Search results

Title: Pavillion [sic], George's Hill
Description: Promotional stereograph depicting the bandstand, built in 1872, on George's Hill near Fifty-Second Street in West Fairmount Park. The hill was given to the city by siblings Jesse and Rebecca George in 1868. Shows a crowd of men and women, including two African American men, possibly carriage drivers, posing in front of the pavilion. In the foreground, a coach is parked., Title from manuscript note on verso., Date inferred from content and the people's attire., Buff mount with rounded corners., Contains label posted on verso promoting Young's Favorite Blue Grass Rye and Wheat Whiskies distributed by New York wine shop, Acker, Merrall & Condit, and distilled by Philadelphia distiller Alexander Young & Co., Purchase 2000., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9774.2]

Title: [Women posed at Glendinning Rock Gardens, Fairmount Park, Philadelphia]
Description: Scene showing well-dressed women, including an African American woman, posed in the Glendinning Rock Gardens in Fairmount Park, Philadelphia. Shows nine women, attired in dresses, sitting and standing on the rocks around the pond and on the incline leading up to the stone wall. The garden, built in 1936 at the bequest of Fairmount Park Commission board member Colonel Robert Glendinning and his wife Elizabeth, is one of the most unusual in the country containing an atypical variety of species of shrubs, herbs, and trees., Photographer's imprint stamped on verso., Title supplied by cataloger., Date inferred from photographic medium and attire of the people., Manuscript note on verso: Glend[i]nning Rock Gardens, Fairmount Park., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1957]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8809.1]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: Detail of the back of the memorial, sculpted by J. Otto Schweizer, erected in 1934 by the Commonwealth of Pennsylvania in memory of all African American military men who have served in war time. Depicts three of the four female allegorical bronze figures representing War, Liberty, Peace, and Plenty. They flank a commemorative plate embellished with Pennsylvania's seal and listing the monument's commissioners. Erected after much controversy on Lansdowne Avenue in West Fairmount Park, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.6]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: View of the back of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the flame, four female allegorical figures representing War, Liberty, Peace, and Plenty, flank a commemorative plaque. Trees are visible in the background. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna. June 30, 1934. No. 786., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.7]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: View depicting the front of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the torch, a female allegorical figure of justice stands holding wreaths symbolic of honor and reward. She is flanked by five figures of African American military personnel from each branch of the armed service. A dedication is inscribed into the memorial's granite pedestal which is adorned with a wreath. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna., Inscribed in negative: 786A., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.8]

Title: The Centennial - George's Hill from Elm Avenue
Description: View from the Centennial Exhibition of 1876 depicting an African American man standing next to an occupied horse-drawn passenger cart decorated with flags and posters in front of George's Hill in Fairmount Park. The observation tower upon the hill, and several sheds, pavilions, and tents are seen in the background., Title and photographer's imprint on mount., Number 1017 in a series of views entitled: The Centennial., Manuscript note on verso: No. 21., Manuscript note on verso: Isaac Sterns Burlington, VT., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, photographer
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker [P.9047.20]

Title: International Live Stock Exhibition, Philad'a, 1876
Description: Series of views depicting thoroughbred horses at the International Live Stock Exhibition on the Centennial grounds in 1876 include, "Graphic," owned by W.T. Cook of Foxborough, Massachusetts, "Bismark," owned by F.G. Wolbert of Jersey City, New Jersey, and two thoroughbred stallions from Canada. Also shows a view of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mounts., Publisher's imprint printed on mounts., Printed labels and manuscript notes on versos of four stereographs [P.9915.3-6] provide names of owners, horses, and statistics. Owners and horses illegible on two because of damage to labels., Yellow mounts with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Four of the images gift of Helen Beitler, 2001 [P.9915.3-6], One of the images gift of Robert M. Vogel, 1984 [P.9047.66]
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Hovey - Exhibitions [P.9047.66; P.9915.3-6]

Title: George's Hill
Description: View of the bandstand, built in 1872, on George's Hill near Fifty-Second Street in West Fairmount Park. Also shows a flag pole and three horse-drawn coaches with passengers parked in the foreground. Two African American men, possibly carriage drivers, stand nearby. The hill was given to the city by siblings Jesse and Rebecca George in 1868., Title from manuscript note on mount., Photographer's imprint obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James, 1990., Digitized.
Creator: R. Newell & Son, photographer
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Parks [P.9299.83]

Title: International live stock exhibition, Philad'a., 1876
Description: View of the "Herefords" shed and three herefords (a type of cattle bred for market) on view during the livestock display at the Centennial Exhibition of 1876 in Philadelphia. The cattle display was held under the auspices of the Department of Agriculture from September 21st until October 4th. A number of men stand around the shed and near the cattle and look at the viewer. An African American man holds the bridle of one of the steer on display before the shed., Title printed on mount., Date from copyright statement: Copyright 1876 by E.F. Hovey, publisher, 1113 Chestnut St. Phila., Gift of Robert M. Vogel, 1984 [P.9047.66]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereos - Hovey [P.9047.66]

Title: View in old park
Description: View looking north from the south garden, adorned with trees and benches, at the Fairmount Water Works on the Schuylkill River. In the left, an African American, attired in a bowler hat, a white shirt, a dark-colored waistcoat, and pants, possibly a groundskeeper, stands with a broom. Two park guards stand and converse in front of the Diana statue at the base of the promenade leading to the inclined walkway on Reservoir Hill. Another man walks down the promenade toward the guards. In the foreground, a man, attired in a bowler hat, a white shirt, and dark-colored pants, stands leaning his left arm on a tree with his back to the viewer. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872. The south garden was laid out in the 1830s., Attributed to James Cremer., Title from manuscript note on verso., Orange mount with rounded corners., Accessioned 1989., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Public Utilities [P.9260.51]

