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Title: [Philadelphia Bourse construction]
Description: View of an early stage of the construction of the Philadelphia Bourse at 11-21 South Fifth Street, Philadelphia. Depicts construction workers, including African Americans, standing at the center of the steel frame on a scaffolding surrounded by masonry tools and supplies. Existing business and residences surround the construction site. Designed by the Philadelphia architectural firm, George and William Hewitt, the Bourse was completed after 2 years of construction in 1895. It was one of the first modern U.S. commerce centers and stock exchanges., Title supplied by cataloger., Photographer's imprint stamped on verso., Stamped on verso: No. of negative 491., Date from manuscript written note on mount: Mar. 2nd 1894., Forms part of a series of ten Philadelphia Bourse construction photographs., Lib. Company. Annual report, 1992, p. 50-51., Purchase 1992., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Miller, Chas. (Charles H.), photographer
Date: March 2, 1894
Location: Library Company of Philadelphia | Print Department photo - Miller [P.9381.2]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, the rebuffed children were accepted at the Continental Hotel. Revenue from the sale of the portrait was to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date based on content., Name of photographer from duplicate photograph., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits- group- Emancipated enslaved children [5775.F.68]

Title: Rebecca A slave girl from New Orleans
Description: Abolitionist, bust-length portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Photographer's imprint stamped on verso., Copyrighted by Rob[er]t R. Corson, State Military Agent for Philadelphia during the Civil War, and later, Corresponding Secretary for the Pennsylvania branch of the American Freedmen's Union Commission., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Maj. Gen'l Banks., Manuscript note on verso: Rebecca Euge 10., Gift of Marguerite S. Brenner., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.9057.81]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of schools in Louisiana for formerly enslaved people, the rebuffed children were accepted at the Continental Hotel., Title from item., Date from copyright. Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of the first school in Louisiana for formerly enslaved people., Photographer's imprint stamped on verso., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored People in the department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits-group- Emancipated Enslaved Children [P.8925.1]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: No. 1. The flirtation
Description: First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: No. 3 The courting
Description: Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]

Title: No. 4 The proposal
Description: Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 6 The wedding
Description: Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]

Title: No. 8 Return from the honeymoon tour
Description: Eighth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins and their husbands in fashion-forward attire promenading down the street of their small town. In the right, an older man in the stance of the minstrel character of Jim Crow, and an older woman attired in a bonnet, polka dot dress, and apron, and leaning on a tree laugh at the couples as they approach them. From a distance, "Dr. Black" watches them from astride his donkey. Townscape, including a storefront with signage reading “Groceries” and “Watchin Dun Hyar,” as well as a “Eatin House” and saloon is visible in the background. Figures are visible in the windows of the grocery store., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Inscribed on original drawing: Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Description of Blackface minstrelsy and minstrel character from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.7]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy two African American men crouch., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives-Levy & Cohen [P.8532.43]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy three African American men sit and stand., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of a series: Levy & Cohen's Views of the Rebel Capital and its Environs., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives - Levy & Cohen [P.8532.44]

Title: Libby Prison The only view of this notorious prison made during the Rebellion. Dick Turner stands in the foreground
Description: Exterior view of the notoriously inhumane Confederate Prison, previously a warehouse. Depicts Turner, the former commandant of the prison, standing with a small group of white people including a child, in front of rows of tents. African Americans look on from a nearby hill., Title from label mounted on verso., Date from copyright statement: Entered according to Act of Congress in the year 1865, by Levy & Cohen in the Clerk's Office, of the District Court, for the Eastern District of Pennsylvania., Gift of Elinor Solis-Cohen, 1980., Forms part of small Civil War Photograph Collection, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish Philadelphia photographers who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: 1865
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - cdvs - Levy & Cohen [P.8532.2]

