A group of men are walking in the street. They wear coats and tophats and have elaborately styled facial hair. Several of the men link arms and one lifts his top hat on a cane. A moon in the sky is smiling., Provenance: Helfand, William H..
A harness maker is seated in his workshop. "Harness repared' is written on the wall behind him and a crate marked "Beer" is filled with bottles., Text: You wretched old chap! You’re not worth a rap / You can’t sew a strap, so that it won’t snap: / You steal every scrap you can, but, mayhap / The Devil will clap you ‘fore long in his trap, / Old Chap!, Provenance: Helfand, William H..
A Hatter sits at his work bench, blocking a hat. Scissors and a bowl labeled "glue" are on the table in front of him. "Hat factory" and "Spoli your hat while you wait. 50c." are written on the wall behind him. "Tile" is slang for hat. The valentine suggests the hats he makes are of poor quality., Text: When a fellow from you buys a tile / You pretend that you give him the style, / But he quickly finds out when he wears it about / That you’re full of deception and guile. / The shape's out of date, the goods are fifth rate, / And his looks make beholders all smile., Provenance: Helfand, William H..
A woman sits at a table with cards. A cat sits on the stool beside her. "Huffle" can mean long-winded talking. The cat's words suggest that the woman is wasting her time by trying to read her future in the cards., Text: “Hearts! At once, I plainly see, / It is hearts-ease meant for me; / Shall I gain my wish at last, / Ere my summer sun is past?” / Thus the dark one then replied, / Hovering by the lady’s side; / “Deal, my good lady, as you will, / You shuffle! And will huffle still.”, "182", Provenance: Helfand, William H..
A woman wearing a cloak and bonnet holds at lamppost for support. Her mouth is open and she appears drunk. A sign on the wall behind her says "Gin." The Valentine faults her for her drunkenness., Text: Hic, -- hic, --hic, --drink is your soul's delight, / And your only Valentine, / Go, you drunken wretch, steep your brain in Alcohol, / You never shall be mine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man in the form of a pig rides a bicycle. The valentine criticizes him for unmannerly behavior., Text: We never need / To ask your breed, / It shows so plain in word and deed, / And your face so well reveals the story ; / But when we deal / With you on a Wheel / More strongly than ever you make us feel / That here's a HOG in all his glory., Provenance: Helfand, William H.
A man wearing gloves, a top-hat, spats and a monocle is riding a horse. The bucking horse has caused him to drop his riding crop and his monocle has fallen out of his eye., Text: A holy show you are, indeed, / When mounted on your bony steed; / To see you ride in your queer style / Would almost make a dead man smile. / If you know how gawky you look, and green, / You would never again on a nag be seen., Provenance: Helfand, William H..
A woman wears a large crinoline. Two small boys in the background mock her by saying "Hoop de doo den doo" and "Who's your Cooper?" One also places a basket on her skirt., Text: A hundred years ago they say, / Hoops were the fashion of the day, / They now completely stop the way. / Hoop de doo den doo. / As they sail along as fine, /In the day’s most busy time, / The passers by will CRY-NO-LINE! / Hoop de doo den doo. / I’m sure it must be van-i-ty, / That makes you so extrav-a-gant-ly / Dress that all the boys will cry, / Hoop de doo den doo. / “Who’s your Cooper” now they ask, / You roll along just like a Cask, / And getting by you is a task, / (with your) Hoop de doo-den doo., Provenance: Helfand, William H..
A sailor sits cross-legged and holds scissors. A large cabbage is visible under his seat. "Cabbage" refers to the cloth leftover after making a garment. "Goose" is a name for an iron, whose name comes from its goose-neck handle. "Nine mean agianst one" references the saying that nine tailors equal one man., Text: Hurra! For the Races, I’m off on my steed. / I’ll lift all the Sweepstakes when put to my speed. / Nine men against One, who would hope to eclipse / A Tailor who’s armed with tapes, yard stick & snips. / I’m sharp as my needle, and not to be done / Of my Cabbage which follows where ever I run. / Tho’ the thimble-rig fellows, may try to humbug, / I’ll shoulder my lap-board, and sit on my rug. / In defiance of all whether light laced or loose / Who objects to a Tailor for riding his Goose., Provenance: Helfand, William H..
