Search results

Title: [Henry Ward Beecher]
Description: Bust-length portrait of the prominent Brooklyn preacher and abolitionist. Beecher, wearing his hair slightly over his collar and attired in a white collared shirt, a black tie, a jacket, and a coat with velvet lapels, faces slightly right., Title from manuscript note on verso., Date inferred from presented age of the sitter., Mount contains red border., Gift of Richard P. Morgan, 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Beecher [P.9516.1]

Title: [Henry Ward Beecher]
Description: Bust-length portrait of the prominent Brooklyn preacher and abolitionist. Beecher, wearing his hair slightly over his collar and attired in a white collared shirt, a black tie, a jacket, and a coat with velvet lapels, faces slightly right., Title from manuscript note on verso., Mount contains red border., Image slightly faded., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Beecher [P.9363.41]

Title: Mrs. H. Beecher Stowe
Description: Bust-length portrait of the abolitionist and author of "Uncle Tom's Cabin." Stowe, wearing her hair in in a bun with curls around her forehead and attired in a headband, a dark-colored dress with a white, ruffled collar around the neck, a brooch, and a necklace, faces slightly right., Title from manuscript note written on recto., Date inferred from presented age of sitter., Mount contains red border., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer rather than technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Stowe [P.9363.12]

Title: Wendell Phillips
Description: Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, and a jacket with velvet lapels, faces left. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued that the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from manuscript note on verso., Date inferred from active dates of photographer and presented age of sitter., Gift of Richard P. Morgan, 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer as opposed to technician of the portraits.
Creator: Sarony, Napoleon, 1821-1896, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Phillips [P.9516.2]

Title: Fred. Douglass
Description: Bust-length portrait of the African American abolitionist and orator. Douglass, with white hair and a mustache and attired in a white collared shirt, a black bowtie, and a dark-colored waistcoat and jacket, faces slightly right while his eyes look to the left., Title from manuscript note on recto., Date inferred from presented age of the sitter., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., New York photographers Napoleon Sarony and Jeremiah Gurney & Son, two of a small number specializing in celebrity portraits, produced a majority of such portraiture in the 1860s and 1870s.
Creator: Sarony's and Gurney & Son's, photographer
Date: [ca. 1873]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Douglass [P.2282.112]

Title: Room in house
Description: View depicting an interior of the Lincoln House in Springfield, Illinois. A framed print commemorating the Emancipation Proclamation hangs on the wall-papered wall. Also includes a table adorned with a silver tray, pitcher, and goblets and a chair., Title from accompanying label: No. 21. Room in house., Date from copyright., Unmounted stereograph., Originally part of a McAllister, Hart, and Phillips Civil War scrapbook., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schreiber & Glover
Date: [May 22, 1865]
Location: Library Company of Philadelphia | Print Department stereo - Schreiber & Glover - Lincoln [(13)1540.F]

Title: [Mr. and Mrs. Fairman Rogers chaperoning coach of young ladies, May 10, 1879]
Description: Shows the Philadelphia engineer and noted coaching enthusiast and his wife Rebecca in the cab of a four-in-hand coach in a landscape setting. Several young ladies from prominent Philadelphia families sit on the deck behind the couple. Two African American groomsmen stand near the horses. Rogers was the founder of the Philadelphia Coaching Club and the first person in Philadelphia to drive a four-in-hand, which was painted by Thomas Eakins., Title supplied by cataloger., Manuscript note on verso: Saturday May 10, 1879. Mr. & Mrs. Rodgers [sic]; Hattie Meigs; Annie Williams; Lily Sturgis; Marian Rawle; Emily Newbold; Maidie Hart; Maud Potts; May McMichael; Mrs. Dick; Harriet Etting., Purchase 2010., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schreiber & Sons
Date: May 10, 1879
Location: Library Company of Philadelphia | Print Department photo - 5x7 - Schreiber (by photographer) [P.2010.18.1]