Title: [Automatic Electric Shoe Shining Company of Philadelphia]
Description: Shows men getting their shoes shined at the Automatic Electric Shoe Shining Company of Philadelphia at the 1300 block of Market Street, Philadelphia. The shoe shining booths line the perimeter. Men, attired in boater hats and suits, stand with one foot on the ground and one foot in the electric shoe shiner. In the right, a man, attired in a suit and tie, sits at the ticket booth under a sign, “Get your tickets here. 8 shines for 25c. One ticket good for both shoes.” Standing in the center is African American man, attired in a uniform and cap, holding a rag., Title supplied by cataloger., Gift of Matthew Schultz, 1998., Description revised 2022., Access points revised 2022., One of the images [P.9645.203] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 59., Arcadia caption text: At the turn of the century the Automatic Electric Shoe Shining Company of Philadelphia opened its first parlor on the north side of the 1300 block of Market Street. For a nickel, customers could enjoy the latest technological wonder, a machine designed to shine either black or tan shoes. The African American attendant standing in the center of this c. 1900 photograph holding a rag probably buffed the customers’ shoes. According to the large advertisement above the door, the company planned to open 15 parlors in Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: 1900
Location: Library Company of Philadelphia | Print Department glass negatives - Levis [P.9645.203 & 584]

Title: St. Johns Episcopal Church's minstral club - graphic of minstral show April 12 and 13, 1901
Description: Negative blocked with marking tape depicting a bust-length portrait of an African American man, portrayed in racist caricature wearing a beard and attired in a bowler hat. Contains name of minstrel club and performance dates. Along the top are small photographs including several portraits of white women, a large group portrait of white men and women, and a seated white man playing the guitar., Title from negative sleeve., Duplicate: St. John's club minstrels, Friday and Saturday, April 12 and 13 1901 (cartoon). [P.9645.743], Gift of Matthew Schultz, 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: [1901]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Levis [P.9645.1038]

Title: [Unidentified young African American woman]
Description: Bust-length portrait of a young African American woman facing slightly left. She wears her hair tied back behind her head in a bun and is attired in small hoop earrings, a puffed sleeve blouse with a high collar over her neck and decorative stripes of ribbon across the shoulders in a patterned fabric., Title supplied by cataloger., Date based on the photographer and attire of the sitter., Missing lower right corner of mount. Surface badly scratched., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Leuf, William F. J., photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department cabinet card portraits- photographer - Leuf [P.9930.3]

Title: Jim Steward and his celebrated rocky mountain cat
Description: Full-length portrait of Jim Steward, an African American man ventriloquist, seated on a wooden chair. Steward, attired in a disheveled sack coat, holds his cat puppet in his lap and looks at the viewer., Date from manuscript note., Fifteen cent Civil War revenue stamp lower right corner of mount with manuscript note: W.L. April 1st, 1865., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Langenheim was a premier early Philadelphia photographer who with his brother and partner Frederick (1809-1879) introduced lantern slides (glass transparencies) to the United States in 1849.
Creator: Langenheim, William, 1807-1874, photographer
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Lantern slides - Langenheim [P.9439]

Title: Rev. C.M. Tanner, Philadelphia, Pa., April 17, 1896
Description: Bust-length portrait of Carlton Miller Tanner (ca. 1869-1933), the African Methodist Episcopal clergyman, missionary, author, and brother of artist Henry Ossawa Tanner. Depicts Tanner, his head turned slightly right, attired in a white clerical collar; dark-colored, button-down vest; and dark-colored jacket with notched lapels. His hair is cropped short and he wears a mustache. Tanner, born in Philadelphia, was a graduate of the Institute of Colored Youth and Divinity School of the Protestant Episcopal Church in Philadelphia. Holding a Doctor of Divinity from Wilberforce University, Payne Theological Seminary, Tanner began work as a pastor about 1893 and presided over the A.M.E. churches Big Bethel Church (Atlanta, Ga.) in the early 1900s and Metropolitan Church A.M.E. (Washington D.C.) between 1917 and 1922. Tanner also established the South African Christian Recorder in 1902 and wrote a "Manual of the A.M.E. Church." He passed away while a resident of Chicago, IL., Title and date from manuscript note on verso., Photographer's imprint blindstamped on mount., Description reviewed 2022., Access points reviewed 2022.
Creator: Kuebler, William J., photographer
Date: [April 17, 1896]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2018.66.4]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initials of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image. Proceeds from the sale of the photograph were to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Philip Bacon, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of first emancipated enslaved school in Louisiana., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [P.9864]

