Search results

Title: [Balding man, possibly Frederick Klett, Jr.]
Description: Hand colored pale pink on cheeks. Possibly Frederick Klett, Jr., partner in Potts & Kletts of Camden, N.J. Kletts was the son of Frederick Klett, a founder of the Philadelphia College of Pharmacy., Cased photographs retrospective conversion project., Pad: Faded velvet, embossed Bailey 198 Chesnut St. Philada., Mat: Oval., Case: Leather. Spray of flowers within a double oval. Same design on verso.
Creator: Bailey, Jason, fl. 1853-1855, photographer
Date: ca. 1854
Location: Library Company of Philadelphia | Print Department Cased photos [P.9956.1]

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: [Georgine E. Upshur Willis collection]
Description: Collection of primarily 20th-century photographs, ephemera, manuscript and textual materials related to trained undertaker Georgine Upshur Willis and her extended family, including descendants of the African American middle-class Stevens-Cogdell and Sanders-Venning families. Majority of collection is photographs, studio and professional portraits, as well as snapshots of Georgine E. Upshur Willis and her parents Agnes S. Upshur, a teacher, and William A. Upshur, an undertaker and Pennsylvania State representative, at various ages and dating between the 1920s and early 1970s. Includes images of Georgine as a baby, with her parents and grandparents (Charles Sanders Chew and Georgine Saunders Chew), at her coming out party, in her University of Pennsylvania college yearbook and graduation photograph, and several group portrait photographs, predominately dating to the late 1940s and early 1950s. Group portrait photographs include views of Georgine in costume in a 1934 Book Week Play, at her 1949 engagement party and wedding to anthropologist and ethnohistorian William Willis, Jr., recreating in Atlantic City, at holiday events, and at other friends and family gatherings. William A. Upshur portraits include a photograph of his meeting with Richard Nixon at the 1960 GOP Convention. Several of the professional photographs were taken by African American photographers, including John Gaston Devigne, Frank W. Harris, Jr., and John W. Mosley. Photographs also depict an 1890 group portrait, including Rennie and Sallie Venning (Holden) (P.2022.16.41), at an outside location; a modern reproduction of a portrait of Charles S. Chew (Georgine Upshur’s grandfather); a circa 1920s portrait of an unidentified woman and her baby; and two circa 1950 color photographs of landscape views of Fisher’s Island, N.Y., Ephemera materials are comprised of postcards, invitations and announcements, certificates, programs, and scraps dated predominately between the 1920s and 1950. The materials include a circa 1930 Gorges Du Loup postcard booklet; postcards addressed to Mrs. Julia Venning or Mr. and Mrs. George Venning containing views of Philadelphia, San Francisco, and Wildwood, N.J.; invitations/announcements to the 1921 Henpeck’s Annual Ball (William B. Holden, Committee President), Georgine E. Upshurs high school and college graduations, and the 1921 wedding of Cordelia Sanders and Dr. Dehaven Hinkson; University of Pennsylvania Bachelor of Arts diploma issued to Georgine Elizabeth Upshur, 1943; ca. 1939 program for Georgine E. Upshur’s induction into the Sophrosyne Chapter of The National Honor Society; and the 1950 program for Dr. Eric Reiss presents for The Blockley Medical Society Philadelphia General Hospital “Osler Slept Here.”, Manuscript and related materials primarily contain correspondence and newspaper clippings dated between the 1920s and 1950s. Correspondence includes a 1928 letter to William B. Holden about the “charges of the moral character of your Rector” of the Church of the Crucifixion; a 1938 and 1942 letter about Georgine E. Upshur, respectively, being elected to the honor society and nomination for membership in the University of Pennsylvania Delta Chapter of the National Social Science Honor Society, Pi Gamma Mu; and a 1942 letter from the City of Philadelphia Department of Public Welfare, Bureau of Recreation about swimming training. Newspaper clippings relate to the 1921 engagement and wedding of Cordelia Sanders Chew and Dr. Dehaven Hinkson; Georgine Upshur and a Y.W.C.A. baby contest, her Philadelphia High School for Girls graduation and coming out parties, and passing of the state mortician’s exam circa 1949; the 1930 musical recital of Georgine E. Upshur’s maternal aunt Mary Saunders Patterson; the 1954 death of Charles S. Chew accompanied by mourning cards and a pressed flower; and the death of the Hinkson’s dog Patchy accompanied by a plot receipt and business card for the Cheltenham Pet Cemetery. A 1932 "My Trip Abroad" day journal of Agnes C. Upshur, including an insert of her passport with a passport photograph of her and young daughter Georgine E. Upshur also comprises the manuscript material. The trip to Europe, included visits to Paris, Genoa, Florence, Venice, and Geneva., Collection also includes “Diary of the Women of the Class of 1943, University of Pennsylvania, The 1943 Almanack” containing inserts of correspondence, documents, and programs related to Georgine E. Upshur’s college education at University of Pennsylvania; The Philadelphia Inquirer Sunday Magazine, Civil War Issue, April 9, 1961; and The Saturday Evening Post, November 10, 1962 issue with mailing label for Dr. DeHaven Hinkson., Title supplied by cataloger., Date inferred from content., Photographers include Gaston Devigne, Harper, Frank W. Harris, Jr., John W. Mosley, Dan E. Paul, and Albert Sexton., RVCDC, See Lib. Company. Annual Report, 1991, p. 26-31., Gift of descendant Cordelia H. Brown in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Descriptive inventory, including with names of portrait sitters, available at repository., Reference copies and miscellaneous related materials located with collection., Digital catalog record includes select images from the collection.
Date: [1890-ca. 1990, bulk ca. 1921-ca. 1950]
Location: Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders Venning Collection - Upshur Willis Collection [P.2022.16]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

