Search results

Title: Christopher Sower's house - And printing office. Mr. Watson, in his letter writes: "The house of Sower the printer, and earliest Bible publisher in our country, and also of an early German newspaper - See facts in Annals. The house stands vis a vis Indian Queen Street, next Wister's." My grandfather Zachariah Poulson, the 1st, was a pupil of Christopher Sower, and here taught the "art and mystery of Printing"
Description: Street view showing the residence of Sower and his son at 5253-5263 Germantown Avenue. Includes adjacent residences, a wood-plank fence, and a partial view of a horse-drawn carriage. House was demolished circa 1862 by Owen J. Wister. Wister built a new residence on the property set back from the street., Title and photographer's imprint from Poulson inscription on mount., Date inscribed on photograph., Manuscript note by Poulson on mount: See p. 80., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 3, page 81. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape., Also included in an annotated album containing twenty photographs by Richards entitled "Pictorial Views of Houses & Places in Germantown yr 1859." (LCP 66037.D.15)., Retrospective conversion record: original entry, edited.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: April 1859
Location: Library Company of Philadelphia | Print Department photo - Richards - Germantown - S [(3)2526.F.81 (Poulson)]

Title: Chestnut Street, east of Third
Description: Reproduction of lithographic view showing the 200 block of Chestnut Street with pre-consolidation addressed buildings. Businesses include Lewis Brothers & Co., importers of silk goods, Senat, Perot & Co., importers, Cottringer, Boyd & Gibbons, importers, and Lawrence Stone & Co. (80-82, i.e., 238-240); the Jayne Building (built 1849-1850) tenanted by Wesendock & Co. importers of silks & cloths, Dr. D. Jayne & Son, patent medicine, and Ellwood Shannon, tea dealer (84-86, i.e., 242-244); Oberteuffer & Freytag, importers, and Samuel Robinson, importers of Irish linens (88, i.e., 246); N. Thouron & Sons, importers of French goods, and Harden’s [sic] Express, probably A. Howard & Co. express (92, i.e., 248); and the U.S. Life Insurance Annuity & Trust Saving Fund building tenanted by Draper, Welsh & Co. Bank Note Engraving (94, i.e., 250). Includes heavy street and pedestrian traffic. Horse-drawn carriages, wagons, an omnibus, and drays travel in the street in addition to a dray situated to be loaded in front of the Jayne Building. Clusters of pedestrians walk near the Jayne and the Saving Fund buildings. In the foreground, on the opposite side of the street, families stroll, converse, and are greeted by other individuals near men, including laborers, talking near a pile of crates and a loaded dray. Also shows lettering reading "Howard" above the doorway of 92 Chestnut Street and a partial view of adjacent buildings., Not in Wainwright., pdcp00010, Philadelphia on Stone, POS 113, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street 2nd-3rd
Creator: Collins & Autenrieth, artist
Date: c1857
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut Street - 2nd-3rd

Title: Harrison's Columbian hair dye Manufactured by Apollos W. Harrison, 8 1/2 South 7th St
Description: Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. The background is printed in red and is framed by a blue border. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Title from item., Date and publication information supplied Library Company duplicate with variant colors., Not in Wainwright., See related: *BW - Advertisements - H [P.2015.71.2]., Gift of David Doret., Philadelphia on Stone, POSP 291a
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *Doret and Mitchell Collection – Prints [P.2022.62.3.45]

Title: A strike! A strike!
Description: Anti-labor union cartoon satirizing the several New York workers' strikes for higher wages in early 1836 during a harsh winter; a period of severe inflation, including exorbitant market prices; and an era of property speculation. Depicts livestock on strike for a higher market value near fish peddlers attired in winter garb, including two African American shellfish vendors. Animals include a Tom turkey ordering a turkey hen not to sell her young ones because "gobblers will bring twenty shillings and hens fifteen"; hens refusing to lay eggs for "less than four pence a piece"; a pig holding a banner inscribed "Hams 15 cents per lb exclaiming "I shall Jew them out of a shilling a pound"; an indignant lamb and calf conferring about their deserved increased prices per pound; and a confident steer exhorting the range of high prices for ordinary beef, corn fed beef, and beef shins. In the foreground, two African American men vendors get advice from two African American marketers, portrayed in racist caricature and speaking in the vernacular, about oysters unable to "strike for de frost" and that "gemmen" will not buy open mouthed clams. A white man fish peddler hawks his bass at "whole for two shilling de pound" and cut at "tree shillin" to a white gentleman inquiring about fresh fish. In the right, a barking dog sits on his "House to let. Inquire No. 48 Courtlandt St." (address of publisher) and comments "I feel like a savage! this is all contrary to law," probably an allusion to the "Geneva ruling" of 1835 by the New York state supreme court, which proclaimed unions and strikes forbidden by law., Title from item., Artist's initial lower left corner., Publication information from Weitenkampf., Copyright statement printed on recto: Entered according to act of Congress in the Year 1836, by H.R. Robinson, in the clerk's office of the District Court of the United States of the Southern District of New York., Described in Nancy Reynolds Davison's "E.W. Clay: American political caricaturist of the Jacksonian era" (PhD diss., The University of Michigan, 1980), p. 164-165., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [March 1836]
Location: Library Company of Philadelphia | Print Department political cartoons - 1836 - 1w [P.2003.40.1]

Title: Life in Philadelphia. General order!!! Tention!! de whole city ob Philadelphia!! Philadelphia, Uly 14th 1825, 6 month and little more beside
Description: Racist caricature about free African Americans' summer celebratory processions commemorating the anniversary of the abolition of the slave trade by the United States, an act that took effect in 1808. Shows a Philadelphia street scene with an African American peddler and an African American shoe shiner. In the left, the peddler, attired in a wide-brimmed hat, waist coat with tails, and pantaloons carries a basket and exclaims, "Philadelphia Uly 14, 1825 & little arter." The shoe shiner, attired in a waistcoat and pants, holds a rack of boots and responds "That is de day ob de grand Celebrahsun." The men stand in profile. Also shows, in the background, two African American boys, attired in jackets and pants, facing the viewer, and one with his hands playfully raised in the air. Also contains several lines of text in vernacular and dialect addressed to "Peter Mink, de Chief Marshal ob de day, he Majesty de President” and “Per order Pompey Peterl, President and Snappo Gripes, Secretary" printed below the image. Text explicates the appropriate attire and manners expected during the celebratory procession, including "two sleebes to dare coat"; "trousaloon be all ob light complexion"; and "de Soulger dat know he duty always hold upun head like Lamb Tail an look savage like Meat Ax." Also details the punishment for "neglec to discomply," including "whip to death"; "fine of 40 shillings"; and placement in "de House of Destruction for Ninety nine years." Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains two bubbles of dialogue in the vernacular within image: “Philadelphia_ Uly 14 1825_ & little arter”/”That is de day of de grand Celebrashun”, Lib. Company. Annual report, 2003, p. 40-42., See Reilly 1825-1 for variant published in Boston., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.2004.4]

Title: Historic Mansions Become Green's Hotel
Description: View of a four-story hotel on a cobblestone street a horseback rider goes down the street while a horse-drawn carriage waits in front of the building., Much is preserved in the architecture of the Green's Hotel which identifies it with the notable residences which once occupied the site. The front walls, some of the original apartments with their heavy chandeliers and a fine colonial stairway still exist. Just where the hotel office is placed was the portal, considerably more than a century ago, of the home of Edward Burd, whose son, Edward Shippen Burd, bought and lived in the large and elaborate residence at Ninth and Chestnut streets. The Burd home was occupied subsequently by Mr. Burd's son-in-law, Daniel W. Coxe, and after his death by several descendants. This house was leased in 1798 to Robert Morris, and it was here, just opposite the unfinished mansion of his hopes called the "Folly," that ruin enveloped him. From here he fled to aviod importunate creditors to the mansion at Lemon Hill. The house at the corner of Eighth street was built by Gen. Philemon Dickinson, of New Jersey. In 1837 it was altered into a four-story structure, which was called the Union Building, and was popular for many years as a meeting place for societies. The quaint old assumbly hall, now a feature of the hotel, remains almost unchanged. The Franklin Library Association, Pennsylvania Literary Institute and Artillery Corps of Philadelphia Grays were among the tenants. The two buildings were adapted to restaurant purposes by Peter A. Dooner in 187-. The two buildings were reconstructed and became Green's Hotel. Mr. Green conducted the house in 1893 when it was taken over by Mr. Newton, who organized the Green's Hotel Company. Mr. Robert J. Diamond, who is still active in its management had been identified with the hotel from 1883., Taylor Catalog Number: 80
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, creator
Date: ca. 1922

Title: Historic Mansions Become Green's Hotel
Description: View of a row of three residences, one of which has been converted into a hotel. Pedestrians stand on the sidewalk and a horse-drawn carriage waits in the street., Much is preserved in the architecture of Green's Hotel which identifies it with the notable residences which once occupied the site. The front walls, some of the orignal apartments with their heavy chandeliers and a fine colonial stairway still exist. Just where the hotel office is placed was the portal, considerably more than a century ago, of the home of Edward Burd, whose son, Edward Shippen Burd, bought and lived in the large and elaborate residence at Ninth and Chestnut streets. The Burd home was occupied subsequently by Mr. Burd's son-in-law, Daniel W. Coxe, and after his death by several descendants. This house was leased in 1798 to Robert Morris, and it was here, just opposite the unfinished mansion of his hopes called the "Folly," that ruin enveloped him. From here he fled to avoid importunate creditors to the mansion at Lemon Hill. The house at the corner of Eighth street was built by Gen . Philemon Dickinson, of New Jersey. In 1837 it was altered into a four-story structure, which was called the Union Building, and was popular for many years as a meeting place for societies. The quaint old assembly hall, now a feature of the hotel, remains for societies. The quaint old assembly hall, now a feature of the hotel, remains almost unchanged. The Franklin Library Association, Pennsylvania Literary Institute and Artillery Corps of Philadelphia Grays were among the tenants. The two buildings were adapted to restaurant purposes by Peter A. Dooner in 1875. In 1883 the buildings were reconstructed and became Green's Hotel. Mr. Green conducted the house to 1893 when it was taken over by Mr. Newton, who organized the Green's Hotel Company. Mr. Robert J. Diamond, who is still active in its management had been identified with the hotel from 1883., Taylor Catalog Number: 80
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, creator
Date: ca. 1922