Title: Emancipated slaves Brought from Louisiana by Col. Geo. H. Hanks. The children are from the schools established by order of Maj. Gen. Banks
Description: Abolitionist group portrait of emancipated enslaved men, woman, and children, freed by Union General Butler in New Orleans, on tour through the North to raise funds for the emancipated enslaved schools of Louisiana. Depicts Wilson Chinn, his forehead branded with the initial of his former master; Colonel Hank's cook, Mary Johnson; ordained preacher, Robert Whitehead; African American child, Isaac White; and the fair-skinned children Charles Taylor, Augusta Broujey, Rebecca Huger, and Rosina Downs. Names of the emancipated enslaved people printed below image., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863, by Geo. H. Hanks, in the Clerk's Office of the United States for the Southern District of New-York., Image reproduced as wood engraving with accompanying article in Harper's weekly, January 30, 1864, p. 69 and p. 71. (LCP **Per H, 1864)., Copyrighted by George H. Hanks, abolitionist, civil rights activist, and Civil War colonel., Label on verso: The nett proceeds from the sale of these Photographs will be devoted exclusively to the education of colored people in the Department of the Gulf, now under the command of Maj. Gen. Banks., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait photographs - emancipation [(1)5786.F.108]

Title: Isaac and Rosa, emancipated slave children, from the free schools of Louisiana
Description: Abolitionist portrait of the propagandized emancipated enslaved children, Isaac White and Rosina Downs, standing, arm-in-arm. Isaac has brown skin, and wears a shirt jacket, pants, and broad tie. He has his left hand tucked into his shirt jacket. Rosina has fair skin, and wears an off-the-shoulder, calf-length dress, cinched at the waist, and with stripe details on the neckline and skirt. She also wears pantaloons. Freed by Union General Butler in New Orleans, the children toured through the North with other emancipated enslaved people, and Colonel George H. Hanks, to raise funds for the emancipated enslaved schools of Louisiana established by Philip Bacon, Assistant Superintendent of Freedmen., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863 by Geo. H. Hanks, in the Clerk's Office of the U.S. for the Sou. Dist. of N.Y., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 1982., Description revised 2022., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait cdvs-Emancipated Enslaved Children [P.8925.7]

Title: Cars loaded with cotton bales on levee near cotton growing district, Texas
Description: Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company, publisher
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department stereo - Keystone - Work [P.9600.12]

Title: A " corner in cotton."
Description: Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Dates from copyright statements on recto and verso: Copyright 1899, by B. L. Singley. Made in U.S.A. and Copyright, 1913, by the Keystone View Company., Title from recto of item., Title printed in five different languages, including Italian, French, and German, on verso., Variant title on verso: 9506-"We'se done all dis's mornin',"-Picking cotton on a Mississippi plantation., Several lines of text printed on verso, often describing in racist terms, the culture, conditions, and economics of the cotton industry in the South., Curved grey mount with rounded corners., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899, ([printed] 1913)
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.3]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Date from copyright statement: Copyright 1899, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Cruved buff mount with rounded corners., Several lines of text printed on verso about the "rich resources" of the state of Arkansas, including fertile soil for a "variety of crops"; "grazing lands"; mountains: "all kinds of building stones"; rivers; "excellent common school system and several higher institutions of learning"; and "Hot Springs." Text concludes: "The cotton fields once the dread of the Virginia slave, have lost nothing of their picturesqueness with the abolition of slavery, and nowhere in the United States can primitive negro life be better studied.", Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.2]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length studio portrait of the acclaimed emancipated slave girl. Depicts Lawrence standing behind a balustrade. She is attired in a fashionable off-the-shoulder white dress with dark stripes on the bodice and tiny polk dots on the skir also adorned with a dark trim. Dark-colored ribbons adorn the edges of her cap sleeves. A vase with flowers adorns the post of the balustrade on which Lawrence rests her elbow., Publication information from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Photographer's imprint on verso. Includes an ornament depicting a bundled and intertwined ribbon bordered by vinery., See Kathleen Collin, "Portraits of Slave Children," History of Photography 9 (July-September, 1985), p. 187-210., Purchased with the Davida T. Deutsch African American History Fund.
Creator: Kellogg Brothers, photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2015.23.1]

Title: [Group portrait of members of the First Association of Spiritualists, Philadelphia]
Description: Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department photographs - Keith [P.9295]

Title: [Group portrait of members of the First Association of Spiritualists, Philadelphia]
Description: Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department photographs - Keith [P.9295]

Title: [African American boy carrying a serving tray]
Description: Full-length portrait of a smiling African American boy, attired in a long-sleeved white shirt, black pants, black shoes, and a white apron, standing in front of a balustrade. He holds in front of him a serving tray of dishware., Photographer's imprint stamped on verso., Title supplied by cataloger., Date based on the active working dates of the photographer and attire of the subject., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keenan operated his studio at 526 South Second Street from around 1855 until 1867.
Creator: Keenan, John A., photographer
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department cdv portraits – photographer – Keenan [P.9981.3]

Title: [22nd Street, west side north of Market Street, Philadelphia]
Description: View showing an African American man laborer and two horse-drawn carts in front of the Philadelphia Gas Works building. Shows the man, attired in a cap, a coat, pants, and shoes, standing in the street with his right hand on top of the cart. Trolley tracks line the street. Includes partial view of a railroad overpass., Inscribed in negative: 215011., Inscribed in negative: 9 30 13., Title from manuscript note on negative envelope: Penna. R.R. Co. 22nd St. W. side North of Market St. September 29, 1913. Pennsylvania Railroad No. 177. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: September 30, 1913
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.215811]

Title: [Cliveden, 6401 Germantown Avenue, Philadelphia]
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Negative numbers: H-54, H-54a & b, Modern reference prints available., Acquired 1981., Description revised 2022., Access points revised 2022.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.H-54 ; P.9480.H-54a & b]

Title: [Johnson House, 6300-6306 Germantown Avenue, Germantown, Philadelphia]
Description: Exterior view of house of the former residence of John Johnson built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. Shows the front door with a shingled awning flanked by shuttered windows. Residence has dormers and chimneys on the roof. In the left, the side entrance and a picket fence are visible. Detailed view of a fence showing bullet holes from the Battle of Germantown during the Revolutionary War. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Negative number: 35b & 38, Acquired 1981., Description revised 2022., Access points revised 2022.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.35b ; P.9480.38]

Title: [Mount Pleasant, Mount Pleasant Drive, East Fairmount Park, Philadelphia]
Description: Exterior views of the mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Mount Pleasant was described by John Adams as "the most elegant seat in Pennsylvania," and is an excellent example of Philadelphia's Middle Georgian country houses of the 1760s. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Negative numbers: 54 & 54a-d, Negative numbers 54a-54d dated 1928 in manuscript note on negative sleeve., Purchase 1978., Description revised 2022., Access points revised 2022.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: 1928
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.54 ; P.9480.54a-54d]

Title: Lippincott Mansion
Description: Exterior view of the Dundas-Lippincott mansion at the busy northeast corner of Broad and Walnut Streets, Philadelphia. Shows the mansion surrounded by a wall with wrought iron. Steps lead to ionic columns, which hold up the pediment over the front door. Several trees grow on either side of the house. Numerous pedestrians, including an African American boy, as well as a car, carriage, and trolley travel in front of and around the residence. Designed by Thomas U. Walter, the Dundas-Lippincott Mansion was built around 1838 for Philadelphia banker James Dundas on the old grounds of the amusement center Vauxhall Gardens. Nicknamed the "Yellow Mansion," due to its buff color, the residence was known for its impressive garden and as a place for lavish entertainment. The mansion passed to Dundas' niece, Agnes Dundas-Lippincott, upon his death in 1865, and stayed in the family until razed around 1905., Title from negative sleeve., Inscribed in negative: 152., Note on negative sleeve: Historical 170., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.H-152]

Title: Commerce St. looking east from 21st St
Description: View of Commerce Street showing a section of the "Chinese Wall," the brick viaduct built in 1882 connecting the Broad Street and West Philadelphia railroad stations. Several playbills are pasted on the viaduct under which an African American man sits on a crate. Parked cars line the street. City Hall's tower is visible in the distance., Title and date from inscription on negative., Inscribed on negative: 214924., Note on negative sleeve: Pennsylvania Railroad No.77; Penna. R.R. Co. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Reproduced in Kenneth Finkel and Susan Oyama's Philadelphia, then and now. (NY: Dover, 1988), p. 28., Reproduced in Harry Silcox's Jennings' Philadelphia: The life of Philadelphia photographer William Nicholson Jennings (1860-1946) (Philadelphia: Brighton Press, Inc., 1993), p. 110., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Jennings was a 20th century Philadelphia commercial and "progress" photographer whose clients included the Pennsylvania Railroad.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: March 25, 1925
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.214924]

Title: Pennsylvania Rail Road Co. connecting bridge at Girard Ave
Description: View of a construction crew working under a viaduct of the bridge to enlarge West River Drive. In the foreground, an African American man crew member lowers a hose into the ditch in which the crew of predominately African American men work. Most of the men sift through a large pile of dirt and rubble near a horse-drawn cart., Title from note on negative sleeve: Penn R.R. Co. connecting bridge at Girard Avenue., Inscribed on negative: 7314., Published in Harry Silcox's Philadelphia: the life of photographer William Nicholson Jennings, 1860-1946 (Philadelphia: Brighton Press, Inc., 1993), p. 85., Purchase 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: August 29, 1912
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.7314]

Title: [Forrest Theatre prior to demolition for the construction of the Fidelity-Philadelphia Trust Company building at the southeast corner of Broad and Sansom streets, Philadelphia ]
Description: View of the old Forrest Theatre on Broad Street at night shortly before being razed to be replaced by the Fidelity-Philadelphia Trust Company building. Spectators watch as laborers, mainly African American men, dismantle and remove building materials through a large hole in the side of the theatre. Signs for "Removal Sale" and "Drugs" are visible on the front of the building. Signage on the upper story window advertises "U.T.A United Tourist Agencies Travel Bureau." The Forrest Theatre, built in 1907, was Philadelphia's leading musical theater until its demolition in 1927., Title supplied by cataloger., Date inferred from content., Inscribed in negative: 1501, Gift of Philadelphia Savings Fund Society (PSFS), 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: 1927
Location: Library Company of Philadelphia | Print Department photo - Jennings - Fidelity series [P.9264.1]

Title: Girard slave pens
Description: Exterior view of the entranceway to stone pens for the purpose of incarcerating enslaved persons of Philadelphia banker, financier, and Louisiana plantation owner, Stephen Girard. Shows a wooden ladder leading to an open door. In the right are two windows covered in bars. Below are two covered basements windows with a wooden crate leaning against the one in the left. The dilapidated walls show exposed brick., Title from negative sleeve., Photographer's imprint inscribed on negative., Negative cracked., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [1894]
Location: Library Company of Philadelphia | Print Department Jennings - glass negatives [P.9480.50]

Title: Philadelphia Health Council. Camp Happy tents
Description: View depicting young female campers, including African Americans, near pitched tents on a campground. Shows a field with a line of tents. The girls stand in front of the opening of the tents. In the right background, a small building is visible. Probably an "open air" program to rehabilitate tuberculosis patients sponsored by the Philadelphia Health Council and Tuberculosis Committee. The committee, founded in 1920 by Dr. Lawrence Flick, operated until 1944., Title from negative sleeve., Photographer's imprint inscribed on negative., Purchase 1978., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jennings [P.9479.11781]

Title: A group of natives, Chipigana. Tropical Scenery. Darien Expedition
Description: Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jarvis, J. F. (John Fillis), 1849-1931
Date: [1870 or 1871]
Location: Library Company of Philadelphia | Print Department stereos - Darien Expedition [66653.D.10]

Title: Some of our brave colored boys who helped free Cuba
Description: Stereoview depicting a lineup of African American soldiers in an exterior beach setting during the Spanish American War, 1898. The men, attired in the uniform of campaign hat, button down jacket, trousers, bullet belts, and leggings, stand at attention, and with their rifles held to the sandy ground. Most of the men look straight ahead with a few looking toward the viewer. In the background, an American flag at the end of the line of men and a military encampment with tents and soldiers is visible. The Spanish American War was the conflict between Spain and the United State originating with the Cuban War of Independence. Cuba gained independence and the United States acquired the territories of Puerto Rico, Guam, and the Philippine Islands from Spain. The regular army's four Black troops (9th and10th Cavalry and 24th and 25th Infantry) and thousands of Black men volunteers served during the war. AFrican American troop's service during the war caused controversy within the African American community which still did not have equal civil rights as citizens of the United States., Title from item., Date from copyright statement: Copyright 1899 by J. F. Jarvis., Distributor's imprint printed on mount: Sold by Underwood & Underwood. New York, London, Toronto-Canada, Ottowa-Kansas., Semi-legible maunscript note on verso: Deliver to Mr. [Heyburn?] ... with ..., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., RVCDC
Creator: Jarvis, J. F. (John Fillis), 1849-1931
Date: [1899]
Location: Library Company of Philadelphia | Print Department stereos - misc. photo - Jarvis [P.2023.6]