Title: Col. R. S. Strader horses - Bulletsville Boone Co Ky
Description: View showing five horses, including Burlington and Draco, under the inspection of two men standing near a dog, in front of a stable in Bulletsville, KY. Shows Draco, grandson of the great trotter Alexander's Abdallah, attached to a manned sulky and the other horses controlled by groomsmen, including an African American man. Two white women and two young, white boys stand near the men., Yellow mount with rounded corners., Photographer's imprint printed on mount., Title from manuscript note on mount., Manuscript note on mount: Burlington Draco - in sulky., Manuscript note on verso: Burlington/ 1870 by Wyatt's Abdallah son of Alexander Abdallah; dau a mare by Yankee Boy. Draco/ 1853 by Perkin's Young [Morril?]; dam the dam of Danville Boy & Draco 2nd., Gift of Helen Beitler, 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Schreiber & Sons specialized in photography of domestic animals and photographed almost every noted horse in North America during the latter nineteenth century.
Creator: Schreiber & Sons, photographer
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department stereo - Schreiber & Sons - Animals [P.2002.67.37]

Title: [Unidentified African American man]
Description: Three-quarter length portrait of a bearded Black man attired in a white collared shirt, a bowtie, a sack coat, and light-colored pants. He sits on a wooden chair facing slightly left with his right hand tucked into his coat., Title supplied by cataloger., Photographer's imprint stamped on verso., Originally part of a McAllister scrapbook of unidentified portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schreiber & Son(s), a Philadelphia partnership of George Schreiber, and his several sons, specialists in portraiture and animal portraiture, were in business from 1857 until 1900, operating at 818 Arch Street from 1867 until 1879.
Creator: Schreiber & Sons, photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Schreiber & Sons [8313.F.10b]

Title: [Unidentified African American woman and boy]
Description: Copy print of a circa 1850 daguerreotype of a fair-skinned African American woman, seated, holding the hand of a fair-skinned boy, probably her son, who stands next to her. In the right, the woman wears her hair with waves, parted in the middle, and tied behind her head and is attired in a long-sleeved, striped dress with white cuffs and a white collar or scarf tied around her neck. In the left, the boy wears his hair parted to the right with waves and is attired in a long-sleeved shirt with buttons down the center, a white collar or scarf around his neck, and light-colored pants., Title supplied by cataloger., Photographer's imprint stamped on verso., Originally part of a McAllister scrapbook of unidentified portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schreiber & Son(s), a Philadelphia partnership of father, George Schreiber, and his several sons, specialists in portraiture and animal portraiture, were in business from 1857 until 1900, operating at 818 Arch Street from 1867 until 1879.
Creator: Schreiber & Sons, photographer
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Schreiber & Son [8313.F.10c]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Copy photograph of a bust-length portrait of a young, unidentified African American man facing forward. The man has rosy-colored cheek, wears a mustache, and is attired in a white collared shirt, a waistcoat, and a jacket., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Shaw, Jeremiah H., photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Shaw [P.9969.2]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of an unidentified young African American woman standing and slightly facing right. She wears he hair tied back with bangs of curls on her forehead and is attired in a dark velvet basque shirt jacket with buttons down the bodice, a floral printed skirt, earrings, bracelets on both wrists, and a pin. She is posed beside a plaster tree stump, which she rests her hands on. In the background is a painted backdrop with trees., Title supplied by cataloger., Photographer's imprint stamped on mount., Date inferred from dates of operation of photographer and attire of the sitter., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Snyder & Walton, photographer
Date: [ca. 1893]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Snyder [P.9853.4]

