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(33,001 - 33,050 of 34,355)

Title: Washington birthday greetings
Description: Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.66]

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: New transfer picture-album offering a collection of fine transfer pictures and the direction how to fix them
Description: Pocket-size volume of decals of vignette maps of French cities, territories, colonies, and provinces during the antebellum period. Decals also include illustrations symbolic of the environment, culture, and economy of the depicted regions. Maps include (Afrique) Ile Bourbon, i.e., Réunion; Department de la Course, i.e., Corsica; Department de la Seine, i.e., Paris; Amerique Guadeloupe; Nle Caledonie/Iles de la Societe, i.e., New Caledonia/Society Islands; Algerie; (Amerique) La Martinique; (Afrique) Mayotte, Nossi-Be, St. Marie/Senegal; and Algerie (Afrique) Prov. De. D’Oran, i.e., Oran Province. Illustrations depict ethnic stereotypes and racist caricatures showing Africans, including an enslaved man from Ile Bourbon and Algerians; a Guadeloupean white plantation owner; a Corsican woman; sacks, crates, and barrels of foods and spices, including cacao, coffee, canella, cotton, sugar, indigo, and nutmeg; and native flora and fauna, including trees, grasses, a turtle, bird, elephant, and alligator. Vignettes also show a portrait of Napoleon; Paris architecture; ships and boats; and huts and a tent., Title from item., Date inferred from era of production of miniature decals and cover design., Front cover illustrated with a clown figure holding a trumpet to his mouth in one hand and tugging his hat with the other., Printed on back cover: Directions for fixing transfers. Take the picture, put it into luke-warm water for a quarter of a minute, pres the picture-side firmly on the object you wish to decorate, and draw gently the paper away. the fixed picture can be varnished, which makas [sic] it finer and secure against water and dust., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department ephemera - Misc. [P.2014.17.3]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length portrait of the acclaimed girl emancipated from enslavement. Depicts Lawrence, attired in a lavish off-the-shoulder dress, seated, and holding a hat adorned with a ribbon and feathers in her lap. She is posed next to a basket and in front of a maritime backdrop. An outstretched drape covers her seat., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Purchase 2014., Description revised 2021., Access points revised 2021., See Kathleen Collin, "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210.
Creator: Black, James Wallace, 1825-1896, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2014.13]

Title: Happy contraband
Description: Photographic reproduction of a caricature depicting a half-length, cameo portrait of an African American man playing a fife. Shows the man, posed to the right, looking up with his eyes, and holding up with both his hands, a fife to his pursed lips. He leans slightly forward, is portrayed with a furrowed brow, and is attired in a wide-brimmed hat adorned with a ribbon, white shirt with long sleeves, and a dark-colored vest. While commander of Fort Monroe, Virginia, General Benjamin Butler declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861. During the war, several visual materials, often satires, depicting Black persons as "contraband" were published., Title from manuscript note on verso., Date inferred from active dates of publisher., RVCDC, Philadelphia Photographic Company operated from 730 Chestnut Street circa 1864-1865 before relocating to 24 N. 8th Street. Active until about circa 1869, the firm, per advertisements, issued a catalog, sold "specialties" for albums, including "from original drawings by artists of high quality," and published "[Thomas H.] Johnson's Photographic Views of the Whole Oil Regions," as well as sold election campaign cards and badges.
Creator: Philadelphia Photographic Company
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - non-portrait -Philadelphia Photographic Company - Happy [P.2022.50]

Title: Emancipation
Description: Reproduction of a George Gardner Fish allegorical painting celebrating the Emancipation Proclamation (1863) originally photographed by Boston photographer J. P. Soule. Depicts the white female figure Columbia holding out the Emancipation Proclamation and standing between a kneeling enslaved African American man and woman (attired in a head wrap). The bare-chested man holds up the pole of an American flag, while the woman drapes the flag around her naked body. Columbia, attired in a tiara and drapey gown, also holds a bunch of sprigs of laurel, as well as stands on a whip. A partial view of a wagon wheel is visible in the left background., Title from item., Artist and photographer from copy in the collections of the Library of Congress. LC copy "Entered according to Act of Congress, in the year 1863, by John Sowle [sic], in clerk's office of the District Court for the District of Massachusetts.", George Gardner Fish was a Nantucket portrait painter who specialized in pastels. He exhibited at the National Academy of Design between 1858 and 1863., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund., Description revised 2021., Access points revised 2021.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Genre & sentimental [P.2014.22]

