Scrapbook containing predominantly clipped illustrations, prints and ephemera dated 1855-1856 and pertaining to the built environment, and social and cultural climate of Philadelphia. Contents include several wood engravings, engravings, cameo stamps, and lithographs depicting prominent city landmarks, businesses, cityscapes, and caricatures and cartoons. Many of the graphics are advertisements and vignettes, or illustrate published articles. Advertisements depict F. Roussel Perfumery (114 Chestnut); W. J. Horstmann, trimmings (223 Chestnut); E. Mathieu, clarified cider and vinegar (14 Lombard); Stoddart’s Dry Good Store (278 N. Second); a Segars and tobacco store (93 S. Sixth, i.e., 300 block); Bennett’s Tower Hall (184 Market, i.e., 600 block); C. B. Rogers & Co. Agricultural Works and Bone Mill; P.F. Cunningham Catholic Book Store (104 S. Third); "Palmer’s Patent Leg, as exhibited at the World’s Exhibition, London, 1851"; J. H. Rohrman, Japan Ware Manufactory (96 Cherry); Carpenter’s Schuylkill & Eastern Ice Depot (Franklin & Willow); Mills B. Espy, preserved fruits (109 S. Third); J. Thornley’s India-Rubber Emporium and Magnetic Telegraph Offices (101 Chestnut, i.e., 300 block); Thomas & Sons auction house and E. H. Butler & Co., publishers (67 S. Fourth, i.e., 200 block); The State Savings Fund (83 Dock); Leary’s Cheap Book Store (158 N. Second, i.e., 200 block); John Baird Marble Mason (Ridge Avenue); Farmers & Mechanics Fire Marine & Life insurance Co. (200 block Walnut) Frederick Brown Building (Chestnut and Fifth); Fritz, Williams, & Hendry, leather (29 N. Third); Henry Tilge & Co., importers & dealers in hatters goods (140 N. Third); F.A. Hoyt & Brother, boys clothiers (1000 block Chestnut); Masonic Hall and adjacent properties, including Horstmann and Washington House (700 block Chestnut); Thornley & Chism, dry goods (700 block Spring Garden); and North, Chase & North, iron founders (Second and Mifflin)., Other graphics show "Chapel and Principal Entrance. To the Monument Cemetry [sic] Phila."; Institution for the Blind; First Presbyterian Church; a building at "Pine & William St. West Phila."; an 1837 view of the American Sunday School Union annotated "Chestnut Street next E. of Jones Hotel; and the houses eastward to S.E. cor. of Sixth & Chestnut Street – Durand’s apothecary shop"; Stand Pipe for the West Philadelphia Water Works; "City Ferry Boat"; and a view of the entrance to Mount Moriah Cemetery, and map, including the cemetery; and genre engravings "The Farm-House Pets" and The Roadside Inn " by J.H. Byram annotated "specimen of the art of engraving on wood in Philadelphia 1855." Vignettes depict "A Merchant of Philadelphia in the year 1745"; housewares, including a sieve, bath tub, ranges and furnaces, and drapery; a "“Know Thyself” phrenological head annotated “Fowler, Wells & Co."; a "J.B. Smith, New Street File Works" file; and an annotated 1832 view of C. & N. Jones Stockings (200 block Chestnut) [p. 28 and 31]. Caricatures and cartoons satirize an African American women peddler "Hot Corn Biddy"; spiritualism; fashion; the medical profession; and street musicians., Scrapbook also contains several lithographs from the 1830 edition of "Watson's Annals," ephemera, and newspaper clippings. Watson plates include Stone Prison at Philadelphia 1728, Carpenter’s Mansion, London Coffee House, and High Street & Market Shambles. Most are accompanied by detailed manuscript notes by Poulson. Ephemera includes a chart of "Length of Squares East and West"; hand-colored, illustrated lithographed invitation for the "Hand in Hand Fire Company, First Grand Citizens Dress Ball" (1847); illustrated invitation to Islington Park showing Islington Park (1848); seals of the Agricultural Society of Philadelphia, Pennsylvania Railroad Company, All Saints Church, Moyamensing; a “Ship news” cut from "Poulson’s American Daily Advertiser" (1822) annotated “designed at my request by my friend John Lewis Krimmel, the now celebrated painter; and engraved on brass by Mason, So. Fourth St."; "The Old State House Bell" souvenir poem; architectural drawing "N.W. Corner 2d & Chestnut St. extending W on Chest. St. torn down abt. 1832" (includes R. Jones, engraver; I. Davis confectionary; [C. & N. Jones] Stocking Store); and a partial circular advertising De Grath’s “Electric Oil” Depot, No. 39 South Eighth Street (1859)., Newspaper clippings include illustrated advertisements and articles; editorials; anecdotal