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(551 - 585 of 585)
- Title
- Virginia stock
- Description
- Racist, allegorical, satiric print showing a line of enslaved black women and girls, shackled to each other by their wrists, and standing side by side in a tropical setting. The female figures are depicted with exaggerated facial features and short wavy hair. They wear simple pale-colored dresses that fall to their knees, are cinched at the waist, and have long sleeves. The figures look to the distance, at each other, and toward the viewer. Some stand with their feet pigeon-toed or pointed out. Some of the women wear earrings and one of the girls is portrayed with her eyes looking straight up. Coconut trees and greenery are visible in the background., Gabriel Shire Tregear (1801/2-1841) was a British colorist turned print publisher who specialized in series of comic and sporting prints, including "Tregear's Black Jokes" and "Flowers of Ugliness.", RVCDC, Description reviewed 2022., Access points revised 2022.
- Date
- 1836
- Location
- Library Company of Philadelphia | Print Department GC - Allegories - Flowers [P.2016.45.3]
- Title
- W. Wilberforce, Esqr. M.P
- Description
- Bust portrait, facing right within oval of the white English philanthropist and Member of Parliament. Wilberforce is attired in a shirt with a ruffled collar and dark colored double-breasted coat. Wilberforce was active in the Church Missionary Society and the Society for Bettering the Condition of the Poor. In Parliament he worked to abolish the transatlantic slave trade., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
- Creator
- Cruikshank, Isaac, 1756?-1811?, engraver
- Date
- 1808
- Location
- Library Company of Philadelphia | Print Department portrait prints - W [1885.F.79]
- Title
- Washington birthday greetings
- Description
- Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
- Date
- [ca. 1910]
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.66]
- Title
- Washington crossing the Delaware. Evening previous to the Battle of Trenton Decr. 25th 1776 The annual greeting of the carriers of the Philadelphia Inquirer to their patrons for 1861
- Description
- Commemorative print after Thomas Sully's 1819 painting "Washington's Passage of the Delaware." Depicts General Washington astride his horse atop the barren bank of the Delaware River. He tips his hat and acknowledges his troops below, who cross the river by barge. To the left of Washington, white men soldiers move a cannon. In the right are several soldiers on horseback, including Prince Whipple, enslaved African American man and bodyguard to Washington Aide, General William Whipple., Title based on item., Original painting in the collections of The Museum of Fine Arts, Boston, Massachusetts., Retrospective conversion record: original entry, edited., For a description of the original painting, see the broadside Passage of the Delaware by Thomas Sully. (LCP sm #Am 1820 Sul, 6658.F)., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Gimbrede, Joseph Napoleon, 1820-, engraver
- Date
- [1861]
- Location
- Library Company of Philadelphia | Print Department *GC - American Revolution [P.9179.9]
- Title
- The Washington family
- Description
- Group portrait of George Washington, his wife Martha, and his two step-grandchildren gathered around a cloth-covered table. A seated George Washington, attired in civilian clothing, rests one arm on the table and the other on the shoulder of his step-grandson and namesake who stands next to a globe, which shows "America." His step-granddaughter, Nelly, stands next to a seated Martha on the other side of the table. Both are pointing at "North America, United States" on a large map unfurled on the table. William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, stands in the right background. He is attired in a white cravat and a black jacket and tucks his left hand into his jacket. A curtain is draped open near a column revealing a waterscape scene in the background., Title from item., Names of sitters printed in margin below image., Purchased with Davida T. Deutsch Women's History Fund, Description revised 2021., Access points revised 2021.
