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Title: [Bust-length portrait of Li Hongzhang]
Description: Bust-length portrait of Chinese statesmen Li Hongzhang, also known as Li Hung Chang. He wears a mustache and is attired in a beaded Chinese court necklace and a shirt with a Mandarin collar and decorated with an image of a crane., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint printed on verso: F. Gutekunst, 712 Arch St., Philadelphia., Distributor's label on verso: 816 Chestnut Street, Earles' Galleries, Philadelphia., Gift of Dr. Milton and Joan Wohl, 1991.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Hung [P.9363.21]

Title: Bank-ometer Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress
Description: Cartoon designed by radical labor activist Seth Luther to promote the dissolution of the United States banking system. Depicts the U.S Bank as operated by the industrial turbine "Currency Reservoir." The "Bank of England Tube," "State Bank Tube," and "Expansion and Contraction Tube" extend from the reservoir and power meters labeled "Paperometer," "Stockometer," Flourometer," and "Wageometer," which flank the bank and measure the system. Meters measure the benefits to industry and the disadvantages to the artisan of the banking system from 1816 to 1840, including: the expansion and contraction of paper money; the prices and amounts of import and export commodities; the economic effects from the monetary fluctuations on manufacturers and mechanics; the price of stocks and flour; and the wages (lower in 1840 than 1816) and cost of living of New York carpenters. Also contains seventeen boxed quotations from prominent political figures criticizing paper money and banks, including statements by Washington, Jefferson, Adams, Jackson, Van Buren, Samuel Young, John Tyler, and Bank of the United States supporter Henry Clay; a chart containing figures indicating an increase in the number of banks from 1774 to 1840, the amount of hard and paper currency in circulation, and the "aggregate receipts" from public land sales; as well as references to Jackson's 1832 veto of the Bank of the United States and Van Buren's 1840 Independent Treasury Bill. Dedicated to Andrew Jackson for his "righteous" veto of the Bank of the United States on July 4, 1840., Title from item., Date from copyright statement: Entered according to act of Congress July 22, 1840 Seth Luther Author and Proprietor in the Clerks Office of the District Court of the So. District of N.Y., Retrospective conversion record: original entry, edited., Library Company Annual Report, 2001, p. 30., Advertised in Public Ledger, October 8, 1840. Price listed as 25 cents.
Creator: Lawton, Stephen, lithographer
Date: designed Nov. 1833, drawn 1840, cJuly 22, 1840
Location: Library Company of Philadelphia | Print Department *political cartoons - 1840-Ban [5760.F.84]

Title: A Correct chart of Salt River
Description: "Salt River," the fictitious river of political doom, is charted here as a meandering stream of Democratic misfortunes. The chart was purportedly "prepared by Father Ritchie," i.e., Democratic editor and Polk administration spokesman Thomas Ritchie. Swipes are taken at the Tariff of 1846, Polk's Vice President George M. Dallas, Martin Van Buren, and 1848 Democratic presidential nominee Lewis Cass. The river winds upward from the Ohio River (Ohio was a Democratic stronghold in 1848) to the Lake of Oblivion with an island on which sits the "Mansion of Despair." The "Fast Sailing Steamer Free Trade," captained by Lewis Cass and piloted by Ritchie, sets out on the "Slough of Despond" below (one of the landmarks in John Bunyan's "Pilgrim's Progress). The ship approaches a fork, from which the "Old Fox Branch" on the right leads to "Cabbage Point" and the home of Martin Van Buren. Van Buren can be seen sitting in a rowboat on the river complaining, "Hard work this all; your fault 'John, ' with your D--d Free Trade." His son John, a Free Soil party leader and campaigner, encouraged Van Buren's bid for the party's presidential nomination in 1848. On the left Salt River continues past the "Sub Treasury Bluffs," "Noise and Confusion Shoals," "Two Face Points," and "Irish Relief Shoal" (a reference to Democratic support for anti-British insurgents in Ireland), to another fork, "Prince John's Creek." Here John Van Buren walks along the shore and calls, "Good bye Dad! We could not Gull the People." The main branch of the river continues to "Pillow's Cemetery" (named after Gen. Gideon Pillow, conspirator against popular Mexican War commander Winfield Scott and a friend of James K. Polk), "One Seal Island", "Casting Vote Point," and "St Anna Pass." The last is named after Mexican president and commander Santa Anna, whom the Polk administration returned from exile only to see him lead the war against the Americans. On Lake Oblivion is a small ferry boat heads toward the shore at upper right where it will connect with a train named "Tariff [of 18]42," bound for Washington. On the left is a funerary monument "In Memory of Dallas," a memorial to Vice President and former Pennsylvania senator George M. Dallas. Many of Dallas's fellow Pennsylvanians viewed him as a traitor to the state's interests in his support of the Tariff of 1846, which supplanted the popular 1842 tariff., Title from item., Date inferred from content., Library copy has manuscript written on lower right recto: March 5th, 1849., Retrospective conversion record: original entry.
Date: [1848]
Location: Library Company of Philadelphia | Print Department political cartoons - 1848-50 [P.2275.28]

Title: Beauties of the Sunday Law
Description: Cartoon mocking Philadelphia's Sunday Law depicting an absurd street scene where citizens are barred from patronizing several closed businesses and public facilities, except for church. Renewed enforcement of the unpopular law proceeded the election of Sabbatarian Mayor Robert T. Conrad in 1854. Police patrol the street enforcing the law, including preventing a downed horse from dying; a "segars" store chimney from "smoking"; and a mourner from hiring a carriage to travel to a funeral "20 miles away." Other citizens angrily mob the church and plead to patronize the businesses and public services, including: a mother unable to purchase medicine from an "Apothecary" for her sick child; a fire victim unable to request a fire engine; a man with a "bellyache" prevented from using a locked "Public Water Closet"; and a wife barred from purchasing provisions as a result of her husband's tardily received wages. Also contains: a clock, a dog, and a rooster padlocked to prevent them from making noise. In the background, the steamship John "Stevens" remains docked at the pier near signs stating, "This river is stopped from running on Sundays" and "No fish allowed to swim on Sunday.", Title from item., Date inferred from content., Artist's monogram lower right corner., Probably drawn by Philadelphia and New York lithographer John L. Magee., Retrospective conversion record: original entry, edited.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department political cartoons - [1855]-Beau [8365.F]

