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- Title
- [Unidentified elderly African American man]
- Description
- Three-quarter length portrait of an African American man seated in a wooden Windsor chair in front of the doorway of a house with walls that are cracked with exposed wood. Sitter, wearing white hair and sideburns and attired in a white shirt, a dark-colored jacket and pants, and a dark-colored coat with paint splatters on the elbow and sleeves, holds a hat in his hand as he looks directly at the viewer., Title supplied by cataloger., Originally part of a S.W. Dwayne scrapbook., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department portrait photographs - unidentified male [8836.Q.1]
- Title
- [Unidentified African American man]
- Description
- Three-quarter length portrait of a seated African American man superimposed in front of a background of an ornate parlor interior. Sitter, attired in a white collared shirt, a bowtie, a waistcoat, a jacket with large, decorative buttons, and pants, sits facing forward with his hands on his knees and his head slightly looking right., Title supplied by cataloger., Date inferred from attire of the sitter., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Accessioned 1982., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department portrait photographs - unidentified male [P.8910.36]
- Title
- A Ku Klux Klan party in North Carolina
- Description
- Altered photograph depicting the "Plan of the Contemplated Murder of John Campbell." Shows nine Ku Klux Klansmen (comical faces drawn on their hoods) surrounding a kneeling noosed white man - John Campbell - holding his hat. A Klansman holds the noose. Campbell was a leading member of the Republican Party in Poplar, North Carolina whose political affiliation was adjudicated a crime by the Klan. On August 10, 1871, the Klan abducted and sentenced him to be hung in the woods near his residence. A secret serviceman Joseph G. Hester had infiltrated the North Carolina order and stopped the hanging and arrested the Klansmen. Soon thereafter Hester commissioned a photograph with Campbell reenacting the Klan tribunal with "actors" attired in the Klan's confiscated regalia. The actors have been purported to be the African American acquaintances of Campbell. The photograph was distributed to the Northern press and authorities in Washington D.C. Engravings with commentary after the photograph were later issued and circulated., Title from manuscript note on verso authored by Charles E. Smith., Manuscript note on verso: A Klu Klux Klan party captured in Western N. Carolina in 1871 by a company of the 4th artillery, Captain F.G. Smith & photographed on the Spot. Charles E. Smith., Manuscript note on verso: My nephew said that the prisoner would not stand still to be photographed, as he took off their disguises & put them on some of his own men. A crowd of the natives stood around watching the operation. One of them said- "I bet that them Yankees will send that picture up North" "& lie about it & say that it is took of we uns, while it is their own men insich, all the while-" "It's just like them mean yankees to do it", Charles Emory Smith (1842-1908), a United States Minister, was also a prominent political journalist and Republican delegate who as editor-in-chief of the Philadelphia newspaper, "The Press" cemented the journal's reputation as the leading Republican paper of Pennsylvania., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Variant photograph of the reenacted scene in the collections of Nelson-Atkins Museum of Art, Kansas City, MO., See research file - Campbell, John.
- Date
- [1871]
- Location
- Library Company of Philadelphia | Print Department photo-unidentified-Associations [5779.F.153]
- Title
- [Scene on Atlantic City boardwalk near Lindley's baths]
- Description
- Scene depicting the busy Atlantic City boardwalk with many promenaders. Several businesses line the boardwalk including a photographic studio, Adams Bath Houses, Lindley's Baths, and Shimamura & Company. Through the glass storefront window at Shimamura & Co., numerous vases and framed works are visible. Men, women, and children promenaders include two African American girls attired in white dresses and hats; three women attired in Japanese kimono carry parasols and one carries a fan; members of a band; and a white boy carrying a sign for "Cleveland's Iron Pier." In the left, a large American flag flies. An observation tower with people is seen in the background. Shingo Shimamura, along with several Japanese partners including Y. Mayebara, and Takemura, opened Shimamura and Co. in 1888 at Tennessee Avenue and the Boardwalk, Atlantic City. The store sold Japanese art and decorative arts. In 1906, Shimamura opened another store at 579 Broadway, New York City., Title supplied by cataloger., Date inferred from attire of the people., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1895]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Cities [P.9260.590]
- Title
- Palm Sunday or Easter Sunday, the boardwalk, Atlantic City, N.J
- Description
- Group portrait of a crowd of hundreds of promenaders crammed on the Atlantic City boardwalk during the Lenten season of the early 1920s. All the promenaders are attired in hats and their holiday best, including an elegant African American woman. The Schlitz Hotel, the Hotel Dunlop, the Steel Pier, and the Atlantic Ocean are seen in the background. Spectators look down from the balcony at the Schlitz Hotel. Starting in the late 19th century, Atlantic City became a haven for the well-to-do to celebrate Easter and model their fashionable holiday wear and millinery., Purchase 1984., Title from manuscript note on verso., Date inferred from content and attire of the people., Blind stamp: George S. MacManus Co. Corporation Seal Pennsylvania 1940., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department photos - unidentified - Cities [P.9005.29]
- Title