Title: [Civil War drawings and cartes de visite reproductions of drawings by Henry Louis Stephens]
Description: Series of caricatures predominately satirizing the effects of the presidential policies of Abraham Lincoln on his re-election and the candidacy of Democratic nominee and former Commander of the U.S. Army, George McClellan, in the presidential election of 1864. Lincoln caricatures depict racist scenes and themes of election loss and show the president as a comic stage performer; a feeding open-mouthed tool of the abolitionists; as a defeated Robin Hood with his "Band of Brothers," (i.e. cabinet members Edwin Stanton, William Seward, and Gideon Welles); as weighed down by the "Old Keystone", a visual metaphor for the large number of Pennsylvania soldiers lost in the war; as a buffoon tripped up by his large boots of "military necessity"; as patronizing a miniature McClellan propped up on the "Chicago Platform"; as McClellan's puppeteer; and as "loved little and long" for his emancipation of the enslaved. McClellan caricatures primarily use the themes of McClellan, known as "The Young Napoleon," as a "MacNapoleon" and his contradictory personal and party platforms in relation to the war. Caricatures show "MacNapoleon" searching for the White House, childishly whining about his quest for the White house, and singing a "doleful ditty" about himself. Platform caricatures show McClellan as a squeeze doll who speaks two words - war and peace, and in a "Quandary" to choose between a ballerina representing war and another representing peace. Collection also contains caricatures of Edward Stanton making a "Soliloquy" as an allusion to a Republican loss in the presidential election; of Peace Democrat Clement Vallandigham satirizing his sentence of banishment to the South for anti-war sentiments as well as a racist caricature of the "The American Eagle.1864. A likely young bird" showing an eagle with the head of an African American resting on the American shield marked "E. Pluribus. U-No-Um.", Title supplied by cataloger., Date from copyright., Created postfreeze., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and of humorous caricatures and photographs. McAlister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Stephens, H. L. (Henry Louis), 1824-1882
Date: 1864
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(11)1540.F.20a; 5780.F.52m; 5792.F.4d&e; 97a-c &f; 98a,b,d, e-i; 99a-h; P.2282.50; P.8686.1-2; P.2005.2.12a-e; P.2006.1.25a&b]

Title: " How do debble does dey make a bicycle?" = Como diablos se hacen los bicírculos?
Description: Racist, genre scene showing an African American boy, seated on his knees, in a room with a dirt floor and strewn rubbish. His right hand is raised to his head, and he holds a tire pump and broken bicycle tire in his left hand. The boy, attired in a long-sleeved shirt, pants, and suspenders looks down with a look of anguish at the rubber tire pulled off of its hub. Behind the boy is a cot covered with haphazard-placed mounds of bedding. To his left, a cat stands in front of a wooden chair on which an empty glass bottle rests. Scene also includes a wooden storage cabinet in the right., Date from copyright statement: Copyright 1891 by Stohmeyer & Wyman., Curved buff mount with rounded corners., RVCDC, Description revised 2022., Access points revised 2022., Gift of David Long.
Creator: Strohmeyer & Wyman
Date: 1891
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Strohmeyer & Wyman [P.2018.16.5]

Title: Class of '78, University of Pennsylvania
Description: Group portrait of male students, attired in suits and most with hats and canes, including an African American man, posed on the steps of College Hall. According to the University's history, the first African American student matriculated in 1879., Title from mount., Manuscript note on verso: Prichett. Probably, Thomas Barclay Prichett, University of Pennsylvania, class of 1878., Purchase 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Suddards & Fennemore, a partnership between Philadelphia photographers William L. Suddards and George H. Fennemore from around 1870 until 1879, specialized in portraiture.
Creator: Suddards & Fennemore, photographer
Date: [1878]
Location: Library Company of Philadelphia | Print Department *group portrait photographs - education [P.8612]

Title: [Full-length portrait of an unidentified African American boy in a sailor suit]
Description: Full-length studio portrait of an unidentified African American boy. The boy, attired a collared wool coat with an emblem on the left arm, matching wool shorts, socks, and boots, looks slightly right. He stands on grass and rests his right elbow on a wooden gate. Includes a backdrop decorated as a field of flowers., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sullivan, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - Sullivan (phot.) [P.9969.1]

