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(33,951 - 34,000 of 34,357)
- Title
- Correspondence regarding Bucks County lands and ground rents
- Creator
- Library Company of Philadelphia
- Date
- 1923
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f26
- Title
- Trustee minute book
- Creator
- Library Company of Philadelphia
- Date
- 1861-1876
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f13
- Title
- Appraisers reports for Beaumont and Ely tracts in Bucks County lands
- Creator
- Library Company of Philadelphia
- Date
- 1861-1862
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f06
- Title
- Checkbook
- Creator
- Library Company of Philadelphia
- Date
- 1860-09-1867-05
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f04
- Title
- Lease renewal of Dean tract in Solebury Township, Bucks County, to Josiah B. Smith for term of 121 years
- Creator
- Library Company of Philadelphia
- Date
- 1861-1862
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f11
- Title
- Treasurer's order no. 300 with receipts for salaries and binding
- Creator
- Library Company of Philadelphia
- Date
- 1881-07-1881-08
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f24
- Title
- List of owners and liens on Loganian tracts in Solebury Township, Bucks County
- Creator
- Library Company of Philadelphia
- Date
- 1860-10-08
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f05
- Title
- Correspondence regarding the Bucks County lands, taxes, and ground rents
- Creator
- Library Company of Philadelphia
- Date
- 1865-1867
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f22
- Title
- Report of appraisers on Ingham tract in Solebury Township, Bucks County
- Creator
- Library Company of Philadelphia
- Date
- 1862
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f20
- Title
- Correspondence regarding the Bucks County lands, taxes, and ground rents
- Creator
- Library Company of Philadelphia
- Date
- 1862-1864
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f19
- Title
- Treasurer's order no. 299 with receipts for salaries
- Creator
- Library Company of Philadelphia
- Date
- 1881-05
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f23
- Title
- Correspondence and memorandum of a draft accounting of Loganian trust from its inception in 1792 through December 31, 1959
- Creator
- Library Company of Philadelphia
- Date
- 1960-1965
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f27
- Title
- Report from Committee on rents from the Bucks County lands relating to Supreme Court case and apparaisals
- Creator
- Library Company of Philadelphia
- Date
- circa 1862-02
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f18
- Title
- Appraisers report, release, and appointment of appraisers for Ingham tract in Bucks County lands
- Creator
- Library Company of Philadelphia
- Date
- 1861-1862
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f08
- Title
- Advertisement of Bucks County property near Loganian tracts
- Creator
- Library Company of Philadelphia
- Date
- circa 1862-01
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f17
- Title
- Appraisers report and appointments of appraisers for Dean tract in Bucks County lands
- Creator
- Library Company of Philadelphia
- Date
- 1861-1862
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f07
- Title
- Correspondence regarding the Bucks County lands, ground rents, and taxes
- Creator
- Library Company of Philadelphia
- Date
- 1856
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f02
- Title
- Trustees minute book
- Creator
- Library Company of Philadelphia
- Date
- 1853-1861
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f01
- Title
- Correspondence regarding the Bucks County lands, taxes, and ground rent
- Creator
- Library Company of Philadelphia
- Date
- 1859-1860
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f03
- Title
- Itemized income account (partial) of Loganian trust from its inception in 1792 through December 31, 1959
- Creator
- Library Company of Philadelphia
- Date
- 1960
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b28f29
- Title
- Checkbook for the Girard Life Insurance, Annuity, and Trust Company
- Creator
- Library Company of Philadelphia
- Date
- 1842-05-circa 1854
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f37
- Title
- Note regarding James Logan lease of Solebury Township land to Samuel Ingham
- Creator
- Library Company of Philadelphia
- Date
- circa 1849
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f39
- Title
- Order to pay John Harned for bill from G. W. Peck for lining large stove with soapstone
- Creator
- Library Company of Philadelphia
- Date
- 1832-02-04
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f34
- Title
- Account of Edward Penington, Treasurer
- Creator
- Library Company of Philadelphia
- Date
- 1831-05-1832-04
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f33
- Title
- Correspondence from John Fox regarding search of Bucks County records for a certificate