- Creator
- Currier & Ives
- Date
- 1873
- Location
- Library Company of Philadelphia | Print Department *GC - Washington [P.2013.23]
- Title
- Washington's triumphal entry into New York, Nov. 25th, 1783
- Description
- Historic scene from the close of the American Revolution depicting General Washington, carrying his hat in his right hand and holding the reins in his left hand, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Following him closely on horseback are his principal officers: Governor George Clinton, General Frederick William Augustus, Baron von Steuben, General Thaddeus Kosciusko, General Gilbert Motier De La Fayette, Alexander Hamilton, General Henry Knox, General Israel Putnam, General Nathaniel Greene, and General Horatio Gates. Army personnel in the back carry the St. George cross flag, the New England Pine Tree flag, and the Washington life banner. The exuberant spectators, comprised of prominent figures and everyday citizens, line both sides of the thoroughfare and cheer from the street, balconies, and windows and include: Martha Washington; the society ladies of the Republican Court including Mrs. Cornelia [Tappan] Clinton, Mrs. Anne Willing Bingham, Mrs. Elizabeth [Schuyler] Hamilton, Mrs. Sarah [Livingston] Jay, Mrs. Polly Caton, and Mrs. Abigail Adams; Native Americans of the Six Nations including Chief Thayendanegea (Joseph Brant); General Benjamin Lincoln; Thomas Mifflin; John Marshall; Reverend David Jones; Stephen Hopkins; Miss Bingham; Miss J. Marshall; Mrs. Hamlin; the personification of a free press as an older white man reporter; continental guards; an African American woman peddler seated and holding a basket of grapes; and an older white man veteran with a crutch., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1860 by Geo T. Perry in the Clerk’s Office of the District Court of the Eastern District of Pennsylvania., Copyrighted by George T. Perry., Pamphlet titled Description of the print entitled Washington's triumphal entry, New York, November 25th, 1783 (Philadelphia: George T. Perry, 1861) describes and provides a key to figures in the engraving. Copy of Library of Congress original housed with print., Peter C. Marzio's Chromolithography 1840-1900: The democratic art, pictures for 19th-century America (Boston: David R. Grodine, 1979), p. 27 and 283., Lib. Company. Annual report, 1973, p. 44-45., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Inger, Christian, lithographer
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department ***GC-American Revolution [P.2279]
- Title
- Wendell Phillips
- Description
- Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, sits in left profile. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Stuart, Frederick T., 1837-1913, engraver
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-P [P.8911.768]
- Title
- Wendell Phillips
- Description
- Bust-length portrait of the radical Massachusetts abolitionist, orator, women's rights and labor advocate. Phillips, attired in a white collared shirt, a black bowtie, and a black jacket faces slightly left. Phillips, a Garrisonian, served on the Executive Committee of the American Anti-Slavery Society, argued the Constitution was a pro-slavery document to be nullified, and advocated for Black equality following the Civil War., Title from printed signature of sitter below image., Published in Harriet Beecher Stowe's Men of our times; or leading patriots of our day...(Hartford: Hartford Pub. Co., 1868), Pl. 17. (LCP Am 1868 Sto, 17904.D)., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Smith, Henry Wright, -1828, engraver
- Date
- [1868]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-P [P.9363.82]
- Title
- The Wesleyan Female Collegiate Institute, Wilmington, Del
- Description
- Exterior view showing the buildings and grounds. Two female students stand on the balcony, one reading a book. Two younger girls play in the yard below, one jumping rope and the other playing rings. Several white men and women pedestrians stroll before the front gate. In the street, an African American coachman stands beside a horse-drawn carriage., Title from item., Date inferred from content., See Weaver's diary for April 18, May 11, 12, 23 and 28, 1842 for references to his work on this print., Gwinczewski, a Wilmington artist and drawing instructor, served as teacher of perspective, drawing, painting, &c. at the Institute., Purchased 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Weaver, Matthias S., 1815 or 16-1847, lithographer
- Date
- [1842]
- Location
- Library Company of Philadelphia | Print Department **GC - Education [8035.F.3]
- Title
- Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]
- Title
- Which temporarily astonished even the Gallic Cock. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]
- Title
- White's great cattle show, and grand procession of the victuallers of Philadelphia
- Description
- Lithograph after genre painter John Lewis Krimmel's 1821 watercolor, "Parade of Victuallers." Depicts a view from publisher M. Carey & Son's Bookshop at the southeast corner of Fourth and Chestnut streets of the March 15, 1821 trade union parade organized by butcher William White to celebrate, promote, and sell the city's high quality meat stock. The streets, balconies, doorways, and open windows teem with spectators, including an African American man oyster peddler sitting upon his cart and a small white boy displaying an illustrated banner inscribed, "Fed by William White." Image includes: the crowd watching white smocked victuallers on horseback turn on to Fourth Street pass the grocery of William Whelan; a two-tier horse-drawn platform with a band and a handler with a live ox and banner inscribed, "Fed by Lewis Clapier"; carts of meat; floats, including a replica of the ship, "Louis Clapier"; and a hot air balloon inscribed, "Fed by White," floats in the sky. Contains text from detailed local newspaper accounts of the event below the image. Also contains a seal of butchers with the motto: "We Feed the Hungry.", Title from item., Fate inferred from content., Philadelphia on Stone, POS 837, See Anneliese Harding's John Lewis Krimmel: Genre artist of the early Republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 215-218. (LCP Print Room Reference)., See Milo Naeve's John Lewis Krimmel: An artist in Federal America (Newark: University of Delaware Press, 1987), p. 116-118., See Philadelphia: Three centuries of American art (Philadelphia: Philadelphia Museum of Art, 1976) #211., See LCP exhibition catalogue: Made in America #33., See LCP exhibition catalogue: Noteworthy Philadelphia, p. 27., Free Library of Philadelphia holds version printed circa 1850 by George Dubois. [Oversize Philadelphiana - Processions]., Accessioned 1983., Description revised 2021., Access points revised 2021.
