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Title: Eine wahre Geschichte, oder eine probirte Kunst in Feuers-Gefahr wie auch in Pestilenz-Zeiten zu gebrauchen Ist von einem christlichen Singmeister, König aus Egypten, erfunden worden. Es wurden im Jahre 1714, den 10 Tag Juni, im Königreich Preuszen 6 Zigeuner oder Heiden genannt, mit dem Strang gerichtet, der siebente aber, ein Mann von 80 Jahre alt, sollte am 16 Tage gleich darauf mit dem Schwerdte hingerichtet werden
Description: The gypsy's fire charm, a magical incantation for preventing fire or pestilence., Printed area, including ornamental border, measures 25.1 x 13.0 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [between 1850 and 1870?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1850 Wahre 14308.Q (Roughwood)

Title: The U.S. sloop of war "Kearsarge" 7 Guns, sinking the pirate "Alabama" 8 Guns off Cherbourg France, Sunday June 19th 1864 The "Alabama" was built in a British shipyard by British workmen with British oak, armed with British guns, manned with British sailors, trained in the British navy, and was sunk in the British channel, in 80 minutes by the Yankee sloops of war "Kearsage" Capt. John A. Winslow
Description: View showing the U.S. gunboat firing upon the burning and sinking Confederate raider ship. Also shows lifeboats sailing between the vessels., Originally part of a McAllister scrapbook of Civil War views, places & events., Retrospective conversion record: original entry, edited.
Creator: Currier & Ives
Date: c1864
Location: Library Company of Philadelphia | Print Department *Civil War - Campaigns & battles - Alabama [5779.F.34]

Title: [Lily pond]
Description: Landscape view showing a lily pond surrounded by plants and ferns., Title supplied by cataloger., Photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Views [P.8464.22]

Title: [Madame Marie-Athenaide Le Febvre Buchey, 1800-1874, headmistress of Mrs. Buchey's French & English Seminary for Young Ladies, 260 Spruce Street, Philadelphia.]
Description: Portrait of Madame Buchey wearing a dark dress with a long, wide white collar. Her hair is parted tightly in the middle, with two curls coming forward over her ears. She is holding a fan in her left hand., Cased photographs retrospective conversion project., Pad: Dark purple velvet., Mat: Oval., Case: Leather, with a horizontal floral bouquet in an oval., Madame Buchey was Headmistress of the Seminary at No. 240 Spruce St. (now 626) from September 1833 to June 1853. Buchey, born in St. Domingue (i.e., Haiti), emigrated to Cuba circa 1803 following the uprisings of the enslaved people of the island. She settled with her mother in Philadelphia in 1809. See Research File - Buchey., Gift of Francis James Dallett, great-great grandson of Madam Buchey, 2003., LCP AR (Annual Report) 2003 p. 61-63., Filed under: Unid. photographer - Sitter - Buchey.
Date: ca. 1845
Location: Library Company of Philadelphia | Print Department Cased photos [P.2003.11.2]

Title: Southern Manual Training School postcards
Description: Exterior views of school at South Broad and Jackson Streets, viewed from Broad and Snyder Avenue in these images. Built in 1907 after designs by Lloyd Titus. Became South Philadelphia High School in 1915., Numbered 2327 on recto., Published in Robert Morris Skaler's Philadelphia's Broad Street South and North, (Portsmouth, NH: Arcadia Publishing, 2003), p. 11., Sheet number: 153A05., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1910-1912
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Schools - Miscellaneous - 153]

Title: Attention troopers! To horse and off for the war again! 80 young and active men wanted for a troop of horse for the Second R.I. Cavalry! This is a dashing and pleasant service, and young men will have a chance to become good horsemen. Bounty 402 dollars! Cash in advance 330 dollars! In addition to the above the city of Providence pays $4 per week to the families and dependents of volunteers. Office, Room No. 5, corner of Orange and Westminster Sts., Providence, R.I
Description: The Second Regiment of the Rhode Island Cavalry was organized in Nov. 1862 and ordered to duty in Louisiana; it was consolidated to a battalion of four companies in Aug. 1863, and transferred to 1st Louisiana Cavalry; it was transferred again in Jan. 1864 to the 3rd Rhode Island Cavalry., The illustration is a trotting stallion., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Rhode Island Cavalry Regiment, 2nd (1862-1863)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.4 (McAllister)

Title: [Residence at Second and Wharton streets, Philadelphia]
Description: Shows a three-story small wood plank dwelling. Residents peer from lower story windows., Title supplied by cataloguer., Descriptive manuscript note by photographer on verso: Southwark. 2 and Wharton Sts. 4 families live in this house. It is known to be over 80 yrs old., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: ca. 1923
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.231], http://www.lcpimages.org/wilson/wilson231.htm

Title: Views from the Reading Railroad near Reading, Pa
Description: Views of the rocky landscape adjacent to railroad tracks near Reading, Pa., including the Lebanon Valley Railroad Bridge spanning the Schuylkill River. Includes a man standing in front of a steep, rocky hill and a horse-drawn coach resting near the river. The bridge, completed in 1857, was burned down during the Great Railroad Strike of 1877., Yellow cardboard mounts with rounded corners. Photographer's printed labels pasted on versos., Manuscript note on versos of P.8484.19 and P.8484.21: Bartlett & French; William C. Darrah coll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Creator: Bartlett & French
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & French - Views [P.8484.19-21; P.8731.1; P.9462.7]