- [Crowd on the Atlantic City boardwalk near the Steel Pier]
- Description
- Group portrait of a crowd of hundreds of men and women promenaders crammed on the Atlantic City boardwalk during the early 1920s, probably on Easter. Most of the people, including a few African Americans, are attired in hats and their best clothing. The Steel Pier displaying the "General Motors Exhibit," "Chop Suey," Strands, La Victoire Restaurant, and the Virginia Photoplays line the street. Starting in the late 19th century, Atlantic City became a haven for the well-to-do to celebrate Easter and model their fashionable holiday wear and millinery., Title supplied by cataloger., Date inferred from the photographic medium and the attire of the people., Manuscript note on verso: Market Finance Co., 409 Market St., Purchase 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1925]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - cities [P.8932.16]
- Title
- [Construction of the Frankford Elevated railroad tracks at Front and Arch Streets in Philadelphia, September 6, 1922]
- Description
- Scene showing predominantly African American construction workers laying down railroad tracks near a block of rowhouses at Front and Arch Streets in Philadelphia. The men are surrounded by piled planks, buckets, and construction debris. Many of the workers have stopped to pose, including a white man, possibly a foreman. In the left, two men continue to work and consult near steps by a curved railing. The half completed tracks, bridge platform, a billboard, factory buildings, and water tower are visible in the background. Constructed under the auspices of the City of Philadelphia's Department of City Transit (later Transit Operations and Planning Division) between 1915 and 1922, the Frankford Elevated Railway consisted of a two track structure six miles in length that extended north over the roadway of Front Street, Kensington Avenue and Frankford Avenue between Arch and Bridge Streets. Operated under lease to the Philadelphia Rapid Transit Company (later South Eastern Public Transportation Authority or SEPTA), the line opened November 5, 1922., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [September 6, 1922]
- Location
- Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.419]
- Title
- [Construction crew in a fenced ditch below street level, July 12, 1904]
- Description
- Scene depicting a predominately African American construction crew, working with shovels and picks around a fire hydrant, exposed pipes, and a storm drain within a large fenced off ditch. Planks and sheet metal cover part of the site. Workers place dirt into steel bins. A crane hovers above. Spectators, including white men and boys and African American man, line the fence and pass the construction site. Further down the street another predominately African American construction crew works within another ditch., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [July 12, 1904]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.423]
- Title
- [Celebration at building construction site]
- Description
- Group portrait of white men celebrants, attired in light-colored hats and suits, at a building construction site on a major city street. An older white man, attired in an oversized hat decorated with flowers, holds a baton and sits before the group of men who stand on planks balanced across exposed iron girders in the sidewalk, on a large pulley, and on cement blocks before the unfinished building. In the left, four African American men musicians with guitars and a fiddle stand on the planks of wood and look at the viewer., Title supplied by cataloger., Date inferred from attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1910]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - construction [P.9260.426]
- Title
- [Construction crew near railroad tracks, July 8, 1904]
- Description
- Scene depicting a predominately African American construction crew working with picks and shovels in a pit deeply dug out of a stone embankment near railroad tracks. Within the pit lined with wood planks, a well-dressed white man, standing near the hook end of a crane hanging above, oversees the work crew. At street level, near a pile of rubble, a horse-drawn flatbed truck loaded with logs and two white workers stand idle. In the foreground, a "P.R.R." (Pennsylvania Railroad) air brake steel car stands motionless on the track., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [July 8, 1904]
- Location
- Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.424]
- Title
- [United States Department of the Interior] Quartermasters Interior Depot, 21 and Oregon Ave., May 24, 1917 [sic]
- Description
- View of a crowd witnessing the military performing a flag folding ceremony at the Depot under construction in Philadelphia during World War I. In the center, the soldiers hold a large American flag. More soldiers stand in formation in the right. Surrounding the soldiers are depot workers, some African American men, who watch the ceremony. In the foreground, men observe the scene while seated on a trailer and sitting and standing on stacks of cinder blocks. In the left, a man sits on a bicycle beside a building. Scaffolding is visible in the background., Title from item., Manuscript date written on recto should probably be 1918 not 1917., See related: P.P.9260.428., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [May 24, 1918]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.427]
- Title
- Quartermasters Department of the Interior, 21st & Oregon Ave. Phila May 24, 1918
- Description
- View of a crowd witnessing the military conducting a flag ceremony at the Depot under construction in Philadelphia during World War I. The majority of spectators, predominately depot workers, some African American men, surround the soldiers as they fold a large American flag in the right. In the foreground, men watch seated on a trailer and stacks of cinder blocks. In the left, a man stands with a bicycle in front of a building. In the background, men work within scaffolding., Title and date from item., See related: P.P.9260.427., Purchased 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [May 24, 1918]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.428]