- Creator
- Haugg, Louis, 1827-1903, artist
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department **BW-Processions [P.8970.29]
- Title
- Who responded with warlike vigor when the Lion caved. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]
- Title
- Who's dar?
- Description
- Trade card depicting a racist, comic, genre scene to promote the Co-operative Dress Association established by journalist and lecturer Kate Fields in 1881. Shows an older African American boy, portrayed with large eyes, nose, lips, and ears, in a hive eating honey comb as a bear enters from behind him. The boy, attired in a collared red shirt with the sleeves rolled up and blue pants rolled to the knees, sits, left knee up and right leg out, on a mound and to the left of a stack of comb. He smiles and raises a piece of comb toward his mouth. Above him and to the right, the rear end of a bear in a hole in the hive is visible. The Co-operative Dress Association, incorporated in April 1881 with 5000 stockholders, was established to provide clothing "articles of fine quality at fair prices" without the "inducement for illegitimate gain" to women of limited incomes. The cooperative, its necessity criticized by advocates for the New York City retail dry-goods trade, operated until 1882-1883 when placed under receivership., Title from item., Date inferred from active dates of co-operative., Series number printed on recto in lower right corner: 24., Copyright statement printed on recto: Copyrighted., Advertising text printed on verso: Open To Everybody. Everybody Invited. Anybody Can Buy. Co-Operative Dress Association (Limited), 31 and 33 West 23d Street, New York. Dry Goods of All Kinds. House-Keeping Goods. Ready-Made Dresses, Cloaks and Wraps, At All Prices. Ladies', Children's and Boys' Suits. Upholstery, Millinery, Stationery, China, Glass and Plated Ware. Boots, Shoes, and Hair Goods. Visit every floor in the Six-Story Building. Restaurant on 5th Floor. Holiday Goods. Fancy Goods., Housed with the Emily Phillips Trade Card Collection., Anonymous gift., RVCDC, Description and access points reviewed 2022.
- Date
- [ca. 1881]
- Location
- Library Company of Philadelphia | Print Department trade cards - Cooperative [P.2020.23]
- Title
- William E. Channing
- Description
- Vignette portrait of the Unitarian clergyman, abolitionist, and author. Channing, attired in a white shirt with a black clergyman’s collar and black jacket, sits faces slightly left. Channing who wrote several antislavery pamphlets from 1835 until 1842, adamantly denounced war as the means to abolish slavery., Title from item., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [between 1860 and 1900]
- Location
- Library Company of Philadelphia | Print Department portrait prints - C [P.8911.224]
- Title
- William E. Channing, D.D
- Description
- Half-length portrait of the Massachusetts Unitarian clergyman, abolitionist, and author. Channing, attired in a white shirt, a black waistcoat, jacket, and robes, rests his right hand and points his finger on an open book, probably the Bible. Channing, who wrote several abolitionist pamphlets from 1835 until 1842, adamantly denounced war as the means to abolish slavery., Title from printed signature of sitter below image., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- January 1845
- Location
- Library Company of Philadelphia | Print Department Portrait prints-C [P.8911.225]
- Title
- William H. Seward Likeness from an approved photograph from life
- Description
- Three-quarter length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits near a table covered with stacked papers, books, and an inkwell with pens. In the background is a column and drapery., Title from printed signature of sitter below image., Entered according to act of Congress AD 1873 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Appears in Evert Duyckinck’s Portrait gallery of eminent men and women of Europe and America (New York, 1873), vol. 2, opp. p. 461., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1873
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - S [(1)5750.F.234a]
- Title
- William H. Seward
- Description
- Bust-length portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, and a black jacket, is in left profile., Title from printed signature below image., Dated based on presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.873]
- Title
- William H. Seward Senator of the United States
- Description
- Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, New York senator and governor. He faces slightly left and is attired in a white collared shirt, a black bowtie, and a black jacket. Seward served as a senator from 1849 until 1861., Title from printed signature of sitter below image., Date inferred from the years of the Senate terms and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Bannister, James, 1821-1901, engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.872]
- Title
- William H. Seward Likeness from the latest photograph from life
- Description
- Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Date from copyright statement., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1862
- Location
- Library Company of Philadelphia | Print Department portrait prints-S [P.8911.874]
- Title
- William H. Seward Likeness from the latest photograph from life
- Description
- Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Publication information from duplicate print., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1862]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-S [5657.F.39a]
- Title
- William H. Seward
- Description
- Portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a plaid bowtie, a dark-colored waistcoat and jacket, is in left profile., Title from printed signature of sitter below image., Published in Appleton's Cyclopedia of American biography (New York: D. Appleton & Co.,1887-1888), vol. 5, p. 470. The Cyclopedia was reissued in 1901. (LCP Reference Uz 1t,4163.Q), Accessioned 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- [1887]
- Location
- Library Company of Philadelphia | Print Department portrait prints - S [P.8911.870]
- Title
- William H. Seward
- Description
- Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, and New York senator and governor. Seward is attired in a white collared shirt, a black bowtie, waistcoat, and jacket and faces slightly right., Title from printed signature of sitter below image., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.871]
- Title
- William Wilberforce Esq. M.P
- Description
- Bust-length portrait, showing the English philanthropist, politician, and abolitionist, facing slightly right, seated, and reading a book. Wilberforce is attired in a shirt with a ruffled collar and a double-breasted jacket. He was active in the Church Missionary Society; Society for Bettering the Condition of the Poor; and worked in Parliament to abolish the slave trade., Published as frontispiece in Lydia Marie Child's The Oasis (Boston: Benjamin C. Bacon, 1834). (Am 1834 Chi, 70173.D.5)., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McAllister Collection, gift, 1886., Access points revised 2021., Description revised 2021., Andrews, a Boston engraver, who studied and worked in Europe during the mid 19th century, was a prominent line engraver and portraitist.
- Creator
- Andrews, Joseph, 1806-1873, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Print Department portrait prints - W [5750.F.150b]
- Title
- Williams Ogle, coach & harness maker No. 280, Chesnut [sic] Street, above 10th south side, Philadelphia Premium coach
- Description
- Advertisement showing an elegant coach parked in front of the ground floor of "Ogle's. Coach Manufactory" on the 1000 block of Chestnut Street. An African-American coachman stands behind the lively two-horse team hitched to the coach that is adorned with fringe on the drivers' seat, a lamp, and window shades. Two gentlemen converse in the street at the rear wheels of the vehicle and a couple admires if from the sidewalk. The figure of an animated horse adorns the "280" sign displayed above the entrances to the building. Ogle, previously of Ogle & Watson, operated as a sole proprietor from the address 1847-1850., Date supplied by Wainwright., Philadelphia on Stone, Wainwright retrospective conversion project, edited.
- Creator
- Rease, W. H., artist
- Date
- [ca. 1847]
- Location
- Library Company of Philadelphia | Print Department *W457 [P.2243]
- Title
- [Wine & liquor store. Charles Egner 10 North Third Street, Philadelphia]
- Description
- Advertisement showing the busy four-story storefront for "Charles Enger Wine & Liquor Store." Two white gentleman converse near a row of stacked barrels within the store and two male workers, including an African American man, hoist a barrel at the second entranceway. In front of the open cellar to the building, a white man employee rolls one of several barrels lined on the sidewalk. To the left of the worker, three barrels stand upright and a white gentleman approaches. Also shows boxes in the first-floor store window; the shutters and windows of the upper floors in various states of being open; and partial views of the adjacent buildings., Poulson inscription on recto: N. Third St. Third Street. Oct. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 845, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking title., Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Breton, William L., approximately 1773-1855, artist
- Date
- [ca. 1837]
- Location
- Library Company of Philadelphia | Print Department W460 [P.2244]
- Title
- " Wish you'd hush"
- Description
- Racist postcard depicting an African American boy looking exasperated at the crying African American baby beside him. The children are shown from the waist up and are bare-chested. The older boy has a glistening substance around his mouth and on his cheeks. The baby holds, possibly, ice in their hands., Title from item., Publication information and date from copyright statement: Copyrighted, 1905, and published by Knaffl & Bro., Knoxville, Tenn., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1905
