Search results

Title: Eminent women Mary A. Livermore. Sara Jewett. Grace A. Oliver. Helen Hunt. Nora Perry. Lucy Larcom. Frances Hodgson Burnett. Elizabeth Stuart Phelps. Louise Chandler Moulton. Louisa M. Alcott. Julia Ward Howe. Harriet Beecher Stowe
Description: Composite photograph created through the "paste-up" technique of cut-up negatives that are arranged, pasted together, and then rephotographed to present a realistic scene. Depicts a group of eminent Victorian women, including authors, writers, and women's rights, temperance, and abolitionist movements advocates, "posed" in the Montreal residence of railway financier George Stephens. Sitters (left to right), in the background, and standing, include: Mary A. Livermore; Sara Jewett; Grace A. Oliver; Helen Hunt; Nora Perry; Lucy Larcom; and Frances Hodgson Burnett. Sitters (left to right), in the foreground, and seated, include: Elizabeth Stuart Phelps; Louise Chandler Moulton; Louisa M. Alcott; Julia Ward Howe; and Harriet Beecher Stowe. Backdrop interior imagery shows parts of the reception hall, drawing room, stairwell, and conservatory of the Stephens' residence. Vases, a mantel, light fixtures, drapery, and a fountain are included in the backdrop. Pictorial details of foliage and a pond surround the portrait within a circular frame. Canadian photographer William Notman created the original portrait negatives used in the composite created by L'Africain. Notman was known for his innovative photography and his studio specialized in composite photographs by the 1870s. This image was also distributed "compliments" of the Travelers Insurance Company of Hartford, CT., Title from item., Date in negative in lower right corner., Name of photographer and publisher from imprint in negative and printed on mount and verso., Name of artist in negative in right corner., Sitter's names in title depicted with a single dot between first, middle, and last names and with double dots between full names., Copyrighted., Photographer and publisher's illustrated imprint printed on verso: W. Notman. The Notman Photographic Co. Limited. 3 Park Street, Boston, Mass. Also at 48 North Pearl St. Albany, N. Y. Saratoga, N. Y. Newport, R. I. Illustration depicts an objet d'art composed of a crown, foliage, banners, scrolls, coat of arms, and exhibition medals, including from the Centennial Exhibition of 1876. Image also contains text, including: "Honi Soit Qui Mal [Y Pens]e. Photographer to Her Majesty. Montreal." Imprint surrounded by ornately-designed border including lavishly-ornamented cornices., Purchased with the Davida T. Deutsch Women’s History Fund., Lib. Company. Annual report, 2016, p. 64-66., Description reviewed 2022., Access points reviewed 2022.
Creator: Notman Photo Co. (Boston, Mass.)
Date: 1884
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Notman [P.2016.73]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, New Jersey through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Reproduced in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 69., Arcadia caption text: Ferries transported passengers from Philadelphia to various New Jersey towns along the Delaware River until 1952, long after the completion of the Benjamin Franklin Bridge in 1926. Prior to the opening of the Pennsylvania Railroad’s service to New York City in 1867, travelers relied on the ferries from Philadelphia to connect with the Camden & Amboy Railroad in New Jersey. The custom of naming a ferry service after its owner changed when the ferries were adopted by the railroads, such as the Pennsylvania Railroad’s Market Street ferry terminal, depicted here in 1889, nine years before the railroad reconstructed the slips and station., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.5]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Upper half of photograph discolored., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.6]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: [Lombard Street Central Presbyterian Church, Philadelphia]
Description: Exterior view of the Philadelphia African American church at 834 Lombard Street completed in 1848 after designs by Philadelphia architect, William L. Johnston. Shows the front entrance to the two-story building with pediment. In front of the building is a wrought iron fence and gate and a lamppost. In the foreground is the sidewalk and a partial view of the street. Established in 1844 under Rev. Stephen H. Gloucester, the church formed from dissenting members of the Second African Presbyterian Church following Gloucester's loss of that church's pulpit., Title supplied by cataloger., Date inferred from content., Gift of Mrs. S. Marguerite Brenner., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9060.5b]

