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Title: A mark of friendship's pleasing power
Description: Album page with embossed border and containing a drawing depicting a bunch of flowers above a four-line sentimental poem about friendship and rememberance. Flowers include a rose. Other flowers are depicted in the colors of orange, red, and violet. Image also includes a stem and leaves., Title from manuscript verse., Probably by civil rights activist and educator Ada Howell Hinton who founded a school in 1849. Hinton was daughter of Philadelphia African American elite community member, barber, perfumer, and abolitionist Frederick Augustus Hinton., Contains four lines of verse: A mark of friendship pleasing power,/In this small trifle see/And sometimes in a lonely hour,/View it and think of me., RVCDC, Description revised 2022.
Date: ca. 1840
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.73]

Title: [Landscape view showing a residence in a rustic setting]
Description: Album page containing a rustic view. Shows a white man on horseback conversing with a white man standing near a stone house. The house is comprise of mutiple sections, each at different heights. View also includes trees, including one with several missing branches, a fence, and shrubery., Title supplied by cataloguer., Date from item., Possibly by Amy Matilda Cassey., Former supplied title: Residential New York Street., RVCDC, Description revised 2022., Access points revised 2022.
Date: November, 1838
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.49]

Title: [Rose with open scroll]
Description: Album page containing an incomplete drawing of a spray of red rose and three rose buds behind a blank open scroll. The stems of the flowers are depicted with thorns. Image possibly corresponds to an 1849 entry written by African Methodist Episcopal Bishop Daniel Alexander Payne (1811-1893) about the death of his wife and daughter that began, “Just by the side of this Rose, there grew a Rose-bud perfectly formed and softly tinged with the brightest carmine ….” (verso of p.64-66)., Title supplied by cataloguer., Date estimated from span of dates of dated entries within album., Possibly by Amy Matilda Cassey., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.62]

Title: [Floral watercolor]
Description: Album page containing a drawing of a rose bud. The rose bud is depicted on a stem with a number of leaves and thorns., Probably by educator and anti-slavery activist Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist, and prominent member of the Philadelphia African American elite community., RVCDC, Description revised in 2022., Access points revised in 2022.
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.69]

Title: "Forget me not!"
Description: Album page containing a drawing of a stem of blue forget-me-nots above a poem about remembrance. Shows the stem with mutiple flowers and leaves., Title from manuscript verse., Date from item., Probably by Margaretta or Mary Forten, civil rights activists and members of the multiracial Pennsylvania Female Anti-Slavery Society. The women were the daughters of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten, Contains lines of verse: Forget me not”!—how sweet the token,/ When early hours have faded long,/ And hopes as well as hearts are broken,/ To know they still exist in song!/ Thus, may the exile fondly dream of/ Many a dear and transie[n]t ray/ And watchful memory catch a gleam/ Each colouring of a by-gone day. What tho the wave with ceaseless motion/ Protracts the union of o’er lot:—/ Our Hope’s the rock, which stems Time’s ocean,/ Our Love’s the flower, “Forget Me Not.” Excerpt adapted from poem by William G. Simms Jr., “The ‘Forget Me Not,’” in Early Lays (Charleston, South Carolina: A. E. Miller, 1827)., Manuscript of "Philadelphia" outlined with dots., Manuscript numbers for year "1834" formed with dots., RVCDC, Description revised 2022., Access points revised 2022.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.14]

Title: [Vase of flowers]
Description: Album page containing a drawing of a white, urn-shaped vase of flowers. A variety of flowers are depicted including a pink rose and white lilies. Leaves also comprise the depicted floral display., Title supplied by cataloguer., Possibly by Amy Matilda Cassey., Date estimated from span of dates of dated entries within album., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.21]

