P.2006.1.8
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.2006.1.26
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.8532.2
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
Class of '78, University of Pennsylvania.
Title
Class of '78, University of Pennsylvania
Description
Group portrait of male students, attired in suits and most with hats and canes, including an African American man, posed on the steps of College Hall. According to the University's history, the first African American student matriculated in 1879., Title from mount., Manuscript note on verso: Prichett. Probably, Thomas Barclay Prichett, University of Pennsylvania, class of 1878., Purchase 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Suddards & Fennemore, a partnership between Philadelphia photographers William L. Suddards and George H. Fennemore from around 1870 until 1879, specialized in portraiture.
Creator
Suddards & Fennemore, photographer
Date
[1878]
Location
Library Company of Philadelphia | Print Department *group portrait photographs - education [P.8612]
Cliveden 1911 [graphic].
Title
Cliveden 1911
Description
Series of exterior and interior views of the Germantown estate Cliveden built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Benjamin Chew (1722-1820), the patriarch of an influential Quaker family, was one of Pennsylvania’s largest enslavers. Images depict front, front oblique, and "rear" views of the façade of the residence, including outbuildings and landscaped lawns and grounds; the front "doorway" with steps and sculptures; the "pump" near an ivy-covered wall; the "barn" near which a horse-drawn cart loaded with hay rests across from a cow out to pasture; a cracked "fireback" resting against a tree; "servant’s quarters," i.e. quarters for enslaved persons; and multiple views of the "hall at Cliveden" modestly furnished with chairs, a desk, side table, a long rifle, and framed prints and a painting. Hall views also depict columns fronting a hallway and stairway., Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Series title from manuscript note on mounts., Date from title., Many of the images accompanied by captions written on the mounts., Two of the mounts (P.2017.88.4.2-5 and P.2017.88.4.6-9) contain manuscript note: Cliveden 11-7-1911., Verso of mount P.2017.88.44.1 contains manuscript note: New York Public Library 1911., Copies of images included in “Pictorial Archives of Early American Architecture” (PAEAA), PAEAA PA 51-Germ, 64D-1, assembled by the Library of Congress during the 1930s., Three of images (P.2017.88.4& 7 &11) published in Harry M. Tinkom, Margaret Tinkom and Grant Miles Simon, Historic Germantown: ... (Philadelphia: American Philosophical Society, 1955)., RVCDC, Description revised 2022., Access points revised 2022.
Date
1911
Location
Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88.4.1-13]
[Cliveden, 6401 Germantown Avenue, Philadelphia] [graphic] / W.N. Jennings.
Title
[Cliveden, 6401 Germantown Avenue, Philadelphia]
Description
Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Negative numbers: H-54, H-54a & b, Modern reference prints available., Acquired 1981., Description revised 2022., Access points revised 2022.
Creator
Jennings, William Nicholson, 1860-1946, photographer
Date
[ca. 1925]
Location
Library Company of Philadelphia | Print Department Jennings [P.9480.H-54 ; P.9480.H-54a & b]
[Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.] [graphic].
Title
[Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.]
Description
Exterior detail view of the front doorway of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the pediment over the front door, which is flanked by shuttered windows. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title supplied by cataloger., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications in cooperation with the Library Company of Philadelphia, 1980), entry# 118., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date
[ca. 1867]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Residences - C [(6)1322.F.120b]
[Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.] [graphic].
Title
[Cliveden, Benjamin Chew residence, 6401 Germantown Avenue, Germantown, Philadelphia, Pa.]