Title: Dickerson Family Collection

Title: [Copy photograph of African American woman caregiver with her young white charges]
Description: Copy photograph of a circa 1860 three-quarter length portrait of a young African American woman caregiver, seated, and with a white baby on her lap and a young white boy standing to her left. The caregiver has her right hand resting on the head of the baby and her left arm wrapped around his/her waist. The baby wears a medium-colored dress, which their nanny's hand has slightly tugged up. The baby has their left hand in their mouth. The nanny wears her long, wavy dark hair, parted in the center, and pulled away from her face. She is attired in a patterned shirt waist and dark satin skirt with crinoline underneath. The boy to her left wears a dark-colored, mandarin-style jacket and dark pants. All the sitters look straight at the viewer., Title supplied by cataloger., Date based on type of mount and address of photographer., Photographer's imprint stamped on mount and verso. Imprint on verso includes decorative insignia composed of an ornamented letter "G" with a coat of arms in its interior. The coat of arms includes a lion and bird., Inscribed in pencil on verso: 100801., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photo - Gutekunst [P.2016.17.2]

Title: p-9427-18

Title: p-9427-19

Title: Hoffy, Alfred A.
Description: Alfred A. Hoffy, born in England in 1796 and an ex-Major of the British Army, was an author, lithographic artist, and publisher of noted lithographic periodicals active in Philadelphia ca. 1838-1868. He issued the first illustrated American journal devoted to fruit cultivation, the "Orchardist's Companion," published 1841-1842 and was also the predominate artist of the plates for the military fashion periodical "U.S. Military Magazine" published 1839-1842 by Duval and Huddy. Hoffy delineated portraits, advertisements, fashion plates, and sheet music, predominately printed by P. S. Duval and Wagner & McGuigan during his thirty-year career in Philadelphia., A British soldier who fought in the Battle of Waterloo as an aide-de-camp to the Duke of Wellington, Hoffy immigrated to New York City in the mid-1830s, where he worked as an artist and lithographer in collaboration with British lithographer J.T. Bowen at 59 Cedar Street. Together with John Elliott they produced the portrait "Eng-Chang" depicting the "Siamese twins" in New York in 1837. Both Hoffy and Bowen relocated to Philadelphia ca. 1838, where in 1839, advertisements for Hoffy's drawings and lithographs, including "The Robert F. Stockton" and "Sarcophagus brought from Syria," appear in the Philadelphia newspaper "North American." During the 1840s and 1850s, Hoffy's portraiture work often received notice in local newspapers, including his lithographs of Casius M. Clay from a daguerreotype by Plumbe (1846), Abby Kelly Foster from a daguerreotype (1846), General Santa Anna (1847), the Washington family (1857), and Cyrus W. Field (1858)., Hoffy operated his lithographic establishment from several locations in Philadelphia. His first known shop was located at 41 Chestnut Street until 1842. He moved twice the following year, working from 45 Chestnut Street and 173 Arch Street. He operated from 88 Walnut Street 1844-1847; 20 South Third Street 1848-1852; 89 South Fifth Street in 1854; 90 Walnut Street 1855-1856; the southeast corner of Fifth and Vine Streets in 1857; 312 North Front Street in 1858; and at 1534 Vine Street as an artist and publisher by 1860., According to the 1850 and 1860 censuses, Hoffy married Emma Jane Patterson (ca. 1820-1892), a New York native, and had eight children: Martha (b. 1836) and Emma (b. 1838) born in New York; and Alfred A., Jr. (1840-1858), Amanda (b. 1843), Louisa (b. 1843), Adelaide (b. 1845), Adell (b. 1847), and Henry (b. 1850) born in Philadelphia. The family resided in the Chestnut Street Ward in Center City in 1850, and by 1859 had moved north to 1315 Vine Street (Ward 10). In 1861, the family relocated to 1716 Wallace Street, where they lived until 1864 before another change of residency to West Philadelphia where Hoffy resided as a "gentleman" at 3914 Baltimore Avenue for three years. In 1868, Hoffy and his family moved to Brooklyn, New York where he died on March 10, 1872.
Date: 1796 - March 10, 1872
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Ketterlinus, J. L. (John Louis)
Description: John Louis Ketterlinus, son of Philadelphia lithographer Eugene Ketterlinus, born on June 18, 1852 in Philadelphia, was proprietor of Ketterlinus Printing house, later Ketterlinus Lithographic Manufacturing Company, a firm active until ca. 1970. In 1876 Ketterlinus assumed the premier commercial lithograph and printing establishment E. Ketterlinus & Co. started in 1842 by his father Eugene (1824-1886) and Uncle Paul (1820-1894) at Fourth Street below Arch Street. The firm, which printed color stock cards and manufacturer's labels earlier than any other Philadelphia firm was renowned for their label work. The "plain & fancy printing" firm also printed illustrated Congressional documents, "cards, bill heads, notes, checks, circulars, and catalogues" in addition to "embossed show cards, perfumery, fabric, wine and liquor labels, druggists' furniture, jar and drawer labels.", Under the younger Ketterlinus's management, the firm focused on printing advertising trade cards for the 1876 Centennial Exhibition and operated from a large building owned by the elder Ketterlinus at the northwest corner of Fourth and Arch Streets, The shop employed the most advanced equipment of the time, such as the Hoe steam power press; employed innovative techniques for graining details; and maintained a large typographic department with cylinder presses., Under J. Ketterlinus's administration from the 1890s to about 1920, the business expanded physically to include all of the land north to Appletree Street and west to 413 Arch Street. Builder William R. Dougherty oversaw the addition of two stories to the existing building in 1894, and after the business was incorporated into the Ketterlinus Lithographic Manufacturing Company in 1896 with John as president, a new eight-story concrete building was constructed by architects and engineers Ballinger & Perot in 1905. This structure, along with properties spanning the entire city block, was demolished ca. 1965 for the construction of the fourth United States Mint building. In 1919, Ketterlinus semi-retired from the firm and became Chairman of its Board of Directors. The firm remained in business until ca. 1970., Ketterlinus was born in Northern Liberties preceding his family's relocation to School House Lane in Germantown around 1861. Educated at the Germantown Academy, his education in lithography began when he was fifteen at his father's establishment, where he rotated between departments and experimented with creating color lithographs. Ketterlinus was married to Elizabeth H. B. (1856-1930) and resided in Germantown and the Rittenhouse Square sections of Philadelphia. When he retired as president of the printing house in the early 1920s, Ketterlinus became more active in his various clubs, including the Union League, the Racquet Club, Philadelphia Country Club, Manufacturers' Club, and Sunnybrook Golf Club. Ketterlinus died in Jacksonville, Florida, his winter residence, on July 22, 1932 and was interred at West Laurel Hill Cemetery in Philadelphia. He left no children.
Date: June 18, 1852-July 22, 1932
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Woman's Rights.
Description: A woman stands at a podium with her hand raised. A smaller man and woman sit in the audience. Figure possibly caricature modeled after Quaker women's rights advocate Lucretia Mott or sisters Sarah and Angelina Grimke., Text: Peace! brainless babbler -- what's the use / Of proving to mankind that you're a goose, / By asking husbands -- so runs your speeches -- / To put on frocks, while you wear their breeches., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Philadelphia on Stone
Description: The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog. Each catalog record contains the name of the holding institution of the item(s) described and is the repository who should be contacted to obtain reproductions of prints not held in the collections at the Library Company of Philadelphia.
Date: 1828-1878

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook containing newspaper clippings, photographs, ephemera and prints predominantly issued between the 1930s and 1970s documenting exhibitions, loans, collections, events and the history of the Library Company. Clippings include newspaper articles about a loan of American political cartoons to the Toledo Museum (1936); exhibitions commemorating the centenary of librettist W.S. Gilbert (1936); the tercentenary of Swedish Settlement (1938); and the library's African American history collection (1971). Columns also describe the presentation of the Christopher Sower library (1909); the return in 1876 of a book 99 years overdue since the American Revolution (1938); the demolition of the Library's Juniper and Locust streets building for a parking lot (1939); and the vandalism of the former Ridgway Building at 901-933 Broad Street (1969). Photographs predominantly depict the exteriors and reading rooms of the library buildings at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building). Other photographs include a series of views from the 1939 unveiling ceremony of the James Logan memorial (to be erected in Fairmount Park) on the steps of the Ridgway Branch. Ephemera includes invitations (several from The Women's Committee), brochures, catalogs, announcements and placards related to library events; bulletins and pamphlets describing collections; dues notices and book plates; the variant 1884 and 1906 "Rules of the Library Company"; an off-print of the 1882 Louise Stockton entry in "A Sylvan City..." about "The Old Philadelphia Library"; and a 1961 citation from the city recognizing the library as a "Philadelphia first.", Title supplied by cataloger., Cut outs of the seal and motto of Library Company from bookplate pasted on title page., Some contents annotated with dates and typewritten descriptions., Several loose photographs removed and rehoused as "Library Company of Philadelphia Scrapbook Photographs Collection" [P.2010.17]. Contains a ca. 1865 portrait of library donor John A. McAllister misidentified as librarian Lloyd P. Smith, a ca. 1935 portrait of librarian George Abbot, and interior and exterior views of the library buildings, including artifacts, at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2022., Access points revised 2022., Typewritten index inserted in volume., The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: [ca. 1865-ca. 1971, bulk ca. 1936-ca. 1945]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2010.17], Library Company of Philadelphia | Print Department Library Company of Philadelphia Scrapbook Photographs Collection [P.2010.17]

Title: The works of the late Dr. Benjamin Franklin containing his life, with letters illustrative of his manners and character, and essays, humorous, moral, and literary, etc
Description: Cf.: Ford, p. 225, #488., Signatures: [n][superscript 2]B-2A[superscript 6]2B[superscript 4]., Retrospective conversion record: MARC Link database., HSP in LCP.
Creator: Franklin, Benjamin, 1706-1790
Date: 1819
Location: Historical Society of Pennsylvania | HSP in LCP Am 1819 Fra Af .175

Title: The Sarcophagus brought from Syria & presented By Come. Elliott to the Girard College This sarcophagus was discovered by a countryman, who was planting a mulberry tree, about sixteen feet under ground, three-fourth's of a mile east from Beyront, in the centre of the spot where once stood the ancient Berytus, and six hundred feet above the level of the sea; it required nearly five hundred men to remove it a mile and a half, on board the vessel. The sarcophagus is cut out of a solid piece of white marble, and has a cover in the form of a slooping roof, of one piece of marble. On the principal side it has this inscription. Jvlia. C. Fil Mamaea vixit. Ann. XXX. Its dimenions are seven feet four and a half inches long by two feet seven and three-fourth inches wide within the cornice, and it stands four feet three inches high to the apex of the cover, which is nineteen inches deep. We learn from Gibbon that the Emperor Severus A.D. 208, married Julia Domna of Eamesa in Syria, she had a sister Julia Maesa who resided for a time at Emesa with her two daughters Soamias and Mamaea, each of whom had a son, the first was the Emperor Elagabalus the other the Emperor Alexander Severus; during the early part of his reign Jvlia Mamaea remained the sole agent of her son and of the empire
Description: View of the marble, garland sarcophagus of the Empress of the Roman Empire Julia Mamaea presented to the college in 1838. Tomb sculpted with garland, cupid, and female figure ornamentations. Jesse Duncan Elliott, commodore of the U.S. Constitution, obtained the sarcophagus in 1837 while commanding the U.S. Fleet during a tour of the Mediterranean. It was "rediscovered" in the basement by the school in 1883 and given on permanent loan to Bryn Mawr College in 1955., Philadelphia on Stone, POSP 201, Retrospective conversion record: original entry, edited., Advertisement for print published in the North American and Philadelphia Inquirier, August 13, 1839 and the National Gazette, August, 20, 1839.
Creator: Hoffy, Alfred M., b. ca. 1790
Date: [ca. 1839]
Location: Library Company of Philadelphia | Print Department *BW - Monuments and Statues [P.8970.15]

Title: The Ledger carrier's annual greeting. To their subscribers, New Year, 1855
Description: Allegorical print depicting female allegorical figures in front of a temple of Justice. Depicts in the left, Peace as a white woman attired in a laurel wreath crown and a white Roman gown, standing across from the white figure of Liberty and pointing with her left hand toward the temple in the background. Liberty, wearing the American flag as a cape, and with a liberty pole and cap in hand, charges toward the temple. Three muse-like female followers, including two white women, one holding an urn, and a Black woman, looking toward the temple, stand alongside her. Behind Peace, a white cherub stands by a stack of books. Scene also includes a discarded shield and sword laying on the ground in the foreground., Title from item., Presumably issued late in 1854 by Swain, Abell & Simons, the publisher of the Philadelphia newspaper, the Public Ledger, for their subscribers., Printed below the image: Printing! the art of every art preserver. The lever that uplifts the world of mind. Of Justice, Peace, and Human Rights conserver; The sense of vision to the mental blind. The torch of genius flashes o’er its pages, Illumes Fame’s temple with its dazzling ray. And marks the means for moulding future ages, In universal education’s sway., Purchase 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, a premier Philadelphia portrait and genre engraver of the 19th century, was also a social reformer who often incorporated his reformist beliefs into his work., Schussele was a historical, genre, landscape, and portrait painter and respected professor at the Pennsylvania Academy of the Fine Arts whose paintings his professional associate and friend, John Sartain, often engraved.
Creator: Sartain, John, 1808-1897, engraver
Date: [1854]
Location: Library Company of Philadelphia | Print Department *GC - Allegories - L [P.9000.1]

Title: "A guard of colored soldiers"
Description: Full-length group portrait depicting three African American Union soldiers, attired in uniform, standing with bayoneted Springfield rifle muskets and non-commissioned officer swords in hand. The soldiers include a sergeant (center left) who wears a regular belt plate, three chevrons on his sleeve, a kepi with a tarred cover, and a non-commissioned officer baldrick on his sword. The African American private (center) wears an infantry bugle and brass insignia on top of his kepi. The private (right) wears an unadorned kepi. In the left, is a white man soldier, probably a junior officer, attired in a great coat and slouch hat and holding possibly an 1850 foot officer's sword. Possibly soldiers from Camp William Penn, the African American training camp near Philadelphia, Pennsylvania., Title from manuscript note on recto., Name of photographer/publisher attributed from copy of photograph available in Hindman February 27, 2024 auction. Copy included revenue stamp and was stamped on verso: O.H. Willard's New Galleries, 1203 Chestnut St. No. [4485] Phl. Copy of listing included in Willard research file at repository., Date inferred from revenue stamp on verso of copy at Hindman auction, February 2024., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2024 with information from 2024 Hindman auction listing., Access points revised 2024., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Willard, Oliver H., -1875
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdv portraits- group - Military [5779.F.3d]

Title: Benjamin Lay
Description: Full-length portrait of the eccentric radical Quaker abolitionist, author, and hermit, his left hand slightly raised. He holds a cane and a book titled, "African Emancipation" in his other hand., Published as frontispiece in Roberts Vaux's Memoirs of the Lives of Benjamin Lay and Ralph Sandiford:...(Philadelphia: Solomon W. Conrad, 1815). (LCP Am 1815 Vaux, Log 1971.D)., Manuscript note below image: the Hermit - Nat: 1677. Ob: 1759. He was one of the first public advocates for the emancipation of the enslaved Africans. [Vide Memoirs of his life by R. Vaux.]. See page 124., Portrait of Rev. Richard Allen on recto. (LCP Yi 2, 1069.F. 276), From John Fanning Watson's Extra-illustrated Autograph Manuscript of "Annals of Philadelphia," p. 277. (LCP Yi 2, 1069).
Creator: Kneass, William, 1780-1840, engraver
Date: [ca. 1815]
Location: Library Company of Philadelphia | Print Department Print Portraits-L [Yi 2, 1069.F.276 (verso)]

Title: The rag tender From life, Phila
Description: Children's moral instruction book showing three men with their hats dipped low, asleep in a stalled horse-drawn furniture wagon on a pier overlooking the river. The three men are customers of the rag tender, who stands near the cart warning another man to stay away. Another man, presumably down on his luck, leans on a post in the distance., Not in Wainwright., Date supplied by cataloger., Published as illustration on page 28 in City Sights for Country Eyes ([Philadelphia]: American Sunday School Union, [1856])., Accompanied by text titled "The rag tender" moralizing against the dangers of being "late and unsteady" at work and men who "spend their odd pence for whiskey and cigars". These men end up trading their better clothes to the "rag tender"., Philadelphia on Stone, POS 631, Historical Society of Pennsylvania: Bd 61 K 8343.28, Free Library of Philadelphia: \\RBD\\ASSU\\V\\C498S\\FACSIM.\\
Creator: Kollner, Augustus, b. 1813
Date: [1856]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8343.28

Title: [Motion studies]
Description: Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Creator: Eakins, Thomas, 1844-1916, photographer
Date: ca. 1885
Location: Library Company of Philadelphia | Print Department albums - Eakins [P.8713.1-5 & 7]

Title: Race Street in Philadelphia's Chinatown
Description: View looking down Race Street in Chinatown. Includes storefronts adorned with buntings, awnings, and flags. Pedestrians, horse-drawn carts and carriages, and cyclists crowd the thoroughfare. Probably taken during Chinese diplomat and statesmen Li Hongzhang's visit to Philadelphia on September 3, 1896., Publisher's imprint printed on mount., Title printed on mount., Curved gray mount with rounded corners., Date inferred from type of mount., Gift of Raymond Holstein.
Creator: Berry, Kelley & Chadwick
Date: [ca. 1896]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Streets - Race Street [P.2011.47.1937]

Title: [Three-quarter length portrait of a young boy]
Description: Three-quarter length, forward facing portrait of a young, white boy. The boy, with rosy cheeks, is attired in a brimmed hat decorated with a ribbon, as well as a long-sleeved shirt with buttons down the front, and pants. He has a slight frown to his expression. He stands with his right hand at his waist with his thumb hooked into his pants and his left hand resting on an object in front of him., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and address of photographer and dates of operation., Pink tinting on cheeks., Pad: Red velvet embossed with photographer’s imprint “W & F Langenheim, 216 Chestnut St., Philadelphia” in the center and within an ornamental frame with decorative scrolls., Mat: Oval., Case: Leather. Spray of various flowers surrounded by a border of vines and flowers. Wavy line design on verso., Contains weeping glass deterioration., Gift of Jane Hastings, 2011., The Langenheim firm operated from 216 Chestnut Street, Philadelphia in 1851.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1851]
Location: Library Company of Philadelphia | Print Department Cased photos – photographer – Langenheim [P.2011.56.1]

