Collection of ephemera primarily from the pharmaceutical and medical trades. Contains stationery, receipts, fliers, form letters, trade cards, business cards, calendars, and circulars, ca. 1800-ca. 1940.
Incomplete card game containing 68 illustrated cards. Cards depict the bust-length portraits of Thomas Bailey Aldrich; William Cullen Bryant; Robert Burns; Samuel L. Clemens, "Mark Twain"; J. Fenimore Cooper; Ralph Waldo Emerson; James T. Fields; F. Bret Harte; Oliver Wendell Holmes; William Dean Howells; Henry W. Longfellow; James Russell Lowell; Samuel Rogers; Bayard Taylor; Alfred Tennyson; Charles Dudley Warner; Richard Grant White; and John G. Whittier. Some portraits are in profile. Versos of cards contain an allegorical image composed of a stack of books, scrolls and leaves of paper, a laurel wreath, and a quill pen. Includes small number of incomplete sets for J. Fenimore Cooper, Henry W. Longfellow; James Russell Lowell, and Richard Grant White. Lowell set includes a cut-out of the portrait from an original card.
Collection of 38 views of properties owned by Jackson-Cross Company, a commercial real estate firm founded by Joseph T. Jackson in 1876. The company merged with the Cross Company in 1936 and became Jackson-Cross Company. The firm operated until 1998 when Insignia Financial Group acquired it. The collection depicts a number of sites throughout Philadelphia during the 1940s, including office buildings, industrial sites, hospitals, banks, and stores and shops.
Part of a series of progress photographs by Philadelphia commercial photographer William Nicholson Jennings (1860-1946) commissioned by the builders Irwin & Leighton to document the construction of the Fidelity-Philadelphia Trust Company building, March 1927-early 1928. Images show the clearing of the site, laying of the foundations, the erection of steel framing, the progress of exterior masonry work and the completed building. Also contains interior views of the framing between floors and details of the ornamental doorway.
Collection of 250 portrait photographs on postcard stock depicting residents of South Philadelphia and Kensington by amateur photographer John Frank Keith (1883-1947), ca. 1910-ca. 1940. Keith documented hundreds of, typically unidentified, working-class Philadelphians, individually, and as groups standing on sidewalks, in front of streetscape, and sitting on stoops. The majority of photographs date to the 1920s and show men, women, and children.
Personal scrapbook, including clippings, programs, ribbons, photographs and other ephemera related to bicycle clubs compiled by the prominent long-distance bicyclist and Philadelphia executive, 1884.
Collection of stereographs issued circa 1855-circa 1862 by pioneer Philadelphia photographers William and Frederick Langenheim , the first publishers of stereoviews in the United States in 1854. Photographs show business interiors, panoramic views of the city, Fairmount Park, including Laurel Hill Cemetery, and scenes along the Delaware Riverfront. Businesses depicted include jewelers Bailey & Co., hatter Charles Oakford, and opticians McAllister and Brother.
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856).
A collection of PDF finding aids from the Library Company of Philadelphia.
http://dla.library.upenn.edu/dla/pacscl/search.html?fq=top_repository_facet%3ALibrary%20Company%20of%20Philadelphia
Menus and ephemera related to Philadelphia restaurants, including announcements and invitations, mid-19th century. The collection was started with menus from the John A. McAllister collection and additional menus have accrued over the years. Most significantly, in 1984, Charles E. Rosenberg donated eleven menus from the anniversary dinners of the Shakespeare Society, dating from 1855 to 1874. The collection is open to new additions.
Ephemera related to Philadelphia area institutions including announcements, trade cards, programs, receipts, tickets, religious tracts, circulars, ballots, certificates, and newspaper clippings.
Two scrapbooks compiled by the Library Company of Philadelphia. The earlier contains the correspondence of the Librarian and photographs of the Library Company's first building (Fifth & Library streets), 1818-ca. 1934. The later contains newspaper clippings, photographs, magazine articles, documents referring to membership, exhibitions, items on loan to other institutions, fund raising, etc., ca. 1865-ca. 1971.