Title: Indian Rock Hotel
Description: Exterior, oblique view depicting the roadhouse hotel opened in 1848 by Reuben Sands north of Rex Avenue Bridge near Indian Rock in the Wissahickon Valley. Shows the two-story building with a covered veranda. Two white men stand leaning against the columns on the veranda, while another man stands on the ground. A white woman with a young girl stand behind the bannisters on the second-story veranda. An African American man, attired in an apron, stands in the left on a staircase beside the house. The hotel was sold to the Fairmount Park Commission in 1872 and Sands opened a second Indian Rock Hotel at a nearby location., Pale pink mount with rounded corners., Paper label on verso listing over sixty Fairmount Park stereoscopic views published by the firm., Retrospective conversion record: original entry, edited., Reproduced in Joseph D. Bicknell's The Wissahickon in History, Song, and Story written for the City History Society of Philadelphia and read at the meeting of October 10, 1906 (Philadelphia, 1908), p. 18., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell and Son, a partnership between Robert and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Creator: R. Newell & Son
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department stereos - Newell - Hotels [P.9260.69]

Title: [Statue of Diana at Fairmount Water Works]
Description: View showing the statue commissioned by the Water Commission and installed circa 1830-1831 at the foot of the inclined walkway to Reservoir Hill at the Fairmount Water Works on the Schuylkill River. Also shows two men, including an African American man, seated on the ground behind the statue., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Trimmed blue mount with square corners., Manuscript note on accompanying label: Philadelphia Water Works. Statue of Diana at Fairmount. With respects of Henry P.M. Birkinbine Chief Engineer., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Public Utilities [(3)1322.F.120(v)b]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: East front of Main Building
Description: Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, 1844-1894
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]

Title: East front of Main Building
Description: Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, 1844-1894
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]

Title: [Pine grove, West Fairmount Park, Philadelphia, Pa.]
Description: View from a grove of pine trees in West Fairmount Park looking northeast toward the Schuylkill River. In the right foreground, two African American men park guards, attired in caps and uniformed suits, stand in a field divided with wooden fences. In the distant background, the New York Connecting Railway Bridge is visible., Possibly by R. Newell & Son., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note written on verso: "Pine Grove.", Retrospective conversion record: original entry, edited., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9299.44]

Title: Mt. Pleasant E. Park, John Macpherson 1761
Description: Exterior view depicting the country house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Shows the front entrance to the mansion, covered in ivy, and flanked by outbuildings. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from inscription on mount., Date inferred from photographic medium., Purchase 1989., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [ca. 1926]
Location: Library Company of Philadelphia | Print Department photo - Official Photographer [P.9260.329]

Title: [Exterior view of Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa.]
Description: Exterior view of Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Shows the Georgian mansion, outbuildings, and surrounding grounds of the estate that was a working plantation 1762-1765. The two-story mansion is designed with several windows; stairs leading to a front entrance adorned with a lunette window and a pediment supported by Doric columns; and a roof with a balustrade that has dormers and two large chimneys. Flanking the mansion are two smaller, symmetrical outbuildings of an office and a summer kitchen. Smaller out-buildings flank the office and kitchen. In the right of the view, a structure, possibly a covered, water-pump, is visible. In the foreground, several park benches line the lawn in front of the mansion. Several trees, without foliage, stand in-between the buildings. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title supplied by cataloger., Date from manuscript note on verso: “Mount Pleasant” built by Macpherson and once owned and occupied by Benedict Arnold, but [?] now called the “Dairy” in Fairmount Park, Philadelphia 1892., Purchase 1989., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [1892]
Location: Library Company of Philadelphia | Print Department photo - unidentified - residence [P.9260.472]

Title: Lincoln Monument, Phila. Park
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: R. Newell & Co., photographer
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Monuments and statues [P.9260.68]

Title: Lincoln Monument, foot of Lemon Hill
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Artist from duplicate print., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Phila., 1876., P.9299.100 on pink mount with rounded corners., P.2011.47.932 on orange mount with rounded corners., Monument described in Fairmount Park Association's Sculpture of a city: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990 [P.9299.100]; gift of Raymond Holstein [P.2011.47.932].
Creator: R. Newell & Co., photographer
Date: 1876
Location: Library Company of Philadelphia | PRINT. stereo - Newell - Monuments and statues [P.9299.100], Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park - L [P.2011.47.932]

Title: [Mount Pleasant, Mount Pleasant Drive, East Fairmount Park, Philadelphia]
Description: Exterior views of the mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Mount Pleasant was described by John Adams as "the most elegant seat in Pennsylvania," and is an excellent example of Philadelphia's Middle Georgian country houses of the 1760s. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Negative numbers: 54 & 54a-d, Negative numbers 54a-54d dated 1928 in manuscript note on negative sleeve., Purchase 1978., Description revised 2022., Access points revised 2022.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: 1928
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.54 ; P.9480.54a-54d]

Title: Wissahickon
Description: View showing the Wissahickon Creek hostelry, Old Log Cabin Hotel, reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign, operated by Tommy Llewellyn. The hotel containing a dining room, drinking room, and ladies saloon, also displayed wildlife as a novelty attraction. A white woman and an African American man with a horse stand in front of the hotel. The creek is visible in the foreground. The hotel was razed in 1872., Title from manuscript note on mount., Inscribed in negative: 76., Orange mount with rounded corners., Reissue of a circa 1870 view entitled "Old Log Cabin" by R. Newell & Son of Philadelphia from the series "Stereoscopic views. Fairmount Park views.", Retrospective conversion record: original entry, edited., Gift of Jane Carson James, 1990., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: R. Newell & Son
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Hotels [P.9299.50]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia]
Description: View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
Description: Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

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