Title: J. Hoover, pictures and frames, 628 Arch St., Philadelphia
Description: Trade card by J. Hoover with an illustration on the recto showing a boy standing behind a girl and covering her eyes with his hands, as if he is trying to surprise her, as she sits on a stool with a doll in her lap. A rose bush and trees fill the scene behind the children. Advertising text on verso reads, "Bargains! Bargains! at Hoover's, Hoover's, 628 Arch Street. A beautifully and carefully selected stock of fine engravings, comprising all the principal and popular subjects in the market. Fine imported chromos suitable for parlor, sitting or dining room. Large assortment of easels in ebony, nickel, silver-plated, and twisted wire from 9 cents up. Photograph frames, our principal business is in photograph frames, of which we certainly have the largest stock in the city, consisting of velvet (over 100 different styles,) passepartouts, ebony and satin, plain ebony, gold, lacquer, and a number of ine easel frames, all of which can be had either in card or cabinet sizes. Framing of pictures of any description is one of our specialties. We manufacture our frames in the building, and guarantee our work to ne first-class in every particular. Our prices are less than elsewhere. Having the facilities of buying at the lowest prices we can furnish frames of any kind at prices that will compare with any house in the city. Call and examine our stock whether you wish to purchase or not. J. Hoover 628 Arch Street. Societies, social clubs and other organizations desiring to furnish their rooms are invited to call and examine our fine assortment.", Not in Wainwright., Philadelphia on Stone, POSA 80, Joseph Hoover, a Swiss-German chromolithographer, operated his chromolithography, engraving, and picture frame business from 628 Arch Street in Philadelphia between 1880 and 1882.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *trade cards - Hoover [1975.F.453]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Sarah Hart was a Jewish Philadelphia stationer who assumed printing of the "Life in Philadelphia" series in 1829. She reprinted the entire original series of 14 prints in 1830., Pendelton, Kearny, & Childs, in operation from 1829 until 1830, was the first successful lithographic firm in Philadelphia. The firm's partners were John Pendleton, Frances Kearny, and Cephas G. Childs., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Described in Daily Chronicle, December 26, 1829, 2 and “The Dead Cut,” Philadelphia Inquirer, December 31, 1829, 2., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1970.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7893.F.1]

Title: Harrison & Newhall, corner of Race and Crown streets, Philadelphia. Commission merchants and importers Rio coffee, sugars, hides &c. Philadelphia
Description: Advertisement with heavy street activity showing the Harrison & Newhall Refinery, formerly the Penington Sugar Refinery. Refinery reestablished and expanded as the Harrison & Newhall Refinery circa 1855 at 409 Race Street. In front of the refinery, laborers load horse-drawn drays with barrels as another man in an apron leads another dray past the fenced northwest corner of Race and Crown streets (former residence of Edward Penington). At that corner, a man leans on a street lamp across from a man on horseback in the street and two street urchins on the sidewalk eyeing a well-dressed couple. At the other end of the street, a traffic jam occurs as the barrels on the dray of a rambunctious horse roll off the vehicle in front of a horse-drawn cart and omnibus. A horse-handler and displaced carriage driver discuss the accident in the street as a peddler, the possible cause of the commotion, nonchalantly carries a tray of wares on his head past the scene. Also shows barrels being hoisted outside of the refinery building. The refinery extends around the rear of a row of buildings in front of which the traffic incident occurs., Published in Colton’s atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 80. (HSP O 458)., Philadelphia on Stone, POS 342, Historical Society of Pennsylvania: Bc 35 H 324, Historical Society of Pennsylvania: Bc 3, Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (A-M), Accompanied by scrap inscribed: River Bank. Great Flood in Susquehanna, June 5th 1889.
Creator: Rease, W. H., artist
Date: [1856]
Location: Historical Society of Pennsylvania HSP Bc 35 H 324, Historical Society of Pennsylvania HSP Bc 3

Title: Life in Philadelphia. Grand celebration ob de bobalition ob African slabery
Description: Racist caricature about free African Americans' celebratory response to the abolition of the African slave trade by the United States, an act passed in 1807 that took effect in 1808. Depicts a group of over fifteen well-dressed men sitting and standing and drinking, smoking, and making toasts around a large dinner table. A number of the men raise goblets and/or pipes in the air. Soup tureens are visible on the table. One man, standing, drinks from a rum bottle. In the far right, an attendee, in a wide-brimmed hat, carries away another who is unconscious, his tongue out, and holding a pipe. The men are attired in waistcoats with tails, pants and pantaloons, some striped, vests, and cravats. Some wear their hair in pompadour styles and one man has white hair. The biting toasts address "De Orator ob de day," William Wilberforce, a prominent British abolitionist; William Eustis, Governor of Massachusetts and the disgraced former Secretary of War under Madison; "De Sun" which should shine at night; Joseph Gales, a publisher and secretary of the American Colonization Society who believed that only states had the right to emancipate enslaved persons; "Ning Edwards;" "De Genius ob Merica;" the "White man" who wants to colonize blacks "now he got no furder use for him;" and "De day we Celembrate" and why it did not come sooner. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring. During the early 19th century, summer celebratory processions commemorating the anniversary of the abolition of the slave trade occurred annually in major Northern cities like Boston, New York, and Philadelphia., Title from item., Date inferred from content and name of publisher., Contains eight bubbles of dialogue in the vernacular within image: De Orator ob de day_When I jus hear him begin he discourse, tink he no great ting, but when he come to end ob um, I tink he like to scorch cat more better dan he took_Moosick_Possum up de Gum tree/Gubner Eustas Cleber old sole as eber wore nee buckle in de shoe_99 cheer and tree quarter/De Sun _Wonder why he no shine in de night putting nigger to dispense ob de candle./De day we Celumbrate! who he no come sooner? Guess de hard fros & de backward spring put um back. 29 pop gun v. 2 grin. White man _ mighty anxious to send nigger, to de place dey stole him from, now he got no furder use for him./De Genius de Merica _ He invent great many curious ting: wonder who just invent eating & drinking. 30 cheer & ober./Joe Gales _ He ax Massa Adams “if he be in health my brudder” and den he cut he guts out./Ning Edwards_ Guess he no great Angs no more nor udder people all he cut such a swell., P.2016.45.2 trimmed and lacking imprint., See LCP AR (Annual Report) 2003, p. 40-42., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 111. (LCP Ii 4, A2880.O)., Digital image shown is P.9709.3., P.2016.45.1 gift of Dr. Richard Dunn & Dr. Mary Maples Dunn., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Harris, I., engraver
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9709.3 & P.2016.45.2]

Title: Life in Philadelphia. Grand celebration ob de bobalition ob African slabery
Description: Racist caricature about free African Americans' celebratory response to the abolition of the African slave trade by the United States, an act passed in 1807 that took effect in 1808. Depicts a group of over fifteen well-dressed men sitting and standing and drinking, smoking, and making toasts around a large dinner table. A number of the men raise goblets and/or pipes in the air. Soup tureens are visible on the table. One man, standing, drinks from a rum bottle. In the far right, an attendee, in a wide-brimmed hat, carries away another who is unconscious, his tongue out, and holding a pipe. The men are attired in waistcoats with tails, pants and pantaloons, some striped, vests, and cravats. Some wear their hair in pompadour styles and one man has white hair. The biting toasts address "De Orator ob de day," William Wilberforce, a prominent British abolitionist; William Eustis, Governor of Massachusetts and the disgraced former Secretary of War under Madison; "De Sun" which should shine at night; Joseph Gales, a publisher and secretary of the American Colonization Society who believed that only states had the right to emancipate enslaved persons; "Ning Edwards;" "De Genius ob Merica;" the "White man" who wants to colonize blacks "now he got no furder use for him;" and "De day we Celembrate" and why it did not come sooner. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring. During the early 19th century, summer celebratory processions commemorating the anniversary of the abolition of the slave trade occurred annually in major Northern cities like Boston, New York, and Philadelphia., Title from item., Date inferred from content and name of publisher., Contains eight bubbles of dialogue in the vernacular within image: De Orator ob de day_When I jus hear him begin he discourse, tink he no great ting, but when he come to end ob um, I tink he like to scorch cat more better dan he took_Moosick_Possum up de Gum tree/Gubner Eustas Cleber old sole as eber wore nee buckle in de shoe_99 cheer and tree quarter/De Sun _Wonder why he no shine in de night putting nigger to dispense ob de candle./De day we Celumbrate! who he no come sooner? Guess de hard fros & de backward spring put um back. 29 pop gun v. 2 grin. White man _ mighty anxious to send nigger, to de place dey stole him from, now he got no furder use for him./De Genius de Merica _ He invent great many curious ting: wonder who just invent eating & drinking. 30 cheer & ober./Joe Gales _ He ax Massa Adams “if he be in health my brudder” and den he cut he guts out./Ning Edwards_ Guess he no great Angs no more nor udder people all he cut such a swell., Inscribed: No. 11., See Lib. Company Annual Report 2003, p. 40-42., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 111. (LCP Ii 4, A2880.O)., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Harris, I., engraver
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7510.F]

Title: Life in Philadelphia. Grand celebration ob de bobalition ob African slabery
Description: Racist caricature about free African Americans' celebratory response to the abolition of the African slave trade by the United States, an act passed in 1807 that took effect in 1808. Depicts a group of over fifteen well-dressed men sitting and standing and drinking, smoking, and making toasts around a large dinner table. A number of the men raise goblets and/or pipes in the air. Soup tureens are visible on the table. One man, standing, drinks from a rum bottle. In the far right, an attendee, in a wide-brimmed hat, carries away another who is unconscious, his tongue out, and holding a pipe. The men are attired in waistcoats with tails, pants and pantaloons, some striped, vests, and cravats. Some wear their hair in pompadour styles and one man has white hair. The biting toasts address "De Orator ob de day," William Wilberforce, a prominent British abolitionist; William Eustis, Governor of Massachusetts and the disgraced former Secretary of War under Madison; "De Sun" which should shine at night; Joseph Gales, a publisher and secretary of the American Colonization Society who believed that only states had the right to emancipate enslaved persons; "Ning Edwards;" "De Genius ob Merica;" the "White man" who wants to colonize blacks "now he got no furder use for him;" and "De day we Celembrate" and why it did not come sooner. Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring. During the early 19th century, summer celebratory processions commemorating the anniversary of the abolition of the slave trade occurred annually in major Northern cities like Boston, New York, and Philadelphia., Title from item., Date inferred from content and name of publisher., Contains eight bubbles of dialogue in the vernacular within image: De Orator ob de day_When I jus hear him begin he discourse, tink he no great ting, but when he come to end ob um, I tink he like to scorch cat more better dan he took_Moosick_Possum up de Gum tree/Gubner Eustas Cleber old sole as eber wore nee buckle in de shoe_99 cheer and tree quarter/De Sun _Wonder why he no shine in de night putting nigger to dispense ob de candle./De day we Celumbrate! who he no come sooner? Guess de hard fros & de backward spring put um back. 29 pop gun v. 2 grin. White man _ mighty anxious to send nigger, to de place dey stole him from, now he got no furder use for him./De Genius de Merica _ He invent great many curious ting: wonder who just invent eating & drinking. 30 cheer & ober./Joe Gales _ He ax Massa Adams “if he be in health my brudder” and den he cut he guts out./Ning Edwards_ Guess he no great Angs no more nor udder people all he cut such a swell., Inscribed: No. 11., See LCP AR (Annual Report) 2003, p. 40-42., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 111. (LCP Ii 4, A2880.O)., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Harris, I., engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.3]

