Search results

Title: Schell, Francis H.
Description: Francis H. Schell, born in 1831 in Philadelphia, and most known as a periodical illustrator, also worked as a lithographic artist in Philadelphia during the 1850s and 1860s. Listed as a lithographer as of the 1850 census, Schell came from a large family with seven brothers and sisters involved in the professions of currier, grocer, clerk, and stone cutter. During the early 1850s, Schell often worked with William H. Rease on advertisements printed by Alphonse Brett and Thomas Sinclair as well as formed a short-lived partnership with Rease ca. 1855. He also drew cityscape views in addition to portraits printed by Wagner & McGuigan. During the Civil War, Schell refocused his art work to periodical illustrations for "Frank Leslies Illustrated Weekly," although in 1865, he drew the design for the lithograph "In Commemoration of the Great Parade of the Philadelphia Fire Department October 16th 1865." Following the war, he assumed supervision of the art department of the weekly and later entered a long term partnership with fellow illustrator Thomas Hogan through the 1880s. During the 1860s, Schell's worked proved profitable and in 1870 he held a personal estate of $6,000 and had a servant at his household in 1870 and 1880. Schell died March 31, 1909 while residing with his son at 5227 Archer Street in Germantown and was probably buried at the Odd Fellows Cemetery, the place of internment of his wife. He remained listed in city directories as an artist until the year of his death., Schell lived in Philadelphia most of his life, except for a brief time in Camden, N.J. around 1860. Residences included the Northern Liberties Ward 4 in 1850 and by 1870, a dwelling at 1641 North Eighth Street in which he lived through the 1880s. Schell was married to Martha (b. ca. 1838) with whom he had several children, including son, the artist Frank Cresson Schell (1857-1942).
Date: ca. 1831-March 31, 1909
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: H. J. Toudy & Co.
Description: H. J. Toudy & Co., established by partners Henry J. Toudy and William Toudy at 503-505 Chestnut Street, specialized in maps, atlases, and city view prints, and operated 1865-1878. Relocating to 525 Chestnut Street in 1872, the studio merged with the printing firm of George W. Ward & Company (formerly at 52 North Sixth Street). The new company of Henry J. Toudy, George W. Ward and William C. Merillat lasted less than two years with Ward leaving in 1872 and Merillat in 1873. Despite William Toudy's continual affiliation with the firm during this time, Henry J. Toudy became the sole proprietor, and as of 1875, his firm had a reported worth of $10,000., Although the firm executed "very fine specimens of work in all departments of the art," atlases, maps, and city views preponderate the noted works of the company. Toudy & Co. worked on several Stone & Stewart county atlases in 1866, numerous county atlases published between 1873 and 1877, and many of the "General Surveys" of industrial plants throughout the Mid-Atlantic region produced by Ernest Hexamer during the 1870s. The firm also produced a number of respected views of cities, including one of the earliest depictions of Salt Lake City (1867), 13 full-color city view prints for "The Centennial Book of the Signers" (1872), and one of the first bird's-eye views produced by T. M. Fowler - Trenton, N.J. (1874)., During the 1870s, the firm relocated first to 623 Commerce Street in 1875 and later into the Ziegler & Smith building at Fourth and Cherry Streets in 1877. The decade also saw the firm triumph over Breuker & Kessler in a copyright infringement case over a print based on a drawing by Hermann J. Schwarzmann, architect of the Centennial Exhibition of 1876 grounds. Titled "Bird's Eye View of Centennial Buildings, Fairmount Park, Philadelphia, Pa. 1876," the view copyrighted by Houdy & Co. in March 1875 was one of a number of the Centennial produced by the company for which they are favorably known., In spite of this legal success, a blow of another sort struck the company in a few years. On March 25, 1878, a devastating fire destroyed the six-story Ziegler & Smith building as well as several adjacent blocks of structures. H. J. Toudy & Company suffered a complete loss, and as a consequence, went out of business, only having a reported $21,000 worth of insurance.
Date: fl. 1865-1878
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: Foulke, William Parker
Creator: Library Company of Philadelphia, creator
Date: March 5, 1847-May 1, 1897

Title: Anderson, Samuel
Creator: Library Company of Philadelphia, creator
Date: August 13, 1791-May 1, 1794

Title: Flying artillery Fifty good men wanted to fill up Capt. Massey's Company I Flying Artillery! To be attached to the Continental Cavalry, commanded by Col. Peyton. Government and city bounties given. All men joining this company will be clothed immediately and put in comfortable quarters, and drilled as cavalry and light artillery. Recruiting offices. 403 Walnut Street, N.W. cor. Broad & Fitzwater, 735 Market Street, N.W. cor. Eleventh & Oxford
Description: In his memoir, Reminiscences of Philadelphia during the past half century (Philadelphia 1895), J.E. Peyton of Haddonfield, N.J. claims to have lent his name to the recruitment of two cavalry regiments which became the 3rd and 11th Pennsylvania. Taylor associates him with the 18th Pennsylvania Cavalry: In the autumn of 1862 an enthusiastic citizen of Haddonfield, N. J., was active in securing recruits for the "Continental Cavalry." Two companies, intended as A and B, were camped at Haddonfield. Adverse circumstances led many of the recruits to leave camp and to enlist elsewhere. Their names were, however, carried upon the company records as "deserters." Those who remained were, with their officers, mustered into the service and attached to the 18th Cavalry."--F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 180 note., The illustration, signed E. Rogers, shows four horses, two with riders, pulling a cannon with three soldiers seated., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861 or 1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 3# Am 1861 Flying (4)5777.F.51 (McAllister)