Title: [Scene on Atlantic City boardwalk near Lindley's baths]
Description: Scene depicting the busy Atlantic City boardwalk with many promenaders. Several businesses line the boardwalk including a photographic studio, Adams Bath Houses, Lindley's Baths, and Shimamura & Company. Through the glass storefront window at Shimamura & Co., numerous vases and framed works are visible. Men, women, and children promenaders include two African American girls attired in white dresses and hats; three women attired in Japanese kimono carry parasols and one carries a fan; members of a band; and a white boy carrying a sign for "Cleveland's Iron Pier." In the left, a large American flag flies. An observation tower with people is seen in the background. Shingo Shimamura, along with several Japanese partners including Y. Mayebara, and Takemura, opened Shimamura and Co. in 1888 at Tennessee Avenue and the Boardwalk, Atlantic City. The store sold Japanese art and decorative arts. In 1906, Shimamura opened another store at 579 Broadway, New York City., Title supplied by cataloger., Date inferred from attire of the people., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Cities [P.9260.590]

Title: To arms! To arms! $165 bounty $90 in cash! 152d Reg't P.V. or 3d Artil'y This regiment is for garrison duty only for the defence of the city of Washington. Young and active men wanted for Battery K Don't wait to be drafted! But come forward immediately. Pay, rations & uniform, from date of muster. Apply at [blank]
Description: The 152nd Regiment, 3rd Artillery of the Pennsylvania Volunteers, was authorized in Aug. 1862 and mustered out of service in July and Nov. 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 698, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 152., Printed in red., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: United States, Army, Pennsylvania Artillery Regiment, 3rd (1862-1865), Battery K.
Date: [between 1862 and 1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.51b (McAllister)

Title: "Who would be free, themselves must strike the blow!" Colored men of Burlington Co., your country calls you
Description: Signed at foot: Geo. Snyder, recruiting agent for colored volunteers of Burlington County., Printed area measures 54.0 x 42.5 cm., Illustration signed: L. Johnson & Co., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Snyder, George, recruiting agent
Date: [1863?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1863 Snyder (1)5777.F.16j

Title: Wanted! Wanted! Wanted! 1000 substitutes! To whom the highest cash prize will be given. Apply immediately to Turner, English & Co. substitute and volunteer agents, No. 10 Market St., Camden
Description: Printed area measures 72.2 x 48.8 cm., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Turner, English & Co.
Date: [between 1861 and 1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1861 Turner (1)5777.F.16k

