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Title: Centennial Exhibition, Philadelphia. 1876
Description: Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.8965]

Title: The City Hall Philadelphia. Architecture, sculpture and history
Description: Limited edition volume, organized in 18 topical sections, containing photomechanical reproductions of engravings (by Faust) and photographs showing views of the interior, exterior, and architectural and sculptural details of the municipal building built 1871-1901 after the designs of John McArthur, Jr. Sections, predominately titled, include Modeling of the William Penn statue; views of court rooms, Mayor's Office, entrances; Window Spandrels Tower; Bronze Groups on Towers; Centre Pavilion Dormers; Caryatides (i.e., supporting columns sculptured in the form of a draped female figure); Medallions in Conversation Hall of Councils; Doorway Spandrels. Northern & Eastern Entrances; Keystones; Panels. Stairway; Impost Panels of Windows; Spandrels and Statuary Centre Pavilion; Panels; Tower Capitals; Spandrels Interior of Tower; Panels in Eastern Entrance; Spandrels in Northern Entrance; and Window Spandrels in Northern Entrance. Interior views often include pedestrian traffic., Architectural and ornamental details depict allegorical, historical, ethical, anthropological, and political and governmental figures and tableaux, including "Distinguished Early Philadelphians"; the continents; the four natural elements and seasons; "Indians"; Swedes; mammals, reptiles, and birds, including eagles, bears, and buffalo; the natural and social sciences, arts, and humanities; industry, mechanics, and commerce; civilization and barbarism; prayer and meditation; victory and fame; admonition and repentance; and liberty and law; and youth. Details also show the seal of Pennsylvania and stereotyped, ethnographic facial studies, and cherubic figures., Edition de luxe limited to one thousand copies. Copy no. 48., Frontispiece shows a view engraved by Faust of the exterior of City Hall. Includes street and pedestrian traffic., Front matter is misordered ([p. 4] and [p. 5] reversed) and includes an "Historical" overview of the location and construction of the building; "Description of the Buildings," including the styles of "Architecture" and dimensions; the "Comparative Heights of the Principal Buildings of the World"; and the "Inscription upon face of Corner-stone in centre of tower foundation.", Reproduced wood engravings contain artist's signature or initials: F. Faust; F.F., Original cloth bindings, brown cloth grained with gilt stamped front cover and endpapers removed and rehoused with rebound album for conservation., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Frederick Faust, born in Germany in 1849, immigrated to the United States in 1870 and worked as a wood engraver in Philadelphia by the early 1880s. He continued in the trade as an illustrator into the early 20th century and was retired by 1930.
Creator: Faust, Frederick
Date: c1897
Location: Library Company of Philadelphia | Print Department albums - Faust [It 7 2779.F]

Title: Philadelphia Zoo photograph album
Description: Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: 1902
Location: Library Company of Philadelphia | Print Department albums [8193.F]

Title: Photograph album
Description: Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator: Hatch, Albert, 1844-1910
Date: ca. 1866-ca. 1888
Location: Library Company of Philadelphia | Print Department albums [P.9250]

Title: Catalogue of theatrical and public celebrities
Description: Trade catalog containing pages with rows of numbered vignette-size reproduced portrait photographs of female , male, and child entertainers. Includes bust-length, half-length, and full-length portraiture, with one sitter often depicted in several differently posed portraits. Sitters, predominantly women, are usually attired in costume and occasionally are posed as couples, or in character and with props and ornate backdrops. Costumes and props include hats and head pieces; tights and shorts; nautical, peasant, medieval and roman garb; umbrellas, fans and valises; chairs and hammocks; guns and swords; and instruments and animals. Unique costumes and poses include Jeannie Winston as a devil with wings; Kate Forsyth depicted as a sculpted bust; and Lizzie Harold sprawled on a floor., Sitters include French operatic soprano Marie Roze (1846-1926); American entertainer Lotta [Crabtree] (1847-1924); American actress Annie Pixley (1858-1893); comic actors Charles E. Holland and Ben Maginley (d. 1888); actress and theater manager Mrs. John Drew (i.e., Louisa Lane Drew); French magician Prof. Hermann, i.e., Alexander Hermann(1843-1896), author and actress Lillian Chester; and characters from "Pinafore.", Accompanied by pocket-size, printed catalog with preface promoting Gilbert & Bacon's large stock of portrait views of the "most artistic and prominent in their profession" in the sizes "Cabinets" and "Panels." Includes lists of sitters for 1692 "Cabinets" and 115 "Panels.", Front endpaper inscribed: George P. Campbell, Continental Hotel, August 1880. Campbell, probably a Gilbert & Bacon agent, resided at the hotel in the 1880s., Cloth binding, stamped "Scrap" on front cover and "Patented March 1876" on back cover., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century.
Creator: Gilbert & Bacon
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums [P.8681.1 & 2]

