Philadelphia Zoo photograph album
Title
Philadelphia Zoo photograph album
Description
Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Date
1902
Location
Library Company of Philadelphia | Print Department albums [8193.F]
Photograph album
Title
Photograph album
Description
Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
1877-1880
Location
Library Company of Philadelphia | Print Department albums [P.9317]
[Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Title
[Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description
Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
[1882-1886]
Location
Library Company of Philadelphia | Print Department albums [P.9318]
Old Philadelphia views 1861
Title
Old Philadelphia views 1861
Description
Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog., Title from inscription on spine., Spine stamped in gilt: Photographs., Blue morocco binding., Photographs arranged four to a page, numbered, and identified by captions inscribed below the images., Letter from Ferdinand J. Dreer to [George W. Childs?], March 12, 1861 pasted on verso of front cover. Letter begins "Accept from your friend a few photographs & stereoscope views... of the work of a young native artist" and explains they were not sent for "their intrinsic value, but as beautiful studies and highly artistic.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Ruth Molloy.
Creator
Moran, John, 1831-1903, photographer
Date
1860-1861
Location
Library Company of Philadelphia | Print Department albums [P.9265]
Views at Chestnutwold, residence of C.H. Clark.
Title
Views at Chestnutwold, residence of C.H. Clark
Description
Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs., Photographer's imprint from blind stamp on mounts., Title from brown morocco binding, plate on front cover., Bookplate of The Divinity School of the Protestant Episcopal Church pasted inside front cover. Typed Gift of Clarence Clark Zantzinger (1925)., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1990, p. 54., Housed in phase box., Clarence Howard Clark, banker, book collector, philanthropist, horticulturalist, and prominent land developer of West Philadelphia resided in Chesnutwold from about the 1860s. The property was originally built by Samuel K. Hopkins Jr. for banker Nathaniel Borrodail Browne after 1851. Altered during the 1880s, including an addition, the estate grounds were open to the public by 1895 when Clark donated some of his other land holdings for an adjacent public park (i.e., Clark Park). Following Clark's death, Chestnutwold was presumed to be given to the city as a public park, but instead was purchased in 1917 by The Divinity School of the Protestant Episcopal Church. Clark was married to Amie Hampton Westcott (d. 1870) and later Marie Motley Davis with whom he had three sons, including Philadelphia mayor Joseph S. Clark.
Creator
Newell, Robert, 1822-1897, photographer
Date
ca. 1870
Location
Library Company of Philadelphia | Print Department albums [P.9291]
[Nature prints of leaves]
Title
[Nature prints of leaves]
Description
Albums of predominantly nature prints of leaves produced by inking both sides of the specimen, placing it between a folded sheet of paper, and pulling the sheet through a printing press. Sheets contain one to several specimens (a few numbered) and several are annotated with the date of printing, inscriptions, and identifications of specimens. Some sheets contain manuscript notes about the provenance of and how the specimens were dried or inked, the condition of the leaves, their medicinal uses, and descriptions of the plants from which they came. Inscriptions of note include "Engraven by the Greatest and Best engraver in the Universe"(v. 1, p. 2); "... leaves dried and press'd in my Heap of News-Papers for 7 or 8 years" (v. 1, p. 43); "Done July 18th 1742, when I impress'd 6 or 8 sheets more for my Frd's Kent, Bard, Pratt, Browne, Shoemaker, &" (v. 1, p. 74); "These were done in my new Press which Joseph Watkins made & now brought Home 2nd of May 1734" (v. 1, p. 94); "Done July 1st 1744 with L' & Vel't B'll"(v. 1, p. 95); Nov. 23rd 1738 A Leaf of Rhubarb and withered. Somewhat hurt by the Frost (v. 1, p.128) and "From Jno. Bartram 18th Augst. 1734. The most excellent remedy for the bite of a Rattlesnake - Sysimachia Quadrafolia - 1st 7br 1734 - "An Indian specific for fevers and aguas [sic] and a substitute for tea [I think Green]" - "From Peter Sonmans (who brought it from Albany). Done 31st Augst. 1734. A famous Snake weed" - "Mem the other Side I sent to Peter Collinson, June 1735" (v.2, p. 58)., Botanical specimens represented in album include wormwood, hollyhock, althea, marsh mallow, lavender, moss, creeper, quince, plantain, service, sage, tansey, mulberry, a sarabacca, rattlesnake weed, gooseberries, hemp, laurel, pawpaw, mustard, bind weed, wild grape, water plantain, wild betony, teasel, pineapple, Indian Fluxwort, "parsimon," arrowhead, oak of Cappadocia, squash, cattail grass, Goat's-Rue, sanicle, yam, maidenhair, tobacco, cat mint, saffron, caterpillar, marygold, horse radish, sun flower, gelder rose, may heart, St. John's-Wort, wild Angelica, marjoram, silk cotton, buck wheat, potato, burdock, rattle snake golden rod, mulleins, and Carolina Bean. Album also contains printed images of feathers, pieces of fabric, and a twenty-four line poem written in pencil and signed by "A Botanist" and dated 1855 (v. 1, p. 106). Provenances of the specimens include John Bartam, Stephen