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Title: Your home is not complete without the Missouri Steam Washer. The best washing machine in the world. Johnston Bro's. St. Louis. Philadelphia There are more Missouri Steam Washers sold than all other washing machines in the world combined
Description: Trade card for the small portable washing machine invented by George D. Ferris and marketed by Johnston Bros., "General Agents for the United States." Depicts two male fairies, one white and one African American, presenting a "Missouri Steam Washer. Pat'd. May 1, 1883" to a white woman who stands over a washboard in a wash tub. Steam rises from the tub filled with clothes. The African American fairy, portrayed in racist caricature with orange wings and attired in blue pants with suspenders, pushes in the metal washing machine on a dolly, while the other fairy points to it. The African American fairy image was often used in newspaper advertisements for the machine that operated through placement on a family cook stove, internal perforated steam tubes, and a crank to keep the clothes in motion during washing., Title from item., Date from copyright statement: Copyright 1884., Contains five testimonials, including one by G. R. Brandt and Harry E. Brandt (Hurricane Laundry, 232 New Street), Philadelphia, Pa., printed on verso., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1884
Location: Library Company of Philadelphia | Print Department trade card - Johnston [P.2013.35.1]

Title: [Young Black girl articulated paper doll]
Description: Paper doll of an unclothed figure of a young Black girl with moveable limbs. The girl is depicted with short, cropped, tightly curled hair, auburn eyes, and slightly smiling. A blue-beaded string necklace adorns her neck. She also wears white, above-the-ankle length socks and black "Mary Jane" shoes. The articulated limbs are attached by brass brads to a white cardboard torso, likely not the original. About the late 1880s, Littauer & Boysen (established circa 1882), a premier German chromolithographer of novelties, began to print articulated dolls for the paper box company. Dennison sold the German firm's dolls to further market its special line of tissue/crepe paper as doll's clothing. The Massachusetts company, established 1844, also manufactured shipping tags, gummed labels, and holiday tags. The firm opened a salesroom in Philadelphia in 1862. In 1898, the firm consolidated operations in Framingham, Ma. from plants in Roxbury, Ma. Brooklyn, N.Y., and Brunswick, Me. where it was originally established in 1844., Title supplied by cataloger., Manufactured and distributed by Dennison Manufacturing Company, Ma., Publication information from Mary Young, 20th Century Paper Dolls Identification and Values (Collector Books, 2006)., Date inferred from published sources, the years of operation of the publisher, and the early era of the style of footwear depicted., Purchased with funds from Walter J. Miller Trust for the Visual Culture Program., Description revised 2021., Access points revised 2021.
Date: [ca. 1885-ca. 1895]
Location: Library Company of Philadelphia | Print Department *ephemera - paper dolls [P.2015.68.1]

Title: Writing the Emancipation Proclamation
Description: Pro-Confederacy caricature bombasting Abraham Lincoln's legal and moral authority to write the Emancipation Proclamation. Depicts a demented Lincoln writing the Proclamation seated at a table adorned with a spectral eye; ram horned African American heads, portrayed in racist caricature; and legs ending in cloven hooves. He sits upon a chair with a back decorated with the head of an ass, the "U.S. Constitution" trampled beneath his foot. Atop the table, the devil holds his inkwell before him. A liquor decanter rests upon a sidetable nearby. On the wall, framed paintings hang depicting "saintly" St. Ossawotamie (i.e., John Brown), and the "murderous" rebellion of the enslaved in the 1790s in "St. Domingo"(i.e., Haiti). Behind Lincoln, near window drapes held back by a vulture headed tie back, a statue of liberty, her liberty cap fallen over her face, rests her shield down upon the wall pedestal on which she stands., Inscribed upper left corner: 25., Issued as plate 25 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 25 [2990.F.10]

Title: Wootten's excelsior stove lustre or pure black lead Prepared by John Wootten, Jr. No. 94 Spruce St. Wholesale Depot, no. 13 North Third Street Phila
Description: Racist advertisement promoting Wootten’s Excelsior Stove Lustre and depicting an African American man, portrayed in caricature, polishing a stove. Shows the African American man servant, barefoot and attired in a plaid, collared shirt and pants, kneeling before a stove with a brush in his left hand. On the floor in front of him is a glass of water, an open can of polish, and a box labeled, Wootten’s Excelsior Stove Lustre or Pure Black Lead. In the right, a white woman stands wearing her brown hair in a bun and attired in an off-the-shoulder dress with a bow at the chest and lace sleeves. She looks toward the man and asks, “Uncle Tom whose blacking is that you are useing [sic].” He replies in the vernacular, “La Missey don’t you know dat -- dat is Wooten's Lustre." To the left of the woman, a black cat stands on a wooden chair with its back raised and looks at the man. Also visible in the image are plates, bowls, and cups on shelves, another wooden chair, and an open window that has a potted plant on the ledge. John Wootten Jr. (1820-1872) is listed in the 1861 Philadelphia city directory as a blacking maker., Title from item., Date from Poulson inscription on recto: Mar. 28 -59; S. 4 (old no.) Spruce Street., Not in Wainwright., Text printed on recto: For polishing and beautifying stoves, this Lustre stands unrivalled. It may with perfect justice be called The Housekeeper’s Choice; it gives a more brilliant appearance, retains it gloss longer, and requires Fifty per cent less labor than any other preparation in existence, when moistened with a little water, and applied vigorously to iron work of any kind, the effect is truly magical; housekeepers and others are well aware what great labor is requisite, and time expended in the attempt to give a fine polish with many of the lustres sold at the present day – here however both these evils are remedied; a beautiful gloss is obtained in a few minutes, and without scarcely any exertion whatever. Another advantage which this article possesses over all others, is, that it tends to preserve the iron from the deleterious effects of damp and rust, which so often render a stove entirely useless in the course of a few seasons. This Lustre is prepared with great care from the very best lead that can be found in the market, and is entirely free from all those foreign substances which so greatly destroy the efficacy of other articles.", Philadelphia on Stone, POSP 279, Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Sinclair, Thomas S., approximately 1805-1881, lithographer
Date: [March 28, 1859]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.21]