- Creator
- Library Company of Philadelphia
- Date
- 1827-12-24
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f32
- Title
- Memorandum from J. W. Condy on the interest of the library being in ground rent of Bucks County land
- Creator
- Library Company of Philadelphia
- Date
- 1825-11-07
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f31
- Title
- Account of Samuel Coates, Treasurer
- Creator
- Library Company of Philadelphia
- Date
- 1823-05-1824-04
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f30
- Title
- Account of Samuel Coates, Treasurer
- Creator
- Library Company of Philadelphia
- Date
- 1822-05-1823-05
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f29
- Title
- Account of Samuel Coates, Treasurer, and list of capital stock
- Creator
- Library Company of Philadelphia
- Date
- 1820-05-1822-05
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f28
- Title
- Account of Samuel Coates, Treasurer
- Creator
- Library Company of Philadelphia
- Date
- 1819-08-1820-05
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f27
- Title
- Account of Samuel Coates, Treasurer
- Creator
- Library Company of Philadelphia
- Date
- 1817-05-1819-08
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f26
- Title
- Correspondence regarding the Bucks County lands and mineral rights
- Creator
- Library Company of Philadelphia
- Date
- 1839-1841
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270b27f35
- Title
- A discourse on the necessity and the means of making our national literature independent of that of Great Britain, delivered before the members of the Pennsylvania Library of Foreign Literature and Science on Saturday, Feb. 15, 1834
- Description
- A speech delievered to the Pennsylvania Library of Foreign Literature and Science calling for the United States to uphold its literature as separate from that of Great Britain. The library's holdings were added to the Library Company of Philadelphia's collection in 1840., Pagination statement has been simplified by cataloger., Copy owned by James Rush and signed by Peter Du Ponceau., These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
- Date
- 1834
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Du Po
- Title
- Ca talogue of the Pennsylvania Library of Foreign Literature and Science
- Description
- Printed catalog of the Pennsylvania Library of Foreign Literature and Science, including articles and rules at the beginning. The library's holdings were added to the Library Company of Philadelphia's collection in 1840., These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
- Creator
- Pennsylvania Library of Foreign Literature and Science
- Date
- 1835
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Pen Lib
- Title
- Fund to erect a fire proof building
- Description
- Title devised by cataloger., A list of subscriptions to the Building Fund from 1855 to 1880 with an appeal to the importance of erecting a fire proof building. This fund was used in part to pruchase lots on Juniper and Locust Streets., These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
- Creator
- Library Company of Philadelphia
- Date
- 1855-1880
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270v120
- Title
- Li brary of Foreign Literature and Science meeting report
- Description
- A statement, report, and the constitution for the Pennsylvania Library of Foreign Literature and Science. The library's holdings were added to the Library Company of Philadelphia's collection in 1840., Title devised by cataloger., Printing information taken from last page., These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
- Creator
- Pennsylvania Library of Foreign Literature and Science
- Date
- 1831
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1831 Pen Lib of For
- Title
- Order book
- Creator
- Library Company of Philadelphia
- Date
- 1819-1824
- Location
- Library Company of Philadelphia. | MSS MSS MSS00270v116
- Title
- Linda's collection
- Title
- Our cottage [Avocado], Sea Girt, [NJ], from S.E. Mother in bathroom window
- Description
- Glass negative showing the Morris family home Avocado, a multi-story Victorian-style home with a wide porch and a prominent tower. Marriott C. Morris' mother Martha Canby Morris is visible sitting in a window on the second floor. Dune grass grows in front of the house and trees behind. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Photographer remarks: Swing back not straight. Very fair neg.This must be intensified., Time: 9:20, Light: Good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
- Creator
- Morris, Marriott Canby, 1863-1948, photographer
- Date
- September 4, 1885
- Location
- Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.736]
- Title
- [Steven-Cogdell/Sanders-Venning Hinkson family group portrait collection]
- Description