Title: Views of Ashwood, Gulph Mills, and other sites in Delaware County and surrounding counties in Pennsylvania
Description: Album containing 24 photographs showing landscape views of Delaware County and portraiture of family and acquaintances. Images include exterior and interior views of the Leaming family estate Ashwood near Villanova and views of Conshohocken, Darby Creek near Lewis Mill, Valley Forge, Gulph and Morris mills and dams, Hammer Hollow, and farmland in Cream and Pleasant valleys. Also contains an image of Radnor Meeting House and a photographic reproduction of a cloud filled sky captioned "Sic Itur ad Astra" (i.e., thus you shall go the stars). Many of the views include Leaming's wife and children and others posed in parlors; with animals; on bridges and dirt paths; at brooks, creeks, spring houses, and barns; and in modes of transportion, including canoes and horse-drawn vehicles. Other portrait sitters include Alice Bourda and children Ernie Law, Tommy Gaffney, Henny Lewis, and Og Hoffman., Wooden binding., Title supplied by cataloger., Captions by Robert Waln Leaming on the recto and verso of the album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln (1765-1836), was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: ca. 1873
Location: Library Company of Philadelphia | Print Department albums [P.9759.2]

Title: Views of Loudoun and Stenton, residences of Maria Dickinson Logan and her brother, Albanus C. Logan, Germantown, Philadelphia
Description: Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
Creator: Logan, Maria Dickinson, 1857-1939, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department albums [P.9276.81]

Title: Louella Home of J. Henry Askin, Wayne Station, Penna. Rail Road, Radnor Township, Delaware Co. Pa. Views of mansion, farm houses, surrounding scenery, etc
Description: Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]

Title: Two weeks in the Yellowstone
Description: Limited edition, souvenir miniature book containing a photographic frontispiece and describing a Vaux family trip to the Yellowstone National Park in August 1885. Photograph shows a woman and young man, probably Mary Vaux and one of her brothers, standing near a geyser, probably one of the several described in the text., Paper binding., Back endpaper printed: Two weeks in the Yellowstone, By Wm. S. Vaux Jr., Contains extract taken from a diary kept at the time. Edition limited fifty copies. Illustrated with Photographs. Price 25 cts., post paid. Address: Wm s. Vaux Jr., 1715 Arch St., Philada., Dedication: To the member of our family, whom I plague while at home and mourn for while away, This book is affectionately dedicated., Registered no. 3., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Copy also held in the Special Collections, Haverford College Library, Haverford, Pa., Housed in phase box., William S. Vaux, Jr. was one of the trio of siblings of Philadelphia photographers, mountaineers, and scientists that also included Mary M. Vaux (1860-1940) and George Vaux, Jr. (1863-1927). An architect by trade, Vaux and his siblings extensively explored, studied, and photographically documented the West beginning with their trip to Yellowstone National Park in 1885. The family photographic expeditions focused on the Canadian Rocky and Selkirk Mountains over a period of twenty years following their first visit to that region in 1887. The Vauxes, recognized as expert glaciologists published and spoke about their observations of the glaciers in the scientific community, delivering papers for such organizations as the Philadelphia Academy of Natural Sciences. Vaux was also a member of the American Academy of Natural Sciences and an executive of the Photographic Society of Philadelphia until his untimely death in 1908.
Creator: Vaux, William S., 1872-1908
Date: 1887
Location: Library Company of Philadelphia | Print Department albums - Vaux [102888.D]