Description
Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title supplied by cataloger., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date
[ca. 1867]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Residences - C [(6)1322.F.57b]
Col. R. S. Strader horses - Bulletsville Boone Co Ky
Title
Col. R. S. Strader horses - Bulletsville Boone Co Ky
Description
View showing five horses, including Burlington and Draco, under the inspection of two men standing near a dog, in front of a stable in Bulletsville, KY. Shows Draco, grandson of the great trotter Alexander's Abdallah, attached to a manned sulky and the other horses controlled by groomsmen, including an African American man. Two white women and two young, white boys stand near the men., Yellow mount with rounded corners., Photographer's imprint printed on mount., Title from manuscript note on mount., Manuscript note on mount: Burlington Draco - in sulky., Manuscript note on verso: Burlington/ 1870 by Wyatt's Abdallah son of Alexander Abdallah; dau a mare by Yankee Boy. Draco/ 1853 by Perkin's Young [Morril?]; dam the dam of Danville Boy & Draco 2nd., Gift of Helen Beitler, 2002., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Schreiber & Sons specialized in photography of domestic animals and photographed almost every noted horse in North America during the latter nineteenth century.
Creator
Schreiber & Sons, photographer
Date
[ca. 1872]
Location
Library Company of Philadelphia | Print Department stereo - Schreiber & Sons - Animals [P.2002.67.37]
Colonnade Hotel, SW corner 15th & Chestnut, Phila., 1896, showing monument on the ground of Epiphany Ch[urch]
Title
Colonnade Hotel, SW corner 15th & Chestnut, Phila., 1896, showing monument on the ground of Epiphany Ch[urch]
Description
View of the prominent hotel erected in 1868 at 1500-1506 Chestnut Street. White men and women pedestrians stroll the sidewalk, and an African American man passes by on his horse-drawn cart. Businesses line Chestnut Street, including: George E. Dearborn, piano dealer; a paper hangings store; and a custom shirt proprietor. The hotel, named after the previously existing "Colonnade Row" of early nineteenth-century pillared, porched townhouses, was demolished in 1925 for the erection of the Franklin Trust Company building. Also includes the fenced obelisk monument to James Henry Fowles, former rector of the church previously located at the northwest corner of Fifteenth and Chestnut streets, the Church of the Epiphany., Title from manuscript note on verso., Purchase 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1896]
Location
Library Company of Philadelphia | Print Department photo - unidentified - hotels [P.9005.19]
The colored band. [graphic].
Title
The colored band
Description
Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting African American women and girl spectators reacting to a passing African American marching band. The figures are drawn with racist and caricatured features and mannerisms. Shows in the foreground, two girls and a younger and an older woman, running next to and toward the band, mimicking the band leader, and dancing. The girls and women are barefoot and wear shift dresses of either calf or ankle lengths. The older, running woman (in right) also wears a kerchief. The mimicking girl who stomps and raises her left arm in front of the band leader wears short-cropped hair and is attired in a dress with wornout sleeves (center). The young woman dancing (center) and the running girl (left) wear their hair full and wavy. In the center foreground, the band leader looks past the girl in front of him. He wears a mustache and is attired in a tall, round-top shako with plume and a uniform. The uniform has tassels at the shoulder and a decorative chest plate and pants with a vertical stripe on the outseam. He holds up a mace adorned with an eagle with his right hand. In the background, members of the marching band, attired in caps with plumes and uniforms, play tubas. A line of older African American boys and a girl walks ahead of the band. Two of the children look behind themselves toward the band, including a boy with a look of surprise. During the Civil War, African American brass bands were formed by white commanding officers to promote and increase recruitment of African American soldiers. Following the war, many of the ex-military musicians formed civilian bands associated with quasi-military drill teams, volunteer organizations, and social clubs., Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1881. Mrs. R. Colburn, RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date
1887
Location
Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.1]
Colossal hand and torch "Liberty".
Title
Colossal hand and torch "Liberty"
Description
View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Centennial Photographic Co.
Date
1876
Location
Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]
Colossal hand and torch "Liberty".
Title
Colossal hand and torch "Liberty"
Description
View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Centennial Photographic Co.
Date
1876
Location
Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]
Commerce St. looking east from 21st St.