Title: Watson, J. F. (John Frampton)
Description: John Frampton Watson, born ca. 1805 in Philadelphia to merchant Joseph Watson and Margaret Rodman, worked as a lithographer and printer in Philadelphia 1833-1866. He began his career in lithography with his brother Charles Augustus Watson in 1833. By 1835, an advertisement for the new lithographic establishment of J. F. & C. A. Watson at 62 Walnut Street appeared regularly in the "Philadelphia Inquirer" and emphasized "that cards &c. engraved on stone for all the practical purposes of business, are equal to those on copper, and at one third the cost." Early works by the firm included the plates "Grisly Bears [sic]," "Ground Squirrel," and "Argali" published in the third volume of the "Cabinet of Natural History and American Rural Sports" (1833)., J. F. & C. A. Watson also printed sheet music covers and maps, along with an 1834 lithograph of Chadds Ford delineated by Swiss artist and lithographer John Caspar Wild in 1834. By 1837, C. A. Watson had withdrawn from the business. However, John Frampton continued to operate from 62 Walnut Street, where he published "Tippecanoe and the Thames" with Philip Banks as J.F. Watson & Co. in 1840. Between 1843 and 1847, Watson operated from 80 1/2 Walnut Street, near Fourth Street, and subsequently from the southeast corner of Fourth and Walnut Streets, where he remained until his death in 1866., Little is known about John Frampton Watson, except that he embarked on a government-funded expedition to the South Seas in 1830, possibly as a draughtsman, with Jeremiah N. Reynolds. In the late 1830s and early 1840s he resided on High (i.e., Market) Street, including 207 High Street, according to an 1837 city directory listing and his address on his 1842 proposed membership cited in the Franklin Institute Board Meeting Minutes. He married Susan Abbott Newbold Penny in 1846 and resided with her in a hotel in the Dock Ward of the city by 1850. They lived at 257 South Ninth Street in 1858, and by 1866, boarded at 739 Spruce Street, where Watson died ca. 1866. His widow provided the address in an "Illustrated New Age" (June 21, 1866) advertisement asking for all debts to be paid to the Watson estate.
Date: ca. 1805-1866
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: I REMEMBER THE HOUR WHEN SADLY WE PARTED. AN ANSWER TO WHEN THIS CRUEL WAR IS OVER.
Description: I remember the hour when sadly we parted (3 vs. and chor.) Words by Ednor Rossiter, music by B. Frank Walters., Variant: a. Title: "Answer to When This Cruel War Is Over"; music had of Lee and Walker; publ. Auner (4). A-J border. 21 x 12.5 cm., Variant: b. With comma after "Hour" in title and in first line; 3 chors.; [Music] published by Lee and Walker; music ob- tained of Sawyer and Thompson; publ. De Marsan (3). De Marsan fountain border. 25.5 x 16 cm., Variant: c. [As above;] [publ.] De Marsan (3). De Marsan kissing cupids border. 22 x 13.7 cm., Variant: d. Title: "Answer To When This Cruel War Is Over"; music had of Lee and Walker; adv: 600 different kinds of songs; publ. Johnson (2); with "N" in imprint. A-J border. 23 x 15.2 cm., Variant: e. [As above; with "North" in imprint.] 23 x 14.5 cm., Variant: f. With comma after "Hour" in title and in first line; with colon after "To" in title; [without names of author and composer;] 3 chors. Letter paper; blue ink; hdpc. Magnus 59, col.; [publ.] Magnus (1). 18.2 x 12.5 cm., Variant: g. [As above;] adv: 500 Illustrated Ballads [publ.] Mag- nus (2). Letter paper; blue ink; hdpc. Magnus 72, col. 20 x 12.5 cm., Variant: h. [As above;] hdpc. Magnus 80, col. 20.2 x 13.2 cm., Variant: i. [As above;] hdpc. Magnus 231, col.; publ. Magnus (1). 20.5 x 12.8 cm., Variant: j. [As above;] with 2nd adv: Ten illustrated Songs. Letter paper; blue ink; hdpc. Magnus 149, col.; [publ.] Magnus (1). 19.7 x 12 cm., Variant: k. Title: ''Then Weep Not, Love, Oh! Weep Not. Answer To When This Cruel War Is Over"; [without names of author and composer;] with 3 chors.; sold by Partridge (2). T. o. border. 23.7 x 16.2 cm., Variant: l. [Without comma after "Parted" in title;] with comma after "hour" in first line; [Music] published by Lee and Walker; music obtained of Sawyer and Thompson; sheet no. 1132; 3 chors.; publ. Wrigley (1). Wrigley kissing cupids border. 24.5 x 15.4 cm.

Title: The life & age of man. Stages of man's life from the cradle to the grave
Description: Allegorical print containing a portrayal of a male figure aging from a baby to an older man on a pedestal of life. Includes rhymed couplets describing each age below the image corresponding to animal vignettes adorning the pedestal styled as up and down steps. Shows the figure, in the far left, as an infant as a "lamb like innocent" in the lap of his mother, her long dark hair loose down her back, and attired in a red dress; at the age of 10 with dark hair and attired in a blue pant suit and cap and holding a stick and hoop as he "goat like skips and joys"; at the age of 20 attired in a black top hat, black waistcoat, and blue striped pants when "love doth swell his veins and heifer like untamed remains"; at the age of 30 attired in a military uniform "with bull like strength he smites his foes"; at the age of 40 attired in a military uniform holding a sword and flag and "naught his courage quails but lion like by force prevails"; at the age of 50 with greying hair, attired in a black suit and top hat, and his "strength fails but with wit fox like he helps to manage it"; at the age of 60 with long white hair, attired in a black suit and top hat, and holding out a cane while "wolf like he tries his wealth to raise"; at the age of 70 with rounded shoulders and attired in a black long coat and top hat and cane in hand, "he'll hear and tell but dog like loves at home to dwell"; at the age of 80 slightly hunched and reaching out as "a cat keeps house and loves the fire" he has the same desire; at the age of 90, in the far right, severely hunched over and reliant on a cane that he must suffer everywhere as "weak asses backs were made to bare"; and at the age of 100, attired in a white night gown, seated in a chaise lounge, and tended by a young woman, attired in a red dress and holding a cup as "the sick of life the grave he fears.", Image also includes a tree in full leaf (left), a dead withered tree (right), and a vignette scene set in a tree-lined pasture behind a stone wall entitled "Resist the Devil and he will flee from you!" Scene shows bare-chested male figure attired in a loincloth and with their left hand up and right arm out between a couple, in the right, and a table of men drinking, in the left. A cross is seen in the distance behind the couple., Title from item., Date inferred from dates publisher Nathaniel Currier operated as sole proprietor of his firm., Printed on recto: 87., Currier operated as a sole proprietor at 152 Nassau Street from 1838 to 1857 before partnering with Frederick Ives.
Creator: Currier, Nathaniel, 1813-1888
Date: [ca. 1847]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [P.2004.14.1]

Title: Cuba. Sugar plantation. Havana City and Harbor. Morro Castle. Santiago Cuba
Description: Trade card specimen depicting vignettes of a black man in a hat smiling, a sugar plantation, Havana City’s harbor, Morro Castle, and Santiago. In the top left is a circular vignette of a black man, attired in a brimmed straw hat and a white-collared shirt, who looks to the right and smiles. In the top right is a sugar plantation with a man in horse-drawn cart hauling sugar cane. Tall stalks of cane line the road. Beneath is a scene of the harbor in Havana City, with ships coming in and out. Mountains are visible in the background. In the left are palm trees. A vignette of Morro Castle, the fortress guarding Havana Bay, is depicted with a ship passing in front of it. In the bottom of the card is a depiction of Santiago, showing a wall with an American flag flying on a pole with mountains in the background and water winding around the land below. In the foreground are products from Cuba, including fruits, such as a pineapple, a pouch labeled “tobacco,” and a box of cigars., Title from item., Date deduced from the content., Text printed on verso: Cuba. The area of Cuba is 41,655 square miles. The island is long and narrow and follows a curved line through its centre; is 720 miles long and its average breadth is 80 miles. The highest part of the island is the range extending in the southwest from the Punto de Maysi to Cape Cruz. There are mountains immediately above the harbor of Trinidad de Cuba in the south, the highest of which is 2,990 feet above the sea level. The climate is hot on the coast and temperate on the higher levels. Ten per cent of the area is, or was, cultivated. There are large tracts of the island still unexplored. A census taken in 1887 reported the population to be 1,631, 687. Of this, 528,998 were negroes and mulattoes. The present population is uncertain. Probably, as the results of devastating war, it has been cut down at least a fourth. Principal cities are Havana (the capital), Santiago de Cuba, Puerto Principe, Holguin, Sancti Spiritus, Matanzas. Before the insurrection, there were over 1,000 miles of railroad in operation on the island. The chief produce is sugar and tobacco. There is also production of mahogany, fruits, honey and wax. Gold and silver have been found in paying quantities. The iron mines of Cuba, all of which are located near Santiago, overshadow in importance all the other industries on the eastern end of the island. The ore of these mines is among the richest in the world, yielding from 62 to 67 per cent of pure iron. The principal imports are flour, rice and jerked beef. The chief exports are sugar and tobacco., Stamped on verso: 3259 12., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Cuba [P.2017.95.202]