Title: Julia Anderson Grannie's cook at 6610 Germantown Avenue
Description: Three-quarter length, forward facing portrait of Julia Anderson, an African American woman cook, seated in a large, wooden chair. Anderson, wearing her hair tied back and attired in hoop earrings and a long-sleeved, dark-colored, satin dress, sits with her right arm on the chair’s armrest and her left hand resting on her lap., Title from manuscript note on verso., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's blindstamp on recto., Mount contains embossed border., Gift of Mrs. E. Perot Walker, 1980., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: New Richmond Studio, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department misc. portrait photographs - identified - Anderson [P.8514.87]

Title: [Full-length portrait of an unidentified African American boy attired in a sailor suit]
Description: Full-length portrait of an unidentified African American boy standing and facing the viewer. The boy, attired in a sailor suit with a flap collar with white stripes and an anchor emblem at his chest, knee-length shorts, stockings, and shoes, rests his left hand on an ornate wicker chair in the right. In the left is a side table, covered in a floral tablecloth with tassels, with a vase of flowers on top of it., Title supplied by cataloger., Mount embossed with decorative border., Photographer's imprint stamped on verso., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Munshower, Forest E., photographer
Date: [ca. 1898]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Munshower [P.9930.5]

Title: [The scourged back]
Description: Three-quarter length portrait showing the severely scarred back of the former enslaved and Union soldier, Gordon, taken in Louisiana and sent to the Surgeon General of Massachusetts., Image reproduced as wood engraving with accompanying article in Harper's weekly, July 4, 1863, p. 429. (LCP **Per H, 1863.) Name of photographer supplied by article., Title and publication information supplied by William Darrah's Cartes-de-visite in nineteenth century photography (Gettysburg: William C. Darrah, 1981), p. 148., Manuscript note attributing original publisher on verso of P.8925.4: "Gordon" by C. Seaver, Jr. Seaver, Jr., a Boston photographer, published the carte-de-visite in support of the abolitionist movement., Originally part of a McAllister scrapbook of Civil War Miscellanies [5786.F.157c]. McAllister Collection, gift, 1886. Accessioned 1982 [P.8925.4]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Pherson and Oliver, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Gordon [5786.F.157c; P.8925.4]

Title: [Half-length portrait of James Rodgers]
Description: Glass negative showing a half-length portrait of James Rodgers. Rodgers, attired in a cap, a white collared shirt, a patterned tie with a pin, a waistcoat, and a jacket, sits on a wooden bench in a garden facing slightly left. Trees and the rear of a house are visible in the background., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.87.9]

Title: Old darkey & donkey cart, on road at head of Hamilton Harbor, [Bermuda]
Description: Glass negative showing a older black man driving a cart drawn by a donkey down a dirt road near Hamilton Harbor. The road winds back over a bridge and is lined with trees., Photographer remarks: Undertimed badly., Time: A.M., Light: Sun., The emulsion has started to flake off on the right side of the plate., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 26, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.886]

Title: Quarries near Pitt's Bay. Men with tools. [Bermuda]
Description: Glass negative showing three Black men working in a quarry with high cliffs and piles of rocks on the ground near Pitt's Bay. In the foreground, the Black man, wearing a beard and attired in a brimmed hat, a white collared shirt with the cuffs unbuttoned, dark-colored pants, and shoes, stands holding a large saw in both hands pointed at a stone on the ground, which he props his right foot on. On the ground in front of him is another saw. In the background, two Black men, attired in brimmed hats, white collared shirts, aprons, pants, and shoes, stand and hold a large metal pole, which they chisel into the cliff., Time: 11:45, Light: Good sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 27, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.896]

Title: Pitt's Bay from road, near quarries, [Bermuda]
Description: Glass negative showing Pitt's Bay with a small sailboat and buildings lining the right side. A road runs above the harbor with a low stone wall. A Black man, attired in a cap, a white shirt, a jacket, pants, and shoes, sits on the wall and carries a stick in his right hand. On the ground beside him is a dog and a picnic basket., Time: 12:10, Light: Good sunlight., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 27, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.898]