Title: Wm. Lloyd Garrison
Description: Half-length portrait of the abolitionist, publisher, and author, as an older man. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, faces right., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Stuart, Frederick T., 1837-1913, engraver
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Portrait Prints-G [P.8911.387]

Title: Wm. Lloyd Garrison
Description: Bust-length portrait of the abolitionist, publisher, and author. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, sits slightly facing right., Title from printed signature of sitter below image., Date based on the active dates of engraver., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Smith worked in Boston as an engraver in the 1850s and 1860s.
Creator: Smith, Henry Wright, 1828-, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Portrait prints-G [P.9363.58]

Title: Wm. G. Brownlow
Description: Half-length portrait of the Tennessee journalist, itinerant preacher, and politician. Brownlow, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, grasps his lapel with his left hand. Brownlow, although an advocate of slavery, actively opposed Southern secession and was subsequently exiled from the Confederacy during the Civil War., Title from item., Printed signature of sitter below image., Published in The American portrait gallery. (New York: J.C. Buttre, 1877), vol. II, pl. 11. (LCP Uz 1t, 6584.Q)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Buttre, John Chester, 1821-1893, engraver
Date: [1877]
Location: Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.119]

Title: Wm. D. Rogers' coach and light carriage manufactory, corner of 6th & Master Streets, Philadelphia Carriages of every description built to order, which for style, durability & elegance of finish, shall not be surpassed by any in the country. The work is conducted under the immidiate superintendance [sic] of the proprietor, who is himself a practical coach maker. N.B. orders from any part of the world, promptly executed. Southern & western merchants will find it to their advantage to call at this establishment. The 6th St. line of omnibuses run from the exchange to the factory every few minutes
Description: Advertisement depicting an exterior view of the Rogers' industrial complex, the "model coach factory of America," at the busy corner of Sixth and Master streets. A white man clerk displays a carriage to a man and woman couple as laborers work on the upper stories. Drays, surreys, "Rogers" delivery carts, and a young African American man with a horse traverse the intersection. A white man passenger disembarks from a Sixth Street line horse-drawn omnibus near the factory entrance. A second omnibus rests at the corner, the white man driver unhappily receiving a citation from a white man constable; his young, white boy passenger watching with a look of awe sitting beside his mother. Rogers, the business established in 1846, and the factory erected in 1853, absorbed rival manufactory George W. Watson in 1870. The business operated over sixty years., Title from item., Date supplied by Wainwright., Philadelphia on Stone, POS 855, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator: Rease & Schell, artist
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W464 [P.2268]

Title: [Wine & liquor store. Charles Egner 10 North Third Street, Philadelphia]
Description: Advertisement showing the busy four-story storefront for "Charles Enger Wine & Liquor Store." Two white gentleman converse near a row of stacked barrels within the store and two male workers, including an African American man, hoist a barrel at the second entranceway. In front of the open cellar to the building, a white man employee rolls one of several barrels lined on the sidewalk. To the left of the worker, three barrels stand upright and a white gentleman approaches. Also shows boxes in the first-floor store window; the shutters and windows of the upper floors in various states of being open; and partial views of the adjacent buildings., Poulson inscription on recto: N. Third St. Third Street. Oct. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 845, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking title., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Breton, William L., approximately 1773-1855, artist
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department W460 [P.2244]

Title: Williams Ogle, coach & harness maker No. 280, Chesnut [sic] Street, above 10th south side, Philadelphia Premium coach
Description: Advertisement showing an elegant coach parked in front of the ground floor of "Ogle's. Coach Manufactory" on the 1000 block of Chestnut Street. An African-American coachman stands behind the lively two-horse team hitched to the coach that is adorned with fringe on the drivers' seat, a lamp, and window shades. Two gentlemen converse in the street at the rear wheels of the vehicle and a couple admires if from the sidewalk. The figure of an animated horse adorns the "280" sign displayed above the entrances to the building. Ogle, previously of Ogle & Watson, operated as a sole proprietor from the address 1847-1850., Date supplied by Wainwright., Philadelphia on Stone, Wainwright retrospective conversion project, edited.
Creator: Rease, W. H., artist
Date: [ca. 1847]
Location: Library Company of Philadelphia | Print Department *W457 [P.2243]