and current event pieces; and columns reporting about city improvements and public interest stories. Illustrated pieces detail Lafayette Vauxhall Garden; a "Bird’s Eye View of the City of Philadelphia"; Central High School; the Society of the Cincinnati; the major 1856 fire at Sixth and Market streets; "The Trained Elephants ‘Victoria’ and ‘Albert’ " at the National Circus; "Gentlemen’s Short Boots"; and the new hall of the Athenaeum. Anecdotal and current event articles include commentaries about the closing of Blood’s Despatch Post in flavor of the Post Office (1861); the new traveling coach built by W. D. Rogers for entertainer Dan Rice; the influx of envelopes due to the change in the Post Office law (1841); a new cooling apparatus installed in Walnut Street Theatre (1855); the 1855 State Poultry Exhibition; and the planting of oysters in Back Creek below the city. Editorials discuss the Philadelphia Book Trade (1855); Academy of Natural Sciences; deterrents for pedestrians on Chestnut Street, including extension of shopfronts into the sidewalk and side show hawkers; ladies fancy work fads, including scrap furniture and poticho mania (1856); and the mansions of George Washington and George Willing., Other columns report about West Philadelphia; the 1856 fires at Bingham Mansion and the Artisan’s Building (100 block Chestnut); government buildings, including the Custom House, Commissioners Hall and United States Mint; city trades, including lager beer; city improvements, including the modification of street names, removal of the market sheds on Market Street, the laying of the cornerstone of the Church of Evangelists, the forthcoming erection of the new hospital for Christ Church; and new establishments, including Granville Stokes “picton stone” store (209 Chestnut). Clippings also include lists, reports, and tables about the cattle market; real estate sales; taxables (1841); crime statistics; the fire department companies; and building improvements. Scrapbook also contains explicative manuscript notes by Poulson (some tipped in or inscribed on lettersheets). Topics include Carpenter’s Mansion, Pennsylvania Hospital, and the State House. Some notes explicate accompanying graphics., Majority of contents annotated with a date. Several annotated with a detailed manuscript note by Poulson., Chromolithograph “Philadelphia” containing vignettes of portrait of Benjamin Franklin and the seal of the city and annotated by Poulson pasted on p. 4. Print inscribed: "Vincit qui se vincit. Vol. V. Collected from fugitive sources only, By C. A. Poulson.", "Index to set in back part of vol. XI.", Several photographs by F. De. B. Richards and James McClees, including views of Independence Hall, La Pierre House, and Central High School, removed to the Print Department., Original watercolors by Poulson, including view of Walnut Grove removed to Print Department., Various artists, engravers, and printers include William Avery; C. G. Childs; Edward Clarkson; S. H. Gimber; Alexander Lawson; C. A. Lesueur; J. H. Byram; King & Baird; R. Major; W. Mason; Charles F. Noble; Frederick Pilliner; John Sartain; Charles Spiegle; J. W. Steele; William Stott; William Strickland; R. Telfer; Cornelius Tiebout; and Charles Cushing Wright., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date
1822-1862, bulk 1855-1856
Location
Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 5 [(5)2526.F]
Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date
[1876]
Location
Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]
Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date
[1876]
Location
Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]
Panoramic view looking toward the Delaware River predominately showing the area east of Fifth Street between Arch and South streets. Includes the Court House, i.e. City Hall, 500 Chestnut Street (1); Philadelphia Library, i.e., Library Company of Philadelphia, 105 S. 5th Street (2); U.S. Bank, i.e., Second Bank of the U.S., 420 Chestnut Street (3); Philadelphia Bank, 400-408 Chestnut Street (4); Girard Bank, 120 S. 3rd Street (5); Pennsylvania Bank, 134-136 S. 2nd Street (6); [Merchants'] Exchange, 143 S. 3rd Street (7) Christ Church, 22-34 N. 2nd Street (8); Smith's Island, Delaware River (9); and Camden (10) and Kaighn's Point (11) in New Jersey. Also shows part of the State House garden; the north side of the 400 block of Chestnut Street; the adjoined storefronts at 426-434 Chestnut Street; the "Our House" hotel, 408 Library Street; Military Hall, 412 Library Street; rooftop views of several of the surrounding city blocks; and a few pedestrians and a horse-drawn carriage on the 400 block of Chestnut Street and the grounds of the State House., Plate one of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838.) Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 11 landmarks printed below the image., Philadelphia on Stone, POS 542.a.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2153 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Creator
Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date
c1838
Location
Library Company of Philadelphia | Print Department *W264.1[P.2153]
Panoramic view looking east toward the Delaware River predominantly showing the area east of Fifth Street between Arch and South Streets from Independence Hall. Includes the Court House, i.e. City Hall (500 Chestnut Street); Philadelphia Library, i.e., Library Company of Philadelphia (105 S. Fifth Street); a flag flying on top of the U.S. Bank, i.e., Second Bank of the U.S. (420 Chestnut Street); the spires of Christ Church (22-34 N. Second Street) and St. Peter's Church (300-340 Pine Street). Also shows part of the State House garden; the north side of the 500 block of Chestnut Street, including adjoined storefronts tenanted by the American Hotel (181-183 Chestnut Street); S.L. Simons daguerreotype rooms (179 Chestnut Street); Geo. Earle's Pantechnethica (175 Chestnut Street); Geo. J. Henkels' City Cabinet Wareroom (173 Chestnut Street); and a clothing store on the northwest corner of Fifth and Chestnut Streets. Also depicts rooftop views (including people on the roofs) of several of the surrounding city blocks; and a few pedestrians and a horse-drawn carriage on Chestnut Street and the grounds of the State House. Sailboats and a steamboat are visible on the Delaware River in the distance, along with the horizon of Camden, N.J., Philadelphia on Stone, POS 587, Wainwright retrospective conversion project, edited.
Creator
Elliot, Leo von, 1816-1890, artist
Date
c1849
Location
Library Company of Philadelphia | Print Department **W287 [P.2125]
Bird's eye view looking from Camden toward the east side of the city. Tree-lined blocks of residential and commercial buildings in Camden predominate the foreground. The tower of the Philadelphia-Camden Ferry House and light traffic on Market Street comprises the townscape as well. Several types of vessels, including ferries, steamboats, and sailing ships traverse the Delaware River. In the distance, the cityscape of Philadelphia between Port Richmond and Southwark to West Philadelphia is visible. Includes Fairmount, Girard College, the Navy Yard, Blockley Almshouse, and the steeple of Christ Church. View also shows Smith and Windmill islands, and several ships docked along the piers lining the Delaware riverfront., Philadelphia on Stone, POS 200, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc864 K81.
Creator
Kollner, Augustus, b. 1813
Date
c1856
Location
Library Company of Philadelphia | Print Department **W104 [P.2083]
Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
Date
[ca. 1742 - ca. 1913]
Location
Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]
Panoramic view showing cityscape in Center City near the Delaware River. Includes residential buildings, storefronts, and factories. Particularly depicts the old City Hall (500 Chestnut), the Library Company of Philadelphia (5th and Library) and the 400 block, north side of Chestnut Street, including the U.S. Hotel (419-423). Also shows the steeples of Christ Church and the Merchant's Exchange, the U.S. flag-adorned roof of the U.S. Custom House (420 Chestnut), trees in Independence Square, maritime traffic on the Delaware River, and Camden, N.J. Pedestrian and street traffic, including a horse-drawn carriage, visible in the lower left corner of the image., Copyrighted by E. Whitefield., Philadelphia on Stone, POS 544a, LCP copy of separately issued tinted and hand-colored "East View" in poor condition. Right edge torn., Library of Congress: PGA - Endicott--Panoramic views... (E size) [P&P], Digital image shows LOC copy of Panoramic Views of Philadelphia from the State House, including "East View." To request a reproduction of this image, please contact this holding institution., To request a reproduction of this print, please contact the holding institution cited.