Title: Marriage certificate. This certifies that [blank] of [blank] and [blank] of [blank] united in holy matrimony according to the ordinance of God and the laws of [blank] at [blank] on the [blank] day of [blank] A.D. [blank]. Witnesses [blank] [blank]
Description: Marriage certificate containing a scene with an African American bride, groom, and reverend, pictorial details, and an ornamented border. Scene depicts the bride, in the left, in right profile, standing, and attired in a long-sleeved white wedding dress and bridal cap with floor length veil draped down her back. She holds a large bouquet from which ribbons stream and she bows her head slightly forward. In the right, the groom, in left profile, stands, attired in a dark suit with morning jacket and a boutonniere adorning the lapel. His head is slightly bowed. Between them, facing the viewer, stands an older reverend, attired in a clerical waistcoat and pants. He is balding with tufts of grey hair by his ears. He holds a Bible at his midriff. Ferns adorn the background. Pictorial details, surround the scene and text of the certificate, and include two Black putti; a vignette depicting the clasped hands of a Black bride and groom; and tropical greenery. The ornamented border is composed of ribbons and a chain link., Title from item., Name of publisher inferred and date from copyright statement: copyrighted 1910 P.P. and F. Co. Chi., Description of print (No. 1900) included in 1911 trade catalog for the Consolidated Portrait and Frame Co., p. 135a. Description reads: Good Luck Marriage Certificate. This certificate was printed and designed especially for the negro race. There is no other certificate so far as we know, exclusively for them., RVCDC, Purchased with partial funds from the Davida Tenenbaum Deutsch Women's History Fund.
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC - Certificates - Marriage [P.2023.7]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Accompanied by souvenir card (2)5781.F.53c., Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983., Free Library of Philadelphia - Oversize Philadelphiana - Fairs, festivals (4 copies)
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [5781.F.1]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [5781.F.2]

Title: Spinning room - Winding bobbins with woolen yarn for weaving, Philadelphia, Pa
Description: Depicts the back of a young female worker, wearing an apron, at work inside a large textile factory. She attends one of several rows of mechanized small and large bobbins., Copyrighted by Keystone View Company., Negative number printed on mount: 22128., Title printed on mount., Printed above image: 81., Grey curved mount., Contains a description of the weaving process and an instructional exercise on verso., Keystone View Company, stock publisher of stereographs of the late 19th and 20th century, started issuing educational stereoviews around 1898. In 1906, the first boxed set of 600 educational views with an accompanying guide book was issued., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Industry [P.9573.23]

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: Philadelphia taste displayed. Or, bon-ton below stairs
Description: Satiric scene showing high society, i.e., "bon-ton" in a Philadelphia oyster cellar. A "gentleman" descends the stairwell to the swankly decorated cellar where a motley gathering of men drink, smoke, gossip, and suck oysters. An African American bartender serves drinks from decanters in the left of the image. The bar is adorned with a notice reading "City Privilege still without license." Another African American attends the oyster bar. Plates, crackers, salt, and vinegars line the edge. In the right of the image, a sick-faced patron wobbles and spills his drink next to a tall clock with a decorated face and the inscription "Music has charms." Possibly, the cellar at 806 Market Street operated by African American proprietor James Prosser from about 1830., Inscribed on verso: Said Wm Van [?] of the Walnut/ Chestnut? St. Theatre., Philadelphia on Stone, POS 598, Historical Society of Pennsylvania: Bb 38 O 97, LCP exhibit catalogue: Made in America #40., Jackson, Joseph, Encyclopedia of Philadelphia, p. 386-387
Creator: Akin, James, ca. 1773-1846, artist
Date: [ca. 1830]
Location: Historical Society of Pennsylvania HSP Bb 38 O 97

Title: [Certificate of the Guardians, Physicans and Surgeons of the] Philadelphia Alms House
Description: Certificate containing an exterior view of the Blockley Almshouse and Philadelphia General Hospital in West Philadelphia. Under a cloudy sky, a horse-drawn carriage passes and a few men walk in front of the building. A large yard and a tree are visible in the foreground. The Board of Guardians, the governing board of the Guardians of the Poor, established in 1782 and abolished in 1877, oversaw the operations of the almshouse, including admissions, accounts, and employment of the poor. The almshouse was completed in 1833 after the designs of Philadelphia architect William Strickland., pdcp00029, Title supplied by Wainwright., Philadelphia on Stone, POS 100, Free Library of Philadelphia: Philadelphiana - Alms House, Originally Castner 9:63.
Creator: Lehman, George, d. 1870, artist
Date: [ca. 1835]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Alms House