Title: Photographs taken by Robert Waln Leaming 1865-1875 at Ashwood, Villa Nova, Delaware County, Penna. Lancaster Pike and Spring Mill Road
Description: Album containing 67 photographs showing the grounds and residence of the Ashwood estate near Villanova during different seasons; neighboring properties in Delaware and Montgomery counties; and formally posed family portraiture. Images include the front and rear facade of the Ashwood residence and landscape views of the grounds; Paxson's Mill and Dam in Radnor; J. Howard Lewis's paper mill at Darby Creek; 'Hammer Hollow," including the mill dam; Gulph Mill (Montgomery County); Leaming's other family estate Waln Grove near Frankford; old spring houses near Gulph Mill and Paxson's Mill; and Ancrum, "Seat of the Scotts Baronets of Ancrum Scotland." Many of the estate views include Leaming's wife and children (attired in clothing appropriate to the season) posed at the residence and on the grounds, including near fences, the barn, woods, and creek and in characters, as tableaux, and with farm and domesticated pets. Also contains photographic reproductions and photo-collages. Reproductions depict the the "Scott of Ancrum" family tree and Leaming's painting "Where the Sea Mew roams" and the collages show Leaming's daughters in a parlor setting (possibly Ashwood) and painted works by Jean Louis Ernest Meissonier, James Reid Lambdin, and Edwin Henry Landseer including the visage of Robert Waln Leaming. Other portrait sitters include Alice Burda, Tom Stewart, "Our Truck-man" in his horse-drawn buggy; the "Coachman" with horse "'Nelly'"and Mrs. Scott, i.e., probably, Leaming's mother-in-law Mary Emlen Scott, Blue morocco binding, plate on front cover: R. W. Leaming and stamped: Photographs., Title from inscription on front free end paper. Also includes family tree of descendants of Robert Waln Leaming and his wife Julia Scott (1821-1914)., Insert: Portrait print of Robert Waln engraved by Samuel Sartain after 1825 painting by Jacob Eicholtz. Verso inscribed with biographical information., Captions by Robert Waln Leaming below the images., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln, was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Creator: Leaming, Robert Waln, 1824-1884, photographer
Date: 1865-1875
Location: Library Company of Philadelphia | Print Department albums [P.9759.1]

Title: Philadelphia [viewbook]
Description: Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]

Title: Photographic views of New City Building
Description: Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences., Volume 1 (Oct. 1873-Aug. 1874) contains two tipped in letters, dated December 26, 1873 and June 27, 1874, from President of the Commissioners for the Erection of the Public Buildings Samuel C. Perkins. Correspondence presents the stereographs, "authorized to be taken by the commissioners," as a means for the library to "have for preservation in [the] archives a complete photographic record of the progress of a work which under any aspect must be considered as of marked importance in our local history.", Stereographs numbered, dated, and printed with the series title "Views of Construction in Sub-Basement" or "Views of Construction" and the names of the architect, chief assistant, and board of commissioners on the verso., Calf bindings, polished and mottled., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 image reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 116., Samuel C. Perkins, a Philadelphia lawyer, served as president of the Commissioners for the Erection of the Public Buidlings 1872-1891., Housed in phase boxes.
Creator: Cremer, James, 1821-1893
Date: 1873-1875
Location: Library Company of Philadelphia | Print Department albums - Cremer [(1) 23455.D & (2) 23455.D]

Title: [Scrapbook of ephemera]
Description: Scrapbook containing tickets, invitations, textile and perfume labels, tokens, and trade cards, primarily issued in Philadelphia. Contents include images of buildings, genre scenes, and allegorical figures. Many of the items also include ornate borders. Materials document University of Pennsylvania medical department courses; a picnic at Mr. John F. Parke’s Grove (1853); Pennsylvania Horticultural Society events, including admittance for a "Lady to the Stated Meetings", bazaars, and Christmas Eve party; the Baltimore Assemblies; admittance to the Great Central Fair (1864) and Hillebrand & Lewis Gymnastic Institute; Mr. & Mrs. John A. McAllister Wooden Wedding (1861-1866); and a shooting match at glass balls at Union Hotel (1881). Scrapbook also contains advertising souvenirs from the Centennial Exhibition (1876); trade cards for Pennsylvania and Atlantic coast businesses; a calling card for Joseph E. Francis annotated with ink sketched figures; landscape views with a fishing scene, and a locomotive; receipts issued for pew rent to St. Paul’s Church, membership to the Athenaeum, and fines owed to the Library Company (1848); and an illustrated check for the Hibernian Society, billhead for T. Sharpless & Sons, and advertisement for [Edwin S.] Johnston’s New Self Locking Clock Spring Shade Roller., Other Philadelphia businesses represented include S.A. Hagner, saddle harness and trunk manufactory; John Dorff, silver plater and gilder; Sheble, Smith & Co., successors to R.L. Barnes, map publishers and mounters; Godey’s Lady’s Book Publishing Company; Geo. J. Burns, printer; Smith & Co. Globe Bazaar auction house; Johnson & Smith, type founders (formerly Binney & Ronaldson); and John H. Brown & Co., dry goods. Non-Philadelphia businesses include Cataract House (Niagara Falls); Globe Hotel (New York); Wilmington Boarding School for Girls (Samuel Hilles); Ash’s Patent Five Slit United States Government Pen; E. Kenny, architect (Brooklyn); Works of P. & F. Corbin (New Britain, Ct.); T. H. Pollock, organ builder and David B. Prosser, saddles and harness (Richmond); M'Neal & Siegert, jeweler; and Gray & Bail, furniture., Red cloth binding, stamped in gilt on cover: Photographs., Some tickets signed by Joseph Leidy, University of Pennsylvania., Some contents inscribed with name of recipient or holder. Recipients and holders include W. J. (John) Holmes; James J. Magee, possibly James Magee, President of Westmoreland Coal Co. who previously worked at Binney & Ronaldson; John Matthews; T. J. Nichols & lady; [H.?]J. Sharpless; and J. C. Stewart., Engravers and printers include Brown (Ledger Building), J. H. Camp, Illman & Sons, Geddes, M. & V. Harrison, J. Lea, W. Eaves, Major & Knapp, and Van Slyck & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: [ca. 1821-ca. 1894]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F]

