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Title: International live stock exhibition, Philad'a., 1876
Description: View of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. A number of men stand around the shed and near the cattle and look at the viewer. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mount., Date from copyright statement: Copyright 1876 by E.F. Hovey, publisher, 1113 Chestnut St. Phila., Gift of Robert M. Vogel, 1984 [P.9047.66]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereos - Hovey [P.9047.66]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: Ledger Building, Sixth & Chestnut Streets
Description: Exterior view from the north east showing the Public Ledger building and other commercial establishments along the south side of the 600 block of Chestnut Street. Depicts the western corner of the State House covered with theater broadsides. The Ledger building was constructed 1866-67, based on designs by Philadelphia architect John McArthur Jr., Paper label on verso listing over one hundred Philadelphia views (139-245) published by the firm., Yellow mount with rounded corners., Gift of Robert M. Vogel., Duplicate view entitled Chestnut Street, Philadelphia, from Sixth to Seventh, south side, published by R. Newell, 724 Arch St. (P.9260.65)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [1872]
Location: Library Company of Philadelphia | Print Department stereo - Newell - businesses [P.9047.33]

Title: [Chestnut Street, Philadelphia, from Sixth to Seventh, south side.]
Description: Street scene showing commercial establishments on the block including the Public Ledger Building. Depicts the western corner of the State House covered with theater broadsides., Title from duplicate view published as a stereograph by R. Newell, 724 Arch St. (P.9260.65)., Originally from a McAllister scrapbook., Also published as a stereoview entitled Ledger Building by R. Newell & Son, number 212 in their series on public buildings and street views (P.9047.33)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [1871]
Location: Library Company of Philadelphia | Print Department stereo - Newell - streets [(6)1332.F.117d]

Title: Official first day of issue. Honoring Martin Luther King, 1929-1968. Distinguished civil rights leader. Recipient of the Nobel Peace Prize. Black Heritage USA Series
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Martin Luther King, Jr. Shows a bust-length, left-profile portrait of Martin Luther King, Jr. and a view from behind King during his "I Have a Dream" speech at the Lincoln Memorial, Washington D.C., August 28, 1963. View includes a mass of people in the background., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: "I Have A Dream.", Contains ink-stamp postmark: Atlanta, GA Jan 13 1979 3030A and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Martin Luther King, Jr. and an inset of a view of King and several men and women walking at a protest march. The King stamp issued in 1979, was the second issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Contains mailing label., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016.
Date: [1979]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - King [P.2019.80.5]

Title: Official first day of issue. Honoring Salem Poor, Gallant Soldier, distinguished patriot of Bunker Hill, Valley Forge and White Plains
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) from the "Contributors to the Cause "series issued for the United States Bicentennial. Contains illustration after John Trumbull’s historical painting based on his eyewitness account of the Battle of Bunker Hill while serving as a commissioned officer during the American Revolution. Depicts American Major General Joseph Warren’s death proceeding the Americans’ retreat from the hill and includes the figure of Salem Poor, who has also been identified as another Black soldier, Peter Salem, in the context of the painting., Title from item., Date supplied from content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: Salem Poor received commendation for his heroics during the Battle of Bunker Hill., Contains ink-stamp postmark: Cambridge, MA. Mar 25 1975 02139 and cancelled "First Day of Issue" color-printed U.S. 10-cent stamp "Contributors to the Cause. Salem Poor. Gallant Soldier" depicting a half-length portrait of Poor with a rifles in hand. Poor was an enslaved African-American man who purchased his freedom in 1769 and became a soldier in 1775., Contains printed address., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date: [1975]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2022.42.3]