The Library Company Papers Project is a three-year, NEH-funded project to review, process, and digitize institutional records from the institution’s founding in 1731 through 1881.
Collection of primarily racist social caricatures lampooning the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Eliciting the heightened racism in the antebellum North, the African American men, women, and children characters are depicted with exaggerated features, wearing boldly-patterned and colored clothes, and speaking in a vernacular to be portrayed and denigrated as illegitimate elite society. Caricatures address courtship, consumerism, society balls, fashion, freemasonry, and the election of Andrew Jackson. Some caricatures also represent the sexism of the era.
Originally published in Philadelphia as a set of fourteen prints; the first eleven were issued in 1828 and 1829 by William Simpson, a proprietor of a "fancy store." Sarah Hart and Son, stationers, published plates 12 and 13 in 1829. The last plate was issued by Sarah Hart alone in 1830. Probably in 1830 Sarah Hart reprinted the entire series. Additional African American caricatures by Clay, "Sketches of Character. At Home. Abroad," "The Dead Cut," "Back to Back," and "Philadelphia Fashions" published between 1829 and 1837 have generally been accepted and are identified as a part of the series., LCP holds entire series. Ten of the fourteen are first editions and four are reprints.
LCP AR [Annual Report] 1967 p. 51-53; 1968 p. 18-20.
Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 85-100.
Nancy R. Davison, ‘E.W Clay’s Life in Philadelphia: A Moment in Time,’ Imprint: Journal of the American Historical Print Collector’s Society (Autumn 2018), p. 2-29.
Jean Fagen Yellin and John Van Horne, eds. The Abolitionist Sisterhood (Ithaca: Cornell University Press in cooperation with the Library Company of Philadelphia, 1994), p. 218-222.
Jasmine Cobb, Picture freedom: Remaking Black visuality in the 19th century (New York: New York University Press, 2015), p. 148-220.
Bulk of collection was accessioned in 1999. One print (5656.F.39) accessioned in 1893. Several of the prints were acquired and/or accessioned between 1968 and 1971.
Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
The McAllister & Brother firm descended from the Scottish émigré´ John McAllister Sr. (1786-1866) who operated a store in Philadelphia from the late eighteenth throughout the nineteenth century. The business, originally a cane and whip manufactory, evolved over the years to become a spectacle shop and later the premier opticians’ shop of the city. The shop sold lenses, cameras, and stereoviewers and served a major role in the development and the promotion of early photography.
The McAllister & Brother Stereograph Collection comprises some of the oldest photographic views of Philadelphia church exteriors and interiors. Issued circa 1860-circa 1863, the photographs provide images of such prominent religious structures as Christ Church, St. Peter’s Church, Gloria Dei, and St. Mark’s Church.
The McAllister Graphics Collection of prints, ephemera, and scrapbooks reflect the collecting efforts of Philadelphia antiquarian John A. McAllister (1822-1896) during the Civil War. The Civil War graphics include prints and photographs of camps, forts and battlefields; political cartoons; portraiture; certificates; architectural and engineering plans; textiles and ephemera. A large segment of the prints are lithographic views of camps and battle scenes, with over 100 printed by the Philadelphia printer L.N. Rosenthal and New York firm Currier & Ives as well as a small number printed on textiles by Boston Chemical Printing Company. Also significant is the Civil War ephemera, which includes envelopes, stationery, and paper novelties such as toy soldiers. The Civil War Envelope and Stationery collections contain over 7,000 items illustrated with patriotic designs and slogans. Several envelopes by prolific publishers King & Baird and Charles Magnus are included in this collection. A smaller ephemera collection is the Civil War paper soldiers. The paper toys, a small number published by McLoughlin Bros. and G. Heerbrandt, depict soldiers from over a dozen different New York regiments. Three scrapbooks of Civil War envelopes and portrait prints and photographs of prominent military and political figures also comprise collection.