Title: William Wilberforce Esq. M.P
Description: Bust-length portrait, showing the English philanthropist, politician, and abolitionist, facing slightly right, seated, and reading a book. Wilberforce is attired in a shirt with a ruffled collar and a double-breasted jacket. He was active in the Church Missionary Society; Society for Bettering the Condition of the Poor; and worked in Parliament to abolish the slave trade., Published as frontispiece in Lydia Marie Child's The Oasis (Boston: Benjamin C. Bacon, 1834). (Am 1834 Chi, 70173.D.5)., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McAllister Collection, gift, 1886., Access points revised 2021., Description revised 2021., Andrews, a Boston engraver, who studied and worked in Europe during the mid 19th century, was a prominent line engraver and portraitist.
Creator: Andrews, Joseph, 1806-1873, engraver
Date: [1834]
Location: Library Company of Philadelphia | Print Department portrait prints - W [5750.F.150b]

Title: William Still, dealer in Lehigh & Schuylkill coal, 1216, 1218 and 1220 Washington Avenue, Philadelphia
Description: Title from item., Date inferred from dates of operation of advertised business., Price list template ("Present prices per ton") printed on verso for various kinds of Lehigh, Schuylkill and Bituminous coal., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Emily Phillips, 1883., Digitized., Description revised 2021., Access points revised 2021.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department trade card - Still [P.9939]

Title: William H. Seward Likeness from an approved photograph from life
Description: Three-quarter length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits near a table covered with stacked papers, books, and an inkwell with pens. In the background is a column and drapery., Title from printed signature of sitter below image., Entered according to act of Congress AD 1873 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Appears in Evert Duyckinck’s Portrait gallery of eminent men and women of Europe and America (New York, 1873), vol. 2, opp. p. 461., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1873
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [(1)5750.F.234a]

Title: William H. Seward
Description: Bust-length portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, and a black jacket, is in left profile., Title from printed signature below image., Dated based on presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.873]

Title: William H. Seward Senator of the United States
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, New York senator and governor. He faces slightly left and is attired in a white collared shirt, a black bowtie, and a black jacket. Seward served as a senator from 1849 until 1861., Title from printed signature of sitter below image., Date inferred from the years of the Senate terms and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bannister, James, 1821-1901, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.872]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Date from copyright statement., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department portrait prints-S [P.8911.874]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Publication information from duplicate print., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [5657.F.39a]

Title: William H. Seward
Description: Portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a plaid bowtie, a dark-colored waistcoat and jacket, is in left profile., Title from printed signature of sitter below image., Published in Appleton's Cyclopedia of American biography (New York: D. Appleton & Co.,1887-1888), vol. 5, p. 470. The Cyclopedia was reissued in 1901. (LCP Reference Uz 1t,4163.Q), Accessioned 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: [1887]
Location: Library Company of Philadelphia | Print Department portrait prints - S [P.8911.870]

Title: William H. Seward
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, and New York senator and governor. Seward is attired in a white collared shirt, a black bowtie, waistcoat, and jacket and faces slightly right., Title from printed signature of sitter below image., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.871]

Title: William E. Channing, D.D
Description: Half-length portrait of the Massachusetts Unitarian clergyman, abolitionist, and author. Channing, attired in a white shirt, a black waistcoat, jacket, and robes, rests his right hand and points his finger on an open book, probably the Bible. Channing, who wrote several abolitionist pamphlets from 1835 until 1842, adamantly denounced war as the means to abolish slavery., Title from printed signature of sitter below image., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: January 1845
Location: Library Company of Philadelphia | Print Department Portrait prints-C [P.8911.225]

Title: William E. Channing
Description: Vignette portrait of the Unitarian clergyman, abolitionist, and author. Channing, attired in a white shirt with a black clergyman’s collar and black jacket, sits faces slightly left. Channing who wrote several antislavery pamphlets from 1835 until 1842, adamantly denounced war as the means to abolish slavery., Title from item., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [between 1860 and 1900]
Location: Library Company of Philadelphia | Print Department portrait prints - C [P.8911.224]