Title: Wrestling for a bride, Dahomey, Africa
Description: Stereoview depicting a tableau vivant with a racialized tone in a studio setting in which two Black men attired in sarongs, face each other, and are in lunged stances. Behind them, to the left, three Black men, attired in sarongs, stand in front of a hut and palm trees, and watch the "wrestling" men. The kingdom of Dahomey established about 1600 by the Fon people became the independent country Republic of Dahomey, and was renamed Benin in 1975., Title from item., Date inferred from series title printed below title., Distributor's imprint printed on mount: Sold by Underwood & Underwood. New York, Liverpool, Toronto-Canada, Ottowa, Kansas., Title printed on verso in six different languages., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Jarvis, J. F. (John Fillis), 1849-1931
Date: [1894]
Location: Library Company of Philadelphia | Print Department stereos - - misc. photo - Jarvis [P.2016.13.38]

Title: Dr. Theo. Parker
Description: Bust-length portrait of the Unitarian clergyman and abolitionist who personally aided and housed freedom seekers as a member of several abolitionist organizations, including the New England Emancipation Aid Society. Parker, wearing spectacles and attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly right., Title from manuscript note on mount., Photographer's imprint stamped on mount., Dated based on the presented age of the sitter., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: J. Gurney & Son, photographer
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Parker [P.2282.116]

Title: "Deed Child's, I's didn't know you was dare."
Description: Racist, comic genre scene showing a young African American woman emerging from a cellar and accidentally knocking two children off the cellar doors. Depicts the woman standing out from the cellar and opening the cellar doors with both her hands. A young white girl has rolled off the door in the left and a young white boy lies on the edge of the door in the right. The girl, lies on her side, her head toward the viewer, her dress tousled, and her hands over her eyes. The boy, attired in a romper ensemble, sucks his thumb, and lies on his right side. The woman, smiles, and looks toward the boy. She is attired in a wide-brimmed hat, a shirt waist, and a skirt. The image also shows the outer wall of a stone dwelling and a window in which the figure of a man is visible. The window, adorned with drapery, is over the cellar., Curved buff mount with rounded corners., Title printed on mount., Date and name of photographer from copyright statement: Copyrighted 1898, by T.W. Ingersoll., Printed on mount: High Grade Original Views. Sold only by Subscription., Gift of George R. Allen, 2022., RVCDC
Creator: Ingersoll, T. W. (Truman Ward), 1862-1922
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Ingersoll [P.2022.42.19]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Bust-length studio portrait of an unidentified young African American man. The man, wearing a mustache and attired in a white collared shirt, a striped tie, a waistcoat, and a jacket, faces slightly right., Title supplied by cataloger., Date inferred from operation dates of the photographer and attire of the sitter., Photographer's blindstamp on mount., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hurst, Jonathan A., photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc - unidentified male [P.9967.1]

Title: Lucretia Mott's home
Description: View showing Roadside, the three-story stone residence with an ivy-covered porch of Quaker abolitionist and reformer Lucretia Mott, in Cheltenham Township. Mott sits in a chair on the front lawn. A woman, attired in a dark-colored dress, possibly her daughter Marie Mott Davis or Elizabeth Mott Cavender, stands to her right and touches the back of her chair. Another woman, possibly her daugher Marie Mott Davis or Elizabeth Mott Cavender, attired in a dark-colored dress sits on the grass to her left. A child sits to the left of the seated woman. A child's hand cart lies in the grass next to them. Trees, mostly free of foliage, line the property. Mott and her husband James moved from their Philadelphia city residence to Roadside in 1857. The residence was used for the Underground Railroad and was part of an estate acquired by Mott's daughter Marie and her real estate developer husband Edward M. Davis known as Old Farm. Old Farm comprised land between Old York Road, Penrose Avenue, Cheltenham Avenue (City Line Avenue), and Beech Avenue. Mott's daughter Elizabeth lived at Roadside in 1865 before passing away from cancer., Title from manuscript note on verso., Photographer's imprint printed on verso. Illustrated with an ornament shaped as a circular frame and surrounding the imprint. Garland and ribbon adorns the outer edge of the frame., Date inferred from format, active dates of photographer, and attire of sitters., Description and access points reviewed 2022., John W. Hurn (182-1887) was born in England and worked as a book keeper in upstate New York by 1850. A radical abolitionist, he worked as a photographer in Philadelphia by 1860 and operated a studio at 1319 Chestnut Street through the 1870s.
Creator: Hurn, J. W. (John White), d. 1887
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - Hurn - Residences [P.2016.22.5]

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