Title: Continental Light Cavalry! $300 bounty! Young men wanted immediately for Col. J.E. Peyton's regiment of cavalry for service in the South-West. $300 will be given to all recruits joining this company under a regular army officer. Sergeants wanted with men. Apply at Richard's House, Eighth Street below Spring Garden
Description: In his memoir, Reminiscences of Philadelphia during the past half century (Philadelphia 1895), J.E. Peyton of Haddonfield, N.J. claims to have lent his name to the recruitment of two cavalry regiments which became the 3rd and 11th Pennsylvania. Taylor associates him with the 18th Pennsylvania Cavalry: In the autumn of 1862 an enthusiastic citizen of Haddonfield, N. J., was active in securing recruits for the "Continental Cavalry." Two companies, intended as A and B, were camped at Haddonfield. Adverse circumstances led many of the recruits to leave camp and to enlist elsewhere. Their names were, however, carried upon the company records as "deserters." Those who remained were, with their officers, mustered into the service and attached to the 18th Cavalry."--F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 180 note., Printed in red and blue., Originally part of a McAllister scrapbook., Digitized by Aexander Street Press for Images of the American Civil War.
Creator: Continental Cavalry
Date: [1861 or 1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1861 Conti (1)5777.F.18f (McAllister)

Title: Continental Cavalry, Col. J.E. Peyton Drafted men, and their substitutes, can volunteer in this regiment and receive the government bounties. Men will be uniformed immediately and sent to camp for instruction. Recruiting station, Vine Street, above Ninth
Description: In his memoir, Reminiscences of Philadelphia during the past half century (Philadelphia 1895), J.E. Peyton of Haddonfield, N.J. claims to have lent his name to the recruitment of two cavalry regiments which became the 3rd and 11th Pennsylvania. Taylor associates him with the 18th Pennsylvania Cavalry: In the autumn of 1862 an enthusiastic citizen of Haddonfield, N. J., was active in securing recruits for the "Continental Cavalry." Two companies, intended as A and B, were camped at Haddonfield. Adverse circumstances led many of the recruits to leave camp and to enlist elsewhere. Their names were, however, carried upon the company records as "deserters." Those who remained were, with their officers, mustered into the service and attached to the 18th Cavalry."--F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 180 note., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Continental Cavalry
Date: [1861 or 1862?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Conti (1)5777.F.75k (McAllister)

Title: [Frederick A. Rex & Co. trade cards]
Description: Series of illustrated trade cards promoting coffee manufacturer Frederick A. Rex & Co. and depicting a fox leaping to grab grapes in its mouth from a vine running along the top of a tall stone wall. Racist trade card titled "An absorbing subject" and depicting a caricature an African American man lying on top of a barrel and drinking from it with a straw. Shows the barefooted man, portrayed with exaggerated features, and attired in a straw hat, a striped shirt with the sleeves rolled up to the elbows, and patched and torn pants. He lies straddling on top of a wooden barrel and rests his head in his hands. He closes his eyes as he drinks from a straw through a hole in the barrel. The barrel has a label pasted on it and is marked “XXX.” In the foreground, a painter’s palette leans against the front of the barrel. Frederick A. Rex (1850-1916) founded the Frederick A. Rex Company in the 1880s which manufactured coffee and tea. The firm had an office in Philadelphia and a mill in Camden, N.J., Title supplied by cataloger., One print [P.9651.20] copyrighted 1881 by Geo. M. Hayes., One print [P.9651.20] contains advertising text printed on verso promoting "Peerless Coffee," the finest coffee sold, roasted and packed by Fred'k A. Rex & Co., 39 North Front St., Philadelphia, with mills in Camden, New Jersey., Purchase 1999, 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rex [P.9651.20 & P.9984.2]

Title: Bought of Browning & Brothers, wholesale druggists, and dealers in white and red lead, litharge, linseed oil, oil of vitriol, window glass, putty, dye stuffs, &c.&c. No. 33 Market Street
Description: Illustrated billheads containing an exterior view of the "Browning & Brothers Drug and Chemical Warehouse" and storefront on the 100 block of Market Street. Crates and barrels line the sidewalk, near awning posts, in front of the store. One is marked "Oil Vitriol." Also shows partial views of adjacent buidlings. Established by Maurice Browning and his brothers circa 1839, the firm was one of the earliest involved in the United States dye trade and operated a factory known as the Aroma Mills in Camden, N.J., P.2011.46.17 completed in manuscript to Mess. Camitt & Albertson on July 18, 1849 for five items including "2 [fg.?] Laudamun" and "1# Cinnamon Bark" for $9.60. Signed "Recd Payment" Browning & Bros., P.2011.46.18 completed in manuscript to Mess. Camitt & Albertson on March 7, 1850 for six items including "5 #os Liquorice [sic] Root" and "4 doz. Batemans drops" for $3.80. Signed "Recd Payment" Browning & Bros., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [1840]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - B [P.2011.46.17 & 18]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: Grand complimentary benefit to Jos. Lindsay and Corp. R.L. Sanford Joseph Lindsay was formerly a member of Baxter's Fire Zouaves, 72d Regiment, P.V., and was severely wounded at the Battle of Savage Station. Corp. R.L. Sanford was formerly a member of the 118th Regiment, Corn Exchange, and was deprived of his leg at the Battle of Antietam. These gentlemen respectfully solicit the patronage of their friends and public in general. Great array of talent for this occasion. Read the programme. ... Woman's rights! ... Stump speech! ... Burlesque stranger! ... Comic act! ... The Gobble family! ... To conclude with The masquerade ball! ... Admission, 25 cents Children, 10 cents. Doors open at 7 o'clock. Performances to commence at 8. Front seats reserved for ladies
Description: Performers, many of whom appeared in Philadelphia in April 1863 with the Rose and Burr Opera Troupe, include: W. Archibald, F. Anthony, N.J. Bark, A. Fisk, R.J. Harrison, H. Kirk, S. Lane, W. Lynch, the Marion Brothers, C. Renz, Billy Rose, and R.L. Sanford., Illustration signed: Strong., Library Company copy cropped at foot, possibly removing imprint; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Grand (25)5761.F.50a (McAllister)