Title: Southern chivalry - argument versus club's
Description: Cartoon critically addressing the Brooks-Sumner Affair in which Southern Congressman Preston S. Brooks caned antislavery Senator Charles Sumner in the Senate on May 26, 1856. Brook's "chivalrous" attack on Sumner was a reprisal for Sumner's two-day speech, "The Crime against Kansas," which attacked the violence occurring in Kansas over the issue of slavery; the South; and Brook's uncle, Andrew Butler. Depicts Sumner, head bloodied, quill in his raised hand and clutching a paper symbolically inscribed "Kansas.," He is held to the ground by Butler whose face is obscured by his raised arm and hand that holds his cane above his head. Butler is posed in mid-strike. Members of Congress observe in the background, some laughing, some scowling, with one member raising his hands in surrender from another who has his fist and cane raised., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a Philadelphia lithographer who established his own lithographic firm in Philadelphia in 1850.
Creator: Magee, John L., artist
Date: [1856]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1856-3W [5760.F.105]

Title: Not a drum was heard nor a funeral note as his corpse to the ramparts we hurried -- : Not a loco discharged his farewell shot o'er the ditch where our hero we buried
Description: Cartoon of a funeral procession portraying the erosion of Democratic support for presidential hopeful Martin Van Buren, the "Kinderhook Fox," during the election of 1844. Depicts President Tyler, instrumental in Van Buren's defeat, stating, "Thus do all our hopes end in Clay," as he steers a funeral cart carrying Van Buren, depicted as a dead fox; his son, poet Robert Tyler; and a bale of cabbages. The cart is pulled by Andrew Jackson, depicted as an old nag boasting about his part in Van Buren's death. Following the cart are the devil sobbing and bemoaning that he is Van Buren's only friend and a rotund man in a wide brimmed hat who rings a bell and calls, "Bring out your dead." In the right, two barefooted African American men gravediggers, portrayed in racism caricature and attired in torn and worn clothes, hold shovels as they stand over and comment about the open grave they have dug for Van Buren. "Here comes Pompey, we'll have this Fox earthed at last." A small cabin, with an emaciated white man in the doorway, and labeled "Loco Foco Hall" (Loco Focos were a radical branch of the Democrats who supported Van Buren) stands in the background., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1844 by James Baille in the Clerk's office of the Dist Court of the Southern District of N. York., Gift of Mrs. Francis P. Garvan, 1977., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bucholzer was a New York cartoonist whose work was published by James Baillie from 1843 until 1847.
Creator: Bucholzer, H., lithographer
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-17 [8366.F.21]

Title: Haehnlen, Jacob
Description: Jacob Haehnlen, born in Harrisburg May 17, 1824, operated one of the "most extensive" lithographic establishments in Philadelphia during the mid 19th century. Son of Christian F. Haehnlen (1795-1898), a German immigrant grocer, Haehnlen worked in the family business before relocating to Philadelphia in 1841. At his new city of residence, Haehnlen continued in the grocery business as a partner in Haehnlen & Brown before entering the lithography trade ca. 1854 as a partner with Eugene Ketterlinus in the respected firm E. Ketterlinus & Co. In 1857, the partnership was dissolved, and Haehnlen and Ketterlinus served as early officers of the Citizen's Mutual Building and Saving Fund Association before he established his own "lithographic & fancy printing establishment" ca. 1859 at 125 and 127 South Third Street., During the first years of his firm, Haehnlen promoted his former association with Ketterlinus; advertised his printing of labels, visiting cards, forms, and show cards; and employed Frederick C. Smith. The firm proved successful as documented by IRS tax assessments for 1864 and 1865. Within a few years, Haehnlen's studio would garner a reputation as ranking "amongst the first in the country" when in 1866 he relocated to Goldsmith's Hall at 418 Library Street where he operated one of the largest print shops in the city. The hall, so named as it was originally used for goldsmith work, contained six floors from which Haehnlen occupied the five upper floors. The establishment contained salesrooms and offices, a machine shop and drying room, lithographic presses, and floors dedicated to card printing and the printing of "pamphlets, hand bills and other similar work." From 1867 to 1868, the father and son lithographers George and Charles Spohni worked for the respected lithographer who also published maps and issued "transfer work for coach and car manufacturers.", Within a few years, Haehnlen's work, as well as a small fire at his establishment, appeared to be taking a toll on his person, and on April 12, 1872 he filed for a passport "in pursuit of pleasure and restoration of health, accompanied by [his] son Edward Gustavus Haehnlen..." Soon thereafter, around 1873, Haehnlen sold his lithography business to Lehman & Bolton, and partnered in an artist's supply business with his brother Louis. Despite the change in career, Haehnlen continued to own Goldsmith's Hall as well as the rear five-story building. In 1882, a major fire destroyed the hall (valued at $100, 000 and containing the chamois business of he and his son Edward [E.G. Haehnlen & Co.] in the basement) and the rear building occupied by A.C. Farley, lithographer and stationer. By 1884, he and his son's business, now listed as a druggist's sundries store, would return to 418 Library Street and Haehnlen would be associated with it until the end of his life., Despite his long residency in Philadelphia, Haehnlen kept his connection to Harrisburg, including the overseeing of and summering at his family property Belle Vue bought by his father. In 1867 he entered into partnership with his brother, Louis, and Harry and Louis Brown, to form the Pennsylvania Brown Free Stone Company, a Harrisburg quarrying company for the building materials trade. In 1876 he built a multi-thousand dollar residence at the family homestead, which in 1910 became Bellevue Park, the first fully planned residential community., Haehnlen was married to Margaret (1828-1900) with whom he had five children including W. Frank (d. 1910), professor of obstetrics at the Medico-Chirurgical College, Philadelphia, Louis F., proprietor of the Belle Vue fruit farm, and youngest son Edward. During much of his lithography career he lived at 228 Vine Street (1850s-1861) or 431 North Sixth street (1862-1876). He was a member of the German Society and the Mercantile Beneficial Association; stockholder in the West Harrisburg Market Company, the City Passenger Railway Company, National Bank and the Harrisburg Bridge Company, and was the founder of the Prospect Hill Cemetery Company., Haehnlen died at 1421 North Broad Street (his residence since 1877) in April 1892 and was buried in Laurel Hill Cemetery. Following his death, the Jacob Haehnlen estate remained profitable and in 1904, the "rear building" at 418 Sansom Street known as the Haehnlen building was sold at a value of $115, 000 by his son W. Frank.
Date: May 17,1824-April 23, 1892
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Views of slavery Does the slaveholder admit the slave to be a human being? If so we would ask his interpretation of the following sentiment "Whatsoever ye would that men should do unto you, do you even so to them."
Description: Abolitionist print containing six scenes depicting the inhumanity of slavery. Scenes include enslaved African American children crying while their mothers work and a white man enslaver whips an enslaved man in a sugar plantation field; the punishment of enslaved people by flogging, whipping, and binding by white men overseers in a shack; an auction of enslaved people; a free African American woman with a child watching the destruction of her free papers as she is kidnapped from the street; an anguished enslaved mother being separated from her children by a white man involved in the slave trade; and the shipping of enslaved people to New Orleans from a Baltimore dock. Also contains an excerpt about the rights of human beings from William Ellery Channing's abolitionist text, "On Slavery," below the image., Title from item., Advertised in the New York American Anti-Slavery Society newspaper, Emancipator (March 1836), p.3., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2003, p. 45-46.
Date: [1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 Vie [P.2003.10], http://www.lcpimages.org/afro-americana/F-Views.htm

Title: The iron steamboat, R. F. Stockton Commanded by J. R. Crane of New York. Built in Liverpool by J. Laird, under the superintendence of F. B. Ogden esq. U.S. consul, Liverpool for the Delaware & Raritan Canal Compy. Length of timber 70 ft._ Breadth of beam 10ft._ Depth of hold 8ft._ Burden 30 tons._ Draws about 6 1/2 ft. water._ 45 days from Liverpool to New York
Description: View showing the innovative steamboat powered by an underwater Ericsson screw propeller, and named for supporter Capt. Robert F. Stockton of the U.S. Navy, during a trial on the Delaware River near the old Navy Yard and Windmill Island. Fourteen men stand on the vessel adorned with a smoke stack, compressor, and American flag. In the foreground, a barrel floats near three men in a skiff sailing in front of the steamboat. In the background, sailing vessels traverse the river and cityscape is visible. Also contains three labeled diagrams below the title that show an engine, shafts, cylinders, and wheels with text explicating how the machinery functions. The "Stockton" screw steamer, built in 1838 with a steam engine after the designs of Swedish engineer John Ericsson, served as a model to finalize negotiations promoted by Stockton and U.S. Consul Ogden between Ericsson and the U.S Navy to build the screw steamer for military purposes. It sailed for the United States in April 1839 and the trials of the vessel drew much public in addition to professional attention., Philadelphia on Stone, POS 393, Historical Society of Pennsylvania: Bb 679 S 62
Creator: Hoffy, Alfred M., b. ca. 1790
Date: c1839
Location: Historical Society of Pennsylvania HSP Bb 679 S 62

Title: Fels African Americana Image Project
Description: Collection created through a Samuel S. Fels Community Fellowship Grant in 2003 of over 300 book and periodical illustrations from the 16th - to 19th -centuries depicting all aspects of African American history and life. Images range in date from 1595 (Giralomo Benzoni, Americae Pars Quinta) to 1914 (John Wesley Cromwell, The Negro in American History) and include views from 17th through 19th centuries travel and history texts of the social life and agricultural, industrial, and craft work of African peoples; graphics from the antislavery movements in France, Great Britain, and the United States detailing the brutality of slave life and the violence of slave resistance; and a selection of racist caricatures and cartoons from the 19th century reflecting the growing denigration and dehumanizing of African Americans in the era’s American popular print culture.
Date: 1595-1914

Title: [Sallie Sherrel Bonnell Houston, 1829-1913]
Description: Portrait of Bonnell wearing a plaid dress with a white lace collar. Her hair is parted in the middle and pulled back widely from her face. Hand colored pink on cheeks., Cased photographs retrospective conversion project., Pad: Faded gold colored velvet., Mat: Ornamented oval., Case: Leather, in the shape of a book. No design. See Fig. 42 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Stamped at bottom of inside front cover H. A. Eichmeyer. Patent Feb. 27, 1855. Henry Adolph Eichmeyer, of Philadelphia, was a case manufacturer., Filed under Eichmeyer. The portrait was taken at the time of her April 8, 1856 marriage to Henry Howard Houston (See P.8896 for a daguerreotype of Houston.) See Research File., Gift of Charlotte Dallett, great granddaughter of Sallie Bonnell, 2003.
Date: 1856
Location: Library Company of Philadelphia | Print Department Cased photos [P.2003.11.1]