Title: The life & age of man. Stages of man's life from the cradle to the grave
Description: Allegorical print containing a portrayal of a male figure aging from a baby to an older man on a pedestal of life. Includes rhymed couplets describing each age below the image corresponding to animal vignettes adorning the pedestal styled as up and down steps. Shows the figure, in the far left, as an infant as a "lamb like innocent" in the lap of his mother, her long dark hair loose down her back, and attired in a red dress; at the age of 10 with dark hair and attired in a blue pant suit and cap and holding a stick and hoop as he "goat like skips and joys"; at the age of 20 attired in a black top hat, black waistcoat, and blue striped pants when "love doth swell his veins and heifer like untamed remains"; at the age of 30 attired in a military uniform "with bull like strength he smites his foes"; at the age of 40 attired in a military uniform holding a sword and flag and "naught his courage quails but lion like by force prevails"; at the age of 50 with greying hair, attired in a black suit and top hat, and his "strength fails but with wit fox like he helps to manage it"; at the age of 60 with long white hair, attired in a black suit and top hat, and holding out a cane while "wolf like he tries his wealth to raise"; at the age of 70 with rounded shoulders and attired in a black long coat and top hat and cane in hand, "he'll hear and tell but dog like loves at home to dwell"; at the age of 80 slightly hunched and reaching out as "a cat keeps house and loves the fire" he has the same desire; at the age of 90, in the far right, severely hunched over and reliant on a cane that he must suffer everywhere as "weak asses backs were made to bare"; and at the age of 100, attired in a white night gown, seated in a chaise lounge, and tended by a young woman, attired in a red dress and holding a cup as "the sick of life the grave he fears.", Image also includes a tree in full leaf (left), a dead withered tree (right), and a vignette scene set in a tree-lined pasture behind a stone wall entitled "Resist the Devil and he will flee from you!" Scene shows bare-chested male figure attired in a loincloth and with their left hand up and right arm out between a couple, in the right, and a table of men drinking, in the left. A cross is seen in the distance behind the couple., Title from item., Date inferred from dates publisher Nathaniel Currier operated as sole proprietor of his firm., Printed on recto: 87., Currier operated as a sole proprietor at 152 Nassau Street from 1838 to 1857 before partnering with Frederick Ives.
Creator: Currier, Nathaniel, 1813-1888
Date: [ca. 1847]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [P.2004.14.1]

Title: Childs, C. G. (Cephas G.)
Description: Cephas G. Childs, one of the foremost engravers in Philadelphia, born on September 8, 1793 in Plumstead Township, Bucks County, Pennsylvania, managed some of the earliest premier commercial lithograph firms in the city. Through his partnerships in the firms Pendleton, Kearny & Childs (1829-1830), Childs & Inman (1830-1833), and Childs & Lehman (1833-1835), along with his active pursuit of skilled artists and lithographers, such as Albert Newsam, P. S. Duval and Henry Inman, Childs facilitated the growth and popularity of lithography as a printing medium in Philadelphia., Childs entered the printing trades in 1812 following the early loss of his parents. He was apprenticed to Philadelphia bank note engraver Gideon Fairman of the firm Murray, Draper, Fairman & Co. on Sansom Street above Eighth Street. The following year Childs enlisted with the Washington Guards and began his lifelong involvement in volunteer military organizations, including the Washington Greys of Philadelphia, who elected him Lieutenant Colonel in December 1825., Even though Childs established his own business in 1818, he continued to work on commissions with Fairman, including the portrait engraving of the head of Washington (1823), portraits of General Jackson and Lafayette (1824), and miscellaneous engraved book illustrations. Between 1827 and 1830, Childs completed his most noted project to date - "Views of Philadelphia." The guidebook, issued in six parts of twenty-four plates by local artists and engravers, depicted the landmarks of Philadelphia and was praised in the National Gazette, "we have seen no publication of the kind more deserving of the patronage of Pennsylvania, or more likely to succeed in other parts of the Union, particularly the chief cities. We hope that it will be widely spread.", Between 1829 and 1830 Childs began his lithographic career and worked in the partnership Pendleton, Kearny & Childs (185, i.e., 500 block, Chestnut Street) and printed and published lithographs delineated by Hugh Bridport, E. W. Clay, Albert Newsam, and Moses Swett. The brief partnership ended with Pendleton relocating to New York ca. 1830 and by January 1830 Childs had "the whole lithographic establishment in Chestnut Street." Childs subsequently partnered with New York portrait painter Henry Inman in Childs & Inman. The lithographic firm, often praised in the local press, worked on the seminal McKenney & Hall's "History of the Indian Tribes of North America" and issued city and town views, portraits, political caricatures, natural history prints, and advertisements delineated by Albert Newsam, George Lehman, Thomas Doughty, and E. W. Clay. By May 1, 1830, the firm operated from 80 Walnut Street (i.e., Fourth and Walnut Streets), The following year, Childs set out in the spring on a voyage to Europe to better learn the trade (his passport application dated May 13, 1831). He returned to Philadelphia that fall, with permanent injuries received during his trip, as well as with French-born lithographer P. S. Duval to bolster the experience of his firm. In 1833 Childs & Inman dissolved and Childs partnered with Lehman, an engraver and lithographer with whom he associated as early as 1827. As Childs & Lehman (43-45 Walnut Street), the firm predominately created lithographs of public landmarks in Philadelphia and Pennsylvania, including views of "Eastern Penitentiary," "Fairmount Waterworks," "Philadelphia Arcade," and "Coal Mine at Maunch Chunk." By 1835, his injury sustained abroad and financial failings ended his career in the trade. Duval bought Childs' share of the business at the end of 1834 and the firm was reestablished as Lehman & Duval., Subsequently, Childs transitioned into editing and publishing, and published "The Commercial List and Price Current" from offices at 221 Dock Street. He retired from the "Current" in 1852, and served as the president of the New Creek Coal Company. He owned real estate valued at $20,000 during his tenure with the company. Childs was also a member of the Library Company of Philadelphia and a director of the Pennsylvania Academy of the Fine Arts, According to censuses and city directories, Childs was married first to Ann (b. ca. 1807) (1850 census) and later Francis (b. ca. 1817) in 1866. In 1840 he resided in the South Mulberry Ward at 365 Mulberry (i.e., Arch) Street. By 1850, he had relocated to “Inglewood Cottage” at 150 Bethlehem Pike in Chestnut Hill. He remained at the residence designed by Thomas Ustick Walter until his death on July 7, 1871.
Date: September 8, 1793- July 7, 1871
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: The old houses and stores with memorabilia relating to them and my father and grandfather
Description: Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856)., Other narratives describe the yellow fever epidemic of 1793; J. A. P. Lewis's service in the volunteer militia; G. Albert's siblings S. Weir, John A., and Theodore C.; John F. Lewis's successful management of the financial panic of 1828 and his entertaining, including fireworks and "ample supplies of groceries, provisions, wine and liquors" on store; the business practices of the import trade; the conversion of Second Street residences into storefronts; the regrettable disposal of family possessions from the China trade, including card receivers, satins, pearl and ivory seals, artificial flowers, tortoiseshell combs, and silk covered boxes; the childhood of Eliza Mower along the Schuylkill River, her clandestine marriage to Lewis, and her death; John F. Lewis's lucky Mexican dollar; and the childhood and young adult years of G. Albert Lewis, including his "spying" at family parties, Christmas memories, sailing excurisons on the Schuylkill and Delaware rivers, and work for the Lewis firm., Album also contains numerous captioned and dated graphic and ephemeral materials, including watercolors and drawings by G. Albert Lewis, photographic views of family churches, family portraiture, newspaper clippings, certificates, bills of lading, and business and calling cards. Lewis's works depict family crests and coats of arms; sentimentalized genre scenes representing family lore, including J. A. P. Lewis's immigration to America for love; his childhood haunts, Christmas presents, and play areas; exteriors, interiors, grounds and gardens of the family residences and storefronts, including parlors, front rooms, gates, a weather vane designed as a cavalryman on the Walnut Street stable, dormer window (Second Street residence), store house on Laurel Street, and stores on Front and Walnut street; ground plans of Lewis residences (264 S. Second and Walnut Street); the "Great Tree" (South Second Street property); and Chinese exports and china patterns. Photographs depict family portraits of Johann Andreas Philipp and Anna Maria Lewis, John F. and Eliza Lewis, and G. Albert and Anne C. Lewis; the Lewis cargo ship "Globe," family churches and residences, including the altar of St. John's Lutheran Church, Crailsheim (J.A.P. Lewis's baptismal font) and St. Michael's Evangelical Lutheran Church, Swedes Church, (Gloria Dei), and St. Johns Evangelical Lutheran Church (Philadelphia), and the final residence of Eliza Lewis at 1927 Spruce Street; and family artifacts, furniture, and mementoes, including Ludwig's sword and secretary and John F. Lewis's lucky Mexican dollar. Also contains engraved portraits of Frederick the Great and pictorial details by Lewis incorporated at the end of narratives and as frames around portraits., Ephemera includes certificates, bills of lading, and calling cards (including in Chinese) related to the Lewis firms; G. Albert's share certificate in the Philadelphia Museum Company; photomechanical and chromolithographed genre prints; an engraving sample possibly by James Otto Lewis; newspaper clippings, including advertisements and announcement for the Lewis firms, family obituaries, and poems; manuscript "endorsements on notes received, but protested for non-payment" by Weir, Lewis & Co. and family signatures, including that of Eliza Lewis; and textile swatches from Chinese curios, wall paper, and upholstery. Family trees and a chronology of the Lewis firm (until 1828) also form the content., Floral border in watercolor on title page. Border also includes pictorial details showing a sailing ship and Chinese character., Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Dedication: "Dedicated to the Memory of my dear Mother who made the homes of my childhood most lovely and so beautiful!" Surrounded by watercolor frame reading "Haec Olim Meminisse Juvabit Virgo," i.e., "This will help you remember once upon a time.", Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., One of six Lewis Family albums held in the Print Department., Housed in clamshell box., George Albert Lewis, son of Philadelphia China trade merchant John F. Lewis (1791-1858) of John A. Lewis & Co. and Eliza Mower (1788-1885), was a banker, genealogist, and artist descended from Hessian solder and Philadelphia Prothonotary Johann A. P. Lewis [formerly Ludewig]. Lewis studied art with G. W. Holmes, frequently exhibited at the Pennsylvania Academy of the Fine Arts and Artist's Fund Society, and was a member of several organizations, including the Numismatic & Antiquarian Society of Philadelphia, Genealogical Society of Philadelphia, and the Library Company. He married Anne C. Larcombe on July 1, 1851 and with her had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator: Lewis, G. Albert, 1829-1915
Date: 1900
Location: Library Company of Philadelphia | Print Department albums [P.9829.2]