Title: Chil dren of all nations. A series of 50
Description: Series of pop out cigarette cards depicting waist-length portraits of children (boys and girls) of different nationalities attired in their "native" costume. Includes Arabia (boy); Australia (boy); Belgian Congo (boy); Belgium (girl); Bulgaria (boy); Burma (girl); Denmark (girl); Egypt (girl); England (boy); Greece (girl); Holland (girl); Hungary (boy); Italy (girl); Ireland (girl); Mexico (boy); Natal (girl); New Zealand (girl); Norway (girl); Palestine (girl); Patagonia (girl); Poland (girl); Portugal (boy); Rumania (girl); Russia (girl); Scotland (boy); Siam (boy); Spain (girl); Sweden (girl); Tahiti (girl); Tibet (girl); Tunis (girl); Turkey (girl); United States (girl); and Wales (girl). The Ogden Branch was originally founded by Thomas Ogden as the Ogdens Tobacco Company in 1860. In 1901, American Tobacco Company bought Ogden's Tobacco Company and it in turn was bought by Imperial Tobacco Co. in 1902. Ogden started to include cigarette cards in its packaging in 1894., Date inferred from pop out format. Series issued in 1924 as pop outs., Printed above images: Ogden's Cigarettes., Title from series title on items., Versos contain explicative statements describing the depicted children's appearance, social life, and customs., Gift of George Allen., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: [ca. 1924]
Location: Library Company of Philadelphia | Print Department ephemera - Cards [P.2016.56.1-34]

Title: The nation honors a great American. "From slave cabin to hall of fame." Booker Washington Bookplace, Virginia. U.S. Post Office established February 12, 1948
Description: Illustrated envelope containing a composite image depicting a portrait of Black educator Booker T. Washington, a view of a log cabin, and a view of a classical-style building., Title and date from item., Date supplied from research and content., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Booker Washington Birthplace Va. Feb 12 1948 5PM and cancelled (Opening Day Cancellation) violet color-printed 3-cent stamp after the format of the Famous American Scientists Series of 1940 and depicting a bust-length portrait of George Washington Carver, Director of Agriculture at Tuskegee Institute., Inscribed in ink: [Pntd?] Washington Pitt [?], Addressed in type: Patricia Chapman, Newfield, N.J., Accompanied by four circulars titled: "Team Work ... by Dr. Booker T. Washington" (2 copies); "Atlanta Exposition Address Delivered by Booker T. Washington, September, 1895, Atlanta, Georgia"; and "Gems of Wisdom. Thoughts from Booker T. Washington's Philosophy That Have Rendered Invaluable Service to Mankind.", Gift of George R. Allen, 2022.
Date: [1948]
Location: Library Company of Philadelphia | Print Department *ephemera - envelopes - Nation [P.2022.42.4a-e]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man, "Ef dat mile end thread don't hold, dere ain't anything - lucky I got a spool to mend yer old clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Stamp on the recto is illegible., See related copy: Goldman Trade Card Collection - Clark [P.2017.95.33]., Gift of George Allen, 2022., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade cards - C - Clark's [P.2022.42.7]

Title: Use Merrick's thread. "Gully this cotton beats 'em all!"
Description: Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds the pants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill, which is lined with potted plants. A candle holder rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co's best six cord soft finish spool cotton for machine & hand sewing warranted 200 yds. also these threads are made from the finest quality of combed sea island cotton, and for strength, evenness, elasticity and smoothness surpass anything in the market. By the use of the "ready wound bobbins" the annoyance of winding the iron bobbin is done away with, and a more perfect stitch obtained. When in want of more thread, don't fail to ask for Merrick's., See related copy: Goldman Trade Card Collection - Merrick [P.2017.95.122], Gift of George Allen, 2022., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Trade cards - M - Merrick [P.2022.42.10]