Title: [Portrait of an unidentified couple.]
Description: She is holding an unopened book in her right hand. He is holding his eyeglasses in his left hand. Hand colored very pale pink on cheeks of both sitters., Cased photographs retrospective conversion project., Pad: Purple velvet. Large scrolled border. Embossed: S. G. Hewes., Mat: Elliptical., Case: Leather. Spray of mixed flowers within a nonpareil-like border. No design on verso., See 2000 LCP Annual Report, pp. 59-60., Reproduced in Sally Hewes, Female Daguerreotypist by Sarah J. Weatherwax in The Daguerreian Annual, 2002-2003, page 24., Reproduced in More Than "An Elegant Accomplishment": Sarah Garrett Hewes and Pennsylvania's Early Female Photographers by Sarah J. Weatherwax in Pennsylvania History, Autumn 2014, page 438. Reproduced in Samuel Broadbent, Daguerreian Artist in The Daguerreian Annual, 2001, page 142.
Creator: Hewes, Sally Garrett, d. 1853, photographer
Date: ca. 1850
Location: Library Company of Philadelphia | Print Department Cased photos [P.9833]

Title: St. James the Less, Falls of Schuylkill postcards
Description: Contains views of church built in 1846 after designs by John E. Carver and George Gordon Place. Includes exterior views of the church and adjoining burial ground, along with interior views of the nave and sanctuary., Contains 1 postcard printed in color and 3 printed in black and white., The Ecclesiological Society, a British church architecture society, provided the plans for the church to be recreated in the style of a 13th-century English country parish., Accession numbers: P.9050.50, P.9050.59 and P.9050.79 - 80., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1905-1915
Location: Library Company of Philadelphia | Print Department LCP postcards - Religion - [various]

Title: First annual prize exhibition of the Philadelphia Sketch Club held at the Pennsylvania Academy of Fine Arts December 1865
Description: Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
Creator: Cresson, William Emlen, 1843-1868, artist
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.75b]

Title: First annual prize exhibition of the Philadelphia Sketch Club held at the Pennsylvania Academy of Fine Arts December 1865
Description: Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
Creator: Cresson, William Emlen, 1843-1868, artist
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.75b]

Title: First annual prize exhibition of the Philadelphia Sketch Club held at the Pennsylvania Academy of Fine Arts December 1865
Description: Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
Creator: Cresson, William Emlen, 1843-1868, artist
Date: [1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.75b]

Title: Man, baby boy, and two puppies on a stone porch, Philadelphia
Description: Group portrait showing a child dressed in summer clothes sitting on a stone support to a porch in Philadelphia as a man with dark, slicked back hair, possibly his father, supports and consoles him. The baby is surrounded by two very small puppies., Ms. note on verso: Old man Fryman was as young at 80 as Turk is Today at 50, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: ca. 1931
Location: Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.35]

Title: Wissahickon stone bridge
Description: View of the stone arch Bells Mill Road Bridge spanning Wissahickon Creek, constructed in 1820 and named after former mill owners James and John Bell. A mill building, belonging to Bishop's Mills at the time of this photograph, is partially visible in the right foreground., Written on negative: 80, Title from manuscript note on mount., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator: R. Newell & Son, photographer
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Parks [P.9299.79]

Title: [Views on the Tohickon Creek, Point Pleasant, Bucks County, Pa.]
Description: Views showing the rocky hillsides; the Geddes Brook, a tributary to the creek; and the creek. Tohickon Creek runs from the Nockamixon Dam to confluence with the Delaware River., Title supplied by cataloguer., Contains four stereographic prints mounted on yellow or white mounts with square corners and accompanied by labels, including three stamped with the photographer's imprint and one containing a distributor's stamp on the verso., One of images originally from a McAllister scrapbook of Pennsylvania views & political miscellany., Series numbers include: 80, 88., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Views - Tochickon [5759.F.3j; 8248.F.5; P.8545; P.8979.3]

Title: Harrison's Columbian perfumery Apollos W. Harrison No. 10 South 7th Street Philadelphia
Description: Advertisement for the Philadelphia perfumer and ink manufacturer containing a wreath of multiple types of flowers encased by a border of geometric shapes listing dozens of Harrison's products. Products include flavoring extracts, scented soaps, toiletries, skin creams, oils, and perfumes. Also contains miniature jewel-like ornamental details and an outer frame-like border. Harrison began operating his perfumery circa 1853 and by the late 1850s employed over 80 employees, including 25 traveling agents., Copyrighted by A. W. Harrison., Not in Wainwright., Philadelphia on Stone, POSP 106, Library of Congress: PGA - Bigot, Alphonse--Harrison's Columbian perfumery (D size) [P&P]
Creator: Bigot, Alphonse, ca. 1828-1872 or 3, artist
Date: c1854
Location: Library of Congress | Prints and Photographs Division LOC PGA - Bigot, Alphonse--Harrison's Columbian perfumery (D size) [P&P]

Title: 144th 144th Brian Boru United Irish Legion or 144th Regiment, P.V., of Philadelphia, have been accepted by the Secretary of War and Governor Curtin, to be attached to Gen. Corcoran's brigade. Government and city bounty secured U.S. bounty, $100; city bounty, $50; one month's pay, $13; when mustered, $2; when companies are mustered in to the full strength of 80 men, the captains will receive $5 per man---total when he is mustered in, $450. Irishmen remember Clontarf and Brian the Brave. Corcoran shall lead us now to victory, as our heroes did of old. Don't wait to be drafted, but form companies and squads, and come to these head-quarters, Connelly's Hotel opposite the State House, Philadelphia, before the 20th, as drafting will take place after the 15th inst. This regiment is the last that will receive bounties. Come from all counties and cities of the state, and we will receive you like brothers. Telegraphic despatches promptly replied to. Free transportation on all railroads
Description: "The troops recruited for the One Hundred and Forty-fourth Regiment, never had a regimental organization, and were consequently assigned to other commands."--S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 518 note., Printed in red and green; printed area, including double-rule border, measures 105.1 x 72.9 cm., The illustration, signed H.L.S. L.Johnson & Co. Copyright secured, is an eagle on a shield with the banner: Fall in and keep step to the music of the Union., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Infantry Regiment, 144th (1862)
Date: [1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 4# Am 1862 Uni Sta (4)5777.F.13 (McAllister)