Title: Board of Education of the City of Camden of the State of New Jersey second class certificate
Description: Teacher's certificate illustrated with three allegorical vignettes: the New Jersey state seal with Liberty and Prosperity, portrayed as white women; a group of objects representing knowledge including books, a globe, a protractor, and a beaker; and a group of objects representing the arts including musical instruments, an artist's palette, a painting on an easel, sculpture, and a camera., Title from item., Issued to Mary S. Bunday, who qualified as a "first assistant in a grammar school," on September 25th, 1874. Bunday, an African American woman, was issued a second class certificate awarded to Black teachers., Date from manuscript written on recto., Manuscript note on frame backing: second class certificate meant Black for a Black Teacher., Unframed 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Traubel, M. H. (Morris H.), 1820-1897, lithographer
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
Description: Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: 1902
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]

Title: [African American family in front of their Pennsylvania residence]
Description: Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator: United States View Company, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]

Title: Whack it off short Sam
Description: Depicts a group of African American boys with a dog, its tail placed over a wood block in preparation to cut it with a hatchet. The six boys stand outside next to a brick building and a wooden barrel. The boy in the left holds a small, white dog up. The second boy to the right holds its tail across a wood block. The boy in the center holds the hatchet up in both hands., Title from item., Warped buff mount with rounded corners., Imprint on mount: The Universal Photo Art Co. Offices Philadelphia, Napierville, Ill., New York, London, Paris, Hamburg., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Universal Photo Art Co.
Date: [c190[0]
Location: Library Company of Philadelphia | Print Department stereo - Graves - Portraits & Genre [P.2002.4.7]

Title: " Does you love me hun?"
Description: Racist stereograph of an outdoor caricatured, genre scene showing an African American man woman couple seated together on a tree swing in a clearing in the woods. The woman sits on the lap of the man. Her left leg dangles. Her right cheek rests against his left one. She smiles and looks out. His eyes are turned toward hers. The woman wears a patterned, dark-colored shirtwaist, a floral-patterned skirt, dark stockings, and boots. He wears a suit. Scene also includes leaves on the ground and trees and bushes in the background., Date from copyright statement: Copyright 1898, by R. Y. Young., Title from item., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Universal Stereoscopic View Company
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - misc. photo - Universal [P.2018.16.7]

Title: And he owes not any man
Description: Depicts a white man blacksmith standing near a seated African American boy in the artisan's cluttered shop. The blacksmith, wearing a beard and attired in a collared shirt with the sleeves rolled up to the elbows, an apron, pants, and shoes, puts his right hand on his hip and holds a tool in his left hand as he looks directly at the viewer. In the right, an African American boy, attired in a long-sleeved plaid shirt, a vest, pants, socks, and shoes, sits on a barrel and holds a fan made of animal hair. Surrounding them tools, horseshoes, a large wheel, and barrels are visible., Title from item., Pink mount with rounded corners., Imprint printed on mount: Sold by Universal View Co. Philadelphia Pa. Lawrence Kan., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Universal View Co.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department stereo - Rau - Work [P.2002.8.2]

Title: A Virginia slave child in 1863
Description: Three-quarter length portrait of five-year old child emancipated from enslavement, Fannie Virginia Casseopia Lawrence, with her adoptive mother Catherine S. Lawrence. Freed in Virginia by Lawrence, a military nurse, Fannie was publicized as the "redeemed slave child" baptized by Henry Ward Beecher at Plymouth Church in Brooklyn in May 1863. Depicts the fair-skinned Fannie, attired in a straw hat, a cape, and a dress, standing and holding the gloved hand of the seated Catherine Lawrence, attired in a bonnet with a black lace veil and a bow under her chin, a dark-colored dress, and a cape., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by T.C. Fanning, in the Clerk's office of the District Court of the United States for the Southern District of New York., Photographer's imprint stamped on verso., Manuscript note on verso: Plymouth Church., Copyrighted by T.C. Fanning. Possibly New York publisher, Thomas C. Fanning., See Kathleen Collin's "Portraits of slave children" History of photography 9 (July-September, 1985), p. 187-210., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Van Dorn, photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.9995]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of a woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a high lace collar, a brooch, hoop earrings, a ring, and a long necklace. She rests her right arm on a table covered with a patterned tablecloth, and her left hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Red velvet embossed Van Loan & Co's Gallery 118 Chesnut St. Philada. Geometric border., Mat: Nonpareil., Case: Leather. Spray of flowers in a nonpareil like border. Scroll work all around. A different floral spray within a modified double elliptical border is on the back. Design called "Lily and Rose" and is Plate 114 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.), Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021., Van Loan operated from 118 Chestnut Street circa 1849-circa 1851.
Creator: Van Loan & Co., photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.3]