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.3]
- Title
- Wm. D. Rogers' coach and light carriage manufactory, corner of 6th & Master Streets, Philadelphia Carriages of every description built to order, which for style, durability & elegance of finish, shall not be surpassed by any in the country. The work is conducted under the immidiate superintendance [sic] of the proprietor, who is himself a practical coach maker. N.B. orders from any part of the world, promptly executed. Southern & western merchants will find it to their advantage to call at this establishment. The 6th St. line of omnibuses run from the exchange to the factory every few minutes
- Description
- Advertisement depicting an exterior view of the Rogers' industrial complex, the "model coach factory of America," at the busy corner of Sixth and Master streets. A white man clerk displays a carriage to a man and woman couple as laborers work on the upper stories. Drays, surreys, "Rogers" delivery carts, and a young African American man with a horse traverse the intersection. A white man passenger disembarks from a Sixth Street line horse-drawn omnibus near the factory entrance. A second omnibus rests at the corner, the white man driver unhappily receiving a citation from a white man constable; his young, white boy passenger watching with a look of awe sitting beside his mother. Rogers, the business established in 1846, and the factory erected in 1853, absorbed rival manufactory George W. Watson in 1870. The business operated over sixty years., Title from item., Date supplied by Wainwright., Philadelphia on Stone, POS 855, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
- Creator
- Rease & Schell, artist
- Date
- [ca. 1854]
- Location
- Library Company of Philadelphia | Print Department **W464 [P.2268]
- Title
- Wm. G. Brownlow
- Description
- Half-length portrait of the Tennessee journalist, itinerant preacher, and politician. Brownlow, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, grasps his lapel with his left hand. Brownlow, although an advocate of slavery, actively opposed Southern secession and was subsequently exiled from the Confederacy during the Civil War., Title from item., Printed signature of sitter below image., Published in The American portrait gallery. (New York: J.C. Buttre, 1877), vol. II, pl. 11. (LCP Uz 1t, 6584.Q)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Buttre, John Chester, 1821-1893, engraver
- Date
- [1877]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-B [P.8911.119]
- Title
- Wm. Lloyd Garrison
- Description
- Half-length portrait of the abolitionist, publisher, and author, as an older man. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, faces right., Title from printed signature of sitter below image., Date inferred from presented age of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Stuart, Frederick T., 1837-1913, engraver
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints-G [P.8911.387]
- Title
- Wm. Lloyd Garrison
- Description
- Bust-length portrait of the abolitionist, publisher, and author. Garrison, attired in spectacles, a white collared shirt, a black bowtie, waistcoat, and jacket, sits slightly facing right., Title from printed signature of sitter below image., Date based on the active dates of engraver., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Smith worked in Boston as an engraver in the 1850s and 1860s.
- Creator
- Smith, Henry Wright, 1828-, engraver
- Date
- [ca. 1860]
- Location
- Library Company of Philadelphia | Print Department Portrait prints-G [P.9363.58]
- Title
- Wootten's excelsior stove lustre or pure black lead Prepared by John Wootten, Jr. No. 94 Spruce St. Wholesale Depot, no. 13 North Third Street Phila
- Description
- Racist advertisement promoting Wootten’s Excelsior Stove Lustre and depicting an African American man, portrayed in caricature, polishing a stove. Shows the African American man servant, barefoot and attired in a plaid, collared shirt and pants, kneeling before a stove with a brush in his left hand. On the floor in front of him is a glass of water, an open can of polish, and a box labeled, Wootten’s Excelsior Stove Lustre or Pure Black Lead. In the right, a white woman stands wearing her brown hair in a bun and attired in an off-the-shoulder dress with a bow at the chest and lace sleeves. She looks toward the man and asks, “Uncle Tom whose blacking is that you are useing [sic].” He replies in the vernacular, “La Missey don’t you know dat -- dat is Wooten's Lustre." To the left of the woman, a black cat stands on a wooden chair with its back raised and looks at the man. Also visible in the image are plates, bowls, and cups on shelves, another wooden chair, and an open window that has a potted plant on the ledge. John Wootten Jr. (1820-1872) is listed in the 1861 Philadelphia city directory as a blacking maker., Title from item., Date from Poulson inscription on recto: Mar. 28 -59; S. 4 (old no.) Spruce Street., Not in Wainwright., Text printed on recto: For polishing and beautifying stoves, this Lustre stands