Search results

Title: The Chicago Platform
Description: Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Print Department Cartoon 1864-20 [5793.F.1]

Title: Little Mac's Double Feat Of Equitation
Description: Entered ... 1864 ... by N. Bangs Williams, Providence [Rhode Island]., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1864
Location: Library Company of Philadelphia | Print Department Cartoon 1864-22 [5793.F.6]

Title: 1832. Democracy. 1864
Description: Entered ... 1864 by L. Prang & Co. ... Mass., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1864
Location: Library Company of Philadelphia | Print Department Cartoon 1864-24 [6262.F]

Title: How Columbia receives McClellan's Salutation from The Chicago Platform
Description: Below title: three captions: A., B., C., Weitenkampf: drawing probably by H.L. Stevens., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Print Department Cartoon 1864-26 [6291.F]

Title: The Chicago Platform, What Is It, Peace Or War
Description: Weitenkampf: Apparently by H.L. Stevens., Not in Reilly., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Print Department Cartoon 1864-27 [6261.F]

Title: The Political "Siamese" Twins The Offspring Of Chicago Miscegenation
Description: Entered ... 1864, by Currier & Ives ... N.Y., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1864
Location: Library Company of Philadelphia | Print Department Cartoon 1864-28 [5793.F.7]

Title: Platforms Illustrated [Two scenes:] Baltimore, Chicago
Description: Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Print Department Cartoon 1864-29 [6372.F]

Title: Distinguished militia gen'l during an action
Description: Not in Reilly., Retrospective conversion record: original entry, with corrections., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: 1861
Location: Library Company of Philadelphia | Print Department Cartoons - 1861-50W [P.9314.1]

Title: The Declaration of Independence illustrated
Description: Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
Creator: Fabronius, Dominique, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]

Title: Political quixotism. Shewing the consequences of sleeping in patent magic spectacles The diplomatic hercules, attacking the political hydra
Description: Anti-Jackson cartoon alleging that irrational motives influenced the President's decision to destroy the Bank of the United States. Depicts a terrified Jackson, in his bedroom, fighting the hydra, "U.S. Bank," during a nightmare. References to the corruption of the Bank are inscribed on the creature's many heads, including "deposits," "pension," and "bribery." Jackson, sword in hand, screams "Stamp the horrid Monster!!! Crush it!!! Nick Biddle!!! Hell & the Devil!!! Bribery & Corruption!!! Assasination [sic]!! Fire!! Murder. Murder!! Where are you Major?" Jackson is being restrained by "Major" Jack Downing, who pulls on his suspenders and implores him to return to bed, "Cum along to Bed agin, Jineral, I tell you Biddle aint here, nor the devil nother as I no on." In the right background is a bed and a chair with a candle on it., Zek Downing was a pseudonym used by various artists on several cartoons, predominately published by Ezra Bisbee, which satirized the Bank War., Retrospective conversion record: original entry, edited.
Date: [1833]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-12 [5760.F.76]

Title: The model of a Republican president
Description: Anti-Jackson cartoon concerning Jackson's misuse of federal authority during the Bank War depicting the president as an autocrat emulating Napoleon Bonaparte. Standing beside a statue of the Emperor, Jackson puts on a Napoleon hat in front of a mirror, boasts of his resemblance to Bonaparte, and declares, "Down with the Senate." Attorney General Roger B. Taney, who squats by Jackson's side, places a pillow inscribed "Treasury" on the president's stomach to make him more "pursey" in order to complete his transformation if he "can bear the weight." Nearby compliant Jackson advisor Martin Van Buren states he deserves the purse as a reward for his war service. To the right, in front of the Senate archway, Treasury auditor Amos Kendall and a second figure of Taney discuss the "Protest to the Senate" and "Counter Protest" they have written for Jackson, probably an allusion to the controversial message written by Kendall and Taney about Jackson's veto of the bill to recharter the Bank of the United States., Title from item., Date supplied by Weitenkampf., Printed to right of title: ("I have taken your brother for my model") General Jackson to Joseph Bonaparte, Globe.", Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-8 [5760.F.52]