Title: Godber, John
Description: John Godber, lithographer and printer, born of French heritage ca. 1841 in New York, worked in the trade in Philadelphia ca. 1860-ca. 1890. Although a foreman for Herline & Co. and then Howard B. Hamilton (39 North Tenth Street) 1873-1874, Godber did engage in photography for a brief time as a partner in the photographic studio W. H. Keller & Co. (322 North Second Street) in 1872. After 1890, Godber was listed in city directories until 1894 as a grocer., Godber resided in the Seventh Ward of Philadelphia by 1860, with presumably his siblings, Mary (b. ca. 1830, France) and Constance (b. ca. 1840, France) Agnes (b. ca. 1844, N.Y.) and Titus (b. ca. 1848, N.J.). He remained in the Seventh Ward neighborhood on the 1200 block of Shippen (i.e., Bainbridge) Street until ca. 1870, when he relocated to 1033 Fernon Street in South Philadelphia (Ward 1) with his wife Annie (b. ca. 1840) and daughter Susan (b. 1862). By 1879, Godber resided on South Tenth Street, first at 2025 and after 1886 at 2039 South Tenth Street., Although listed as white in census records, Godber's entry in the 1863 edition of the Philadelphia city directory was annotated to indicate that he was "colored." If a correct annotation, Godber would be the only known named black lithographer in 19th-century Philadelphia directories 1828-1878.
Date: b. ca. 1841
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: ASSU Illustration 0062
Description: Block numbered in two places: 62; also numbered: 580[?] and 5850[?]., Image of a girl in front of a spider web outdoors; the girl holds a book in her hand; the woman behind her holds the girl’s shoulder with one hand and points toward the spider web with the other., “N.J. Wemmer. 5 Pear St. Phila.” – Stamped on back of block twice. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856., “Child & Spider Web” – Inscribed on back of block., Illustration appears in New book of two hundred pictures, p. 79., , Provenance:, , Variant:
Date: [between 1848 and 1856?]
Location: ASSU Woodblocks -- Box 29

Title: Bourquin, David L.
Description: David L. Bourquin, son of lithographer Frederick Bourquin, was born in Philadelphia about 1845. In 1860, Bourquin worked as a printer while a resident of Camden, N.J. By 1872, he worked at the Philadelphia studio of his father at 320 Chestnut Street, and soon thereafter relocated to Chicago where his name appears as an assistant on the Warner & Beers "Atlas of Woodford County, Illinois" in 1873. After 1881, Bourquin returned to the Philadelphia area and resumed work for his father. He committed suicide on July 30, 1884.
Date: ca. 1845-July 30, 1884
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: ASSU Illustration 6028
Description: Block numbered in three places: 6028., Image of a boy fishing with a stick and a string while a young girl looks over him and rests her hands on his shoulders; three fish are visible in the water around the line; the boy carries a woven pack and a boot sits beside him; the boy and girl are on a small slope and there are reeds around them., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Illustration appears in Child's world, v. 1, no. 13 (Jul., 1862), p. 4., Illustration also appears in Child's world, v. 8, no. 5 (Mar., 1869), p. 2
Date: [1861-1876?]
Location: ASSU Woodblocks -- Box 18

Title: Bingham, William
Creator: Library Company of Philadelphia, creator
Date: November 7, 1748-May 1, 1782

Title: Morris, Margaret
Creator: Library Company of Philadelphia, creator
Date: August 24, 1795

Title: West, Thomas
Creator: Library Company of Philadelphia, creator
Date: January 11, 1779-May 1, 1793

Title: Brotherhood of America Medals
Description: George Lippard (1822-1854) founded a fraternal organization, the Brotherhood of the Union c. 1847. It was a secret labor and socialist organization that hoped to overthrow the capitalist system in America. Later (c. 1890) the organization was called the Brotherhood of America and turned into a social and mutual aid society. The Brotherhood of America dissolved in 1995., All ten medals read “Truth, Hope, Love” and have a scene depicting men on a ship across the top. Each medal has a different metal ornament hanging from the top piece (see descriptions below). All have a blue ribbon with “Brotherhood of America” in metal at the bottom of the ribbon. The medallion depicts an “H.F.” on an altar with a torch surrounded by stars. “H.F.” stands for “The Hope of the Future.” It can also stand for: Holy Flame, Holy Fruit, Holy Faith, Holy Freedom, Hope Fulfilled, Holy Fraternity, Human Family. See the B.C.G.[79190.O] for more information., 876 a.: Chief Washington: A cross in a circle hangs from the top piece. 876 b: PCW: Liberty Bell hangs from the top piece. 876 c: Watcher of the Night: A sword hangs from the top piece. 876 d: Treasurer: A key hangs from the top piece. 876 e: Jefferson: 2 crisscrossing torches hang from the top piece. 876 f: Watcher of the Day: 2 crisscrossing swords hang from the top piece. 876 g: Honorable Scroll Keeper: A scroll with “H.F.” hangs from the top piece. 876 h: Herald: 2 crisscrossing horns or trumpets hang from the top piece. 876 i: Franklin: 2 crisscrossing fasces hang from the top piece. 876 j: Register: An open book with “H.F.” hangs from the top piece., All medals except 876j are pinned to a Whitehead and Hoag Co. cardboard advertisement., Gift of the Brotherhood of America, 1994.
Creator: The Whitehead & Hoag Co.
Date: 20th c
Location: OBJ 876