Title: Who's dar?
Description: Trade card depicting a racist, comic, genre scene to promote the Co-operative Dress Association established by journalist and lecturer Kate Fields in 1881. Shows an older African American boy, portrayed with large eyes, nose, lips, and ears, in a hive eating honey comb as a bear enters from behind him. The boy, attired in a collared red shirt with the sleeves rolled up and blue pants rolled to the knees, sits, left knee up and right leg out, on a mound and to the left of a stack of comb. He smiles and raises a piece of comb toward his mouth. Above him and to the right, the rear end of a bear in a hole in the hive is visible. The Co-operative Dress Association, incorporated in April 1881 with 5000 stockholders, was established to provide clothing "articles of fine quality at fair prices" without the "inducement for illegitimate gain" to women of limited incomes. The cooperative, its necessity criticized by advocates for the New York City retail dry-goods trade, operated until 1882-1883 when placed under receivership., Title from item., Date inferred from active dates of co-operative., Series number printed on recto in lower right corner: 24., Copyright statement printed on recto: Copyrighted., Advertising text printed on verso: Open To Everybody. Everybody Invited. Anybody Can Buy. Co-Operative Dress Association (Limited), 31 and 33 West 23d Street, New York. Dry Goods of All Kinds. House-Keeping Goods. Ready-Made Dresses, Cloaks and Wraps, At All Prices. Ladies', Children's and Boys' Suits. Upholstery, Millinery, Stationery, China, Glass and Plated Ware. Boots, Shoes, and Hair Goods. Visit every floor in the Six-Story Building. Restaurant on 5th Floor. Holiday Goods. Fancy Goods., Housed with the Emily Phillips Trade Card Collection., Anonymous gift., RVCDC, Description and access points reviewed 2022.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade cards - Cooperative [P.2020.23]

Title: Who responded with warlike vigor when the Lion caved. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]

Title: White's great cattle show, and grand procession of the victuallers of Philadelphia
Description: Lithograph after genre painter John Lewis Krimmel's 1821 watercolor, "Parade of Victuallers." Depicts a view from publisher M. Carey & Son's Bookshop at the southeast corner of Fourth and Chestnut streets of the March 15, 1821 trade union parade organized by butcher William White to celebrate, promote, and sell the city's high quality meat stock. The streets, balconies, doorways, and open windows teem with spectators, including an African American man oyster peddler sitting upon his cart and a small white boy displaying an illustrated banner inscribed, "Fed by William White." Image includes: the crowd watching white smocked victuallers on horseback turn on to Fourth Street pass the grocery of William Whelan; a two-tier horse-drawn platform with a band and a handler with a live ox and banner inscribed, "Fed by Lewis Clapier"; carts of meat; floats, including a replica of the ship, "Louis Clapier"; and a hot air balloon inscribed, "Fed by White," floats in the sky. Contains text from detailed local newspaper accounts of the event below the image. Also contains a seal of butchers with the motto: "We Feed the Hungry.", Title from item., Fate inferred from content., Philadelphia on Stone, POS 837, See Anneliese Harding's John Lewis Krimmel: Genre artist of the early Republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 215-218. (LCP Print Room Reference)., See Milo Naeve's John Lewis Krimmel: An artist in Federal America (Newark: University of Delaware Press, 1987), p. 116-118., See Philadelphia: Three centuries of American art (Philadelphia: Philadelphia Museum of Art, 1976) #211., See LCP exhibition catalogue: Made in America #33., See LCP exhibition catalogue: Noteworthy Philadelphia, p. 27., Free Library of Philadelphia holds version printed circa 1850 by George Dubois. [Oversize Philadelphiana - Processions]., Accessioned 1983., Description revised 2021., Access points revised 2021.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department **BW-Processions [P.8970.29]

Title: Which temporarily astonished even the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]

Title: Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]

Title: The Wesleyan Female Collegiate Institute, Wilmington, Del
Description: Exterior view showing the buildings and grounds. Two female students stand on the balcony, one reading a book. Two younger girls play in the yard below, one jumping rope and the other playing rings. Several white men and women pedestrians stroll before the front gate. In the street, an African American coachman stands beside a horse-drawn carriage., Title from item., Date inferred from content., See Weaver's diary for April 18, May 11, 12, 23 and 28, 1842 for references to his work on this print., Gwinczewski, a Wilmington artist and drawing instructor, served as teacher of perspective, drawing, painting, &c. at the Institute., Purchased 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Weaver, Matthias S., 1815 or 16-1847, lithographer
Date: [1842]
Location: Library Company of Philadelphia | Print Department **GC - Education [8035.F.3]

Title: Wendell Phillips
Description: Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, sits in left profile. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Stuart, Frederick T., 1837-1913, engraver
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Portrait Prints-P [P.8911.768]

Title: Wendell Phillips
Description: Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, and a black jacket faces slightly left. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from printed signature of sitter below image., Published in Harriet Beecher Stowe's Men of our times; or leading patriots of our day...(Hartford: Hartford Pub. Co., 1868), Pl. 17. (LCP Am 1868 Sto, 17904.D)., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Smith, Henry Wright, -1828, engraver
Date: [1868]
Location: Library Company of Philadelphia | Print Department Portrait Prints-P [P.9363.82]

Title: Waterbury Drug Store, established 1797. Leavenworth & Dikeman, Exchange Place, Waterbury, Conn
Description: Series of illustrated trade cards containing "Fishing" showing a white man and woman couple fishing in a rowboat with a pet dog that has its head in their picnic basket; "Caught on the fly" depicting a white man attached to the hook of his own fishing rod as he stands next to a stream; "We met by chance, or waiting for the swell" showing a white man floating on a wave in the ocean and colliding with a white woman as she stands in the ocean near other white women and children; "What are the wild waves saying sister?" depicting a boy, attired in overalls and a wide-brimmed hat, standing next to his sister, attired in a bonnet and long-sleeved dress, looking out at the ocean with their backs to the viewer; "Oh, come and see us" showing a group of white children standing in a pond jeering at an older, white man who stands on dry land in the foreground; and "Scoot, brother scoot!" depicting an African American boy and girl holding hands and scurrying from the approaching waves of the ocean. Leavenworth & Dikeman, the partnership between Elisha Leavenworth and Nathan Dikeman, operated in Waterbury, Connecticut between 1850-1890., Title from item., Date inferred from dates of operation of advertised business., Four prints [P.9828.7033-7036] printed by Phoenix Card Co., N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - W [P.9828.7031-7036]