Title: Aunt Phebe at Mcaboy's, Polk Co. North Carolina
Description: Glass negative showing Phebe Mills, an older African American woman, sitting on the porch steps of the McAboy House. She is attired in a striped bonnet, a long-sleeved shirt with buttons down the front and a tie across the waist and a long skirt with ruffles at the bottom. She sits with her hands folded in her lap and looks slightly to the right. Beside her on the step lies a package wrapped in cloth. A white man, wearing a white beard and attired in a suit, sits in a rocking chair on the porch and looks towards her. Also visible is a shuttered window and an open doorway. Phebe Mills, born circa 1806, was married to Pauldo Mills, a farmer on the Columbus Mills Plantation. Originally owned by John Mills, this plantation was bought by Dr. Leland Reid McAboy in 1872 and became an inn known as the McAboy House., Time: 12:30 P.M., Light: Fair sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 27, 1890
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1604]

Title: Aunt Phebe, Mcaboy's, N.C
Description: Glass negative showing Phebe Mills, an older African American woman, sitting on the porch steps of the McAboy House. She is attired in a long-sleeved shirt with buttons down the front and a tie across the waist and a long skirt with ruffles at the bottom. She sits with her hands balls and folded in her lap and looks slightly to the right. Beside her on the step lies her striped bonnet. A white man, wearing a white beard and attired in a suit, sits in a rocking chair on the porch and looks towards her. Also visible is a shuttered window and an open doorway. Phebe Mills, born circa 1806, was married to Pauldo Mills, a farmer on the Columbus Mills Plantation. Originally owned by John Mills, this plantation was bought by Dr. Leland Reid McAboy in 1872 and became an inn known as the McAboy House., Same as last., Time: 12:30 P.M., Light: Fair sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 27, 1890
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1605]

Title: [Three] colored boys with banjos back of Swannanoa Hotel, Asheville, [NC]
Description: Glass negative showing three young African American men posing in front of a wooden fence behind the Swannanoa Hotel. In the left, the man, attired in a cap, a scarf, a waistcoat, a jacket, pants with the bottoms rolled up, shoes, and a wedding ring, smiles and looks at the viewer as he holds a banjo. In the center, the shorter, young man, attired in a brimmed hat, a white shirt, a checked jacket, a coat, pants, and shoes, smiles and looks at the viewer with his hands in his coat pockets. The man in the right, attired in a cap, a collared shirt, a tie, a scarf, a waistcoat, a jacket, striped pants, and shoes, looks at the viewer and holds a banjo., Time: 10 A.M., Light: Fair sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 28, 1890
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1611]

Title: Calabash tree near Church Caves. [Two] colored boys under it. [Bermuda]
Description: Glass negative showing two Black boys standing under a large calabash tree with gnarled branches. In the center, the boy, attired in a brimmed hat, a jacket, and pants, puts his right hand in his pocket and smiles at the viewer. In the right, the boy, attired in a cap, a white buttoned shirt, a jacket, and pants, holds a stick in his hands and looks at the viewer., Time: 9:00, Light: No sun, good light., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 24, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1451]

Title: Group of colored boys near the Church Cave,. [Bermuda]
Description: Glass negative showing a group of five Black boys in front of thick foliage. Four boys stand while another boy sits in the grass. The boys are attired in caps or hats, shirts and jackets, and pants. Three are visibly barefooted. The boy in the right holds a large stick, and the boy in the left holds a twig with leaves on it., Time: 3:15, Light: Fair sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 23, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1450]

Title: David Murray, our waiter at Haverford [College] & his wife at door of Gym
Description: Glass negative showing African American waiter David Murray and his wife posing in a doorway at Haverford College (founded 1833). In the left, Murray, attired in a white collared shirt, a tie, a waistcoat, a jacket, pants, and black shoes, stands placing his left hand on the back of the chair his wife sits in to the right and slightly in front of him. Mrs. Murray, wearing her curly hair tied behind her head and attired in hoop earrings, a long-sleeved checkered blouse with a white lace collar and decorative buttons running down the middle, a dark-colored skirt with ruching at the bottom, and dark-colored shoes, sits with her hands on her lap. David looks at the viewer while Mrs. Murray faces slightly left., Photographer remarks: Undertimed., Time: 11:10, Light: Faint sun out., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Purchase 2001., Description revised 2021., Access points revised 2021., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 29, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.611]