Title: Collection of Electrical Tubes and Leyden Jars
Description: Used in electrical experiments., See Library Company Minutes vol. 1, May 1, 1738-Oct. 11, 1742, p. 74, 76, 83, 86, 94, 125-126, for discussion about the air-pump and glass implements., Exhibited in the University of Pennsylvania Library’s exhibition, Benjamin Franklin Winston Churchill (1951).
Date: Ca. 1730s-1740s
Location: OBJ 606

Title: A Revolutionary Shrine at Haddonfield
Description: Sketch of a three-story tavern shaded by trees with a large porch and produce stand in the front., The historic Indian King Tavern, at Haddonfield, N.J., is locally known as the "New Jersey Independence Hall." It was here that, upon March 18th, 1777, the Council of Safety for New Jersey met and where, also, in the following September, the Legislature formally created the state. The building was erected in 1750. In recent years the property was bought by the state and is now maintained, in charge of a commission, as a depository of Revolutionary relics and documents. This drawing was copied from a sketch made before the restorations were undertaken by the state authorities., Taylor Catalog Number: 50
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, creator
Date: ca. 1922

Title: Abraham Henry Jones, born Feb. 14, 1823, died Oct. 6, 1884
Description: Portrait of Jones, a Salem County, N.J. famer, as a young man. He is wearing a wide black tie and a white collar. Hand colored pink on cheeks., Date inferred from photographer's years of operation at address in imprint stamped on mat., Cased photographs retrospective conversion project., Pad: Dark purple velvet. No design., Mat: Ornamented oval. Photographer's imprint stamped on mat: W.L. Germon 168 Chest St Phila., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The design of the case is called Flower Vase Motif and is plate 146 in American Miniature Cast Art by Floyd and Marion Rinhart (Cranbury, New Jersy: A.S. Barnes and Co., Inc., 1969) Very rare, ca. 1852. The die-engraver's name is below the design in reverse, and reads A[nthony] C. Paquet. Geometric design on verso., Accompanied by paper label identifying sitter. See Jones Research File (Collection) and Board Report, September 16, 1997., LCP purchase.
Creator: Germon, W. L. (Washington Lafayette), 1822-1877, photographer
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department Cased photos - Germon [P.9530]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: Found at last! The cheapest shell store in Atlantic City. Rare and beautiful sea shells, corals, toys, curiosities, etc. East India Shell Store, No. 1120 Atlantic Avenue, above post office
Description: Illustrated trade card depicting the mythological figure Poseidon with a trident and horse-drawn chariot heading toward the sea. Includes seashells and seaweed on the beach in the foreground and a ship on the water in the distant background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - East [1975.F.292]

Title: Has the war ruined the country? The Copperheads assert that the war has ruined the country; that we can never pay our debt; and that the war has proven a failure. Look at these diagrams, based on official records, and see if this is true. ... Our prosperity has continued to increase in spite of the war, and the moment it is ended we shall go ahead in wealth and power with a rapidity hitherto unknown to any nation on the face of the globe. Is not such a nation able to carry on a war for its own salvation?
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Has the war (2)5786.F.73a (McAllister)

Title: Philadelphia
Description: Shows the area bounded by McKeon Street, Thirty-Sixth Street, Somerset Street, and the Delaware River. Includes ward numbers, street names, railroads, bridges, cemeteries, waterworks, and names of wharves. Also shows Smith and Windmill islands and part of Camden, N.J. including Kaighn's Point. Laurel Hill and South Laurel Hill Cemetery and Reading Railroad Company coal wharves depicted outside the neat line. Boundaries of wards marked with watercolor., Relief shown pictorially., Printed in upper right corner: No. 23., Published in George W. Colton's General atlas (New York: J. H. Colton & Co., 1858), plate no. 23., Gift of Seymour Toll.
Creator: Colton, G. Woolworth (George Woolworth), 1827-1901
Date: c1855
Location: Library Company of Philadelphia | Print Department *maps - Philadelphia - 1855 [P.2005.16.1]

Title: A little plain talk with John Bull
Description: Caption title., Another issue has imprint: "For sale at Trentwith's newspaper and periodical depot, No. 107 South Third Street.", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Train, Jr.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Train (2)5786.F.71a (McAllister)

Title: [Incomplete series of genre stereographs satirizing the New Woman]
Description: Includes "Yes, Mr. Caught a-tarter! The time is coming when--," "No longer be the poor down-trodden--," "Oppressed," "Weak and helpless being now she is." Scenes depict a stern-looking woman scolding and attacking a cowering, man, presumably her husband, in their living room. Scenes include overturned chairs and broken flower pots and vases on the floor., Title supplied by cataloger., Additional places of publication printed on mounts include: London; Toronto-Canada; Ottawa-Kansas., Printed on mounts: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mounts., Copyrighted by Strohmeyer & Wyman., Titles printed on mounts., Publisher's imprint printed on mounts., Titles also printed on versos in five other languages., Buff curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9964.3-6]