Title: Washington's triumphal entry into New York, Nov. 25th, 1783
Description: Historic scene from the close of the American Revolution depicting General Washington, carrying his hat in his right hand and holding the reins in his left hand, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Following him closely on horseback are his principal officers: Governor George Clinton, General Frederick William Augustus, Baron von Steuben, General Thaddeus Kosciusko, General Gilbert Motier De La Fayette, Alexander Hamilton, General Henry Knox, General Israel Putnam, General Nathaniel Greene, and General Horatio Gates. Army personnel in the back carry the St. George cross flag, the New England Pine Tree flag, and the Washington life banner. The exuberant spectators, comprised of prominent figures and everyday citizens, line both sides of the thoroughfare and cheer from the street, balconies, and windows and include: Martha Washington; the society ladies of the Republican Court including Mrs. Cornelia [Tappan] Clinton, Mrs. Anne Willing Bingham, Mrs. Elizabeth [Schuyler] Hamilton, Mrs. Sarah [Livingston] Jay, Mrs. Polly Caton, and Mrs. Abigail Adams; Native Americans of the Six Nations including Chief Thayendanegea (Joseph Brant); General Benjamin Lincoln; Thomas Mifflin; John Marshall; Reverend David Jones; Stephen Hopkins; Miss Bingham; Miss J. Marshall; Mrs. Hamlin; the personification of a free press as an older white man reporter; continental guards; an African American woman peddler seated and holding a basket of grapes; and an older white man veteran with a crutch., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1860 by Geo T. Perry in the Clerk’s Office of the District Court of the Eastern District of Pennsylvania., Copyrighted by George T. Perry., Pamphlet titled Description of the print entitled Washington's triumphal entry, New York, November 25th, 1783 (Philadelphia: George T. Perry, 1861) describes and provides a key to figures in the engraving. Copy of Library of Congress original housed with print., Peter C. Marzio's Chromolithography 1840-1900: The democratic art, pictures for 19th-century America (Boston: David R. Grodine, 1979), p. 27 and 283., Lib. Company. Annual report, 1973, p. 44-45., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Inger, Christian, lithographer
Date: 1860
Location: Library Company of Philadelphia | Print Department ***GC-American Revolution [P.2279]

Title: The Washington family
Description: Group portrait of George Washington, his wife Martha, and his two step-grandchildren gathered around a cloth-covered table. A seated George Washington, attired in civilian clothing, rests one arm on the table and the other on the shoulder of his step-grandson and namesake who stands next to a globe, which shows "America." His step-granddaughter, Nelly, stands next to a seated Martha on the other side of the table. Both are pointing at "North America, United States" on a large map unfurled on the table. William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, stands in the right background. He is attired in a white cravat and a black jacket and tucks his left hand into his jacket. A curtain is draped open near a column revealing a waterscape scene in the background., Title from item., Names of sitters printed in margin below image., Purchased with Davida T. Deutsch Women's History Fund, Description revised 2021., Access points revised 2021.
Creator: Currier & Ives
Date: 1873
Location: Library Company of Philadelphia | Print Department *GC - Washington [P.2013.23]

Title: Washington crossing the Delaware. Evening previous to the Battle of Trenton Decr. 25th 1776 The annual greeting of the carriers of the Philadelphia Inquirer to their patrons for 1861
Description: Commemorative print after Thomas Sully's 1819 painting "Washington's Passage of the Delaware." Depicts General Washington astride his horse atop the barren bank of the Delaware River. He tips his hat and acknowledges his troops below, who cross the river by barge. To the left of Washington, white men soldiers move a cannon. In the right are several soldiers on horseback, including Prince Whipple, enslaved African American man and bodyguard to Washington Aide, General William Whipple., Title based on item., Original painting in the collections of The Museum of Fine Arts, Boston, Massachusetts., Retrospective conversion record: original entry, edited., For a description of the original painting, see the broadside Passage of the Delaware by Thomas Sully. (LCP sm #Am 1820 Sul, 6658.F)., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gimbrede, Joseph Napoleon, 1820-, engraver
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.9179.9]

Title: Washington birthday greetings
Description: Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.66]

Title: W. Wilberforce, Esqr. M.P
Description: Bust portrait, facing right within oval of the white English philanthropist and Member of Parliament. Wilberforce is attired in a shirt with a ruffled collar and dark colored double-breasted coat. Wilberforce was active in the Church Missionary Society and the Society for Bettering the Condition of the Poor. In Parliament he worked to abolish the transatlantic slave trade., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Creator: Cruikshank, Isaac, 1756?-1811?, engraver
Date: 1808
Location: Library Company of Philadelphia | Print Department portrait prints - W [1885.F.79]