Title: [Lily watercolor and poem]
Description: Album page containing an unattributed drawing of a purple lily above a four-line poem about friendship. Lily is depicted with green leaves., Title supplied by cataloguer., Date from item., Includes four-line poem: "The crown imperial, lillies of all kinds,/The Flower-de-luce being one. Of these I lack/To make you garlands of, and my sweet friend/To strew thee o'er and o'er., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1839
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.26]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

Title: Vankirk & Co. Philadelphia
Description: Series of trade catalog illustrations showing different styles of chandelier lamps produced by the chandelier works in Frankford. Includes views of three-, four-, and six-light chandliers with globe-, bell-, and fluted-shaped glass shades, Style numbers include no. 362, no. 363, no. 404, no. 457 and no. 661 (including "for Coal Oil"). Prints also includes the spread (from 19 to 36 in.) of the light fixtures., Three of the four prints contain plate numbers in upper right corner: Plate 59, 62, and 63., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Boell relocated his establishment to 312 & 314 Walnut Street in 1868.
Creator: Boell, William
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.229-230]

Title: [Nature prints of leaves]
Description: Albums of predominantly nature prints of leaves produced by inking both sides of the specimen, placing it between a folded sheet of paper, and pulling the sheet through a printing press. Sheets contain one to several specimens (a few numbered) and several are annotated with the date of printing, inscriptions, and identifications of specimens. Some sheets contain manuscript notes about the provenance of and how the specimens were dried or inked, the condition of the leaves, their medicinal uses, and descriptions of the plants from which they came. Inscriptions of note include "Engraven by the Greatest and Best engraver in the Universe"(v. 1, p. 2); "... leaves dried and press'd in my Heap of News-Papers for 7 or 8 years" (v. 1, p. 43); "Done July 18th 1742, when I impress'd 6 or 8 sheets more for my Frd's Kent, Bard, Pratt, Browne, Shoemaker, &" (v. 1, p. 74); "These were done in my new Press which Joseph Watkins made & now brought Home 2nd of May 1734" (v. 1, p. 94); "Done July 1st 1744 with L' & Vel't B'll"(v. 1, p. 95); Nov. 23rd 1738 A Leaf of Rhubarb and withered. Somewhat hurt by the Frost (v. 1, p.128) and "From Jno. Bartram 18th Augst. 1734. The most excellent remedy for the bite of a Rattlesnake - Sysimachia Quadrafolia - 1st 7br 1734 - "An Indian specific for fevers and aguas [sic] and a substitute for tea [I think Green]" - "From Peter Sonmans (who brought it from Albany). Done 31st Augst. 1734. A famous Snake weed" - "Mem the other Side I sent to Peter Collinson, June 1735" (v.2, p. 58)., Botanical specimens represented in album include wormwood, hollyhock, althea, marsh mallow, lavender, moss, creeper, quince, plantain, service, sage, tansey, mulberry, a sarabacca, rattlesnake weed, gooseberries, hemp, laurel, pawpaw, mustard, bind weed, wild grape, water plantain, wild betony, teasel, pineapple, Indian Fluxwort, "parsimon," arrowhead, oak of Cappadocia, squash, cattail grass, Goat's-Rue, sanicle, yam, maidenhair, tobacco, cat mint, saffron, caterpillar, marygold, horse radish, sun flower, gelder rose, may heart, St. John's-Wort, wild Angelica, marjoram, silk cotton, buck wheat, potato, burdock, rattle snake golden rod, mulleins, and Carolina Bean. Album also contains printed images of feathers, pieces of fabric, and a twenty-four line poem written in pencil and signed by "A Botanist" and dated 1855 (v. 1, p. 106). Provenances of the specimens include John Bartam, Stephen Benezet, "Spring Garden," John Holland, E. Woolley, G. Gray, "R.R.'s Ginseng Hill," Peter Sonmans, and Esther Banks., Title supplied by cataloger., Some sheets contain watermark: Pro Patria., Gift of Mrs. Joseph Breintnall in 1746., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 (P.2011.7.1) reformatted and arranged in two cases of folders numbered (1-10) and (21-34)., Index to inscriptions held at repository., Described in Edwin Wolf and Marie Elena Korey, eds., Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981), entry 11., Described in Philadelphia: Three Centuries of American Art (Philadelphia: Philadelphia Museum of Art, 1976) #29., Joseph Breintnall (d. 1746), scrivener, public servant, author, poet, and colleague of Benjamin Franklin, was also an amateur scientist who experimented with solar heat and botany. A founder and secretary of the Library Company of Philadelphia, he engaged in the study of botany through Peter Collinson, the library's London book agent. Between circa 1731 and circa 1744, he created hundreds of leaf prints as records of botanical specimens he gathered himself and from networks. Breintnall also most likely used his experience with leaf printing to assist Franklin in the creation of a metal cast of a leaf impression used to print currency incapable to be counterfeited.
Creator: Breintnall, Joseph, d. 1746
Date: [ca. 1731-ca. 1744]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2011.7.1 & 2]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: 1877-1880
Location: Library Company of Philadelphia | Print Department albums [P.9317]