Title: The German bleeds & bears ye furs of Quaker lords & savage curs
Description: Political cartoon depicting Quakers and racist caricatures of Native Americans riding on the backs of German and Scots-Irish settlers surrounded by burning houses and the bodies of dead men, women, and children. In the left, Benjamin Franklin stands holding a paper reading, "Resolved/ ye Prop[riete]r/ a knave/ & tyrant/ NC D/ gov[erno]r D:o." A fox, representing Quaker Joseph Fox, stands between his legs. Quaker leader Israel Pemberton rides on the back of a Scots-Irish man, who holds a rifle. Pemberton stretches his right hand out to grasp Franklin's paper and holds a band of wampum in his left hand. A rope wrapped around his left arm is attached to the nose of a blindfolded German man who walks behind him carrying a Native American man on his back. The Native American man holds a tomahawk in his right hand and carries a pack on his back labeled, "I.P." In the foreground are bodies of a dead man, woman, and child with cut marks on their heads indicating scalping. Native American men burn houses in the background. Joseph Fox and Israel Pemberton were leaders in the Quaker "Friendly Association" that was often accused of supplying money secretly to the Native Americans., Title from item., Date inferred from content., Attributed to Claypoole., Text printed under image: "The German bleeds & bears ye furs/ Of Quaker Lords & savage Curs/ Th' Hibernian frets with new Disaster/ And kicks to fling his broad brim'd Master/ But help at hand Resolves to hold down/ Th' Hibernian's Head or tumble all down.", Retrospective conversion record: original entry, edited., See Philadelphia printmaking: American prints before 1860 (West Chester, Pa.: The Tinicum Press, 1977), p. 70-89., RVCDC
Creator: Claypoole, James, 1720-1784?, etcher
Date: [1764]
Location: Library Company of Philadelphia | PRINT PRINT political cartoons 1764 Ger [66984.O.9]

Title: Congressional Pugilists He in a trice struck Lyon thrice
Description: Depicts a fight on the floor of Congress Hall between Vermont Representative Matthew Lyon and Connecticut Representative Roger Griswold. In the right, Griswold kicks Lyon and holds a cane up to strike him. Lyon grasps Griswold's right arm and raises a pair of fireplace tongs to hit him. Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others look on. In the background on the wall is a framed picture with two roosters whose caption reads "Royal sport." The fight was originally prompted by an insulting reference to Lyon on Griswold's part., Title from item., Date inferred from content., 19th century restrike., Weitenkampf lists three states of this print: in the first only the title appears above the image and the four lines of verse in the center below the image and "Congress Hall, in Philada. Feb. 15, 1798" etched in the lower right corner; in the second the title, and keyed references in the (plate) margins of the second appear above the image and "Congress Hall, in Philada. Feb. 15.1798" is etched in the lower right corner; the third is identical to the second state but has "17" etched in the upper right hand corner and "Congress Hall, in Philada. Feb. 15, 1798. "S.E. Cor. 6th & Chesnut St." in the lower right corner; the images remain the same in all three states., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Retrospective conversion record: original entry, edited.
Date: [1798]
Location: Library Company of Philadelphia | Print Department political cartoons - 1798-3b (second state) [2569.Q.17]

Title: The election, humbly inscrib'd to the Saturday-Nights Club, in Lodge Alley
Description: At the top, depicts the 1765 the election for the county and city of Philadelphia. In the left, shows Britannia, depicted as a white woman, with a shield with the Union Jack and a liberty cap and pole, saying "Oh my sons, my sons." America, depicted as a white woman, carries a sword and replies "Don't grieve too much sister." Treachery, depicted as a white women with two faces, stands behind Britannia with a dagger and says, "I hope that will do for you Madam." A large group of men stand in the foreground, including clergymen, and discuss the election. In the background, a line of men enter a building to vote., Title from item., Date from Evans., "About 150 lines of blank verse [in four columns] engraved on copper, with a picture of the election at the top."--Hildeburn., First line: Long with a Cruel, and perfidious Hand:, Manscript note by DuSimitiere: Published after the election of the members for the county and city of Philadelphia for the first of 8be 1765., Retrospective conversion record: original entry, edited.
Creator: Dawkins, Henry, d. 1786?
Date: [1765]
Location: Library Company of Philadelphia | PRINT political cartoons [1765] Ele [959.F.88 (DuSimitiere)]

