston., Contains one dated sketch. Dated "Aug 29/82" and shows a landscape, including a pond., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71., Final leaves (pp. [38]-[40]) of volume reassembled to original order in spring 2021. Digital images of album taken before 2021.
Creator: Moran, Peter, 1841-1914, artist
Date: [1882]
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 2 [P.2011.39b]

Title: [Sketchbook during New England summer excursion, July-August 1882]
Description: Sketchbook containing predominantly life studies of animals in pencil. Animals depicted include sheep, cows, horses, goats, dogs, frogs, and a pig. Some sketches are composed as scenes, including depictions of a herd of sheep in a hutch; sheep grazing by a tree on a farm; cows wading in water, and grazing near a creek by a bridge; and a family group of sheep, including a ram. Other sketches show a female figure carrying a bucket (Emily Moran?), landscapes, tree studies, a view of a barn and farm, detailed compositions of a saddle on the back of a horse and a dog laying in the grass, as well as a view, with manuscript notes about color, depicting a fire-ravaged area of forest . Also contains a small number of watercolors of landscapes and pasted in scraps containing sketched studies of sheep, a landscape, donkey, and pig., Some images include inscriptions, some partially legible, including about dimensions and color., Inside back cover contains faint sketch of possibly buildings., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See David Gilmore Wright, Domestic and wild: Peter Moran's images of America (Baltimore: Creo Press, 2010), vol. 1, 45, 71., Missing front cover.
Creator: Moran, Peter, 1841-1914, artist
Date: 1882
Location: Library Company of Philadelphia | Print Department albums - Moran - vol. 3 [P.2011.39c]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: Catalogue of theatrical and public celebrities
Description: Trade catalog containing pages with rows of numbered vignette-size reproduced portrait photographs of female , male, and child entertainers. Includes bust-length, half-length, and full-length portraiture, with one sitter often depicted in several differently posed portraits. Sitters, predominantly women, are usually attired in costume and occasionally are posed as couples, or in character and with props and ornate backdrops. Costumes and props include hats and head pieces; tights and shorts; nautical, peasant, medieval and roman garb; umbrellas, fans and valises; chairs and hammocks; guns and swords; and instruments and animals. Unique costumes and poses include Jeannie Winston as a devil with wings; Kate Forsyth depicted as a sculpted bust; and Lizzie Harold sprawled on a floor., Sitters include French operatic soprano Marie Roze (1846-1926); American entertainer Lotta [Crabtree] (1847-1924); American actress Annie Pixley (1858-1893); comic actors Charles E. Holland and Ben Maginley (d. 1888); actress and theater manager Mrs. John Drew (i.e., Louisa Lane Drew); French magician Prof. Hermann, i.e., Alexander Hermann(1843-1896), author and actress Lillian Chester; and characters from "Pinafore.", Accompanied by pocket-size, printed catalog with preface promoting Gilbert & Bacon's large stock of portrait views of the "most artistic and prominent in their profession" in the sizes "Cabinets" and "Panels." Includes lists of sitters for 1692 "Cabinets" and 115 "Panels.", Front endpaper inscribed: George P. Campbell, Continental Hotel, August 1880. Campbell, probably a Gilbert & Bacon agent, resided at the hotel in the 1880s., Cloth binding, stamped "Scrap" on front cover and "Patented March 1876" on back cover., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century.
Creator: Gilbert & Bacon
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums [P.8681.1 & 2]

Title: Godey's Lady's Book Publishing Company limited, 1006 Chestnut St. Philadelphia J. Hannum Jones, Treas
Description: Trade card for the women's periodical containing a vignette showing two young, well-dressed ladies with a life-size model of the "Godey's Lady's Book." One girl holds a hoop and points a pointer at the heavily-illustrated cover of the magazine as the other girl holds it up. Image also includes the text "$2.00 Per Annum.", Includes motto above title: The Oldest Lady's Book in America. Established 1830., Not in Wainwright., Philadelphia on Stone, POSP 284, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.6b]