Title: Tall Case Clock
Description: The inscription on the face reads, "John Child, Philad[elphi]a." Child also stamped his name on the pendulum bob and in many places on the movement., LCP Minutes vol. 6, May 7, 1835, p. 80: "A letter was received from John Child offering to sell to this institution a clock with an alarm to ring at sundown, which was referred to the committee of repairs and improvements with power to take order on the subject." Vol. 6, June 4, 1835, p. 81: "Mr. Norris from the committee on repairs and improvements reported that they had purchased the astronomical clock offered for sale to this institution by John Child for which they agreed to give one hundred twenty five dollars." Vol. 6, Oct. 1, 1835, p. 85: “An order was drawn in favor of John Child for one hundred twenty five dollars for an astronomical clock.”, Purchased by the Library Company from John Child in 1835.
Creator: Child, John, 1789-1876
Date: 1835
Location: OBJ 001

Title: [Church of the Nativity] [graphic] / N. Le Brun , archt. Philadelphia; A. Koellner engr. on stone.
Description: Title and publication information supplied by Wainwright., Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Select link below to view a digital image., Duplicate in the collections of the Historical Society of Pennsylvania [Ba 132 N278] contains printed caption on recto: This Church is to be built of stone, is 50 by 80 feet exclusive of the tower. It will cost $9,000 and seat without side galleries 600 persons. Subscriptions for its erection will be gratefully acknowledged by the wardens and vestry. Brethren will ye not aid as God has prospered you in extending the Gospel in the Church?, Exterior view of the Gothic-style Episcopal church completed in 1846 after the designs of Napoleon LeBrun at the northwest corner of 11th and Mount Vernon streets.
Creator: Kollner, Augustus, b. 1813 lithographer., creator
Date: ca. 1844]
Location: http://www.lcpgraphics.org/wainwright/W066.htm, Library Company of Philadelphia Print Dept. W66 [(3)1322.F.150a]

Title: Germantown's King of Prussia Inn
Description: View of a brick inn with a sign advertising it as "King of Prussia.", This once-noted old hostelry, built in 1739, was removed in 1910. It was located upon Germantown Avenue above School Lane. It ceased to provide entertainment for man and beast about 80 years ago. The drawing, showing modern changes, has been made from a recent photograph. This tavern was long adorned by a sign depicting King Frederick upon a horse, a painting attributed to Gilbert Stuart. Mr. Charles F. Jenkins states in his entertaining history of old Germantown that Thomas Jefferson sojourned here during the yellow fever epidemic of 1793. The inn and its outbuildings were used by the British after the Battle of Germantown for hospital purposes., Taylor Catalog Number: 141
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, creator
Date: ca. 1922

Title: Myerstown Enterprise, Myerstown, Penna. Message by Mail. An angry message
Description: Advertisement blotter depicting a satiric, whimsical scene with two women and a life-size, stamped envelope. A woman gesturing in anger stands on one end, and another, attired in hat, coat, and bustled skirt, stands and looks taken aback on the other. Also contains rates for the "Advertising Schedule of the Myerstown Enterprise, W. S. Uhrich, Publisher, Myerstown, Pa." printed on verso. Rates based on one to three weeks, one to six months, and one year and inches and column size range from $.50 to $80. Myerstown Enterprise was issued 1888-1919., Date inferred from clothing of figures depicted., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.40]

Title: Camp Washington, near Centennial grounds, July, 1876. 7th Regiment N.G. Col. E. Clark, Com
Description: View showing the campground for the New York National Guard troop participating in the Great Military Parade held July 4, 1876 during the Centennial Exhibition. Most of the regiment stands in formation under the command of an officer on horseback in front of rows of tents in a clearing of trees at West Fairmount Park. Also shows the American flag flying over the camp, cannons, and a few soldiers on guard near a tent in the foreground. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art from May 10 to October 10, 1876. The Great Military Parade included around 10,000 military who processed through the city for over one and half hours., Not in Wainwright., Philadelphia on Stone, POS 80
Creator: Rosenthal, Max, 1833-1918
Date: [1876]
Location: Library Company of Philadelphia | Print Department *BW - Military [P.9684]

Title: The old Liberty Bell, Independence Hall, Philadelphia, Pa
Description: Interior view showing the Liberty Bell in the Assembly Room when utilized as an exhibit gallery at the State House. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Title printed on mount., Additional places of publication printed on mount, including New York, NY; Portland, Oregon; London, Eng.; and Sydney, Aus., Publisher's imprint printed on mount., Printed above image on mount: 80, Explicative paragraph of text providing brief history of the Liberty Bell printed on verso. Includes latitude and longitude: Lat. 40 degrees N.; Long. 75 degrees W., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1907]
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Monuments and statues [P.9573.22]

Title: [Church of the Nativity]
Description: Exterior view of the Gothic-style Episcopal church completed in 1846 after the designs of Napoleon LeBrun at the northwest corner of 11th and Mount Vernon streets., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 127, Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Free Library of Philadelphia: Castner 22:93. With title and printer's imprint., Duplicate in the collections of the Historical Society of Pennsylvania [Ba 132 N278] contains printed caption on recto: This Church is to be built of stone, is 50 by 80 feet exclusive of the tower. It will cost $9,000 and seat without side galleries 600 persons. Subscriptions for its erection will be gratefully acknowledged by the wardens and vestry. Brethren will ye not aid as God has prospered you in extending the Gospel in the Church?
Creator: Kollner, Augustus, b. 1813, lithographic artist
Date: [ca. 1844]
Location: Library Company of Philadelphia | Print Department W66 [(3)1322.F.150a]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Harrison's Handkerchief Extracts Apollos W. Harrison No. 10 South 7th Street Philadelphia
Description: Beautiful, elaborate advertisement for the Philadelphia perfumer and ink manufacturer showing a ballroom scene set within a monument designed as a stage surrounded by floral ornaments. Shows couples attired in evening wear introducing themselves, conversing, and dancing in the ballroom. Two women hold fans. Chandelier lampposts and red drapery frame the scene. Two archways showing vistas to outdoor sceneries of trees and urns of greenery flank the monument. Loose, bundled, and cornucopias of flowers, encase the monument. Also contains two poles entwined with banners on the outer sides. Banners are inscribed with the names of scented flowers, including camellia, lilac, magnolia, tea rose, sweet clover, patchouli, and musk. Harrison began operating his perfumery circa 1853 and by the late 1850s employed over 80 employees, including 25 traveling agents., Copyrighted by A. W. Harrison., Not in Wainwright., Printed above title: Upper Ten., Philadelphia on Stone, POSP 107, Historical Society of Pennsylvania: Bc 641 H 245
Creator: Bigot, Alphonse, ca. 1828-1872 or 3, artist
Date: c1854
Location: Historical Society of Pennsylvania HSP Bc 641 H 245

Title: Plan of Auburn Farm belonging to the estate of Sarah Emlen Cresson, decd. Twenty Fifth Ward Philadelphia
Description: Map showing the estate of Sarah Emlen Cresson including Erie, Venango, Tioga, Ontario, Westmoreland, F, G, H, I, and J Streets. Shows the property divided into plots numbered 1 through 7 and labeled with the acreage. Depicts the mansion located in plot 5 and the tenant house and two barns located in plot 7., Title and date from item., Scale statement on map reads, “scale-80 feet to an inch.", Text on recto: Note-All areas extend to middle of streets. Blue figures represents confirmed curb elevation. Red [figures represents] present surface [elevation]., Table in the lower right depcited as a scroll and listing the seven plots with monetary valuations on the acreage., Gift of David Doret and Linda G. Mitchell, 2020.
Creator: Webster, George S., surveyor
Date: Nov. 1883
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.21]

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: [Republican National Convention 1940, Municipal Auditorium, Philadelphia]
Description: Exterior view of the convention hall showing people, including African Americans, milling and gathered in front of the building at 34th Street below Spruce Street (i.e., S. 34th and Civic Center Blvd.) in West Philadelphia. Men and women enter and leave the building; convene on the steps; board a "Convention Hall-Center City" bus; and utilize a "Public Telephone" trailer. Lights that read, "Republican National Convention" hang over the front entrance. Also shows a sign advertising "nearly everybody reads The Bulletin" near one of the auditorium's doors. American flags decorate the street lamps on the sidewalk. The Municipal Auditorium was built 1929-1930 after the designs of Philip H. Johnson., Title supplied by cataloger., Date inferred from content., Accessioned 2003., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1940
Location: Library Company of Philadelphia | Print Department photo - unidentified - Events [P.2003.27]

Title: Benjamin Franklin
Description: Larger-than-life statue of Franklin originally placed in a niche over the entrance to Library Hall at Fifth Street in 1792., Universal Asylum and Columbian Magazine, April 11, 1792, p. 284: "The statue of Dr. Franklin was last Saturday fixed in its niche over the front door of the new library in fifth-street----Francois Lazzarini is the sculptor, and Carrara the name of the place where it was executed. If the intrinsic merit of this master-piece of art did not speak its value, the name of the artist, where he is known, would evince it. Here perhaps price may give the best idea of its worth. We have heard that it cost above 500 guineas.----The statue of Dr. Franklin is a full length figure, erect, clad with a Roman toga--the position easy and graceful--in the right hand is a scepter reversed, the elbow resting on books placed on a pedestal--the left hand, a little extended, holds a scroll. This elegant piece of sculpture is executed in the finest white marble, and is the donation of William Bingham esq. of this city, to the library-company.", Several newspapers reported the arrival of the statue. See Object file for the list., Gift of William Bingham, 1792., LCP Minutes vol. 3, various entries from Aug. 6, 1789-May 3, 1792. See Object file for transcriptions.
Creator: Lazzarini, Francesco, d. ca. 1808
Date: Ca. 1791
Location: OBJ 596

Title: Liberty Bell, Independence Hall, [Philadelphia]
Description: Glass negative showing the Liberty Bell suspended from a pulley inside Independence Hall. The bell is inscribed with words and Roman numerals and has a large crack down the center. Construction on Independence Hall began in 1732 and completed in 1753 after the designs of Andrew Hamilton (1676-1741) and Edmund Woolley (1695-1771). It originally housed all three branches of the Pennsylvania colonial government, as well as being host to the signing of the Declaration of Independence, and the Constitutional Convention. The building went through numerous renovations and reconstructions, until in 1950 when the National Park Service restored much of the architecture and interior to its 1776 appearance. It is a part of Independence National Park and a major tourist attraction as of the 21st century. The Liberty Bell was commissioned in 1752 by the Pennsylvania Provincial Assembly. It first cracked after its arrival in Philadelphia and was recast twice by John Pass and John Stow. The large distinctive crack formed sometime in the early 19th century. The bell moved from Independence Hall to a nearby glass pavilion in 1976, and from there to Liberty Bell Center in 2003., Time: 2:30, Light: Sun shining outside. Too short exp[sosure]., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 25, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1109]

