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Title: Galeries Francais, fontes d'art
Description: View of the cast iron display of the French iron and bronze foundry J.J. Ducel & Fils in the French Gallery at the exhibition. Display includes an ornate fountain, cherub-like and nymph statuary, and vases. Ducel produced high quality sculpture, fountains, and decorative pieces for gardens and public parks. The exposition held April 1-November 3, 1867 celebrated the technological and economic progress of the Second Empire, as well as originated the classification system followed by proceeding international exhibitions., Photographer's imprint printed on verso: M. Leon & J. Levy Ferrier, Sucrs. de Ferrier pere et fils et Soulier, 113, Boulevard de Sebastopol, 113 Paris. Vues sterescoptique sur verre de L'Exposition Universelle de 1867 ainsi que de tour les Pays, Title printed on mount., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: M. Leon & J. Levy
Date: [1867]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Stereographs [P.2008.36.24]

Title: This diploma was awarded by the Luzerne County Agricultural Society at their [blank] annual fair held at Wyoming [blank] 18[blank]
Description: Diploma containing two vignettes and and a dominant scene symbolizing agriculture separated by borders comprised of sheaves of wheat, a shovel, farm produce, and vinery. In the upper right, vignettes depict a farmer reaping his field with a horse-drawn reaper and an industrial view of a train passing a coal breaker factory across from a coal mine in which horse-drawn coal cars arrive and depart. The dominant scene shows a farm with livestock, including a pig, turkeys, chickens, and ducks milling the grounds near a woman milking a cow while farmhands corral cows out of a yard, transport a wagon of hay from a barn, and plow a field. View also shows horses before a pasture of grazing sheep and other homesteads, the Wyoming Monument (erected in 1833 in memory of victims of the Wyoming Massacre 1778), and treescaped hills in the distance. The Luzerne County Agricultural Society was founded in 1858 by persons interested in farming and gardening with the mission "to foster and improve agriculture, horticulture, and the domestic and household arts." The first annual fair was held in 1859 and stopped after circa 1879 and before 1891., Not in Wainwright., Dilpoma completed in manuscript: This diploma was awarded by the Luzerne County Agricultural Society at their [Thirteenth] Annual Fair held at Wyoming [Sept. 25, 26 & 27] 18[72] To [William H. Shoemaker Esq. of Wyoming] for [best bottle of grape wine]. [Steuben Jenkins], Prest. and [W. H. Jenkins], Secy., Glued onto a modern mat by previous owner., Philadelphia on Stone, POSP 287, Steuben Jenkins was a respected lawyer, farmer, historian, and antiquarian of Wyoming County.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture - Luzerne [P.2014.11]

Title: Old Littell-Morris house, Main & High Sts., showing also Dr. Dunton's house &c., [Germantown]
Description: Glass negative showing a view of the Morris-Littel House at 5933 Germantown Avenue, seen from across the brick road lined with trolley tracks. A low stone wall separates the house from the sidewalk and trees grow both in the lawn and in planters next to the road. The Morris-Littell House belonged to the Morris and Littell families from 1776 to 1888 when it was purchased by E.H. Butler. Dr. Christopher Wit (1675-1765) planted one of the first botanical gardens in America on the property. The house was the residence of Ann Willing Morris (1767-1853) from 1812 to 1853. Her daughters, Elizabeth Carrington Morris (1795-1865) and Margaretta Hare Morris (1797-1867) were a botanist and an entomologist respectively. Margaretta Morris was also the first woman elected to the Pennsylvania Academy of Natural Sciences. The house was torn down in 1915 after the construction of the Germantown High School., Time: 12:30, Light: Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 25, 1890
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.9895.1523]

Title: Views of Fairmount Park, Philadelphia. Part 1st
Description: Series of 12 collecting cards depicting bucolic views of the park. Includes two different views, including one with a fountain, of a "Rustic Arbor" with a park pavilion; "Spring" showing a water fountain; "The "Dam" and "The Arch" and a "Fountain" near the race at the Fairmount Water Works on the Schuylkill River; "Entrance to Lemon Hill" and the "Mansion House"; an ornate foot bridge over "The Brook"; the "Keeper's House"; the "Band House"; and "Iron Spring" pavilion. Many of the views include park visitors, gardens, and walkways and all include trees. Water work views also show the stand pipe and roof of the new mill house., Not in Wainwright., Philadelphia on Stone, POS 811a-l. POS 811a: Rustic Arbor (fountain). 811b: Rustic Arbor. 811c: Spring. 811d: Spring. 811e: Dam. 811f: Mansion House. 811g: The Brok. 811h: The Arch. 811i: Entrance to Lemon hill. 811j: Fountain.811k: Keeper's house. 811k: Band House. 811l: Iron Spring., Library of Congress: LOT 11050 (F)
Date: c1879
Location: Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Title, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Rustic Arbor Willows, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Rustic Arbor Gazebo, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Spring, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) The Dam, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Mansion House, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) The Brook, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) The Arch, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Iron Spring, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Entrance to Lemon Hill, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Fountain, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Keeper's House, Library of Congress | Prints and Photographs Division LOC LOT 11050 (F) Band House