Title: The new woman--wash day
Description: Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Copyrighted by Strohmeyer & Wyman., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.2004.5.1]

Title: A beautiful garden avenue in Fairmount Park, Philadelphia, Pa
Description: View showing a long flower bed flanked by trees, also known as the "Sunken Gardens," extending in a line to Horticultural Hall, the exhibition hall built in 1875 after designs by Hermann J. Schwarzmann in West Fairmount Park. Building demolished in 1955 even though the 383' long, 193' wide building was supposed to remain a permanent botanical conservatory, showcasing exotic plant species and Victorian gardens., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Publisher's imprint printed on mount., Copyrighted 1902 by Underwood & Underwood on recto under title and copyrighted 1904 by Underwood & Underwood on verso., Explicative paragraph of text describing the Sunken Gardens printed on verso. Title printed in five languages below paragraph., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Date: c1904
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Parks [P.9047.156]

Title: J.M. Armstrong, music typographer, music of every description electrotyped, 441 Chestnut St., Philadelphia What delight in music's power! It will calm or rouse the soul; we can hear it by the hour, yielding to its sweet control. Music is a holy language any one can understand; heart can speak to heart by music, even in a foreign land
Description: Advertising text printed in decorative banners on a solid blue background. The scale and words to the song "What delight is music's power" forms the border., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., John M. Armstrong operated his music typography business from 441 Chestnut Street between 1875 and 1877. He was murdered while visiting Camden, N.J. in 1878.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department trade card - Armstrong [P.9850]

Title: M. Gould's Sons & Co. No. 8 N. Sixth St. Phila. Pa
Description: Illustrated trade card depicting brass rods, fire pokers, a cross, a rail, and other brass hardware. A drape containing the company's name hangs from a brass rod., Advertising text printed on verso: Established 1832. M. Gould's Sons & Co. Manufacturers of stair rods and upholsterers' hardware. Artistic and ecclesiastical brasswork a specialty. Brass curtain poles of all descriptions. No. 8 North Sixth St., Philadelphia. Manufactory, Newark, N.J., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Gould [1975.F.387]

Title: View in park
Description: View looking north from near the "Diana" statue at the base of Reservoir Hill at the Fairmount Water Works on the Schuylkill River. Shows a promenade, lamppost, and benches in the south garden in the foreground. Also shows the peristyle temple, built on the old mill house between 1868-1872 after the designs of Philadelphia engineer Frederick Graff, Jr., in the background. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Title from manuscript note on verso., Orange mount with rounded corners., Photographer's and publisher's imprint printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: New Jersey Stereoscopic View Co.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - New Jersey Stereo View Co. [P.8616.1]

Title: Pumps Fairmount Water Works
Description: View showing the interior of the pump room under the engine-house terrace at the Fairmount Water Works on the Schuylkill River. Shows several pumps under and near staircases. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872, Title inscribed in negative., Photographer's and publisher's imprint printed on mount., Orange mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Joy was a Philadelphia stationer.
Creator: New Jersey Stereoscopic View Co.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - New Jersey Stereoscopic Co. [P.9292.1]

Title: Prince Henry and Mr. Cramp, leaving the new Russian battleship, Cramp Ship Yards, Philadelphia, U.S.A
Description: View showing visiting dignitary Prince Heinrich of Prussia and Charles H. Cramp during the prince's visit to the United States in March 1902. The royal naval commander toured the city, including Cramp's shipyard and the recently completed Russian battleship, Retvizan, on March 10, 1902. Depicts the prince and Cramp shortly after disembarking from the ship. The men walk toward a group of male spectators under the guard of sailors., Printed on mount: Works and Studios. Arlington, N.J Littleton, N.H. Washington D.C., Title printed on mount., Sun sculpture trademark printed on mount., Buff mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: c1902
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Industry [P.9279.1]

Title: St. James the Less
Description: Views showing the Gothic-style Protestant Episcopal church built 1846-1850 after the designs of English architect George Gordon Place at 3200-3230 West Clearfield Street in East Falls near Laurel Hill Cemetery. Images depict the church exterior, doorway, burial ground, and individual headstones and monuments, including the tomb of "Mark M. Collet, M.D., Col. 3rd N.J. Vols. killed at Chancellorsville." The Ecclesiological Society, a British church architecture society, provided the plans for the church to be recreated in the style of a 13th-century English country parish., Yellow or buff paper mounts with square corners, including nine with manuscript titles and one with accompanying label., Paper backings pasted on versos., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1863
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Religion [(4)1322.F.83a & e; (4)1322.F.84a & b; (4)1322.F.84d & e; (4)1322.F.85b-d; (4)1322.F.87c]