Benezet, "Spring Garden," John Holland, E. Woolley, G. Gray, "R.R.'s Ginseng Hill," Peter Sonmans, and Esther Banks., Title supplied by cataloger., Some sheets contain watermark: Pro Patria., Gift of Mrs. Joseph Breintnall in 1746., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 (P.2011.7.1) reformatted and arranged in two cases of folders numbered (1-10) and (21-34)., Index to inscriptions held at repository., Described in Edwin Wolf and Marie Elena Korey, eds., Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981), entry 11., Described in Philadelphia: Three Centuries of American Art (Philadelphia: Philadelphia Museum of Art, 1976) #29., Joseph Breintnall (d. 1746), scrivener, public servant, author, poet, and colleague of Benjamin Franklin, was also an amateur scientist who experimented with solar heat and botany. A founder and secretary of the Library Company of Philadelphia, he engaged in the study of botany through Peter Collinson, the library's London book agent. Between circa 1731 and circa 1744, he created hundreds of leaf prints as records of botanical specimens he gathered himself and from networks. Breintnall also most likely used his experience with leaf printing to assist Franklin in the creation of a metal cast of a leaf impression used to print currency incapable to be counterfeited.
Creator
Breintnall, Joseph, d. 1746
Date
[ca. 1731-ca. 1744]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2011.7.1 & 2]
Engravings by William Humphrys
Title
Engravings by William Humphrys
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator
Humphrys, William, 1795-1865
Date
[ca. 1817-ca. 1845]
Location
Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]
Louella
Title
Louella Home of J. Henry Askin, Wayne Station, Penna. Rail Road, Radnor Township, Delaware Co. Pa. Views of mansion, farm houses, surrounding scenery, etc
Description
Album containing 27 photographs showing the grounds and residence of the estate in Radnor Township, later Wayne, Pa. Includes No. 1 the Wayne Pennsylvania Rail Road station; No. 2 "mansion as seen from the S.W."; No. 3 the "north side of Mansion"; No. 4 "Entire northern side of Mansion"; No. 5 "Full front view taken from the South, and as fronting on "The Pike," i.e, Lancaster Pike; No. 6 "Main Entrance and Vestibule, taken from the interior"; No. 7 "Scenery and Grounds, and Summer House, east of Dwelling"; No. 8 and No. 9 "South view" and North view of "late residence," known formerly as the 'Old Maule Manor House'"; No. 10 'View from the S.S.W. showing Lawn, Flower Garden, etc.; No. 11 "Partial view of the old and principal Barn and Implement House"; No. 12 "South View of the Main Barn and Granary, Stables for pleasure horses, and coach house"; No. 13 "Meadow north of the Pike"; No. 14 "Principal Spring and Dairy Houses"; No. 15 the public, lecture and library hall "'Wayne Hall' as seen from the S.W."; No. 16 "Modernized dwelling, formerly known as the "Old Barber Farm House"; No. 17 "Spring House," etc. belonging to the Barber Farm"; No. 18 "Cottage at the extreme eastern boundary of the 'Louella Farm' "; No. 19 "View from the N.W. of the old 'Jno. Richards Manor House,' built in 1792"; No. 20 "Northern view of the Sheep Houses, Fold, etc."; No. 21 "Two cottages "built on a hill," south of the Pike, on line with the Mansion"; No. 22 "The New Reservoir, (covered), with scenery to the East" at Wayne and Bloomingdale avenues; No. 23 "Meadow south of the Pike"; No. 24 "Wheel House"; No. 25 "The Riding horse 'Frank'"; No. 26 horse 'Billy Button' "; and No. 27 'Elizabeth' our favorite, a thorough-bred Guernsey cow." Views also show the cottage of Jane Kissick (widow of Center Square Water Works engineer John Kissick) attached to the Wayne train station; members of the Askin family, and their grounds keepers., Brown leather binding, grained., Contains lithographed title page and Table of "Contents" with a numbered and explanatory list of the photographs. Photographs listed as No. 1 - No. 27., Insert: Loose albumen print showing an oblique view of the mansion. Members of the Askin family sit on the porch. The landscaped estate lawn is partially visible in the foreground., Album pages contain lithographed decorative borders, tinted with one stone., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 2002, p. 62., Variant copies held in the collections of William L. Clements Library, University of Michigan, Ann Arbor, Michigan and the University of Delware Special Collections., Housed in red-clothed clamshell box., Louella, the estate of successful Philadelphia real estate broker and banker J. Henry Askin, was built in 1867 on hundreds of acres of land along the Lancaster Pike and the Pennsylvania Railroad in Wayne, Pa. The residence contained eighty rooms, was powered with gas retorts, and received water from a reservoir erected on a neighboring hill. The estate also sustained a green house; conservatory; farm; a public lecture hall, library, and place of worship; as well as landscaped lawns and flower gardens. In 1880, Askin sold the property to Philadelphia editor George Childs and banker Anthony J. Drexel for development into the Wayne Estates. The Louella residence was later used as a summer resort hotel, school for girls, and apartments.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
ca. 1875
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2002.20]
1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A. [graphic] : Registered Cable Address, "Blanc, Philadelphia."
Title
1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description
Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator
Blanc, Albert, 1850-
Date
[1888]
Location
Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]
[Plate 2 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Title
[Plate 2 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description
Plate depicts section of the 200 block of Chestnut Street (60-75 pre-consolidation). South side includes J. Stockman & Son, Pencil Case & Thimble Manufactory (60); Penrose Fell, Tailor (62); B. G. Atkinson, Tailor (64); S. Hopper, Watches & Jewelry (66); Goodyear’s Insoluble Rubber (68); Wm. Boning, Watches & Jewelry (70); E.G. Whitman, Confectionery (72); and Dunn’s Eating Saloon (74). North side includes E. G. Whitman, Confectioner and Fruit Dealer (71); D. Landreth, Seeds & Tools for Farming & Gardening; E. Shannon, Tea Warehouse; and hides and leather dealer J. Howell & Co. Also shows part of Exchange Place and Bank Street. Whitman signage (72) included on plate as pasted-on details., Advertisements promote four of the businesses depicted (Allen, Hopper, Stockman & Son, and Whitman) and Mechanics’ Union Association. Full-page Association advertisement details members' disability benefits and the union’s weekly journal. Stockman& Son promotes their stock of gold and silver wares, including " Everpointed Pencils," thimbles, silver spoons, butter knives, purse clasps, and finger shields. Depicted businesses' advertisements include ornamented types and a vignette of a watch (Hopper)., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 3., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.1].
Creator
Rae, Julio H.
Date
[1851]
Location
Library Company of Philadelphia | Print Department albums - Rae - Folder 3 [*Am 1851 Rae, 2975.Q]
Views of Fairmount Park Philadelphia 1866
Title
Views of Fairmount Park Philadelphia 1866
Description
Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Creator
Cremer, James, 1821-1893
Date
[1876]
Location
Library Company of Philadelphia | Print Department albums [P.8465]
[Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Title
[Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements]
Description
Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days’ Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, gender non-conforming people, evocative theatrical performances, acts of daring, and comic scenes in silhouette. Illustrations include H. P. Peer's 1879 jump from the Niagara Falls bridge and a fight between the elephant "Bolivar" and a camel in Van Amburgh's menagerie. Patent medicine advertisements primarily promote the products of Barker’s Horse, Cattle, and Poultry Powder; C. I. Hood’s Sarsaparilla; Dr. Morse’s Indian Root Pill; and E. S. Well's Rough on Rats. Valentines satirize various professions and gender and ethnic stereotypes, including a cook, music teacher, machinist, hatter, seamstress, “French nurse –(from Ireland),” “novel reader,” “prudish young woman,” and “an old bore.”, Also contains some sentimental and genre imagery, including mothers and children, children playing, and pets; landscape and cityscape illustrations; racist caricatures of African Americans; Tobin trade cards depicting comical views of baseball players (p. 21); an advertisement for The Electric Era/ German Electric Belt Agency (Brooklyn, N.Y.); Dalziel Brother illustrations of scenes from popular Charles Dickens novels like “Nicholas Nickleby”; chromoxylograph illustration from Aunt Matilda series “The Little Deserter” (McLoughlin Bros., ca. 1869); illustrated children's book covers; and a finely-designed chromolithographic advertisement depicting allegorical figures, flowers, and produce to promote gardens (Lowell, Mass.)., Title supplied by cataloger., Small number of pages contain hand-coloring., Also originally included tucked-in partial editions of N.Y. newspapers issued in 1890. Issues housed in mylar and with scrapbook., Scrap depicting two racing horses and their jockeys pasted on back cover., Housed in phase box., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021.