unrivalled. It may with perfect justice be called The Housekeeper’s Choice; it gives a more brilliant appearance, retains it gloss longer, and requires Fifty per cent less labor than any other preparation in existence, when moistened with a little water, and applied vigorously to iron work of any kind, the effect is truly magical; housekeepers and others are well aware what great labor is requisite, and time expended in the attempt to give a fine polish with many of the lustres sold at the present day – here however both these evils are remedied; a beautiful gloss is obtained in a few minutes, and without scarcely any exertion whatever. Another advantage which this article possesses over all others, is, that it tends to preserve the iron from the deleterious effects of damp and rust, which so often render a stove entirely useless in the course of a few seasons. This Lustre is prepared with great care from the very best lead that can be found in the market, and is entirely free from all those foreign substances which so greatly destroy the efficacy of other articles.", Philadelphia on Stone, POSP 279, Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Sinclair, Thomas S., approximately 1805-1881, lithographer
- Date
- [March 28, 1859]
- Location
- Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.21]
- Title
- World War One, memorial in Fairmount Park, Philadelphia
- Description
- Shows the memorial, sculpted by J. Otto Schweizer and erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the torch, a female allegorical figure of justice stands holding wreaths symbolic of honor and reward. She is flanked by five figures of African American military personnel from each branch of the armed service. A dedication is inscribed into the memorial's granite pedestal which is adorned with a wreath. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Numbered 8419 on verso., Sheet number: 88L01., Divided back. Text on verso.
- Creator
- Brightbill, George M., collector
- Date
- ca 1935
- Location
- Library Company of Philadelphia | Print Department Brightbill postcards [Fairmount Park - Monuments & Memorials - Miscellaneous - 88]
- Title
- Writing the Emancipation Proclamation
- Description
- Pro-Confederacy caricature bombasting Abraham Lincoln's legal and moral authority to write the Emancipation Proclamation. Depicts a demented Lincoln writing the Proclamation seated at a table adorned with a spectral eye; ram horned African American heads, portrayed in racist caricature; and legs ending in cloven hooves. He sits upon a chair with a back decorated with the head of an ass, the "U.S. Constitution" trampled beneath his foot. Atop the table, the devil holds his inkwell before him. A liquor decanter rests upon a sidetable nearby. On the wall, framed paintings hang depicting "saintly" St. Ossawotamie (i.e., John Brown), and the "murderous" rebellion of the enslaved in the 1790s in "St. Domingo"(i.e., Haiti). Behind Lincoln, near window drapes held back by a vulture headed tie back, a statue of liberty, her liberty cap fallen over her face, rests her shield down upon the wall pedestal on which she stands., Inscribed upper left corner: 25., Issued as plate 25 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Volck, Adalbert John, 1828-1912, artist
- Date
- [1864]
- Location
- Library Company of Philadelphia | Print Department Volck - Sketches - Volck 25 [2990.F.10]
- Title
- [Young Black girl articulated paper doll]
- Description
- Paper doll of an unclothed figure of a young Black girl with moveable limbs. The girl is depicted with short, cropped, tightly curled hair, auburn eyes, and slightly smiling. A blue-beaded string necklace adorns her neck. She also wears white, above-the-ankle length socks and black "Mary Jane" shoes. The articulated limbs are attached by brass brads to a white cardboard torso, likely not the original. About the late 1880s, Littauer & Boysen (established circa 1882), a premier German chromolithographer of novelties, began to print articulated dolls for the paper box company. Dennison sold the German firm's dolls to further market its special line of tissue/crepe paper as doll's clothing. The Massachusetts company, established 1844, also manufactured shipping tags, gummed labels, and holiday tags. The firm opened a salesroom in Philadelphia in 1862. In 1898, the firm consolidated operations in Framingham, Ma. from plants in Roxbury, Ma. Brooklyn, N.Y., and Brunswick, Me. where it was originally established in 1844., Title supplied by cataloger., Manufactured and distributed by Dennison Manufacturing Company, Ma., Publication information from Mary Young, 20th Century Paper Dolls Identification and Values (Collector Books, 2006)., Date inferred from published sources, the years of operation of the publisher, and the early era of the style of footwear depicted., Purchased with funds from Walter J. Miller Trust for the Visual Culture Program., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1885-ca. 1895]
- Location
- Library Company of Philadelphia | Print Department *ephemera - paper dolls [P.2015.68.1]