Title: [First Congregational Unitarian Church, northeast corner of 10th and Locust Streets, Philadelphia]
Description: Exterior view from the southwest of church designed by Philadelphia architect William Strickland. Built 1828. Demolished 1885., Publisher's imprint on verso., Inscribed in negative: church at Trenton N.J. [sic], Advertisements for Uriah Mattis, provision dealer; Upper Jones, dry goods; Win S. Brook, hatter; Andrew Blum, merchant tailor; and Parker's Combination Store all of Philadelphia on verso., Retrospective conversion record: original entry. edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - religion [P.9276.65]

Title: Dixon's carburet of iron stove polish
Description: Trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: 57 years in market Dixon's pure carburet of iron. Stove polish. The oldest. The best. The quickest. The neatest. Ask your grocer for it., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dixon [P.2017.95.45]

Title: Clark's trade mark 36 Mile-End spool cotton
Description: Trade card promoting Clark Thread Company and depicting a racist caricature of an African American man minstrel drummer. Shows the man, in near profile, smiling and beating drumsticks on a drum strapped to his chest. The drum is a giant spool of thread labeled "Clark's Mile-End spool cotton." He is attired in black shoes; blue pants with a yellow stripe; a white jacket with pink flowers and long tails, with large buttons; a white ruffled shirt with a high collar; and a white top hat with a black band. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Clark's trademark Mile-End spool thread. Best six cord. All numbers from no. 8 to 100. The colors are especially dyed to match. All shades of dress goods and can be used instead of silk by dress makers and families. The black is strong and smooth, and of the purest dye. It will retain its very deep black hue as long as silk fabrics. The white, black and colored is the standard for use upon all sewing machines., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.32]

Title: Res. and grist mill of Anthony S. Morris
Description: View showing the residence and mill in Pemberton, N.J. purchased by Morris in 1864. A lady walks on a path leading to the elegant residence that is surrounded by trees and an iron wrought fence. In front of the house, men, one with a sack on his shoulder, walk on the sidewalk. To the left of the dwelling, two horse-drawn carts are parked in front of the two and one half story grist mill. Two men converse at the entrance. Other wagons approach and depart from a stone raceway over the creek next to the mill. Ducks glide on the pond visible in the foreground. Also shows a small fountain next between the residence and mill., Not in Wainwright., pdcp00013, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana - Mills
Date: [ca. 1875]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Mills

Title: A "lily footed" woman of China - this outrage against nature has been in vogue 900 years
Description: Stereograph depicting a full-length portrait of a Chinese woman with her bound feet on display. Shows the woman wearing her hair tied back and attired in a tunic and pants with decorative stripes and lotus shoes. She sits atop what is probably a wooden shelf with her feet resting on a circular wooden stool. She holds flowers in her left hand and looks slightly left. In the right is a tree stump and a flower pot on a wooden shelf. In the background are two chairs covered in cloth, and a patterned rug is on the floor., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: A high caste lady's dainty "lily feet" - as they really are - China
Description: Stereograph depicting a Chinese woman's feet on display. Shows the woman from the waist down attired in a tunic and pants with stripes at the bottom. She holds a closed fan in her hands on her lap. Her bare feet are exhibited on a cloth-covered box. The left foot points to the viewer, while the right foot is shown from the side displaying the heel and the toes bent over the arch. A newspaper in English is draped behind her legs., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: Fire Association of Philadelphia Insure from loss by fire buildings. Furniture and merchandise generally
Description: Tradecard containing a view of the Fairmount Waterworks. View looking from the west bank of the Schuylkill River showing the waterworks originally built between 1812 and 1822 after the designs of Frederick Graff. Shows the engine house, mill house, mound dam, and Reservoir Hill. Also shows individuals fishing from and on a boat near the Schuylkill Canal lock in the foreground. Also contains the pictorial detail of a running hose entwined around a fire hydrant., Names of Trenton and Plainfield, N.J. agents stamped in blue ink on recto., Not in Wainwright., Philadelphia on Stone, POS 251, Smithsonian Institution: NMAH Archives Center - Warshaw Collection - Fires & Firefighting - Box 2 Folder 23 - Fire Association
Creator: Major & Knapp Engraving, Manufacturing & Lithographic Co.
Date: [ca. 1868]
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection - Fires & Firefighting - Box 2 Folder 23 - Fire Association