Title: Old Nick's new patent plan to make Nova Scotia tories, federals coodies, Hartford conventioners, nullifiers, national republican bankites &c
Description: Cartoon issued during the Bank War attacking Nicholas Biddle, president of the Bank of the United States, and his allegedly bribed New York newspaper editors for propagating an artificial financial crisis to sway public opinion in favor of the Bank. Depicts editors James W. Webb, Mordecai Manuel Noah, and probably Charles King using large screw presses to crush masses of working men ("workies"), including sailors, laborers, and butchers. Noah, fearing the strength of the "workies," loses control of his press from the shifting weight of his men; King twists his press and talks of the "division of the spoils"; and Webb urges a "good screwing" to gain the workers's suport and Biddle's fees. From below, the "workies" criticize the Bank as an institution of the aristocracy; allude favorably to Jackson and his veto of the Bank's recharter; scream their refusal to bow to a "golden calf"; and exclaim that they vote for liberty, not their "merchants breeches pockets." To the far right, Biddle hollers support to his "cousins"; "Jack Downing" questions the success of the presses; and a man with a monocle declares that the "workies" will not vote in the next election if they fail., Retrospective conversion record: original entry, edited.
Date: [1834]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-5 [5760.F.59]

Title: A Correct chart of Salt River
Description: "Salt River," the fictitious river of political doom, is charted here as a meandering stream of Democratic misfortunes. The chart was purportedly "prepared by Father Ritchie," i.e., Democratic editor and Polk administration spokesman Thomas Ritchie. Swipes are taken at the Tariff of 1846, Polk's Vice President George M. Dallas, Martin Van Buren, and 1848 Democratic presidential nominee Lewis Cass. The river winds upward from the Ohio River (Ohio was a Democratic stronghold in 1848) to the Lake of Oblivion with an island on which sits the "Mansion of Despair." The "Fast Sailing Steamer Free Trade," captained by Lewis Cass and piloted by Ritchie, sets out on the "Slough of Despond" below (one of the landmarks in John Bunyan's "Pilgrim's Progress). The ship approaches a fork, from which the "Old Fox Branch" on the right leads to "Cabbage Point" and the home of Martin Van Buren. Van Buren can be seen sitting in a rowboat on the river complaining, "Hard work this all; your fault 'John, ' with your D--d Free Trade." His son John, a Free Soil party leader and campaigner, encouraged Van Buren's bid for the party's presidential nomination in 1848. On the left Salt River continues past the "Sub Treasury Bluffs," "Noise and Confusion Shoals," "Two Face Points," and "Irish Relief Shoal" (a reference to Democratic support for anti-British insurgents in Ireland), to another fork, "Prince John's Creek." Here John Van Buren walks along the shore and calls, "Good bye Dad! We could not Gull the People." The main branch of the river continues to "Pillow's Cemetery" (named after Gen. Gideon Pillow, conspirator against popular Mexican War commander Winfield Scott and a friend of James K. Polk), "One Seal Island", "Casting Vote Point," and "St Anna Pass." The last is named after Mexican president and commander Santa Anna, whom the Polk administration returned from exile only to see him lead the war against the Americans. On Lake Oblivion is a small ferry boat heads toward the shore at upper right where it will connect with a train named "Tariff [of 18]42," bound for Washington. On the left is a funerary monument "In Memory of Dallas," a memorial to Vice President and former Pennsylvania senator George M. Dallas. Many of Dallas's fellow Pennsylvanians viewed him as a traitor to the state's interests in his support of the Tariff of 1846, which supplanted the popular 1842 tariff., Title from item., Date inferred from content., Library copy has manuscript written on lower right recto: March 5th, 1849., Retrospective conversion record: original entry.
Date: [1848]
Location: Library Company of Philadelphia | Print Department political cartoons - 1848-50 [P.2275.28]