Title: Girls passing Mansion House, [Hampton Institute, Va.]
Description: Shows a group of women students, attired in white dresses, marching in lines across a lawn at the Hampton Institute. Walking in front of the women are four African American men, attired in uniforms and caps, two of which carry an American and a "H.I." flag. They march past the Mansion House, with its columned portico. In the left background, several women walk on the grass. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington. The Mansion House was the original residence of the plantation built in 1828., Photograph from negative number 2013.13.465., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 24, 1912
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2121]

Title: Midway Plaisance-Dahomans
Description: Lantern slide showing a group of barefooted Black men Dahomans carrying a man in a fabric litter during the World's Columbian Exposition in Chicago in 1893. The four men rest the wooden beams on top of their heads on head pads and hold their hands above their heads to support the beams. In the front left, the barechested man is attired in a necklace and a floral patterned sarong. In the front right, the man is attired in a sleeveless shirt with an American flag print, a belt with a pouch, and knee-length white shorts. In the right rear, the man is attired in a sleeveless white shirt, knee-length shorts, and an arm bracelet. In the background, white men and women spectators look on. The Kingdom of Dahomey was a West African kingdom located within present-day Benin that existed from approximately 1600 until 1904. Dahomey developed on the Abomey Plateau amongst the Fon people, a Gbe ethnic group., Contains MCM stamp. Title printed on label., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: 1893
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2169]

Title: Janet Johnson's house, Germantown, 1867
Description: Exterior view of east front and north side of the former residence of John Johnson built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. Shows the front door with a shingled awning. The first story has shuttered windows. Residence has dormers and chimneys on the roof. A picket fence lines the left and right grounds of the property. Trees grow in the sidewalk, and a dirt road is visible. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Purchase 1870., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.115], http://www.brynmawr.edu/iconog/mrn/m115.jpg

Title: Chew house, Germantown, 1867
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, James Smith, posed near the front door of the home. He is attired in a hat, a white collared shirt, white gloves, a dark-colored jacket, pants, and shoes. A smaller building used as a kitchen or for laundry is visible in the rear (left). Smith was enslaved in Chestertown, Maryland before buying his freedom. He began work for the Chews as a coachman in 1819 and later worked as a general servant until his death in 1871. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title and date from inscription on mount., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Retrospective conversion record: original entry, edited., Photograph pasted on verso: Stenton 1900., See website "Cliveden. Know it. Feel it. Share it." (link above)., Purchase 1870., Description revised 2021., Access points revised 2021.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.123], http://www.cliveden.org/

Title: [Philadelphia Bourse construction]
Description: View of an early stage of the construction of the Philadelphia Bourse at 11-21 South Fifth Street, Philadelphia. Depicts construction workers, including African Americans, standing at the center of the steel frame on a scaffolding surrounded by masonry tools and supplies. Existing business and residences surround the construction site. Designed by the Philadelphia architectural firm, George and William Hewitt, the Bourse was completed after 2 years of construction in 1895. It was one of the first modern U.S. commerce centers and stock exchanges., Title supplied by cataloger., Photographer's imprint stamped on verso., Stamped on verso: No. of negative 491., Date from manuscript written note on mount: Mar. 2nd 1894., Forms part of a series of ten Philadelphia Bourse construction photographs., Lib. Company. Annual report, 1992, p. 50-51., Purchase 1992., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Miller, Chas. (Charles H.), photographer
Date: March 2, 1894
Location: Library Company of Philadelphia | Print Department photo - Miller [P.9381.2]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, the rebuffed children were accepted at the Continental Hotel. Revenue from the sale of the portrait was to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date based on content., Name of photographer from duplicate photograph., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits- group- Emancipated enslaved children [5775.F.68]

Title: Rebecca A slave girl from New Orleans
Description: Abolitionist, bust-length portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Photographer's imprint stamped on verso., Copyrighted by Rob[er]t R. Corson, State Military Agent for Philadelphia during the Civil War, and later, Corresponding Secretary for the Pennsylvania branch of the American Freedmen's Union Commission., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Maj. Gen'l Banks., Manuscript note on verso: Rebecca Euge 10., Gift of Marguerite S. Brenner., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.9057.81]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of schools in Louisiana for formerly enslaved people, the rebuffed children were accepted at the Continental Hotel., Title from item., Date from copyright. Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of the first school in Louisiana for formerly enslaved people., Photographer's imprint stamped on verso., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored People in the department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits-group- Emancipated Enslaved Children [P.8925.1]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: No. 1. The flirtation
Description: First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: No. 3 The courting
Description: Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]