Title: Bourquin, Frederick
Description: Frederick Bourquin, born in 1808 in the Canton of Berne, Switzerland, was a pioneer Philadelphia lithographer who specialized in maps. Following immigration to the United States in 1817 with his brother Charles F. Bourquin, he resided in Bucks County, Pa. and New York as well as began his lithographic career at the Philadelphia firm of Kennedy & Lucas in 1829. A U.S. citizen as of 1834, he permanently located to Philadelphia ca. 1840 and gained employment with his brother at P. S. Duval's firm in 1842., In 1849 Frederick became the foreman and from 1852 to January 1, 1857, a partner in the firm P. S. Duval & Co. Within a year, he partnered with Robert Pearsall Smith to form the map publishing establishment F. Bourquin & Company (602 Chestnut Street). The partnership was active until ca. 1863 when Bourquin became the sole proprietor of the business until his death in 1897., In 1866, Bourquin moved his recently established firm from Sixth & Chestnut Streets to quarters at 104 Hudson Alley (now Carpenter's Court) behind 320 Chestnut Street where he remained until 1873. He then relocated to 31 South Sixth Street and occupied two large rooms employing, according to the demands of his work, between 6 and 20 skilled and experienced lithographers. Although he produced lithographic portraits and prints, his main business focused on the production of county maps and atlases. He succeeded Robert Pearsall Smith as the main producer in this branch of the trade after the latter's sudden retirement from the field in 1865., According to Bourquin's advertisements, he offered "every facility for engraving, printing, coloring and mounting state and county maps, of the largest size." Throughout his map publishing career, he worked closely with the firm of Worley & Bracher and maintained professional connections with New York. By his 1882 credit report, he was "quite favorably regarded by the trade" and "considered honest and worthy of confidence" with an estimated worth of $5,000, which rose to about $12,000 in 1886., Bourquin was an innovator in the field of lithography. He experimented with different methods of improving the transfer process for which the Franklin Institute awarded him a prize in 1847; introduced zincography to America in 1849; and worked with John Jay Smith, father of R. P. Smith, in the development of the Anastatic Press in 1846., A resident of Camden, N.J. from the mid 1850's, Bourquin served on Camden's City Council during the 1870s and 1880s and as a Democrat in the New Jersey legislature in 1872. Married to Mary (b. ca. 1820), Bourquin had several children including four sons Frederick Bourquin, Jr., Gordon M. Bourquin, David L. Bourquin, and Charles L. Bourquin, involved in the lithographic and/or printing business. Bourquin died at his home in Camden, N.J. in 1897 and was survived by two of his sons.
Date: 1808- May 25, 1897
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Old Philadelphia Views Album
Description: Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog.

Title: Albert Hatch Photograph Album
Description: Photographs compiled and possibly taken by Albert Hatch showing city and landscape views as well as family views and portraits, ca. 1866-ca. 1888.