Title: Views of Tuskegee Institute
Description: Collection of views of the campus and the outlying areas of the African American vocational school organized by Booker T. Washington in Tuskegee, Alabama. Established in 1881 as a normal school for Black teachers, the school relocated in 1882 to an abandoned plantation and evolved into a co-educational vocational school active within the local community. The institute trained students in academic and industrial subjects including farming, dairy work, masonry, sewing, nursing, bible studies, and agricultural science. The majority of the campus was constructed by the students., Contains exterior views of several campus buildings including the Men's Industrial Building; the women's or Alabama Hall, and Phelps Hall containing the bible training school, as well as workshops, the brick kiln, the chapel, and Booker T. Washington's house. Also depicts scenes and portraits of daily life at and near the school including W.V. Chambliss, faculty member in charge of the dairy herd; a group portrait outside a nearby "Negro school house"; use of "the well" by whites and Blacks; teams of horses and oxen steered by students; and a "dress parade" and "inspection" of uniformed male students. Also includes exterior views of unidentified buildings; views of the main street of campus; street views of Dixville, Virginia; and a series of scenes depicting African American boys "scrabbing for a dime" on railroad tracks in North Carolina., Gift of Katherine Vaux McCauley and Mary James Vaux, 1999., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The Vaux family, a trio of siblings and Philadelphia photographers, included Mary M. Vaux (1860-1940), George Vaux, Jr. (1863-1927), and William S. Vaux, Jr.(1872-1908). The Quaker siblings, members of the Photographic Society of Philadelphia, worked collaboratively in photography, traveled extensively, and supported many philanthropic and educational organizations. Two of the siblings, Mary and George, joined the Photo-Secession movement at its founding in 1902.
Creator: Vaux family, photographer
Date: December 1901
Location: Library Company of Philadelphia | Print Department Vaux Collection - lantern slides - Tuskegee [P.9960]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: Fred. Douglas[s]
Description: Bust-length portrait of the African American abolitionist taken at Warren's studio at 289 and 465 Washington Street, Boston. Douglass, wearing a beard and white hair and attired in a white collared shirt, a bowtie, a waistcoat, and a jacket, faces left. Portrait was also used for the frontispiece to Douglass's third autobiography, "Life and Times" (1881)., Title from manuscript note on verso., Name of photographer and date of photograph supplied by Martha A. Sandweiss, ed. Photography in the nineteenth century (New York: Harry N. Abrams Inc., 1991), p. 60., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Warren, G. K. (George Kendall), 1834-1884, photographer
Date: [1876]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Douglass [P.9363.9]

Title: Gov. Andrews, Mass
Description: Half-length portrait of John Albion Andrew, Massachusetts governor, abolitionist, supporter of John Brown, and organizer of the first African American Civil War regiment. Andrew, attired in a white collared shirt, a dark-colored bowtie, waistcoat, jacket, and pants, sits on a wooden chair with his head turned to the left., Title from manuscript note on verso., Photographer's imprint stamped on verso., Purchase 1982., Description revised 2021., Access points revised 2021.
Creator: Warren, S., photographer
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Andrew [P.8752.2a]