Title: No. 4 The proposal
Description: Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 6 The wedding
Description: Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]

Title: No. 8 Return from the honeymoon tour
Description: Eighth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins and their husbands in fashion-forward attire promenading down the street of their small town. In the right, an older man in the stance of the minstrel character of Jim Crow, and an older woman attired in a bonnet, polka dot dress, and apron, and leaning on a tree laugh at the couples as they approach them. From a distance, "Dr. Black" watches them from astride his donkey. Townscape, including a storefront with signage reading “Groceries” and “Watchin Dun Hyar,” as well as a “Eatin House” and saloon is visible in the background. Figures are visible in the windows of the grocery store., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Inscribed on original drawing: Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Description of Blackface minstrelsy and minstrel character from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.7]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy two African American men crouch., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives-Levy & Cohen [P.8532.43]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy three African American men sit and stand., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of a series: Levy & Cohen's Views of the Rebel Capital and its Environs., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives - Levy & Cohen [P.8532.44]

Title: Libby Prison The only view of this notorious prison made during the Rebellion. Dick Turner stands in the foreground
Description: Exterior view of the notoriously inhumane Confederate Prison, previously a warehouse. Depicts Turner, the former commandant of the prison, standing with a small group of white people including a child, in front of rows of tents. African Americans look on from a nearby hill., Title from label mounted on verso., Date from copyright statement: Entered according to Act of Congress in the year 1865, by Levy & Cohen in the Clerk's Office, of the District Court, for the Eastern District of Pennsylvania., Gift of Elinor Solis-Cohen, 1980., Forms part of small Civil War Photograph Collection, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish Philadelphia photographers who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: 1865
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - cdvs - Levy & Cohen [P.8532.2]

Title: [Automatic Electric Shoe Shining Company of Philadelphia]
Description: Shows men getting their shoes shined at the Automatic Electric Shoe Shining Company of Philadelphia at the 1300 block of Market Street, Philadelphia. The shoe shining booths line the perimeter. Men, attired in boater hats and suits, stand with one foot on the ground and one foot in the electric shoe shiner. In the right, a man, attired in a suit and tie, sits at the ticket booth under a sign, “Get your tickets here. 8 shines for 25c. One ticket good for both shoes.” Standing in the center is African American man, attired in a uniform and cap, holding a rag., Title supplied by cataloger., Gift of Matthew Schultz, 1998., Description revised 2022., Access points revised 2022., One of the images [P.9645.203] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 59., Arcadia caption text: At the turn of the century the Automatic Electric Shoe Shining Company of Philadelphia opened its first parlor on the north side of the 1300 block of Market Street. For a nickel, customers could enjoy the latest technological wonder, a machine designed to shine either black or tan shoes. The African American attendant standing in the center of this c. 1900 photograph holding a rag probably buffed the customers’ shoes. According to the large advertisement above the door, the company planned to open 15 parlors in Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: 1900
Location: Library Company of Philadelphia | Print Department glass negatives - Levis [P.9645.203 & 584]

Title: St. Johns Episcopal Church's minstral club - graphic of minstral show April 12 and 13, 1901
Description: Negative blocked with marking tape depicting a bust-length portrait of an African American man, portrayed in racist caricature wearing a beard and attired in a bowler hat. Contains name of minstrel club and performance dates. Along the top are small photographs including several portraits of white women, a large group portrait of white men and women, and a seated white man playing the guitar., Title from negative sleeve., Duplicate: St. John's club minstrels, Friday and Saturday, April 12 and 13 1901 (cartoon). [P.9645.743], Gift of Matthew Schultz, 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: [1901]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Levis [P.9645.1038]

Title: [Unidentified young African American woman]
Description: Bust-length portrait of a young African American woman facing slightly left. She wears her hair tied back behind her head in a bun and is attired in small hoop earrings, a puffed sleeve blouse with a high collar over her neck and decorative stripes of ribbon across the shoulders in a patterned fabric., Title supplied by cataloger., Date based on the photographer and attire of the sitter., Missing lower right corner of mount. Surface badly scratched., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Leuf, William F. J., photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department cabinet card portraits- photographer - Leuf [P.9930.3]