James McClees (1821-1887), a pioneer Philadelphia photographer, produced a significant number of the oldest paper photographs held in the graphics collection. The views, dated 1853-1859, depict prominent residential, public, and commercial buildings that document the changing architectural landscape of the city of Philadelphia. A large number of the images show churches and educational institutions, including Seventh Presbyterian Church, Dr. Chamber’s Independent Church, the Fourth Baptist Church, Central High School, Jefferson Medical College, and the Spring Garden Institute. In addition, views of the Old London Coffee House, the Graff house, the State House, and Chestnut Street Theatre record the historic city that was becoming overshadowed by newer construction such as the Farmers and Mechanics Bank, Spring Garden Institute, and the West Philadelphia Water Works. McClees also photographed prominent residences; bridges over the Schuylkill; the aftermath of the 1856 fire at Sixth and Market streets; businesses and industries, including his daguerreotype studio; cemeteries, theaters; hotels; the Fairmount Water Works; and the Academy of Natural Sciences. A series of panoramic views of the city from the State House steeple forms the collection as well.
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets.
Collection of over 2500 glass and film negatives, photographic prints, and lantern slides taken by amateur Philadelphia photographer Marriott C. Morris (1863-1948). A member of a prominent Quaker family descended from Philadelphia merchant Anthony Morris, Morris was also a philanthropist, executor and trustee of estates, and founder of the Germantown Boys’ Club. Images include formal and candid portraits of the extended Morris family and friends, views from family travels to Bermuda, the Poconos, and the family summer homes "Avocado" and “Cedar Mer” in Sea Girt, New Jersey. The collection also features numerous photographs of Germantown, including several depicting the exterior and interior of the family residence the Deshler-Morris House (5442 Germantown Ave) and Boys’ Parlor building and excursions.
Other images depict Philadelphia and the nearby area, including Haverford College, Pelham (Philadelphia, Pa.), Cedar Grove (Montgomery County, Pa.), Delaware Water Gap, and Olney, Pa.; Haddonfield, N.J., Wilmington, De.; Catskills; the coast of Maine; Lake Hopatcong, N.J.; the Natural Bridge, Va.; Baltimore, Md.; West Point, N.Y.; the Chicago World’s Fair of 1893; views of railroad excursions, including the Catawissa Railroad and Shenandoah Valley Railroad; and Pennsylvania and New Jersey Friends’ meeting houses. Also contains a small number of negatives photographed by the photographer’s mother Martha Canby Morris, and his brother Samuel Canby Morris.
Albums of predominantly nature prints of leaves produced by inking both sides of the specimen, placing it between a folded sheet of paper, and pulling the sheet through a printing press. Sheets contain one to several specimens (a few numbered) and several are annotated with the date of printing, inscriptions, and identifications of specimens. Some sheets contain manuscript notes about the provenance of and how the specimens were dried or inked, the condition of the leaves, their medicinal uses, and descriptions of the plants from which they came. Inscriptions of note include "Engraven by the Greatest and Best engraver in the Universe"(v. 1, p. 2); "... leaves dried and press'd in my Heap of News-Papers for 7 or 8 years" (v. 1, p. 43); "Done July 18th 1742, when I impress'd 6 or 8 sheets more for my Frd's Kent, Bard, Pratt, Browne, Shoemaker, &" (v. 1, p. 74); "These were done in my new Press which Joseph Watkins made & now brought Home 2nd of May 1734" (v. 1, p. 94); "Done July 1st 1744 with L' & Vel't B'll"(v. 1, p. 95) and "From Jno. Bartram 18th Augst. 1734. The most excellent remedy for the bite of a Rattlesnake - Sysimachia Quadrafolia - 1st 7br 1734 - "An Indian specific for fevers and aguas [sic] and a substitute for tea [I think Green]" - "From Peter Sonmans (who brought it from Albany). Done 31st Augst. 1734. A famous Snake weed" - "Mem the other Side I sent to Peter Collinson, June 1735" (v.2, p. 58).