Title: Scrapbook
Description: Scrapbook possibly compiled by Fanny Keene containing trade cards, sentiment cards, holiday cards, rewards of merit, die cut and embossed scraps, and a temperance pledge card primarily issued in New England. Majority of the contents are chromolithographs and some contain trompe l’oeil, embossed, die cut and overlay designs. Pictorial themes include landscape, marinescape, seasonal, residential and genre views; women and children; fruits and flowers; animals (cats, dogs, mice, and birds); comic scenes; and portraiture, including Frances Folsom Cleveland. Several of the holiday cards contain religious passages and sentiments and several of the trade cards advertise sewing machines, patent medicines, soaps, and J. & P. Coats thread. Scrapbook also contains series of Arm & Hammer (i.e., Church & Dwight Co.) trade cards depicting different species of birds., Other business establishments and products advertised include A. Stowell & Co., jewelers (Boston); California Fig Syrup Co.; C. F. Santelle, stationery (Rockland, Me.); C. I. Hood & Co., tooth powder; Electric Lustre Starch; E. W. Hoyt & Co., cologne; F. M. Evertleth, M. D., druggist (Waldoboro, Me.); Household Sewing Machine Company; Ingall’s Throat and Lung Specific; Kendall Mfg. Co. soapine; Lydia E. Pinkham; Mansion House (Troy, N.Y.); Munson’s 99 Cent Store (Boston, Ma.); The New Home Sewing Machine; R. H. Stearns & Co., department store; Rush’s Sasparilla and Iron; Stickney and Poor’s Mustard; M. A. Packard & Co., shoes; Vegetine; W. H. Levansaler & Co., wool; and Whittemore, Bros & Co, shoe gloss., Blue paper binding printed in color with a marinescape view and pictorial and border details. Also contains chromolithograph overlay showing a young lady carrying a basket., Some of contents inscribed Fanny Keene, Jessie Keene, Mrs. Annie Leland., Printers include New England and Mid West firms Bufford; Calvert Lith. Co; Crosker & Co.; Donaldson Brothers; Knapp & Co.; Mayer, Merkell & Ottman; and W. J. Morgan & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date: ca. 1885-ca. 1889
Location: Library Company of Philadelphia | Print Department albums [P.9763]

Title: Godey's Lady's Book Publishing Company limited, 1006 Chestnut St. Philadelphia J. Hannum Jones, Treas
Description: Trade card for the women's periodical containing a vignette showing two young, well-dressed ladies with a life-size model of the "Godey's Lady's Book." One girl holds a hoop and points a pointer at the heavily-illustrated cover of the magazine as the other girl holds it up. Image also includes the text "$2.00 Per Annum.", Includes motto above title: The Oldest Lady's Book in America. Established 1830., Not in Wainwright., Philadelphia on Stone, POSP 284, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.6b]

Title: Pennsylvania Horticultural Society [ticket]
Description: Illustrated ticket to "Admit a Lady to the Stated Meetings of the Pennsylvania Horticultural Society on the Third Thursday evening of each month Available for One Year ending Septr. 1855. This will also serve for a single admission to a Lady or Gentleman at the Annual Exhibition." Text framed by garlands of flowers. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator: Illman & Sons, engraver
Date: [1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4b]