Creator
Whitefield, Edwin, 1816-1892, artist
Date
[c1850]
Location
Library of Congress | Prints and Photographs Division LOC PGA - Endicott--Panoramic views... (E size) [P&P], Library Company of Philadelphia | Print Department *BW - Views [P.2119]
Collection of graphic materials documenting world's fairs of the latter 19th and early 20th centuries, predominantly the Centennial Exhibition of 1876 (Philadelphia) and Exposition Universelle de 1867 à Paris. Includes stereographs, trade cards, collecting cards, lantern slides, and souvenirs. Graphics also depict the Great Exhibition of 1851; New York Exhibition of the Industry of All Nations (1853-1854); the Exposition Universelle de 1867 a Paris; the Paris Universal Exposition of 1878; the Chicago World's Fair of 1893; the Pan American Exposition of 1901 (Buffalo, N.Y.); the Louisiana Purchase Exposition of 1904 (St. Louis, Mo.); and the Sesqui-Centennial International Exposition of 1926 (Philadelphia). Views show panoramas of the exhibition grounds and exteriors and interiors of exhibition buildings, including displays showing the wares and products of specific companies and countries, particularly porcelain and terra cotta; art, predominantly sculpture; and dioramas representing the social life and customs of different nations (Morocco, Japan, Sweden, and South America). Several trade cards issued during the Chicago World's Fair advertising the Enterprise Manufacturing Company of Penn'a. also contain anecdotal, caricatured scenes portraying prominent historical figures, including Abraham Lincoln, Horace Greeley, and Benjamin Franklin. Collection also contains a small number of portraiture, views of events and prominent local buildings related to the Philadelphia exhibitions, and lantern slides issued by the Centennial Photographic Company., Title supplied by cataloger., Various printers, publishers, and manufacturers including Centennial Photographic Company; Curt Teich & Co.; Donaldson Bros.; Thomas Hunter; Ketterlinus; Longacre & Co.; M. Leon & J. Levy; Pan American Exposition Co.; and Philip Frey & Co., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Series IV. Lantern slides housed separately.
Date
[1851-ca. 1920]
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection [P.2008.36], Library Company of Philadelphia | Print Department lantern slides - Michael Zinman World's Fairs Collection [P.2008.36]
Scrapbook containing clippings, prints, and ephemera predominately dated 1855 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Contents include illustrated newspaper, periodical, and guidebook clippings describing prominent city landmarks, including cemeteries, benevolent institutions, and churches; columns reporting about city improvements; reports, lists, and statistics about mortality rates, market prices, and sheriff and real estate sales; and editorial and public interest stories related to local politics and mores, prominent trades, social events, municipal services, and city demographics. Subjects include the new Masonic Hall (history of the local organization, dedication ceremony, and description of building); the history and demolition of the second building of the Chestnut Street Theatre; the centennial anniversary of the Pennsylvania Hospital; the state of local trades, including Jules Hauel & Co.’s perfumery, the soda water business, "plaster images," lithography (P. S. Duval, p. 24), preserves and pickling (Jacob L. Wendall), milkmen, shipbuilding, manufacture of cassimeres, and over-worked and underpaid needle woman; municipal issues, including the mayor’s veto of councilmen wearing police badges, the reforms to street names and numbering, extended hours at the public squares, and the report of the Grand Inquest of 1850, including prison reform recommendations., Several articles describe new construction, predominantly churches, and improvements to the city infrastructure, particularly on Chestnut Street. Subjects include Fourth Baptist Church, First Reformed Dutch Church, First Baptist Church, Christ Church Germantown, New Moravian Church, and St. Jude’s Church;the opening of part of Delaware Avenue; the Market Street tunnel (1844); the extension of West Chester Railroad to Media; Reading Railroad Bridge; inauguration of the Wagner Free Institute; Germantown; the new offices of the Board of Surveys; the fancy and perfumery store of T. H. Peters & Co. (700 block Chestnut) and saddlery of Lacey and Phillips (700 Lodge Street); the opening of Belmont Avenue; the 1850 building season; and preservation of trees in areas of construction in West Philadelphia. Subjects addressed through editorials include the decrepit state of the Merchant’s Exchange (annotated "as written by G. G. Foster for the "Sunday Mercury"); the chimes of the Christ Church bell; the ca. 1765 cartoon “The Election, A Medley…” (p. 15); the horse market at Bush Hill; Chestnut Street and Custom House vendors; the omnibus system; a G.G. Foster article about “daylight ruffians" and their haunts; and "Negro Minstrelsy and Jakeyism." Other articles satirize "Philadelphia Customs" like cleanliness; advertise baby shows organized by P.T. Barnum and colleagues; and provide commentaries about the sale of the late Edward D. Ingraham’s library and estate; Phoebe Ann Rush’s mansion; