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Title: What has the North to do with slavery?
Description: Image is set in the North. It appears to show Southern slaveowners forcibly removing escaped slaves from their homes, and returning them into their custody., Title page illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838)., Two captions underneath the image read: "What has the North do to with slavery?" and "Have no fellowship with the unfruitful works of darkness, but rather reprove them.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 title page, https://digital.librarycompany.org/islandora/object/Islandora%3A2768

Title: When slaves are purchased by the planters; they are generally marked on the breast with a red hot iron
Description: A slaveowner uses a hot iron to brand a male slave's breast. Two other male slaves wait to be branded as well. A ship is visible in the background, possibly suggesting that the three had been purchased immediately beforehand., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807), p. 274., Engraving attributed to Alexander Anderson., Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of Petitioners for the Abolition of the Slave-Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street MDCCXCIII (1793); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794); Der Neue Hoch Deutsche Americanische Calender auf das Jahr 1797 (Balitmore: Samuel Saur 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no. 362, Pearl Street, between 1805 and 1808); and The Mirror of Misery, or, Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 274, https://digital.librarycompany.org/islandora/object/Islandora%3A2716

Title: [Whip and paddle]
Description: Set in a barn or work space, the illustrations shows an unclothed male slave who hangs from his wrists. To the right, a white overseer raises his whip. To the left, another white man holds the long handle of a paddle between his teeth. Rolling up his shirt sleeves, he prepares to participate in the beating. Further to the left, another white man violently restrains a slave who lies face down on the floor., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 23., Caption underneath the image reads: "Sometimes a slave is tied up by the wrists, while the ancles [sic] are fastened to a staple in the floor. In this position, they are punished with the whip or with the paddle. This is an instrument of torture bored full of holes, each hole raising a blister.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 23, https://digital.librarycompany.org/islandora/object/Islandora%3A2755

Title: Whipping with the paddle, as witnessed by the author
Description: Image shows the type of event that Watson witnessed regularly while in the custody of a slave-trader named Mr. Denton. As Watson explained, "I was not sold for several weeks, thought I wished to be the first, not wishing to witness his cruelty to his slaves any longer; for if they displeased him in the least, he would order them to be stripped, and tied hand and foot together. He would then have his paddle brought, which was a board about two feet in length and one inch in thickness, having fourteen holes bored through it, about an inch in circumference. This instrument of torture he would apply, until the slave was exhausted, on parts which the purchaser would not be likely to examine." Correspondingly, in this scene, Denton beats a man who is tied to an upright pole in such a manner that he is forced to lie on his side on the ground in a fetal position. A child cries in the background; two potential purchasers approach., Illustration in Henry Watson's Narrative of Henry Watson: a Fugitive Slave (Boston: Bela Marsh, 1850), p. 11., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1850 Wat 71223.O p 11, https://digital.librarycompany.org/islandora/object/Islandora%3A2781

Title: The whitewasher
Description: Illustration shows a familiar Philadelphia character: a black, female whitewasher. The woman is dressed in work-clothes and coarse shoes; her sleeves are rolled-up and the illustrator emphasizes her muscular forearms. According to the accompanying text, the bucket on the floor contains a mixture of lime and water, with a little salt and indigo to make it clear. In the course of her work, the whitewasher dips long-handled brushes (like those seen here) into the mixture and rubs it onto the walls for cleaning., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 12., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 12, https://digital.librarycompany.org/islandora/object/Islandora%3A2782

Title: Women and social class; the Gold Coast
Description: The engraving is included in Chapter III, "Negres du Royaume de Juida. Leur figure, leur habillement, leur caractere & leur nourriture." It shows, from left to right, an upper-class woman (Fig. 1), a female slave (Fig. 3), and two female servants (Fig. 2). They are dressed according to class: the upper-class woman wears a fringed dress and a comparatively elegent headdress; the servants wear simpler robes and head coverings; the slave wears a tunic around her waist, which leaves her breasts exposed, and her head is uncovered., Illustration in Histoire générale des voyages: ou, Nouvelle collection de toutes les relations de voyages par mer et par terre . . . (A Paris: Chez Didot, Libraire, Quai des Augustins, à la Bible d'or, M.DCC.XLIX, [1749]), vol. 14, p. 316., The key above the image reads: 1. Femmes de qualité, 2. Femmes de commun, 3. Esclaves., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Chedel, engraver
Date: [1749]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1749 Prev 66187.D v 14 p 316, https://digital.librarycompany.org/islandora/object/Islandora%3A2673