Title
Commerce St. looking east from 21st St
Description
View of Commerce Street showing a section of the "Chinese Wall," the brick viaduct built in 1882 connecting the Broad Street and West Philadelphia railroad stations. Several playbills are pasted on the viaduct under which an African American man sits on a crate. Parked cars line the street. City Hall's tower is visible in the distance., Title and date from inscription on negative., Inscribed on negative: 214924., Note on negative sleeve: Pennsylvania Railroad No.77; Penna. R.R. Co. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Reproduced in Kenneth Finkel and Susan Oyama's Philadelphia, then and now. (NY: Dover, 1988), p. 28., Reproduced in Harry Silcox's Jennings' Philadelphia: The life of Philadelphia photographer William Nicholson Jennings (1860-1946) (Philadelphia: Brighton Press, Inc., 1993), p. 110., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Jennings was a 20th century Philadelphia commercial and "progress" photographer whose clients included the Pennsylvania Railroad.
Creator
Jennings, William Nicholson, 1860-1946, photographer
Date
March 25, 1925
Location
Library Company of Philadelphia | Print Department Jennings [P.9480.214924]
[Construction at Ninth and Sansom streets]
Title
[Construction at Ninth and Sansom streets]
Description
Depicts four African American men construction workers on the framework of store fronts (i.e., Burd Building) under construction on the former grounds of the Shippen Burd mansion, demolished in 1861. In the background stands the hippodrome-shaped auction house of "Alfred M. Herkness Philadelphia Horse & Carriage Bazaar," in operation from around 1848 until 1913., Title supplied by cataloger., Date from manuscript note on verso., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, 1980), p. 180., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Broadbent & Co., photographer
Date
September 6, 1862
Location
Library Company of Philadelphia | Print Department cdv - Non-Portraits - Broadbent & Co. [(8)1322.F.47f]
P.9260.423
Title
[Construction crew in a fenced ditch below street level, July 12, 1904]
Description
Scene depicting a predominately African American construction crew, working with shovels and picks around a fire hydrant, exposed pipes, and a storm drain within a large fenced off ditch. Planks and sheet metal cover part of the site. Workers place dirt into steel bins. A crane hovers above. Spectators, including white men and boys and African American man, line the fence and pass the construction site. Further down the street another predominately African American construction crew works within another ditch., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[July 12, 1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.423]
[Construction crew near railroad tracks, July 8, 1904]
Title
[Construction crew near railroad tracks, July 8, 1904]
Description
Scene depicting a predominately African American construction crew working with picks and shovels in a pit deeply dug out of a stone embankment near railroad tracks. Within the pit lined with wood planks, a well-dressed white man, standing near the hook end of a crane hanging above, oversees the work crew. At street level, near a pile of rubble, a horse-drawn flatbed truck loaded with logs and two white workers stand idle. In the foreground, a "P.R.R." (Pennsylvania Railroad) air brake steel car stands motionless on the track., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[July 8, 1904]
Location
Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.424]
[Construction of railroad tracks in Philadelphia, September 6, 1922]
Title
[Construction of the Frankford Elevated railroad tracks at Front and Arch Streets in Philadelphia, September 6, 1922]
Description
Scene showing predominantly African American construction workers laying down railroad tracks near a block of rowhouses at Front and Arch Streets in Philadelphia. The men are surrounded by piled planks, buckets, and construction debris. Many of the workers have stopped to pose, including a white man, possibly a foreman. In the left, two men continue to work and consult near steps by a curved railing. The half completed tracks, bridge platform, a billboard, factory buildings, and water tower are visible in the background. Constructed under the auspices of the City of Philadelphia's Department of City Transit (later Transit Operations and Planning Division) between 1915 and 1922, the Frankford Elevated Railway consisted of a two track structure six miles in length that extended north over the roadway of Front Street, Kensington Avenue and Frankford Avenue between Arch and Bridge Streets. Operated under lease to the Philadelphia Rapid Transit Company (later South Eastern Public Transportation Authority or SEPTA), the line opened November 5, 1922., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[September 6, 1922]
Location
Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.419]
[Construction on Market Street between 17th and 18th Streets, Philadelphia, July 8, 1904]
Title
[Construction on Market Street between 17th and 18th Streets, Philadelphia, July 8, 1904]