Title: Memories of the home of Grandma Lewis
Description: Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets., Album also contains several captioned and dated graphic and ephemeral materials, including family portraiture, views of residences and summer lodgings, clothing and upholstery scraps, tickets, invitations, calling cards, and watercolors and drawings by G. Albert Lewis. Lewis's works depict sailing trips; interiors and exteriors of their residences, including during the Civil War; home furnishings, including a pier table (Eliza Lewis's); lodgings, sites, and flora from family excursions; family souvenirs, memorabilia, and crests, including a Chinese pipe, John F. Lewis's "Little Chair" as a child, Anne's life membership badge in the Philadelphia Skating club, a family clock (Mrs. John F. Lewis estate), and "Indoor amusements of G.A.L." Other imagery includes photographs of Broad Top Mountain House, Bryn Mawr Hotel, Devon Inn, Eastwick Park, St. Johns Evangelical Lutheran Church, First Baptist Church, views of European churches, including St. Michael Church of Schwabisch., and the interior (parlor, dining room, library, front rooms) and exterior of the Delancey Street residence. Portraits, predominantly photographs and photographic reproductions, depict G. Albert and Anne C. Lewis (including in the second story front room on Delancey); Alberta and Hermann Lewis and their spouses Frederick B. Allen and Sally Draper Lewis; grandchildren Hidegard, Frederick ("Fritz"), Barbara, George, and Margaret; John F. and Eliza Lewis; Thomas and Anna Larcombe; and family pets. Also contains pictorial details by Lewis incorporated at the end of narratives and as frames around portraits, as well as a memento "To our dear Papa, July 3, 1863" adorned with two, small circular works of handcrafted art, possibly with flower petals (p.80a)., Ephemera includes mementoes from trips, including pressed flowers; tickets to the Sanitary Fair (1864) and Eastwick Park; scraps of ribbons, collars, and clothing worn by Anne as a child, at her wedding, and during her honeymoon; upholstery and fabrics from the China trade and home furnishings; newspaper clippings of marriage announcements, obituaries, and poetry; wedding invitations and after cards; and a University of Pennsylvania graduation program for Hermann Lewis. Manuscript material contained in the scrapbook includes a letter by Anne to her mother during her honeymoon captioned "First 'Lewis' signature of A.C.L" and a letter of introduction from the Department of State for the Lewises., Vignette photograph after a daguerreotype portrait of Anne Lewis as a young woman pasted and set within a watercolor frame on title page, Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Inscribed on front free end paper: Tender regards, old memories, blossom in pages such as these, Voices that speak from heart to heart, When hands and lives lie far apart. The thought of our past years, in me, Doth breed perpetual benediction., Dedication: "These memories I dedicate to my dear husband G. Albert Lewis whose thought inspired the writing of this simple story. Indeed, it would be of little interest without his numerous and varied illustrations, many of which are his own design and handiwork. A number of the photographs are copied of absolutely correct watercolor sketches, made by him; the whole being a mutual work of love, for our dear grand-children.", Photographers include the Langenheims and William H. Rau., Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., One of six Lewis Family albums held in the Print Department., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., Housed in clamshell box., Anne Cornelia Larcombe Lewis, born in Connecticut, was daughter of Rev. Thomas Larcombe (1791-1861) and Anna S. Larcombe (1794-1872), president of the board of the Baptist Home. She relocated with her family to Philadelphia in 1835 and married George Albert Lewis, a Philadelphia banker, artist, and genealogist descended from a family involved with the China trade on July 1, 1851. During her married life, Lewis resided in the Rittenhouse Square neighborhood, was active in genealogy, and a member of the Philadelphia Skating Club and Humane Society. She and Lewis had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator: Lewis, Anne C., 1831-1898
Date: 1896
Location: Library Company of Philadelphia | Print Department albums [P.9829.1]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: Illustrated Philadelphia. Vincit qui se vincit. Vol. IV
Description: Scrapbook containing clippings, prints, and ephemera predominately dated 1855 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Contents include illustrated newspaper, periodical, and guidebook clippings describing prominent city landmarks, including cemeteries, benevolent institutions, and churches; columns reporting about city improvements; reports, lists, and statistics about mortality rates, market prices, and sheriff and real estate sales; and editorial and public interest stories related to local politics and mores, prominent trades, social events, municipal services, and city demographics. Subjects include the new Masonic Hall (history of the local organization, dedication ceremony, and description of building); the history and demolition of the second building of the Chestnut Street Theatre; the centennial anniversary of the Pennsylvania Hospital; the state of local trades, including Jules Hauel & Co.’s perfumery, the soda water business, "plaster images," lithography (P. S. Duval, p. 24), preserves and pickling (Jacob L. Wendall), milkmen, shipbuilding, manufacture of cassimeres, and over-worked and underpaid needle woman; municipal issues, including the mayor’s veto of councilmen wearing police badges, the reforms to street names and numbering, extended hours at the public squares, and the report of the Grand Inquest of 1850, including prison reform recommendations., Several articles describe new construction, predominantly churches, and improvements to the city infrastructure, particularly on Chestnut Street. Subjects include Fourth Baptist Church, First Reformed Dutch Church, First Baptist Church, Christ Church Germantown, New Moravian Church, and St. Jude’s Church;the opening of part of Delaware Avenue; the Market Street tunnel (1844); the extension of West Chester Railroad to Media; Reading Railroad Bridge; inauguration of the Wagner Free Institute; Germantown; the new offices of the Board of Surveys; the fancy and perfumery store of T. H. Peters & Co. (700 block Chestnut) and saddlery of Lacey and Phillips (700 Lodge Street); the opening of Belmont Avenue; the 1850 building season; and preservation of trees in areas of construction in West Philadelphia. Subjects addressed through editorials include the decrepit state of the Merchant’s Exchange (annotated "as written by G. G. Foster for the "Sunday Mercury"); the chimes of the Christ Church bell; the ca. 1765 cartoon “The Election, A Medley…” (p. 15); the horse market at Bush Hill; Chestnut Street and Custom House vendors; the omnibus system; a G.G. Foster article about “daylight ruffians" and their haunts; and "Negro Minstrelsy and Jakeyism." Other articles satirize "Philadelphia Customs" like cleanliness; advertise baby shows organized by P.T. Barnum and colleagues; and provide commentaries about the sale of the late Edward D. Ingraham’s library and estate; Phoebe Ann Rush’s mansion; Governor Pollock’s visit to the "colored High School in Lombard Street"; tariffs established by hotel keepers (1855); the extent of foot traffic at Third and Chestnut Street in one hour; the demographics of South Street; and stocking the Delaware with salmon., Ephemera includes seven lottery tickets, issued between 1796 and 1833, and playbills for Chestnut Street Theater and Deutches (i.e., German) National Theater. Lotteries represent the Union Canal of Pennsylvania, Washington Canal, Connecticut, Maryland, New York and Delaware. Scrapbook also includes detailed manuscript notes about "Morris’ Palace"; the Farmers & Mechanics Bank; Chestnut Street Theatre signage; "List of American Theatres"; "St. Peter’s church steeple and bells"; and "The German Theatre.", Graphic materials, predominately views and illustrations of landmarks, and advertisements, include wood engravings, engravings, and cameo stamps. Views and illustrations include images of Fairmount Water Works; "The Coal Wharves at Richmond, near Philadelphia"; Masonic Hall; Philadelphia Bank; "Front View of the American Sunday School Union Buildings, 146 Chesnut St., Philadelphia"; St. Mark's Church; the Philadelphia Library (i.e., Library Company); and the Orphan Asylum. Advertisements depict “A View of the Laboratory and Residence of Dr. Schenck, S.E. corner of Coates and Marshall Streets…”; Charles Ellis & Co., wholesale druggists (56 Chestnut); Beck & Co., perfumery (205 Arch, i.e., 500 block); "Messrs. Glenn & Co.’s Store, 180 Chestnut Street" (i.e., 700 block); Dr. McClintock’s Family Medicines (Ninth and Filbert); Blanchard & Co., wallpaper and upholstery (227 Chestnut, i.e., 700 block); James, Kent, Santee & Co., wholesale dry goods (147 N. Third, i.e., 200 block); M. Walker & Son, wire railing manufactory (Sixth and Market); Fritz, Williams & Henry, leather (29 N. Third); S. A. Harrison, warming and ventilating warehouse (Walnut near Sixth); "Northeast corner of Third and Chestnut Streets" (includes Moran & Sickels, printers); “Anthy. Finley’s Bookstore, corner of Chesnut and Fourth Streets”; Joseph Maples, sculptor and marble cutter (Arch near Broad); F. H. Smith, pocket book and port monaie manufacturer (Fourth and Chestnut); Fowler, Wells & Co., phrenologists (231 Arch, i.e., 600 block); Lippincott’s clothing warehouse (400 block Market); W. P. & G. W. Hacker, china, glass, queensware (60 N. Second); Henry Duhring & Co., hosiery and yarns (22 N. Fourth); and Lindsay & Blakiston, publishers., Cameo stamps advertise Jones’ Exchange Hotel (77 Dock); W. & E. H. Hawkins, flour & feed mills (Ninth above Poplar); and William Gorman boys clothing establishment (Ninth and Market). Majority of the advertisements include street and pedestrian traffic. Graphics also include prints from William Birch's and C.G. Child's "Views of Philadelphia" series; vignettes depicting an "ice water" fountain, trunks by T.W. Matson, "chamber furniture," a woman using opera glasses, a spit, an arm chair, the exterior of the “Book & Stationary, No. 104 South Third Street,” “Statue of William Penn,”and ladies bonnets; and illustrations of “the fashion of ladies costume of 1853 – not exaggerated!” including shawls and overcoats and military and fireman’s caps “worn in 1854”., Majority of contents annotated with a date or explicative manuscript notes by Poulson., Cut outs pasted on title page. Imagery includes allegorical female figures representing art and writing, a pedestal, and a gilted memorial vignette., Verso of title page contains Poulson inscription: “The dates of the articles herein, are those of the newspapers &c from which they were cut. Cutout of vignette of roman garbed woman holding a mirror frames the inscription., "Index to set in back part of vol. XI.", Insert opposite p. 40: Lettersheet inscribed with explicative text about “picture representing the building at N.E. corner of Third and Chestnut street." Insert opposite p. 44: 2 lettersheets inscribed with explicative text about contents (Wetherill Family and Finley's Bookstore) on p. 44. One signed by Thompson Westcott and dated 1858. Insert opposite p. 88: Lettersheet dated 1855 and inscribed with explicative text about the Philadelphia Bank received by Poulson from “Mr. Robins the present Prest. Of Philadelphia Bank”, Scraps with manuscript notes about the estates "Solitude" and "Landsdown House" tipped in before p. 80., Artists, engravers, and printers include Beller; Joseph H. Brightly; J. H. Byram; Edward Clarkson; W. Croome; George Devereux; W. E. Gihon; Gilbert & Gihon; A. Kollner; Jacob Maas; H. L. Stephens; William Strickland; H. Tanner; and R. Telfer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1796-1855, bulk 1855
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 4 [(4)2526.F]