- Collection of group portrait photographs, including members of the Hinkson line of the African American middle-class Stevens-Cogdell and Sanders-Venning family. Portraits depict a 1929 group portrait photograph of the Christian Street Y.M.C.A. volleyball team, including Dehaven Hinkson; a 1932 portrait photograph of a “Bon Voyage” children’s party for sisters Cordelia Hinkson (Brown) and Mary Hinkson (Jackson) (daughters of Dehaven and Cordelia Chew Hinkson)(P.2015.46.1); a ca. 1950 photograph of a group of several woman, during a dinner party, posed around a large formally-set dining table, including Dorothy Abele Gatling, Mary Venning, Martha Venning Bowie, Agnes Chew Upshur, Cordelia Chew Hinkson, Julia Capps Venning, and Georgine Saunders Chew; ca. 1950 group portraits of members of the men’ organization the Boulé, including Dehaven Hinkson, Richard J. Warwick, and Eugene T. Hinson; and a 1950 Theresa Studio photograph of the men's social club Commissioners of Philadelphia annual June dinner and dance at the Theresa Hotel (Harlem, N.Y.C.) (P.2015.46.7), including William Warrick, Mabel Lawson Warrick, Dehaven Hinkson, Cordelia Chew Hinkson, William G. Upshur, and Agnes Chew Upshur; and a ca. 1955 group portrait of the women’s social group the Geace (P.2015.46.2), possibly during their golden anniversary, including Mary Venning, Martha Venning Bowie, Agnes Chew Upshur, Dorothy Abele Gatling, Mabel Lawson Warrick, and Cordelia Chew Hinkson., The "Bon Voyage" party was a farewell party before Dehaven Hinkson and his family relocated to Europe for his post-graduate studies. The Geace Club evolved from the women meeting as adolescents as members of the Sunshine Club. The Sigma Pi Phi Fraternity, also known as the Boulé, is the first Greek-letter fraternity founded by African Americans in 1904. Members have already received their college and professional degrees at the time of inclusion. Richard J. Warwick and Eugene T. Hinson were founding members. The Commissioners was founded in 1933 by prominent African American Philadelphians as a men's social club "to promote social involvement among members of the community.", Title supplied by cataloger., Date inferred from content., Photographers include Frank W. Harris, G. Marshall Wilson, and the Theresa Studio., See Lib. Company. Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Several of the sitters of the photographs were identified by the donor. Photocopies with the identified sitters housed at the repository., Housed with Stevens-Cogdell and Sanders-Venning and Chew Families Miscellaneous Portraits Collection [P.2013.14]., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [1929-ca. 1950]
- Location
- Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders Venning Collection [P.2015.46]
- Title
- Photographing the baby
- Description
- Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
- Creator
- National Bank Note Co.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]
- Title
- [Man lying on a mechanical invalid bed]
- Description
- Documentary portrait, possibly a mendicant photograph, showing a man lying on an invalid bed. The bed is composed of a bed frame, the mattress on which the man lies, overhead vertical rails, side "rails" made of stretched cloth, and a hand crank. The man, possibly a Civil War veteran, has a dark bushy mustache and rests his head on a pillow in the left of the image. He looks toward the viewer. He rests his hand on one of the side slats. A jacquard blanket covers him. To the side of the bed, is a lower "ledge" covered in jacquard fabric. A basket of fruit and two books adorn it. In the left forefront is a side table on which a book rests. In the right background, a window with curtains is visible. The stereograph was possibly sold as a means to raise funds for the man portrayed in the photograph., Title supplied by cataloger., Date inferred from mount and content., Warped yellow mount with rounded corners., Purchased with funds for the Visual Culture Program (Junto 2015).
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified photo - Genre [P.2016.26.1]
- Title
- William Russell Birch Collection
- Description
- Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807)(P.2016.50.37 & 41); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
- Date
- [ca. 1742 - ca. 1913]
- Location
- Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]
- Title
- [Architectural drawing of the front elevation of Strawbridge & Clothier, 8th and Market Streets, Philadelphia]
- Description
- Shows the five-story, multi-section front facade of the department store (established in 1868) at the northwest corner of 8th and Market Streets. Sign at the top reads, "Strawbridge & Clothier." The expanded Strawbridge & Clothier building was completed circa 1897 after the designs of Philadelphia architect Addison Hutton. Justus Clayton Strawbridge (1838–1911) and Isaac Hallowell Clothier (1837–1921) founded Strawbridge & CLothier in Philadelphia in 1868., Title supplied by cataloger., Date inferred from manuscript note on related print. See related print **Architectural Drawings - unid. - Strawbridge [P.2010.35.9], Gift of David Doret.