Title: The True peace commissioners
Description: Cartoon depicting an angered response of Democrats in support of war to what many considered to be false Confederate peace overtures and to the push for reconciliation with the South advanced by the Peace Democrats in 1864. In the center, Confederate general Robert E. Lee and president Jefferson Davis stand back-to-back trying to ward off an attack by Union officers (from left to right) Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. Sheridan points his sword at Lee, saying, "You commenced the war by taking up arms against the Government and you can have peace only on the condition of your laying them down again." Grant, also holding a sword, insists, "I demand your unconditional surrender, and intend to fight on this line until that is accomplished." Lee tries to placate them, "Cant think of surrendering Gentlemen but allow me through the Chicago platform to propose an armistice and a suspension of hostilities . . . " The 1864 Democratic national convention in Chicago advocated "a cessation of hostilities with a view to an ultimate convention of the states, or other peaceable means" to restore the Union. Davis, unarmed with his hands up, agrees, " . . . if we can get out of this tight place by an armistice, it will enable us to recruit up and get supplies to carry on the war four years longer." Farragut threatens with a harpoon, snarling, "Armistice! and suspension of hostilities'.--Tell that to the Marines, but sailors dont understand that hail from a sinking enemy." Sherman, with raised sword, informs Davis, "We dont want your negores or anything you have; but we do want and will have a just obedience to the laws of the United States.", Title from item., Date inferred from content., Probably drawn by John Cameron., Retrospective conversion record: original entry edited.
Date: [1864]
Location: Library Company of Philadelphia | Print Department political cartoons - 1864-6 [P.2275.5]

Title: The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink "The Lord delivered the people."
Description: Cartoon analogizing the victory of 1866 Radical Republican Pennsylvania gubernatorial candidate John W. Geary with the Biblical story of Moses's passage of the Red Sea (Exodus) to signify the election result as a moral and political conquest over the Conservative Republicans who supported the policies of President Andrew Johnson. Shows Johnson as "Pharaoh," riding a chariot labeled "My Policy." His crown has been knocked off his head, and the sea rushes around the horse-drawn chariot. Conservative Republicans, including William Seward, are washed away around him. In the distance, "the people" trek across the land of "Pennsylvania" holding a "Geary and Victory" flag., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Magee, John L.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 Des [(2) 1322.F.20]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a blue coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with pink bows and with ribbons tied into a bow under her chin. She is also attired in a yellow dress with long puff sleeves, blue trim, and a laced bodice, blue ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 2., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9705.1]

Title: Life in Philadelphia. "How you find yourself dis hot weader Miss Chloe?"
Description: Racist caricature mocking the ambitions of free Blacks depicting, "Mr. Cesar," an African American dandy asking an African American belle how she finds herself in "dis hot weader?" "Miss Chloe," responds that she is doing well, but "aspires too much!" In the left, the man stands and faces the woman, in the right, and whose back is to the viewer. The man is attired in a blue waistcoat, a white vest, pink cravat, white pants, yellow gloves, and black slipper shoes. He holds a walking stick perpendicular to the ground in his right hand and a hat in his left hand. The woman is attired in a yellow, puff-sleeved, ankle-length dress, wide-brimmed yellow hat with a long veil and adorned with several pink flowers and blue ribbon, gloves, and white slipper shoes. She also wears earrings, a necklace, and a hair adornment. She holds a purse and fan in her left hand and a parasol in her right hand. The man and woman stand on a grassy knoll. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black-brown hand coloring., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Inscribed: Pl. 3., Contains three lines of dialogue in the vernacular and dialect below the image: “How you find yourself dis hot weader Miss Chloe?” “Pretty well I tank you Mr. Cesar only I aspire too much!”, Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9705.2]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a blue waistcoat, yellow vest, white cravat, blue pants, and black slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched blue pants, a tan jacket with an elbow patch, a red vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Inscribed: Plate 5., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era.(PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9707.1]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a waistcoat, vest, cravat, pants, and slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched pants, a jacket with an elbow patch, a vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Contains seven lines of dialogue in the vernacular below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz A423.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7659.F]

Title: Life in Philadelphia. "Shall I hab de honour to dance de next quadrille...?"
Description: Racist caricature ridiculing the etiquette of attendees of an African American dance ball. Depicts, in the right and in profile, "Mr. Cato," an African American man dressed in a blue coat with tails, white pantaloons and stockings, ruffled white shirt, red cravat, white gloves, a gold neck fob, and black slipper shoes bowing with his hat in his hand to invite "Miss Minta" to dance. In the left, "Miss Minta," a curvaceous African American woman, forward facing, her head turned to the right, and dressed in a yellow, cap-sleeved gown with an apron detail, a large pink headpiece, white opera gloves, and several pieces of jewelry, including a neck fob, bracelets, armlets, and red earrings, declines his invitation because she is already "engaged for de nine next set." She also slightly holds up the lower right corner of her apron with her right hand. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Scene also includes a wooden chair with a red padded seat partially visible in the left foreground and background imagery depicting the interior of a ballroom with a large mirror and other African American men and women ball attendees portrayed with exaggerated features., Title from item., Date inferred from content., After the work of Edward W. Clay., Attributed to William Summers., Inscribed: Plate 6., Shane White and Graham White's Stylin':African American Expressive Culture (Ithaca: Cornell University Press, 1998), p. 98. (LCP Ii 4, A2880.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7658.F]