Title: The new woman--wash day
Description: Genre scene satirizing the "new woman" and the role reversal of men and women in the home. Depicts a woman attired in bloomers and gloves (bicycle garb), with one foot propped on a chair as she smokes. Her husband bends over the wash tub and wrings an article of clothing as he does her laundry, some of which dries above their heads on a line. The woman's bicycle is propped near the door., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Publisher's imprint printed on mount., Title also printed on verso in five additional languages., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
Date: c1901
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & genre [P.9998]

Title: The pic nic on the Fourth of July, "A day to be remembered"
Description: Copy of subscription print published in 1864 and 1866 for "Demorest's Monthly Magazine" after the painting of Lily May Spencer showing her family at a Fourth of July picnic in a grove near, possibly, the Passaic River, in Newark, N.J, the hometown of the Spencers. Shows Spencer's husband Benjamin in the center of the view, lying on his side, and with one hand on the broken rope of a tree swing. Family members surround him, seated and standing, and predominately laugh and clap, except for a boy who attempts to help him up and the artist who runs toward him with her arms out. Another child waves a flag while on her father's shoulders. In the foreground, in the right, an African American man servant with a picnic basket, pot, and ice cream churn at his feet is distracted by the husband and pours wine on an older female guest who scowls. To their left, an African American woman caretaker holds a concertina and watches the scene with African American man. Seated next to her is her young white charge, who rests on a dog. To the right, a boy, holding up a small instrument, possibly a noise maker, lays behind a log on which a young couple courts each other. They hold hands and the woman places a fan to her face. Lush greenery forms the landscape, and in the background, a path through the woods, and canoes, a sailboat, and boys playing at the river is visible., Title from item., Published and copyrighted by the New York Engraving, Printing & Publishing Company in 1864 and published by H. Peters and P. & J. Levy (N. Y.) in 1866., Gift of David Doret, 2009., Trimmed and strip of paper mounted on bottom edge., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hollyer, Samuel, 1826-1919, engraver
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department **GC - Holidays - F [P.2009.6.1]

Title: Hoskins, Hieskell & Co. Importers & jobbers of fancy and staple dry goods. No. 213 Market & 34 Commerce St. Philada Philadelphia
Description: Advertisement showing a view of the five-story, Norman-Italian style ornamented, cast-iron fronted building tenanted by the dry goods establishment that was completed in 1853 after the designs of Sloan & Stewart at 213, i.e., 513 Market Street. In front of the store, a gentleman departs from the entrance and a couple greets a gentleman across from another man leaning on a column of the building. A couple strolls past, and a group of men convene near crates on the sidewalk, in front of neighboring buildings on the block. In the street, a driver stands with his loaded horse-drawn dray. Image surrounded by an ornate border, including filigree; cherubic and female allegorical figures representing the mechanical arts, industry, and virtues; and medallions printed with the names of the contractors who worked on the structure. Contractors include Wm. Keay, granite; Bottom, Tiffany & Co., Iron Front, Trenton, N.J.; James Spencely, Plasterer; E.& P. Coleman, Bolts &c.; Wm. Butcher & Son, Tin Roofing; Geo. Creely, Brick Layer; Sloan & Stewart, Architects; Brown & Allison, Carpenters & Builders; Wright, Hunter & Co., Plumbing & Gas Fitting; and Hood & Co., Iron Doors & Shutters, Grating &c. Hoskins & Heiskell relocated to the site in 1853. The building was renumbered to 513 Market Street in 1857, following the consolidation of the city., Philadelphia on Stone, POS 363, Wainwright retrospective conversion project, edited., Inger & Haugg were probably Christian Inger and Louis (Lewis) Haugg., Newspaper clipping dated June 23, 1853 describing the completion of the building in Poulson Scrapook, vol. 7, p. 79.
Creator: Inger & Haugg, artist
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W179 [P.2069]

Title: Men of color! To arms! To arms! Now or never
Description: Broadside continues: This is our golden moment. The government of the United States calls for every able-bodied colored man to enter the army for three years' service and join in fighting the battles of liberty and Union. A mass meeting of colored men, will be held on Friday, July 17, at 8 o'clock, P.M., at Washington Hall South Camden, N.J., to promote recruiting colored troops for three years or the war. Frederick Douglass and other distinguished speakers, will address the meeting., Recruitment coordinated by the local Supervisory Committee for Recruiting Colored Regiments., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1863 Men (1)5777.F.68