Title: Photograph album
Description: Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains informal portraits of family friends and views of excursions and landmarks in Bethlehem and Nazareth, Pa.; Wilmington, De.; Belividere and Burlington, N.J.; and the Philadelphia area. Images depict the Pennock-Miller family Delaware County mansion Forest Hill, including the library, "Mrs. Pennock's [ceramic] Collection," greenhouse, and Sarah Pennock Miller with her son Caspar on a mule; Old Moravian Boarding School, Moravian Sisters House, Protestant Episcopal Church, and "Old Oil Mill" (Bethlehem); Old Swedes Church (Wilmington); and an old Moravian brewery, buildings, and Whitfield House (Nazareth). Other photographs depict Haines Spring house; "Andersons" at Belvidere; a family picnic at Pierson's Ravine (Belvidere); the Wissahickon; [Fairmount?] "Park guard house"; portraits of a family dog and posed portraits of Mary (Mame) Steele, including one showing the extreme length of her tresses, and Ettie Lewis, Anna, May, Katie and Bessie Shippen attired in costume. Some views include fellow amateur photographer architect George W. Hewitt. One Bethlehem view also shows D. & A. Luckenbach mill., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Some annotated "Dry (albumen)" or "Dry.", Green cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two photographs of "Pennocks House" removed prior to acquisition by repository., Eight inserted loose prints in envelopes removed and housed separately in John C. Browne Collection., LCP AR [Annual Reports] 1989 p. 33-34., Inventory available at repository.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: ca. 1873-ca. 1877
Location: Library Company of Philadelphia | Print Department albums [P.9316]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: Original & selected poetry &c
Description: Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator: Cassey, Amy Matilda, 1808-1856
Date: [ca. 1833-ca. 1856]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]

Title: Centennial Exhibition, Philadelphia. 1876
Description: Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.8965]

Title: Views of Fairmount Park Philadelphia 1866
Description: Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Creator: Cremer, James, 1821-1893
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums [P.8465]

Title: Photographic views of New City Building
Description: Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences., Volume 1 (Oct. 1873-Aug. 1874) contains two tipped in letters, dated December 26, 1873 and June 27, 1874, from President of the Commissioners for the Erection of the Public Buildings Samuel C. Perkins. Correspondence presents the stereographs, "authorized to be taken by the commissioners," as a means for the library to "have for preservation in [the] archives a complete photographic record of the progress of a work which under any aspect must be considered as of marked importance in our local history.", Stereographs numbered, dated, and printed with the series title "Views of Construction in Sub-Basement" or "Views of Construction" and the names of the architect, chief assistant, and board of commissioners on the verso., Calf bindings, polished and mottled., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 image reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 116., Samuel C. Perkins, a Philadelphia lawyer, served as president of the Commissioners for the Erection of the Public Buidlings 1872-1891., Housed in phase boxes.
Creator: Cremer, James, 1821-1893
Date: 1873-1875
Location: Library Company of Philadelphia | Print Department albums - Cremer [(1) 23455.D & (2) 23455.D]