Title: Life in Philadelphia. "Good evening Miss..."
Description: Sexist caricature satirizing middle-class mores and depicting a white man dandy sexually harassing a well-to-do white woman as she traverses a Philadelphia street. The man stands next to her, in the right, and the woman has an aghast expression. She has a bouffant hairstyle adorned with yellow flowers and ribbons. She wears a long red cape with a blue hood over her hourglass shape and large hair. The dandy is dressed in a corset, a black top hat, blue coat with tails, pink vest, yellow gloves, and large yellow bow tie. He holds a walking stick toward the ground in his right hand. A yellow handkerchief hangs out of his right coat pocket. Cityscape, a lamp post, and two men pedestrians are seen on the street in the background., Title from item., Date inferred from content and name of publisher., Attributed to William Summers., Inscribed: Plate 8., Contains five lines of dialogue above the image: “Good evening Miss, shall I have the pleasure of walking with you?” _ Me sir!! for whom do you take me, sir? __”Come, come that’s a good one!__ for whom do I take you? Why for myself to be sure!”__, Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., LCP copy has left side mended., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7706.F]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a blue waistcoat with tails, a bronze vest, a green shirt with red striped collar, green cravat, tan pants, white gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a red headpiece over her hair that is in a top knot. She is attired in an orange calf-length, cap sleeved dress with floral details, red trim, and décolleté neckline; white opera gloves; red ankle-laced slippers; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand in a parlor with patterned carpeting and in front of three framed pictures on the wall, including portraits of a Black man and woman and a landscape view. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 9 of the original series published in Philadelphia., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, Inscribed: Plate 9., LCP exhibit catalogue: Made in America p. 29., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9707.2]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a waistcoat with tails, a vest, a shirt, cravat, pants, gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a headpiece over her hair that is in a top knot. She is attired in a calf-length, cap sleeved dress with floral details, trim, and décolleté neckline; opera gloves; ankle-laced slippers; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand in a parlor with ornamented carpeting and in front of three framed pictures on the wall, including portraits of a Black man and woman and a landscape view. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 9 of the original series published in Philadelphia., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, LCP exhibit catalogue: Made in America p. 29., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1967.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7646.F]

Title: Life in Philadelphia. "Have you any flesh coloured silk stockings...?"
Description: Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center left, the woman standing at the blue counter in front of the clerk who holds up a pair of black-colored stockings from out of a rectangular box. She is attired in a yellow floral patterned dress, as well as tall, wide-brimmed floral-patterned hat adorned with yellow flowers, greenery, and a veil and long floral-patterned ribbon, white gloves, earrings, and white button-up boots. She rests her pink, polka-dot-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her brown parasol rests against the counter. Rows of red, blue, brown, black, and yellow stockings and fashion accessories hang on the wall behind the clerk. The clerk is attired in a green waistcoat with tails, a blue vest, white cravat, and white pants. In the left, an African American woman attired in a pink polka dot dress and tall, wide brimmed hat adorned with a veil and green ribbons is seen in the doorway of the shop in which curtains hang and are pushed to the side. A shelf lined with bolts of textiles hangs above the doorway. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The central woman figure’s skin tone is depicted with black hand coloring and the woman figure in the doorway’s skin tone is depicted with brown hand coloring. The man is depicted with rosy cheeks and brown, curled hair., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 11 of the original series of Life in Philadelphia., Contains five lines of dialogue in the vernacular and dialect above the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, Charles Hunt was a respected London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9707.3]

Title: Life in Philadelphia. "Behold thou art fair Deborah,..."
Description: Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace with a fire in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a bowl cut. He wears a blue long coat, blue pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A pug-like dog sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which objet d'arts and a mirror with an ornately decorated frame is placed. Two framed works of art hang on the wall on each side of the mirror., Title from items., Date inferred from content and name of publisher., Attributed to William Summers., Inscribed: Plate 11., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7707.F]

Title: The German bleeds & bears ye furs of Quaker lords & savage curs
Description: Political cartoon depicting Quakers and racist caricatures of Native Americans riding on the backs of German and Scots-Irish settlers surrounded by burning houses and the bodies of dead men, women, and children. In the left, Benjamin Franklin stands holding a paper reading, "Resolved/ ye Prop[riete]r/ a knave/ & tyrant/ NC D/ gov[erno]r D:o." A fox, representing Quaker Joseph Fox, stands between his legs. Quaker leader Israel Pemberton rides on the back of a Scots-Irish man, who holds a rifle. Pemberton stretches his right hand out to grasp Franklin's paper and holds a band of wampum in his left hand. A rope wrapped around his left arm is attached to the nose of a blindfolded German man who walks behind him carrying a Native American man on his back. The Native American man holds a tomahawk in his right hand and carries a pack on his back labeled, "I.P." In the foreground are bodies of a dead man, woman, and child with cut marks on their heads indicating scalping. Native American men burn houses in the background. Joseph Fox and Israel Pemberton were leaders in the Quaker "Friendly Association" that was often accused of supplying money secretly to the Native Americans., Title from item., Date inferred from content., Attributed to Claypoole., Text printed under image: "The German bleeds & bears ye furs/ Of Quaker Lords & savage Curs/ Th' Hibernian frets with new Disaster/ And kicks to fling his broad brim'd Master/ But help at hand Resolves to hold down/ Th' Hibernian's Head or tumble all down.", Retrospective conversion record: original entry, edited., See Philadelphia printmaking: American prints before 1860 (West Chester, Pa.: The Tinicum Press, 1977), p. 70-89., RVCDC
Creator: Claypoole, James, 1720-1784?, etcher
Date: [1764]
Location: Library Company of Philadelphia | PRINT PRINT political cartoons 1764 Ger [66984.O.9]