Title: [African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Description: Depicts the African American men waiters posed amongst the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white or black jackets, and pants, stand around and in between the tableclothed dining tables facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Unmounted carte-de-visite photograph., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Watson, A., photographer
Date: [1864]
Location: Library Company of Philadelphia | Print Department cdv - Watson - Great Central Fair [5781.F.156g]

Title: [African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Description: Depicts the African American men waiters posed among and seated at the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white jackets, and pants, sit at the tableclothed dining tables and look at the viewer. Nine waiters, attired in white collared shirts, black bowties, black jackets, and pants, stand in a line in the middle of the room facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of a McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Watson, A., photographer
Date: [1864]
Location: Library Company of Philadelphia | Print Department cdv - Watson - Great Central Fair [5781.F.165f]

Title: [Portrait of five African American men attired in uniforms, probably band uniforms]
Description: Full-length portrait depicting the five young African American men, standing in a row, in a studio setting. The men on either end are slightly angled toward the man in the middle. The men have short-cropped hair, some with it parted in the middle. One man also has a mustache. The men are attired in white high collar shirts; bow ties; three-buttoned, dark jackets with flourishes across the chest and on the arms; and dark pants. One man (second from right) wears a black bow tie, while the others wear white ones. The man in the middle wears his jacket unbuttoned, while the others have theirs buttoned. Setting includes a palatial backdrop, a balustrade covered in drapery (in left), the edge of a platform (in right), and a fur rug on which the men stand., Title supplied by cataloger., Photographer's imprint with insignia printed on mount. Insignia composed of H.W. monogram with flourishes., Date inferred from years (1888-1892) photographer operated at address listed in imprint., Printed on verso: Harry A. Webb, art photographer, 112 and 114 N. 9th St., Philadelphia. Instantaneous process used exclusively. All negatives preserved. Duplicates, enlargements, or lockets. Can be furnished without resitting. Text surrounded by and within pictorial details. Details resemble pine needles, banners, and a circular ornament. The text and pictorial elements are within an ornamented border composed with bark-like details and ornate cornices adorned with floral twigs., Description reviewed 2022., Access points revised 2022., Harry A. Webb, born in England, worked in Philadelphia as a photographer by 1880. He continued in the profession through 1900. By the time of his death in 1927, he worked as a clerk for William H. Horstmann, a dress trimmings, military and regalia manufactory.
Creator: Webb, Harry A., 1847-1927, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Webb [P.2017.40]

Title: [Men harvesting hay on the Stouton farm, Philadelphia, Pa.]
Description: Depicts a group of men harvesting hay in the field behind Stouton. Three African American men stand on and near a horse-drawn cart overloaded with hay, while a white man and two boys stand near a horse-drawn plow, operated by a man neatly attired in a long shirt and tie. Stouton, the former country seat of William MacPherson, was inhabited by the Webster family beginning in 1805., William MacPherson was the son of Captain John MacPherson (1726-1792) from Edinburgh. William served as lieutenant for the British army during the first year of the Revolutionary War, but joined the Colonial army under the leadership of Lafayette. Appointed surveyor of the Port of Philadelphia in 1789 and commanded the Philadelphia battalion, the "MacPherson Blues", during the Whiskey Insurrection in 1794. Married Margaret Stout and resided at their country seat "Stouton". Site later named MacPherson Park., Attributed to John H. Webster but may have been taken by other Webster family members.
Creator: Webster, John H., 1861-1934, photographer
Date: ca. 1890
Location: Library Company of Philadelphia | Print Department Webster [P.9501.24]

Title: 1815 Delancey Place, Philadelphia
Description: Exterior view of one of the Victorian style row houses built on the 1800 block of Delancey to accommodate the growing number of the Philadelphia elite moving west in the mid-19th century. The house, designed by an unknown architect, was built in 1853 for Mrs. Alexander H. Scott. An African American man pedestrian walks on the sidewalk in the right and looks at the viewer., Photographer's imprint stamped on verso., Title from manuscript note on verso., Purchase 1986., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wells, John R., photographer
Date: [ca. 1952]
Location: Library Company of Philadelphia | Print Department photo - Wells [P.9167.18]