Title: Collections from fugitive sources only, illustrative of the antiquities, progress & c. of the city Philadelphia
Description: Scrapbook containing newspaper clippings and prints, predominantly dated between 1850 and 1855, pertaining to the history and built environment, and social, cultural, and economic climate of Philadelphia. Subject matter mainly relates to improvements to the cityscape, transportation, businesses and industry; historical articles (some illustrated) about the evolution of the city, including notices of destruction of former landmarks; daily, yearly, and seasonal accounts about the weather; and reports (and prices lists) for mortality, election returns, real estate sales, city permits, taxables, debt, stock, trade, exports, and cattle, domestic, and produce markets. Articles about city improvements (some illustrated) describe new construction of churches, storefronts and factories, residences, and places of amusement, on major Center City streets and outerlying neighborhoods, including Arch Street, North Second Street, Market Street, Chestnut Street, Belmont district, Bush Hill, Germantown, Moyamensing, North Philadelphia, Penn District, the Seventh Ward, Southwark, West Philadelphia, and the “vicinity of the Navy Yard.”, Properties referenced include the American Sunday School Union (1100 block Chestnut); Bulletin Building (Third Street below Chestnut); New Presbyterian and Tabernacle Baptist churches; Major Eastwick’s estate at Bartram’s Gardens, Newlin’s Brewery (100 block N. Second), the Farquhar Building (opp. Merchant’s Exchange); Girard Buildings (Chestnut and Third); Matthew T. Miller & Co. (Third and Chestnut); New Masonic Temple (713-721 Chestnut); Stoddart & Co. (278-282 N. Second); M. Thomas & Sons (100 block S. Fourth); Cornelius, Baker & Co. (800 block Cherry Street); Caleb, Cope & Co. (429 Market); the Concert Hall; City Museum; Pennsylvania Academy of the Fine Arts; Philadelphia Gas Works; Farmer & Mechanics Bank; Howell Evans, printing establishment (130 S. Fourth); New Iron Building (600 Arch); Xavier Bazin, perfumer (Seventh and Chestnut); T.W. Evans & Co., mantle and silk store (214-216 Chestnut); and the New Assembly Building (Tenth and Chestnut)., Also contains columns from the series “Benevolent Institutions of Philadelphia” (1849); “Churches and their Pastors” (1849); “Philadelphia in Olden times” (1853); “Reminiscences” (Sunday Dispatch, 1853); “The Progress of Philadelphia”; local historian Thompson Westcott’s “Street Scenes: Philadelphia in 1798, 1799 and 1800” (Sunday Dispatch, 1853); and "Revolutionary Relics" (1854). Topics of historical pieces include Cathedral Cemetery; several churches, including Assumption, Swedes, Tabernacle Baptist and Associate Presbyterian; Videll’s Alley; Market and Chestnut streets; Centre Square; the Pennsylvania Hospitals, including for the Insane in West Philadelphia; Naval Asylum; Commissioner’s Hall, Spring Garden; Robert Morris Mansion; the "libraries of Philadelphia," including the Library Company; and the city police, Quakers and Odd Fellows., Other articles report about the consolidation of the city (including a satiric piece criticizing the grand consolidation ball); Girard College; Philadelphia medical schools, including the Female Medical College of Pennsylvania; auctions conducted by M. Thomas & Sons and James A. Freeman; meteorological reviews, reports and bizarre weather lore, including the 1850 freshet on the Schuylkill; the gas industry in the city; various city water works, including Fairmount and Schuylkill; the number and improvements to omnibuses and their lines and other modes of transportation, including steam boats, ferries, and railroads; improvements to Camden; islands in the Delaware, including Windmill Island. Additional subject matter includes temporary housing of the Post Office in the Jayne Building on Dock Street; “haunts of vice and misery,” including raffling , i.e., gambling, and dance houses; the cleaning of streets through ordinances and sweeping machines; daguerreotypist M. A. Root as the first bidder of the auction of Jenny Lind Tickets in 1850; critical and satirical articles about the newest style of men’s striped pants, the 1855 city directory, the implementation of police hats, and artificial stone fronts on houses; an 1853 benefit at the Parisian Hippodrome; and a black book at the mayor’s office for the reception of “complaints of citizens.”, Scrapbook also contains wood engravings (several from newspaper and periodicals), engravings, cameo stamps, and lithographs. Graphics include predominantly advertisements and cameo stamps. Images show the various locations of the Charles Oakford hat manufactory, including his first shop on Lombard and the mulit-tenanted building on the 700 block of Chestnut; F.C. Kropff, chemical warehouse and laboratory (380 N. Sixth); Keen & Co., manufacturers of ranges and furnaces (Broad & Sansom); J. Smith Harris, merchant tailors (61 S. Fourth); Samuel Hart & Co., manufacturers of playing cards, mother o' pearl goods, and traveling bottles (236 S. Thirteenth); Thomas J. Dickson, brush manufacturer (66 S. Second); W.H. Maurice, blank book and stationery establishment (123 Chestnut); M. Thomas & Sons, auctioneers (67-69 S. Fourth); storefront and factory for Howell & Brothers, paper hangings; the storefront and Callowhill Street manufactory of Daniel Bohler & Co., essence of coffee; Horstmann’s Manufactory (Fifth and Cherry); James Moore’s Porter & Ale brewery (700 block S. Thirteenth); Inquirer Office Building (Third and Carter); interior view of George J. Henkels City Cabinet Warerooms (173 Chestnut); the New Hat Company’s Store (201 Chestnut); John H. Weaver & Co., grocers and tea dealers (Second and Pine); Homeopathic Medical College; J.W. McCurdy & Son, ladies boots and shoes (111 Chestnut); Pratt & Reath, watches & Jewelry (80 Market;) and "View of N.A. College of Health" (Fifth and Race)., Also includes views of benevolent and educational institutions and historical buildings; clipped vignettes showing “Parlors Stoves 1854,” "Newly invented chimney top ventilator," “Fashionable bonnet,” “Melodeons” (with descriptions and prices), spectacles, shoes dated 1832, a “Prize pianoforte,” and a “Washing Machine 1854”; and clipped images of street laborers, including a boy selling lozenges, a “pandy woman” holding a baby to her chest, a female “rag picker,” a girl selling fruit, an organ grinder, “itinerant news boy,” wood collector, and a street advertiser holding a picketed sign promoting "designer and engraver [David] "Scattergood." Latter annotated “a common method of advertising through the streets.”, Several of the clippings annotated by Poulson with dates and manuscript notes., Cut out designed as a monument-like edifice with ornamental pictorial details pasted on title page. Cut out frames title written in ink. Also includes vignette pen and ink sketch showing a beaver., Note by Poulson on verso of front free endpaper: "The dates affixed to the articles in this book, all generally, those of the newspapers from which they have been cut. CAP", Artists, engravers, and lithographers include J. H. Brightly, J. Cone, George T. Devereux, [ ] Farmelee, Alfred Hoffy, Francis Kearny, David Scattergood, R. Telfer, Wagner & McGuigan, and J. L. White., "Index to set in back part of vol. XI.", Volume 7 includes separate index to volume. Index detached and housed with original of volume., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1828-1855, bulk 1850-1855
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 7 [(7)2526.F]