Title: Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description: Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1886
Location: Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: Friend, Norman
Description: Norman Friend, a map lithographer and engraver, born in Denmark about 1814, worked in Philadelphia ca. 1840s-1888. Friend immigrated to the United States in the early 1840s. By 1844, he resided in Philadelphia and began the naturalization process. He was married to Mary (b. ca. 1830) by 1850 and resided most of his professional career on the 100 and 200 block of North Second Street. In 1849, he started his own firm at 141 (i.e. 400 block) Walnut Street, which he removed to 80 (i.e., 332) Walnut Street in 1851 preceding his partnership with Jacob Aub in the firm of Friend & Aub. After Aub's departure in 1860, Friend continued to operate at the address under his own name until his death., Throughout his career, he specialized in map work, beginning with "Sidney's Map of Twelve Miles around New York" (1849) from surveys by James C. Sidney, and the "Map of Philadelphia" published as part of the Philadelphia City Directories of 1849 and 1850. During the 1860s and 1870s, he worked on many of the Midwestern county maps and atlases published by Lewis H. Everts and his various associates (including Duval & Hunter, later Thomas Hunter) bringing standardization to the county atlas format., Friend died of heart disease on February 25, 1888 with the listed residency of 529 Vine Street. He was buried in Ocean Grove, N.J.
Date: 1814- February 25, 1888
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Lovitt, Abraham M.
Description: Abraham M. Lovitt, born February 1847 in England, worked as a lithographer for the Philadelphia firm Longacre & Co. about 1874 and Pfeil & Golz about 1883 and 1884. Lovitt arrived in the United States about 1869, lived in Pennsylvania by the early 1870s and relocated to New Jersey by the end of the decade. In 1874, he lived at 177 South Sixth Street (Philadelphia) and during the 1880s, he resided at 750 Mount Vernon Street in Camden, N.J. By the 1900 census, he resided in New Brunswick, but returned to Camden by the 1910 census. He worked as a lithographer until his death on August 17, 1919. He was buried at Arlington Cemetery., Lovitt married the English-born Mary (b. ca. 1844) in 1869 and with her had several children; the eldest born in Pennsylvania ca. 1872. Lovitt was also a member of the Lithographers' Union of America and traveled to Belgium in 1880 according to New York passenger lists.
Date: February 1847-August 17, 1919
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Mann, William
Description: William Mann, born June 14, 1814 in Philadelphia, proprietor of a Philadelphia blank book manufactory and stationery, printing and lithographic establishment (later William Mann Company), was active in the trade 1848-1881. Originally apprenticed in agriculture and carpentry, Mann entered the stationery and printing trade in Philadelphia in 1848 following his patenting of a binder for filing letters. He later patented copying paper (1852) and a paging and numbering machine (1874)., By 1850 Mann operated a binders and letterpresses manufactory at 74 (i.e., 000 block) North Fourth Street that evolved into a stationery by the mid 1850s at 34 South Third Street. By 1860 the business expanded into a blank-book manufactory, stationery, and letterpress and lithographic printing establishment at 43 South Fourth Street. Lithographic work included trade cards and job printing, and throughout the Civil War, Mann earned enough income to be taxed by the I.R.S. During the 1870s, Mann relocated to a larger location at 529 Market Street in 1872 and printed a visitor's guide as well as the "Centennial Calendar 1876" during the Centennial Exhibition. The firm remained active following Mann's death in 1881 and in the 1940s became a division of the Todd Company., Mann was married to Mary Ann (b. ca. 1815) with whom he had several children, including sons Charles (b. ca. 1850) and Joseph (b. ca, 1840) who assumed operations of their father's business following his death. In 1888 the business was incorporated as William Mann Company., During his career, Mann predominately lived north of Center City before relocating to Haddonfield, N.J. about 1870. According to the census for that year, Mann owned real estate worth $70,000 and personal estate worth $60,000. Between the 1850s and 1870, he resided in Philadelphia at 404 North Twelfth Street, 1711 Green Street, and 1736 Mt. Vernon Street, respectively. In the early 1880s, soon before his death, Philadelphia city directories also list a residence at 1813 North Broad Street. Mann died following a second stroke at his home in Haddonfield on September 7, 1881.
Date: June 14, 1814-September 7, 1881
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Kurtz, Horatio J.
Description: Horatio J. Kurtz, born ca. 1844 in Pennsylvania, worked as an artist and lithographer in Philadelphia ca. 1859-ca. 1900. Kurtz entered the lithographic trade as an apprentice to William Rease with whom he lived ca. 1859-ca. 1860 at 1440 Marshall Street. During the Civil War, Kurtz served in the Pennsylvania infantry (1864-65), and in 1867 entered into a partnership with his former master artisan Rease. The known work of the business, which lasted about a year, includes the souvenir advertisement print "City of Philadelphia, 1867.", A year later, Kurtz worked as an artist at 413 Chestnut Street, one of the 1867 addresses for Duval, Swander & Co. Kurtz remained in the trade through the 1870s and 1880s, including the 1877 partnership Kurtz & Brother (Fifth and Chestnut Streets) and his own firm at 605 Sansom Street where he produced a ca. 1880 advertisement for Simes Storage. Despite some professional success - Kurtz owned $1000 worth of real estate in 1870 as a "sign painter"- the lithographer 's personal life was marred by the publicly reported abuse of his wife Lois (b. ca. 1848) who filed for divorce in 1881 after 14 years of marriage., According to city directories, Kurtz also worked as a clerk during the 1880s, as well as as a salesman in 1890. For the 1910 census, Kurtz listed his occupation as artist, although earlier in the decade he filed for his Civil War pension under the status "invalid." According to his pension records, Kurtz died on January 1, 1917 in New Brunswick, N.J.
Date: b. ca. 1844-January 1, 1917
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Bourquin, Gordon M.
Description: Gordon M. Bourquin, son of lithographer Frederick Bourquin, was born in New York in August 1839. In 1860, Bourquin worked as a lithographer while a resident of Camden, N.J. He abandoned his family and profession and relocated to the Upper Monclair area of New Jersey in 1888. He died in Passaic County, New Jersey in February 1906.
Date: July 1839 - February 1906
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

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