Title: The resurrection of Henry Box Brown at Philadelphia Who escaped from Richmond Va. in a box 3 feet long 2 1/2 ft. deep and 2 ft. wide
Description: Antislavery print celebrating the moment freedom seeker Henry Box Brown emerged from his crate in Philadelphia. Brown, with the assistance of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, escaped slavery by having himself shipped to Philadelphia where he emerged in the presence of abolitionists Professor Charles D. Cleveland, J. Miller M'Kim, William Still, and printer Lewis Thompson. Depicts Brown just emerging from his box with Still holding the crate's lid labeled, "Wm. Johnson, Arch St. Philadelphia, This side up with Care;" Cleveland with a saw in his right hand; M'Kim with a hatchet in one hand and using his other hand to help Still hold the lid; and Thompson pointing to Brown with his right hand as he holds in his free hand a walking stick., Title from item., Date inferred from variant described in Reilly and LCP copy described by Jeffrey Ruggles, The unboxing of Henry Box Brown (Richmond: The Library of Virginia, 2003), 114. Ruggles notes copies of the print had been received and advertised by the "Anti-Slavery Bugle" of Ohio before March 8, 1851., Variant reproduced in William Still, The underground railroad (1872) p.70. [LCP Am 1872 Still, 56405.O]., Lib. Company. Annual Report, 1975, p. 59-60., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Call number in location based on Reilly entry., Kramer was a German born painter and lithographer who worked with the Rosenthals, a prominent Philadelphia family of lithographers, by 1850 and through the early 1850s.
Creator: Kramer, Peter, 1823-1907, artist
Date: [ca. 1850 - ca. 1851]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850-4R variant [8183.F]

Title: The South East Prospect of the City of Philadelphia
Description: The South East Prospect of the City of Philadelphia is the oldest surviving oil painting that depicts a North American city. A key at the bottom numbers and identifies landmarks. The arms of William Penn and the City of Philadelphia appear in the top corners. In the lower left corner the artist has depicted himself sketching the scene., LCP Minutes vol. 7, February 5, 1857, p. 92-93: "Mr. Hutchinson read the following letter from Hon. George M. Dallas (Minister to Great Britain), dated London, January 12, 1857 and laid on the table the painting therein mentioned. `I will send for the Phila Liby an antique daub painted as is believed here in 1720 purporting to be "The South East prospect of the city of Philadelphia by Peter Cooper, painter." It is on torn canvas some 8 feet long by 1 1/2 wide. One of the members of Parliament in looking over the rubbish of a City curiosity shop picked it up and brought it to me. The principal buildings of the City at that day are pointed out & 24 good old Philadelphia Householders are named in the margin. Although worthless on any score but that connection with Auld Lang Syne it presents at half a glance so strong a contrast to the Consolidated City of 1857 that it has its interest for a corner of the Phila Library'. Whereupon the following Resolution was unanimously adopted:`Resolved that the Directors of the Library Company of Phila having received from the Hon. George M. Dallas a picture of Phila. by Peter Cooper do return him their grateful thanks for his attention and kindness in procuring & transmitting to them a most interesting & valuable Record of the appearance of our City as it was upward of a century & quarter ago, with a reference to the public buildings & private residences of many of our earliest and most remarkable citizens.'", Gift of George Mifflin Dallas, 1857., Exhibited in: Great Central Fair in Philadelphia, in the "Wm. Penn Parlor" (1864); Pennsylvania Museum of Art's exhibition, The Sea (1935); Metropolitan Museum of Art's exhibition, Franklin and His Circle (1936); Corcoran Gallery's exhibition, American Processional, 1492-1900, (1950); University of Pennsylvania's exhibition, Benjamin Franklin Winston Churchill (1951); Library Company's exhibition, Quater of a Millennium (1981).
Creator: Cooper, Peter, w.c. 1698-1725
Date: Ca. 1718
Location: OBJ 603

