Search results

(33,401 - 33,450 of 34,355)

Title: State Bank of Camden Records. 1812-1837 (inclusive)
Description: The State Bank of Camden Records contains correspondence and financial documents relating to the bank's founding and transactions by some of its stockholders., On deposit at the Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia, PA 19107. For service, please contact the Historical Society at 215-732-6200 or http://www.hsp.org., The State Bank at Camden was founded in 1812 when the New Jersey General Assembly passed an act to established banks at Camden, Trenton, New Brunswick, Elizabeth, Newark, and Morris.
Creator: State Bank of Camden (Camden, N.J.)
Date: 1812
Location: Library Company of Philadelphia | MSS McA MSS 014, https://digital.librarycompany.org/islandora/object/Islandora%3A64364#page/1/mode/1up

Title: Marion crossing the Pedee Engraved from the original picture in the possession of the American Art-Union
Description: Historical print showing Brig. Gen. Francis Marion, known as the Swamp Fox, during the American Revolution and commanding a raft down the river in between one of his guerilla attacks in South Carolina. Marion, wrapped in a cloak, on horseback is surrounded by his band of volunteer soldiers, horses carrying light equipment, and a few dogs on the raft. The men include Marion's enslaved man Oscar Marion holding the reigns of his horse and another African American man rowing the raft with an oar. A few of the soldiers hold the reigns of horses swimming through the river. A second raft is visible in the background., Title from item., After an 1850 painting by William Tylee Ranney in the collections of the Amon Carter Museum, Fort Worth, TX., One of six prints issued in 1851 for the members of the American Art-Union in New York., Trimmed., Gift of David Doret, 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Burt, Charles Kennedy, 1823-1892, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.2006.28.22]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: African Americana Civil War envelope collection
Description: Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

Title: Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
Description: Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Bispham [5780.F.51 a, d, & h; 52a, l, p & q, u & v; 53 a,c, l&m, o&p]

Title: [The Little Family]
Description: Arthur W. Little is holding his son, Arthur H. (3 1/2 years old) on his lap. His wife, Martha is holding their son, William A. (2 years old) who is sitting on a table. Both boys are wearing the same patterned clothes. Arthur Little was a successful Philadelphia silk goods merchant. Martha may be pregnant., Cased photographs retrospective conversion project., Pad: Purple velvet embossed Root's Gallery 140 Chestnut St. Philada., Mat: Ornamented octagonal., Case: Leather. A small circle is within a larger circle. Both are enclosed within an ornamented diamond. Octagonal border. No design on verso. Accompanied by manuscript note: Taken about 1850. Mr. & Mrs. A.W. Little. & sons. Arthur H. 3 1/2 years. Wm. A. 2 [years]., LCP Annual Report for 1997, pgs. 47-48 for a description of this daguerreotype and information about Marcus A. Root, as well as conjecture of Martha Little's pregnancy.
Creator: Root, M. A. (Marcus Aurelius), 1808-1888, photographer
Date: ca. 1850
Location: Library Company of Philadelphia | Print Department Cased photos [P.9529]

Title: [Portrait of an unidentified young woman in a patterned dress with a child in her lap.]
Description: Cased photographs retrospective conversion project., Pad: Faded bugundy velvet. Urn in the center, large scrolls at corners., Mat: Modified nonpareil., Case: Leather. A young woman is in the center holding a large spray of flowers and leaves. Fancy scrolls are all around. Swirling lines on back. The design of the case is called Maiden with Cornucopia and is plate 163 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Produced in quantity, ca. 1851., Gift of Mrs. A. Douglas Oliver, August 22, 1977., Reference: CRH/1978. Source to be identified.
Date: ca. 1850
Location: Library Company of Philadelphia | Print Department Cased photos [8326.F.6]

Title: Primrose The celebrated piebald boy, a native of the West Indies; publicly [sic] shewn in London 1789
Description: Full-length portrait of John Richardson Primrose Bobey, a young Black man with the pigmentation disorder vitiligo, born enslaved in Jamaica, and inspected and exhibited as a specimen of science throughout England. Shows the young man standing on a shoreline. He stands with palm trees in the distance. He is dressed in a loincloth knotted on his left hip and adorned with tassels. White patches are visible on his legs, torso, and down the center of his head. In his right hand, he holds up a captioned portrait broadside of himself as a boy and points to it with his left hand bent at the elbow and from in front of his waist. The broadside depicts the very young Bobey with primarily white skin above text reading "A Child born at Gros Islet, in the Island of St. Lucia, of Black Parents, Taken from a model of the infant colored from nature," and at the museum of T. Pole, Surgeon, Grace Church, in London." In adulthood in London, Bobey advocated for his freedom from enslavement and was a proprietor of a menagerie and a member of several societies, including the Free Masons., Title from item., Manuscript note on recto: Presented T. Pole Surgeon, London, to the Library of Philadelphia., Publication information inferred from broadside illustrated in image and address of London publishers Wm. Darton & Jos. Harvey., Noted in LCP Minutes, v. 3, p. 230-231., Biographies of sitter in Karl Pearson, A monograph on Albinism (London: Cambridge University Press, 1911-1913) and William Granger, The new wonderful museum, and extraordinary magazine: ... (London: Printed for R.S. Kirby, 1804), v. 2, p. 711-714., Pole, a Philadelphia-born Quaker physician, was also an artist who illustrated his own text "An Anatomical Instructor, an Illustration of the Modern and Most Approved Methods of Preparing and Preserving the Different Parts of the Human Body, and of Quadrupeds, by Injection, Corrosion, ... (London, 1790)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Descripton revised 2021., Access points revised 2021., Gift of Thomas Pole, 1790., RVCDC
Date: [ca. 1789]
Location: Library Company of Philadelphia | PRINT. *portrait prints - Primrose [901.F.27]

Title: "Father, I cannot tell a lie: I cut the tree"
Description: Genre scene of the fictitious moment when the young George Washington confesses to his father, Augustine, a plantation owner, that he cut a cherry tree on their Virginia plantation. Depicts Washington's father holding his son's hand and comforting him. George looks up at his father and points his left hand towards the cut tree in the right. On the ground is an ax and an upturned hat. In the background, an enslaved African American man plows the pasture with a team of oxen, and an enslaved African American man and woman couple stands near the gate of a cottage, probably their dwelling., Title from date., Date based on the active dates of engraver., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021.
Creator: McRae, John, engraver
Date: [1860]
Location: Library Company of Philadelphia | Print Department **GC - Washington [8384.F.16]

Title: Charley A slave boy from New Orleans
Description: Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Charles Taylor. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Taylor, son of his enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Probably by Philadelphia photographer James E. McClees., Title from item., Date inferred from content., In McAllister scrapbook of Civil War Portraits. (LCP Print Room (1)Uy 5 5775.F.15). McAllister Collection, gift, 1886., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department Civil War Portrait Scrapbook album [(1)Uy 5 5775.F.15]

Title: "Nick Biddle" Of Pottsville, Pa., the first man wounded in the Great American Rebellion, "Baltimore, April 18, 1861."
Description: Half-length portrait of the older African American volunteer Union soldier, attired in uniform. Biddle, a freedom seeker, sustained his wound - a gash to the head - as his troop, the Washington Artillerists, en route to defend the Capitol, was violently harassed by secessionists., Title from item., Forms part of: McAllister scrapbook of Civil War Portraits. [(1)5775.F]. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department portrait prints - McAllister Civil War scrapbook of portraits [(1)5775.F.8]

Title: Plan of the United States dry dock, at Philadelphia, on the new system of the sectional floating dock, basin, & railways, now constructing by contract with Mess. Dakin & Moody Area available for docking in the plan 350 by 90 feet, 31, 500 square feet. Area available for docking in the U.S. dry dock at Norfolk, 210 by 60 feet, 12, 000 square feet. It will be observed that area available for docking in this dry dock is twice and a half greater than in the U.S. stone dry dock at Norfolk, enabling the former to receive a vessel covering twice and half as much space as the utmost limit of the latter. It will also be observed that the efficiency of the Norfolk dock, is limited to docking one ship of the line at a time, of about 200 feet in length, whereas the new Philadelphia dock, will be able to dock three war steamers of 350 feet in length each, and ten ships of the line all at the same time. The Norfolk dock cost $962, 459 and the cost of one on that plan capable of taking only one vessel 350 by 90 feet, estimated on the same basis would be $2, 406, 147 or about three times the contract price of the Philadelphia dock
Description: Plan showing the future dry dock at the first U.S. Navy Yard established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801 on the Delaware River in Southwark. A three-masted frigate rests in dry dock on land and a three-masted sidewheeler rests in dry dock on the floating dock in the river. Two workers stand on the deck of the sidewheeler. Between the frigates, completed hulls are visible in four storage bays. Across from the bays, a hull under construction rests in scaffolding. Tools and machinery lay near the hull. In the background, a worker hauls wood by horse-drawn cart in front of the naval yard factory. Also includes cityscape and Spark's shot tower. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Not in Wainwright., Published in Sketch of the plans, present condition, and proposed results of the United States dry docks at the Navy Yards of Philadelphia, Kittery, and Pensacola: ... (New York: P. Miller & Son, 1849)., Philadelphia on Stone, POS 609, Historical Society of Pennsylvania: Bc 57 P 544
Date: [1849]
Location: Historical Society of Pennsylvania HSP Bc 57 P 544

Title: View of the launch of the U.S. ship of war Pennsylvania From the Navy Yard at Philadelphia, July 18th 1837
Description: View showing several spectators on vessels in the Delaware River watching the launch of the largest sailing ship built to that date by the U.S. Several tall ships, rowboats, and sailboats filled with spectators congest the river as the ship glides out from its storage house. In the background, cityscape is barely visible behind the several masts of the spectator ships. Pennsylvania, one of nine ships authorized by Congress in April 1816 to carry at least 74 guns, was designed and built 1821-1837 by Samuel Humphreys in the Philadelphia Navy Yard. The ship remained in service until 1842 when she became a receiving ship for the Norfolk Navy Yard, where she was burned at the onset of the Civil War. The first U.S. Navy Yard was established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801 in Southwark. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Philadelphia on Stone, POS 803, Historical Society of Pennsylvania: Bc 56 Penna 381
Creator: Lehman, George, d. 1870, artist
Date: [1837]
Location: Historical Society of Pennsylvania HSP Bc 56 Penna 381

Title: In defence [sic] of the Union and the Constitution. [certificate]
Description: Certificate, containing an allegorical scene, issued in recognition of the military service of Pennsylvania volunteers during the Civil War. Shows the female allegorical figure of Columbia (i.e., United States), her head covered by the American flag, holding laurel wreaths and the Constitution in her outstretched hands, as she stands over a woman huddled on the ground with her children. To the left, a soldier, holding a rifle, stands on his guard, in front of them, while at his feet lay the ruins of a cannon. In the background, Independence Hall, cityscape, and the masts of ships are visible. Also includes a gold border with ornamental details, American eagles, and a variation of the Pennsylvania state seal., Philadelphia on Stone, POS 371, Historical Society of Pennsylvania: Bc 525 S 395, Muringer, a French-born lithographer, was probably the father-in-law of Christian Schussele who was married to still life artist Cecelia Muringer Schussele.
Creator: Muringer, Caspar, artist
Date: c1861
Location: Historical Society of Pennsylvania HSP Bc 525 S 395

Title: Scott Legion of the City of Philadelphia [certificate]
Description: Certificate containing vignettes and a scene related to General Winfield Scott and the Mexican American War (1846-1848). Vignettes show a portrait of the older Scott, attired in his uniform, bordered by the American and Pennsylvania flags, the American eagle, and medals. Below, on each side of the portrait, two young members of the Scott Legion, in uniform, stand, with rifles, on pedestals inscribed with the names of Scott's victorious battles during the war. Scene depicts soldiers in battle and charging a fort on a hillside in the presence of the "Scott Legion" monument (located in Glenwood Cemetery, Philadelphia, Pa.). The monument, visible behind a decorative wrought iron fence, contains an eagle and the seal of Pennsylvania, and was erected in honor of legion members who had died since the war with Mexico. Also includes greenery native to Mexico, including plam trees and cactus. The Scott Legion, a social organization formed in 1850 in Pennsylvania, was comprised of a membership of Mexican War veterans who received an honorable discharge., Not in Wainwright, Issued for honorary membership on Novr. 21st, 1865 to Alexander Henry, Mayor of the city of Philadelphia. John Motz, secretary. Chas. A. Jones, president., Philadelphia on Stone, POS 684, Historical Society of Pennsylvania: Bc 524 P 641, Pilliner operated from Seventh and Chestnut streets in 1859., Inscribed on verso: Bayard Henry Feb. 20, 1913.
Creator: Pilliner, Frederick J.
Date: [ca. 1859]
Location: Historical Society of Pennsylvania HSP Bc 524 P 641

Title: West Chester Public School. Sanford Culver, principal
Description: Winter view showing heavy street and pedestrian traffic in front of the school house. On the sidewalk, men shovel snow, boys play, a man tethers his horse, and a cluster of girls walks to school. In the street, two boys with a sled try to hitch a ride at the rear of a moving horse-drawn sleigh and a man on horseback and another in a sleigh stop to talk to a boy and man interrupted from shoveling and sweeping snow. Sheds and smaller buildings, including one with a marker dated "1848" surround the main school building., Not in Wainwright, Philadelphia on Stone, POSP 273, Historical Society of Pennsylvania: Bc 46 W 522
Creator: Taylor, Charles C., artist
Date: [ca. 1855]
Location: Historical Society of Pennsylvania HSP Bc 46 W 522

Title: Mishlers Garden Gold and sodium will cure all kinds of female complaints. To purify the blood it is warranted. Dr. Benjamin Mishler, Centre Square, Lancaster, Pa
Description: Advertisement showing the medicinal garden of patent medicine dealer Benjamin Mishler. A family and couple stand near the arched entrance of "Mishlers Garden" between two red stone buildings, possibly offices. Past the arch, women enter an enclosed promenade running through the center of the garden of trees, roots and plants. A yellow fence surrounds most of the property, except a section that is bordered by Lion Brewery, possibly another user of the garden. Also contains two promotions signed by S. H. Warwick, 324 N. Eighth St., Philadelphia offering $500 to any "graduated physician" who has a better cure than Mishler's Preparation of Gold and Sodium to "purify the blood" or treat "Syphilis, Scrofula, and Leprosy.", Not in Wainwright, Philadelphia on Stone, POSP 148, Historical Society of Pennsylvania: Bc 39 M 678
Date: [ca. 1874]
Location: Historical Society of Pennsylvania HSP Bc 39 M 678

Title: Independence Hall. Philadelphia 1876
Description: Busy street view showing Independence Hall during the year of the Centennial Exhibition, a celebration through an international exhibition of industry, agriculture, and art for the centennial of the United States. Independence Hall was built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut); Congress Hall built 1787-1789 (540-558 Chestnut); and the Public Ledger Building built 1866-1867 (600-606 Chestnut). Pedestrians and horse-drawn vehicles, including carriages, coaches, and street cars, congest the sidewalks and roadway. Couples and families promenade, a man and women travel on horseback, and a man carries a sack over his shoulder. American flags adorn most of the buildings. Also shows, in the foreground, the building at the northwest corner of Fifth and Chestnut streets (501 Chestnut) tenanted by J. E. Johnson & Co., hatter; Russell & Russell, law & collection office; Baird & Russell; and Miley's Bowling Saloon. in front of the building, a man buys a paper from one of two newsboys as another runs toward him. Another man stands in the doorway next to a display window. Building adorned with an awning advertising underwear and fine shirts. A vignette showing the Liberty Bell is printed above the image., Not in Wainwright, Philadelphia on Stone, POS 379, Historical Society of Pennsylvania: Bc 47 P 765, Thomas Hunter published several variant views, including folio-size prints commissioned in 1874 by the Centennial Board of Finance, of the Centennial Buildings after the official plans of the structures.
Creator: Poleni, T. (Theodore), 1834-1889?, artist
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 47 P 765

Title: Music, blank books, and stationery store, of M. H. Traubel 323 Federal St. Camden N.J
Description: Advertisement for the stationery store of Traubel, who also operated a lithographic studio in Philadelphia. Contains a whimsical border comprised of female figures interspersed among cherubs, vines, and foliage. The women play instruments, including a harp, cello, and tambourine in addition to hold stationery. Border also includes a banner reading "Papeterie de Luxe Timber.", Not in Wainwright., Philadelphia on Stone, POSA 64, Historical Society of Pennsylvania: Ba 61 T 693a
Creator: Traubel, M. H. (Morris H.), 1820-1897
Date: [ca. 1861]
Location: Historical Society of Pennsylvania HSP Ba 61 T 693a

Title: Washington. [label] Full madder colors. No. Yds
Description: Packing label, probably for Washington Mills, the Gloucester, New Jersey textile factory, established by David S. Brown in 1844, which specialized in imprinted textiles. Contains a full-length portrait of George Washington, leaning on his horse and holding a piece of correspondence inscribed "Washington victory is ours. Paul James.", Not in Wainwright., Philadelphia on Stone, POSP 268, Historical Society of Pennsylvania: Ba 61 T 693b, LCP holds copy in John Serz Scrapbook [P.9773.49d].
Date: [ca. 1860]
Location: Historical Society of Pennsylvania HSP Ba 61 T 693b

Title: The horrible murder of the Dearing Family The above picture is a correct representation of the interior of the the barn and appearance of the murdered family as sketched by the artist shortly after the discovery of the murder, the murderer is in the act of dragging the bodies of Mrs. Dearing and the children into the adjoining corn crib, seen through the window to the right of the picture. Names of the murdered family: Christopher Dearing, aged 38 years; his wife, Julia Dearing, aged 45 years; their son, John Dearing, aged 8 years; their son, Thomas Dearing, aged 6 years; their daughter, Anna Dearing, aged 4 years; their daughter, Emily Dearing, aged 2 years; his niece [sic], Elizabeth Dolan, aged 25 years; and Cornelius Cary, aged 17 years
Description: News print showing the Philadelphia family murdered by their farmhand Anton Probst at their farm at Jones Lane in South Philadelphia on April 7, 1866. Probst, his face partially covered by the wall above the passageway, drags the body of one of the boys through it to the crib. The goateed murderer drags the boy by his feet, face up, from the pile of corpses laying on the hay covered floor. To the left of the image, Mrs. Dearing lays face down and covered by the bodies of her older children, who lay face up and with slit throats. Her hand is outstretched and resting on the baby, whose throat is also slit. To the right, in front of a barrel below a window, Mr. Dearing lays face up, a slit in his throat, his face covered by hay, and next to family friend Miss Dolan. She lays face down, her arms outstretched and her cross visible from beneath her body. Also shows, a pitchfork and ax propped against the wall in the background across from an opening to another section of the barn where cows stand in stalls. The murdered farmhand, Cary, is not depicted. Probst, a German immigrant and swindler, was a disgruntled former farmhand of the Dearings who murdered the family by hammer and ax for revenge and money. He was convicted in May 1866 and executed the following month at Moyamensing Prison for the largest murder in Philadelphia at that time., Not in Wainwright., Philadelphia on Stone, POS 361, Historical Society of Pennsylvania: Bb 892 D 285
Date: [1866]
Location: Historical Society of Pennsylvania HSP Bb 892 D 285

Title: Interior View of L. J. Levy & Co's Dry Goods Store, Chestnut St. Phila Erected in 1857 by W. P. Fetridge, Esqr. 55 Feet Front & 175 Feet Deep
Description: Advertisement showing the interior of the two-level dry goods store containing a parquet floor and Corinthian columns, and busy with customers at 809-811 Chestnut Street. Men and women patrons mill around and stop at the display counters, one centrally located and the other against the wall. Compartments of textiles line the wall to the right and a women clerk pulls a bolt of cloth as another assists a female customer accompanied by her stylishly dressed daughter. A couple with a child talks with a female clerk at the large C-shaped central counter lined with stools that encloses an island of shelves displaying dry goods. Three men convene near a woman talking to a teller behind a partition to the left. People ascend and descend the semi-circular staircase to the second floor balcony from which bolts of cloth, most with patterns, hang. Two large windows covered with drapes and a chandelier is visible on the upper floor that is also adorned with ornate lamps., Ms note on recto: 809/15 Chestnut St. Taken S. V. Henkels., Philadelphia on Stone, POS 387, Historical Society of Pennsylvania: Bc 38 L 668, Free Library of Philadelphia: Oversize Philadelphiana -Stores and Shops - Levy. (2 copies) FLP also holds original watercolor. (Oversize Philadelphiana -Stores and Shops - Levy)., Fetridge was a New York publisher.
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 38 L 668

Title: [Fairmount Water Works near Philadelphia]
Description: View from the floodgates, i.e. race bridge, looking toward the eastern side of the water works that were originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Shows several park visitors on the bridge who observe one another. Includes couples on promenade; a boy with a hoop; a woman watching two men converse about a sheet of paper; and a family whose daughters meekly peer at an African American couple. Two dogs bark in the direction of the African American woman who sits next to her companion who stands. Pedestrians stroll on the promenade of the mill house, swans glide on the water, and the gazebo on Reservoir Hill is visible. Also shows the engine house, signage advertising "Soda Water, "and the William Rush statuary adorning the works, including "Mercury" atop the gazebo and "Schuylkill Freed" and "Schuylkill Chained" adorning the mill house., Title from duplicate in the collections of the Free Library of Philadelphia., Philadelphia on Stone, POS 236, Historical Society of Pennsylvania: Bb 88 F 331, Free Library of Philadelphia: Castner 30:88. Includes publishers' imprints: "Philadelphia published by Fenderich & Wild Callowhill St. No. 215" and "New York published by Thomas Cotrel No. 97... [portion missing]", Charles Fenderich and John Caspar Wild partnered as lithographers from 1833 to 1834., Lower left corner missing, repaired, and retouched.
Date: [ca. 1833]
Location: Historical Society of Pennsylvania HSP Bb 88 F 331

Title: Bird's eye view of Centennial buildings Centennial Station of Philada. & Reading R.R
Description: Tradecard for the Philadelphia & Reading Railroad showing a view looking west toward the exhibition grounds in West Fairmount Park. Includes the Centennial station (in the foreground), the Main Building, Machinery Hall, the Art Gallery (Memorial Hall), Judges Hall, Ladies Pavilion, U.S. Government Buildings, Horticultural Hall, Agricultural Hall, George's Hill, and the 24th Ward reservoir. Also shows a train approaching the station. Contains train schedule and ticketing information on the verso. Several of the depicted buildings were built after the designs of Henry Petit, Hermann Schwarzmann, and Joseph Wilson. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Copyrighted in Washington, D.C., Philadelphia on Stone, POS 47, Historical Society of Pennsylvania: Ba 8 C 3924.3
Date: c1876
Location: Historical Society of Pennsylvania HSP Ba 8 C 3924.3

Title: Washington and Lafayette Benefical Society Incorporated April 12th 1825
Description: Membership certificate containing a scene showing the December 31, 1777 meeting between Marquis De Lafayette and General Washington during the American Revolution. On the banks of the Delaware River, under the watch of guards, Washington attended by his officers extends his hand to the young Franch Major General who is accompanied by his two officers. The men stand in front of a row of tents beside which a band of uniformed militia stand near an armed frontiersman and Native American witnessing the event. In the background, militia troops drill and ships sail on the Delaware. Also contains a vignette showing a society member in his sick bed attended by his wife and fellow members. The seated men talk and sit at a table playing cards as the ailing man's son, holds a hoop, and cries at the foot of the bed. Vignette bordered by two posted schedules of the month, day, and hour of "Stated Meetings" for the year that is also printed with the notice that "The Roll shall be called precisely 30 Minutes after the time above specified. Also includes the American eagle holding a shield marked with the incorporation date of the society., Not in Wainwright., Philadelphia on Stone, Historical Society of Pennsylvania: Bc 983 Q 3
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1845]
Location: Historical Society of Pennsylvania HSP Bc 983 Q 3

Title: Cathedral of St. Peter & St. Paul, Logan Square Philadelphia Pa
Description: Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Includes the adjacent "Episcopal Residence" and "Seminary of St. Charles Borremes" (i.e., Borremeo). Several pedestrians, including couples on promenade, walk on the sidewalk in front of the buildings. Parishioners ascend the steps of the cathedral, and a woman and child cross and horse-drawn carriages travel in the street. The Borremeo seminary operated from Eighteenth Street from 1839 until 1871 when it move to Overbrook., Philadelphia on Stone, POS 85, Historical Society of Pennsylvania: Bc 131 C 363
Creator: Boell, William
Date: 1864
Location: Historical Society of Pennsylvania HSP Bc 131 C 363

Title: St. Augustine's Church
Description: Exterior view showing the Romanesque-style Catholic church built in 1801 after the designs of Douglas Fitzmaurice Fagan at 260-262 North Fourth Street. Includes the tower built in 1829 after the designs of William Strickland. Several parishioners, including men, women, and children, congregate in small clusters on the sidewalk in front of the church. Also shows the adjacent church courtyard protected by a stone wall and surrounding buildings, including one with an awning. The congregation formed in 1796 under Father Matthew J. Carr to serve the large German and Irish immigrant community residing in the northern sections of the city. The church was razed during the Nativist Riots of May 1844., Philadelphia on Stone, POS 705, Historical Society of Pennsylvania: Ba 131 S 133, Free Library of Philadelphia: Castner 22:27, lacking imprint.
Creator: Lehman, George, d. 1870, artist
Date: 1830
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Ba 131 S 133

Title: View of Chestnut Street between 8 & 9 sts. (south side,) Philadelphia
Description: Busy street view showing businesses on the 800 block (802-824) of Chestnut Street. Majority of the storefronts show merchandise displays in the windows. Includes a storefront to let (800); Lewis Ladomus & Co., watches, jewelry & silver ware (802); Theodore H. McCalla, hats and caps (lower floor) and A. F. Lupus, morocco cases "upstairs" (804); Anthony Mustin, trimmings (806); Charles Dummin, importer, musical instruments, fancy goods & toys (812); J.W. Scott, gentleman's furnishing store and shirt manufactory (814); James S. Earle & Son, looking glasses & picture frames (816); Root Photographic Gallery operated by Dr. Bushnell and Ladd Webster & Co., sewing machines (818); Caldwell & Co., jewelers (822); and the Continental Hotel tenanted by Charles Stokes, "First Class Clothing One Price" and "Made to Order Short Notice," Charles Oakford & Sons, "hatters, furriers, hats, caps, cans [sic] & umbrellas, gentleman's furnishing goods" (near the ladies entrance of the hotel) and Frederick Brown Jr., druggist (824-838). Hotel also includes window shades for an unidentified store advertising watches and jewelry. In the foreground, heavy street and pedestrian traffic is visible in front and across from the storefronts. Several horse-drawn vehicles travel in the street past the sidewalks congested with pedestrians. Pedestrians include a newspaper boy, couples on promenade, a gentleman escorting two ladies greeting another gentleman, and patrons looking at store windows and entering the businesses., Vehicles include a "Chestnut & Walnut Sts." omnibus, horse-drawn carriages, a partially unloaded dray, and a Farrel & Herring (safe manufactory) delivery wagon drawn by three horses. Also shows men waiting at the main entrance of the hotel, mannequins attired in suits displayed outside of Stokes, and a model eagle holding a watch adorning the roof of the store of Ladomus., Philadelphia on Stone, POS 786, Historical Society of Pennsylvania: Bc 87 C 525a, Print torn in two.
Creator: Boell, William
Date: 1860
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Bc 87 C 525a

Title: St. Mark's Church Philadelphia
Description: Exterior view of the Gothic-style Episcopal church built 1848-1851 after the designs of John Notman at 1607-1627 Locust Street. A woman and child enter the sanctuary and a couple and gentleman walk on the sidewalk. Also shows a partial view of the adjacent parsonage., Philadelphia on Stone, POS 712, Historical Society of Pennsylvania: Bc 132 S 146
Creator: Mackintosh, Roy, artist
Date: [ca. 1850]
Location: Historical Society of Pennsylvania HSP Bc 132 S 146

Title: St. Clement's Church. Philadelphia
Description: Exterior view showing the Romanesque Revival style Episcopal church, including a never completed tower, built 1855-1859 after the designs of Philadelphia architect John Notman at 2000-2030 Cherry Street. A man climbs the steps to the entrance of the building, a couple walks nearby on the sidewalk, and a woman crosses the street near a handsome horse-drawn carriage transporting passengers. Trees and ironwork fencing surround the church., Philadelphia on Stone, POS 706, Historical Society of Pennsylvania: Bc 132 S 136
Date: [ca. 1858]
Location: Historical Society of Pennsylvania HSP Bc 132 S 136

Title: St. David's Church. Manayunk
Description: Exterior view showing the Gothic-style Episcopal church built in 1832 at St. David's and Dupont streets. Headstones are visible in the adjacent church graveyard. Also shows a solitary headstone under a tree in the right foreground. A picket fence surrounds the property. The building was enlarged in 1857 and destroyed by fire in 1879. Church was rebuilt in 1880. The congregation, established in 1831, was formed from immigrant mill workers working in the burgeoning textile industry that was developing along the Schuylkill River above Philadelphia., Philadelphia on Stone, POS 707, Historical Society of Pennsylvania: Bc 132 S 1363
Date: [ca. 1840]
Location: Historical Society of Pennsylvania HSP Bc 132 S 1363

Title: Odd Fellows' Broadway Hall. Broad & Spring Garden Streets, Philadelphia
Description: View looking east down Spring Garden Street from Broad Street showing the Odd Fellows Hall at the northeast corner of Spring Garden and Broad streets (400 block N. Broad). A horse-drawn carriage is parked and another passes in front of the hall enlarged in 1853 after the designs of Samuel Sloan for the benevolent and charitable organization, the Independent Order of Odd Fellows. The roof of the building is adorned with statues representing Charity and Hope, tenets of the organization and red drapes are visible in the second floor windows. The busy street also includes a couple with their son walking their dog; a gentleman and woman on horseback; a hurried surrey; an omnibus pulled by a horse-team dressed in regalia traveling in front of the Spring Garden Institute (northwest corner Spring Garden and Broad); and men talking near the fountain completed in 1853 in the center of the block of Spring Garden. Also shows partial views of the Spring Garden Commissioners Hall (built 1848, 1300 block Spring Garden, William. L. Johnston, archt.); the Church of the Assumption (1131-1133 Spring Garden, built 1848-1849, Patrick Keely, archt.) and St. Mark's Lutheran Church (N. 13th and Spring Garden, built 1850-1851, John McArthur, Jr., archt.)., Manuscript note on verso: Mr. Rinear 1/2 [cent] silver. $1.50 called for., Philadelphia on Stone, POS 517, Historical Society of Pennsylvania: Bc 051 B 863, Trimmed.
Creator: Rease & Schell
Date: [ca. 1855]
Location: Historical Society of Pennsylvania HSP Bc 051 B 863

Title: Odd Fellow's Hall Philadelphia
Description: View showing the four-story marble building for the benevolent and charitable organization built 1845-1846 after the designs of William L. Johnston at Sixth Street below Race Street. A young man sits and gestures near the entranceway of the hall. A number of pedestrians walk and stand on the sidewalk surrounding the building. Foot traffic includes a boy rolling a hoop, a little girl with a parasol, an older gentleman conversing with a Quaker, and a boy in a military uniform providing directions. Also shows partial views of adjacent buildings. The I.O.O.F. was established in Philadelphia in 1821., Philadelphia on Stone, POS 516, Historical Society of Pennsylvania: Bc 051 J 73
Creator: Colen, John H., artist
Date: [1847]
Location: Historical Society of Pennsylvania HSP Bc 051 J 73

Title: Francis Bacon & Co.'s coal yard. Spruce Street Wharf, Schuylkill Philadelphia Vessels loaded with dispatch, by steam power. Office no. 53 South Fourth Street
Description: Advertisement showing the busy coal yard along the Schuylkill River. Yard workers haul cauldrons of coal by pulley and load and transport trucks on a multi-level wharf elevated above and surrounded by piles of coal. A schooner docked near two long boats at the end of the wharf receives a haul of coal from two chutes. A skiff and rowboat flank the boats. Opposite the schooner, a man sails a skiff named "Go On" past a tugboat. Signage for the coal yard is visible behind the tug and several industrial buildings line the wharf in the background. Bacon & Co. operated from the wharf address 1853-1854., Philadelphia on Stone, POS 273, Historical Society of Pennsylvania: Bc 76 R 288
Creator: Rease, W. H., artist
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bc 76 R 288

Title: Mount Joy Car Manufacturing Co Manufacturers of steam_engines, rail_road_cars, thrashing_machines, castings and machinery in general. Located in the borough of Mount Joy, Lancaster County, Pennsylvania
Description: Advertisement showing the busy factory complex of several red brick buildings, including one with signage reading "Mount Joy Car Manufactory." Laborers load wagons with machinery parts; haul crates by hand, cart, and truck; unload coal; and move wood slabs. At the opposite corner to the factory, near a fenced lot, a woman with her excited son, watch the two agitated horses of a buggy passing them near a couple and a man on horseback in the street. Also shows a train traveling behind the factory in the background., Not in Wainwright., Philadelphia on Stone, POS 489, Historical Society of Pennsylvania: Bc 35 M 928, Mifflin Fund. February 5, 1958.
Creator: Stauffer, Jacob, b. 1808, artist
Date: [ca. 1855]
Location: Historical Society of Pennsylvania HSP Bc 35 M 928

Title: Murphy & Allison Car builders. 1908 Market Street, Philadelphia
Description: Advertisement showing the busy "Car Factory & Bolt Nut & Washer Works," of John Murphy and J. C. Allison, also proprietors of the Girard Tube Works, who established a partnership in 1851 at 1908 Market Street. A completed rail car and a horse-drawn double decker omnibus depart from the sign-covered factory and "Office of the Girard Tube Works." A worker labors on a rail car in an upper window, a man on horseback stops near the entrance to the "Blacksmith Shop," and clusters of pedestrians walk in front of the works. A small crowd flanks the omnibus that is adorned with illustrations of rail cars as it leaves the factory bay. In the foreground, men and boys, across from two men shaking hands, inspect an ornately painted "City Passenger R.R." car on display in the street in front of the factory. Nearby, a boy admires an elegantly dressed lady while a newsboy hawks a paper to a gentleman on promenade with two ladies who pass a woman, possibly attired in mourning garb. Murphy & Allison assumed proprietorship of Girard Tube Works, manufacturer of wrought iron gas tubes, in 1856 and began construction of cars for the City Passenger Railways circa 1857. The firm made several improvements to the cars including adding more head room and lamps to the center of car roofs and in front of the overshoots., Not in Wainwright., Annotated in stenciled letters below title: DESTROYED BY FIRE SATURDAY MAY 3. 1863 AT 3-AM., Philadelphia on Stone, POS 494, Historical Society of Pennsylvania: Bc 35 M 978, Label pasted on verso: Purchased at auction from Freemans May 20, 1959 Library Fund., Rease, a prolific lithographer of advertising prints, relocated his studio to 4th and Chestnut in 1857.
Creator: Rease, W. H.
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 35 M 978

Title: Leedom, Shaw & Stewart. Philadelphia Carpet Mills. Office and Warehouse 635 Market St Manufactures of extra superfines, superfines, fines, damasks, twilled & plain venetian carpetings
Description: Advertisement showing the four buildings of the wholesale department (organized 1866) of the business established by Thomas Leedom and Adam Shaw in 1865. Laborers load and hoist rolled carpets into company wagons and carts in the street and in a courtyard. Carpets dry on racks on the roof of a small building bordering the courtyard. Also shows street and pedestrian traffic, including horse-drawn wagons hauling crates, barrels, and wood slabs, and several pedestrians on promenade. Robert and Arthur Stewart joined the firm in 1869, which remained in business until 1885., Not in Wainwright., Philadelphia on Stone, POS 433, Historical Society of Pennsylvania: Bc 35 L 484, Longacre & Co. operated at 30 & 32 S. 7th Street in 1871.
Creator: Blanc, Albert, artist
Date: [ca. 1871]
Location: Historical Society of Pennsylvania HSP Bc 35 L 484

Title: Richard Norris & Son builders Philadelphia Express passenger locomotive
Description: Shows the colorfully-painted steam locomotive adorned with the maker plate "Richard Norris & Son 1856" that was built for the railway to Sagua La Grande, Cuba. An engineer with mustache and wide-brimmed hat operates the train engine traveling tracks running through tropical scenery. Locomotive also contains a full-length portrait of a woman on the lantern attached to the smokestack. Richard Norris assumed operations of the Norris Locomotive Works from his father, William, circa 1841., Not in Wainwright., Philadelphia on Stone, POSP 195, Historical Society of Pennsylvania: Bc 6741 N 861b, Brett operated from 6th & Minor streets in 1858.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1858]
Location: Historical Society of Pennsylvania HSP Bc 6741 N 861b

Title: H. R. Campbell's patent locomotive engine
Description: Shows the 4-4-0 design locomotive patented by Campbell, the chief engineer of the Philadelphia, Germantown, and Norristown Railway in 1836. The locomotive is depicted on a section of track. The 4-4-0 design, known as the American type, has a two-axle bogie to help guide it into curves, and two driving axles coupled by a connecting rod., Not in Wainwright., Philadelphia on Stone, POSP 103, Historical Society of Pennsylvania: Bc 6741 C 188
Date: [ca. 1836]
Location: Historical Society of Pennsylvania HSP Bc 6741 C 188

Title: Stewart's fat steer The largest steer in Pennsylvania is a Roan Durham, 6 years old, weighs 4000 lbs. and is owned by T. Seitz of Cumberland Co. Length. 10ft 11 in. Height 6 ft. 3 in. Round the girth. 9 ft. 11 1/2 in. Round the kidneys, 9 ft. 10 in. round the breast, 9 ft. 9 in. Across the rump, 3 ft
Description: Animal portrait showing the flank side of the humongous steer. The beast stands in a fenced pasture in front of a man, possibly his owner. The steer's head and neck obstruct the view of the man's mid-section., Not in Wainwright., Copyrighted by Wm. Leeds., Philadelphia on Stone, POSP 244, Historical Society of Pennsylvania: Bc 65 C 368, Duval and Hunter was a partnership between Stephen Orr Duval (P.S. Duval’s son) and Thomas Hunter that lasted from P.S. Duval’s retirement in 1869 until 1874., Varnished.
Date: c1874
Location: Historical Society of Pennsylvania HSP Bc 65 C 368

Title: Diploma awarded by the Lebanon County Agricultural and Horticultural Society
Description: Fair certificate containing an ornate border with seven vignettes related to agriculture and horticulture. Vignettes show a small herd of sheep; a farmer at his plow; a group of cattle; a town hall; a pair of horses; an iron worker with his assistant at a forge (resembling John Neagle's "Pat Lyon at his Forge"); and a gathering of barn animals. Animals include a pig, chickens, ducks, geese, and a turkey. Border also includes farm produce such as squashes, cherries, grape vines, herbs, and plants in addition to agricultural and farm implements, including a butter churn, rake, hoe, basket, pitcher, pail, sickle, shovel, and an ax. Also contains a vignette showing the coat of arms of Pennsylvania including the banner "Virtue, Liberty and Independence.", Not in Wainwright., Issued October 8, 1858 to Mrs. S. B. Lehman for greatest variety verbena. Sawr. Rightmeyer, Secretary. Simeon Guilford, President., Philadelphia on Stone, POSP 54, Historical Society of Pennsylvania: Bc 65 D 956
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1858]
Location: Historical Society of Pennsylvania HSP Bc 65 D 956

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: Episcopal Hospital (Late Leamy estate)
Description: View showing the hospital, also known as the "Bishop Potter Memorial House," opened in 1852 in the donated former residence of Philadelphia merchant John Leamy at Front Street and Lehigh Avenue in Kensington. A horse-drawn wagon departs from the hospital grounds along the landscaped oval driveway in front of the institution. Also shows two figures near the left wing of the building. The hospital, founded by Bishop Alonzo Potter as a religious institution, provided health services and religious services to individuals "without distinction of country, creed, or color" under the administration of church communicants. Residence served as the hospital until the completion of a new building at the site in 1862., Philadelphia on Stone, POS 211, Historical Society of Pennsylvania: Bd 61 P 53 #88, p. 27, Free Library of Philadelphia: Jackson Collection - J70, Part of an album of "Philadelphia Views."
Creator: Schell, Francis H., 1834-1909, artist
Date: [ca. 1858]
Location: Historical Society of Pennsylvania HSP Bd 61 P 53 #88, p. 27

Title: The monument to liberty to be erected in Independence Square, Philadelphia, designed by William W. Story
Description: View showing an unexecuted monument commissioned by the citizen's group National Commemoration Monument Association and designed by sculptor William Wetmore Story for the re-landscaping of the square for the Centennial celebration of 1876. Shows the figure of Liberty standing upon a column adorned with female allegorical figures; an eagle encircled by stars; fearsome animal heads; and floral ornaments. The monument was to be placed in the center of the square at the intersection of the main paths. In 1876, the committee asked to and was allowed to be released from a city ordinance, passed in March 1875, that required them to raise $50,000 for the erection of the monument and the project effort apparently dissolved., Not in Wainwright., Philadelphia on Stone, POS 483, Historical Society of Pennsylvania: Bc 632 S 888
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 632 S 888

Title: View from West Laurel Hill Cemetery. Near Philadelphia, Pennsylvania
Description: View looking south from the rural cemetery established near the Schuylkill River valley in 1869 at 227 Belmont Avenue in Bala Cynwd. Shows a couple seated at a path. Behind them stand a small cluster of monuments in a meadow surrounded by trees that overlooks the river. The Girard Avenue and New York Connecting Railway bridges are visible in the distant background., Not in Wainwright., Philadelphia on Stone, POS 783, Historical Society of Pennsylvania: Bc 631 La 373, The Kellogg firm, founded by Daniel Wright Kellogg in 1830, was reorganized as Kellogg & Bulkeley in 1871 when General William Henry Bulkeley joined the company.
Date: [ca. 1871]
Location: Historical Society of Pennsylvania HSP Bc 631 La 373

Main menu

Pages