Title: Virginia stock
Description: Racist, allegorical, satiric print showing a line of enslaved black women and girls, shackled to each other by their wrists, and standing side by side in a tropical setting. The female figures are depicted with exaggerated facial features and short wavy hair. They wear simple pale-colored dresses that fall to their knees, are cinched at the waist, and have long sleeves. The figures look to the distance, at each other, and toward the viewer. Some stand with their feet pigeon-toed or pointed out. Some of the women wear earrings and one of the girls is portrayed with her eyes looking straight up. Coconut trees and greenery are visible in the background., Gabriel Shire Tregear (1801/2-1841) was a British colorist turned print publisher who specialized in series of comic and sporting prints, including "Tregear's Black Jokes" and "Flowers of Ugliness.", RVCDC, Description reviewed 2022., Access points revised 2022.
Date: 1836
Location: Library Company of Philadelphia | Print Department GC - Allegories - Flowers [P.2016.45.3]

Title: Views of Philadelphia
Description: Collection of prints from the various editions and restrikes of Birch's "Views of Philadelphia," originally published in 1800 as The City of Philadelphia, in the State of Pennsylvania North America; as it appeared in the year 1800. Four editions of the views, purchased through subscription and totaling 44 unique plates including a map of the city and title page with vignette, were published by William Birch in Philadelphia from 1800 until 1828. First and largest edition contained 29 plates, the pictorial views drawn by Thomas Birch and engraved by Samuel Seymour between 1798 and 1800; with the map and title page executed by script engraver William Barker. Bookseller Robert Campbell is listed as a seller on many of these plates, but appears to have been disassociated with the project before publication of the bound volume. Second edition of 22 plates was published in 1804. Third edition of 14 plates was published in 1809. Fourth edition of 12 plates was published between 1827 and 1828. The first and second edition were printed by Philadelphia printer, Richard Folwell. The later editions, predominately completed by William Birch alone, contained reissues of selected plates from the first edition as well as new engravings of prominent city structures erected after 1800. In the 1840s restrikes of five plates were produced by bookseller Robert Desilver, and in the 1860s, twelve by the antiquarian John McAllister, Jr; many of the restrikes originally published in the fourth edition. Collection also contains the second edition copper plate of the Bank of Pennsylvania, and the fourth edition copper plate of The Late Theatre in Chestnut Street., Series of late 18th and early 19th-century views of principal sections of the city of Philadelphia including primary streets, government buildings, local landmarks, and financial, religious, educational, and benevolent institutions. The series, the first of its kind in the United States, was created to attract new citizens and to illustrate to an international audience the vitality of the nation's premiere city. The views focus on structures, but also contain lively depictions of daily street life in Philadelphia. Plates depict Philadelphia's Delaware River port with the Penn Treaty Tree; several street views including Arch Street, High (Market) Street, and Third Street; city markets; city banks, such as the Bank of the U.S.; the State House (Independence Hall); Congress Hall; prominent churches, such as Christ Church; Pennsylvania Hospital; Library and Surgeon's Hall; Chestnut Street Theatre; the Alms House; Walnut Street Jail; the Water-Works; and the Schuylkill Bridge., See S. Robert Teitelman's Birch's views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., Snyder, "William Birch: His Philadelphia views," The Pennsylvania magazine of history and biography 73 (July, 1949), p. 271-315., Snyder, "Birch's Philadelphia views: New discoveries," The Pennsylvania magazine of history and biography 88 (April, 1964), p. 164-173., Description revised 2021., Access points revised 2021., William Birch, trained in England, was a Philadelphia engraver, miniaturist, and enamel painter. He also engraved and published in 1804 "The Country Seats of the United States of North America."
Creator: Birch, William Russell, 1755-1834
Date: 1800-1860, bulk 1800
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 1 - Sn 43]

Title: Views of Liberia from "W.F. Lynch report of mission to Africa"
Description: Series of titled views of the Black emigrant country of Liberia (founded 1822) that accompanied a government report compiled by William F. Lynch, Commander, United States Navy following an exploratory excursion to the west coast of Africa. Depicts the stone mansion of Joseph Jenkins Roberts, the first president of Liberia (1847-1855); Episcopal Mission, near Cape Palmas, Mt. Vaughan, founded in 1834 under the auspices of the Maryland Colonization Society and the Domestic and Foreign Missionary Society of the Protestant Episcopal Church; Monrovia (i.e., Liberia) from Bushrod's Island; and Cape Palmas, a Liberian settlement. Views include lush landscapes, Black and white residents, sailing ships, and dwellings., Title from name of the publication., Artists include John H.B. Latrobe and William S. Seager., Printed below images: Senate executive documents, No. 1, 33rd Congress, 1st Session, Part III., Published in "W.F. Lynch report of mission to Africa," Senate Executive documents, 1st Session, 33rd Congress, part 3, vol. 1, doc. 1, p. 329-389., Latrobe, a Baltimore landscape painter, also served as President of the Maryland Colonization Society., Gift of David Doret, 2004., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wagner & M'Guigan, a partnership between Philadelphia lithographers Thomas S. Wagner & James M'Guigan, was active 1846-1858.
Creator: Wagner & M'Guigan
Date: [1853]
Location: Library Company of Philadelphia | Print Department GC - Views - Foreign - Africa [P.2004.33.5a-d]