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: 1877-1880
Location: Library Company of Philadelphia | Print Department albums [P.9317]

Title: Works of P. & F. Corbin. New Britain Conn. U.S.A
Description: Trade card showing the factory complex of the hardware manufactory established in 1849 as Doen, Corbin & Company. Also shows operating smoke stacks and street and pedestrian traffic, including horse-drawn carts. Townscape is visible in the background. The firm operated as P. & F. Corbin Corporation between 1854 and 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Reproduced in John B. Comstock, History of the house of P. & F. Corbin, MCMIV... (Buffalo: Matthews-Northrup Works, 1904)., Forms part of Scrapbook of Ephemera [8608.F].
Creator: Van Slyck & Co.
Date: [ca. 1877]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.17b]

Title: Scrapbook
Description: Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman’s leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Scrapbook contains a number of items depicting Asian people or decorative themes, including a greeting card that reads, "A Happy New Year to You," and showing a Japanese woman, attired in a kimono, sitting and watering a potted plant [p. 9]; a card that reads, "Miss Harris," and depicting a Japanese woman, attired in a kimono made of fabric, standing and facing left [p. 18]; a card titled, "Bric a brac," and showing a blue and white porcelain bowl, vase, and pitcher bordered by hand fans and three flying cranes [p. 29]; and Asian men attired in kimonos having their noses pulled or pulling noses [p. 47]., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents identified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator: Wilson, Mary Campbell Harris, 1862-approximately 1948
Date: [ca. 1877-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums - Harris [P.9682.1]

Title: Scrapbook
Description: Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) primarily containing ephemera from luncheons, suppers, university class days, and other high society social events. Events attend by Harris include dances and recitals at Wissahickon Inn; receptions, club socials, and a gymnastics exhibition at Princeton University; class days at Harvard, Brown, Princeton, and University of Pennsylvania (1885-1891); a Cricket Ball (1888); Authors Dance for the benefit of the School of Industrial Art and Pennsylvania Museum (1890); U.S.S. New York launching at Cramp's Shipyard (1891); and "supper at the Stratford after seeing [Sarah] Bernhardt given by Charles Lea, Feb. 1891." Ephemera includes programs, invitations, menus, and place, dance, holiday, and tally cards. Majority of the cards are printed, with some designed by hand. Holiday cards often depict religious, sentimental, and genre imagery, including children, animals, flowers, landscapes, and costumed and historical figures., Scrapbook also contains ribbons; die-cut tokens, including girl-shaped calendars and the story "Rosy Cheeks"; newspaper clippings, including Semple-Watson, Philler-Winsor, and Frothingham-Harris wedding announcements; correspondence to Harris from her father while abroad in San Francisco, New Zealand, and Hawaii (1870-1872) and from her brother while visiting their grandmother in New York (1870?); Harris's 1878 "American School Diary" of her grades; a striped tissue paper coverlet; a needle work sampler stitched "Susy"; a watercolor marine view "by Arthur Hoff '89"; a telegraph message envelope; a family group portrait photograph; and trade cards and advertising circulars and booklets. Trade cards and advertisements promote "The Philadelphia Weekly Press" (designed as a miniature edition); "The History of Jumbo"; Enoch Morgan’s Sons Co . Sapolio soap (authored by Bret Harte); the Church Book Store (Philadelphia), Ballard House Exchange Hotel (Richmond, Va.), and Higgins German Laundry soap., Inscribed on verso of front cover: M. C. Harris. January 1892. Scrap book., Provenance and date of some contents identified by brief inscriptions., Printers include New York firms Donaldson Brothers, E. P. Dutton & Co., and Frederick A. Stokes Company; Boston firm L. Prang & Co.; and Berlin firm W. Hagelberg., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator: Wilson, Mary Campbell Harris, 1862-ca. 1948
Date: ca. 1876-ca. 1892
Location: Library Company of Philadelphia | Print Department albums - Harris [P.9682.2]