Title: [Young Black girl articulated paper doll]
Description: Paper doll of an unclothed figure of a young Black girl with moveable limbs. The girl is depicted with short, cropped, tightly curled hair, auburn eyes, and slightly smiling. A blue-beaded string necklace adorns her neck. She also wears white, above-the-ankle length socks and black "Mary Jane" shoes. The articulated limbs are attached by brass brads to a white cardboard torso, likely not the original. About the late 1880s, Littauer & Boysen (established circa 1882), a premier German chromolithographer of novelties, began to print articulated dolls for the paper box company. Dennison sold the German firm's dolls to further market its special line of tissue/crepe paper as doll's clothing. The Massachusetts company, established 1844, also manufactured shipping tags, gummed labels, and holiday tags. The firm opened a salesroom in Philadelphia in 1862. In 1898, the firm consolidated operations in Framingham, Ma. from plants in Roxbury, Ma. Brooklyn, N.Y., and Brunswick, Me. where it was originally established in 1844., Title supplied by cataloger., Manufactured and distributed by Dennison Manufacturing Company, Ma., Publication information from Mary Young, 20th Century Paper Dolls Identification and Values (Collector Books, 2006)., Date inferred from published sources, the years of operation of the publisher, and the early era of the style of footwear depicted., Purchased with funds from Walter J. Miller Trust for the Visual Culture Program., Description revised 2021., Access points revised 2021.
Date: [ca. 1885-ca. 1895]
Location: Library Company of Philadelphia | Print Department *ephemera - paper dolls [P.2015.68.1]

Title: Photographing the baby
Description: Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator: National Bank Note Co.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]

Title: M. H. Traubel, lithographer, 146 So. Eighth St., Philadelphia Whatsoever a man soweth that shall he also reap
Description: Trade card for the Philadelphia lithographer active ca. 1849-ca. 1880s. Shows cherubic figures sowing seeds and reaping sheaths of wheat. Also contains flying birds and vinery details. Textual elements include Gothic and cursive letters. Traubel operated from 146 South Eighth street beginning in 1881., Not in Wainwright., Philadelphia on Stone, POSA 119.1, See POSA 119, LOC proof copies of trade card., LCP copy acquired after 2010., Lib. Company. Annual report, 2016, p. 70-71.
Creator: Traubel, M. H. (Morris H.), 1820-1897
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Traubel [P.2016.24.1]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia]
Description: View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]

Title: [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
Description: Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]

Title: Celluloid cuffs, collars & bosoms, water & perspiration proof
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]

Title: Celluloid waterproof collars, cuffs & shirt bosoms Economical, durable, handsome
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting racist caricatures of Chinese men laundry workers in shock when a white man holds up a box of celluloid collars and cuffs. In the left, a white man, attired in a black bowler hat, a white collared shirt, a red bowtie and waistcoat, a blue-and-white checked suit, and black shoes, stands holding and pointing his finger to a box labeled, “Wear Celluloid Cuff & Collars.” Four Chinese men laundry workers jump up in surprise on their tiptoes with their mouths open and grimacing and their queue braids flying straight up into the air. The men have long fingernails and are attired in gold hoop earrings, colorful clothes, including yellow, red, or green tunics, and yellow or blue short pants, and cloth, slip-on shoes. In the left, one laundry worker stands behind the white man with his hands in a steaming washtub. Also visible are two baskets full of laundry on the ground, a table with irons on top, and white sheets hanging on a line. The text, “The Last Invention” is printed on the bottom right., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.728]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
Description: Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]

Title: Uncle Jimmie, Beaufort, S.C
Description: Stereograph depicting “Uncle Jimmie,” an older African American man knitting the corner edge of a mesh fishing net extended out in front of him from a pole on the porch of a wood cabin. Shows the man, with receding, short, cropped hair, seated, and in profile. He wears a white, long-sleeve, button-down shirt; dark-colored pants; and work shoes. The man, possibly Gullah, uses a flat rule and needle on the edge of the net. Behind the man, in the background, an open door to an entryway with an open window is visible. A vertical beam is also visible in the left of the image. Knitting fish net was and is one of a number of Gullah traditions (customs developed by enslaved Africans living along the Atlantic coast of South Carolina) practiced in Beaufort, S.C., Title from manuscript note on verso., Date inferred from active dates of Wilson & Havens partnership., Orange mount with rounded corners., Description reviewed 2022., Access points revised 2022.
Creator: Wilson & Havens, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - misc. photographer - Wilson & Havens [P.2020.38]

Title: Porcelain ware, Japanese Court
Description: View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9022.5]

Title: Japanese Com. Dwelling
Description: Exterior view of the front elevation of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Shows the front entrance and porch, wooden lattice-work on the first floor, and wooden panels on the second floor. Also shows an ornate folding screen in the front doorway. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.5]

Title: Japanese Com.'s Dwelling
Description: Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.6]

Title: Scrapbook
Description: Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman’s leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Scrapbook contains a number of items depicting Asian people or decorative themes, including a greeting card that reads, "A Happy New Year to You," and showing a Japanese woman, attired in a kimono, sitting and watering a potted plant [p. 9]; a card that reads, "Miss Harris," and depicting a Japanese woman, attired in a kimono made of fabric, standing and facing left [p. 18]; a card titled, "Bric a brac," and showing a blue and white porcelain bowl, vase, and pitcher bordered by hand fans and three flying cranes [p. 29]; and Asian men attired in kimonos having their noses pulled or pulling noses [p. 47]., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents identified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator: Wilson, Mary Campbell Harris, 1862-approximately 1948
Date: [ca. 1877-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums - Harris [P.9682.1]

Title: Ask for Liebig Company's extract of meat
Description: Trade card promoting the Liebig Company and showing three Japanese boys, depicted in racist caricature, bowing to an oversized container with a label inscribed: "Extractum carnis Liebig manufactured by the Liebig's Extract of Meat Company limited, London..." Shows the boys, attired in yellow pants; colorful tunics of blue, red, or green; and green and red cloth slip-on shoes, kneeling and bowing. The figure in the middle and in the right wear chonmage haircuts with a braid. In the left, a Japanese-style building and archway are visible. Von Liebig, a German-born chemist, who developed a manufacturing process for meat extract in 1840, established the Liebig Extract of Meat Company in 1865. The extract was marketed as an alternative to meat., Title from item., Date inferred from dates of operation of advertising business., Advertising text printed on verso: Ask for Liebig Company’s extract of meat. Being the finest meat-flavouring ingredient. None genuine without the fac-simile of Baron Liebig, the inventor’s signature in blue color across the label. Avoid all imitation extracts. Directions. Beef-tea. Efficient tonic in all cases of weakness and digestive disorder. Dissolve a quarter of a tea-spoonful of Liebig Company’s extract in a breakfast cup of boiling hot water, and plenty of salt, this will make a strong and clear beef-tea. You may add according to taste a tea-spoonful of Madeira, Sherry or Port wine or the yolk of a fresh egg, or a trifle of fresh butter or some bread or a boiled potato. A slight addition of Worcestershire sauce is liked by many. This beef-tea acts as a pleasant tonic especially when taken in the morning, and may well be taken several times a day. Soups. A variety of excellent meat and vegetable soups may be made with the aid of the Liebig Company’s extract and any soup will acquire at once strength and fine flavor by a slight addition of extract. Vegetable soup. Potato, pea, rice soup, etc. Boil the vegetables, etc. sufficiently with a little fat, a few bones or some slices of meat, or some fresh butter, add extract and salt according to taste. Sauces. Both strength and flavor imparted by the extract. Night-cap. This beef-tea soothes and settles the stomach, allays brain excitement and induces sleep. “The most admirable and successful Night-Cap.” Dr. Harry Lobb., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Liebig [1975.F.296]