Description
View of a fenced exposed area of the street with unearthed pipes protected by a series of wood girders. African American construction workers guide a steel bin over the girders and haul dirt from the site with a horse-drawn cart. Several spectators, including a well- dressed African American man, line the fence. In the distance, a white boy with a bucket rests on a crane near a workman's shed. Businesses line the street including "Leiber's Red Front Dining Room, 1788 Market Street." Painted advertisements for Coca Cola and a liquor dealer adorn the building visible on the street corner., Title supplied by cataloger., Negative inscribed: 554., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[July 8, 1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.362]
[Convalescing children]
Title
[Convalescing children]
Description
Depicts children, including an African American boy, playing and performing handicrafts, probably as occupational therapy, while seated at a table near a hospital bed on an outside porch. Six girls and boys sit around the table and weave baskets, a loom, hold a baby doll, and hold an image of a cow., Title supplied by cataloger., Date inferred from attire of the sitters., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Photo Illustrators (Firm), photographer
Date
[ca. 1930]
Location
Library Company of Philadelphia | Print Department Photo-Illustrators - Non-Philadelphia - Afro-Americana
[Convalescing children]
Title
[Convalescing children]
Description
Depicts children, including an African American boy, playing and performing handicrafts probably as occupational therapy, while seated at a table near a hospital bed on an outside porch. Six girls and boys sit around the table and weave baskets, a loom, hold a baby doll, and hold an image of a cow., Title supplied by cataloger., Date inferred from attire of the sitters., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Photo Illustrators (Firm), photographer
Date
[ca. 1930]
Location
Library Company of Philadelphia | Print Department Photo-Illustrators - Non-Philadelphia - Afro-Americana
"The coon" wedding march
Title
"The coon" wedding march
Description
Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Rau, William Herman, 1855-1920, photographer
Date
c1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Genre [P.9921]
[Copy photograph of African American woman caregiver with her young white charges] [graphic] / F. Gutekunst, 712 Arch St. Philadelphia.
Title
[Copy photograph of African American woman caregiver with her young white charges]
Description
Copy photograph of a circa 1860 three-quarter length portrait of a young African American woman caregiver, seated, and with a white baby on her lap and a young white boy standing to her left. The caregiver has her right hand resting on the head of the baby and her left arm wrapped around his/her waist. The baby wears a medium-colored dress, which their nanny's hand has slightly tugged up. The baby has their left hand in their mouth. The nanny wears her long, wavy dark hair, parted in the center, and pulled away from her face. She is attired in a patterned shirt waist and dark satin skirt with crinoline underneath. The boy to her left wears a dark-colored, mandarin-style jacket and dark pants. All the sitters look straight at the viewer., Title supplied by cataloger., Date based on type of mount and address of photographer., Photographer's imprint stamped on mount and verso. Imprint on verso includes decorative insignia composed of an ornamented letter "G" with a coat of arms in its interior. The coat of arms includes a lion and bird., Inscribed in pencil on verso: 100801., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - photo - Gutekunst [P.2016.17.2]
Copy photograph of African American woman caregiver with her young white charges
Title
[Copy photograph of African American woman caregiver with her young white charges]
Description
Copy photograph of a circa 1860 three-quarter length portrait of a young African American woman caregiver, seated, and with a white baby on her lap and a young white boy standing to her left. The caregiver has her right hand resting on the head of the baby and her left arm wrapped around his/her waist. The baby wears a medium-colored dress, which their nanny's hand has slightly tugged up. The baby has their left hand in their mouth. The nanny wears her long, wavy dark hair, parted in the center, and pulled away from her face. She is attired in a patterned shirt waist and dark satin skirt with crinoline underneath. The boy to her left wears a dark-colored, mandarin-style jacket and dark pants. All the sitters look straight at the viewer., Title supplied by cataloger., Date based on type of mount and address of photographer., Photographer's imprint stamped on mount and verso. Imprint on verso includes decorative insignia composed of an ornamented letter "G" with a coat of arms in its interior. The coat of arms includes a lion and bird., Inscribed in pencil on verso: 100801., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - photo - Gutekunst [P.2016.17.2]
A "corner in cotton." [graphic].
Title
A " corner in cotton."
Description
Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator
Keystone View Company
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]
Cotton field.
Title
Cotton field
Description
Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator
Palmer, J. A., photographer
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.6]
Cotton field.
Title
Cotton field
Description
Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator
Palmer, J. A., photographer
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.5]
Cotton is king. Plantation scene, Georgia, U.S.A. [graphic].
Title
Cotton is king. Plantation scene, Georgia, U.S.A
Description
Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator
Underwood & Underwood
Date
1895
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]
Cotton is king. Plantation scene, Georgia, U.S.A. [graphic].
Title
Cotton is king. Plantation scene, Georgia, U.S.A
Description
Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator
Underwood & Underwood
Date
1895
Location
Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]
Cotton plantation scene.
Title
Cotton plantation scene
Description
View of African American men agricultural workers picking cotton. In the foreground, an African American boy, attired in a green hat, a blue shirt, and blue pants, stands in front of a large pile of cotton with cotton in his left hand. In the left is a basket full of cotton. In the right, a young white girl, attired in a pink dress, sits next to the pile of cotton with her right hand shielded over her eyes. In the background, African American men work in the field picking cotton., Title from item., Date inferred from attire of clothes and photographic medium., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - work [P.9600.13]
Court. Lombard St. W. of 7.
Title
Court. Lombard St. W. of 7
Description
Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
[ca. 1923]
Location
Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm
The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907.
Title
The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907
Description
View of the "Elks Greatest Parade" on South Broad Street during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907. Depicts a float, a horse-drawn wagon carrying a large stuffed elk and passengers, and several costumed parade participants from various Elk Lodges throughout the country. Participants include a group dressed as minstrels in bowler hats and duster jackets and members attired all in white holding umbrellas. Spectators line the street. The south side of City Hall is visible in the distance., Title from item., Berry, Kelley & Chadwick was an early 20th century prolific publisher and retailer of stereoviews with locations in Philadelphia, Chicago, Dallas, and Atlanta., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1907
Location
Library Company of Philadelphia | Print Department stereo - Berry, Kelley & Chadwick [P.8451.3]
Croquet.
Title
Croquet
Description
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Bartlett, George O., photographer
Date
1866
Location
Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]
Croquet.
Title
Croquet
Description
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Bartlett, George O., photographer
Date
1866
Location
Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]
[Crowd on the Atlantic City boardwalk near the Steel Pier]
Title
[Crowd on the Atlantic City boardwalk near the Steel Pier]
Description
Group portrait of a crowd of hundreds of men and women promenaders crammed on the Atlantic City boardwalk during the early 1920s, probably on Easter. Most of the people, including a few African Americans, are attired in hats and their best clothing. The Steel Pier displaying the "General Motors Exhibit," "Chop Suey," Strands, La Victoire Restaurant, and the Virginia Photoplays line the street. Starting in the late 19th century, Atlantic City became a haven for the well-to-do to celebrate Easter and model their fashionable holiday wear and millinery., Title supplied by cataloger., Date inferred from the photographic medium and the attire of the people., Manuscript note on verso: Market Finance Co., 409 Market St., Purchase 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1925]
Location
Library Company of Philadelphia | Print Department photo - unidentified - cities [P.8932.16]
Customer. "Rather cool weather Pete, for a close crop like that." Pete. "Can't help it Boss---the proprietor says long hairs gits in de wittles." [graphic].
Title
Customer. "Rather cool weather Pete, for a close crop like that." Pete. "Can't help it Boss---the proprietor says long hairs gits in de wittles."
Description
Reproduction of a drawing of a racist, comic scene showing an African American waiter serving a bearded, white man seated at a restaurant table. The African American waiter is depicted with exaggerated features, including an oblong-shaped head. He wears a black suit, a white shirt with a high collar, and an apron around his waist. The waiter stands beside the table that is covered in a tablecloth. He rests his left hand on it and holds a bowl of soup on a saucer in his right. The customer, attired in a tuxedo, rests his left arm near a pitcher, glass, napkin and condiment display on the table. In the background, a bald man, sits and eats at a nearby table. Paneling adorns the walls of the restaurant on which the morphed shadow of the waiter is visible., Title printed on negative., Yellow mount with curved corners., Date inferred from attire of depicted figures., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2018.16.8]
Daily Vacational Bible School #63.
Title
Daily Vacational Bible School #63
Description
Group portrait photograph depicting the African American Bible school, students and instructors, posed before a large brick residence, probably in Philadelphia. The students and men and women teachers sit and stand in five rows. In the right back row, two boys hold baseball bats., Title, date, and photographer's imprint inscribed in negative., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Paul, Dan E., photographer
Date
1920
Location
Library Company of Philadelphia | Print Department *group portrait photographs - education [P.9273.7]
Dan Bryant.
Title
Dan Bryant
Description
Full-length portrait of the popular New York minstrel performer and manager in Blackface and costumed as a disheveled 18th-century gentleman. Bryant stands posed with his right hand on his hip and his left hand holding a sword to the ground while looking up to the left. Known for his versatility as a comedian, actor, dancer, and musician, Bryant was most famous for his rendition of the dance, "Essence of Old Virginny," and for popularizing the songs "Dixie," "Turkey in the Straw," and "Shoo Fly." He performed in Philadelphia in September 1856. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title from manuscript note on mount., Date based on presented age of the sitter., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department portrait cdvs - sitter - Bryant [(1)5750.F.60f]
"Dar boss, how's dat?" [graphic].
Title
"Dar boss, how's dat?"
Description
Racist, satiric genre scene staged in a cargo hold setting. In the left, shows a well-dressed white man attired in a floor-length overcoat and bowler hat with valises at his side. He stands and watches an African American worker, attired in a cap and overalls, who secures the man's trunk with rope and his foot. Clothes hang out of and lie in front of the trunk. Stacks of trunks and valises line the wall in the background., Title from label on negative., Buff mount with rounded corners., Distributor's imprint stamped on verso: Robert Miller, 1110 W. Nor'W St., Gift of George R. Allen, 2013., RVCDC, Description revised 2022., Access points revised 2022., The Standard Series of New York was a producer of pirated views during the 1890s.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2013.65.14]
A darktown wedding, the ceremony
Title
A darktown wedding, the ceremony
Description
Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1901
Location
Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]
"Dat corn takes a might site a hoe'in"
Title
"Dat corn takes a might site a hoe'in"
Description
Depicts an older African American man, attired in torn and worn clothing, exiting through the doorway of his wooden house carrying a hoe. The man, wearing white hair and a white beard and attired in a top hat, a white shirt, a waistcoat, a torn coat, torn pants with patches, and shoes, steps down his front stairs of the dilapidated house. In front of the house is a stool with a basket on top, a broom, a small table with a wooden bushel and a bowl, and a cup rests on the windowsill., Title from manuscript note on verso., Variant of prize winner at the Philadelphia Photographic Society Exhibition 1886., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Frances Orlando's "George Bacon Wood, photographer of the 1880's: an introduction to the Wood Collection in the Library Company of Philadelphia." (Master's thesis, Philadelphia College of Art, 1985), p. 41., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibition. His photographs won prizes.
Creator
Wood, George Bacon, 1832-1909, photographer
Date
[ca. 1888]
Location
Library Company of Philadelphia | Print Department photo - Wood [P.8743.181]
David Murray, our waiter at Haverford [College] & his wife at door of Gym [graphic].