- Title
- [African American construction crew installing a utility pole]
- Description
- Scene of a crew of African American men construction workers nearing completion of the installation of a utility pole along a cobblestone city street lined with homes and businesses. Most of the crew members hold their mallets on their shoulders and wait on the sidewalk as another laborer retrieves a long pipe from their nearby utility truck. A mound of freshly dug dirt is piled near his feet. A white pedestrian observes the scene. A gas station is visible on the opposite side of the street., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1925]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - construction [P.9260.603]
- Title
- [Presbyterian Hospital, administration building, Philadelphia]
- Description
- View of the exterior of the administration building at Thirty-ninth Street between Powelton Avenue and Filbert Street in West Philadelphia, erected in 1891 and demolished in 1959. Shows the stairs leading to the front door to the brick building. In the left, a row of seven boys, including an African American boy, stand on the sidewalk before a gate and look at the viewer. Trees line the sidewalk. The three-story building in the right is visible. Built on land donated in 1871 by church member Rev. Dr. Ephraim D. Sanders, the hospital was erected as a monument to the Philadelphia Presbyterian Alliance which was formed in 1870 following the reconciliation of the Old and New School Branches of the Presbyterian Church., Title supplied by cataloger., Date inferred from attire of the people., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1900]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Hospitals [P.9260.474]
- Title
- Colonnade Hotel, SW corner 15th & Chestnut, Phila., 1896, showing monument on the ground of Epiphany Ch[urch]
- Description
- View of the prominent hotel erected in 1868 at 1500-1506 Chestnut Street. White men and women pedestrians stroll the sidewalk, and an African American man passes by on his horse-drawn cart. Businesses line Chestnut Street, including: George E. Dearborn, piano dealer; a paper hangings store; and a custom shirt proprietor. The hotel, named after the previously existing "Colonnade Row" of early nineteenth-century pillared, porched townhouses, was demolished in 1925 for the erection of the Franklin Trust Company building. Also includes the fenced obelisk monument to James Henry Fowles, former rector of the church previously located at the northwest corner of Fifteenth and Chestnut streets, the Church of the Epiphany., Title from manuscript note on verso., Purchase 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1896]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - hotels [P.9005.19]
- Title
- Type "C" loader with swiveling belt conveyor storing coal at University of Pennsylvania, Philadelphia
- Description
- a Product advertisement, probably from a trade portfolio, showing the Link-Belt coal loader in action behind a small ivy covered building on the campus. In the foreground are large piles of coal. In the center, a coal shooting loader is set up and an African American man, attired in a brimmed hat, stands and oversees the operation. A laborer shovels coal from the back of a dump truck. Link-Belt Engineering Co. was founded by William Dana Ewart, inventor of the link-belt, in 1874., Title from typed note on verso., Date inferred from photographic medium and content., Inscribed in negative: 9249., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.21]
- Title
- [Charles J. Webb Company float during a parade along a Philadelphia street]
- Description
- View of the float for Charles J. Webb Co., Philadelphia woolen and cotton yarn dealer. Bordered by a log fence and adorned with cotton plants and two small American flags, the float carries four live sheep and several costumed passengers including: three African American men attired as cotton pickers; a white man attired as a colonial lady near her spinning wheel; and a white boy attired as a colonial sheepherder holding his crook. Partial view of preceding float is visible with a white man attired in colonial garb. A large, stone building lines the street., Title supplied by cataloger., Date inferred from content., Purchase 1989., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department photos - unidentified - processions [P.9260.638]
- Title
- [Construction on Market Street between 17th and 18th Streets, Philadelphia, July 8, 1904]
- Description
- View of a fenced exposed area of the street with unearthed pipes protected by a series of wood girders. African American construction workers guide a steel bin over the girders and haul dirt from the site with a horse-drawn cart. Several spectators, including a well- dressed African American man, line the fence. In the distance, a white boy with a bucket rests on a crane near a workman's shed. Businesses line the street including "Leiber's Red Front Dining Room, 1788 Market Street." Painted advertisements for Coca Cola and a liquor dealer adorn the building visible on the street corner., Title supplied by cataloger., Negative inscribed: 554., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [July 8, 1904]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.362]
- Title
- Looking east on Market St. from above 8th St., Philadelphia
- Description