Title: Views in Fairmount Park Philadelphia, 1884
Description: Album containing eight pencil sketched, titled views of prominent sites at Fairmount Park. Includes Belmont Mansion from the East; Mount Pleasant; Tom Moore's Cottage above Columbia Bridge; Belmont Mansion from the West; Gen. Grant's Headquarters; the Elevator, (i.e. observatory) at Lemon Hill; Penna. R.R. Bridge (i.e., Connecting Railway Bridge); and Rockland Landing from Columbia Bridge., Drawing of Mount Pleasant depicts an exterior view of the Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows the front entrance with a large tree in the left. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Red leather binding stamped S. Lewis Jones., Purchase 2004., Description revised 2021., Access points revised 2021.
Date: [1884]
Location: Library Company of Philadelphia | Print Department albums [P.2004.32]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: View of the department for coloured children of the House of Refuge Looking from the north west
Description: Exterior view of department buildings, including the girls' and boys' dormitories; girls' dining and sewing rooms; boys' school rooms; and the superintendent's rooms. A tall brick wall surrounds the rear and sides of the complex of buildings. Two men and a boy convene on the grounds in the foreground. The buildings, located between Parrish and Brown Streets between 22nd and 24th Streets, opened in 1850. The House of Refuge opened in 1828 at 15th and Coates streets, i.e., the 1500 block of Fairmount Avenue. Boy and girl residents attended school and worked at a variety of employments, including book binding and shoe making (boys) and washing and cooking (girls)., Title from item., Frontispiece of the Thirtieth annual report of the Board of Managers of the House of Refuge (Philadelphia: Printed by Henry B. Ashmead, 1858) (LCP Am 1858 Phil Hou 14483.O.7), Philadelphia on Stone, POS 792, Originally part of Charles A. Poulson's scrapbook of illustrations of Philadelphia [(1)1525.F.41a]., Gift of Clarence Wolf, 2013 [P.2013.81.8]., Description revised 2021., Access points revised 2021.
Date: [1858]
Location: Library Company of Philadelphia | Print Department W426 [(1)1525.F.41a & P.2013.81.8]

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: View of the Capitol of the United States after the conflagration in 1814
Description: Abolitionist allegorical book illustration juxtaposing a coffle of enslaved Black men and boys standing before the ruins of "a monument to liberty," the United States Capitol, following the British occupation of the city during the War of 1812. Author suggests that the destruction of the Capitol was a sign of divine displeasure to promote the abolition of slavery. In the foreground, two white men enslavers lead shackled men and boys pass the ruin. Two allegorical white female figures, one of Liberty, hover in the clouds above. Enslaved people were traded in Washington, D.C. and used in the reconstruction of the Capitol., Title from item., Frontispiece from Jessey Torrey, Jr.'s, A Portraiture of domestic slavery in the United States (1817)., Torrey was a Philadelphia physician, abolitionist, and author of tracts on morals and the diffusion of knowledge., Originally part of a McAllister scrapbook of views of the District of Columbia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Lawson, Alexander, 1773-1846, engraver
Date: 1817
Location: Library Company of Philadelphia | Print Department GC - Government Buildings - Washington, D.C. [5740.F.9b], http://www.lcpimages.org/afro-americana/F181.htm

Title: A view of Bassa Cove (in Liberia.)
Description: View "from a drawing made on the spot by Dr. Robert McDowall" of a village scene in Liberia, the African American colony established by the American Colonization Society in 1822. Also used as the illustration of a membership certificate of the Pennsylvania Colonization Society. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. Established in 1816, the controversial American Colonization Society promoted Black American emigration to resolve the problem of race inequality, and to dissolve the institution of slavery. Copies of the print were on view for sale at the colonization society office for over a decade. McDowall was a Black physician sent by the society to provide medical care at the colony., Title from item., Advertised in Colonization herald, June 17, 1837, vol. III, no. 54, p. 214 and later issues., Purchase 1970., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1836]
Location: Library Company of Philadelphia | Print Department *GC-Views-Foreign-Africa [7930.F]