Title: [Collection of 19th-century matriculation tickets, lecture admission cards, schedule cards, and graduation tickets from various colleges of medicine and pharmacy.]
Description: Collection title devised by cataloger., 11501.F.1 Berkshire Medical Institution, Pittsfield, Mass.: [a] matriculation ticket for Joseph D. Nichols, signed by Alonzo Clark, Aug. 11, 1847 -- [b] admission to lectures on anatomy and physiology for Joseph D. Nichols, signed by B.R. Palmer, Aug. 1847 -- [c] admission to lectures on chemistry, botany, and natural philosophy for Joseph D. Nichols, signed by Chester Dewey, Aug. 5, 1847 -- [d] admission to lectures on general and special pathology for Joseph D. Nichols, signed by Alonzo Clark, Aug. 1847 -- [e] admission to lectures on materia medica, and medical jurisprudence for Joseph D. Nichols, signed by Abner H. Brown, Aug. 1847 -- [f] admission to lectures on principles and practice of surgery for Joseph D. Nichols, signed by Gilman Kimball, Aug. 1847 -- [g] admission to lectures on theory and practice of medicine and obstetrics for Joseph D. Nichols, signed by H.H. Childs, Aug. 1847., 11501.F.2 College of Physicians and Surgeons in the City of New York: [a] matriculation ticket, no. 45, 1833-34, for Warren Thrall, signed by N.H. Dering, signed on verso by J.D. Jaques and A.C. Post -- [b] order of lectures for the 27th session, 1833-34 -- [c] admission to New York Hospital for Warren Thrall, signed by John Adams, Nov. 11, 1833; illustrated card engraved by Elkanah Tisdale -- [d] admission to lectures on anatomy & physiology by J. Augustine Smith, for Warren Thrall, no. 21, 1833-34 -- [e] admission to lectures on chemistry and botany by John Torrey, for Warren Thrall, no. 26, 1833-34; card engraved by Rawdon, Wright & Co. -- [f] admission to lectures on materia medica by John B. Beck, for Warren Thrall, 1833-34 -- [g] admission to lectures on medical jurisprudence by John B. Beck, for Warren Thrall, 1833-34; card engraved by Joseph Perkins -- [h] admission to lectures on obstetrics and the diseases of women & children by Edward Delafield, for Warren Thrall, 1833-34; card engraved by Peter Maverick -- [i] admission to lectures on principles and practice of surgery by Alexander H. Stevens, for Warren Thrall, 1833-34; card illustrated with unidentified portrait -- [j] admission to lectures on theory and practice of physic, and clinical medicine by Joseph Mather Smith, for Warren Thrall, 1833-34 -- [k] admission to lectures on principles and practice of surgery, and surgical anatomy by Willard Parker, for John Moneypenny, 1849-50., 11501.F.3 Columbia College (New York, N.Y.). College of Physicians and Surgeons: [a] admission to lectures on anatomy and physiology by Alexander Ramsay, for Henry U. Onderdonk, 1st course, no. 14, Nov. 21, 1807; illustrated card engraved by Francis Kearny -- [b] admission to lectures on anatomy and physiology by Alexander Ramsay, for Henry U. Onderdonk, 2nd course; illustrated card engraved by Francis Kearny -- [c] admission to lectures on chemistry by John Griscom, for Henry U. Onderdonk; card printed by Samuel Wood -- [d] admission to lectures on chemistry and legal medicine by James S. Stringham, for Henry U. Onderdonk, Nov. 17, 1807 -- [e] admission to lectures on medical jurisprudence by John Ordronaux, at Columbia College Law School, for Miss Sarah Kingsbury, 1860 -- [f] matriculation ticket for John Morgan M.D., Feb. 26, 1885., 11501.F.4 Female Medical College of Pennsylvania: [a] admission to lectures on chemistry & toxicology by Clinton Gillingham, for Rebecca L. Fussell, 1854-55 -- [b] admission to lectures on obstetrics and diseases of women and children by Sylvester Birdsell, for Rebecca L. Fussell, 1855-56 -- [c] admission to lectures on surgery by K.G. Thomas, for Rebecca L. Fussell, no. 14, Oct. 3, 1855 -- [d] admission to lectures on general and special anatomy by Edwin Fussell, for Rebecca L. Fussell, Oct. 1, 1856 -- [e] admission to lectures on materia medica and general therapeutics by Mark G. Ker, for Rebecca L. Fussell, 1856-57 -- [f] admission to lectures on practice of medicine by Ellwood Harvey, for Rebecca L. Fussell, 1856-57 -- [g] admission to lectures on principles and practice of surgery by Henry J. Brown, for Rebecca L. Fussell, 1856-57 -- [h] matriculation ticket for Rebecca L. Fussell, Nov. 1857, signed by Edwin Fussell -- [i] admission to lectures on physiology by Ann Preston, for Rebecca L. Fussell, no. 6, 1857-58 -- [j] admission to lectures on the principles and practice of medicine by Isaac Comly, Woman's Medical College of Pennsylvania, for Jennie Stevenson, 20th session, Oct. 1869., 11501.F.5 Harvard Medical School: [a] admission to lectures on practical anatomy, for Henry Blanchard, Nov. 7, 1838 -- [b] admission to lectures on theory and practice of physic by John Ware, for Henry Blanchard, Nov. 7, 1838; card engraved by W.S. Pendleton and James Eddy -- [c] matriculation ticket for Henry Blanchard, Nov. 6, 1839, signed by Walter Channing -- [d] admission to lectures on materia medica by Edward H. Clarke, for George E. Stubbs, Nov. 1862 -- [e] third course ticket, admission to medical lectures, for George C. Shattuck, 1865; card engraved by John B. Bolton., 11501.F.6 Jefferson Medical College: [a] order of lectures, session of 1848-49 -- [b] admission to lectures on chemistry by Franklin Bache, for Henry Woddrop, Oct. 19, 1849 -- [c] admission to lectures on general, descriptive, and surgical anatomy by Joseph Pancoast, for Henry Woddrop, Nov. 1849 -- [d] admission to lectures on institutes of medicine &c. by Robley Dunglison, for Henry Woddrop, 1849-50 -- [e] admission to lectures on materia medica and general therapeutics by Robert M. Huston, for Henry Woddrop, Nov. 1849 -- [f] admission to lectures on midwifery & diseases of women & children by Charles D. Meigs, for Henry Woddrop, Oct. 1849 -- [g] matriculation ticket for Delavan Bloodgood M.D. U.S.N., signed by Robley Dunglison, Nov. 26, 1861 -- [h] Winter examination by Drs. Warder, McArthur, Leaman and Hatfield, 1871., 11501.F.7 Medical School of Maine: [a] admission to lectures on materia medica and therapeutics by William C. Robinson, for William B. Swasey, Feb. 1865 -- [b] admission to lectures on the theory and practice of medicine by Israel T. Dana, for William B. Swasey, Feb. 1865., 11501.F.8 New Hampshire Medical Institution: [a] admission to lectures on anatomy and physiology by E.R. Peaslee, for Joseph D. Nichols, Aug. 3, 1843 -- [b] admission to lectures on chemistry and pharmacy by Oliver P. Hubbard, for Joseph D. Nichols, Aug. 1843; card engraved by Daggett, Hinman & Co. -- [c] admission to lectures on surgery and obstetrics by Dixi Crosby, for Joseph D. Nichols, Aug. 3, 1843 -- [d] admission to lectures on the theory and practice of physic by Joseph Roby, for Joseph D. Nichols, Aug. 3, 1843 -- [e] Dartmouth. Graduating exercises of the Medical Department, 1877 Tuesday evening, Oct. 30th., 11501.F.9 New York Post-Graduate Medical School: [a] admission to the Department of Clinical Obstetrics, Prof. E.L. Partridge, for John Morgan, Oct. 19-Dec. 7, 1883; ink stamp on verso -- [b] admission to the Department of Diseases of the Eye and Ear, Prof. D.B. St. John Roosa, Associate Prof. W.O. Moore, for John Morgan, Oct. 19-Dec. 7, 1883; ink stamp on verso -- [c] admission to the Department of Diseases of the Throat, Prof. C. Wagner, Associate Prof. F. Whiting, for John Morgan, Oct. 19-Dec. 7, 1883, no. 13; ink stamp on verso -- [d] admission to the Department of Histological and Pathological Anatomy, Prof. T.E. Satterthwaite, Assoc. Prof. W.H. Porter, for John Morgan, Oct. 19-Dec. 7, 1883, no. 20; ink stamp on verso -- [e] admission to the Department of Orthopaedic Surgery and Mechanical Therapeutics, Prof. M. Josiah Roberts, for John Morgan, Oct. 19-Dec. 7, 1883; ink stamp on verso -- [f] admission to the Department of Physical Diagnosis, Clinical Medicine and Therapeutics, Prof. T.W. Satterthwaite, Prof. A.H. Smith, for John Morgan, Oct. 19-Dec. 7, 1883; ink stamp on verso -- [9] admission to the Department of Applied Anatomy, Prof. A.L. Ranney, for John Morgan, May 6-June 24, 1884., 11501.F.10 Rutgers Medical College, New York, N.Y.: [a] admission to lectures on anatomy by John D. Godman, for Isaac M. Ward, 1826-27; illustrated card engraved by William Kneass -- [b] admission to lectures on chemistry by John Griscom, for Isaac M. Ward, 1826-27; illustrated card engraved by Peter Maverick -- [c] admission to lectures on obstetrics and forensic medicine by John W. Francis, for Isaac M. Ward, no. 62, 1826-27; illustrated card -- [d] admission to lectures on principles & practice of surgery by Valentine Mott, for Isaac M. Ward, 1826-27; illustrated card signed: Prud'homme sc. 1823 -- [e] admission to lectures on theory & practice of physic and clinical medicine by David Hosack, for Isaac M. Ward, no. 94, Nov. 6, 1826 -- [f] admission to lectures on therapeutics & materia medica by W.J. MacNeven, for Isaac M. Ward, no. 83, Nov. 1826 -- [g] matriculation ticket for William P. Vail, signed by Valentine Mott, no. 123, 1827-28., 11501.F.11 University of Pennsylvania. Dept. of Medicine: [a] admission to lectures on the institutes of medicine by Samuel Jackson, for Ephraim F. Leake, Nov. 8, 1843 -- [b] admission to lectures on practical anatomy by W.E. Horner and P.B. Goddard, for Ephraim F. Leake, Nov. 9, 1843; illustrated card has portrait of P.S. Physick engraved by Robert Tiller Jr. -- [c] Spring course of lectures and clinics, March 20 to June 17, 1871 -- [d] admission to lectures on the institutes of medicine by Francis G. Smith, for Charles M. Seltzer, 1876-77., 11501.F.12 University of Pennsylvania. Dept. of Medicine. Eugene A. Grove, session 1867-1868: [a] matriculation ticket, signed by R.E. Rogers, Oct. 21, 1867; engraved illustration of university buildings -- [b] admission to lectures on anatomy by Joseph Leidy -- [c] admission to lectures on chemistry by R.E. Rogers -- [d] admission to lectures on materia medica & pharmacy by Joseph Carson -- [e] admission to lectures on operative surgery by Henry H. Smith -- [f] admission to practical anatomy, D. Hayes Agnew demonstrator; engraved illustration of a skull., 11501.F.13 University of Pennsylvania. Dept. of Medicine. Eugene A. Grove, session 1868-1869: [a] matriculation ticket, signed by R.E. Rogers, Oct. 17, 1868; engraved illustration of university buildings -- [b] schedule card, session of 1868-69 -- [c] admission to lectures on anatomy by Joseph Leidy -- [d] admission to lectures on chemistry by R.E. Rogers -- [e] admission to lectures on materia medica & pharmacy by Joseph Carson -- [f] admission to lectures on obstetrics and diseases of women & children by R.A.F. Penrose -- [g] admission to lectures on principles & practice of surgery by Henry H. Smith -- [h] admission to lectures on theory and practice of medicine by Alfred Stillé., 11501.F.14 University of Pennsylvania. Dept. of Medicine. Eugene A. Grove, session 1869-1870: [a] matriculation ticket, signed by R.E. Rogers, Oct. 18, 1869; engraved illustration of university buildings -- [b] schedule card, session of 1869-70 -- [c] admission to lectures on anatomy by Joseph Leidy -- [d] admission to lectures on chemistry by R.E. Rogers -- [e] admission to lectures on the institutes of medicine by Francis G. Smith -- [f] admission to lectures on materia medica & pharmacy by Joseph Carson -- [g] admission to lectures on obstetrics and diseases of women & children by R.A.F. Penrose -- [h] admission to lectures on principles & practice of surgery by Henry H. Smith -- [h] admission to lectures on theory and practice of medicine by Alfred Stillé -- [j] Winter examinations by Drs. Woods, Norris, and Hunter, signed by H.B. Hare., 11501.F.15 Yale College (1718-1887). Medical Institution: [a] Yale Private Medical School admission card for Paul Mundé, winter term 1863-64, signed by Worthington Hooker -- [b] admission card for John Morgan, Sept. 1867, signed by C.A. Lindsley -- [c] admission to lectures on chemistry by Benjamin Silliman, for John Morgan, 1868-69 -- [d] admission to lectures on histology, pathology and microscopy by Moses C. White, for John Morgan, 1868-69 -- [e] admission to lectures on obstetrics and diseases of women and children by Stephen G. Hubbard, for John Morgan, 1868-69; card lithographed by Punderson & Crisand -- [f] admission to lectures on the theory and practice of medicine by Charles L. Ives, for John Morgan, 1868-69; card lithographed by Punderson & Crisand., 11501.F.16 Pharmacy colleges: [a] Massachusetts College of Pharmacy, commencement ticket, May 22, 1872, at Horticultural Hall, Geo. F.H. Markoe, dean -- [b] Parrish's School of Practical Pharmacy, admission card for S.J. Stevenson, 1869, signed by Edward Parrish, lecturer, Clemmons Parrish, demonstrator -- [c] Philadelphia College of Pharmacy, admission to lectures on pharmacy by William Procter Jr., for Adolph W. Miller, 1861-62 -- [d] Philadelphia College of Pharmacy, admission to lectures on materia medica and botany by John M. Maish, for John Brewster Reynolds, 1879-80 -- [e] Philadelphia College of Pharmacy, commencement ticket, March 16, 1880, at the Academy of Music., 11501.F.17 Miscellaneous: [a] admission to lectures on materia medica and practical chemistry by Samuel Stratten, for K.R. Risk -- [b] Bellevue Hospital Medical College, general ticket, 1863-64, for John Kirker, signed by Isaac E. Taylor, president, and Austin Flint Jr., secretary -- [c] Eclectic Medical College of Pennsylvania, schedule card, 1865-66 -- [d] Edinburgh City Hospital, admission card for Edgar Cyriax, winter session, Jan. to March 1898, signed by Claude B. Ker -- [e] Iowa University. College of Physicians & Surgeons [Keokuk?], admission to practical anatomy, session 185[blank] -- [f] Louisville Medical College, admission to practical anatomy by Geo. J. Cook, for C. Keefer, 1876-77 -- [g] Philadelphia Dental College, admission to lectures on dental pathology and therapeutics by J. Foster Flagg, for Frank A. Monroe, 1883-84 -- [h] University of Edinburgh, admission to lectures on anatomy, sound & morbid, and pathology by Alexander Monro, for John Wilson, 22 April 1844; card has portrait of Alexander Monro Secundus -- [i] University of Louisville Medical Department, admission to lectures on medical chemistry and toxicology by James W. Holland, for James W. Noel of Arkansas, 1871-72; card lithographed by German & Bro., Louisville, Ky. -- [j] University of the City of New York Medical Department, commencement ticket, March 6, 1888, Metropolitan Opera House, Charles Inslee Pardee, dean -- [k] University of the State of New York, College of Physicians & Surgeons of the Western District, admission to lectures on surgery by John Delamater, for Leonard G. Haskins, 1834-35 -- [l] University of Vermont Medical Department, admission to Mary Fletcher Hospital for M.L. Michael, 1882, signed by A.J. Millard, supt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1807-1898]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Coll. Helfand Popular Medicine Admission cards 11501.F (Helfand) BOX