Title: The election, humbly inscrib'd to the Saturday-Nights Club, in Lodge Alley
Description: At the top, depicts the 1765 the election for the county and city of Philadelphia. In the left, shows Britannia, depicted as a white woman, with a shield with the Union Jack and a liberty cap and pole, saying "Oh my sons, my sons." America, depicted as a white woman, carries a sword and replies "Don't grieve too much sister." Treachery, depicted as a white women with two faces, stands behind Britannia with a dagger and says, "I hope that will do for you Madam." A large group of men stand in the foreground, including clergymen, and discuss the election. In the background, a line of men enter a building to vote., Title from item., Date from Evans., "About 150 lines of blank verse [in four columns] engraved on copper, with a picture of the election at the top."--Hildeburn., First line: Long with a Cruel, and perfidious Hand:, Manscript note by DuSimitiere: Published after the election of the members for the county and city of Philadelphia for the first of 8be 1765., Retrospective conversion record: original entry, edited.
Creator: Dawkins, Henry, d. 1786?
Date: [1765]
Location: Library Company of Philadelphia | PRINT political cartoons [1765] Ele [959.F.88 (DuSimitiere)]

Title: First plate of four subjects for Birch's Philadelphia
Description: Montage of four titled vignette views showing the Philadelphia landmarks: "Franklin Library in 1800" (Library Hall) at Fifth and Library streets; "Pennsylvania Hospital in 1800" on Pine Street between Eighth and Ninth streets; "Swedes Church Southwark" (Gloria Dei); and "High St. Market House in 1800" above Second Street. Depicts the exterior of the library, hospital, and church, and the interior of the busy market shed., Proof copy., Retrospective conversion record: original entry, edited., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 41a/P.2276.76]

Title: Franklin's statue, Philadelphia Library
Description: Detail of the front facade of the Library Company of Philadelphia's first building at Fifth and Library Streets, depicting the marble statue of Franklin by Francesco Lazzarini commissioned by William Bingham circa 1792 to occupy a niche on the second story of the building., Thin paper buff mount., Title printed on mount., Photographer's imprint stamped on mount., Retrospective conversion record: original entry, edited., Oringinally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - libraries [(6)1322.F.20c]

Title: Franklin's statue, Philadelphia Library
Description: Detail of the front facade of the Library Company of Philadelphia's first building at Fifth and Library Streets, depicting the marble statue of Franklin by Francesco Lazzarini commissioned by William Bingham circa 1792 to occupy a niche on the second story of the building., Thin paper buff mount., Title printed on mount., Photographer's imprint stamped on mount., Retrospective conversion record: original entry, edited., Oringinally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - libraries [(6)1322.F.20c]

Title: Franklin's statue, Philadelphia Library
Description: Detail of the front facade of the Library Company of Philadelphia's first building at Fifth and Library Streets, depicting the marble statue of Franklin by Francesco Lazzarini commissioned by William Bingham circa 1792 to occupy a niche on the second story of the building., Thin paper buff mount., Title printed on mount., Photographer's imprint stamped on mount., Retrospective conversion record: original entry, edited., Oringinally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - libraries [(6)1322.F.20c]

Title: Congressional Pugilists He in a trice struck Lyon thrice
Description: Depicts a fight on the floor of Congress Hall between Vermont Representative Matthew Lyon and Connecticut Representative Roger Griswold. In the right, Griswold kicks Lyon and holds a cane up to strike him. Lyon grasps Griswold's right arm and raises a pair of fireplace tongs to hit him. Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others look on. In the background on the wall is a framed picture with two roosters whose caption reads "Royal sport." The fight was originally prompted by an insulting reference to Lyon on Griswold's part., Title from item., Date inferred from content., 19th century restrike., Weitenkampf lists three states of this print: in the first only the title appears above the image and the four lines of verse in the center below the image and "Congress Hall, in Philada. Feb. 15, 1798" etched in the lower right corner; in the second the title, and keyed references in the (plate) margins of the second appear above the image and "Congress Hall, in Philada. Feb. 15.1798" is etched in the lower right corner; the third is identical to the second state but has "17" etched in the upper right hand corner and "Congress Hall, in Philada. Feb. 15, 1798. "S.E. Cor. 6th & Chesnut St." in the lower right corner; the images remain the same in all three states., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Retrospective conversion record: original entry, edited.
Date: [1798]
Location: Library Company of Philadelphia | Print Department political cartoons - 1798-3b (second state) [2569.Q.17]

Title: An Au-Gust Convention
Description: Cartoon satirizing the National Union Convention, which met in Philadelphia in August of 1866, in an attempt to support President Andrew Johnson and his Reconstruction policies and elect a new Congress. Muzzled dogs, each representing a state, walk down a path towards a dog house labeled, “Wigwam,” which was the name of the structure in Philadelphia that was quickly erected for the convention. Outside the house, two guard dogs, representing Johnson supporters Edgar Cowen and James Rood Doolittle, each hold cats in their mouths, representing the two notorious Peace Democrats, or Copperheads, Clement Vallandigham and Fernando Wood, who were barred from the convention. At the head of the parade, the Massachusetts and South Carolina dogs march together, representing General Darius Nash Couch and Governor James Lawrence Oliver, the representatives from those states, respectively. These two men entered the Convention arm-in-arm to demonstrate the possibility for national reconciliation. The South Carolina dog, however, also has its genitals muzzled, as it was the first state to secede from the Union at the beginning of the war. In the left is a small, muzzled dog with a brush and bucket, labeled “N.Y. Times,” tied to its tail that represents Henry Raymond, co-founder of the New York Times and pro-Johnson Republican Congressman. Raymond organized the convention and was removed from his position as Chairman of the Republican National Committee because of it. In the left background, shows the White House with a Confederate flag, with “My Policy,” flying and a dead dog lying on the ground representing Johnson. Radical and moderate Republicans in Congress believed that his treatment of the Southern states under his Reconstruction plan was too lenient., Retrospective conversion record: original entry, edited.
Date: [1866]
Location: Library Company of Philadelphia | PRINT political cartoons - 1866-11 [5760.F.113]

Title: Interior of Phila; Library, Fifth and Library Streets, 1878
Description: Drawing depicting the reading room in the Library Company on Fifth and Library streets. Shows the interior of the first building for the Library constructed by William Thornton from 1789 to 1790. The building was demolished in 1887. Includes a view of the Librarian's desk (right) and visitors browsing the book shelves on the balcony and the main floor., Title from item., Retrospective conversion record: original entry, edited., LCP AR (Annual Report) 1975, p. 6-11., Forms part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
Date: 1878
Location: Library Company of Philadelphia | Print Department Evans watercolors [P.2298.151]