Collection of photographs by Odiorne of commercial streets in center city Philadelphia east of 10th Street. Primarily documents Chestnut Street between 6th and 10th Streets, including views from Odiorne’s photographic studio at 920 Chestnut Street showing a variety of retail businesses and several large hotels. Hotels depicted include Continental Hotel, Girard House, and Washington House. Also contains views of the area near Dock Street and the Delaware River waterfront showing boarding houses, hotels, liquor stores, and oyster saloons; 5th Street near Arch Street, including images of Garrigues & Magee Manufacturing Chemists, suppliers of photographic chemicals and William Wilson & Son, manufacturers of silver ware; residences near 4th and Pine Streets; and Franklin Square. Also includes images of the Market Street market sheds, and a police station. Several of the views are snow scenes.
Philadelphia photographer Henry B. Odiorne (1805-1860) worked out of Isaac Rehn’s Gallery at 920 Chestnut Street 1859-1860.
Viewbook containing a folded leave of six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "The House in which Gen'l Agnew Died Germantown" showing an exterior view of Grumblethorpe, the house built in 1744 in which British General James Agnew died in 1777; "Swedes Church. Front View" showing the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 at 929 South Water Street; "Old Log Cabin, Richmond & Vienna Sts." showing an 18th-century style dwelling in Fishtown; "The Old Market House, Callowhill & New Market Sts." showing one of the four old market houses, known as Norwich Market, established in 1783 on the 100 block of Callowhill Street; Robert Morris Hotel Phila. Park showing the four-story hotel opposite the race bridge of the Fairmount Water Works that was razed in 1868; and "Ancient Building, First Fish House, Arch St. bel. 4th Sts." showing the 18th-century attached, brick buildings in Loxley Court that purportedly housed fishing implements for the Penn family. Images include grave stones; broadsides; signage; neighborhood dwellers; and partial views of horse-drawn carriages.
Viewbook containing six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "Independence Hall" showing the front facade of the building built 1732-1748, including the front courtyard with the Joseph A. Baily statue of George Washington; "Whitby Hall" showing the country dwelling built in 1754 on land in Kingsessing acquired by Philadelphia merchant James Coultas in 1741;" "Friends Alms House, Walnut Bel. Fourth" showing the benevolent institution erected in 1729 and razed in 1841; "Acadamy [sic] of Fine Arts, Chestnut St. Bet. 10th & 11th Sts. Phila." showing the arched entry way to the building erected in 1806 and shortly before it was "torn down in 1870, to make way for Fox's American Theatre; "Rittenhouse Mansion, Arch & Seventh Sts." showing the former residence of astronomer David Rittenhouse built 1786-1787 by master builder Joseph Ogilby; and "St. Peters Church, Fourth & Pine" showing the Episcopal church built 1758-1761 "in the midst of a graveyard." Images also include residents; street lamps; signage; partial views of storefront awnings; and trees and greenery.
Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog.
Photograph album compiled by James B. Nicholson containing predominantly portrait photographs of prominent local and national members of the Independent Order of Odd Fellows and their families, including men, women, and children. Photographs depict full-length, bust-length, and vignette portraits; group portraiture; and collages. Several male sitters wear the regalia of the Odd Fellows and most sitters are fashionably attired. Group portraiture depicts employees of Pawson and Nicholson in front of the bookbinding shop (139 S. Seventh), and rosters and meetings and excursions of members of the fraternal organization (1870s-1880s), including Warrior Lodge, no. 873. Collages include portraits of the Rulafson family of San Francisco and examples of work from the respected photographic firm Bradley & Rulafson. Also includes images of the photography department and sculpture at the Centennial Exhibition (1876); photographic reproductions of a Sir Walter Scott manuscript donated to the Sanitary Fair (1864), and an Odd Fellow membership certificate and medal; and a John Sartain engraved portrait of "E. Grand Captain General of Pennsylvania" Varhan Smith.
Collection of photographs, including a series created by Philadelphia professional photographer, William Rau, along with architectural drawings, photomechanical prints, sketches, lithographs and etchings, depicting the Capitol during its construction from 1901 to 1906.
The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.
Each catalog record contains the name of the holding institution of the item(s) described and is the repository who should be contacted to obtain reproductions of prints not held in the collections at the Library Company of Philadelphia.
Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874.