Title
David Murray, our waiter at Haverford [College] & his wife at door of Gym
Description
Glass negative showing African American waiter David Murray and his wife posing in a doorway at Haverford College (founded 1833). In the left, Murray, attired in a white collared shirt, a tie, a waistcoat, a jacket, pants, and black shoes, stands placing his left hand on the back of the chair his wife sits in to the right and slightly in front of him. Mrs. Murray, wearing her curly hair tied behind her head and attired in hoop earrings, a long-sleeved checkered blouse with a white lace collar and decorative buttons running down the middle, a dark-colored skirt with ruching at the bottom, and dark-colored shoes, sits with her hands on her lap. David looks at the viewer while Mrs. Murray faces slightly left., Photographer remarks: Undertimed., Time: 11:10, Light: Faint sun out., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Purchase 2001., Description revised 2021., Access points revised 2021., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
May 29, 1885
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.611]
David Paul Brown
Title
David Paul Brown
Description
Full-length portrait of the Philadelphia lawyer, orator, dramatist, and a president of the Philadelphia Anti-Slavery Society. Brown, attired in a white collared shirt, a black bowtie, jacket, pants, and shoes, stands facing slight left near a drape, urn, and balustrade., Title and date from manuscript note on verso: David Paul Brown. Taken 1861; Wm Rawle Brown., Purchased 1994., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861
Location
Library Company of Philadelphia | Print Department cdv portraits-sitter-Brown [P.9459.1]
"Deed Child's, I's didn't know you was dare." [graphic].
Title
"Deed Child's, I's didn't know you was dare."
Description
Racist, comic genre scene showing a young African American woman emerging from a cellar and accidentally knocking two children off the cellar doors. Depicts the woman standing out from the cellar and opening the cellar doors with both her hands. A young white girl has rolled off the door in the left and a young white boy lies on the edge of the door in the right. The girl, lies on her side, her head toward the viewer, her dress tousled, and her hands over her eyes. The boy, attired in a romper ensemble, sucks his thumb, and lies on his right side. The woman, smiles, and looks toward the boy. She is attired in a wide-brimmed hat, a shirt waist, and a skirt. The image also shows the outer wall of a stone dwelling and a window in which the figure of a man is visible. The window, adorned with drapery, is over the cellar., Curved buff mount with rounded corners., Title printed on mount., Date and name of photographer from copyright statement: Copyrighted 1898, by T.W. Ingersoll., Printed on mount: High Grade Original Views. Sold only by Subscription., Gift of George R. Allen, 2022., RVCDC
Creator
Ingersoll, T. W. (Truman Ward), 1862-1922
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - Miscellaneous - Ingersoll [P.2022.42.19]
[Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Title
[Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Description
Exterior view depicting the gutted mansion of deceased Philadelphia lawyer, Edward Shippen Burd, built 1801-1802 after the designs of Benjamin Henry Latrobe at 900-906 Chestnut Street. Shows the walls covered with broadsides, including playbills for "Carncross & Dixey's Minstrels." As stipulated in Burd's will, following the death of his wife, Elizabeth Sims Burd in 1861, the residence was razed and replaced by storefronts, the revenue given to remaining Burd heirs. Mrs. Burd was the grandniece of Joseph Sims, the original owner of the mansion., Title supplied by cataloger., Date based on demolition of the depicted mansion., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department photo - unidentified - residences [(6)1322.F.49e]
[Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Title
[Demolition of Burd Mansion, s.w. corner Ninth and Chestnut streets]
Description
Exterior view depicting the gutted mansion of deceased Philadelphia lawyer, Edward Shippen Burd, after the designs of Benjamin Henry Latrobe at 900-906 Chestnut Street. Two men stand in front of the former residence covered with broadsides, including playbills for "Carncross & Dixey's Minstrels." As stipulated in Burd's will, following the death of his wife, Elizabeth Sims Burd in 1861, the residence was razed and replaced by storefronts, the revenue given to remaining Burd heirs. Mrs. Burd was the grandniece of Joseph Sims, original owner of the mansion., Title supplied by cataloger., Date based on demolition of the depicted mansion., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia. (New York: Dover Publications, 1980), p. 181., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 24., Arcadia caption text: The Burd mansion on the south side of the 900 block of Chestnut Street became a casualty of the commercial push westward in 1861, when the house was demolished to make way for a row of storefronts. When it was constructed sixty years earlier for Philadelphia lawyer Edward Shippen Burd, after designs by Philadelphia architect Benjamin Latrobe, the house sat on the western edge of the developed city, and the site was surrounded by undeveloped or only partially developed lots., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department photo - unidentified - residences [(6)1322.F.55d]
Dickerson Family miscellaneous photograph collection [graphic].