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Upper half of photograph discolored., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.6]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: The nation honors a great American. "From slave cabin to hall of fame." Booker Washington Bookplace, Virginia. U.S. Post Office established February 12, 1948
Description: Illustrated envelope containing a composite image depicting a portrait of Black educator Booker T. Washington, a view of a log cabin, and a view of a classical-style building., Title and date from item., Date supplied from research and content., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Booker Washington Birthplace Va. Feb 12 1948 5PM and cancelled (Opening Day Cancellation) violet color-printed 3-cent stamp after the format of the Famous American Scientists Series of 1940 and depicting a bust-length portrait of George Washington Carver, Director of Agriculture at Tuskegee Institute., Inscribed in ink: [Pntd?] Washington Pitt [?], Addressed in type: Patricia Chapman, Newfield, N.J., Accompanied by four circulars titled: "Team Work ... by Dr. Booker T. Washington" (2 copies); "Atlanta Exposition Address Delivered by Booker T. Washington, September, 1895, Atlanta, Georgia"; and "Gems of Wisdom. Thoughts from Booker T. Washington's Philosophy That Have Rendered Invaluable Service to Mankind.", Gift of George R. Allen, 2022.
Date: [1948]
Location: Library Company of Philadelphia | Print Department *ephemera - envelopes - Nation [P.2022.42.4a-e]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]

Title: These are to certify, that [blank] is a member of the New-Jersey Society, for promoting the abolition of slavery. [blank] Presdt. Secy. [blank]
Description: Abolition society certificate depicting a white, Federal-era man pointing toward a chained, kneeling enslaved man who declares, "Am I not a Man and brother!" In the left, the enslaved man, attired in a white loincloth and with chains binding his hands to his feet, kneels down on his right knee upon a marble pedestal and clasps his hands together. In the right, the white man, attired in a white cravat, a waistcoat, a jacket, breeches, and black shoes, stands and holds in his left hand a Bible opened to Isaiah 61:1 atop the marble altar, which is inscribed with the verse: "He came to proclaim liberty to the captive, and the opening of the prison to them that are bound." Heavenly beams shine down upon them through an opening in the clouds. The New Jersey abolition society was established in 1793., Unused certificate., Title from item., Illustration of a kneeling male slave on the certificate is a variant of the image popularized by Josiah Wedgwood. Formed in 1787, the Committee for the Abolition of the Slave Trade designed and adopted as its seal the image of a kneeling African male slave asking, "Am I not a man and a brother?" That same year, Wedgwood, a ceramics manufacturer and member of the Committee, issued the image as a medallion, which was distributed in America. The image became a popular anti-slavery icon and was soon widely reproduced on artifacts and in print in the United States and in Britain. During the 1820s, a female counterpart with the motto, "Am I not a woman and a sister?" was created by British abolitionists and quickly embraced in the United States, particularly among women abolitionists., Accessioned 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1800]
Location: Library Company of Philadelphia | Print Department *GC-Certificates [7762.F]

Title: Panorama of Philadelphia and Centennial Exhibition grounds
Description: Panoramic view looking east from West Fairmount Park showing the city between the fair grounds and to near Southwark and the Schuylkill and Delaware rivers. The names of major sites depicted are printed above and below the image, respectively. Includes the major exhibition buildings of the U.S. Government Building, Machinery Hall, Women's Pavilion, Judges Hall, Agricultural Hall, Horticultural Hall, Memorial Hall, and the Main Exhibition Building; the Columbia, N.Y. Connecting Railway, Girard Avenue, Callowhill Street, Market Street, and Chestnut Street bridges; Treaty and Smith's islands; Girard College; the Zoological Garden; the N.Y. Connecting Railroad; Camden, N.J.; Independence Hall; the Masonic Temple; Fairmount Water Works; the "new Public Building", i.e., the future City Hall; Cathedral of Saints Peter and Paul; "European Steam Ship Wharves"; and the Penna. R.R. Depot. Also shows scullers in front of Boathouse Row, the gas works, fair visitors, travelling trains, and maritime traffic. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Several of the exhibition buildings were designed by Herman Schwarzmann, Henry Pettit, and Joseph M. Wilson., Not in Wainwright., Philadelphia on Stone, POS 540, Historical Society of Pennsylvania: Bc 865 B 124, Inscribed on verso: William C. Stokes, June 29, 1936.
Creator: Bachmann, Henry
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 865 B 124

Title: Capitol Washington Declaration of Independance [sic] at Philadelphia. July 4. 1776. (Thomas Jefferson supposed to be the author.) The fourth of July is the day of national rejoicing, for on that day, the Declaration of Independance [sic] that solemn and sublime document was adopted
Description: Postcard depicting the view after the circa 1819 Trumbull painting showing members of the Second Continental Congress gathered in the East Room of Independence Hall signing the Declaration of Independence on July 4, 1776. John Adams, Robert Sherman, Thomas Jefferson, and Benjamin Franklin stand before John Hancock, the President of the Continental Congress in the foreground. In the left, the Liberty Bell is depicted ringing and with the inscription, “Proclaim liberty throughout all the land unto all the inhabitants thereof.”, Title from item., Date inferred from content., Publisher from copyright statement on recto: Copyrighted No. 8090 Am. Hist. Art Publ. Co. New York City 111 E. 14 Str. St. Louis, Mo. 813 Chestnut Str., Name of distributor printed in lower left on recto: C.L. Traver, 108 S. Broad St., Trenton, N.J., Series no. printed in lower right on recto: Colonial heroes, no. 20., Expository text printed on recto: In the steeple of the state-house was a bell, imported twenty-three years previously from London by the Provincial Assembly of Pennsylvania. A joyous peal from that bell gave notice that the bill had been passed. It was the knell of British domination., Gift of David Doret, 2019.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.30]