Title: [P. Madeira trade cards]
Description: Series of illustrated trade cards promoting Pugh Madeira's cutlery and surgical instrument establishment at 115 South Tenth Street, Philadelphia. lllustrations represent world countries by depicting boys attired in styles of clothing native to China, France, Germany, South America, Hungary, United States, Turkey, Spain, Italy, England, Russia, and Mexico. Also shows two boys riding horses. The card labeled, “China,” shows a Chinese boy with a carrying pole across his shoulders, which holds cards on each side. He wears a queue hairstyle and is attired in a red hat with a black brim; a colorful, long-sleeved tunic; yellow pants; and yellow boots. He holds an orange card in his left hand. A piece of wood is yoked across his shoulders and wire or string hangs down on both sides, which balance the weight of the load. The border has decorative Chinese-stylized decorative motifs., Title supplied by cataloger., Date inferred from dates of operation of the advertised business., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Madeira [1975.F.594; 1975.F.599-608; 1975.F.647; P.2002.9.3]

Title: [Asian decorative motifs]
Description: Illustrated trade card depicting Asian decorative motifs, including bamboo, a crane, and a fan. In the left a dragonfly flies over a stalk of bamboo. In the center is a large Asian character, possibly meant to be Chinese, surrounded by a geometric border. In ther right, a crane stands on one leg among reeds and a hand-held fan is spread open., Title supplied by cataloger., Date based on medium and content., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Misc [1975.F.1034]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Traymore House, Atlantic City, N.J
Description: Illustrated trade card promoting the Traymore hotel in Atlantic City, New Jersey and depicting two Japanese women walking in opposite directions. Shows the women, attired in kimonos and holding parasols, walking on the grass. In the right is a partial view of a fence and part of a roof with geometric designs along the side. A tree grows in the background. The Traymore began as a boarding house in Atlantic City in 1879 and expanded to become a large resort hotel. It was demolished in 1972., Title from item., Date inferred from dates of operation of the advertising business., Advertising text printed on verso: “The Traymore,” Sea end of Illinois Avenue, Atlantic City, N.J., Will re-open for the reception of guests June 1st. The House, situated at the sea end of Illinois Avenue, containing upwards of seventy apartments and being one of the nearest to the beach (which is within 100 yards), with nothing to obstruct the view, gives it the advantage of having more pleasant Ocean rooms than any other house of its capacity in Atlantic City., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Traymore [1975.F.872]

Title: The genuine Murray & Lanman Florida Water the richest of all perfumes
Description: Illustrated trade card promoting Murray & Lanman’s perfume and depicting a full-length profile of a woman, possibly meant to be Asian, carrying a parasol over her shoulder. The woman wears her hair tied up in a bun and is attired in a pink and yellow, kimono-style dress, with a white collar, and pink shoes. She stands on the grass in front of a large fountain and dangles an object in front of her face, observing it closely. Murray & Lanman, the partnership between perfumer Robert I. Murray and David Trumbull Lanman, formed in 1835 in New York City. The firm's style changed to David T. Lanman & Co., then Lanman & Kemp in 1861., Title from item., Date from copyright statement: Copyright 1881 by Lanman & Kemp, N.Y., Advertising text printed on verso: Always a favorite. Time has proved beyond a question that our claim to the title of “Imperishable Perfume” for our Murray & Lanman’s Florida Water is based upon absolute facts. It is to-day, as when first it appeared, winning immediate favor with all classes. The sweetest, the richest, the most delicate, the most lasting of all perfumes. Where, except in this delicious floral water, can one find such a rare combination of excellencies? Since the introduction of Murray & Lanman’s Florida Water, numberless rivals and imitations have been foisted upon the public, to live their day and fall into the neglect which, sooner or later, attends pretentious inferiority. The genuine article is known by the words, “Lanman & Kemp, New York,” Printed in water-mark on every leaf of the little pamphlet wrapped around each bottle. This mark also protects our other preparations., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade card - Murray [1975.F.598]

Title: J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description: Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]

Title: J.C. Hand & Co. Fine furniture, no. 1205 Market Street, Philadelphia
Description: Racist trade card promoting the J.C. Hand & Co. and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, red and yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. J. C. Hand & Co. operated circa 1882-circa 1884 and the failure of the business., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the dates of operation of the advertised business., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Text and illustrations printed on verso. Illustrations depict a closed sofa bed that looks like a chair with the caption "closed," and the open sofa bed resembling a cot, captioned, "open." Text reads: J.C. Hand & Co. 1205 Market Street. Manufacturers of Patent Sofa Beds. These beds can be made up as low as $25. In Raw Silk. We have a large stock of well made Furniture at moderate Low Prices. Size of Bed, 4ft. 6x6 ft. 2. Can be made any length or width. Estimates Given. J. C. Hand & Co., 1205 Market Street., Gift of Dr. Milton and Joan Wohl., RVCDC
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Hand [P.2011.64.34]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: [Silhouette collection]
Description: Collection of silhouettes, primarily bust-length and cut at a Peale's Museum (Philadelphia, Baltimore or New York) in the early 19th century. Items often contain physiognotrace impressed lines and some contain amateur pencil markings. A small number also include eyelash cutouts, contain ink details to depict hair or collars, or are folded in fours. Many silhouettes also include hair adornments and other fashion details, including ribbons, bows, collars, bonnets, hats, and flowers. Collection also contains one non-portrait cutout composed of a bird, several branches, and a temple-like structure, as well as several numbered leaves of silhouettes removed from an album. Leaves contain 1- 8 silhouettes, some cut and some in ink. The silhouettes also show flowers adorning clothing, hair, and as bouquets; hair ornaments; ribbons; and hats. Some silhouettes depicted as if framed or with pictorial details or overdrawn with scales of dimension. A small number of uncut silhouettes inserted in one of the albums [P.9346] and a scrap completed February 25, 1837 by silhouette sitter Miss Anne Sophia Billmeyer, Germantown containing manuscript notes related to religious values and morals, possibly notes from a sermon, also form the collection [P.2010.29.17]., Sitters identified by inscriptions include Lydia Biddle; Paulus Brzostowski; Isaac Collins, Jr.; William Dilworth; Rebecca Gratz; Rubens Peale; Robert Pearsall, Sr.; Robert Pearsall, Jr.; Benjamin Say, Thomas Shillitoe; John Snyder, Jr.; and Benjain West. Surnames of other identified sitters include Bartram, Lansadale, Caldwell, Collins, Headley, Logan, and Smith., Title supplied by cataloger., Several blindstamped: Museum or Peale's Museum [with image of eagle]., Some blindstamped: Day's Patent or Todd's Patent., Some sitters identified by inscriptions on recto or verso. Some inscriptions illegible., Some annotated with addresses, or a number, or a series of sequential numbers., One of albums (P.9347) accompanied by list of sitters written in manuscript., Artists include Raphaelle Peale, William James Hubard, T. P. Jones, Moses Williams, Martha Ann Honeywell, J. M'Conachy, Isaac Todd, and Augustus Day., P.9339.22c blindstamped: T. P. Jones, fecit., P.9341.31d blindstamped: J. M'Conachy., P.2012.3 mounted on textile and suggested, but doubtfully by Martha Ann Honeywell., Silhouette of Rebecca Gratz [8146.F] inscribed: Cut with scissors by Master Hubbard without Drawing Machine. Accompanied by manuscript letter signed R. Gratz, secy., Silhouettte of John Snyder, Jr. [P.9343.1] inscribed: Cut by M. Honeywell with the mouth., Silhouette of Mr. Shaw's Blackman [P.9339.59a] attributed to Moses Williams., Silhouette of Moses Williams [(3) 5750.F.153b] probably by Moses Williams but possibly by Raphaelle Peale., P.9340.80 contains manuscript note: Mr. Gill will call for two pictures in frames paid for [pr J. L. S.?], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.9339-P.9341 and P.9346 & P.9347 bequest of James Rush., P.9686 gift of Elizabeth McLean., Three of collection [P.2012.1.1-3] transferred from Things Found in Books Collection., Index to sitters available at repository.
Date: [ca. 1803-ca. 1841]
Location: Library Company of Philadelphia | Print Department Silhouette Collection [5306.F.144 c1; (3)5750.F.39 1/2d(v); (3)5750.F.153b; 8146.F; 8416.F; P.9339; P.9340; P.9341; P.9342; P.9343; P.9346; P.9347; P.9686; P.2010.29.1-17; P.2012.1.1-3; P.2012.3]