Title: Gems of Art. Philadelphia
Description: Bird's eye view predominately showing the built city from the Schuylkill to the Delaware rivers and Port Richmond to South Philadelphia. Market Street runs down the center of the view. Shows the residential, commercial, industrial, religious, educational, and cultural buildings lining the streets and outer lying areas of Center City. Also shows parts of West Philadelphia, Windmill Island, and Camden, NJ. and public utilities, bridges, railroad depots, and reservoirs. Includes from west to east, the Woodlands, Blockley Almshouse, the Upper Ferry Bridge, Market Street Bridge, the two Gas Works, Fairmount Water Works, Girard College, Eastern State Penitentiary, the Naval Asylum, Cathedral of Saints Peter and Paul, St. Mark's Church, Christ Church, Independence Hall, Pennsylvania Hospital, St. Peter's Church, and Spark's Shot Tower. Also shows the five major squares (as well as Independence Square) and adjacent landmarks, including the P.R.R. Freight Depot, U.S. Mint, First Independent Church, Pennsylvania Asylum for the Blind, and Will's Eye Hospital. Masts of docked ships line the piers along the Delaware, mills line the Schuykilll above Market Street, and vessels sail on the waters of both rivers. Foundries with smokestacks and undeveloped land border the built city to the North and South., Philadelphia on Stone, POS 293, See "For Business Men," Worcester Daily Spy, September 20, 1866. Article reports "A new illustrated work called the 'Gems of Art,' is now being published by John H. Bufford & Sons, of Boston, to consist of finely exectured lithographic plates of landscapes, portraits, battle scenes, and cities to be interspersed with pages of advertisements ... The work is to be published in January, 1867, and four thousand copies gratitously distributed."
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department BW - Views [P.9192.2]

Title: Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864
Description: Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Gift of E. Perot Walker., Historical Society of Pennsylvania: Bc8 D983.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **W35 [P.8695]

Title: Jules Hauel's eau lustral hair restorative For the restoration, growth, beauty and preservation of the hair
Description: Advertisement for the Philadelphia perfumer at 120, i.e., 324 Chestnut Street. Shows two well-dressed women in a boudoir that is decorated with carpet, drapes, and a candlelabra. One woman combs her long, lush, flowing hair with her back to a nightstand with a mirror as she looks at the second woman with short wispy hair. Perfume bottles rest on the night stand. Also contains an ornamental border including columns and advertising text. Text promotes the stopping of "decay in the middle of decline, to preserve what is beautiful" through use of Haul's "Hair Restorative" that "stops the falling off of Hair, promotes the growth of it, vivifies the roots and the skin and gives a new vigor to hair." Hauel began his perfumery business in Philadelphia in 1839 by selling vegetable hair dyes and fancy soaps., Not in Wainwright., Philadelphia on Stone, POSP 127, Historical Society of Pennsylvania: Bb 392 W 363, Trimmed.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bb 392 W 363

Title: [Marriage certificate]
Description: Marriage certificate illustrated with an ornate border containing a romantic scene. Scene shows a couple, accompanied by the female allegorical figure Love, sailing in a gondola. Love holds an arrow and torch and the gondola is adorned with a garland of flowers. Border also includes flowers, vinery, doves, the Bible, and clasped hands over the Biblical quote "What God hath joined together let not man put asunder, Matth. XIX.6.", Title supplied by cataloguer., Copyrighted by J.R. Jones in Washington, D.C., Not in Wainwright., Issued to Mr. Daniel S. Schaeffer of Fleetwood Berks co. Pa. and Miss Mary F. Potteiger of Jefferson Twp. Berks Co. Pa. on September 4, 1875. Signed by Rev. Thomas Calvin Leinbach of Womelsdorf. Witnessed by Adam N. Potteiger and Adam S. bright., Philadelphia on Stone, POSP 144
Date: c1870
Location: Library Company of Philadelphia | Books & Other Texts | Rare 14342.Q [Roughwood]

Title: [Marriage certificate]
Description: Contains a border comprised of gothic architectural elements, floral motifs, and two vignettes. First vignette shows the reverend blessing the formally attired couple. The bride wears an off-the-shoulder wedding dress and veil and the groom wears a tuxedo. Second vignette shows the married couple exiting the church, hand in hand, followed by three wedding guests., Title supplied by cataloguer., Not in Wainwright., Issued to Henry W. Shouse of Hauley Wayne Co. Pa. and Ann Eliza Nekerris of District of Spring Garden County Philada. on October 16, 1851. Signed by Edmund Neville, Rector of Christ Church, New Orleans., Philadelphia on Stone, POSP 90
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 14349.Q [Roughwood]