Date
[ca. 1869-ca. 1890, bulk 1880-1890]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2012.42]
The old houses and stores with memorabilia relating to them and my father and grandfather
Title
The old houses and stores with memorabilia relating to them and my father and grandfather
Description
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856)., Other narratives describe the yellow fever epidemic of 1793; J. A. P. Lewis's service in the volunteer militia; G. Albert's siblings S. Weir, John A., and Theodore C.; John F. Lewis's successful management of the financial panic of 1828 and his entertaining, including fireworks and "ample supplies of groceries, provisions, wine and liquors" on store; the business practices of the import trade; the conversion of Second Street residences into storefronts; the regrettable disposal of family possessions from the China trade, including card receivers, satins, pearl and ivory seals, artificial flowers, tortoiseshell combs, and silk covered boxes; the childhood of Eliza Mower along the Schuylkill River, her clandestine marriage to Lewis, and her death; John F. Lewis's lucky Mexican dollar; and the childhood and young adult years of G. Albert Lewis, including his "spying" at family parties, Christmas memories, sailing excurisons on the Schuylkill and Delaware rivers, and work for the Lewis firm., Album also contains numerous captioned and dated graphic and ephemeral materials, including watercolors and drawings by G. Albert Lewis, photographic views of family churches, family portraiture, newspaper clippings, certificates, bills of lading, and business and calling cards. Lewis's works depict family crests and coats of arms; sentimentalized genre scenes representing family lore, including J. A. P. Lewis's immigration to America for love; his childhood haunts, Christmas presents, and play areas; exteriors, interiors, grounds and gardens of the family residences and storefronts, including parlors, front rooms, gates, a weather vane designed as a cavalryman on the Walnut Street stable, dormer window (Second Street residence), store house on Laurel Street, and stores on Front and Walnut street; ground plans of Lewis residences (264 S. Second and Walnut Street); the "Great Tree" (South Second Street property); and Chinese exports and china patterns. Photographs depict family portraits of Johann Andreas Philipp and Anna Maria Lewis, John F. and Eliza Lewis, and G. Albert and Anne C. Lewis; the Lewis cargo ship "Globe," family churches and residences, including the altar of St. John's Lutheran Church, Crailsheim (J.A.P. Lewis's baptismal font) and St. Michael's Evangelical Lutheran Church, Swedes Church, (Gloria Dei), and St. Johns Evangelical Lutheran Church (Philadelphia), and the final residence of Eliza Lewis at 1927 Spruce Street; and family artifacts, furniture, and mementoes, including Ludwig's sword and secretary and John F. Lewis's lucky Mexican dollar. Also contains engraved portraits of Frederick the Great and pictorial details by Lewis incorporated at the end of narratives and as frames around portraits., Ephemera includes certificates, bills of lading, and calling cards (including in Chinese) related to the Lewis firms; G. Albert's share certificate in the Philadelphia Museum Company; photomechanical and chromolithographed genre prints; an engraving sample possibly by James Otto Lewis; newspaper clippings, including advertisements and announcement for the Lewis firms, family obituaries, and poems; manuscript "endorsements on notes received, but protested for non-payment" by Weir, Lewis & Co. and family signatures, including that of Eliza Lewis; and textile swatches from Chinese curios, wall paper, and upholstery. Family trees and a chronology of the Lewis firm (until 1828) also form the content., Floral border in watercolor on title page. Border also includes pictorial details showing a sailing ship and Chinese character., Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Dedication: "Dedicated to the Memory of my dear Mother who made the homes of my childhood most lovely and so beautiful!" Surrounded by watercolor frame reading "Haec Olim Meminisse Juvabit Virgo," i.e., "This will help you remember once upon a time.", Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., One of six Lewis Family albums held in the Print Department., Housed in clamshell box., George Albert Lewis, son of Philadelphia China trade merchant John F. Lewis (1791-1858) of John A. Lewis & Co. and Eliza Mower (1788-1885), was a banker, genealogist, and artist descended from Hessian solder and Philadelphia Prothonotary Johann A. P. Lewis [formerly Ludewig]. Lewis studied art with G. W. Holmes, frequently exhibited at the Pennsylvania Academy of the Fine Arts and Artist's Fund Society, and was a member of several organizations, including the Numismatic & Antiquarian Society of Philadelphia, Genealogical Society of Philadelphia, and the Library Company. He married Anne C. Larcombe on July 1, 1851 and with her had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator
Lewis, G. Albert, 1829-1915
Date
1900
Location
Library Company of Philadelphia | Print Department albums [P.9829.2]