- View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway on the 700 block of Market Street. Shows the very active street with several trolleys, horse-drawn vehicles, and men and women pedestrians hurrying on the street near the sidewalk mobbed with people. African American construction workers work under a "Danger" sign. Nearby, a man carries a sign advertising "Dr. Hyman" who "will fix your teeth." Several businesses line the street, including Lit Brothers department store (701-739 Market); "Dr. Wyeth's Painless Modern Dentistry" covered with signage; Hanscom's, grocery and lunch room (734 Market); Hertfelder's, tailor and clothiers; Wick Narrow Fabric Co.; and Asam Brothers, wall paper., Title from manuscript note on verso., Date inscribed in negative., Inscribed in negative: 4396., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- September 25, 1907
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.375]
- Title
- [Broad Street Station fire, Philadelphia, June 12, 1923]
- Description
- View of the interior of the burnt out train shed during the fire of June 11-13, 1923. Depicts several workers, including African Americans, building a new train platform and clearing debris from the tracks near the destroyed row of gates. Slightly damaged train cars and engines trapped by the fire, including "Al G. Barnes Wild Animal Circus," rest on the tracks. Large burnt pieces of the destroyed ceiling lay under a "Baggage Claim" sign. The Broad Street Station fire, started Monday, June 11, 1923 by a short circuited cable, was at the time considered one of the worst fires in the city's history with an estimated $1,500,000 worth of damage. By the second day, despite the fire continuing to burn in areas, 2000 laborers began to clear debris and set up umbrella shelters to prepare for the station's reopening at the end of that week., Title supplied by cataloger., Date inferred from content., Manuscript note on verso: Tues. noon., Reproduced in Harry Albrecht. Broad Street Station.... (Harry P. Albrecht: Philadelphia: 1976), p.30. (LCP Ok A1026.O.5), Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [June 12, 1923]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - transportation - railroad [P.8683.9]
- Title
- 24th Regiment, U[nited] S[tates] C[olored] T[roops] at Camp W[illia]m: Penn
- Description
- View showing the African American 24th Regiment standing in ranks at Camp William Penn, Cheltenham Township. Two white officers stand in front of the regiment gathered next to the camp's barracks. Begun in 1863 with the support of the Union League, Camp William Penn was the first Pennsylvania camp for volunteer African American regiments. Eleven regiments were formed at the camp, including the 24th. Camp William Penn was the largest existing camp for the training of officers to lead African American troops., Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - military [P.8687.6]
- Title
- Children's goat carriage. American scenery. Central Park N.Y
- Description
- View of an open air children's goat carriage steered by an African American man coach driver in New York City's Central Park. The driver, attired in a white collared shirt, a black bowtie, a dark-collared suit, and a brimmed hat, holds the reins to two white goats with horns. Riding as passengers in the carriage are two white girls, attired in fine hats and coats. In the right background, a white woman and two children sit on a bench., Title from item., One of a series of copy issues entitled: American Scenery., Gift of Saul Koltnow, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1874]
- Location
- Library Company of Philadelphia | Print Department stereographs - unidentified - Non-Philadelphia-New York [P.9022.23]
- Title
- Slave pen on Whitehall Street, Atlanta, Ga
- Description
- View of a dilapidated building with a sign, "Auction & Negro Sales," on Whitehall Street in Atlanta. A man attired in a brimmed hat sits on a wooden chair with a rifle leaning beside him against the front of the building. Several cigar and cigarette manufactories and tobacco stores, including "F. Geutebruck Tobacco," line the dirt street., Title from item., Issued as #3608 in E. & H.T. Anthony Catalog "War of the Union" series., Original negative in the collections of the Library of Congress, Washington, D.C., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia-Georgia [5779.F.8h]
- Title
- [African American woman caregiver with her two white charges in Atlantic City]
- Description
- Full-length portrait of an African American woman caretaker standing on the steps with a white girl and a white boy. The woman, wearing her hair tied up and attired in a hat and a long-sleeved, white dress with a belt, stands on the sidewalk before the stairs with her right hand in front of her waist and her left hand behind her back. The girl, wearing her curly hair with a bow tied in the left and attired in a long-sleeved white dress with a belt, white socks, and Mary Jane shoes, stands on the steps facing the viewer with her hands at her side. In the right, the boy, attired in a sailor suit with a belt and shoes, stands facing the viewer with his hands at his sides. In the left is "The Criterion," a hair dressing parlor in Atlantic City. The parlor operated from 1907 until 1908, first at the Hotel Islesworth, then The Hotel Bothwell., Title supplied by cataloger., Date inferred from the attire of the sitters., Accessioned 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1907]
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Recreation [P.9619.3]
- Title
- [African American worker at a work site near the Trenton Elevated Railroad Bridge in Philadelphia]
- Description
- Portrait of an African American construction worker standing next to a support column of the Philadelphian & Trenton Railroad Bridge at Trenton Avenue near Frankford Avenue. The man, attired in a bowler hat, a long-sleeved shirt with only the top buttoned, torn and worn overalls, and shoes, tucks his hands into the waist of his overalls and looks at the viewer. Behind him, two laborers perform street work, including a white man holding a shovel that looks at the viewer. In the background is Frankford Avenue. Pedestrians walk on the sidewalk along the row of brick buildings., Title supplied by cataloger., Date inferred from content and attire of the people., Gift of Ruth Molloy, 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1918]