Title: First annual prize exhibition of the Philadelphia Sketch Club held at the Pennsylvania Academy of Fine Arts December 1865
Description: Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
Creator: Cresson, William Emlen, 1843-1868, artist
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.75b]

Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: [Album]
Description: Album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, possibly created as a pedagogical exercise, with contributions dating from 1833 until 1882. Contains engraved plates depicting scenic views, and original and transcribed poems, prose, essays, and drawings on topics including friendship, motherhood, mortality, youth, death, flowers, female beauty, and refinement. Also contains a one page record of family deaths, marriages, and births with entries up to the birth of Mary Anne's grandson in 1882. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural communities of mid-19th century Philadelphia, New York, and Boston., Contains the following contributions: "The Mother's Joy," a poem by C.F., possibly by abolitionist and second wife of entrepreneur James Forten, Charlotte Vandine Forten; illustration after "The Boroom Slave" and the poem, "To the Album," by artist and activist Robert Douglass; prose, "To Mary Ann", about living a happy life by Philadelphian anti-slavery activist Amy Matilda Cassey; a memorial, "To My Dear Willie," by Mary Anne to her deceased son, William Jones; poem, "The Night of Death," by J.A.J., Mary Anne's husband, John A. Jones; Boston author and civil rights activist William C. Nell's transcription of the poem, "The Rights of Women"; allegorical prose on the meaning of life by New York abolitionist Harriet Forten Purvis; transcription of the poem, "The Pearl Diver," by white Philadelphian anti-slavery activist Arnold Buffum; prose to "Mary Annie" about remembrance by Ada, possibly by anti-slavery activist Sarah Forten Purvis or educator and anti-slavery activist Ada Howell Hinton; floral drawing by A.H.H., probably by Ada Howell Hinton; prose and floral watercolors by educator, abolitionist, and Quaker Sarah Mapps Douglass, the sister of Robert Douglass; "Lines Addressed to a Wreath of Flowers Designed on a Present for Mary Ann" by E.S. Webb, possibly Elizabeth Susan Webb, sister of novelist Frank J. Webb; and prose by Mary Anne about mortality. Additional entries of prose and poetry by John G. Dutton, E.S. Webb, Lydia A.B., Henrietta, W.F.P, and S.L.C., unattributed entry, "To Esther," and unattributed entry of a floral watercolor. Also contains engraved plates by A.B. Durand, C. Fielding, C.G. Childs, Robert Walter Weir, James Smillie and Thomas Cole entitled respectively, "Falls of the Sawkill"; "Italy, The Bay of Naples"; "Weehawken"; "Delaware Water Gap"; "Catskill Mountains"; "Fort Putnam"; and "Winnipiseogee Lake"., Title supplied by cataloguer., Inclusive range of dates inferred from entries inscribed with dates., Contains engraved illustrated title page: Album. The Mother's Joy., Blank album published in New York in 1833 by J.C. Ricker., Embossed and gilt morocco binding., Release of Dower document dated 1838 giving the Dickerson home to the surviving children, contemporary unidentified newspaper clippings, manuscript poetry transcriptions, contemporary greeting cards, trade card, and other miscellaneous loose items removed and housed separately., Lib. Company. Annual Report, 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Mary Anne, 1822-1858
Date: [ca. 1833-ca. 1882]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q]

Title: The first steamboat on the Missouri
Description: Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing is after Joseph Andrew's engraving of the work by painter John Gadsby Chapman. Depicts two Native American men on a rock, one seated, and portrayed with a forlorn expression, and the other standing with their arms raised in an anguished pose, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., Title from album page., Date from album page., LCP exhibit catalogue: African American Miscellany p. 45., RVCDC, Description revised 2022., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
Creator: Douglass, Robert M. J., 1809-1887, artist
Date: September 25, 1841
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.70]