Title: Mahan, Francis
Description: Francis Mahan, born ca. 1790 in Pennsylvania, worked primarily as a fashion lithographer, publisher and designer in Philadelphia from 1829 to 1871. Trained as a tailor in Newtown, Bucks County, Pennsylvania in the mid-1810s "by making clothes of every description, plain or fashionable, to suit customers," Mahan relocated and was proprietor of Francis Mahan & Co. in Philadelphia (Chestnut Street Ward) by the late 1820s. He copyrighted and advertised protractors and his proof system "to impart the art of garment cutting" to tailors, a system disputed by rival tailor and publisher Allen Ward in local newspapers beginning in the late 1830s. In a newspaper war that endured many years, Ward accused Mahan of copying designs from old drafts of his work, resulting in several design competitions; an injunction against Mahan by Ward in 1839; and a libel suit by Mahan against Ward in 1840., By the 1840s both Mahan and Ward published fashion prints. The prints displayed in local tailors' shops depicted several figures attired in seasonal fashions that often included prominent figures for credibility and made the lithographs collectibles. Prominent figures in Mahan prints, which were often advertised in the local newspapers, included Henry Clay and James K. Polk in 1844 and 1845 and Colonel May, "the hero of Palo Alto," (from a daguerreotype) in 1847. During the 1840s, Mahan also exhibited fashion plates in the Franklin Institute Exhibition of American Manufactures (1848) and included an advertisement in the catalog that claimed he had "near Six Thousand regular subscribers" to his plates. He continued to publish plates through the 1850s and in the 1860 issued a print "which contain[ed] all the Presidential Candidates" for which he advertised in the "Public Ledger" for canvassers., A listing for Mahan's tailor shop at 20 South Sixth Street appeared in city directories in 1831. The shop moved to Chestnut Street in the early 1840s, with locations at 215, then 211, 186, 720, 911 and then back to 720 Chestnut Street. Mahan resided within the same ward as his business, and by 1850 he lived in the hotel owned by Filbert I. Nagle at 18 South Sixth Street. He moved to Camden, New Jersey in the 1860s, and returned to Philadelphia by 1871, after which time his name is absent from city directories. He had one son, Phineas Jenks Mahan (1814-1875), who was an expert gardener and a soldier in Texas in the mid-late 1830s. The younger Mahan was appointed by Richard G. Harrison of Philadelphia to secure contracts for bank note engraving in Texas, which is where he subsequently moved his family by 1870.
Date: ca. 1790-1871
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: [Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1869-ca. 1890, bulk 1880-1890]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]

Title: Methodist Episcopal Church and Masonic Temple
Description: View looking south from the sidewalk in front of the Pennsylvania Academy of Fine Arts showing buildings on the east side of Broad Street near Arch Street, including the Arch Street Methodist Episcopal Church (1344-48 Arch, built 1869-70, Addison Hutton, architect) and Masonic Temple (1-33 North Broad, built 1868-73, James H. Windrim, architect). In the foreground, a broadside advertising PAFA's exhibition of "engravings, etchings, and mezzotints" stands on the sidewalk and a sign advertising "Dying Lioness, the bronze group," hangs from a nearby building. Also shows a construction site with unhitched coaches and drays across the street. The skeleton of the lower levels of City Hall is partially visible in the background., Title from printed series list on verso. Includes two other series, "Philadelphia Centennial Views" and "Miscellaneous."Printed on verso: Philad'a Stereo. Publishing Company., Publisher's imprint on mount., Orange curved mount with rounded corners., Purchased by the Fairmount Park Art Association, the Dying Lioness statue group arrived in Philadelphia in the fall of 1875, before it was installed on the Centennial Exhibition grounds. It moved to the Philadelphia Zoological Gardens entrance after the fair., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Fleischner - Religion [P.9117.1]

Title: The old houses and stores with memorabilia relating to them and my father and grandfather
Description: Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856)., Other narratives describe the yellow fever epidemic of 1793; J. A. P. Lewis's service in the volunteer militia; G. Albert's siblings S. Weir, John A., and Theodore C.; John F. Lewis's successful management of the financial panic of 1828 and his entertaining, including fireworks and "ample supplies of groceries, provisions, wine and liquors" on store; the business practices of the import trade; the conversion of Second Street residences into storefronts; the regrettable disposal of family possessions from the China trade, including card receivers, satins, pearl and ivory seals, artificial flowers, tortoiseshell combs, and silk covered boxes; the childhood of Eliza Mower along the Schuylkill River, her clandestine marriage to Lewis, and her death; John F. Lewis's lucky Mexican dollar; and the childhood and young adult years of G. Albert Lewis, including his "spying" at family parties, Christmas memories, sailing excurisons on the Schuylkill and Delaware rivers, and work for the Lewis firm., Album also contains numerous captioned and dated graphic and ephemeral materials, including watercolors and drawings by G. Albert Lewis, photographic views of family churches, family portraiture, newspaper clippings, certificates, bills of lading, and business and calling cards. Lewis's works depict family crests and coats of arms; sentimentalized genre scenes representing family lore, including J. A. P. Lewis's immigration to America for love; his childhood haunts, Christmas presents, and play areas; exteriors, interiors, grounds and gardens of the family residences and storefronts, including parlors, front rooms, gates, a weather vane designed as a cavalryman on the Walnut Street stable, dormer window (Second Street residence), store house on Laurel Street, and stores on Front and Walnut street; ground plans of Lewis residences (264 S. Second and Walnut Street); the "Great Tree" (South Second Street property); and Chinese exports and china patterns. Photographs depict family portraits of Johann Andreas Philipp and Anna Maria Lewis, John F. and Eliza Lewis, and G. Albert and Anne C. Lewis; the Lewis cargo ship "Globe," family churches and residences, including the altar of St. John's Lutheran Church, Crailsheim (J.A.P. Lewis's baptismal font) and St. Michael's Evangelical Lutheran Church, Swedes Church, (Gloria Dei), and St. Johns Evangelical Lutheran Church (Philadelphia), and the final residence of Eliza Lewis at 1927 Spruce Street; and family artifacts, furniture, and mementoes, including Ludwig's sword and secretary and John F. Lewis's lucky Mexican dollar. Also contains engraved portraits of Frederick the Great and pictorial details by Lewis incorporated at the end of narratives and as frames around portraits., Ephemera includes certificates, bills of lading, and calling cards (including in Chinese) related to the Lewis firms; G. Albert's share certificate in the Philadelphia Museum Company; photomechanical and chromolithographed genre prints; an engraving sample possibly by James Otto Lewis; newspaper clippings, including advertisements and announcement for the Lewis firms, family obituaries, and poems; manuscript "endorsements on notes received, but protested for non-payment" by Weir, Lewis & Co. and family signatures, including that of Eliza Lewis; and textile swatches from Chinese curios, wall paper, and upholstery. Family trees and a chronology of the Lewis firm (until 1828) also form the content., Floral border in watercolor on title page. Border also includes pictorial details showing a sailing ship and Chinese character., Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Dedication: "Dedicated to the Memory of my dear Mother who made the homes of my childhood most lovely and so beautiful!" Surrounded by watercolor frame reading "Haec Olim Meminisse Juvabit Virgo," i.e., "This will help you remember once upon a time.", Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., One of six Lewis Family albums held in the Print Department., Housed in clamshell box., George Albert Lewis, son of Philadelphia China trade merchant John F. Lewis (1791-1858) of John A. Lewis & Co. and Eliza Mower (1788-1885), was a banker, genealogist, and artist descended from Hessian solder and Philadelphia Prothonotary Johann A. P. Lewis [formerly Ludewig]. Lewis studied art with G. W. Holmes, frequently exhibited at the Pennsylvania Academy of the Fine Arts and Artist's Fund Society, and was a member of several organizations, including the Numismatic & Antiquarian Society of Philadelphia, Genealogical Society of Philadelphia, and the Library Company. He married Anne C. Larcombe on July 1, 1851 and with her had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator: Lewis, G. Albert, 1829-1915
Date: 1900
Location: Library Company of Philadelphia | Print Department albums [P.9829.2]

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