A man wearing a coat decorated with braid carries a small animal. The valentine warns that his fancy attire will not attract a mate., Text: I as soon would wed a monkey, / As a saucy swaggering flunkey, / Who fancies that a gaudy coat, / Would make the ladies on him doat; / And thinks fine feathers fine birds make, / Though there he makes a great mistake, / For let his coat be e’er so fine, / No flunkey shall by my Valentine., Provenance: Helfand, William H..
A woman smiles at a boy playing with a hoop and stick. The valentine chides her for flirting inappropriately at and advanced age., Text: I do not wish your feelings, ma’ma to hurt, / But for one old and ugly still to flirt, / And leer and giggle on each man you meet, / To say the least is not at all discreet., Provenance: Helfand, William H..
A women in a revealing dress is sitting on the lap of a uniformed soldier. The texts implies she is promiscuous., Text: I know my girl you’d like to be / Thus seated on a soldier’s knee, / Void of sense and void of shame, / Playing at many a wanton game; / When his knee you sit upon, / Perhaps like this you try it on ; / Trying how his things will fit, / And sure to PUT YOUR FOOT IN IT., "85", Provenance: Helfand, William H..
A man with a crocdile head holds a handkerchief to his teary eye. Two women are looking at him, one has her hands on her hips. The sender accuses the recipient of being insincere and deceitful., Text: I love a man that is sincere in all he’ll say and do, / But not a sniveling Crocodile, deceitful wretch like you / Who for any paltry end can always whine and cry, / You ugly, paltry, sniveling brute, deceit is in your eye. / You may whine and do your best at which we only laugh, / But let us tell you love’s too old to be thus caught by chaff., Provenance: Helfand, William H..
A woman in a bulky coat stands with her hands in her pockets. The sender suggests the sketch presents a a true and less flattering likeness, which ought to correct the recipient's conceited attitude., Text: I send you my dearest a sketch of your Phiz, / Just look in the glass and you’ll find it, / ‘Tis so true you’ll admit ‘tis not meant for a Quiz, / It may cure your conceit, so pray mind it., Provenance: Helfand, William H..
A Bricklayer wearing a smock and paper hat stands beside a wall and holds a trowel., Text: I vow to me it would be torture / To wed with one besmear’d with mortar; / In blessed singleness I’ll pine, / Rather than be your Valentine., Provenance: Helfand, William H..
A woman wearing a flowered bonnet holds a fold of her dress in her hand. Her shoes, undergarments and crinoline are visible below her dress., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Provenance: Helfand, William H..
An elaborately dressed woman holds the folds of her skirt. Her shoes and crinoline are visible beneath the skirt., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Cf. Valentines 15.13, 15.15, 15.16., Provenance: Helfand, William H..
A woman with an elaborate hairstyle carries a parasol. In the other hand, she holds her voluminous skirt. Her petticoat and the tassles on her boots are visible beneath her skirt., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Cf. Valentines 15.13, 15.14, 15.16., Provenance: Helfand, William H..
A woman carrying a parasol walkes by an enclosed garden. She is holding the front of her skirt up to reveal lacy undergarment beneath it., Text: If my passion I ever declare, / Your heart I should like to possess; / But alas! You’ve so little to spare, / All being devoted to dress., Cf. Valentines 15.13, 15.14, 15.15., Provenance: Helfand, William H..
A man holding a piece of rope stands over a woman with a black eye who is kneeling on the floor. On the wall behind them is a clock with a disapproving face. The sender criticizes the recipient's brutish behavior in beating his wife and suggests that many of the neighbors share his opinion., Text: Ill looking, ill conditioned Brute, / What punishment your crime will suit, / That coward from I’d naked strip, / And put in each neighbour’s hand a whip / To hunt you as they would a beast, / From North to South, From West to East, / Until you knelt at spousy’s feet, / Humbly for pardon to entreat., "199", Provenance: Helfand, William H..