Title: Philadelphia Library. On the northeast corner of Fifth and Library street
Description: View showing the Library Company of Philadelphia (organized by Benjamin Franklin and his Junto in 1731) built 1789-1790 after the designs of Dr. William Thornton on the 100 block of Fifth Street. A group of young men and boys stand near the entrance of the building. Also shows a horse-drawn carriage and lamppost in the foreground., Title and photographer's imprint from Poulson inscription on mount of (3)2526.F.105 (Poulson)/8339.F.5., Date inscribed on photograph (3)2526.F.105 (Poulson)/8339.F.5., Compass directions given in manuscript on mount., One of the images originally part of a McAllister scrapbook of views of Philadelphia., One of the images originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 3, page 105. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape., Retrospective conversion record: original entry, edited., (3)2526.F.105 reaccessioned as 8339.F.5., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: February 1859
Location: Library Company of Philadelphia | Print Department photo - Richards - Libraries - L [(6)1322.F.10e; (3)2526.F.105], http://www.brynmawr.edu/iconog/rcd/8339f5.jpg

Title: [Front facade to Lubin's nickeleon movie theater]
Description: Shows the front facade to one of the motion picture theaters built for Philadelphia motion picture entrepreneur Siegmund Lubin. The exterior of the theater is heavily decorated with architectural ornaments, predominately female figures. In the center, shows the ticket booth with a sign that reads, "Lubin's 5¢." There are four sets of double doors. Above the doors in the left is a sign reading, "Entrance to Theatre. Box Office" with a finger pointing left. An African American man, attired in a cap, a white collared shirt, tie, and suit jacket and pants, holds a broom and stands in between the first two sets of doors. A second broom leans against the wall beside him. In the left is a door that reads on the glass, "Filling's Wine Room." Adjacent building in the right has two visible signs, "Der Doo" and a partial view showing "Chinese" probably a Chinese restaurant. Der Doo (1874-1929?) emigrated from China to Baltimore in 1900. He opened Chinese restaurants in Baltimore and Washington, D.C. He served as president of the Chinese Reform Association, which sought to repress the opium trade., Title supplied by cataloger., Date inferred from content., Retrospective conversion record: original entry, with corrections.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photo - unidentified - theatres [P.9260.450]

Title: Stephen Higginson Tyng Jr., 1839-1898
Description: Episcopal clergyman., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(II)P.9100.18f]

Title: Central High School house, Broad Street
Description: View looking northeast showing the second building of the Central High School for Boys (established 1838), the first public high school in the city, built 1853 at North Broad and Green streets. Also shows adjacent buildings and several large pipe sections in the street in the foreground. Building housed the school until 1900., Title from accompanying label., Retrospective conversion record: original entry, edited., Originally part of a Poulson scrapbook., Trimmed., McClees 1856-8.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: ca. 1856
Location: Library Company of Philadelphia | Print Department photo - McClees - Education [(5)2526.F.14b]

Title: [Library and Surgeons Hall, in Fifth Street Philadelphia]
Description: View on Fifth Street above Walnut Street including the halls of the Library Company of Philadelphia (built 1790) and the University of Pennsylvania School of Medicine (built 1792). Depicts patrons entering and leaving the red brick Palladian library building; men and a boy playing dice on the sidewalk; a blacksmith working in his shop; and a man leading a horse-drawn cart down the street. The Library Company, established by Benjamin Franklin and his Junto in 1731, remained at the hall designed by Dr. William Thornton until 1880; the building razed in 1887. Surgeons or Anatomical Hall served as a lecture room and chemistry laboratory for the University's medical students until 1807., Title from duplicate print., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 19., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 19a/P.2276.42]

Title: [Back of the State House, Philadelphia]
Description: View of the courtyard and rear of the State House with the mason tall case clock visible on the west wall. Several visitors utilize the grounds including a delegation of Native Americans on tour, strolling couples, women promenading, and boys playing near a grove of trees. In the background, stand the American Philosophical Hall (completed in 1789); the site of the Library Company of Philadelphia, Library Hall (completed in 1791); and guard houses. Also visible is signage for Peale's Museum, housed in American Philosophical Hall between 1794 and 1811., Print trimmed., Title from duplicate print., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 22., Retrospective conversion record: original entry, edited., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 22a/P.2276.49]

Title: Back of the State House, Philadelphia
Description: View of the courtyard and rear of the State House, with the mason tall case clock visible on the west wall. Several visitors utilize the grounds, including a delegation of Native Americans on tour, strolling couples, women promenading, and boys playing near a grove of trees. In the background, stand the American Philosophical Hall (built 1789); the site of the Library Company of Philadelphia, Library Hall (built 1791); and guard houses. Also visible is signage for Peale's Museum, housed in American Philosophical Hall between 1794 and 1811., Contains watermark: AMIES PHILA and dove with branch., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 22., Retrospective conversion record: original entry, edited., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [ Sn 22c/P.2276.50]