Title: Storming of Missionary Ridge
Description: Panoramic view showing the Union victory at the Battle of Missionary Ridge near Chattanooga, Tennessee on November 25, 1863. Shows Union troops carrying an American flag as the men break through the Confederate line. An African American Union corps drummer marches behind the soldiers. Shows Union and Confederate soldiers firing and falling in battle near brush and fallen trees, and Confederate troops retreating past a homestead in the background., Title from item., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Philadelphia Panorama Co., distributor
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Missionary Ridge [P.2002.50.3]

Title: "Saturday Jaunts: One-Day Holidays Spent Near the City" by the Ledger Monastery
Description: Volume composed of reprinted "Saturday Jaunts" columns (spring and summer 1891) and 25 photographs documenting the one-day excursions of the "Saturday Jaunters," employees of the Public Ledger in Philadelphia. Saturday Jaunters (identified with "monkish" pseudonyms) referenced in and authors of the columns include Bonifacius (William E. Meehan), Benedict (Addison B. Burk), Chrysostum (Joel Cook), Angelo (John J. Mckenna), Damon (Charles S. Spangler), Photius (Edmund Stirling), Friar Tuck (Edward Robinson), Constantius (Stephen J. Burke), Pius (Israel F. Sheppard), Sacristan (C. Johann), Fabian (Dr. William H. Burk), Medicus, Ananias (Collins W. Walton), Titian (John A. Johann), Cephas (Peter J. Heborn), and Brother Alban (Captain Robert C. Clipperton). Contains the columns: I. Marble Hall and Spring Mill. II. A Visit to the Coal Fields of Pottsville. III. A Trip along Cresheim Creek and the "Happy Valley." IV. A Roundabout Journey to Edge Hill. V. A Pilgrimage through the Gulf and to Belvoir. VI. A Pilgrimage through the Gulf and to Belvoir (Continued). VII. A Pleasant Pilgrimage into New Jersey. VIII. A. Walk Up the Wissahickon Valley. IX. A Trip to Reading and Its Grand Environs. X. The Soapstone Quarries and Rockdale. XI. Villanova and Its Vicinity. XII. Glimpses from a Car window of a Picturesque Country. XIII. A Trip to Mount Gretna and the Cornwall Ore Banks.

Title: [Collection of letterheads, stationery, and form letters of pharmaceutical firms and related businesses, United States and Canada]
Description: Collection of letterheads and stationery from the late 19th century containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict trademarks, including the Alpine Products Co. eagle; the bloodhound "Grip"; and interiors and exteriors of storefronts, laboratories, and medical dispensaries (some adorned in signage), including H.E. Bucklen & Co.'s Bottling Dept., Composing Room, Engine & Press Room, Shipping Room, Main Office, and Mailing Dept. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a ladies truss, a profile portrait of a woman captioned "The crowning glory of Woman is Her Hair," mortar & pestle, floral imagery, frames, filigree and flourishes., Firms represented include A.C. Meyer & Co. (Baltimore); Alpine Products Co. (N.Y.); The Altenheim Medical Dispensary (Cincinnati); T.P. Bailey, M.D. (Georgetown, S.C.); Bellows Falls Drug Store (Bellows Falls, Vt.); Benton, Myers & Company (Cleveland); S. Biggs (Rockingham, N.C.); D. Wood Brant (Newark, N.J.); Canadian Kennel Club (Toronto); Horace Bush (Lowville, N.Y.); Carriger & Speck (Morristown, Tenn.); C.E. Grafton Drug Company (Brookhaven, Miss.); Chicago Medical Society (Chicago); Collegiate and Polytechnic Institute, i.e., Polytechnic Institute of Brooklyn (Brooklyn, N.Y.); Wm. Connolly, M.D. (Cresco, Ia.); Edward H. Currier (Manchester, N.H.); E.S. Leadbeater & Sons (Alexandria, Va.); Dr. E. Greenmayer (East Palestine, Oh.); Dr. Robert Hamilton's Medical Institute (Saratoga Springs, N.Y.); Bunting Hankins (Bordentown, N.J.); H.E. Bucklen & Co. (Chicago, Ill.); Heintzelman's Pharmacy (Philadelphia); D. E. Hoagland (Cobleskill, N.Y.); J. Henderson & Bros. (Pittsburgh); John Carle & Sons (N.Y.); John F. Henry & Co. (Waterbury, Vt.); Johnston, Holloway & Cowden (Philadelphia); Joseph Hahn & Co. (Sacramento, Ca.); J. S. Merrell Drug Co. (St. Louis, Mo.); Aug. Korndoerfer, M.D. (Philadelphia); Lyman, Sons & Co. (Montreal); Max Wocher & Son (Cincinnati); and Muth Brothers & Co. (Baltimore)., Correspondence relates to shipping arrangements and fees, product orders, payments, letters of certification and retention of employees, diagnoses and treatments, as well as a purchase of a storefront and feedback on a supply of samples. Collection also includes a personal letter completed July 8, 1884 by J.F. Madden describing his medical treatment and his day in Sacramento, Ca. Correspondents include Parchen D'Archeu Drug Company; The Polk Miller Drug Co.; G.W. Aimar & Co.; A. C. Mitchell; Jacob Estey; S. Biggs; Wm. R. Scudder; Geo. B. Sweetnam; Lyman, Sons & Co.; Chapman, White, Lyons & Co.; W. W. Newsam; E. C. Seymour; John C. Legel; Burt H. Brooks; B. Hankins; H. C. Parter & Son; McKinney Bros.; J. D. Aug. Hartz; C. A. Williams; Henry B. Semple; J. F. Madden; C. P. Walbridge; and C. K. Gardner., Printers include A. Hoen & Co., Balto.; G. H. Dunston, Lith., Buffalo; A. Gast & Co., St. Louis & N.Y.; and Buston & Skinner, Lith. St. Louis., One print [P.2011.46.456 ] contains two-cent stamp., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [ca. 1860-ca. 1900]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Letterheads & Stationery (A-M) [P.2011.46.429-463]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