Two cats are on a tiled roof. One has a woman's head. Behind the roof is a man with a face. "To go upon the tiles" means to embark on a drinking or sexual adventure. The valentine accuses the woman of indulging her passions in excess., Text: You love to go upon the Tiles, / To exercise your wanton wiles; / Nowhere will you find your match / In coming up unto the SCRATCH., "No. 141", Provenance: Helfand, Wiliam H..
The angry woman beats her philandering lover with a broom as he lies across her lap. A speech balloon by her head reads " HOW DARE YOU PLAY WITH THE SERVANT?" as he cries, "Oh! Oh!", Text: It’s evident, my angry fair, / Whate’er your wrongs, How much you (bare) bear; / Tho’ I would rather not be sharing / My lot with one who’s so for bareing; / Such wives as thee who ever’s got ‘em, / Will find they’re very bad at BOTTOM! / So I for my part would decline. / Such a very STRIKING Valentine., Cf. Valentines 1.19, 1.20., Provenance: Helfand, William H..
An older woman stands with her hands over her heart. The bottom of her dress is shaped like an upside down heart and has the words "To Let" on it. Next to her is a sign that says "A heart wanted." A Hoosier is a resident of the state of Indiana., Text: You’re forty, if you are a day, / And yet no husband comes your way. / It is too bad that such a face / Should live alone in such a place. /Take in your sign, and get thee West,-- / There aged maidens thrive the best. / For Hoosiers, when they seek a pal, / Are all content if she’s a gal., Provenance: Helfand, William H..
A jeweler sits at his bench, repairing a watch. On the wall behind him is a sign that says "Jeweler reparing done" and several clocks. The clocks' faces do not all show the same time., Text: A crowbar, or pickaxe, a more fitting tool / Would be in your hands, you ridiculous fool; / Can anyone be so stupidly green, / As to give you his watch, or his clock, to clean? / The chances are great that ‘twill need more repair, / Than before it had been put into your care., Provenance: Helfand, William H..
A man has the form of a jumping-jack toy. The valentine suggests the recipient is good for little else than to watch others., Text: A Jumping-Jack upon a pole / Would be for you a fitting role: / Some one ought to take and fix you / On a rod this way, you stick, you! / Then you’d have your proper station, / One you’d fill to admiration., Provenance: Helfand, William H..
A man stands in front of a fence smoking a cigar. He wears a fez and a pocket watch. The valentine suggests he is overly impressed with his physical appearance., Text: Why, here’s your portrait ready done, / Now don’t suppose I’m making fun. / ‘Tis like as like you must admit; / I’m sure you’ll highly value it., Provenance: Helfand, William H..
A tall woman is kissing a short, moustached man. Behind her on a table are a bokk markeds "Hymns" and another marked "Bible". The valentine asserts that this is not the first time the woman has kissed a minister and that when his wife heard about it before, she tore out the woman's hair, which is why she wears a wig. The valentine cautions that if she repeats this behavior, she can expect to lose this wig as well., Text: Don’t look so pious, madam, / We’ve heard of you before, / You kissed the little minister / Behind his study door; / And when his wife heard of it, / The row ensued was big, / And that is how you came to wear / That little curled-up wig. Now pray be careful what you do, / Or you will lose your nice wig too., Provenance: Helfand, William H..
A bricklayer with a hod on his shoulder is mounting a ladder. The valentine warns the recipient that his concumption of alcohol is interfering with his job. It plays on the word "drop" as a synonym for liquour, then to refer to the possibility that he might fall from his ladder under the influence of alchohol and finally that his drunken ways may get him into trouble with the law and then be hanged., Text: Leering, drunken, dissipated, / Oft I see you elevated, / Not alone upon the ladder, / But in a way that is much sadder, / Your fondness for a “DROP” is such / That you may get a DROP too much / By falling from the ladder top, / Or at the gallows “take a drop.” / A fate that doubtless will be thine, / So, go, be hanged! my Valentine., Provenance: Helfand, William H..