Title: Benjn. Randolph cabinet maker, at the golden eagle in Chesnut Street between Third and Fourth Streets, Philadelphia Makes all sorts of cabinet & chair work. Likewise carving, gildings &c. performed in the Chinese and modern tastes
Description: Advertisement with a central text area surmounted by a large eagle and surrounded by an elaborate ornamental border containing images of Chippendale-style furniture including chairs, desks, fire screens, stools, a table, a sofa, a bed and a tall case clock, and architectural fragments including the entrance gate to Randolph's "ware room," columns and cornices., Reproduced and described in Edwin Wolf, 2nd and Marie Elena Korey, eds. Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981) entry #172., LCP exhibit catalogue: Made in America #7., Reproduced and described in Fiske Kimball, "The Sources of the Philadelphia Chippendale II. Benjamin Randolph's Trade Card," Bulletin of the Pennsylvania Musuem 23 (October 1927), 4-8., Retrospective conversion record: original entry, edited., Reaccessioned P.9178.6
Creator: Smither, James, engraver
Date: [1769]
Location: Library Company of Philadelphia | Print Department Ph Pr - 11 x 14 - Advertisement - Randolph [13080.Q/P.9178.6]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: The election a medley, humbly inscribed, to Squire Lilliput Professor of Scurrillity
Description: A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note: Published for the Election of the 1st of 8th 1764 of Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021., Pierre Eugène Du Simitière (1736-1784) is probable former owner based on handwriting of inscription. See The Election Humbly Inscribed ... politcal cartoons - [1765] Ele [959.F.88].
Date: [1764]
Location: Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [959.F.74]

Title: The election a medley, humbly inscribed, to Squire Lilliput Professor of Scurrillity
Description: A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly Election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note on recto in Watson's hand: Wrote by the Revd. Isaac Hunt at or before 1764 - when Franklin was made agent to London for this "Medley" says "Franklin will be agent." [and] Property of John F. Watson., Manuscript note on verso: Purchased from John F. Watson, Esq. June 14 1860. C.P. [Charles Poulson]., LCP copy lacking fragments along center vertical fold. Backed with laid paper., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1764]
Location: Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [1885.F.32]

Title: Devotional somnium, or a collection of prayers and exhortations : uttered by Miss Rachel Baker, in the City of New York, in the winter of 1815, during her abstracted and unconscious state ; to which ... is prefixed, an account of her life ... the facts, attested by the most respectable divines, physicians, and literary gentlemen ; and the discourses, correctly noted by clerical stenographers / by several medical gentlemen
Description: Frontispiece portrait of Rachel Baker engraved by T. Gimbrede after painting by Jarvis., Signatures: A-U W⁶ X-Z⁶., Library Company copy inscribed: Abijah H. Norris Book 1828. Has bookplate of University of Rochester Edward G. Miner Library. Bound in printed paper boards. Gift of Charles Rosenberg.
Date: 1815
Location: Library Company of Philadelphia | | Rare CER18-2645 118696.O

Title: The works of the late Dr. Benjamin Franklin containing his life, with letters illustrative of his manners and character, and essays, humorous, moral, and literary, etc
Description: Cf.: Ford, p. 225, #488., Signatures: [n][superscript 2]B-2A[superscript 6]2B[superscript 4]., Retrospective conversion record: MARC Link database., HSP in LCP.
Creator: Franklin, Benjamin, 1706-1790
Date: 1819
Location: Historical Society of Pennsylvania | HSP in LCP Am 1819 Fra Af .175

Title: Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee
Description: Manuscript note with images from magazines of four women and a Chinese man pasted on the back of a Keystone Telephone Company order form. Handwritten note, presumably by a white woman, describes a trip to a women's clothing store and an encounter seeing a Chinese man. It reads, "Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee." Four fashion magazine prints depicting women attired in dresses have been cut out and pasted on each corner of the card. In the bottom center is a photomechanical print of a Chinese man, wearing a queue hairstyle and attired in a tunic, robe, a string of beads, and cloth slip-on shoes, standing with his hands at his waist and looking down. An arrow points from the word "Chinee" to the image. Robert H. Foerderer (1860-1903) founded the Keystone Telephone Company in 1900. Bell bought Keystone in 1944., Title and date from manuscript written on verso., Text printed on recto: Keystone Telephone Company, Equip. Dept., Detail Order Record. Detail order no.; File no.; Ordered; Supply order no.; Location and nature of work; [C]ompleted; Elapsed time; [?]st material; Cost labor; [T]otal cost; Acct. chgble; [?]reman; Men; Remarks., Library Company copy is torn on the left side., RVCDC
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department ephemera - forms/documents [P.2025.42]

Title: R.C. Howe, apothecary, Elm Corner, (successor to E.G. Frothingham and late of Emerson & Howe,) a full stock of medicines, fancy goods, cigars, &c., choice teas a specialty, the original 35 c. tea, Haverhill, Mass
Description: Trade card promoting druggist Richard Cranch Howe and depicting a caricature of an Asian woman carrying a parasol walking down a path. Shows an Asian woman, attired in a patterned dress and hat or headdress, holding a flower in her left hand and a parasol in her right hand. She walks down a path and looks at a planter full of flowers that hangs from an arch attached to a decorative column., Title from item., Date finferred from active dates of the pharmacist., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Howe [P.9828.6160]

Title: Danl. S. Dodge, druggist and apothecary, and dealer in toilet articles, perfumery, &c., 2 Remsen St., one door north of post office, Cohoes, N.Y. Physician’s prescriptions a specialty
Description: Trade card promoting druggist Daniel S. Dodge and depicting a caricature of an Asian woman carrying a parasol walking down a path. Shows an Asian woman, attired in a patterned dress and hat or headdress, holding a flower in her left hand and a parasol in her right hand. She walks down a path and looks at a planter full of flowers that hangs from an arch attached to a decorative column., Title from item., Date finferred from active dates of the pharmacist., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Howe [P.9828.5782]