- Location
- Library Company of Philadelphia | Print Department photo - 5x7 - unidentified - Transportation [P.9481.3]
- Title
- Frank & his darkies. A wagon load of beets just in from the field
- Description
- Group portrait depicting African American women agricultural laborers posed in front of a horse-drawn wagon loaded with beets. Three African American men agricultural laborers, including the foreman "Frank," stand beside them and on the cart. The women, most attired in hats, long-sleeved shirts, and full-length skirts, are covered in dirt from the day's work. In the left, another horse is visible., Title from manuscript note written on verso., Date inferred from attire of the sitters., Gift of Tom Nicely, 1990., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1910]
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7- unidentified - Non-Philadelphia [P.9297]
- Title
- The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907
- Description
- View of the "Elks Greatest Parade" on South Broad Street during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907. Depicts a float, a horse-drawn wagon carrying a large stuffed elk and passengers, and several costumed parade participants from various Elk Lodges throughout the country. Participants include a group dressed as minstrels in bowler hats and duster jackets and members attired all in white holding umbrellas. Spectators line the street. The south side of City Hall is visible in the distance., Title from item., Berry, Kelley & Chadwick was an early 20th century prolific publisher and retailer of stereoviews with locations in Philadelphia, Chicago, Dallas, and Atlanta., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1907
- Location
- Library Company of Philadelphia | Print Department stereo - Berry, Kelley & Chadwick [P.8451.3]
- Title
- International live stock exhibition, Philad'a., 1876
- Description
- View of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. A number of men stand around the shed and near the cattle and look at the viewer. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mount., Date from copyright statement: Copyright 1876 by E.F. Hovey, publisher, 1113 Chestnut St. Phila., Gift of Robert M. Vogel, 1984 [P.9047.66]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereos - Hovey [P.9047.66]
- Title
- Digging potatoes with modern machinery
- Description
- Touched up newspaper photograph depicting a portrait of the back of an African American man riding his horse-drawn "Iron Age" potato machine as he harvests a field of potatoes. The man, attired in a brimmed hat, a long-sleeved shirt, overalls, and shoes, sits on the machine and holds the reins to the two horses. The machine is pulled down rows of potato plants. The newly harvested potatoes are visible on the ground., Title from typed note pasted on verso., Printed caption pasted on verso: "Digging Potatoes with Modern Machinery.", Manuscript note on verso: Bateman & Cos Inc., Grenloch, N.J., Gift of Jane Abrams Bender, 1997., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- March 25, 1928
- Location
- Library Company of Philadelphia | Print Department photos - unidentified - Industry [P.9520.51]
- Title
- I sell the shadow to support the substance. Sojourner Truth
- Description
- Three-quarter length portrait of the African American itinerant preacher, abolitionist, and women's rights advocate born into slavery and originally known as Isabella Baumfree. Shows Truth, seated, and attired in a dark-colored, long sleeved dress with white collar, white shawl with fringe, and a white cap. She wears wire-rimmed glasses and faces front and is turned slightly to her left. She holds knitting in her left hand which rests on a small table that has a decorative table cloth. A notebook and vase of flowers adorn the table. A string of yarn runs across her lap. Truth escaped to freedom in 1826. During the period of the Civil War, Truth captioned, marketed, copyrighted, and sold at least eleven different carte-de-visite portraits of herself at her lectures and through the mail to earn personal funds and advocate for the abolition of slavery. Her knitting probably alludes to her promotion of the handcraft as an industry for advancement for former enslaved persons., Title from item., Publication information from copyright statement on verso: Entered according to act of Congress in the year 1864, by Sojourner Truth, in the Clerk's Office, of the U. S. District Court, for the Eastern District of Mich., Lib. Company. Annual report, 2016, p. 66-67., Description revised 2022., Access points revised 2022.
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Truth [P.2017.27]
- Title
- [Robert Swayne collection of Philadelphia photographs]
- Description
- Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
- Date
- [ca. 1860-ca. 1952]
- Location
- Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]
- Title
- [African American woman playing tambourine]
- Description
- Snapshot photograph showing an African American woman outside and playing a tambourine between two white women who play guitars. The white woman in the left is partially removed from the view and the white woman in the right is partially obscured by the woman playing tambourine. The tambourine player has her hair pulled back and wears a silk shawl and long, ruffled, tiered skirt. Spectators, including an African American boy attired in overalls, and white men attired in summer suits stand near and behind the women. Wooden warehouse and barn-like structures, including one with signage reading "Sterline," are visible in the background., Title supplied by cataloger., Date inferred from format of photograph and attire of sitters., Gift of Ivan Jurin, 2019., Description revised 2022., Access points revised 2022.
- Date
- [ca. 1925]
- Location
- Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - female [P.2019.2.1]
- Title
- Future rulers of Florida U.S.A
- Description
- Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]
- Title
- [Looking east on the 1600 block of Market Street, Philadelphia]
- Description
- View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway across from the Broad Street Station (built 1879-1882). In the foreground, a number of African American construction workers stand in a pit. In the background is another pit with more construction workers. Pedestrians and spectators look on at the scene. Several businesses on the south side of the 1600 block of Market Street, including "Cronin's," are visible. Also shows several horse-drawn wagons traveling past the rail station, and theater advertisements adorning construction equipment., Title supplied by cataloger., Date inferred from a closely-numbered photograph in the series with an inscribed date., Inscribed in negative: 555., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
- Date
- [1904]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.5]
- Title
- [Looking east on the 2100 block of Market Street, Philadelphia]
- Description
- View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway in a large, deep pit on the 2100 block of Market Street. The construction workers include white and African American men. Shows men spectators looking down at the pit. Men fill horse-drawn carts with dirt, and theater advertisements for the "Famous Ithaca Band" at Willow Grove Park adorn construction equipment., Title supplied by cataloger., Date inscribed in negative: 9-17-04., Inscribed in negative: 579., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
- Date
- [September 17, 1904]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.9]
- Title
- [Looking west on the 2100 block of Market Street, Philadelphia]
- Description
- View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway in a shallow pit on the 2100 block of Market Street. The construction workers include white and African American men. Also shows cityscape, trollies traveling in the street, spectators, and construction equipment., Title supplied by cataloger., Date inscribed in negative: 7-22-04., Inscribed in negative: 563., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
- Date
- [July 22, 1904]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.7]
- Title
- Before Girard Bank on Broad & Chestnut
- Description
- View looking north from the east side of Broad and Chestnut Streets showing part of the 000 block of Broad Street and City Hall. Shows in the left, the West End Trust & Safety Deposit Co. skyscraper building built 1898 after the designs of Furness, Evans & Co. at 1404 South Penn Square. Adjacent buildings on Broad Street include one adorned with "For Rent. B. F. Teller & Bro. 606 Chestnut St." signage. View also includes street and pedestrian traffic. In the left foreground, an African American man, attired in a bowler hat and jacket, walks with a bundle under his right arm. In the background, men and women, some as couples walk on the sidewalk near a utility pole and a horse-drawn carriage parked in the street. City Hall is visible in the far background., Title from manuscript note on verso., Date inferred from attire of pedestrian traffic documented in image., Description reviewed 2022., Access points reviewed 2022.
- Date
- [ca. 1900]
- Location
- Library Company of Philadelphia | Print Department Robert Swayne Collection [P.2017.88.61]
- Title
- [Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location]
- Description
- Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]
- Title
- [Group portrait of women minstrel performers in Blackface and costumes]
- Description
- Group portrait of twenty-two women posed in three rows while wearing Blackface and comical costumes for the racist entertainmentof minstrelsy. The women in the front row are seated and the women in the back two rows stand. The female minstrel entertainers wear black curly haired wigs, black face paint, and different-styled hats, jackets, skirts, and/or dresses. Costumes include ruffled and wrinkled skirts, rumpled jackets, ties and bowties, bowler hats, top hats, and a large, wide-rimmed Edwardian picture hat. Several women hold stenciled or hand-written signs (with malapropisms) identifying their "character," often a government or civil employee. Signs, in various shapes and designs, read: "Sheriff"; "Ise De Librarian"; "Ise de [Post]master"; "Colletor [sic] Ob De Mon[ey]"; "Justice Ob De Peace"; "Street Commissioner and Alderman"; and "Ise De State Legislture." A backdrop is visible in the background and fabric runners are tied in a central bow above the women's heads. A piano is partially visible in the left of the image. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. By the 1870s nearly a dozen all-female minstrel troupes had been organized. Many of the troupes eventually evolved into burlesque reviews., Title supplied by cataloger., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1910]
- Location
- Library Company of Philadelphia | Print Department *group portrait photographs - women - minstrel [P.2017.11]
- Title
- [Series of photographs of children in North Carolina]
- Description
- Series of primarily captioned photographs depicting white children, a number also including a Black woman caregiver. Images also depict a goat and goat cart. Captions include: "An Important Conference"; "Back yard scenery in N.C."; "Summer"; "Showing the effect of not closing the mouth properly";"Rear view of 'my youngest'"; "Mistaking the shadow for the substance"; "Benjamin My youngest!"; "Master C.M. Gibbon - at 2 yrs"; and "'The 'non-adventurous Billie.', Title supplied by cataloger., Date inferred from the attire of the sitters., Gift of Marjorie G. Battles.