Title: Centennial circular. Norwalk Lock Company. South Norwalk, Conn
Description: Illustrated fold-out circular issued for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Contains views and vignettes showing the Norfolk Lock Company, Centennial Exhibition buildings, and the Norwalk Lock Company display at the exhibition. Lock company view shows two trains traveling past the manufactory on opposite sides of intersecting tracks. Also shows a horse-drawn cart in the foreground and masts of ships in the background. Exhibition building vignettes depict Main Building, Machinery Hall, Horticultural Hall, and Memorial Hall. Exhibition display image shows several fair visitors around an ornate glass case with mounts lined with "Norwalk Lock Co." locks. Also contains advertising text in French, German, and English., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.16c]

Title: Cataract House, Niagara Falls Whitney, Geraud & Co., proprietors
Description: Trade card showing the exterior of the three-story hotel originally built in 1825 near the falls. Also shows the ca. 1835 addition and outbuilding on the bank of the falls in the foreground. Gen. Parkhurst Whitney purchased the hotel in 1831 and leased it to Whitney, Jeraud & Co. in 1846., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.16f]

Title: Works of P. & F. Corbin. New Britain Conn. U.S.A
Description: Trade card showing the factory complex of the hardware manufactory established in 1849 as Doen, Corbin & Company. Also shows operating smoke stacks and street and pedestrian traffic, including horse-drawn carts. Townscape is visible in the background. The firm operated as P. & F. Corbin Corporation between 1854 and 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Reproduced in John B. Comstock, History of the house of P. & F. Corbin, MCMIV... (Buffalo: Matthews-Northrup Works, 1904)., Forms part of Scrapbook of Ephemera [8608.F].
Creator: Van Slyck & Co.
Date: [ca. 1877]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.17b]

Title: Globe Hotel cor. Frankfort & William sts New York
Description: Trade card showing the exterior of the multi-story hotel adorned with signage reading "Dining Saloon." Also contains street and pedestrian traffic, including a horse-drawn carriage. Hotel was later renamed the Frankfort House., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F]., Eaves worked in New York between 1845 and 1860.
Creator: Eaves, William, 1792-1879, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.15c]

Title: Pennsylvania Horticultural Society. Member's Annual ticket
Description: Illustrated ticket containing an allegorical scene set in lush surroundings. Shows the figure of Pennsylvania under an arch covered in vinery and attended by cherubic-like boys holding baskets of produce above their heads. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Issued to [H.?] J. Sharpless., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: [1855]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4c]

Title: John H. Brown & Co. No. 307 Market St No. 76 Trade mark
Description: Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: c1858
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]

Title: S. A. Hagner, saddle harness and trunk manufactory, South (No.39) 8th St. 1st Door above Chesnut [sic] Philada
Description: Trade card for manufacturer Samuel A. Hagner containing a vignette of a horse and oval frame with leaf details. Hagner remained in the trade until circa 1850., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator: M. & V. Harrison, engraver
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.1h]

Title: [Advertising specimens]
Description: Series of advertising specimens, including trade cards, book marks, and a proof of an invitation. Prints depict a girl character in allegorical scenes representing the seasons; views of South Ferry Hotel (Kaighn Point, N.J) and a standard scale at use at a farm; medals; coats of arms; and pharmaceutical apparatus. Businesses represented include Peter Bazzanti & Son, manufactory of Florentine Mosaics; Fairbanks' Standard Scale; Hawkins Brothers, army, navy, & police contractors and post office & railway contractors; and W.B. Horner, druggist & apothecary., Title supplied by cataloger., Various printers, including S. C. Boreum and Major & Knapp., Varous publishers, including Philadelphia Inquirer., Print P.9399.449 inscribed on verso: Od [sic] Fellow Hall, Sixth St. Below Race. Race., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-1895]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Advertising Specimens [P.9349.364, 366-367, 384, 402, 404-405, 414, 449]

Title: [Checks, bank notes, billheads, and receipts specimens]
Description: Series of checks, bank notes, billheads, and receipts, containing allegorical and patriotic vignettes and ornate pictorial details. Vignettes depict allegorical female figures, including Liberty, Hope, Justice, and Bounty; animals, including the American eagle, a dog protecting a safe, and bucks; and patriotic figures, including George Washington, Thomas Jefferson, and Ulysses Grant. Other vignettes depict a view of a traveling locomotive; the seal of Pennsylvania; and views of harvested produce and grains. Businesses represented include A. Exton & Co., cracker manufacturers; Heywood, Kilburn & Co., chair and cottage furniture dealers; West Branch National Bank; Perry County Bank; Reed & Schell, bankers; First National Bank of Sunbury; and Jefferson Savings Institute., Title supplied by cataloger., Several of series printed in color ink, including blue, green, tan, and violet., Print P.9399.390 inscribed to John Mayer for $23.00 three months after date [illegible]. 24 Feb. H five. Feb 23rd., Various printers, including Ehrgott & Fobriger; Lehman & Bolton; Theodore Leonhardt; Wm. F. Murphy's Sons (& Sons); and Paul & Lindsay., Originally part of Specimen Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1870]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Checks, etc. [P.9349.341, 369, 371-372, 375, 379-381, 383, 385-390, 392- 394, 396, 398, 400, 410, 415, 423, 426]