Title: Views of Fairmount Park Philadelphia 1866
Description: Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Creator: Cremer, James, 1821-1893
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums [P.8465]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints connected by accordion folds and depicting Centennial Exhibition buildings. Titles include U.S. Government Building; Delaware Building; Connecticut Building; Indiana Building; Ohio Building; Pennsylvania Building; New Jersey Building; Arkansas Building; Colorado and Kansas Building; Spanish Building; English Commission Building; and Japanese Dwelling. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Marbled brown paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto and verso. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Name of publisher from advertisement pasted on inside back cover. Advertising text reads: 12 copyright Photographs transferred on to stone by the New German Process rendering Photographs permanent. From Philip Frey & Co.'s Art Repository. Sole first hand Manufacturers and well-known original Makers of "Souvenirs" of the most frequented and interesting Countries and cities of the World in a variety of objects, such as Albums, Medallions, Fans, Baskets, Roses etc. containing illustrated Views in Photographic and Coloured Print., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Frey [P.9617]

Title: Centennial Exhibition, Philadelphia. 1876
Description: Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.8965]

Title: Philadelphia [viewbook]
Description: Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]

Title: Centennial circular. Norwalk Lock Company. South Norwalk, Conn
Description: Illustrated fold-out circular issued for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Contains views and vignettes showing the Norfolk Lock Company, Centennial Exhibition buildings, and the Norwalk Lock Company display at the exhibition. Lock company view shows two trains traveling past the manufactory on opposite sides of intersecting tracks. Also shows a horse-drawn cart in the foreground and masts of ships in the background. Exhibition building vignettes depict Main Building, Machinery Hall, Horticultural Hall, and Memorial Hall. Exhibition display image shows several fair visitors around an ornate glass case with mounts lined with "Norwalk Lock Co." locks. Also contains advertising text in French, German, and English., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.16c]

Title: Old landmarks & relics of Philadelphia. Fourth series
Description: Viewbook containing a folded leave of six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "The House in which Gen'l Agnew Died Germantown" showing an exterior view of Grumblethorpe, the house built in 1744 in which British General James Agnew died in 1777; "Swedes Church. Front View" showing the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 at 929 South Water Street; "Old Log Cabin, Richmond & Vienna Sts." showing an 18th-century style dwelling in Fishtown; "The Old Market House, Callowhill & New Market Sts." showing one of the four old market houses, known as Norwich Market, established in 1783 on the 100 block of Callowhill Street; Robert Morris Hotel Phila. Park showing the four-story hotel opposite the race bridge of the Fairmount Water Works that was razed in 1868; and "Ancient Building, First Fish House, Arch St. bel. 4th Sts." showing the 18th-century attached, brick buildings in Loxley Court that purportedly housed fishing implements for the Penn family. Images include grave stones; broadsides; signage; neighborhood dwellers; and partial views of horse-drawn carriages., Titles on negatives., Embossed brown cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: MARC Link database, edited., Recon note: Match points differ, LCP holds loose, larger format copies of some of the images., Gift of S. Marguerite Brenner.
Creator: R. Newell & Son
Date: c1876
Location: Library Company of Philadelphia | Print Department albums - Newell [Am 1876 Old 68528.D]

Title: Old landmarks & relics of Philadelphia. Second series
Description: Viewbook containing six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "Independence Hall" showing the front facade of the building built 1732-1748, including the front courtyard with the Joseph A. Baily statue of George Washington; "Whitby Hall" showing the country dwelling built in 1754 on land in Kingsessing acquired by Philadelphia merchant James Coultas in 1741;" "Friends Alms House, Walnut Bel. Fourth" showing the benevolent institution erected in 1729 and razed in 1841; "Acadamy [sic] of Fine Arts, Chestnut St. Bet. 10th & 11th Sts. Phila." showing the arched entry way to the building erected in 1806 and shortly before it was "torn down in 1870, to make way for Fox's American Theatre; "Rittenhouse Mansion, Arch & Seventh Sts." showing the former residence of astronomer David Rittenhouse built 1786-1787 by master builder Joseph Ogilby; and "St. Peters Church, Fourth & Pine" showing the Episcopal church built 1758-1761 "in the midst of a graveyard." Images also include residents; street lamps; signage; partial views of storefront awnings; and trees and greenery., Titles on negatives., Embossed green cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Recon note: Match points differ, Photographs originally on folded leave., Presented by Margaretta A. Dick in memory of her father Walter B. Dick.
Creator: R. Newell & Son
Date: c1876
Location: Library Company of Philadelphia | Print Department albums - Newell [Am 1876 Old 50832.D]