Title: [Portrait depicting an unidentified African American Oddfellow attired in his Grand United Order of Oddfellows (GUOOF) regalia]
Description: aThree-quarter length studio portrait of an African American man attired in his GUOOF regalia, standing, looking forward, and holding his left hand on the top of the back of a chair. He also wears a goatee. His regalia includes a collar containing emblems depicting stars, vinery, and "PNF" (Past Noble Father) and an apron containing imagery composed of female allegorical figures flanking a crest. The collar also includes fringe and tassles. Parts of the collar and apron are tinted gold in image. Man also wears a collarless shirt, jacket, and a ring (tinted gold on image) on his left hand. In 1819, a branch of Oddfellowship, a mutual aid society with the motto "Friendship, Love, and Truth", was introduced into the United States from Europe by Thomas Wildey. In 1843, it became a separate organization under the name Independent Order of Odd Fellows. The same year, Peter Ogden founded the Philomathean Lodge No. 646, Grand United Order of Oddfellows with Black members. By the mid 1860s, the Grand United Order of Odd Fellows (GUOOF), American Jurisdiction included over 60 active lodges and in 1872 dispensation was granted for a Lodge in Memphis, Tennessee. Oddfellows' vows included not only moral and social outreach, but also ones to remain sober, honest, industrious and benevolent, a good husband, a kind father, and a loyal and virtuous citizen. By 1900, the GUOOF in America was the second largest African-American fraternal organization with over 200,000 members and over 2,000 lodges and a headquarters in Philadelphia. Its membership consisted mainly of lawyers, doctors, military officers, ministers, and other professionals., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and the dispensation date of the first Grand United Order of OddfFellows lodge in Memphis, Tennessee., Purchased partially with funds from the Davida Tenenbaum Deutsch African American History Fund and for the Visual Culture Program., RVCDC, Joseph Columbus Pinner (1837-1895), born in Stewart County, Tennessee and trained as a doctor, entered the photography profession about 1865. In 1867, he located to Dyersburg, Tennessee where he continued as a professional photographer. By the late 1880s, he had served as a town alderman, mayor, and magistrate as well as was a member of the Independent Order of Odd Fellows.
Creator: Pinner, Joseph Columbus, II, 1837-1895, photographer
Date: 1872
Location: Library Company of Philadelphia | Print Department tintypes - photographer - Pinner [P.2025.43]

Title: The tables turned You sabe him! Kealney must go!
Description: Political cartoon depicting racist caricatures of Chinese workers heckling Workingmen's Party of California leader Denis Kearney, who is in prison. In the right, shows Kearney, attired in a black-and-white-striped prison uniform with a ball and chain on his ankle, standing and grasping the bars of his cell, which is labeled, “House of Correction, 181.” In the left, a group of Chinese men workers, wearing queue hairstyles and attired in caps and hats, tunics, pants, and cloth slip-on shoes, sit and stand amongst baskets, including two filled with fish. They hold out to Kearney products associated with their employment, including a laundry worker carrying a washboard and offering socks with holes; a fishmonger holding crabs and a fish labeled, “Black Friday,” on a stick; and a man with a cigar in his mouth holding out a bundle of cigars. They mock him in pidgin English, “you sabe him? Kealney must go!” in reference to Kearney’s slogan that he ended every speech with: “The Chinese must go.” In the top left pinned to the wall is a depiction of a donkey and a cart, possibly alluding to Kearney’s draying business. Denis Kearney (1847-1907) was an Irish immigrant who lead the Workingmen’s Party of California on a platform of anti-Chinese hate, blaming the Chinese immigrants for low wages and job scarcity. He was imprisoned in 1877 for inciting a riot., Title from item., Date inferred from content., Text printed on recto: Copyright secured., RVCDC
Date: [ [ca. 1877]
Location: Library Company of Philadelphia | Print Department political cartoons - 1877 - Tables [P.2025.44]

Title: [Full-length portrait of Tozo Ohno]
Description: Full-length, forward facing portrait of Tozo Ohno sitting in a rocking chair on a covered porch at Hill School, Pottstown, Pa. Shows Ohno wearing his hair parted to the left and attired in a white collared shirt, waistcoat with pocketwatch chain, suit jacket and pants, and lace-up boots. He sits in the rocking chair with his legs crossed and his hands on his lap as he looks directly at the viewer. The porch floor and covering are composed of wooden planks. Partial view of trees in the background. Tozo Ohno (1869-1896) converted to Christianity and was disowned by his father. He traveled to the United States where he worked as a farm laborer, domestic employee, teacher, and missionary. He spent three years at Toronto University. In circa 1893, he arrived at Hill School in Pottstown, Pa. where the principal, John Meigs, invited him to stay. Ohno lived at the school and became the minister of Bethany Chapel. He died of tuberculosis in October, 1896 in Pottstown., Title supplied by the cataloger., Date inferred from content and life dates of the sitter., Manuscript notes written on verso: In pen, "Tozou Ono about 1910." In pencil, "These pictures once belonged to my father so I don't know how old they are, I only remember some stories told about him. Valet to Prof. John Meigs."
Date: [ca. 1895]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Ohno [P.2025.51]

Title: [Street decorations for Liberty Loan during the World War, Phila., Pa.]
Description: Photograph depicting buildings decorated and the Statue of Victory in front of City Hall, Philadelphia to promote the Victory Liberty loan. In front of City Hall is the Statue of Victory, which was unveiled on April 21, 1919 at the start of the Victory Loan drive. Drapes of fabric decorate City Hall. American flags and several flags from allies, including Great Britain and Japan, decorate the buildings on Broad Street, including the Girard Trust Corn Exchange Bank built in 1905 to 1907 after the designs of Furness, Evans & Co. with detailing by McKim, Mead and White. Pedestrians crowd the sidewalks and street. A bicylist stands in the left. Automobiles and a horse-drawn wagon travel down the street. Several artillery guns are along the the street. The United States Treasury in conjunction with the Federal Reserve issued Liberty Loans, also known as Liberty Bonds, to finance the cost of America’s participation in the war. Four Liberty Loans were issued on April 24, 1917, October 1, 1917, April 5, 1918, and September 28, 1918 raising a total of 17 billion dollars. A fifth bond called the Victory Liberty Loan was issued on April 21, 1919., Title from manuscript note written on verso., Date inferred from content., See related: photos - unidentified - events - World War I - [P.7066.Q.29]
Date: [ca. 1919]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events - World War I [7066.Q.28]