Title: [Vase of flowers]
Description: Album page with embossed border and containing a drawing of a vase of flowers. Shows an arrangement of flowers including roses, camellias, pansies and forget-me-nots, in an urn-shaped vase. Border is composed of a leaf design., Title supplied by cataloguer., Date from album page., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: 1843
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.78]

Title: Forget me not
Description: Album page with an embossed border and containing a drawing of forget-me-nots. Shows a sprig of red and blue flowers, and red and blue buds, as well as green leaves. Border is composed of ornament details., Title from album page., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1843]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.83]

Title: Fuchsia
Description: Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [July 15, 1846]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]

Title: "A token of love from me, to thee"
Description: Album page containing a drawing of a black butterfly on a twig with pink flowers. Shows the butterfly with a black head, thorax, and abdomen and black wings with specks of green and red. The twig also contains several green leaves that fold up, fold down, and/or droop. The stem and branches of the twig are outlined with pink lines., Title from manuscript note., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.2]

Title: "I love a flower!"
Description: Album page containing a drawing of a wild pink rose above eight lines of allegorical verse about the beauty of flowers. Shows the rose with a stem, five green leaves surrounding the petals, and two buds., Title from manuscript verse., Date inferred from complementary entries in album., Contains eight lines of verse: I love a flower! it ever brings/ A warmth of feeling to my heart,/ Unlike those gay and gilded things/ That flatter coldly, coldly part./ But flowers! – Oh they are eloquent/ They speak when lips would still be dumb/ When by the hand of friendship sent,/ Her price interpreters they come., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.9]

Title: No marvel woman should love flowers
Description: Album page containing a drawing of coupled red and blue flowers above six lines of allegorical verse about unappreciated beauty. Shows the red camellia with fluffy stamens below three, five-petal blue flowers, possibly forget-me-nots. The flowers are also depicted with buds, leaves, and stems. The stem of the red flower contains thorns., Title from manuscript verse., Date inferred from complementary entries in album., Contains six lines of verse: No marvel woman should love flowers, they bear/ So much of fanciful similitude/ To her own history; like herself repaying/ With such sweet interest all the cherishing/ That calls their beauty or their sweetness forth;/ And like her too—dying beneath neglect. Verse from a poem by English writer Letitia Elizabeth Landon that was frequently published, including in the Ladies’ Miscellany (Salem, Mass., April 7, 1830)., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.24]

Title: [Motion studies]
Description: Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Creator: Eakins, Thomas, 1844-1916, photographer
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department albums - Eakins [P.8713.1-5 & 7]

Title: Globe Hotel cor. Frankfort & William sts New York
Description: Trade card showing the exterior of the multi-story hotel adorned with signage reading "Dining Saloon." Also contains street and pedestrian traffic, including a horse-drawn carriage. Hotel was later renamed the Frankfort House., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F]., Eaves worked in New York between 1845 and 1860.
Creator: Eaves, William, 1792-1879, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.15c]

Title: Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
Description: Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Ehrgott & Forbriger
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]

Title: Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
Description: Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Ehrgott & Forbriger
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]