Title: Willam and Mary Secretary Desk
Description: Oak with black walnut veneer., This desk was owned by William Penn., John Fanning Watson saw the desk in 1827 when it was owned by Nathaniel Coleman, a silversmith of Burlington, N.J. Watson described the piece as in "in very old & unsightly condition," but it still had its mirrors. The desk no longer has mirrors., Gift of John Jay Smith, 1873., Exhibited in the Library Company's exhibition, Quarter of a Millennium (1981). Exhibited at the State Museum in Harrisburg, PA, 1964-1966 and 1993-1994.
Date: ca. 1680 to possibly after 1710
Location: OBJ 005

Title: Deborah Davenport
Description: Portrait of Deborah Davenport of Woodbury, N.J., Bequest of Anne Hampton Brewster, 1892.
Creator: Saint Mémin, Charles Balthazar Julien Fevret de, 1770-1852
Date: 1798
Location: OBJ 722

Title: Collins, John
Description: John Collins, the grandson of premier New Jersey printer Isaac Collins, born in New York in 1814, was a Quaker artist, teacher, poet, and author, who worked as a lithographer in Philadelphia and Burlington, N.J. during the mid and later 19th century. Collins was also husband to Anna Baily (b. ca. 1815-1894), and father of six children, of whom four lived to adulthood., A student at the academy of John Gummere in Burlington and the first class at Haverford School (i.e., College) founded in 1833, Collins entered the lithography profession in Philadelphia in 1836. From 1836 to 1837, Collins established his own print shop at 79 South Third Street, exhibited two art works at the Artist Fund Society, and printed a lithograph of his alma mater Haverford School (1837). Soon thereafter, he printed lithographs for the seminal works John C. Wild's "Views of Philadelphia" (1838) and his cousin's husband Samuel Morton's "Crania Americana" (1839), as well as married., By 1840, although Collins contributed lithographs to The Oxford Drawing Book (New York, 1840), he sold his studio to his associate Thomas Sinclair. Sinclair would remain the printer of most of his future lithographic endeavors, including the series "Views of Burlington" (1847) and "The City and Scenery of Newport" (1857). In addition, the drawing book would be the first of a number of art instruction books that Collins either authored or to which he contributed lithographs, including Progressive Drawing Book of Flowers for Beginners (1844); My First Drawing Book (1871); and Model Drawing Book for Boy and Girls (1892). Following the sale of his shop, Collins resided in Philadelphia, New York, and Burlington, where he finally settled in 1846 at his family home at Broad and York streets and pursued a teaching career. He, however, continued his association with lithography and drew a series of lithographs of the West-town Boarding School (ca. 1858) and authored "The Art of Engraving on Metal, Wood and Stone" (1858) in addition to working at the shop of P. S. Duval & Son in 1858. He also wrote an antislavery poem "The Slave Mother" (1855) and traveled to Cuba in 1859 where he made sketches and watercolors of sites from his trip. During the 1860s, Collins still remained active in lithography and served as a floor manager and committee member of the Lithographic Printer's Union Ball of 1863. In 1870, he authored the prophetic poem "1970 - A Vision of the Coming Age.", The ensuing decade saw Collins and his family transplanted to Eastern Tennessee, following a visit to the North Carolina Yearly Meeting to learn about Southern Quakers' lives under Reconstruction. From 1870 to 1878, Collins lived first in Friendsville, Tn. where he may have had a position as principal of the William Foster Institute and then Maryville, Tn. where he returned to teaching. In the South, he continued with his art and drew and sketched the people and sites of his residence., In 1879, Collins and his family, returned to Philadelphia where by 1880 they resided at 602 North Forty-Third Street and by 1885 at 702 North Forty-Third Street. In his later years, Collins cited his occupation as an artist and in 1883 he lithographed a portrait of Burlington porter Benny Jackson during a visit to his former place of residence. Collins made other trips to Burlington in the late 19th and early 20th centuries, including reading a historical sketch (published 1893) about Isaac and Rachel Collins at a Collins Family Reunion in 1890, as well as visited Tennessee. Collins also continued with his reform activities and was a member of the Prison Society, the Pennsylvania Peace Society, and the Temperance Society until his death on December 17, 1902 in Philadelphia.
Date: 1814-December 17, 1902
Location: Philadelphia on Stone Biographical Dictionary of Lithographers