Title: Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill
Description: Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards – Firmenich [P.2023.43.2]

Title: Use Muzzy's starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist caricature of a Chinese man laundry worker holding up a shirt to a white family. Shows the family standing in the right, including the white man, attired in a brown bowler hat, a white collared shirt, a black bowtie, and a brown-checked suit, holding a walking stick; the white woman attired in a yellow and pink hat and a blue dress with a red bow; and the white girl, attired in a yellow hat and a red and blue dress, holding a small box. In the left, the Chinese man, wearing a queue hairstyle and attired in a blue tunic and blue pants with yellow accents, stands behind a table with an iron and ironing board on top of it. He holds up a white shirt, which shows the reflection of the white woman. A basket full of laundry is on the ground. In the background is a stove and a clothesline of white shirts and clothes. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: "Be sure to use Muzzy's Corn Starch." Includes six recipes, including for sponge pudding, creamy pudding sauce, Salem pudding, scolloped oysters, oyster pie, and butter scotch., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - Muzzy [P.2023.43.3]

Title: Official first day of issue. Honoring Harriet Tubman, 1821-1913. Abolitionist. Nurse. Escapded slave. Black Heritage USA Series
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Harriet Tubman. Shows a half-length portrait of Harriet Tubman and a view of Tubman with Black persons of all ages, their belongings, and horse-drawn carts on a snow-covered clearing., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Washington. DC. Feb 1 1978 20013 and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Harriet Tubman and an inset of a view of Tubman and three Black persons riding a donkey-drawn wagon. The Tubman stamp issued in 1978, was the first issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Mailing label removed., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date: [1978]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2019.80.6]

Title: Washington birthday greetings
Description: Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.66]

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: New transfer picture-album offering a collection of fine transfer pictures and the direction how to fix them
Description: Pocket-size volume of decals of vignette maps of French cities, territories, colonies, and provinces during the antebellum period. Decals also include illustrations symbolic of the environment, culture, and economy of the depicted regions. Maps include (Afrique) Ile Bourbon, i.e., Réunion; Department de la Course, i.e., Corsica; Department de la Seine, i.e., Paris; Amerique Guadeloupe; Nle Caledonie/Iles de la Societe, i.e., New Caledonia/Society Islands; Algerie; (Amerique) La Martinique; (Afrique) Mayotte, Nossi-Be, St. Marie/Senegal; and Algerie (Afrique) Prov. De. D’Oran, i.e., Oran Province. Illustrations depict ethnic stereotypes and racist caricatures showing Africans, including an enslaved man from Ile Bourbon and Algerians; a Guadeloupean white plantation owner; a Corsican woman; sacks, crates, and barrels of foods and spices, including cacao, coffee, canella, cotton, sugar, indigo, and nutmeg; and native flora and fauna, including trees, grasses, a turtle, bird, elephant, and alligator. Vignettes also show a portrait of Napoleon; Paris architecture; ships and boats; and huts and a tent., Title from item., Date inferred from era of production of miniature decals and cover design., Front cover illustrated with a clown figure holding a trumpet to his mouth in one hand and tugging his hat with the other., Printed on back cover: Directions for fixing transfers. Take the picture, put it into luke-warm water for a quarter of a minute, pres the picture-side firmly on the object you wish to decorate, and draw gently the paper away. the fixed picture can be varnished, which makas [sic] it finer and secure against water and dust., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department ephemera - Misc. [P.2014.17.3]