Title: Louella Home of J. Henry Askin, Wayne Station, Penna. Rail Road, Radnor Township, Delaware Co. Pa. Views of mansion, farm houses, surrounding scenery, etc
Description: Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains informal portraits of family friends and views of excursions and landmarks in Bethlehem and Nazareth, Pa.; Wilmington, De.; Belividere and Burlington, N.J.; and the Philadelphia area. Images depict the Pennock-Miller family Delaware County mansion Forest Hill, including the library, "Mrs. Pennock's [ceramic] Collection," greenhouse, and Sarah Pennock Miller with her son Caspar on a mule; Old Moravian Boarding School, Moravian Sisters House, Protestant Episcopal Church, and "Old Oil Mill" (Bethlehem); Old Swedes Church (Wilmington); and an old Moravian brewery, buildings, and Whitfield House (Nazareth). Other photographs depict Haines Spring house; "Andersons" at Belvidere; a family picnic at Pierson's Ravine (Belvidere); the Wissahickon; [Fairmount?] "Park guard house"; portraits of a family dog and posed portraits of Mary (Mame) Steele, including one showing the extreme length of her tresses, and Ettie Lewis, Anna, May, Katie and Bessie Shippen attired in costume. Some views include fellow amateur photographer architect George W. Hewitt. One Bethlehem view also shows D. & A. Luckenbach mill., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Some annotated "Dry (albumen)" or "Dry.", Green cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two photographs of "Pennocks House" removed prior to acquisition by repository., Eight inserted loose prints in envelopes removed and housed separately in John C. Browne Collection., LCP AR [Annual Reports] 1989 p. 33-34., Inventory available at repository.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: ca. 1873-ca. 1877
Location: Library Company of Philadelphia | Print Department albums [P.9316]

Title: Views of Ashwood, Gulph Mills, and other sites in Delaware County and surrounding counties in Pennsylvania
Description: Album containing 24 photographs showing landscape views of Delaware County and portraiture of family and acquaintances. Images include exterior and interior views of the Leaming family estate Ashwood near Villanova and views of Conshohocken, Darby Creek near Lewis Mill, Valley Forge, Gulph and Morris mills and dams, Hammer Hollow, and farmland in Cream and Pleasant valleys. Also contains an image of Radnor Meeting House and a photographic reproduction of a cloud filled sky captioned "Sic Itur ad Astra" (i.e., thus you shall go the stars). Many of the views include Leaming's wife and children and others posed in parlors; with animals; on bridges and dirt paths; at brooks, creeks, spring houses, and barns; and in modes of transportion, including canoes and horse-drawn vehicles. Other portrait sitters include Alice Bourda and children Ernie Law, Tommy Gaffney, Henny Lewis, and Og Hoffman., Wooden binding., Title supplied by cataloger., Captions by Robert Waln Leaming on the recto and verso of the album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln (1765-1836), was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: ca. 1873
Location: Library Company of Philadelphia | Print Department albums [P.9759.2]