- Date
- [ca. 1891]
- Location
- Library Company of Philadelphia | Print Department **architectural drawings - unidentified - Strawbridge [P.2010.35.8]
- Title
- [Stevens-Cogdell and Sanders-Venning and Chew families portrait collection]
- Description
- Collection of primarily professional portrait studio photographs depicting members of the Venning, Chew, Saunders, and Sanders lines of the African American middle-class Stevens-Cogdell and Sanders-Venning Family. Portraits show the sitters when children and/or when adults. Sitters include Sallie Venning Holden ( P.2014.51.16-17) and her nieces Lillie Venning and Mary Venning; Harriette Elizabeth Richardson Saunders and George Saunders (parents of Georgine Saunders Chew); Cordelia Sanders (Chew) and her sons Richard Sanders Chew (P.2014.51.4) and Charles Sanders Chew (“Papoo”) (P.2014.51.6); Georgine Saunders Chew (“Dama”), her daughters Cordelia Sanders Chew (Hinkson) and Agnes Saunders Chew (Upshur), and her siblings Joseph S. Saunders (dentist), Mary Saunders (Patterson) (soprano and music instructor), Charles Saunders, Susan Saunders (Williams), Agnes Saunders. Small number of portraits document school graduations, including those of Cordelia Chew (Hinkson), Agnes Chew (Upshur), and Joseph S. Saunders. Also contains an unidentified silhouette of a young man, probably a member of the Cogdell family, possibly Richard W. Cogdell., Title supplied by cataloger., Date inferred from content., One paper photograph (P.2014.51.1) mounted in daguerreotype brass mat., Silhouette (P.2014.51.3) mounted in daguerreotype case., Various photographers including Herbert Bridle (Philadelphia), Broadbent and Phillips (Philadelphia), H. D. Garns & Co. (Philadelphia), William Kuebler (Philadelphia), Snellenburg & Co. (Philadelphia), William C. Withers (Philadelphia), Keet & Gemmill (Harrisburg), Le Rue Lemer (Harrisburg), Arthur W. Sheppard (Brooklyn), W. E. Perry (Cresson, Pa.), and Abraham L. Myers (Atlantic City)., Sitters identified from manuscript notes on versos and/or accompanying photographic prints., See Lib. Company Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., P.2014.51.1-3 housed separately in phase box., RVCDC, Description revised 2023., Access points revised 2022.
- Date
- [ca. 1800-ca. 1925]
- Location
- Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders-Venning Collection [P.2014.51]
- Title
- [Stevens-Cogdell and Sanders-Venning and Chew families miscellaneous portraits collection]
- Description
- Collection of photographs, several unidentified, of members of the African American middle-class Steven-Cogdell and Sanders-Venning and Chew family of Philadelphia, as well as their extended families and friends. Includes predominantly studio portraiture, including a portrait of William H. Chew (P.2013.14.10), in addition to two miniatures (possibly members of the Cogdell family) and a casual group photograph. Also includes a small number of photographs representing the African American expatriate entertainers' community in Paris in the 1930s; a group portrait of the “Soap Box Minstrels, Musical Fund Hall, December 7, 1909”; and a group portrait with possibly George Washington Musgrave. Minstrel show photograph depicts performers in black face and African American musicians on a stage in front of which a row of African American performers, some in costume and some in tuxedoes, is seated. George Venning and his brother-in-law William Holden were founders of the Soap Box Social in 1908. The Soap Box Social performed an annual minstrel show in the aughts as a fundraiser for the Citizens Republican Club, a social and political club of African American elite men started in 1884. The club’s mission focused on the election of African Americans into public office., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Identified sitters include Ivan H. Browning, William H. Chew, Edward W. Venning, Sallie Venning (Holden), Turner Layton, Clarence Johnstone, Thomas "Fats" Waller, and Ada "Bricktop" Smith., Title supplied by cataloger., Date from content., Various photographers, including L. Blaul, African American photographer G. W. Cheston, Flett, J. E. Forbert, O. B. De Morat, S. Georges Ltd, Studio di Art, Sol Young Studios, and Suddards & Fennemore., P.2013.14.12 contains manuscript note on verso: My Honey, My Wife, My All., P.2013.14.15 contains manuscript note on recto: To two regular fellows “Bill & Agnes” Ivan Browning, Paris, France, 1932., P.2013.14.16 contains manuscript note on recto: To The Agnes, Bill, Gene Upshur, With Warmest Wishes, Turner Layton. C.T. Johnstone., P.2013.14.17 contains manuscript note on recto: To Mr. & Mrs. Chew. With Tons of Good Wishes for Every Joy & Oceans of Happiness. Layton & Johnstone., P.2013.14.19 contains manuscript note on recto identifying the sitters: Unknown; [Us.?] Browning; Snow; Unknown; Fats Waller; Unknown; Bricktop., P.2013.14.20 contains manuscript note in ink on recto identifying the sitters: Unknown; Fats; [Mau?]; [Mask?]; Bricktop; Uncle John; Unknown; Ms. Chew; Susan Williams; Unknown; Maureen Browning; Mr. Anson; Ms. Hinkson; Dr. Hinkson; Mr. Chew; Mr. Browning; Unknown. Also contains manuscript note on recto: To Uncle John-Don’t get your derby knocked off. Thomas “Fats” Waller; Uncle John, I think your great & how. Bricktop., See Lib. Company Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Description of blackface mintrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1800-1932]
- Location
- Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders-Venning Collection [P.2013.14]
- Title
- Moses Williams, cutter of profiles
- Description
- Silhouette of Peale's Museum premier African American silhouettist, facing left. Williams wears his hair in a ponytail adorned with a bow at the end. A bow adorns his collar as well. Williams was enslaved by Charles Willson Peale following the manumission of his parents in 1786. After his manumission in 1804, Williams began work as a silhouettist in Peale's Museum., Possibly by Moses Williams or possibly Raphaelle Peale., Title from manuscript note on recto., Manuscript note on verso: Moses Williams, the Cutter of Profiles. Peales Museum., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See Gwendolyn DuBois Shaw, " 'Moses Williams, Cutter of Profiles': Silhouettes and African American Identity in the Early Republic," Proceedings of the American Philosophical Society 49 (March 2005), particularly p. 36., See Gwendolyn DuBois Shaw, "'Moses Williams, Cutter of Profiles,' Silhouettes and African American Identity in the Early Republic," in Portraits of a People. Picturing African Americans in the Nineteenth Century (Seattle & London: Addison Gallery of American Art in association with the University of Washington Press, 2006 ), pp. 45-55, 69., Williams's life dates supplied by researcher based on genealogical records. See Moses Williams research file., Originally part of a McAllister scrapbook of portraits., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1803]
- Location
- Library Company of Philadelphia | Print Department Silhouette Collection [(3)5750.F.153b]
- Title
- Emancipation
- Description
- Reproduction of a George Gardner Fish allegorical painting celebrating the Emancipation Proclamation (1863) originally photographed by Boston photographer J. P. Soule. Depicts the white female figure Columbia holding out the Emancipation Proclamation and standing between a kneeling enslaved African American man and woman (attired in a head wrap). The bare-chested man holds up the pole of an American flag, while the woman drapes the flag around her naked body. Columbia, attired in a tiara and drapey gown, also holds a bunch of sprigs of laurel, as well as stands on a whip. A partial view of a wagon wheel is visible in the left background., Title from item., Artist and photographer from copy in the collections of the Library of Congress. LC copy "Entered according to Act of Congress, in the year 1863, by John Sowle [sic], in clerk's office of the District Court for the District of Massachusetts.", George Gardner Fish was a Nantucket portrait painter who specialized in pastels. He exhibited at the National Academy of Design between 1858 and 1863., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [P.2014.22]
- Title
- Near Gettisburg [sic] [Pa.]
- Description
- Lithograph showing a stream coursing through the landscape, finally flowing under a bridge in the background. In the foreground, there is an island in the middle of the stream with three trees. In the right, a horse lowers his head to drink. A horse-drawn covered wagon travels over the bridge in the background., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: near., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
- Creator
- Kollner, Augustus, 1812-1906, artist
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.3]
- Title
- On foot of Blue Ridge Mountains, Pa
- Description
- Lithograph showing a covered wagon hitched to four hourses. In the center, a man sits on horseback and talks to a man standing and holding a whip. A woman holds a baby and stands in front of a wooden home with a paddock. In the left is an empty cart. Trees and hills fill the background., Printed lower left: 13., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: on., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
- Creator
- Kollner, Augustus, 1812-1906, artist
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.4]