A lamplighter mounts a ladder to light a street lamp. A hand tugs on his shirt, which is protruding from the seat of his pants."To get one's shirt out" means to get angry., Text: Like the Lamp you tend, ‘tis said, / You’re rather LIGHT about the HEAD, / One thing certain is that most / Don’t know which is the greatest Post, / Now don’t be angry that I flout, / For I see your SHIRT IS GETTING OUT., Provenance: Helfand, William H..
A donkey wears a coat. The sender considers the recipient's attention to dress to be ridiculous., Text: Look Dandy, pray look, / Look at your Brother; / Why should not one Ass, / Look at another., Provenance: Helfand, William H..
A woman wears a dress with a large bow, gloves and a hat and carries an umbrella. The valentine criticizes her for talking too loudly., Text: In girls of these progressive days / A little boldness we expect, / And, when within due bounds it’s kept, / Not many will object: / But, o’er all bounds you go so far / With your loud ways, and saucy face, / That every one’s disgusted with / Your lack of womanly grace., Provenance: Helfand, William H..
A machinist wearing an apron stands at his work bench. A variety of tools are visible on his bench and on the wall behind him. The sender suggests the recipient does shoddy work., Text: Folks say, Sir Machinist, who have your course watched, / That no job you e’er tackled came from you unbotched. / If you’re really an expert, a machine I can mention / To which it would pay you to give your attention; / I mean your own head; for, to this I would swear, / Its wheels must be terribly out of repair., Provenance: Helfand, William H..
A man with a large heart-shaped head holds a portrait of a woman. His torso is also in the shape of a heart. The valentine suggests he drowns his sorrows in alcohol., Text: Dismal, doleful, in thy tears-- / You have not smiled for twenty years, / Except when gin bars were in sight, / And then you smiled both day and night! / Your face reminds one of a lizard-- / Your heart—you only have a gizzard-- / And as for ears, mankind can see / A donkey’s ears were put on thee! / To show you up, we’ll get some hay, / And let the neighbors hear you bray!, Provenance: Helfand, William H..
A man leans back in his chair and puts his feet up on the table. A bag of money sits on the table behind him and his head is covered with slips of paper. On says "Bond" and another "Pacific RR". The valentine suggests not only that he married his wife for her money, but also that the money has not given him class., Text: You married money, then—at least that fact is stated. / Alas! Your suffering wife, her taste was vitiated. / Oh! The poor maids should wed whoever fate doth show them. / They seldom marry equals, and often those below them. / You needn’t put on airs, and show your shapeless feet, / For if you found your level, you’d be sweeping in the street. / We can always tell a man, no matter how he feels, / And if he is a donkey he always shows his heels., Provenance: Helfand, William H..
An older woman with a large nose is looking inside an envelope. The valentine warns that others have noticed her intrusions., Text: Sly old peeper, mischief making, / Take care now whose note you’re taking; / We’ve found you out, and so despise you, / And send this warning to advise you., Cf. Valentine 6.28, Provenance: Helfand, William H..
A woman with glasses and a bun is sewing bonnets. The valentine suggests she is unattractive to suitors and will be an old maid, so she should focus on her millinery., Text: Miss bonnet-builder, such a guy I never saw before, / Your bonny hair is a knob behind, your nose a knob before, / That your head’s a bonnet-block that of it maybe said, / Who would ever have a Valentine that is a blockhead, / So drop the thoughts of Valentines and attends to bonnet shapes, / For you are built for an old maid, in future to lead apes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman with glasses and a bun is sewing bonnets. The valentine suggests she is unattractive to suitors and will be an old maid, so she should focus on her millinery., Text: Miss bonnet-builder, such a guy I never saw before, / Your bonny hair is a knob behind, your nose a knob before, / That your head’s a bonnet-block that of it maybe said, / Who would ever have a Valentine that is a blockhead, / So drop the thoughts of Valentines and attends to bonnet shapes, / For you are built for an old maid, in future to lead apes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A thin young man vomits in an alley. He holds a burning cigar in one hand. "Valambrosa's leaves" is a reference to ""Thick as autumnal leaves that strew the brooks / In Vallombrosa where Etrurian shades / High over-arch'd embower." in John Milton's "Paradise Lost.", Text: Vain, vapid youth, who, with cigar, / Upon the promenade a star / Of manhood would’st appear, / Think’st thou we know not what befalls, / When thou dost make such sudden calls / To by-ways dark and drear? / There, desperate qualms thy frame dismay / And tribute thou to earth dost pay / As Neptune oft receives, / When pale land-lubbers, reeling sick / Bestrews the waves with filth as thick / As “Valambrosa’s leaves.”, Provenance: Helfand, William H..