Title: Masonic Temple, Philadelphia
Description: View showing the front facade of the temple on 1 North Broad Street, designed by Freemason and Philadelphia architect, James H. Windrim, completed in 1874. Built to accommodate the local lodges increasing membership, the temple has been called the grandest in the country. Four African American boys walk in a lot in the foreground towards the viewer. Pedestrians walking on the sidewalks are visible in the background., Photographer's imprint stamped on verso., Title from manuscript note on verso., Date inferred from photographic medium and attire of the people., Purchase 1986., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wells, John R., photographer
Date: [ca. 1952]
Location: Library Company of Philadelphia | Print Department photo - Wells [P.9167.50]

Title: Lucretia Mott
Description: Three-quarter length portrait of the Quaker abolitionist and reformer. Mott, attired in a white cap, a dark-colored, long-sleeved dress, and a white shawl, sits holding a book, her elbow resting on a side table, a drape with tassels in the background., Title from manuscript note on mount., Date from duplicate in private collection., Attributed to Wenderoth, Taylor & Brown from inscription in modern hand on verso., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Frederick A. Wenderoth, William Curtis Taylor, and Frederick Brown, a Philadelphia photographic firm established in 1865, operated until around 1884. Wenderoth, a technician in the studio of Samuel Broadbent starting around 1860, assumed the business of his employer, with his first partner Taylor, around 1863.
Creator: Wenderoth, Taylor & Brown, photographer
Date: photographed December 1860, printed ca. 1875
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Mott [(2)5750.F.150c]

Title: "A guard of colored soldiers"
Description: Full-length group portrait depicting three African American Union soldiers, attired in uniform, standing with bayoneted Springfield rifle muskets and non-commissioned officer swords in hand. The soldiers include a sergeant (center left) who wears a regular belt plate, three chevrons on his sleeve, a kepi with a tarred cover, and a non-commissioned officer baldrick on his sword. The African American private (center) wears an infantry bugle and brass insignia on top of his kepi. The private (right) wears an unadorned kepi. In the left, is a white man soldier, probably a junior officer, attired in a great coat and slouch hat and holding possibly an 1850 foot officer's sword. Possibly soldiers from Camp William Penn, the African American training camp near Philadelphia, Pennsylvania., Title from manuscript note on recto., Name of photographer/publisher attributed from copy of photograph available in Hindman February 27, 2024 auction. Copy included revenue stamp and was stamped on verso: O.H. Willard's New Galleries, 1203 Chestnut St. No. [4485] Phl. Copy of listing included in Willard research file at repository., Date inferred from revenue stamp on verso of copy at Hindman auction, February 2024., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2024 with information from 2024 Hindman auction listing., Access points revised 2024., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Willard, Oliver H., -1875
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdv portraits- group - Military [5779.F.3d]

Title: Uncle Jimmie, Beaufort, S.C
Description: Stereograph depicting “Uncle Jimmie,” an older African American man knitting the corner edge of a mesh fishing net extended out in front of him from a pole on the porch of a wood cabin. Shows the man, with receding, short, cropped hair, seated, and in profile. He wears a white, long-sleeve, button-down shirt; dark-colored pants; and work shoes. The man, possibly Gullah, uses a flat rule and needle on the edge of the net. Behind the man, in the background, an open door to an entryway with an open window is visible. A vertical beam is also visible in the left of the image. Knitting fish net was and is one of a number of Gullah traditions (customs developed by enslaved Africans living along the Atlantic coast of South Carolina) practiced in Beaufort, S.C., Title from manuscript note on verso., Date inferred from active dates of Wilson & Havens partnership., Orange mount with rounded corners., Description reviewed 2022., Access points revised 2022.
Creator: Wilson & Havens, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - misc. photographer - Wilson & Havens [P.2020.38]