Title: The wood-sawyer
Description: Illustration shows a familiar Philadelphia character: a black wood-sawyer. As the text explains, "This is a hard occupation, followed generally by coloured people. They are old men, and have little ones to support, so that they have to work very hard." Shown in full profile, this mature wood-sawyer carries an axe in his hand and a "Horse" on his back. According to the text, when the wood-sawyer cuts his logs, he puts them on this "curious-four legged machine," which is "very strong, and made of oak or hickory wood." Holding the logs down with one knee, the wood-sawyer cuts off one piece at a time., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 96., Fels Afro-Americana Image Project, Work Scenes.
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 96, https://digital.librarycompany.org/islandora/object/Islandora%3A2785

Title: [Workers processing indigo]
Description: Illustration of the processing of indigo with captions describing the work. Captions read: The Negroes cutting ye indigo; the Negroes throwing ye indigo into ye water; a Negro stirring ye indigo in water; Negroes carrying indigo into chests or cafes to dry it; Overseer of ye Negroes; and Anil or indigo., Plate 35 in Pierre Pomet's A compleat history of druggs, written in French by Monsieur Pomet... illustrated with above four hundred copper cutts (London: printed for R. Bonwicke, William Freeman, Timothy Goodwin, John Walthoe, Matthew Wotton [and 5 others in London], 1712), page 90, book 5 and in later editions of the same work issued in 1725, 1737 and 1748., Fels Afro-Americana Image Project.
Date: [1737]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Il Pome 2177.Q plate 35., https://digital.librarycompany.org/islandora/object/Islandora%3A2843

Title: Wreck of the slave ship
Description: According to Hildreth's narrative, the plate shows a domestic slave ship that was caught in a storm while travelling down the Atlantic coast to Charleston. After the captain and crew fled in a jolly-boat, the slaves worked the pumps in the hopes of saving themselves. They were eventually rescued and brought to a jail in Norfolk, Virginia., Illustration in Richard Hildreth's The White Slave: or, Memoirs of a Fugitive (London: Ingram, Cooke, & Co., 227 Strand, MDCCCLII, 1852), p. 80., Fels Afro-Americana Image Project, Images from the Slave Trade.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Hildr 70799.O p 80, https://digital.librarycompany.org/islandora/object/Islandora%3A2787

Title: [X stands for cross]
Description: Image is accompanied by a verse, which begins as follows: "X Stands for Cross. By the lusts of the flesh / Men open the wounds of the Saviour afresh, /." In the foreground of a wooded landscape, an overseer / slaveowner flogs the back of a male slave whose wrists are shackled and chained to a tree trunk. On a hill in the background, a Christ-figure hangs on a cross., Illustration in Abel C. Thomas's Gospel of Slavery (New York: Published by T.W. Strong, 1864), n.p., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Thoma 50969.D vignette X, https://digital.librarycompany.org/islandora/object/Islandora%3A2818

Title: A Zoolu prophetess
Description: Portrait image of a Zoolu (i.e, Zulu) prophetess whom Isaacs met during his travels. He described her as follows, "Her person . . . did not less attract my attention than the hostile attitudes and habiliments of her guards. Her head was partly shaved, as is the custom of the natives. Her hair was thick, and seemed besmeared with fat and charcoal.One eyelid was painted red, the other black; and her nose was rendered more ornamental than nature had designed it, by being also blackened by the same preparation." As he also noted, she carried a "stick or wand, with a black cow's tail tied to the end, which she flourished about with infinite solemnity." (p. 166-167). In the lithograph, the prophetess wears an ornate head-piece and ceremonial dress; she holds a small nosegay to her breast., Plate in Nathaniel Isaacs's Travels and Adventures in Eastern Africa: Descriptive of the Zoolu Manners, Customs, etc. etc.: With a Sketch of Natal (London: Edward Churton, 26, Holles Street, 1836)., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Bagg, William, lithographer
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Isaac 6281.D vol 2 p 166, https://digital.librarycompany.org/islandora/object/Islandora%3A2917

Title: A Zoolu warrior & his daughter
Description: Portrait image of a Zoolu (i.e, Zulu) warrior and his daughter. Seated on a rock, the warrior holds his sword and three spears. His daughter stands at his side, resting her hand on his shoulder. She wears a necklace and a wrap around her hips., Frontispiece for volume one of Nathaniel Isaacs's Travels and Adventures in Eastern Africa: Descriptive of the Zoolu Manners, Customs, etc. etc.: With a Sketch of Natal (London: Edward Churton, 26, Holles Street, 1836)., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Bagg, William, lithographer
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Isaac 6281.D vol 1 frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2916

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