Title
Dickerson Family miscellaneous photograph collection
Description
Collection of studio portraits of the multiracial descendants of the Philadelphia middle-class African American family, the Dickersons. Contains portraits of six women and girls, two boys, and a baby. Identified sitters are predominately children, including Catherine and Thomas Brown (P.9427.23), Emma R. Newlin (P.9427.17), and Wilson Newlin (P.9427.19). Also identified is Anna M. Newlin (P.9427.18)., Title supplied by cataloger., Dates inferred from presented age and attire of sitters., Accessioned 1993., Description revised 2024., Access points revised 2021., Housed in phase box with albums., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Various Philadelphia and Baltimore photographers, including Philadelphia photographers William Curtis Taylor, Frank W. Street, and O.M. Olsen Studio.
Date
[ca. 1885 -ca. 1910]
Location
Library Company of Philadelphia | Print Department *albums (flat) - Dickerson Family Collection [P.9427.17-24]
Digging potatoes with modern machinery
Title
Digging potatoes with modern machinery
Description
Touched up newspaper photograph depicting a portrait of the back of an African American man riding his horse-drawn "Iron Age" potato machine as he harvests a field of potatoes. The man, attired in a brimmed hat, a long-sleeved shirt, overalls, and shoes, sits on the machine and holds the reins to the two horses. The machine is pulled down rows of potato plants. The newly harvested potatoes are visible on the ground., Title from typed note pasted on verso., Printed caption pasted on verso: "Digging Potatoes with Modern Machinery.", Manuscript note on verso: Bateman & Cos Inc., Grenloch, N.J., Gift of Jane Abrams Bender, 1997., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
March 25, 1928
Location
Library Company of Philadelphia | Print Department photos - unidentified - Industry [P.9520.51]
Dining car, Pennsylvania Limited.
Title
Dining car, Pennsylvania Limited
Description
View showing the interior of a dining car of a train of the Pennsylvania Railroad. Two African American waiters, wearing mustaches and attired in white suits, stand among tables adorned in table cloths and with seating for four. In the background, a beverage service, including bottles, silver ice buckets, silver bowls, and possibly a decanter are visible. View also includes hooks above the car windows and light fixtures on the ceiling. One of the waiters carries a bottle of champagne on a tray. In June 1887, the Pennsylvania Limited began running between New York and Chicago, which was replaced by the Pennsylvania Special in 1902 and by the Broadway Limited in 1912., Title from item., Copyrighted., Additional places of publication printed on mount, including St. Louis and Liverpool, Eng., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Purchase 2013., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Rau, William Herman, 1855-1920
Date
[ca. 1900]
Location
Library Company of Philadelphia | Print Department stereo - Rau - Transportation [P.2013.1]
[Diorama of a scene from the American Revolution displayed at the 27th Annual Exhibition of the Pennsylvania State Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880.]
Title
[Diorama of a scene from the American Revolution displayed at the 27th Annual Exhibition of the Pennsylvania State Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880]
Description
Shows the diorama displayed at the annual exhibition of the Pennsylvania State Agricultural Society in 1880 showing British troops during the Revolutionary War marching in formation past a residence adorned with a banner inscribed, "Don't Tread on Me." The family stands outside of the house, and an African American woman domestic stands in the front doorway., Title supplied by cataloger., Text printed on mount: 27th Annual Exhibition of the Penna State. Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880., Publisher's imprint printed on mount., Yellow mount with rounded corners., Gift of Francis James Dallett, 1994., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
E.F. Hovey, pub., 813 Arch St
Location
Library Company of Philadelphia | Print Department stereos - Hovey - Exhibitions [P.9461.2]

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