Title: Old graveyard. N.S. Spruce bet 8th & 9th
Description: View showing the front gate, adorned with a stone marker, of the Jewish Philadelphia cemetery Mikveh Israel. A brick wall surrounds the entrance with a wrought iron gate, which leads to a path through the cemetery. In the left, two men, including an African American, sit with their legs crossed on crates near the gate. Trees flank the gate, and more trees are visible beyond on the grounds. Established as a private burial ground in 1738 by Jewish businessman Nathan Levy, the cemetery was deeded to the Mikveh Israel congregation in 1774., Title from manuscript note by photographer on verso., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.132], http://www.lcpimages.org/wilson/wilson132.htm

Title: Antique store, Pine Street e. of 13th St
Description: Exterior view depicting the two-and-a-half story antique shop of James Eham, an African American, at 1237 Pine Street. Shop is heavily adorned with antiques and curiosities, including cigar store Native Americans, ship models, and weather vanes. Candlesticks and a menorah are displayed in the first floor windows. Eham, born enslaved in Virginia, settled in Philadelphia in 1876 and soon after became an antiques dealer. By 1927, he owned two antique stores in Philadelphia and one in New York. Eham was also a Baptist minister, as well as worked as a hotel porter later in his life., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: An interesting old negro is the proprietor of this curious shop., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Research file about James Eham (1842-1930) available at repository.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.175], http://www.lcpimages.org/wilson/wilson175.htm

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: Chapel in negro cemetery on 47 St. no. of Lancaster Ave
Description: Depicts the dilapidated chapel at Olive Cemetery on Girard Avenue between Merion and Belmont Avenues in Philadelphia. In the right, African American children sit in and stand near the chapel's doorway. Four young children sit within the covered doorway and look at the viewer. A small boy stands beside the door and faces the viewer. Olive Cemetery, established in February 1849, was one of the city's largest African American administered business enterprises which by the late 19th century had failed due to mismanagement., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: This cemetary [sic] will soon make way for modern buildings (1925). Romanesque., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.239], http://www.lcpimages.org/wilson/wilson239.htm

Title: [Olive Cemetery chapel, Girard Avenue between Marion and Belmont Avenues, Philadelphia.]
Description: View showing the chapel at the African American cemetery, Olive Cemetery. African American children sit in the doorway of the chapel, which stands behind a dilapidated stone and wrought iron gate. The cemetery, established in February 1849, was one of the city's largest African American administered business enterprises, which by the late 19th century had gone to ruination due to mismanagement. The Home for Aged and Infirm Colored Persons is visible in the background., Photographer's manuscript note on verso: 47 Street no. of Lancaster Ave., Gift of Margaret Odewalt Sweeney, 1979, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.240], http://www.lcpimages.org/wilson/wilson240.htm

Title: Logan Square, Park Boulevard, Philadelphia
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm

Title: Logan Circle
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from photographer's manuscript note on verso., Date inferred from content., Duplicate print P.8513.109., Digital file shows P.8513.109., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.9], Library Company of Philadelphia | Print Department P.8513.9, http://www.lcpimages.org/wilson/wilson109.htm

Title: Bread St. bel. Arch St. A Jewish family and a delegation of the darktown brigade
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats. Smoke from a fire in the street wafts in front of the children., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Wisp of haze near centre of picture is smoke from a fire in the street opposite the house. Certin [sic] rooms in the building had just been papered and a bonfire was made of the refuse. This house is about 125 yrs old. Note the splendid condition of the brick work and mortor [sic] joints. Bricks were carfully [sic] made in those days. The proper proportion and careful selection of loam, shale and sand was an art. Then too the drying and baking of the brick was of vast importance and was done with the utmost attention towards the securing of the best results. These bricks were baked with wood fires, as was the lime on which they were laid. Explain why wood baked lime and bricks are superior to the coal baked product., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.84], http://www.lcpimages.org/wilson/wilson84.htm

Title: Court. Lombard St. W. of 7
Description: Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

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