Souvenir viewbook containing 12 prints connected by accordion folds and depicting Centennial Exhibition buildings. Titles include U.S. Government Building; Delaware Building; Connecticut Building; Indiana Building; Ohio Building; Pennsylvania Building; New Jersey Building; Arkansas Building; Colorado and Kansas Building; Spanish Building; English Commission Building; and Japanese Dwelling. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art.
Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns.
Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences.
Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [P.9304]
Bound volume of portrait plates issued between circa 1804 and 1831 from various publications, including "Mechanics Magazine"; "New British Lady's Magazine"; and the compilation "Boxiana or Sketches of Antient [sic] and Modern Pugilism" (London: George Virtue, 1829). Portraits depict prominent and celebrity European figures, predominantly from Great Britain, including clergymen, legislators, entertainers, scientists and inventors, royalty and pugilists. Plates include full-length, half-length, and bust-length portraiture, with some containing backgrounds, props, or ornate borders. Portraits of religious figures predominantly published by London publishers F. Westley and Westley & Davis and arranged in alphabetical order by sitter's name. Portraits of legislators, celebrity and other prominent figures predominantly published by London publishers Fisher Son & Co. and J. Robins & Co. and arranged in alphabetical order by sitter's name. Portraits of pugilists predominantly published by G. Smeeten and Sherwood, Jones & Co. and most arranged in alphabetical order by sitter's name. Volume also includes a title page and views titled "The John Bull Fighters Splendid Silver Cup" and "A Sparring Match at the Fives Court" from the Pierce Egan's "Boxiana" series originally published in parts in 1813 and later as volumes between 1818 and 1828., Sitters include reverends George Burder (Senior Secretary of the London Missionary Society), William Milne (Late Missionary to the Chinese), David Stuart (Theological Tutor of the Irish Evangelical), and Robert Vaughan; physician Carl Linnaeus; inventor Sir Richard Arkwright; Queen Caroline; statesman John Wilson Croker; authors Madame De Genlis, Madame De Stael, and Hannah More; (Victoria Mary Louisa) Duchess of Kent; George I, II, III, and IV; performers Josephine Girardelli and Anna Maria Tree; architect Peter Nicholson; Whig politician Thomas Spring Rice; and chemist William Hyde Wollaston. Sitters also include pugilists Peter Crawley; Dick Curtis; Josh Hudson; Tom Owen; Ned Painter; Dutch Sam (i.e., Samuel Elias); Ned Turner; and expatriate, African American pugilists Bill Richmond and Tom Molyneux (portraits on the same page)., Portraits of Bill Richmond and Tom Molyneux show the men in bust-length. Richmond looks slight to the right. He has curly hair and is attired in a patterned shirt with a ruffled collar and a jacket. Molyneux is shown in right profile. He has curly hair and is attired in a shirt with a ruffled collar and a jacket., Title from stamp on spine., Inscribed on front free end paper: R. B. bind as arranged., Pages numbered in ink in upper left corner., Inscribed on verso of portrait of ‘His Most Gracious Majesty, George Augustus-Frederick The Fourth” (p. 110): On Celebrated Englishmen, Various artists and engravers, including George Cruikshank; Isaac Robert Cruikshank; Fenner, Sears & Co.; W. T. Fry; W. Hollins; Thomas Lawrence; R. Page; W. T. Page; George Parker; Sherwood, Jones & Co.; J. R. Wildman; and J. W. Wright., Publishers include Knight & Lacey; George Smeeton; F. Westley; Westley & Davis; T. Williams; and Williams & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Accessioned 1882., Description revised 2021., Access points revised 2021.
Date
[ca. 1804-ca. 1831]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 51278.O]
The Library Company's ongoing Portraits of American Women project identifies portraits that appeared in books and periodicals before 1861 and makes them accessible online. In antebellum America, before the development of photomechanical image reproduction, such portraits represented a significant investment of time and money.
Scrapbook of dated textual and illustrated newspaper clippings describing the history, society, built environment, and political climate of Philadelphia, ca. 1830-ca. 1860.