Title: Friend, Norman
Description: Norman Friend, a map lithographer and engraver, born in Denmark about 1814, worked in Philadelphia ca. 1840s-1888. Friend immigrated to the United States in the early 1840s. By 1844, he resided in Philadelphia and began the naturalization process. He was married to Mary (b. ca. 1830) by 1850 and resided most of his professional career on the 100 and 200 block of North Second Street. In 1849, he started his own firm at 141 (i.e. 400 block) Walnut Street, which he removed to 80 (i.e., 332) Walnut Street in 1851 preceding his partnership with Jacob Aub in the firm of Friend & Aub. After Aub's departure in 1860, Friend continued to operate at the address under his own name until his death., Throughout his career, he specialized in map work, beginning with "Sidney's Map of Twelve Miles around New York" (1849) from surveys by James C. Sidney, and the "Map of Philadelphia" published as part of the Philadelphia City Directories of 1849 and 1850. During the 1860s and 1870s, he worked on many of the Midwestern county maps and atlases published by Lewis H. Everts and his various associates (including Duval & Hunter, later Thomas Hunter) bringing standardization to the county atlas format., Friend died of heart disease on February 25, 1888 with the listed residency of 529 Vine Street. He was buried in Ocean Grove, N.J.
Date: 1814- February 25, 1888
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Doughty, J. & T.
Description: J. & T. Doughty was the partnership between brothers John and Thomas Doughty (1793-1856) who published the lithographically illustrated periodical "The Cabinet of Natural History and Book of American Rural Sports" (1830-1834). Thomas, a prominent landscape painter, served as the lithographer of the plates of the twelve parts of volume one and three parts of volume two printed by Childs & Inman before departing the partnership. Following Thomas's departure, John continued as sole publisher of the periodical that was printed until 1834, with the last edition issued as the third part of volume four., Thomas Doughty, born in Philadelphia on July 19, 1793, was a prominent landscape painter of the Hudson River School who worked in Philadelphia, Boston, Baltimore, New York, and Washington, D.C. In September 1830, he returned to Philadelphia from Boston and worked from a studio at the lithographic establishment of C. G. Childs, later Childs & Inman, at 80 Walnut Street. During the early 1830s, he drew a number of local and regional scenic views printed by the Childs firm. In 1832, Doughty relocated his residence to Boston and in the ensuing years lived and worked in Europe and New York. Doughty was also a member of the Pennsylvania Academy of the Fine Arts and the National Academy of Design, where he exhibited frequently in addition to several other venues. Doughty died on July 22, 1856. He was married to Sarah (b. ca. 1800) with whom he had three children.
Date: fl. 1830-1834
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Clarkson, E.
Description: E. Clarkson, probably Edward Clarkson, mid-19th century Philadelphia animal portrait painter, was the artist for the lithograph depicting trotting horse "Andrew Jackson, Jr." published ca. 1850 by Baltimore lithographic firm A. Hoen & Co., Clarkson, born ca. 1827 in Pennsylvania, presumably, although not listed in the census, lived with his wife Eliza (b. ca. 1831) and daughters in Ward 3 in 1860. In 1870, Clarkson resided in Ward 8 of the city with his wife and a daughter in a group family home. By 1880, he relocated to Buck County and worked as a farmer., Clarkson was listed as an engraver or artist intermittently in Philadelphia city directories ca. 1849-ca. 1869. From 1849 to 1850, Clarkson worked from the same address (80 1/2 Walnut Street) as lithographer John F. Watson. Clarkson also exhibited horse portrait paintings at the Pennsylvania Academy of the Fine Arts in 1855 and 1856., The 1856 city directory lists two Edward Clarksons: an artist at 182 Chestnut and an engraver at 99 Catherine Street (Ward 3). WWWAA suggests "engraver" Clarkson was the father of "artist" Clarkson, but the dual listings could indicate an evolving change of address.
Date: b. ca. 1827
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Charles Baeder's Philada. Steam Works, manufacturer of glue, starch, curled hair & hidewhips, store, N. 7 South Third Str No. 750 Old York road [sic] or North 6th Str. above Camac Str. and store no. 45 Fulton Str. New York. The highest price given for damaged hides, glue pieces, ceroons &c &c
Description: Advertisement showing a view of the glue and animal product manufactories of Charles Baeder on a lot of land on the 1700 block of North Sixth Street. Includes the seven-story glue works with cupola and the smaller multi-story starch, hide whip, and curled hair factory. Two outbuildings with active smoke stacks stand between the factories. Trees and bushes are visible on the property. A horse-drawn cart travels in the foreground. The firm, established in 1828 by Baeder, became the premier manufacturer of its kind in the United States. The manufactory, of the firm later renamed Baeder, Adamson & Co., relocated to Richmond Street, Allegheny Avenue, and Westmoreland Street circa 1866., Not in Wainwright, Manuscript note in ink on verso: Glue [illegible] A.D. 10cts. by 80# or 1 bbl. Buffaloe No. 2 at 20 cts., Manuscript notes in pencil on verso: A. & D. 10 [symbol for cents]/ Buffaloe No. 2 15 [symbol for cents]/Horse [edges?] 15 yds [frm?] 2 00, 2 25, 2 50., Philadelphia on Stone, POS 878, Kuhl operated from 120 South Second Street, rear circa 1842-circa 1851.
Date: [ca. 1844]
Location: Library Company of Philadelphia | Print Department BW - Advertisements - Baeder [P.2015.19]

Title: Harrison's Columbian hair dye Manufactured by Apollos W. Harrison, 8 1/2 South 7th St
Description: Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. A thick, blue block of color frames the border like an outline. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Artist's imprint in lower right and left of stone., Not in Wainwright., Philadelphia on Stone, POSP 291
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.2015.71.2]

Title: Ho, for the state service! Recruits wanted! 1st Penn'a Cavalry, for state defence! Rally, freeman! In defence of your state, your homes and your property. All recruits will be armed, equipped & mounted, as soon as mustered into the service. This regiment will be commanded by officers of ability, and experience in the service. Headquarters, 110 South 6th St
Description: The 1st Cavalry, 44th Regiment of the Pennsylvania Volunteers, was organized in the summer of 1861 originally to be a force for the state defence; it was mustered in Sept. 1, 1861 under command of Col. G.D. Bayard, and mustered out Sept. 9, 1864. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 1014. Joseph C. Hess, promoted to Lt. Col. Oct 24, 1863, commanded the 19th Cavalry, 180th of the Pennsylvania Volunteers, organized in the summer and fall of 1863 and mustered out May 14, 1866. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 5, p. 1, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 181., Printed in red and green; printed on two 59 x 80 cm. sheets pasted together., The illustration shows a cavalry charge, with two buildings in the background., Originally part of a McAllister scrapbook; see also 2# Am 1861 Uni Sta (4)5777.F.36c (McAllister)., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Cavalry Regiment, 1st (1861-1864)
Date: [1863?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 4# Am 1863 Uni Sta (4)5777.F.38 (McAllister)

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