Title: Bank-ometer Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress
Description: Cartoon designed by radical labor activist Seth Luther to promote the dissolution of the United States banking system. Depicts the U.S Bank as operated by the industrial turbine "Currency Reservoir." The "Bank of England Tube," "State Bank Tube," and "Expansion and Contraction Tube" extend from the reservoir and power meters labeled "Paperometer," "Stockometer," Flourometer," and "Wageometer," which flank the bank and measure the system. Meters measure the benefits to industry and the disadvantages to the artisan of the banking system from 1816 to 1840, including: the expansion and contraction of paper money; the prices and amounts of import and export commodities; the economic effects from the monetary fluctuations on manufacturers and mechanics; the price of stocks and flour; and the wages (lower in 1840 than 1816) and cost of living of New York carpenters. Also contains seventeen boxed quotations from prominent political figures criticizing paper money and banks, including statements by Washington, Jefferson, Adams, Jackson, Van Buren, Samuel Young, John Tyler, and Bank of the United States supporter Henry Clay; a chart containing figures indicating an increase in the number of banks from 1774 to 1840, the amount of hard and paper currency in circulation, and the "aggregate receipts" from public land sales; as well as references to Jackson's 1832 veto of the Bank of the United States and Van Buren's 1840 Independent Treasury Bill. Dedicated to Andrew Jackson for his "righteous" veto of the Bank of the United States on July 4, 1840., Title from item., Date from copyright statement: Entered according to act of Congress July 22, 1840 Seth Luther Author and Proprietor in the Clerks Office of the District Court of the So. District of N.Y., Retrospective conversion record: original entry, edited., Library Company Annual Report, 2001, p. 30., Advertised in Public Ledger, October 8, 1840. Price listed as 25 cents.
Creator: Lawton, Stephen, lithographer
Date: designed Nov. 1833, drawn 1840, cJuly 22, 1840
Location: Library Company of Philadelphia | Print Department *political cartoons - 1840-Ban [5760.F.84]

Title: Protest against the British government; [Portrait of a young woman]
Description: Political print designed by Joseph H. Brightly protesting the British government's policies toward Ireland containing a half-length portrait in left profile of Robert Emmett above text protesting for the equal rights of the Irish. Portrait surrounded by border captioned "Martyred Emmett. 'Let no man write my epitaph till Ireland is free.'" Text surrounded by a border shaped as a lyre and adorned with a heart marked "Liberty," vines of clover, and two bare-breasted angels holding scrolls. Scrolls inscribed with the names of eighteen Irish nationalists including John Mitchel; T.F. (Thomas Francis) Meagher; P. O'Donohue; and Rich. O'Gorman. Text references the infringement of franchise, a free press, and the separation of church and state; the American Revolution; the epitaph of Emmett; and the 'High court of Heaven.", Portrait showing a young woman holding a bouquet of roses. Roses adorn her hair., Two-sided lithograph containing a political print on recto and portrait on verso., One title supplied by cataloger., Date inferred from content., First line of text: Time is the arbiter of all things; slow in its progress, but wonderful in its results., Gift of Davd Doret.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *political cartoons - [1858] Pro [P.2005.36.19a&b]

Title: The old way. The new way
Description: Cartoon satirizing old and modern business practices. Shows a split view of two white men, possibly merchants or bankers. In the left, a thin man with disheveled hair sits on a crate near an overturned basket filled with credit vouchers at his feet. He is attired in a shirt, ragged pants and jacket, and shoes with holes in them. He holds his right hand up to his forehead in a gesture of distress for “he gave credit.” To his right is an open window in which a sign reading “The Poor House” is visible. In the right, a white man, sits, cross legged, in a chair between a table covered with a cloth on which he rests his elbow and a safe on which a “Government Securities” box of “U.S. Bonds” is set. He wears his hair combed back and has long mutton chops. He is attired in a suit, bow tie, vest adorned with a watch fob, and shined shoes. He holds a cigar in his left hand, his lapel in his right hand, and blows smoke from his mouth., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1870 in the clerks' office of the district court of the United States for the southern district of New York., Image captioned: I Gave Credit. I Sell for Cash., Lib. Company. Annual Report, 2019, p. 91.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department political cartoons - 1870 Old [P.2019.54.2]

Title: An Au-Gust Convention
Description: Cartoon satirizing the National Union Convention, which met in Philadelphia in August of 1866, in an attempt to support President Andrew Johnson and his Reconstruction policies and elect a new Congress. Muzzled dogs, each representing a state, walk down a path towards a dog house labeled, “Wigwam,” which was the name of the structure in Philadelphia that was quickly erected for the convention. Outside the house, two guard dogs, representing Johnson supporters Edgar Cowen and James Rood Doolittle, each hold cats in their mouths, representing the two notorious Peace Democrats, or Copperheads, Clement Vallandigham and Fernando Wood, who were barred from the convention. At the head of the parade, the Massachusetts and South Carolina dogs march together, representing General Darius Nash Couch and Governor James Lawrence Oliver, the representatives from those states, respectively. These two men entered the Convention arm-in-arm to demonstrate the possibility for national reconciliation. The South Carolina dog, however, also has its genitals muzzled, as it was the first state to secede from the Union at the beginning of the war. In the left is a small, muzzled dog with a brush and bucket, labeled “N.Y. Times,” tied to its tail that represents Henry Raymond, co-founder of the New York Times and pro-Johnson Republican Congressman. Raymond organized the convention and was removed from his position as Chairman of the Republican National Committee because of it. In the left background, shows the White House with a Confederate flag, with “My Policy,” flying and a dead dog lying on the ground representing Johnson. Radical and moderate Republicans in Congress believed that his treatment of the Southern states under his Reconstruction plan was too lenient., Retrospective conversion record: original entry, edited.
Date: [1866]
Location: Library Company of Philadelphia | PRINT political cartoons - 1866-11 [5760.F.113]