- Date
- [ca. 1900]
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Recreation [P.8502.115-125]
- Title
- [Photographs of Andalusia, probably Pennsylvania]
- Description
- Captioned photographs depicting a pair of men by a tree and two women, one older, and a boy near a kettle in a back yard. Captions, one with racist text, include: "Pleasant thoughts of the Penn- Andalusia August 1898. Love from [Laute]?" and "Rollin like a [seener?] in the darkey quarters - Andalusia August 1898, Title supplied by cataloger., Date inferred from the attire of the sitters., Gift of Marjorie G. Battles., RVCDC
- Date
- [1898]
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Recreation [P.8502.19 & 21]
- Title
- Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
- Description
- Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
- Date
- [1930]
- Location
- Library Company of Philadelphia | Print Department framed graphics [P.2023.5]
- Title
- Go way white trash, dis chile dance yer blind
- Description
- Reproduction of a sketch by G. W. Leonard depicting an African American shoeshine boy dancing to the musical accompaniment of a white boy and girl, while a white boy mocks him in the background. The smiling African American boy, portrayed in racist caricature with exaggerated features, is in the center of the image. He is attired in a white, long-sleeved open neck shirt, baggy striped pants with suspenders, and a hat with turned up brims, his hands at his side, and mid step. To his right, stand a white boy playing a concertina and a white girl playing the violin. The boy is attired in a newsboy's cap, a jacket, and pants with patches at the knees. The girl is attired in a short-sleeved, calf-length, light-colored dress, with a sash draped over her right shoulder (the one on which she plays the violin). A shoeshine box marked (with the letter s's backwards), "t. Smith. Boss Shine, 5 cts.," rests near the feet of the trio of children. In the background, a white boy, attired in torn and worn clothes and with mop-like hair, appears in a clomping stance with his arms raised to his shoulders, his back leg bent at the knee, and his other leg kicked out. His hat lays on the ground near him., Date from copyright statement: Copyright 1877, by J. P. Soule., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund and funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- [1877]
- Location
- Library Company of Philadelphia | Print Department cdv - misc. - caricatures and cartoons - G [P.2015.63]
- Title
- [Mount Pleasant mansion, Fairmount Park, Philadelphia]
- Description
- View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]
- Title
- Mason's challenge blacking Philadelphia
- Description
- Photographic reproduction of a racist and whimsically absurd advertisement, including an African American shoe shiner, to promote the premier manufactory of blacking established in 1832 by James S. Mason. Depicts the shoe-shiner "blacking" a boot near a white shoe-shine boy with a puppet and a dog. The shoe-shiner, portrayed with grotesque features, holds a brush overhead in his right hand and a boot over the hand of his other arm. He wears a button-down shirt with an open collar, suspenders, and breeches. To his right, is an oversize boot on which the boy has a propped a puppet. The puppet is an African American dandy-like character. The puppet attired in a jacket and high collar shirt holds an umbrella above his head. A dog, as he looks behind, flees from the puppet. The dog's face is reflected in the foot of the boot. The young shoe-shiner, attired in a cap, jacket, and breeches, smiles and points toward the dog. Scene also includes an oversize opened tin of blacking in the foreground. Following the death of Mason in 1888, his son Richard assumed the business which was in operation into the 20th century., Date inferred from address of engraving firm., Advertising text printed on verso: July 15th, Reduced prices Mason's Challenge Blacking. Net prices, ornamental cases, adapted for display in retail stores, or shipping, without re-packing, holding three dozen each. No. 1, or Small Size, per doz. 25 cts. " 2, or N. Medium Size, " 30 ." " 4, or Large Size, "50." To obtain this Blacking in the original Show Cases, not less than three dozen of a kind should be ordered. The American News Company, New York.
- Date
- [ca. 1877]
- Location
- Library Company of Philadelphia | Print Department cdv - unid. photo. - Advertisements - M [P.2016.65]
- Title
- [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
- Description
- Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]
- Title
- Customer. "Rather cool weather Pete, for a close crop like that." Pete. "Can't help it Boss---the proprietor says long hairs gits in de wittles."