Title: Fairbanks' standard scales. Buy only the genuine
Description: Trade card depicting a scene on a farm. A farmer, sits on a rock, and watches as an agent weighs a horse-drawn cart loaded with hay with a "Fairbanks Standard Scale." In the background, another Fairbanks' agent weighs cows on a platform scale in a pen. View also shows hay stacks in the distance. Fairbanks' Scales was established in 1830., "Principal Warehouses," including in Philadelphia listed on verso., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Major & Knapp Engraving, Manufacturing & Lithographic Co.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Advertising Specimens [P.9349.366]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: [Proofs from specimen album loose prints collection]
Description: Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the stereotype character "Uncle Remus" (portrayed in racist caricature) designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860-ca. 1882]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Proofs [P.9349.296, 308, 320, 339, 342, 344-347, 349, 351-353, 360, 365, 416, 419, 427-430, 443, 445]

Title: [Label specimens]
Description: Series of labels, primarily textile (wool, silk, mohair), containing allegorical, patriotic, and nationalistic vignettes and pictorial details. Vignettes and details depict Vice Admiral Cuthbert Collingwood, coats of arms, the female allegorical figure of Columbia, and a view of a flock of sheep among a grove of trees. Brands represented include Bradford Make, Collingwood Brand, Favorite Ottoman Reversible, Lady Washington, and Royal Shawl., Title supplied by cataloger., Print P.9399.285 stamped on recto: Wm. S. Skinner. David M. Test., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1870]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Label Specimens [P.9349.275, 285-286, 289, 322, 337, 355, 420 & 435]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: Old landmarks & relics of Philadelphia. Fourth series
Description: Viewbook containing a folded leave of six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "The House in which Gen'l Agnew Died Germantown" showing an exterior view of Grumblethorpe, the house built in 1744 in which British General James Agnew died in 1777; "Swedes Church. Front View" showing the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 at 929 South Water Street; "Old Log Cabin, Richmond & Vienna Sts." showing an 18th-century style dwelling in Fishtown; "The Old Market House, Callowhill & New Market Sts." showing one of the four old market houses, known as Norwich Market, established in 1783 on the 100 block of Callowhill Street; Robert Morris Hotel Phila. Park showing the four-story hotel opposite the race bridge of the Fairmount Water Works that was razed in 1868; and "Ancient Building, First Fish House, Arch St. bel. 4th Sts." showing the 18th-century attached, brick buildings in Loxley Court that purportedly housed fishing implements for the Penn family. Images include grave stones; broadsides; signage; neighborhood dwellers; and partial views of horse-drawn carriages., Titles on negatives., Embossed brown cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: MARC Link database, edited., Recon note: Match points differ, LCP holds loose, larger format copies of some of the images., Gift of S. Marguerite Brenner.
Creator: R. Newell & Son
Date: c1876
Location: Library Company of Philadelphia | Print Department albums - Newell [Am 1876 Old 68528.D]

