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(3,501 - 3,550 of 3,572)
- Title
- Carpenters' Hall, rear of 322 Chestnut Street
- Description
- View of front facade of hall from Carpenter's Court built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Shows a man attired in a suit, top hat, and cane standing in front of the building. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Title and brief history of the hall from photographer's printed label accompanying print., Yellow paper mount with square corners., HSP copy bears photographer's imprint: Photographed by Bartlett & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
- Creator
- Bartlett & Smith, photographer
- Date
- [ca. 1867]
- Location
- Library Company of Philadelphia | Print Department stereo - Bartlett & Smith - Associations [(8)1322.F.7f]
- Title
- Elks Convention, 1907
- Description
- View of spectators, mostly men and children, standing on the sidewalk under an awning of a building covered in patriotic bunting for the "Elks Greatest Parade" during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907., Title from manuscript note on verso., Photographer's imprint printed on recto., Buff curved mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Rau, William Herman, 1855-1920, photographer
- Date
- 1907
- Location
- Library Company of Philadelphia | Print Department stereograph - Rau - Associations [P.9275.1]
- Title
- Monitors, League Island, Philada
- Description
- Shows out of service ironclad warships docked by the Navy Department at the island at the junction of the Delaware and Schuylkill Rivers. Island opened officially as the Navy Yard in 1876., Publisher's label pasted on verso., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #148., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Newell, Robert, 1822-1897
- Date
- [ca. 1865]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Military [(8)1322.F.13b]
- Title
- View on the Delaware, Philadelphia harbor
- Description
- Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]
- Title
- View on the Delaware, Philadelphia harbor
- Description
- Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]
- Title
- View on the Delaware, Philadelphia harbor
- Description
- Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]
- Title
- View on the Delaware, Philadelphia harbor
- Description
- Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]
- Title
- View of Philadelphia harbor, Philadelphia, Pa
- Description
- Harbor scene showing a steamboat departing from a pier on the Delaware River. Includes a partial view of a docked steamboat., Photographer's imprint stamped on mount., Buff mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11g]
- Title
- Horticultural Hall, Broad Street, below Locust
- Description
- View of the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Gas lamps flank the entrance stairs and large stones are piled in the street south of the building. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Titles from printed label on paper mount., Yellow paper mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
- Creator
- Bartlett & French
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department stereo - Bartlett & French - Theaters and halls [(8)1322.F.35h]
- Title
- View of Philadelphia harbor, Philadelphia, Pa
- Description
- Harbor scene showing a steamboat departing from a pier on the Delaware River. Includes a partial view of a docked steamboat., Photographer's imprint stamped on mount., Buff mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- ca. 1860
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11g]
- Title
- Christ Church, Philada
- Description
- Rooftop view looking northwest showing the east front, south flank, and steeple of the Protestant Episcopal church built 1727-1744 at 22-34 North Second Street. Steeple constructed 1751-1754 after designs by John Harrison II and Robert Smith. Also shows the gated church yard south of the edifice and partial views of adjacent brick buildings., Title from manuscript note on verso., Photographer's imprint on mount., Green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
- Creator
- Cremer, James, 1821-1893
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department stereo - Cremer - Religion [P.9260.35]
- Title
- Pennsylvania Hospital, side view
- Description
- View looking west from the northwest corner of Eighth and Pine streets showing the hospital, founded as a mental institution in 1751 by Dr. Thomas Bond and Benjamin Franklin, built between 1755-1805 at 801-849 Pine Street. East wing built 1755-1757 after the designs of Samuel Rhoads. West wing built 1794-1796 and the center house built 1794-1805 after the designs of David Evans, Sr. and David Evans, Jr. Building altered between 1846-1853 after the designs of John McArthur and John McArthur, Jr., Contains paper label on verso listing over 100 city views published by firm., Grey mount with rounded corners., Retrospective conversion record: original entry, edited., See variant view of the hospital photographed by Robert Newell circa 1870 in Newell Album, P.9062.43b., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert and his son, Henry, was active from circa 1870 until 1897 and the death of the elder Newell.
- Creator
- R. Newell & Son, photographer
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Hospitals [P.9299.21]
- Title
- Penn Hospital Philada
- Description
- Exterior view looking north showing the center house of the hospital, founded as a mental institution in 1751 by Dr. Thomas Bond and Benjamin Franklin, built between 1755-1805 at 801-849 Pine Street. West wing built 1794-1796 and the center house built 1794-1805 after the designs of David Evans, Jr. Building altered between 1846-1853 after the designs of John McArthur and John McArthur, Jr., Title printed on mount., Photographer's imprint printed on mount., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
- Creator
- Cremer, James, 1821-1893
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - Cremer - Hospitals [P.9260.32]
- Title
- Pennsylvania Hospital
- Description
- View looking north showing the center house of the hospital, founded as a mental institution in 1751 by Dr. Thomas Bond and Benjamin Franklin, built between 1755-1805 at 801-849 Pine Street. View includes a group of men standing in front of the building. West wing built 1794-1796 and the center house built 1794-1805 after the designs of David Evans, Jr. Building altered between 1846-1853 after the designs of John McArthur and John McArthur, Jr., Photographer's label pasted on verso., Title from manuscript note on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Duplicate of P.9260.64., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert and his son, Henry, was active from circa 1870 until 1897 and the death of the elder Newell.
- Creator
- R. Newell & Son, photographer
- Date
- ca. 1875
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Hospitals [P.9260.63]
- Title
- The Centennial - George's Hill from Elm Avenue
- Description
- View from the Centennial Exhibition of 1876 depicting an African American man standing next to an occupied horse-drawn passenger cart decorated with flags and posters in front of George's Hill in Fairmount Park. The observation tower upon the hill, and several sheds, pavilions, and tents are seen in the background., Title and photographer's imprint on mount., Number 1017 in a series of views entitled: The Centennial., Manuscript note on verso: No. 21., Manuscript note on verso: Isaac Sterns Burlington, VT., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
- Creator
- Barker, George, photographer
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department stereo - Barker [P.9047.20]
- Title
- A bran new coon in town
- Description
- Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1898
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]
- Title
- Three Black crows
- Description
- Racist, satiric postcard depicting three young African American boys perched from oldest to youngest on a branch as "Black crows." The boys are attired in loin clothes. The middle child is crying with his hands over his eyes and falling off the branch. In the left, the oldest boy attempts to hold him up. The youngest, a baby, pats the middle child's shoulder with his right hand., Title from item., Date from copyright statement: Copyrighted, 1899., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1899
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.2]
- Title
- " Wish you'd hush"
- Description
- Racist postcard depicting an African American boy looking exasperated at the crying African American baby beside him. The children are shown from the waist up and are bare-chested. The older boy has a glistening substance around his mouth and on his cheeks. The baby holds, possibly, ice in their hands., Title from item., Publication information and date from copyright statement: Copyrighted, 1905, and published by Knaffl & Bro., Knoxville, Tenn., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1905
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.3]
- Title
- Lincoln Monument, Phila. Park
- Description
- View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- R. Newell & Co., photographer
- Date
- [ca. 1871]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Monuments and statues [P.9260.68]
- Title
- Lincoln Monument, foot of Lemon Hill
- Description
- View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Artist from duplicate print., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Phila., 1876., P.9299.100 on pink mount with rounded corners., P.2011.47.932 on orange mount with rounded corners., Monument described in Fairmount Park Association's Sculpture of a city: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990 [P.9299.100]; gift of Raymond Holstein [P.2011.47.932].
- Creator
- R. Newell & Co., photographer
- Date
- 1876
- Location
- Library Company of Philadelphia | PRINT. stereo - Newell - Monuments and statues [P.9299.100], Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park - L [P.2011.47.932]
- Title
- [Picnic on the Wilson Estate]
- Description
- View showing the Wilson Estate near Germantown in Philadelphia. Depicts the white men and women family members, some standing and some seated, dining at a table under a tent near a large tree. An African American man, attired in a white chef's hat and apron, stands in the right of the table and oversees the meal. In the right, a young white woman sits astride a horse., Title supplied by cataloger., Date inferred from content and attire of the people., Photographer's label on verso: Photographed by R. Newell, 724 Arch St., Philadelphia., Purchase 1993., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Newell, Robert, 1822-1897, photographer
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Residences [P.9439.3]
- Title
- 24th Regiment, U[nited] S[tates] C[olored] T[roops] at Camp W[illia]m: Penn
- Description
- View showing the African American 24th Regiment standing in ranks at Camp William Penn, Cheltenham Township. Two white officers stand in front of the regiment gathered next to the camp's barracks. Begun in 1863 with the support of the Union League, Camp William Penn was the first Pennsylvania camp for volunteer African American regiments. Eleven regiments were formed at the camp, including the 24th. Camp William Penn was the largest existing camp for the training of officers to lead African American troops., Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - military [P.8687.6]
- Title
- Children's goat carriage. American scenery. Central Park N.Y
- Description
- View of an open air children's goat carriage steered by an African American man coach driver in New York City's Central Park. The driver, attired in a white collared shirt, a black bowtie, a dark-collared suit, and a brimmed hat, holds the reins to two white goats with horns. Riding as passengers in the carriage are two white girls, attired in fine hats and coats. In the right background, a white woman and two children sit on a bench., Title from item., One of a series of copy issues entitled: American Scenery., Gift of Saul Koltnow, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1874]
- Location
- Library Company of Philadelphia | Print Department stereographs - unidentified - Non-Philadelphia-New York [P.9022.23]
- Title
- Slave pen on Whitehall Street, Atlanta, Ga
- Description
- View of a dilapidated building with a sign, "Auction & Negro Sales," on Whitehall Street in Atlanta. A man attired in a brimmed hat sits on a wooden chair with a rifle leaning beside him against the front of the building. Several cigar and cigarette manufactories and tobacco stores, including "F. Geutebruck Tobacco," line the dirt street., Title from item., Issued as #3608 in E. & H.T. Anthony Catalog "War of the Union" series., Original negative in the collections of the Library of Congress, Washington, D.C., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1861]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia-Georgia [5779.F.8h]
- Title
- The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907
- Description
- View of the "Elks Greatest Parade" on South Broad Street during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907. Depicts a float, a horse-drawn wagon carrying a large stuffed elk and passengers, and several costumed parade participants from various Elk Lodges throughout the country. Participants include a group dressed as minstrels in bowler hats and duster jackets and members attired all in white holding umbrellas. Spectators line the street. The south side of City Hall is visible in the distance., Title from item., Berry, Kelley & Chadwick was an early 20th century prolific publisher and retailer of stereoviews with locations in Philadelphia, Chicago, Dallas, and Atlanta., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1907
- Location
- Library Company of Philadelphia | Print Department stereo - Berry, Kelley & Chadwick [P.8451.3]
- Title
- A group of natives, Chipigana. Tropical Scenery. Darien Expedition
- Description
- Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Jarvis, J. F. (John Fillis), 1849-1931
- Date
- [1870 or 1871]
- Location
- Library Company of Philadelphia | Print Department stereos - Darien Expedition [66653.D.10]
- Title
- International live stock exhibition, Philad'a., 1876
- Description
- View of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. A number of men stand around the shed and near the cattle and look at the viewer. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mount., Date from copyright statement: Copyright 1876 by E.F. Hovey, publisher, 1113 Chestnut St. Phila., Gift of Robert M. Vogel, 1984 [P.9047.66]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereos - Hovey [P.9047.66]
- Title
- New Pennsylvania Hospital for the Insane building, Pa
- Description
- View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- [ca. 1857]
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]
- Title
- New Pennsylvania Hospital for the Insane building, Pa
- Description
- View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
- Creator
- W. & F. Langenheim (Firm), photographer
- Date
- [ca. 1857]
- Location
- Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]
- Title
- Ledger Building, Sixth & Chestnut Streets
- Description
- Exterior view from the north east showing the Public Ledger building and other commercial establishments along the south side of the 600 block of Chestnut Street. Depicts the western corner of the State House covered with theater broadsides. The Ledger building was constructed 1866-67, based on designs by Philadelphia architect John McArthur Jr., Paper label on verso listing over one hundred Philadelphia views (139-245) published by the firm., Yellow mount with rounded corners., Gift of Robert M. Vogel., Duplicate view entitled Chestnut Street, Philadelphia, from Sixth to Seventh, south side, published by R. Newell, 724 Arch St. (P.9260.65)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Newell, Robert, 1822-1897, photographer
- Date
- [1872]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - businesses [P.9047.33]
- Title
- [Chestnut Street, Philadelphia, from Sixth to Seventh, south side.]
- Description
- Street scene showing commercial establishments on the block including the Public Ledger Building. Depicts the western corner of the State House covered with theater broadsides., Title from duplicate view published as a stereograph by R. Newell, 724 Arch St. (P.9260.65)., Originally from a McAllister scrapbook., Also published as a stereoview entitled Ledger Building by R. Newell & Son, number 212 in their series on public buildings and street views (P.9047.33)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Newell, Robert, 1822-1897, photographer
- Date
- [1871]
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - streets [(6)1332.F.117d]
- Title
- Official first day of issue. Honoring Martin Luther King, 1929-1968. Distinguished civil rights leader. Recipient of the Nobel Peace Prize. Black Heritage USA Series
- Description
- ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Martin Luther King, Jr. Shows a bust-length, left-profile portrait of Martin Luther King, Jr. and a view from behind King during his "I Have a Dream" speech at the Lincoln Memorial, Washington D.C., August 28, 1963. View includes a mass of people in the background., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: "I Have A Dream.", Contains ink-stamp postmark: Atlanta, GA Jan 13 1979 3030A and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Martin Luther King, Jr. and an inset of a view of King and several men and women walking at a protest march. The King stamp issued in 1979, was the second issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Contains mailing label., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016.
- Date
- [1979]
- Location
- Library Company of Philadelphia | Print Department ephemera - envelopes - King [P.2019.80.5]
- Title
- Official first day of issue. Honoring Salem Poor, Gallant Soldier, distinguished patriot of Bunker Hill, Valley Forge and White Plains
- Description
- ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) from the "Contributors to the Cause "series issued for the United States Bicentennial. Contains illustration after John Trumbull’s historical painting based on his eyewitness account of the Battle of Bunker Hill while serving as a commissioned officer during the American Revolution. Depicts American Major General Joseph Warren’s death proceeding the Americans’ retreat from the hill and includes the figure of Salem Poor, who has also been identified as another Black soldier, Peter Salem, in the context of the painting., Title from item., Date supplied from content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: Salem Poor received commendation for his heroics during the Battle of Bunker Hill., Contains ink-stamp postmark: Cambridge, MA. Mar 25 1975 02139 and cancelled "First Day of Issue" color-printed U.S. 10-cent stamp "Contributors to the Cause. Salem Poor. Gallant Soldier" depicting a half-length portrait of Poor with a rifles in hand. Poor was an enslaved African-American man who purchased his freedom in 1769 and became a soldier in 1775., Contains printed address., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
- Date
- [1975]
- Location
- Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2022.42.3]
- Title
- Chil dren of all nations. A series of 50
- Description
- Series of pop out cigarette cards depicting waist-length portraits of children (boys and girls) of different nationalities attired in their "native" costume. Includes Arabia (boy); Australia (boy); Belgian Congo (boy); Belgium (girl); Bulgaria (boy); Burma (girl); Denmark (girl); Egypt (girl); England (boy); Greece (girl); Holland (girl); Hungary (boy); Italy (girl); Ireland (girl); Mexico (boy); Natal (girl); New Zealand (girl); Norway (girl); Palestine (girl); Patagonia (girl); Poland (girl); Portugal (boy); Rumania (girl); Russia (girl); Scotland (boy); Siam (boy); Spain (girl); Sweden (girl); Tahiti (girl); Tibet (girl); Tunis (girl); Turkey (girl); United States (girl); and Wales (girl). The Ogden Branch was originally founded by Thomas Ogden as the Ogdens Tobacco Company in 1860. In 1901, American Tobacco Company bought Ogden's Tobacco Company and it in turn was bought by Imperial Tobacco Co. in 1902. Ogden started to include cigarette cards in its packaging in 1894., Date inferred from pop out format. Series issued in 1924 as pop outs., Printed above images: Ogden's Cigarettes., Title from series title on items., Versos contain explicative statements describing the depicted children's appearance, social life, and customs., Gift of George Allen., RVCDC, Description reviewed 2022., Access points revised 2022.
- Date
- [ca. 1924]
- Location
- Library Company of Philadelphia | Print Department ephemera - Cards [P.2016.56.1-34]
- Title
- The nation honors a great American. "From slave cabin to hall of fame." Booker Washington Bookplace, Virginia. U.S. Post Office established February 12, 1948
- Description
- Illustrated envelope containing a composite image depicting a portrait of Black educator Booker T. Washington, a view of a log cabin, and a view of a classical-style building., Title and date from item., Date supplied from research and content., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Booker Washington Birthplace Va. Feb 12 1948 5PM and cancelled (Opening Day Cancellation) violet color-printed 3-cent stamp after the format of the Famous American Scientists Series of 1940 and depicting a bust-length portrait of George Washington Carver, Director of Agriculture at Tuskegee Institute., Inscribed in ink: [Pntd?] Washington Pitt [?], Addressed in type: Patricia Chapman, Newfield, N.J., Accompanied by four circulars titled: "Team Work ... by Dr. Booker T. Washington" (2 copies); "Atlanta Exposition Address Delivered by Booker T. Washington, September, 1895, Atlanta, Georgia"; and "Gems of Wisdom. Thoughts from Booker T. Washington's Philosophy That Have Rendered Invaluable Service to Mankind.", Gift of George R. Allen, 2022.
- Date
- [1948]
- Location
- Library Company of Philadelphia | Print Department *ephemera - envelopes - Nation [P.2022.42.4a-e]
- Title
- Clark's mile-end 60 spool cotton
- Description
- Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man, "Ef dat mile end thread don't hold, dere ain't anything - lucky I got a spool to mend yer old clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Stamp on the recto is illegible., See related copy: Goldman Trade Card Collection - Clark [P.2017.95.33]., Gift of George Allen, 2022., RVCDC
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Trade cards - C - Clark's [P.2022.42.7]
- Title
- Use Merrick's thread. "Gully this cotton beats 'em all!"
- Description
- Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds the pants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill, which is lined with potted plants. A candle holder rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co's best six cord soft finish spool cotton for machine & hand sewing warranted 200 yds. also these threads are made from the finest quality of combed sea island cotton, and for strength, evenness, elasticity and smoothness surpass anything in the market. By the use of the "ready wound bobbins" the annoyance of winding the iron bobbin is done away with, and a more perfect stitch obtained. When in want of more thread, don't fail to ask for Merrick's., See related copy: Goldman Trade Card Collection - Merrick [P.2017.95.122], Gift of George Allen, 2022., RVCDC
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Trade cards - M - Merrick [P.2022.42.10]
- Title
- [Young Black girl articulated paper doll]
- Description
- Paper doll of an unclothed figure of a young Black girl with moveable limbs. The girl is depicted with short, cropped, tightly curled hair, auburn eyes, and slightly smiling. A blue-beaded string necklace adorns her neck. She also wears white, above-the-ankle length socks and black "Mary Jane" shoes. The articulated limbs are attached by brass brads to a white cardboard torso, likely not the original. About the late 1880s, Littauer & Boysen (established circa 1882), a premier German chromolithographer of novelties, began to print articulated dolls for the paper box company. Dennison sold the German firm's dolls to further market its special line of tissue/crepe paper as doll's clothing. The Massachusetts company, established 1844, also manufactured shipping tags, gummed labels, and holiday tags. The firm opened a salesroom in Philadelphia in 1862. In 1898, the firm consolidated operations in Framingham, Ma. from plants in Roxbury, Ma. Brooklyn, N.Y., and Brunswick, Me. where it was originally established in 1844., Title supplied by cataloger., Manufactured and distributed by Dennison Manufacturing Company, Ma., Publication information from Mary Young, 20th Century Paper Dolls Identification and Values (Collector Books, 2006)., Date inferred from published sources, the years of operation of the publisher, and the early era of the style of footwear depicted., Purchased with funds from Walter J. Miller Trust for the Visual Culture Program., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1885-ca. 1895]
- Location
- Library Company of Philadelphia | Print Department *ephemera - paper dolls [P.2015.68.1]
- Title
- Photographing the baby
- Description
- Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
- Creator
- National Bank Note Co.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]
- Title
- M. H. Traubel, lithographer, 146 So. Eighth St., Philadelphia Whatsoever a man soweth that shall he also reap
- Description
- Trade card for the Philadelphia lithographer active ca. 1849-ca. 1880s. Shows cherubic figures sowing seeds and reaping sheaths of wheat. Also contains flying birds and vinery details. Textual elements include Gothic and cursive letters. Traubel operated from 146 South Eighth street beginning in 1881., Not in Wainwright., Philadelphia on Stone, POSA 119.1, See POSA 119, LOC proof copies of trade card., LCP copy acquired after 2010., Lib. Company. Annual report, 2016, p. 70-71.