Title: Jim Steward and his celebrated rocky mountain cat
Description: Full-length portrait of Jim Steward, an African American man ventriloquist, seated on a wooden chair. Steward, attired in a disheveled sack coat, holds his cat puppet in his lap and looks at the viewer., Date from manuscript note., Fifteen cent Civil War revenue stamp lower right corner of mount with manuscript note: W.L. April 1st, 1865., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Langenheim was a premier early Philadelphia photographer who with his brother and partner Frederick (1809-1879) introduced lantern slides (glass transparencies) to the United States in 1849.
Creator: Langenheim, William, 1807-1874, photographer
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Lantern slides - Langenheim [P.9439]

Title: Rev. C.M. Tanner, Philadelphia, Pa., April 17, 1896
Description: Bust-length portrait of Carlton Miller Tanner (ca. 1869-1933), the African Methodist Episcopal clergyman, missionary, author, and brother of artist Henry Ossawa Tanner. Depicts Tanner, his head turned slightly right, attired in a white clerical collar; dark-colored, button-down vest; and dark-colored jacket with notched lapels. His hair is cropped short and he wears a mustache. Tanner, born in Philadelphia, was a graduate of the Institute of Colored Youth and Divinity School of the Protestant Episcopal Church in Philadelphia. Holding a Doctor of Divinity from Wilberforce University, Payne Theological Seminary, Tanner began work as a pastor about 1893 and presided over the A.M.E. churches Big Bethel Church (Atlanta, Ga.) in the early 1900s and Metropolitan Church A.M.E. (Washington D.C.) between 1917 and 1922. Tanner also established the South African Christian Recorder in 1902 and wrote a "Manual of the A.M.E. Church." He passed away while a resident of Chicago, IL., Title and date from manuscript note on verso., Photographer's imprint blindstamped on mount., Description reviewed 2022., Access points reviewed 2022.
Creator: Kuebler, William J., photographer
Date: [April 17, 1896]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2018.66.4]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initials of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image. Proceeds from the sale of the photograph were to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Philip Bacon, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of first emancipated enslaved school in Louisiana., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [P.9864]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initial of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Geo. H. Hanks, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by George H. Hanks, abolitionist, civil rights activist, and Civil War colonel., Label on verso: The nett proceeds from the sale of these Photographs will be devoted exclusively to the education of colored people in the Department of the Gulf, now under the command of Maj. Gen. Banks., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [(1)5786.F.108]

Title: Isaac and Rosa, emancipated slave children, from the free schools of Louisiana
Description: Abolitionist portrait of the propagandized emancipated enslaved children, Isaac White and Rosina Downs, standing, arm-in-arm. Isaac has brown skin, and wears a shirt jacket, pants, and broad tie. He has his left hand tucked into his shirt jacket. Rosina has fair skin, and wears an off-the-shoulder, calf-length dress, cinched at the waist, and with stripe details on the neckline and skirt. She also wears pantaloons. Freed by Union General Butler in New Orleans, the children toured through the North with other emancipated enslaved people, and Colonel George H. Hanks, to raise funds for the emancipated enslaved schools of Louisiana established by Philip Bacon, Assistant Superintendent of Freedmen., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863 by Geo. H. Hanks, in the Clerk's Office of the U.S. for the Sou. Dist. of N.Y., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 1982., Description revised 2022., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait cdvs-Emancipated Enslaved Children [P.8925.7]

Title: A " corner in cotton."
Description: Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Dates from copyright statements on recto and verso: Copyright 1899, by B. L. Singley. Made in U.S.A. and Copyright, 1913, by the Keystone View Company., Title from recto of item., Title printed in five different languages, including Italian, French, and German, on verso., Variant title on verso: 9506-"We'se done all dis's mornin',"-Picking cotton on a Mississippi plantation., Several lines of text printed on verso, often describing in racist terms, the culture, conditions, and economics of the cotton industry in the South., Curved grey mount with rounded corners., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899, ([printed] 1913)
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.3]

Main menu

Pages