Title: Old landmarks & relics of Philadelphia. Second series
Description: Viewbook containing six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "Independence Hall" showing the front facade of the building built 1732-1748, including the front courtyard with the Joseph A. Baily statue of George Washington; "Whitby Hall" showing the country dwelling built in 1754 on land in Kingsessing acquired by Philadelphia merchant James Coultas in 1741;" "Friends Alms House, Walnut Bel. Fourth" showing the benevolent institution erected in 1729 and razed in 1841; "Acadamy [sic] of Fine Arts, Chestnut St. Bet. 10th & 11th Sts. Phila." showing the arched entry way to the building erected in 1806 and shortly before it was "torn down in 1870, to make way for Fox's American Theatre; "Rittenhouse Mansion, Arch & Seventh Sts." showing the former residence of astronomer David Rittenhouse built 1786-1787 by master builder Joseph Ogilby; and "St. Peters Church, Fourth & Pine" showing the Episcopal church built 1758-1761 "in the midst of a graveyard." Images also include residents; street lamps; signage; partial views of storefront awnings; and trees and greenery., Titles on negatives., Embossed green cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Recon note: Match points differ, Photographs originally on folded leave., Presented by Margaretta A. Dick in memory of her father Walter B. Dick.
Creator: R. Newell & Son
Date: c1876
Location: Library Company of Philadelphia | Print Department albums - Newell [Am 1876 Old 50832.D]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: Views at Chestnutwold, residence of C.H. Clark
Description: Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs., Photographer's imprint from blind stamp on mounts., Title from brown morocco binding, plate on front cover., Bookplate of The Divinity School of the Protestant Episcopal Church pasted inside front cover. Typed Gift of Clarence Clark Zantzinger (1925)., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1990, p. 54., Housed in phase box., Clarence Howard Clark, banker, book collector, philanthropist, horticulturalist, and prominent land developer of West Philadelphia resided in Chesnutwold from about the 1860s. The property was originally built by Samuel K. Hopkins Jr. for banker Nathaniel Borrodail Browne after 1851. Altered during the 1880s, including an addition, the estate grounds were open to the public by 1895 when Clark donated some of his other land holdings for an adjacent public park (i.e., Clark Park). Following Clark's death, Chestnutwold was presumed to be given to the city as a public park, but instead was purchased in 1917 by The Divinity School of the Protestant Episcopal Church. Clark was married to Amie Hampton Westcott (d. 1870) and later Marie Motley Davis with whom he had three sons, including Philadelphia mayor Joseph S. Clark.
Creator: Newell, Robert, 1822-1897, photographer
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department albums [P.9291]

Title: James Burrill Angell, 1829-1916
Description: Journalist, diplomat, Pres. Univ. of Vermont., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(II)P.9100.14e]

Title: Original & selected poetry &c
Description: Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator: Cassey, Amy Matilda, 1808-1856
Date: [ca. 1833-ca. 1856]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]

Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: The first steamboat on the Missouri
Description: Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing is after Joseph Andrew's engraving of the work by painter John Gadsby Chapman. Depicts two Native American men on a rock, one seated, and portrayed with a forlorn expression, and the other standing with their arms raised in an anguished pose, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., Title from album page., Date from album page., LCP exhibit catalogue: African American Miscellany p. 45., RVCDC, Description revised 2022., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
Creator: Douglass, Robert M. J., 1809-1887, artist
Date: September 25, 1841
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.70]

Title: A mark of friendship's pleasing power
Description: Album page with embossed border and containing a drawing depicting a bunch of flowers above a four-line sentimental poem about friendship and rememberance. Flowers include a rose. Other flowers are depicted in the colors of orange, red, and violet. Image also includes a stem and leaves., Title from manuscript verse., Probably by civil rights activist and educator Ada Howell Hinton who founded a school in 1849. Hinton was daughter of Philadelphia African American elite community member, barber, perfumer, and abolitionist Frederick Augustus Hinton., Contains four lines of verse: A mark of friendship pleasing power,/In this small trifle see/And sometimes in a lonely hour,/View it and think of me., RVCDC, Description revised 2022.
Date: ca. 1840
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.73]

Title: [Vase of flowers]
Description: Album page with embossed border and containing a drawing of a vase of flowers. Shows an arrangement of flowers including roses, camellias, pansies and forget-me-nots, in an urn-shaped vase. Border is composed of a leaf design., Title supplied by cataloguer., Date from album page., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: 1843
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.78]

Title: Forget me not
Description: Album page with an embossed border and containing a drawing of forget-me-nots. Shows a sprig of red and blue flowers, and red and blue buds, as well as green leaves. Border is composed of ornament details., Title from album page., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1843]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.83]

Title: [Landscape view showing a residence in a rustic setting]
Description: Album page containing a rustic view. Shows a white man on horseback conversing with a white man standing near a stone house. The house is comprise of mutiple sections, each at different heights. View also includes trees, including one with several missing branches, a fence, and shrubery., Title supplied by cataloguer., Date from item., Possibly by Amy Matilda Cassey., Former supplied title: Residential New York Street., RVCDC, Description revised 2022., Access points revised 2022.
Date: November, 1838
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.49]