- Description
- Reproduction of a drawing of a racist, comic scene showing an African American waiter serving a bearded, white man seated at a restaurant table. The African American waiter is depicted with exaggerated features, including an oblong-shaped head. He wears a black suit, a white shirt with a high collar, and an apron around his waist. The waiter stands beside the table that is covered in a tablecloth. He rests his left hand on it and holds a bowl of soup on a saucer in his right. The customer, attired in a tuxedo, rests his left arm near a pitcher, glass, napkin and condiment display on the table. In the background, a bald man, sits and eats at a nearby table. Paneling adorns the walls of the restaurant on which the morphed shadow of the waiter is visible., Title printed on negative., Yellow mount with curved corners., Date inferred from attire of depicted figures., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2018.16.8]
- Title
- Uncle Ned's school
- Description
- View, photographed with a black background, showing a small narrative plaster after the John Rogers' bronze sculpture patented in 1866. Sculpture is comprised of the figure of an African American girl, an older African American cobbler, an African American boy, and a ramshackle cabinet. All the figures are barefoot. In the left, the young female charge of the cobbler stands, holds a book, and points to a page that she has been reading. In the center, the cobbler, his hair receded, leans over, and looks at the book as he has one leg swung over a rickety cabinet and the other behind it. He holds a shoe buffer in his right hand that rests on the book and a boot over his left hand and forearm that rests on his hip. A second boot stands at the base of the cabinet near the girl's feet. In the right, the cobbler's male charge reclines next to the cabinet. He has his left hand behind him and his left leg outstretched, as his right hand touches the base of the foot of the hanging leg of the cobbler. An open book rests in the boy's lap. The girl is attired in a straight neck, off-the-shoulder dress that is cinched at the waist. The cobbler wears rolled-up shirt sleeves, pants, and an apron at his waist. The boy wears shirt sleeves and pants with a hole at the knee. Rogers' original sculpture "Uncle Ned's School" was exhibited at the National Academy of Design in 1866. Rogers mass produced and sold tens of thousands of plaster sculptures after his bronzes 1859-1893., Title from title carved in base of depicted sculpture., Date inferred from style of mount and 1866 patent of sculpture., Yellow mount with rounded corners., John Rogers (1829-1904), a New York sculptor and artist, specialized in sculpted narrative group scenes beginning in the late 1850s. He established a workshop for the mass production of his sculptures at affordable prices that were marketed as "Rogers' Groups." Rogers retired in 1893., Gift of David Long., RVCDC, Description and access points reviewed 2022.
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo. - Monuments and Statues [P.2018.16.12]
- Title
- Camp of 2d Penna. Infantry, "Anthony Wayne." Clifton Heights, Delaware Co. Pa. August 1889. (Major Porters tent) Lt. Col. O. C. Bosbyshell; Major Jno. Bieldles? [porter?]; George Brown (Colored.)
- Description
- Group portrait showing Lt. Col. Bosbyshell (right), Major John Bieldles? (left), and George Brown (center right) posed in front of the tent of Maj. J. Biddle Porter at the Pennsylvania National Guard Second Regiment encampment in Clifton Heights, August 4-10, 1889. The Lt. Col. and Major, attired in their uniforms of dark-colored jackets and white pants, sit on folding chairs, their legs crossed. Bieldles (left), with cropped dark hair and a mustache, holds a book in his right hand and points a finger on his left hand upwards. Brown, an African American man, possibly a porter, with cropped dark hair and attired in a white, long sleeve shirt, and dark-colored trousers, lies on his side, in front of Bosbyshell (right). Bosbyshell wears glasses and has grey hair and a goatee. He rests his right arm on the back of his chair. The flaps to the tent, marked "N.G.P.," are open. Shelving, pails, and a steamer trunk are visible inside. The men sit and lie under an awning pitched in front of the tent. A wooden water tower, shed, shelter, and crates, near a row of trees, are visible in the background. An African man stands next to the shed, and the head of a seated African American man is visible in the shelter. Bosbyshell was a coiner at the Philadelphia mint 1875-1885 and superintendent 1889-1894. The Pennsylvania National Guard encampment included drills, a dress parade, receptions, and inspections by Adjunct-General Daniel H. Hastings and Governor James A. Beaver. The camp adjoined the grounds of "Mr. Bishop.", Title from manuscript note on verso., Date from manuscript note on verso., Mount is black with gold edges., See Philadelphia Inquirer, August 5-6, 1889 and August 9, 1889., RVCDC, Description reviewed 2022., Access points reviewed 2022.
- Date
- [August 1889]
- Location
- Library Company of Philadelphia | Print Department group portrait photographs - military - Second Pennsylvania Infantry [P.2018.36]
- Title
- The colored band
- Description
- Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting African American women and girl spectators reacting to a passing African American marching band. The figures are drawn with racist and caricatured features and mannerisms. Shows in the foreground, two girls and a younger and an older woman, running next to and toward the band, mimicking the band leader, and dancing. The girls and women are barefoot and wear shift dresses of either calf or ankle lengths. The older, running woman (in right) also wears a kerchief. The mimicking girl who stomps and raises her left arm in front of the band leader wears short-cropped hair and is attired in a dress with wornout sleeves (center). The young woman dancing (center) and the running girl (left) wear their hair full and wavy. In the center foreground, the band leader looks past the girl in front of him. He wears a mustache and is attired in a tall, round-top shako with plume and a uniform. The uniform has tassels at the shoulder and a decorative chest plate and pants with a vertical stripe on the outseam. He holds up a mace adorned with an eagle with his right hand. In the background, members of the marching band, attired in caps with plumes and uniforms, play tubas. A line of older African American boys and a girl walks ahead of the band. Two of the children look behind themselves toward the band, including a boy with a look of surprise. During the Civil War, African American brass bands were formed by white commanding officers to promote and increase recruitment of African American soldiers. Following the war, many of the ex-military musicians formed civilian bands associated with quasi-military drill teams, volunteer organizations, and social clubs., Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1881. Mrs. R. Colburn, RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
- Date
- 1887
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.1]