A man holds a gun in the countryside. His hat has fallen off and he appears to be losing his balance. The valentine suggests he is an inept hunter., Text: Now I’m sure it is a shame, / You should of harmless birds make game; / But in some cases it is true, / The little birds MAKE GAME of you., "No. 82", Provenance: Helfand, William H..
A sailor stands with one hand in his pocket and the other holds a bottle. A ship is visible in the distance behind him. The sender criticizes the recipient for excessive drinking and laziness., Text: Now my jolly Sailor, / You are an idle, tippling dog, / O really will not wed you, / You are rather fond of Grog., Provenance: Helfand, William H..
A woman wears a large crinoline, a cape, gloves and a hat with a snood. "Bean" can mean money., Text: Of Dandizetts you’re sure the Queen, The loveliest creature ever seen, / Your head so small and shape so fine, / Must make each bean your valentine., Provenance: Helfand, William H..
A woman steps out of a door and reveals her petticoats under her crinoline. A sign behind her reads "To the Bank" and a man is standing next to the steps. The valentine suggests that the sight of her legs is embarassing to the people around her., Text: Oh! Daughter of fair mother Eve, / Your brothers all you sorely greive, / And give us each exceeding pain / To witness thus the curse of Cain. / ‘Tis surely not a modest sight / To have the legs thus brought to light., Provenance: Hlefand, William H..
A coachman wearing a hat and coat with epaulets stands by a carriage and holds a stick. "Monkey's share" can refer to the term monkey's money, meaning payment in kind., Text: Oh, dear me, you think yourself grand, / Standing et my lord’s door with stick in hand, / My lot with you I would not fix, / For the sight of you makes me feel sick, / Bowing here, scraping there / Sometimes you get the Monkey’s share., Cf. Valentine 15.42, Provenance: Helfand, William H..
A coachman wearing a hat and coat with epaulets stands by a carriage and holds a stick. "Monkey's share" can refer to the term monkey's money, meaning payment in kind., Text: Oh, dear me, you think yourself grand, / Standing at my lord’s door with stick in hand, / My lot with you I would not fix, / For the sight of you makes me feel sick, / Bowing here, scraping there / Sometimes you get the Monkey’s share., Provenance: Helfand, William H..
A woman with a hairy face and gap-toothed smile looks at her reflection in a mirror. The sender's parise is ironic., Text: Oh! Thou art my joy and my pride, / So delicate soft is thy skin: / Those blushes, my fair, never hide, / For fain I’d my Valentine win., Provenance: Helfand, William H..
A man in ragged clothing walks with an umbrella tucked underneath his arm. A bust of a nude young woman on a pedestal is visible in the background., Text: Your buttonless shirt, and ragged coat sleeves, / Proclaim you to be an old Bach; / Pray hunt up some young maid, I really believe / If you tried, you would soon make a match., Cf. Comic Valentine 7.49, Provenance: Helfand, William H..
A coachman in an elaborate uniform sits on the box of a carriage and holds a whip. "Spooney" means foolish or sentimental., Text: Old Coachee, mounted on your box, / You look as stupid as an ox; / The coach of Wedlock, do not strive, / With me old boy you ne’er shall drive / So all your views at once resign, / You spooney looking Valentine., Provenance: Helfand, William H..