Title: Photographic views of New City Building
Description: Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences., Volume 1 (Oct. 1873-Aug. 1874) contains two tipped in letters, dated December 26, 1873 and June 27, 1874, from President of the Commissioners for the Erection of the Public Buildings Samuel C. Perkins. Correspondence presents the stereographs, "authorized to be taken by the commissioners," as a means for the library to "have for preservation in [the] archives a complete photographic record of the progress of a work which under any aspect must be considered as of marked importance in our local history.", Stereographs numbered, dated, and printed with the series title "Views of Construction in Sub-Basement" or "Views of Construction" and the names of the architect, chief assistant, and board of commissioners on the verso., Calf bindings, polished and mottled., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 image reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 116., Samuel C. Perkins, a Philadelphia lawyer, served as president of the Commissioners for the Erection of the Public Buidlings 1872-1891., Housed in phase boxes.
Creator: Cremer, James, 1821-1893
Date: 1873-1875
Location: Library Company of Philadelphia | Print Department albums - Cremer [(1) 23455.D & (2) 23455.D]

Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

Title: Views at Chestnutwold, residence of C.H. Clark
Description: Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs., Photographer's imprint from blind stamp on mounts., Title from brown morocco binding, plate on front cover., Bookplate of The Divinity School of the Protestant Episcopal Church pasted inside front cover. Typed Gift of Clarence Clark Zantzinger (1925)., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1990, p. 54., Housed in phase box., Clarence Howard Clark, banker, book collector, philanthropist, horticulturalist, and prominent land developer of West Philadelphia resided in Chesnutwold from about the 1860s. The property was originally built by Samuel K. Hopkins Jr. for banker Nathaniel Borrodail Browne after 1851. Altered during the 1880s, including an addition, the estate grounds were open to the public by 1895 when Clark donated some of his other land holdings for an adjacent public park (i.e., Clark Park). Following Clark's death, Chestnutwold was presumed to be given to the city as a public park, but instead was purchased in 1917 by The Divinity School of the Protestant Episcopal Church. Clark was married to Amie Hampton Westcott (d. 1870) and later Marie Motley Davis with whom he had three sons, including Philadelphia mayor Joseph S. Clark.
Creator: Newell, Robert, 1822-1897, photographer
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department albums [P.9291]

Title: James Burrill Angell, 1829-1916
Description: Journalist, diplomat, Pres. Univ. of Vermont., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(II)P.9100.14e]

Title: Vankirk & Co. Philadelphia
Description: Series of trade catalog illustrations showing different styles of chandelier lamps produced by the chandelier works in Frankford. Includes views of three-, four-, and six-light chandliers with globe-, bell-, and fluted-shaped glass shades, Style numbers include no. 362, no. 363, no. 404, no. 457 and no. 661 (including "for Coal Oil"). Prints also includes the spread (from 19 to 36 in.) of the light fixtures., Three of the four prints contain plate numbers in upper right corner: Plate 59, 62, and 63., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Boell relocated his establishment to 312 & 314 Walnut Street in 1868.
Creator: Boell, William
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.229-230]

Title: Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description: Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]

Title: Photograph album
Description: Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator: Hatch, Albert, 1844-1910
Date: ca. 1866-ca. 1888
Location: Library Company of Philadelphia | Print Department albums [P.9250]

Title: First annual prize exhibition of the Philadelphia Sketch Club held at the Pennsylvania Academy of Fine Arts December 1865
Description: Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
Creator: Cresson, William Emlen, 1843-1868, artist
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.75b]

Title: Portrait photograph album of Mary McPhilomy
Description: Photographs predominantly depict the acquaintances and relatives of the McPhilomy family of Philadelphia, including men, women, and children. Most are bust-length portraits, with a number of full-length portraits, including a couple in bathing wear, children in sailor suits, and women fashionably attired and holding fans and purses. Many of the women and girls wear jewelry. Also includes images of a priest, a nun, a display of religious floral decorations; a sepulchral monument; a religious allegorical scene; a reproduction of a framed testimonial with portrait photograph vignettes; and a photo-collage portrait showing a man driving a horse-drawn wagon., Sitters include Mary, John and Frank McPhilomy; Rev. Mother Louis Gonzaga of the Sisters of Notre Dame (Boston); members of the Logue family, including Charles Logue; David Mulcahy (died March 31, 1876); Al. Schaff; members of the Bradford family, including John Bradford; John Keenan; members of the Sacriste family, including Mr. and Mrs. Sacriste and Hortense Sacriste White., Chromolithographed title page: The Photographic Album. Philadelphia. J.B. Lippincott & Co., [ca. 1875]., Embossed leather binding with gold stamping., Spine embossed and stamped: Photographs., Inscribed: To Miss Mamie McPhilomy with compliments of the season, Dec 25 1875. D.P.M. E.S.C., Various photographers, including A. P. Beecher of Wilmington, De.; L. S. Griffin of Jersey City, N.J. and B. Frank Saylor & Co. of Lancaster, Pa. and Philadelphia photographers, including George W. Evans, Gilbert & Bacon, and O. B. De Morat., Several sitters identified by inscriptions on mount or album page. Some misidentified due to the relocation and removal of photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition. Album housed in phase box.
Creator: McPhilomy, Mary
Date: ca. 1865-ca. 1920, bulk ca. 1865-ca. 1875
Location: Library Company of Philadelphia | Print Department albums [P.2007.17]