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook containing newspaper clippings, photographs, ephemera and prints predominantly issued between the 1930s and 1970s documenting exhibitions, loans, collections, events and the history of the Library Company. Clippings include newspaper articles about a loan of American political cartoons to the Toledo Museum (1936); exhibitions commemorating the centenary of librettist W.S. Gilbert (1936); the tercentenary of Swedish Settlement (1938); and the library's African American history collection (1971). Columns also describe the presentation of the Christopher Sower library (1909); the return in 1876 of a book 99 years overdue since the American Revolution (1938); the demolition of the Library's Juniper and Locust streets building for a parking lot (1939); and the vandalism of the former Ridgway Building at 901-933 Broad Street (1969). Photographs predominantly depict the exteriors and reading rooms of the library buildings at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building). Other photographs include a series of views from the 1939 unveiling ceremony of the James Logan memorial (to be erected in Fairmount Park) on the steps of the Ridgway Branch. Ephemera includes invitations (several from The Women's Committee), brochures, catalogs, announcements and placards related to library events; bulletins and pamphlets describing collections; dues notices and book plates; the variant 1884 and 1906 "Rules of the Library Company"; an off-print of the 1882 Louise Stockton entry in "A Sylvan City..." about "The Old Philadelphia Library"; and a 1961 citation from the city recognizing the library as a "Philadelphia first.", Title supplied by cataloger., Cut outs of the seal and motto of Library Company from bookplate pasted on title page., Some contents annotated with dates and typewritten descriptions., Several loose photographs removed and rehoused as "Library Company of Philadelphia Scrapbook Photographs Collection" [P.2010.17]. Contains a ca. 1865 portrait of library donor John A. McAllister misidentified as librarian Lloyd P. Smith, a ca. 1935 portrait of librarian George Abbot, and interior and exterior views of the library buildings, including artifacts, at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2022., Access points revised 2022., Typewritten index inserted in volume., The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: [ca. 1865-ca. 1971, bulk ca. 1936-ca. 1945]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2010.17], Library Company of Philadelphia | Print Department Library Company of Philadelphia Scrapbook Photographs Collection [P.2010.17]

Title: [Motion studies]
Description: Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Creator: Eakins, Thomas, 1844-1916, photographer
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department albums - Eakins [P.8713.1-5 & 7]

Title: Spinning room - Winding bobbins with woolen yarn for weaving, Philadelphia, Pa
Description: Depicts the back of a young female worker, wearing an apron, at work inside a large textile factory. She attends one of several rows of mechanized small and large bobbins., Copyrighted by Keystone View Company., Negative number printed on mount: 22128., Title printed on mount., Printed above image: 81., Grey curved mount., Contains a description of the weaving process and an instructional exercise on verso., Keystone View Company, stock publisher of stereographs of the late 19th and 20th century, started issuing educational stereoviews around 1898. In 1906, the first boxed set of 600 educational views with an accompanying guide book was issued., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Industry [P.9573.23]

Title: Diorama - Washington at Yorktown
Description: View of the diorama with mannequin figures and a painted backdrop exhibited during the Centennial Exhibition of 1876 recreating a scene from the Battle at Yorktown in October 1781. Shows troops marching and parading before officers, including Washington, on horseback. An African American man stands beside a horse, who is possibly a portrayal of Washington's enslaved valet William Lee. The diorama by Colonel F. Lienard was displayed within a skating rink at Twenty-Third and Chestnut Streets. Figures of Generals Lafayette and Rochambeau were also portrayed., Title from item., Publisher's imprint printed on verso., Buff mount with rounded corners., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See "Washington at Yorktown," Philadelphia inquirer, December 13, 1875., See related print [Philadelphia roller skating rink, Twenty-third and Chestnut Streets, Philadelphia] (trade card - Philadelphia [P.9839])., Purchase 2001.
Creator: Centennial Photographic Co.
Date: Centennial Photographic Company
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Company [P.9982.2]

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