Title: Junger Maennerchor [membership certificate]
Description: Membership certificate for the German-American choral society founded in 1852. Includes an ornamental border and vignettes. Vignettes depict a Grecian-attired female with harp; an American eagle grasping a harp and a banner marked with the establishment date of the society; the female allegorical figure of music holding a harp, laurel wreath, and attended by a cherub displaying a sheet of music on a pillow; and a view of the society's hall at the N.W. corner of Sixth and Vine streets. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 128, Historical Society of Pennsylvania: **NB 1 75 - 403
Creator: Theo. Leonhardt & Son
Date: [ca. 1880]
Location: Historical Society of Pennsylvania HSP **NB 1 75 - 403

Title: Correspondence from William Rawle declining reelection as secretary
Description: These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
Creator: Library Company of Philadelphia
Date: 1836-05-02
Location: Library Company of Philadelphia. | MSS MSS MSS00270b02f52

Title: Reports, correspondence, and other documents for monthly meeting of directors
Description: These materials are part of the Library Company Papers Project: Archiving and Preserving Early American History. For additional information on this project, visit librarycompany.org/lcppapersproject. Papers Project processing and digitization has been made possible through a grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this resource do not necessarily represent those of the National Endowment for the Humanities. For additional information on NEH, visit www.neh.gov., All use must credit The Library Company of Philadelphia. For additional information on Rights & Reproductions, visit https://librarycompany.org/using-the-library/rightsrepro/#/.
Creator: Library Company of Philadelphia
Date: 1881-12
Location: Library Company of Philadelphia. | MSS MSS MSS00270b04f12

Title: [Eiichi Hirose collection of bookplates]
Description: Collection of seventeen Japanese bookplates owned by Eiichi Hirose. Sixteen bookplates were designed and created by Yumimaro Ohmori, and one was created by Koson Nakayama. The bookplates depict scenes of Japanese landscapes, flowers, insects and animals, and people, including a person on a bridge over water and looking at a mountain; a man leading a horse; two people at a camp fire; a Japanese woman attired in a kimono; a young man farmer riding backwards on an ox; a potted plant; cherry blossoms; dragonflies; and a bird flying over bamboo. Two type-written letters are included describing some of the bookplate designs and gifting the bookplates to the Library Company of Philadelphia., Title supplied by cataloger., Date from letter of gift., Partial transcript of letter accompanying the gift: I enclosed my ex-libris in use, designed and engraved by Yumimaro Ohmori, a graduate of the Tokyo College of Fine Arts, and would be glad to make an exchange of ex-libris with you. Because of my great interest in which I have been collecting ex-libris for three years, I shall appreciate very much if you can favor me with some of your specimens. I desire to extend this collection all over the world, and any information in this connection will be deeply appreciated. With best wishes, I am yours very truly, Eiichi Hirose. Oct. 8th, 1935., Text of accompanying letter: The design of this ex-libris represents a tombstone characteristic of 12th century Japan. This plate is designed and used by Koson Nakayama of Tokyo. The design of this plate is symbolical of dramatic art, the three colors, perhaps of curtains, representing the three largest theatres that existed in Yedo (present Tokyo). This plate is used by Shuzan E. Hirose. The design show a youthful farmer rising an ox. From this one may infer that the owner (Hirose) is a collector of books on agriculture and rural problems.
Creator: Ohmori, Yumimaro, artist
Date: [ca. 1935]
Location: Library Company of Philadelphia | Books & Other Texts | Rare LCP Records MSS 00270 Series 4B Bookplates Box 23, Folder 10 [12126.Q.10]

Title: Treasurer's reports
Creator: Library Company of Philadelphia
Date: 1879-02-06-1880-08-05
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f13

Title: Treasurer's reports
Creator: Library Company of Philadelphia
Date: 1877-07-05-1879-01-02
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f12

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1879-04
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f14

Title: Central High School house, Broad Street
Description: View looking northeast showing the second building of the Central High School for Boys (established 1838), the first public high school in the city, built 1853 at North Broad and Green streets. Also shows adjacent buildings and several large pipe sections in the street in the foreground. Building housed the school until 1900., Title from accompanying label., Retrospective conversion record: original entry, edited., Originally part of a Poulson scrapbook., Trimmed., McClees 1856-8.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: ca. 1856
Location: Library Company of Philadelphia | Print Department photo - McClees - Education [(5)2526.F.14b]

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1881-08
Location: Library Company of Philadelphia. | MSS MSS MSS00270b04f08

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1879-06
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f17

Title: Directors minutes first draft
Creator: Library Company of Philadelphia
Date: 1870-04-07-1873-05-01
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f07

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1879-09
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f20

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1879-08
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f19

Title: Reports, correspondence, and other documents for monthly meeting of directors
Creator: Library Company of Philadelphia
Date: 1879-07
Location: Library Company of Philadelphia. | MSS MSS MSS00270b03f18

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