Title: [Liberty Bond Procession]
Date: ca. 1917-1919
Location: *Unid - World War I [P. 2003.39.1]

Title: Wissahickon Barracks
Date: ca. 1914-1919
Location: LCP postcards - non- Pennsylvania [P. 2003.17.3]

Title: Target Practice Wissahickon, Barracks
Date: July 11, 1918
Location: LCP postcards - non- Pennsylvania [P. 2003.17.5]

Title: Regimental Colors, Wissahickon Barracks, Cape May, NJ
Date: ca. 1914-1919
Location: LCP postcards - non- Pennsylvania [P. 2003.17.7]

Title: Light Artillery, Wissahickon Barracks
Date: August 14, 1918
Location: LCP postcards - non- Pennsylvania [P. 2003.17.6]

Title: Semaphore Signal Drill, Wissahickon Barracks
Date: ca. 1914-1919
Location: LCP postcards - non- Pennsylvania [P. 2003.17.2]

Title: Wissahickon Barracks, Cape May, NJ
Date: ca. 1914-1919
Location: LCP postcards - non- Pennsylvania [P. 2003.17.4]

Title: Widwad Signal Drill, Wissahickon Barracks, Cape May, NJ
Date: ca. 1914-1919
Location: LCP postcards - non- Pennsylvania [P. 2003.17.1]

Title: Da Costa, John C.
Creator: Library Company of Philadelphia, creator
Date: December 7, 1905

Title: Saint Andrew's Church, Philadelphia
Description: Interior views showing the altar and organ gallery of the Protestant Episcopal church built 1822-1823 after the designs of John Haviland at 250-254 South Eighth Street. Images also show church pews, columns, lettering above the altar reading "Holiness Become Thine House, O Lord For Ever," and a Grecian lyre adorning the church organ., Contains three stereographic images mounted on pale yellow mounts with square corners and printed titles, including one [(4)1322.F.80c], hand-colored, and accompanied by a publisher's label describing the church building and listing the church rectors. Also contains one stereographic image mounted on paper., Originally part of a McAllister scrapbook of views of Philadelphia., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator: McAllister & Brother
Date: October 1860, c1860
Location: Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.80c & e-g], Library Company of Philadelphia | Print Department cdv - McAllister & Bro. - Religion [(4)1322.F.80d]

Title: [Bootmaker with a boot on the table beside him.]
Description: Hand colored pink on cheeks., Cased photographs retrospective conversion project., Pad: Faded red velvet. Embossed in center Reimer 617 N. 2nd St. Philada. Fancy scroll work all around., Mat: Oval., Case: Leather. Geometric design in center surrounded by fancy scrolls and swirls. Same design on verso.
Creator: Reimer, Benjamin, 1826-1899, photographer
Date: ca. 1858
Location: Library Company of Philadelphia | Print Department Cased photos [P.2003.23]

Title: Fairmount Park
Description: View of a woman standing against the rail of a rustic bridge spanning a stream in Fairmount Park., Title from manuscript note below image on mount., Distributor's stamp on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.2003.14]

Title: Poplar Grove. Residence of E.S. Richards, near Germantown, Penna
Description: View showing the villa-like estate of merchant Edwin S. Richards. Shrubery and trees landscape the grounds in front of the residence. In the background, behind a picket fence, a stone building and gazebo stand next to other buildings., Not in Wainwright., Gift of David Doret., Philadelphia on Stone, POS 614
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department BW - Residences - P [P.2003.37.2]

Title: Jacob Haehnlen's lithographic & steam powered letter press printing rooms Nos. 125 & 127 Sth. Third Street, opposite Girard Bank, Philadelphia
Description: Advertisement calendar for 1865 containing an ornamental border and promotional text, including types of prints issued by the press. Prints includes show cards; wine, liquor, perfumers, and manufacturers labels; checks; notes; drafts; cards; circular receipts; and bonds. Promotional text advertises samples of work "always on hand" and "every kind & style of lithographic letter press printing executed promptly at fair prices." In 1866, Haehnlen established his own studio at Goldsmith's Hall., Not in Wainwright., Philadelphia on Stone, POSA 43, Gift of David Doret.
Creator: Haehnlen, Jacob, b. 1824
Date: 1865
Location: Library Company of Philadelphia | Print Department BW - Advertisements - H [P.2003.41.4]

Title: Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia
Description: First state of a bird's eye view issued as a promotion by the publisher for "The Illustrated History of the Centennial Exhibition" (1876). View looks south from Belmont Plateau showing the proposed buildings on the exhibition grounds in West Fairmount Park. Includes Horticultural Hall, Main Exhibition Building, Memorial Hall, Agricultural Hall, Judges Hall, Ladies Pavilion, Machinery Hall, and U.S. Government Building. The grounds are lined with trees, bushes, and landscaped paths. Includes several fair visitors traveling by foot and carriage on the paths. Clusters of tree tops are visible in the foreground. Also contains the names and dimensions of the main buildings printed below the image. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 51, Gift of David Doret, See James Dabney McCabe's The illustrated history of the Centennial Exhibition: ... (Philadelphia: Published by the National Publishing Company, 1876). [Am 1876 McCabe 78340.O], Trimmed.
Date: c1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2003.41.3]

Title: Don't get the clothes too blue!
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bicycle garb with her bicycle at her side pointing her finger and instructing her husband on how to do the laundry. The husband stands in front of the wash tub, article of clothing in hand, with dirty laundry piled in the baby's cradle next to him., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator: Kilburn, B. W. (Benjamin West), 1827-1909
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Kilburn - Portraits and genre [P.2003.32.3]

Title: Trials of bachelorhood
Description: Comic genre scene showing a man having difficulty sewing his shirt. Two women peer over a clothes screen at the scene with grins on their faces. The room is messy with clothing and scraps strewn about. A guitar leans up against a table., Copyrighted by B. L. Singley., Title printed on mount., Publisher's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits and genre [P.2003.22]

Title: Public building, Phila
Description: Oblique view of the north side of City Hall built 1871-1901 after designs by John McArthur, Jr., including the tower surrounded by scaffolding at the top. Begun in 1884, the tower was in the final stages of construction at the time of this photograph. Also shows a horse-drawn omnibus and pedestrians traveling around Penn Square in the foreground., Title inscribed in negative., Photographer's imprint on mount., Label pasted on verso includes paragraph describing the "Public Buildings.", Buff curved mount with rounded corners., Photograph and mount are water stained., Gift of Ken Graitzer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Campbell, Alfred S., 1840-1912
Date: c1896
Location: Library Company of Philadelphia | Print Department stereo - Campbell - Government Buildings [P.2003.31.2]

Title: What is home without a husband?
Description: Faded genre scene satirizing the "new woman" and the role reversal of men and women in the home. Shows the woman of the house, shawl draped over her arm, who has just entered the room from outside. Her husband sits on a stool doing housework near the fireplace. Their pet cat sits on the floor near his feet., Copyright 1889 by Littleton View Co., Title printed on mount below image., Publisher's imprint printed on mount., Distributor's imprint printed on mount: Sold only by Underwood & Underwood, Baltimore, Md., Ottawa, Kan., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator: Littleton View Co.
Date: c1889
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Littleton View Co. [P.2003.32.1]

Title: "Have dinner at one dear."
Description: Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb) with her back to her children who play with toys on the floor. With her bicycle by her side, she tells her husband, who is washing clothes, to have dinner ready by one., Copyrighted 1897 by William H. Rau on negative., Additional places of publication printed on mount, including Chicago; Hamburg, Germany, and Milan, Italy., Title on negative., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Creator: Rau, William Herman, 1855-1920, photographer
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.2003.32.2]

Title: [Marshall House, King and Pitt streets, Alexandria, Va.]
Description: Exterior view showing the place where Colonel Elmer E. Ellsworth died during the Union occupation of Alexandria. Ellsworth, the first Union war death, was killed on May 24, 1861 by the Marshall House innkeeper, James W. Jackson. Jackson shot Ellsworth following the colonel's removal of a Confederate flag from the inn's roof. Image depicts a crowd of men convening near a horse-drawn wagon in front of the hotel. Also shows adjacent and nearby buildings, including one adorned with an advertisement, as well as a parked horse-drawn carriage in the lower right corner., Title supplied by cataloguer., Yellow mount., Inscribed on negative: 2295., Missing upper right corner., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1863
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Hotels [P.2003.1]

Title: [Falls Bridge, Philadelphia, Pa.]
Description: View looking northwest from East Fairmount Park showing the Falls Bridge also known as the Philadelphia and Reading Railroad Bridge spanning the Schuylkill River. The six-arched bridge, completed near the Falls of Schuylkill in 1853 by mason Christian Swartz, was utilized by the Richmond branch of the Reading Railroad. A covered bridge and factory buildings are seen in the background., Green mount with rounded corners., Photographer's imprint printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Purviance, W. T. (William T.)
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department stereo - Purviance - Bridges - Falls Bridge [P.2003.24]

Title: Randall, Josiah, 1788-1866
Creator: Library Company of Philadelphia, creator
Date: June 6, 1806

Main menu

Pages

Main menu

Search results

Error message

Pages

Pages