Title: The True peace commissioners
Description: Cartoon depicting an angered response of Democrats in support of war to what many considered to be false Confederate peace overtures and to the push for reconciliation with the South advanced by the Peace Democrats in 1864. In the center, Confederate general Robert E. Lee and president Jefferson Davis stand back-to-back trying to ward off an attack by Union officers (from left to right) Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. Sheridan points his sword at Lee, saying, "You commenced the war by taking up arms against the Government and you can have peace only on the condition of your laying them down again." Grant, also holding a sword, insists, "I demand your unconditional surrender, and intend to fight on this line until that is accomplished." Lee tries to placate them, "Cant think of surrendering Gentlemen but allow me through the Chicago platform to propose an armistice and a suspension of hostilities . . . " The 1864 Democratic national convention in Chicago advocated "a cessation of hostilities with a view to an ultimate convention of the states, or other peaceable means" to restore the Union. Davis, unarmed with his hands up, agrees, " . . . if we can get out of this tight place by an armistice, it will enable us to recruit up and get supplies to carry on the war four years longer." Farragut threatens with a harpoon, snarling, "Armistice! and suspension of hostilities'.--Tell that to the Marines, but sailors dont understand that hail from a sinking enemy." Sherman, with raised sword, informs Davis, "We dont want your negores or anything you have; but we do want and will have a just obedience to the laws of the United States.", Title from item., Date inferred from content., Probably drawn by John Cameron., Retrospective conversion record: original entry edited.
Date: [1864]
Location: Library Company of Philadelphia | Print Department political cartoons - 1864-6 [P.2275.5]

Title: The destruction of Pharaoh and his host. Moses is safe; let Pharaoh sink and where he goes he'll get his drink "The Lord delivered the people."
Description: Cartoon analogizing the victory of 1866 Radical Republican Pennsylvania gubernatorial candidate John W. Geary with the Biblical story of Moses's passage of the Red Sea (Exodus) to signify the election result as a moral and political conquest over the Conservative Republicans who supported the policies of President Andrew Johnson. Shows Johnson as "Pharaoh," riding a chariot labeled "My Policy." His crown has been knocked off his head, and the sea rushes around the horse-drawn chariot. Conservative Republicans, including William Seward, are washed away around him. In the distance, "the people" trek across the land of "Pennsylvania" holding a "Geary and Victory" flag., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: Magee, John L.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department political cartoons - 1866 Des [(2) 1322.F.20]

Title: Beauties of the Sunday Law
Description: Cartoon mocking Philadelphia's Sunday Law depicting an absurd street scene where citizens are barred from patronizing several closed businesses and public facilities, except for church. Renewed enforcement of the unpopular law proceeded the election of Sabbatarian Mayor Robert T. Conrad in 1854. Police patrol the street enforcing the law, including preventing a downed horse from dying; a "segars" store chimney from "smoking"; and a mourner from hiring a carriage to travel to a funeral "20 miles away." Other citizens angrily mob the church and plead to patronize the businesses and public services, including: a mother unable to purchase medicine from an "Apothecary" for her sick child; a fire victim unable to request a fire engine; a man with a "bellyache" prevented from using a locked "Public Water Closet"; and a wife barred from purchasing provisions as a result of her husband's tardily received wages. Also contains: a clock, a dog, and a rooster padlocked to prevent them from making noise. In the background, the steamship John "Stevens" remains docked at the pier near signs stating, "This river is stopped from running on Sundays" and "No fish allowed to swim on Sunday.", Title from item., Date inferred from content., Artist's monogram lower right corner., Probably drawn by Philadelphia and New York lithographer John L. Magee., Retrospective conversion record: original entry, edited.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department political cartoons - [1855]-Beau [8365.F]

Main menu

Pages