Title: The City Hall Philadelphia. Architecture, sculpture and history
Description: Limited edition volume, organized in 18 topical sections, containing photomechanical reproductions of engravings (by Faust) and photographs showing views of the interior, exterior, and architectural and sculptural details of the municipal building built 1871-1901 after the designs of John McArthur, Jr. Sections, predominately titled, include Modeling of the William Penn statue; views of court rooms, Mayor's Office, entrances; Window Spandrels Tower; Bronze Groups on Towers; Centre Pavilion Dormers; Caryatides (i.e., supporting columns sculptured in the form of a draped female figure); Medallions in Conversation Hall of Councils; Doorway Spandrels. Northern & Eastern Entrances; Keystones; Panels. Stairway; Impost Panels of Windows; Spandrels and Statuary Centre Pavilion; Panels; Tower Capitals; Spandrels Interior of Tower; Panels in Eastern Entrance; Spandrels in Northern Entrance; and Window Spandrels in Northern Entrance. Interior views often include pedestrian traffic., Architectural and ornamental details depict allegorical, historical, ethical, anthropological, and political and governmental figures and tableaux, including "Distinguished Early Philadelphians"; the continents; the four natural elements and seasons; "Indians"; Swedes; mammals, reptiles, and birds, including eagles, bears, and buffalo; the natural and social sciences, arts, and humanities; industry, mechanics, and commerce; civilization and barbarism; prayer and meditation; victory and fame; admonition and repentance; and liberty and law; and youth. Details also show the seal of Pennsylvania and stereotyped, ethnographic facial studies, and cherubic figures., Edition de luxe limited to one thousand copies. Copy no. 48., Frontispiece shows a view engraved by Faust of the exterior of City Hall. Includes street and pedestrian traffic., Front matter is misordered ([p. 4] and [p. 5] reversed) and includes an "Historical" overview of the location and construction of the building; "Description of the Buildings," including the styles of "Architecture" and dimensions; the "Comparative Heights of the Principal Buildings of the World"; and the "Inscription upon face of Corner-stone in centre of tower foundation.", Reproduced wood engravings contain artist's signature or initials: F. Faust; F.F., Original cloth bindings, brown cloth grained with gilt stamped front cover and endpapers removed and rehoused with rebound album for conservation., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Frederick Faust, born in Germany in 1849, immigrated to the United States in 1870 and worked as a wood engraver in Philadelphia by the early 1880s. He continued in the trade as an illustrator into the early 20th century and was retired by 1930.
Creator: Faust, Frederick
Date: c1897
Location: Library Company of Philadelphia | Print Department albums - Faust [It 7 2779.F]

Title: "Long long be thy heart with your memory fill'd..."
Description: Album page containing a drawing of a white vase of flowers on a square-shaped base and above a poem about memory and remembrance. Flowers depicted are of various kinds and include roses. They are long-stemmed, have leaves, and are in colors of pink, red, yellow, white and blue., Title from manuscript verse., Date inferred from complementary entries in album., Contains four lines of verse: Long, long be my heart with your memory fill’d!—/Like the vase in which roses have once been distill’d—/ You may break, you may ruin the vase if you will;/ But the scent of the roses will hang round it still., RVCDC, Description revised 2022., Access points revised 2022., Forten, was a civil rights activist, founding member of the multiracial Pennsylvania Female Anti-Slavery Society, and educator. She was the daughter of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten.
Creator: Forten, Margaretta, 1806-1875, artist
Date: [ca. 1834]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.16]

Title: Catalogue of theatrical and public celebrities
Description: Trade catalog containing pages with rows of numbered vignette-size reproduced portrait photographs of female , male, and child entertainers. Includes bust-length, half-length, and full-length portraiture, with one sitter often depicted in several differently posed portraits. Sitters, predominantly women, are usually attired in costume and occasionally are posed as couples, or in character and with props and ornate backdrops. Costumes and props include hats and head pieces; tights and shorts; nautical, peasant, medieval and roman garb; umbrellas, fans and valises; chairs and hammocks; guns and swords; and instruments and animals. Unique costumes and poses include Jeannie Winston as a devil with wings; Kate Forsyth depicted as a sculpted bust; and Lizzie Harold sprawled on a floor., Sitters include French operatic soprano Marie Roze (1846-1926); American entertainer Lotta [Crabtree] (1847-1924); American actress Annie Pixley (1858-1893); comic actors Charles E. Holland and Ben Maginley (d. 1888); actress and theater manager Mrs. John Drew (i.e., Louisa Lane Drew); French magician Prof. Hermann, i.e., Alexander Hermann(1843-1896), author and actress Lillian Chester; and characters from "Pinafore.", Accompanied by pocket-size, printed catalog with preface promoting Gilbert & Bacon's large stock of portrait views of the "most artistic and prominent in their profession" in the sizes "Cabinets" and "Panels." Includes lists of sitters for 1692 "Cabinets" and 115 "Panels.", Front endpaper inscribed: George P. Campbell, Continental Hotel, August 1880. Campbell, probably a Gilbert & Bacon agent, resided at the hotel in the 1880s., Cloth binding, stamped "Scrap" on front cover and "Patented March 1876" on back cover., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century.
Creator: Gilbert & Bacon
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums [P.8681.1 & 2]