Title: Annual mask ball of the Liedertafel at the National Guards Hall, February the 13th 1865
Description: Ticket for the male musical ensemble performance society, probably in Philadelphia. Contains a whimsical border surrounding the text. Border includes cherubs holding sheet music, a harlequin, an impish figure, a harp, lion's head, and filigree. Also contains flourishes around the text., P.9349.145a printed with violet ink., P.9349.147b printed with black ink., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also proof of image [P.9349.150r].
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.145a&147b]

Title: William & Coons, importers of fancy goods. Manufacturers of pocket books, no. 19 North Fourth St. Philadelphia Saml. W. Williams. Joseph Coons
Description: Trade card containing a central vignette showing a pocket book., P. 9349.146f contains gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.141l&146f]

Title: [Proofs after plates from McKenney and Hall's "History of the Indian Tribes of North America"]
Description: Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.63a & 64a&b]

Title: Photographs taken by Robert Waln Leaming 1865-1875 at Ashwood, Villa Nova, Delaware County, Penna. Lancaster Pike and Spring Mill Road
Description: Album containing 67 photographs showing the grounds and residence of the Ashwood estate near Villanova during different seasons; neighboring properties in Delaware and Montgomery counties; and formally posed family portraiture. Images include the front and rear facade of the Ashwood residence and landscape views of the grounds; Paxson's Mill and Dam in Radnor; J. Howard Lewis's paper mill at Darby Creek; 'Hammer Hollow," including the mill dam; Gulph Mill (Montgomery County); Leaming's other family estate Waln Grove near Frankford; old spring houses near Gulph Mill and Paxson's Mill; and Ancrum, "Seat of the Scotts Baronets of Ancrum Scotland." Many of the estate views include Leaming's wife and children (attired in clothing appropriate to the season) posed at the residence and on the grounds, including near fences, the barn, woods, and creek and in characters, as tableaux, and with farm and domesticated pets. Also contains photographic reproductions and photo-collages. Reproductions depict the the "Scott of Ancrum" family tree and Leaming's painting "Where the Sea Mew roams" and the collages show Leaming's daughters in a parlor setting (possibly Ashwood) and painted works by Jean Louis Ernest Meissonier, James Reid Lambdin, and Edwin Henry Landseer including the visage of Robert Waln Leaming. Other portrait sitters include Alice Burda, Tom Stewart, "Our Truck-man" in his horse-drawn buggy; the "Coachman" with horse "'Nelly'"and Mrs. Scott, i.e., probably, Leaming's mother-in-law Mary Emlen Scott, Blue morocco binding, plate on front cover: R. W. Leaming and stamped: Photographs., Title from inscription on front free end paper. Also includes family tree of descendants of Robert Waln Leaming and his wife Julia Scott (1821-1914)., Insert: Portrait print of Robert Waln engraved by Samuel Sartain after 1825 painting by Jacob Eicholtz. Verso inscribed with biographical information., Captions by Robert Waln Leaming below the images., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln, was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: 1865-1875
Location: Library Company of Philadelphia | Print Department albums [P.9759.1]

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