- Creator
- Traubel, M. H. (Morris H.), 1820-1897
- Date
- [ca. 1881]
- Location
- Library Company of Philadelphia | Print Department trade card - Traubel [P.2016.24.1]
- Title
- [Mount Pleasant mansion, Fairmount Park, Philadelphia]
- Description
- View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]
- Title
- [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
- Description
- Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1895]
- Location
- Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]
- Title
- Celluloid waterproof collars, cuffs & shirt bosoms
- Description
- Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]
- Title
- Celluloid cuffs, collars & bosoms, water & perspiration proof
- Description
- Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]
- Title
- Celluloid waterproof collars, cuffs & shirt bosoms Economical, durable, handsome
- Description
- Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting racist caricatures of Chinese men laundry workers in shock when a white man holds up a box of celluloid collars and cuffs. In the left, a white man, attired in a black bowler hat, a white collared shirt, a red bowtie and waistcoat, a blue-and-white checked suit, and black shoes, stands holding and pointing his finger to a box labeled, “Wear Celluloid Cuff & Collars.” Four Chinese men laundry workers jump up in surprise on their tiptoes with their mouths open and grimacing and their queue braids flying straight up into the air. The men have long fingernails and are attired in gold hoop earrings, colorful clothes, including yellow, red, or green tunics, and yellow or blue short pants, and cloth, slip-on shoes. In the left, one laundry worker stands behind the white man with his hands in a steaming washtub. Also visible are two baskets full of laundry on the ground, a table with irons on top, and white sheets hanging on a line. The text, “The Last Invention” is printed on the bottom right., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.728]
- Title
- [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
- Description
- Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]
- Title
- Uncle Jimmie, Beaufort, S.C
- Description
- Stereograph depicting “Uncle Jimmie,” an older African American man knitting the corner edge of a mesh fishing net extended out in front of him from a pole on the porch of a wood cabin. Shows the man, with receding, short, cropped hair, seated, and in profile. He wears a white, long-sleeve, button-down shirt; dark-colored pants; and work shoes. The man, possibly Gullah, uses a flat rule and needle on the edge of the net. Behind the man, in the background, an open door to an entryway with an open window is visible. A vertical beam is also visible in the left of the image. Knitting fish net was and is one of a number of Gullah traditions (customs developed by enslaved Africans living along the Atlantic coast of South Carolina) practiced in Beaufort, S.C., Title from manuscript note on verso., Date inferred from active dates of Wilson & Havens partnership., Orange mount with rounded corners., Description reviewed 2022., Access points revised 2022.
- Creator
- Wilson & Havens, photographer
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department stereo - misc. photographer - Wilson & Havens [P.2020.38]
- Title
- Porcelain ware, Japanese Court
- Description
- View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9022.5]
- Title
- Japanese Com. Dwelling
- Description
- Exterior view of the front elevation of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Shows the front entrance and porch, wooden lattice-work on the first floor, and wooden panels on the second floor. Also shows an ornate folding screen in the front doorway. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.5]
- Title
- Japanese Com.'s Dwelling
- Description
- Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Centennial Photographic Co.
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.6]