Title: Louella Home of J. Henry Askin, Wayne Station, Penna. Rail Road, Radnor Township, Delaware Co. Pa. Views of mansion, farm houses, surrounding scenery, etc
Description: Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: Photograph album
Description: Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator: Hatch, Albert, 1844-1910
Date: ca. 1866-ca. 1888
Location: Library Company of Philadelphia | Print Department albums [P.9250]

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

Title: Pennsylvania Horticultural Society [ticket]
Description: Illustrated ticket to "Admit a Lady to the Stated Meetings of the Pennsylvania Horticultural Society on the Third Thursday evening of each month Available for One Year ending Septr. 1855. This will also serve for a single admission to a Lady or Gentleman at the Annual Exhibition." Text framed by garlands of flowers. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator: Illman & Sons, engraver
Date: [1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4b]

Title: Franklin W. Kohler bicycling events 1884
Description: Scrapbook of local newspaper and sports periodical clippings compiled by competitive Philadelphia bicyclist Frank W. Kohler, predominantly about his cycling pursuits and achievements, and involvement with the Pennsylvania Bicycle Club. Clippings describe local and regional bicycle tournaments and meets, including the exhibition at Jumbo Park in South Philadelphia and the second annual meet of the Pennsylvania Division League of American Wheelmen (1884); time records broken by Kohler and his peers, including the "Lancaster Pike" (1886); Pennsylvania Bicycle Club cycling tours, including to Baltimore (1884), Niagara (1885), and upstate New York (1888); and the history of the Pennsylvania Bicycle Club. Also contains various bicycle club event and race programs (some annotated with times), including for the West Philadelphia Athletic Association and Buffalo Bicycle Club; prize ribbons; a sign up sheet for a two week tour to Dingman’s Ferry organized by Kohler in August 1888; a pencil sketch titled “The Way the Victors get There Moral. Buy a____?" showing a bicyclist and his bicycle in a horse-drawn wagon; an invitation to the 1888 opening of the new building of the Pennsylvania Bicycle Club (3940-42 Girard Avenue); menus for club banquets; and two inscribed photographs. Photographs show a group portrait of the club in front of the "Penna. Bicycle Club House Philada Pa. 1884 [sic]" at Girard Avenue and racers lined up to start the "2 mile race won by F.W. Kohler" in Fairmount Park on September 14, 1884., Other ephemera includes tickets to the Columbian Exposition (1893); golf score cards for Griffith Park, Los Angeles (1918); and an 1893 "Street Railway Review" article about Kohler and his brother G. A. (possibly the Albert Kohler cited in some clippings) managing the Eddy Electric Manufacturing Company. Articles clipped from the "L.A.W (League of American Wheelman) Bulletin"; "The Philadelphia Press"; and "The American Athlete." Authors include Ninon Neckar., Title from plate on front cover., Brown morocco binding., Front free end paper inscribed: Bicycling., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report], p. 55-56., Binding in poor condition. Album housed in phase box., Frank W. Kohler (b. 1861), son of prominent Philadelphia bookbinder Ignatius Kohler (1817-1901), worked in his father's trade, was a premier amateur bicyclist, and member of the Pennsylvania Bicycle Club. Kohler served as First Lieutenant of the club founded in 1882 in West Philadelphia; held club speed records; and organized cycling tours of its members. By 1893, Kohler had relocated to Chicago and operated the Eddy Electric Manufacturing Company with his brother G. A. Kohler.
Creator: Kohler, Frank W., b. 1861
Date: 1884-1926, bulk 1884-1888
Location: Library Company of Philadelphia | Print Department albums - Kohler [P.9414]