Title: [Collection of letterheads, stationery, and form letters of pharmaceutical firms and related businesses, United States and Canada]
Description: Collection of letterheads and stationery from the late 19th century containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict trademarks, including Mishhler's Herb Bitters anchor of "Hope"; exteriors of factories and storefronts (some including signage); druggists rubber goods, including a bulb syringe and atomizer; and the waiting room and exam room of a dental office. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. View of New York Sumac Extract Company factory complex (20 Cedar Street) also shows a ship docked at the factory pier. Pictorial details include a phoenix, quarter moon, banners, mortar & pestle, frames, filigree and flourishes. Firms represented include Naph B. Greensfelder & Co. (San Francisco, Ca.); New York Sumac Extract Company (Long Island City, N.Y.); Rev. Jasper Marx Medicines (Jersey City, N.J.); Richardson Drug Company, Omaha (Salt Lake City, Ut.); S. B. Hartman & Co, Office of Eastern Laboratory and Wholesale Depot (Lancaster, Pa.); R.H. Mcdonald & Co. (San Francisco, Ca.); Smith, Kline & French Co. (Philadelphia, Pa.); Smith & Prime (Ausable Forks, N.Y.); Spink & Co. (Minneapolis, Minn.); H.N. Stratton (Brooklyn, N.Y.); Judson B. Todd (Ithaca, N.Y.); Tyer Rubber Company (Andover, Ma.); Westlake & McIntyre (Grand Rapids, Mi.); Whitall, Tatum & Co. (Philadelphia); Wm. H. Armstrong & Co. (Indianapolis, Ind.); and G. F. Witter (Grand Rapids, Wis.). Correspondence relates to product orders and fees, solicitations for business, and payments. credits, and payment disputes., Correspondents include Parchen-D'Acheul Drug Co.; Brooks R. Webber; R. B. Hutchings; H.M. Parchen & Co.; Samuel Newton; S. B. Hartman & Co.; H. R. Sands & Co.; R. H. McDonald & Co.; Polk Miller Drug Co.; F.M. Hopkins Sons; Henry A. Kerste; C.W. Prindell; Leonard Kellar; and Henry Bartry., Printers and engravers include Seifert & Lawton, Milwaukee; Baker-Randolph Litho. & Eng. Co. Chicago; and [George W.?] Mills., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [ca. 1860-ca. 1896]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Letterheads & Stationery (N-Z) [P.2011.46.464-479]

Title: [Collection of billheads of pharmaceutical firms and related businesses, United States, 1852-1879]
Description: Collection of billheads, dated between 1852 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and goods, including "patent shaving mug," mortar and pestles, scales, and rates, barrels, and jugs of medicinals; and a medieval scene of an apothecary in his laboratory. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a key; a druggist and also a lion using a mortar and pestle; banners; flourishes; and frames. Firms represented include Earl P. Mason & Co. (Providence, R.I.); E. Hartshorn & Sons (Boston); F. M. Keeler & Co. (Boston); D. H. Fonda (Albany, N.Y.); Frambes & Wright (Absecon, N.J.); Frederick Klett & Co. (Philadelphia); Gauntlett & Brooks (Ithaca, N.Y.); Geo. E. Greene (Brattleboro, Vt.); G. & S. Crawford & Co. (N.Y.); Geo. W. Norton & Fitch (Lexington, Ky.); Jos. B. Gorrell (Culpeper, Va.); H. H. Hay (Portland, Me.); Henry C. Willard & Co. (Brattleboro, Vt.); H. O. D. Banks & Co. (Philadelphia); William Hadde (New York); J. S. Ingraham (Bangor, Me.); I. N. Thorn & Co., partnership between Thorn and George E. Greene (Brattleboro, Vt.); J. M. & W. W. Cubbison (New Castle, PA); John F. Henry, Curran & Co. (N.Y.); Klein & Fleet (N.Y.); Kenyon, Potter & Co. (Syracuse, N.Y.); Lanman & Sevin (Norwich, Conn.); A. J. McKean (Mercer, Pa.); McMonagle & Rogers (Middletown, N.Y.); and Martin Kalbfleisch's Sons (N.Y.)., Billed patrons include H. Warner; F. A. Richards; A. H. Dailey, Fall River; W. H. Barnes, Chartam Village; Ebenezar Somer; C. Schrack; Gauntlett & Brooks, Ithaca; Julius J. Estey; C. S. Clark, Center Brook, Conn.; D. J. Ayers; D. W. A. Hill; T. A. Pewdexter; Frederick Ehrhardt; Mr. Leverich; J. M. Daniels; A. McKinney; F. L. Norton; McKiney Bros; C. W. Philips; and New York Eyelet Co., P.2011.46.324 title annotated: Gauntlett & Brooks, crossed out., Engravers include Redman-Kenny, N.Y.; J. Spittall; Richardson; and Gibson & Co., Cincinnatti., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [1852-1879]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (E-M) [P.2011.46.318-342]

Title: [Collection of business correspondence of S. R. Van Duzer, wholesale druggist, New York]
Description: Collection of business correspondence dated between September 25, 1861 and February 11, 1885, including billheads, letterhead, a form letter, and a prices current (February 2, 1874) containing ornate typography and vignette illustrations. Billheads and price current contain variant views of the exterior of the firm's storefront. Majority also show laborers loading and unloading horse-drawn carts in front of the building and the storefront adorned with a flag on the roof reading "Importer & Jobber." Items billed include opium, gum arabic, Pears glycerine soap, Warner's Safe Cure, Ayer's Pectoral, and chrome yellow oil masury. Letterhead illustration shows a medieval apothecary in his laboratory. He uses a flume to stoke a fire while surrounded by pharmaceutical apparatus, including beakers, a distillery, and mortar and pestle. Other correspondence relates to receipt of payments. Van Duzer, one of New York's most prominent druggists retired from active business in 1893., Title supplied by cataloger., Printers include Snyder, Black & Sturn, N.Y.; The Major & & Knapp Eng. Mfg. & Lith. Co., N.Y.; and Mayer, Merkel & Ottmann, N.Y., Correspondents include Ford & Perry, Deposit, N.Y.; F. & A. Crosswell; Glover, Warner & Clark/ Warner & Clark, Sandy Hook, Conn.; and German Valley, N.J. general store proprietor Lyman Kice., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [ca. 1860-ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - V [P.2011.46.237-243]