Title: [Street decorations in front of City Hall during Victory Loan, World War]
Description: Photograph depicting buildings decorated and the Statue of Victory in front of City Hall, Philadelphia to promote the Victory Liberty loan. In front of City Hall is the Statue of Victory, which was unveiled on April 21, 1919 at the start of the Victory Loan drive. Drapes of fabric decorate City Hall. On the street in front of the Victory Statue is a design of a large V and smaller v's flanking the sides. American flags and several flags from allies, including Great Britain and Japan, decorate the buildings on Broad Street, including the Girard Trust Corn Exchange Bank built in 1905 to 1907 after the designs of Furness, Evans & Co. with detailing by McKim, Mead and White. Pedestrians crowd the sidewalks. The United States Treasury in conjunction with the Federal Reserve issued Liberty Loans, also known as Liberty Bonds, to finance the cost of America’s participation in the war. Four Liberty Loans were issued on April 24, 1917, October 1, 1917, April 5, 1918, and September 28, 1918 raising a total of 17 billion dollars. A fifth bond called the Victory Liberty Loan was issued on April 21, 1919., Title from manuscript note written on verso., Date inferred from content., See related: photos - unidentified - events - World War I - [P.7066.Q.28]
Date: [ca. 1919]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events - World War I [7066.Q.29]

Title: [Return of 28th Division parade in Philadelphia, welcome home, passing Independence Hall May 15, 1919]
Description: Photograph depicting soldiers of the 28th Division of the Army marching past Independence Hall at 520 Chestnut Street, Philadelphia at the homecoming parade on May 15, 1919. Shows the soldiers carrying rifles and marching in formation down the street. In the right, spectators sit in bleachers and watch the parade. A banner on the post of the bleachers reads, "Boureuilles." American and Allied flags, including a Japanese flag, decorate the buildings. Police officers stand flanking the parade route. A photographer takes photographs standing on a stone urn on the sidewalk in the left. The 28th Infantry Division represents the Pennsylvania National Guard and was also called the "Iron Division" and “Keystone Division.” The Division served in World War I, including at the Battle of Chateau-Thierry., Title and date from manuscript note written on verso., See related: photo - unidentified - events - World War I [7066.Q.44-51].
Date: May 15, 1919
Location: Library Company of Philadelphia | Print Department photo - unidentified - events - World War I [7066.Q.45]

Title: [General John Joseph Pershing greeting women representing Allied Nations at Independence Hall]
Description: Photograph depicting General John J. Pershing greeting women dressed as Allied nations at Independence Hall during the General's visit to Philadelphia on September 12, 1919. Shows Pershing, attired in uniform, smiling with his left hand out as he greets the women representing the Allied nations standing in the left. The women each hold large national flags on flagpoles. A woman, dressed as Britannia in a helmet and Union Jack dress, smiles at the General. In the left, partially obscured by a flag, is a woman attired in a floral print kimono representing Japan, who holds a Japanese flag. Mayor Thomas Smith walks behind the General holding his top hat in his right hand. Police officers stand in front of a crowd of spectators. General John Joseph Pershing (1860-1948) served as the commander of the American Expeditionary Forces (AEF) during World War One from 1917 to 1920. His visit to Philadelphia on September 12, 1919, included a parade, receiving a medal, planting a memorial tree, presenting colors to cadets at Wanamaker's store, visiting Independence Hall, and a speech at the Union League. Thomas B. Smith was the Mayor of Philadelphia from 1916 until 1920., Title supplied by cataloger., Date from manuscript note written on verso., See related: photo - unidentified - events - World War I [7066.Q.52-61].
Date: September 12, 1919
Location: Library Company of Philadelphia | Print Department photo - unidentified - events - World War I [7066.Q.53]

Title: Purgen, Japan’s superiority over other oriental countries is indicated by the enlightenment of its medical profession, which prescribes in habitual constipation the pleasant and certain hydragogue laxative Purgen
Description: Advertisement for Lehn & Fink's patent medicine and depicting a group of Japanese men and women. In the left, shows the man, attired in a wicker Kasa hat, black-striped kimono with a red obi, and geta shoes, playing the samisen as he looks down at two small dogs. A woman, attired in a white hat and red and purple kimono, walks behind him. Next is the woman attired in a gray kimono. Two young men control the strings to a puppet at her feet. In the right, the Japanese man, wearing a chonmage hairstyle and with a sword at his waist, walks carrying a bundle and staff. In the left is the building decorated with red paper lanterns and with a counter holding a plate of food, possibly rice balls. A tree branch of red flowers arches across the top. Five black boxes for stamps are in the top of the print. Library Company copy has four Imperial Japanese Post stamps. Louis Lehn (1838-1915) and Frederick W. Fink (1846-1925) founded Lehn & Fink in New York in 1874., Title from item., Date inferred from active dates of the advertised business., Gift of William H. Helfand., See related: Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.72]; Helfand Graphic Popular Medicine Print Collection - Advertisements [P.2012.29.58].
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.71]

Title: Purgen, Japan’s superiority over other oriental countries is indicated by the enlightenment of its medical profession, which prescribes in habitual constipation the pleasant and certain hydragogue laxative Purgen
Description: Advertisement for Lehn & Fink's patent medicine and depicting a group of Japanese men, women, and boys. In the left, shows the man, attired in a blue-striped kimono and sandals, holding a wooden tray and blowing colorful bubbles that float up. A young boy runs and looks up at the bubbles. A woman, attired in a white hat, purple patterned kimono with a red obi, and sandals, walks with a boy who carries a branch of cherry blossoms. Next two women, attired in white hats and a gray kimono with a black obi and a purple kimono with a red obi, walk and talk together. In the right, the Japanese man, wearing a chonmage hairstyle and attired in a gray kimono and sandals, walks carrying a red bundle and a branch of cherry blossoms. A cherry tree, with a red-and-white striped banner tied to it, has a flowering branch that extends across the top of the print. Library Company copy has five Imperial Japanese Post stamps. Louis Lehn (1838-1915) and Frederick W. Fink (1846-1925) founded Lehn & Fink in New York in 1874., Title from item., Date inferred from active dates of the advertised business., Gift of William H. Helfand., See related: Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.71]; Helfand Graphic Popular Medicine Print Collection - Advertisements [P.2012.29.58].
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.72]

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