Title: Belmont and waterworks. Mount Pleasant, Fairmount Park, Philada
Description: Lithograph showing mules walking on towpaths pulling canal boats in the Schuylkill River in the foreground. Also shows distant views of West Fairmount Park properties, including Belmont Mansion, the estate house and country seat of Judge Richard Peters; the smokestack of the Belmont Waterworks engine house, designed by Frederick Graff in the late 1860s; and Mount Pleasant Mansion (i.e. Arnold Mansion) built after designs by Thomas Nevil 1761-1765 for Captain John Macpherson. Includes a locomotive traveling north on the west bank of the river in the right background. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from item., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol 2086.F.7]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: Phila
Description: Watercolor showing a small sailboat on a tree-lined river, presumably the Schuylkill River. Includes a building on the opposite bank of the river in the background., Title from manuscript note on recto., Manuscript note in pencil on recto: 1842., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1842]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.11]

Title: Near Sweet Briar, West Phila
Description: Etching showing a stream flowing over large rocks near Sweet Briar in West Fairmount Park., Title from manuscript note in pencil on print., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.21]

Title: Sweet Briar Mansion, in 1843. (In Fairmount Park)
Description: Lithograph showing horses galloping and drinking water in front of the former country house of Philadelphia merchant and politician Samuel Breck built in 1797 in West Fairmount Park. Two men stand and talk in front of the mansion in the background. Includes a view of another dwelling in the right background. Sweet Briar was incorporated into the park in 1869 and remodeled in 1870 for use as a children's restaurant. Also known as the Samuel Breck House and Sweetbrier., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.4]

Title: Thos. Moore’s Cottage, Phila. Park
Description: Lithograph showing the one-story cottage located on the west side of the Schuylkill River above the Reading Railway Bridge in Fairmount Park. A man leaves the house as a woman enters the dwelling. Includes a dog on a path in the foreground, a large warped tree in front of the cottage, and horses walking on paths in the distant right background. The cottage was on the estate of Jacob S. Waln where the Irish poet Tom Moore puportedly stayed during his visit to Philadelphia in 1804. Dwelling also known as Boelson Cottage, Belmont Cottage and Pig's Eye Cottage., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.1]

Title: Schuylkill River, Fairmount Park , Phila. (Columbia Bridge)
Description: Lithograph showing people in rowboats on the Schuylkill River in the foreground and the Columbia Bridge in the background. One of the oldest railroad bridges in the United States, it was completed in 1834 after the designs of engineer John C. Trautwine for use by the Reading Railroad Company., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.2]

Title: In Wissahickon Valley, Fairmount Park, Philada
Description: Lithograph showing two men standing and sitting on large boulders surrounded by trees in the Wissahickon section of Fairmount Park., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.8]

Title: Peters Island, Fairmount Park, Philada
Description: Lithograph showing a man and woman horseback riding, a gentleman walking with his cane, and a man walking with two horses on a towpath in the foreground and Peter's Island, a canal boat, row boat and larger steam vessel on the Schuylkill River in the background. Peter's Island was immediately north of the Columbia Railroad Bridge in Fairmount Park., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.9]

Title: Schuylkill River above Fairmount Dam, Philada. in 1843
Description: Lithograph showing the profile of an older man sitting on a hill high above the Schuylkill River above Fairmount Dam. Men ride horseback closer to the water's edge, large barges carry materials, and people recreate in small rowboats on the Schuylkill River. Also shows a large dwelling in the distance and smoke billowing from a building on the opposite bank of the dwelling., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.10]

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