Title: The Wife. By Washington Irving
Description: Album page containing an ornately calligraphed transcription of an excerpt from the Irving sketch in "The Sketch Book of Geoffery Crayon, Gent" about the wife as a helpmate to her husband. The sketch first published in 1816 was widely reprinted in periodicals during the 1830s, including in "The Ladies Garland" in 1838. Transcription contains multiple styles of handwriting and is enclosed within a border comrpised of swirls., Title from item., Date from item., Transcription of calligraphic text: AS THE VINE WHICH HAS/ long twined its graceful/foliage about the oak and/ been lifted by it in sunshine will when/ THE HARDY PLANT IS RIFTED/ By the thunderbolt cling round it with its caressing tendrils and bind up its shattered boughs so/BEAUTIFULLY so it is ORDERED BY/ PROVIDENCE/ THAT WOMAN who is the mere DEPENDENT/ And ornament of man in his happier hours should be his stay and solace when/ SMITTEN WITH SUDDEN/ calamity WINDING herself INTO the rugged/ recesses of his nature tenderly/ supporting the drooping head/ and binding up/ THE BROKEN HEART, RVCDC, Description revised 2022., Access points revised 2022., Reason, born in New York and one of the few known 19th-century Black engravers and lithographers, was also an anti-slavery and voting rights activist. He spent much of his career, which began when he was a teen in the 1830s in New York, before relocating to Cleveland in the late 1860s.
Creator: Reason, Patrick Henry, 1816-1898, artist
Date: [January 1839]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.25]

Title: [Rose with open scroll]
Description: Album page containing an incomplete drawing of a spray of red rose and three rose buds behind a blank open scroll. The stems of the flowers are depicted with thorns. Image possibly corresponds to an 1849 entry written by African Methodist Episcopal Bishop Daniel Alexander Payne (1811-1893) about the death of his wife and daughter that began, “Just by the side of this Rose, there grew a Rose-bud perfectly formed and softly tinged with the brightest carmine ….” (verso of p.64-66)., Title supplied by cataloguer., Date estimated from span of dates of dated entries within album., Possibly by Amy Matilda Cassey., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.62]

Title: [Floral watercolor]
Description: Album page containing a drawing of a rose bud. The rose bud is depicted on a stem with a number of leaves and thorns., Probably by educator and anti-slavery activist Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist, and prominent member of the Philadelphia African American elite community., RVCDC, Description revised in 2022., Access points revised in 2022.
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.69]

Title: Fuchsia
Description: Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [July 15, 1846]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]

Title: "A token of love from me, to thee"
Description: Album page containing a drawing of a black butterfly on a twig with pink flowers. Shows the butterfly with a black head, thorax, and abdomen and black wings with specks of green and red. The twig also contains several green leaves that fold up, fold down, and/or droop. The stem and branches of the twig are outlined with pink lines., Title from manuscript note., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.2]

Title: "I love a flower!"
Description: Album page containing a drawing of a wild pink rose above eight lines of allegorical verse about the beauty of flowers. Shows the rose with a stem, five green leaves surrounding the petals, and two buds., Title from manuscript verse., Date inferred from complementary entries in album., Contains eight lines of verse: I love a flower! it ever brings/ A warmth of feeling to my heart,/ Unlike those gay and gilded things/ That flatter coldly, coldly part./ But flowers! – Oh they are eloquent/ They speak when lips would still be dumb/ When by the hand of friendship sent,/ Her price interpreters they come., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
Creator: Douglass, S. M. (Sarah Mapps), 1806-1882, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.9]

Title: "Forget me not!"
Description: Album page containing a drawing of a stem of blue forget-me-nots above a poem about remembrance. Shows the stem with mutiple flowers and leaves., Title from manuscript verse., Date from item., Probably by Margaretta or Mary Forten, civil rights activists and members of the multiracial Pennsylvania Female Anti-Slavery Society. The women were the daughters of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten, Contains lines of verse: Forget me not”!—how sweet the token,/ When early hours have faded long,/ And hopes as well as hearts are broken,/ To know they still exist in song!/ Thus, may the exile fondly dream of/ Many a dear and transie[n]t ray/ And watchful memory catch a gleam/ Each colouring of a by-gone day. What tho the wave with ceaseless motion/ Protracts the union of o’er lot:—/ Our Hope’s the rock, which stems Time’s ocean,/ Our Love’s the flower, “Forget Me Not.” Excerpt adapted from poem by William G. Simms Jr., “The ‘Forget Me Not,’” in Early Lays (Charleston, South Carolina: A. E. Miller, 1827)., Manuscript of "Philadelphia" outlined with dots., Manuscript numbers for year "1834" formed with dots., RVCDC, Description revised 2022., Access points revised 2022.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.14]

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