Title: [Van Stan's Stratena and Emulsion of Cod Liver Oil trade cards]
Description: Series of illustrated trade cards for products produced by Van Stans Stratena Co. in Philadelphia. One racist card entitled, "Great lecture on Van Stan's Stratena by Julius Augustus Cesar at Ethiopian Hall," after the 1878 Sol Eytinge illustration "Blackville, 1878" depicts an African American man, portrayed in racist caricature, lecturing on a stage in front of an audience of well-dressed African American men. The lecturer, attired in a brown jacket, a tan waistcoat, a white shirt with gold cuff links, a white bowtie, blue pants, and black shoes, leans on a wooden table labeled "Van Stan's Stratena." Rolls of paper stick out of his back pocket, and his upturned top hat is visible underneath the table. A decorative object advertising Stratena and a cup sit on the table. He speaks in the vernacular, "one drop of dis yere Stratena on de conscience of a politician will make him stick to his principles. One drop on de marriage certificate will prevent de divorce court from separating you from de wife of your bosom. Do you heah me! Gentlemen I am a talking." Other illustrations include a double-sided metamorphic trade card showing white women and children upset when their objects and toys are broken and happy after using Van Stans Stratena to repair them and, on the other side, two white men and a white woman cringing while taking a dose of cod liver oil, but smiling after taking Van Stan's Emulsion of Cod Liver Oil. Card shows two white boys' jackets glued together by Stratena after they sat in it. A white boy standing nearby laughs and says, "Ha! ha! ha! No use boys!!! Been sitting in Van Stan's Stratena. Ha! ha! Ha!!", Another series of illustrations entitled, "Marriage a-la-mode. Matter of money," "Marriage a-la-mode. The result," and "The marriage of the future," depicts a white man and woman couple being wed by a white man standing under a sign reading "License marriage fee. $1.00" and a dog standing behind the groom thinking, "I'll be dog-goned if this is anything more than a matter of cur-ency and my privileges are sure to be cur-tailed. Give him a bone." A subsequent scene shows the husband running away from his wife, two children and chaotic household. His wife runs after him with a frying pan as the toddler in the background cries, "Father dear father come home," and the baby, lying on the floor, cries "No one to love me." The final scene shows a wedding ceremony in the "Tabernacle hearts cemented" with the officiator standing before the bride and groom announcing, "with this Stratena I thee wed." The groom replies, "One consolation, if I ever break her heart, I can mend it with Van Stans Stratena." The bride counters, "I'll stick to him through thick and thin.", Title supplied by cataloger., Printers and engravers include Chas. Shields' Sons (New York) and E. Ketterlinus & Co. (Philadelphia)., Advertising text printed on versos promotes Van Stan's Emulsion of Pure Norwegian Cod-Liver Oil and Van Stan's Stratena cement to repair glass, china, marble, iron, bone, jewelry, jet, coral, leather, wood, earthenware, porcelain, ornaments, lamp shades, metals, Meerschaum pipes, billiard cues, and leather belting., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Van Stan's [1975.F.888-890 & 1975.F.892-894]

Title: Use Merrick's thread. "Gully this cotton beats 'em all!"
Description: Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds the pants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill, which is lined with potted plants. A candle holder rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co's best six cord soft finish spool cotton for machine & hand sewing warranted 200 yds. also these threads are made from the finest quality of combed sea island cotton, and for strength, evenness, elasticity and smoothness surpass anything in the market. By the use of the "ready wound bobbins" the annoyance of winding the iron bobbin is done away with, and a more perfect stitch obtained. When in want of more thread, don't fail to ask for Merrick's., See related copy: Goldman Trade Card Collection - Merrick [P.2017.95.122], Gift of George Allen, 2022., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Trade cards - M - Merrick [P.2022.42.10]

Title: U.S. Custom House (formerly U.S. Bank)
Description: Exterior view of a classical style building constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house from 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Title from item., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Not in Wainwright., Philadelphia on Stone, POS 763, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: 1848
Location: Library Company of Philadelphia | Print Department *BW - Banks and Financial Institutions [P.2283.27]

Title: U.S. Custom House (formerly U.S. Bank)
Description: Constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Title from item., Date inferred from content., Not in Wainwright., Philadelphia on Stone, POS 763, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 4th-5th, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Banks [P.2283.19]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text on verso: The Universal Wringer Has the Following Points of Superiority. 1. Rolls of Solid White Rubber. 2. Rowell's Double Cog-wheels. 3. Two Independent Pressure Screws. 4. Double cogs at both ends of each Roll. 5. Folding Apron or Clothes Guide. 6. Rocking Springs of wood and rubber. N. P. Baker, Dealer in General Merchandise, Sunapee, N. H., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - American [113420.D]

Title: United States soldiers at Camp "William Penn" Philadelphia, PA [graphic]: "Rally round the flag, boys! Rally once again, shouting the battle cry of freedom" / P.S. Duval & Son. Lith. Cor. 5th & Minor St. Phila.
Description: LCP exhibit catalogue: Negro History, p. 140., Edwin Wolf's Philadelphia: Portrait of an American City. (Philadelphia: Camino Books, 1990), p. 217., Recruitment print depicting members of an African American regiment posed with their white commander at Camp William Penn, Cheltenham Township. The troop members, including the drummer boy, wear their military best and are gathered on an open green near a tent. One soldier proudly displays the American flag. Begun in 1863 with the support of the Union League, eleven regiments were formed at Camp William Penn, the first Pennsylvania camp for volunteer African American regiments. William Penn was the largest Civil War camp for the training of officers to lead African American troops.
Creator: P.S. Duval & Son,lithographer., creator
Date: [1863]
Location: *GC - Civil War - Military Camps - Penn [P.9177.17]

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