Title: Portrait photograph album of Mary McPhilomy
Description: Photographs predominantly depict the acquaintances and relatives of the McPhilomy family of Philadelphia, including men, women, and children. Most are bust-length portraits, with a number of full-length portraits, including a couple in bathing wear, children in sailor suits, and women fashionably attired and holding fans and purses. Many of the women and girls wear jewelry. Also includes images of a priest, a nun, a display of religious floral decorations; a sepulchral monument; a religious allegorical scene; a reproduction of a framed testimonial with portrait photograph vignettes; and a photo-collage portrait showing a man driving a horse-drawn wagon., Sitters include Mary, John and Frank McPhilomy; Rev. Mother Louis Gonzaga of the Sisters of Notre Dame (Boston); members of the Logue family, including Charles Logue; David Mulcahy (died March 31, 1876); Al. Schaff; members of the Bradford family, including John Bradford; John Keenan; members of the Sacriste family, including Mr. and Mrs. Sacriste and Hortense Sacriste White., Chromolithographed title page: The Photographic Album. Philadelphia. J.B. Lippincott & Co., [ca. 1875]., Embossed leather binding with gold stamping., Spine embossed and stamped: Photographs., Inscribed: To Miss Mamie McPhilomy with compliments of the season, Dec 25 1875. D.P.M. E.S.C., Various photographers, including A. P. Beecher of Wilmington, De.; L. S. Griffin of Jersey City, N.J. and B. Frank Saylor & Co. of Lancaster, Pa. and Philadelphia photographers, including George W. Evans, Gilbert & Bacon, and O. B. De Morat., Several sitters identified by inscriptions on mount or album page. Some misidentified due to the relocation and removal of photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition. Album housed in phase box.
Creator: McPhilomy, Mary
Date: ca. 1865-ca. 1920, bulk ca. 1865-ca. 1875
Location: Library Company of Philadelphia | Print Department albums [P.2007.17]

Title: John Jay Smith and Rachel Collins Pearsall Smith Family photograph album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith. Also contains views of family residences, including Ivy Lodge (John Jay Smith, Germantown), Robert P. Smith's residence (below Grumblethorpe, Germantown), The Cedars (Whitall family summer home, Haddonfield, N.J.), and The “Mansion” at Millville, New Jersey ("Lloyd Logan Smith's birthplace"). Other portraiture includes group portraits showing the Haverford and Bryn Mawr Classes of 1885, "The Spices" cooking Club, "The Band of Cousins, a wedding banquet, and the Grange (London, England). Album also contains photographs showing family treks to Wyoming and Yellowstone (1879 and 1881); "H[annah] W. S[mith] at her table in 1315 Filbert St. Phila. Writing Life of John M. Whitall"; and a full-length silhouette of Robert P. Smith's daughter Gulielma who died in childhood., Sitters include John Jay and Rachel Collins Pearsall Smith; their children and their spouses Lloyd P. Smith; Robert Pearsall Smith and his wife feminist evangelical Hannah Whitall; Horace J. Smith and his wife Margaret L.; and Elizabeth P. Smith; their grandchildren Mary Whitall, Alice (Alys) Whitall (wife of philosopher Bertrand Russell), Ray Pearsall, and Lloyd Logan Smith; members of the Whitall and Thomas families (R.P. Smith in-laws and relatives of M. Carey Thomas); and Haverford students and other young Quakers, including William. S. Hilles; Charles Baily; Emma and Patty Mellor; Birdee Shoemaker; Carrie Cope; Katie Stokes; and Annie Bacon., Brown cloth binding., Damaged morocco label on front cover: Por[traits].... &c. Vol., Majority of contents identified by inscriptions on album page., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album housed in phase box with index to sitters., John Jay Smith, Quaker editor and librarian of the Library Company of Philadelphia married Rachel Collins Pearsall Smith, granddaugher of noted Quaker printer Isaac Collins on April 12, 1821. The couple had six children: Lloyd Pearsall Smith, librarian of the Library Company; Albanus Smith (1823-1842); Robert Pearsall Smith, printer, businessman, and evangelical leader; Gulielma Smith (died in childhood); Horace J. Smith, agriculturist and author; and Elizabeth Pearsall Smith, editor of "Recollections of John Jay Smith." Richard P. Smith was a proprietor of Whitall, Tatum & Co. glass manufactory in New Jersey during the 1860s. He and his brother Horace J. relocated to England in the later 19th century.
Date: ca. 1856-ca. 1885
Location: Library Company of Philadelphia | Print Department albums [P.2008.15]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

Title: [Carson R. Draucker photograph album]
Description: Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator: Draucker, Carson R., 1895-1971
Date: [1913-1918]
Location: Library Company of Philadelphia | Print Department albums [P.2007.35a&b]

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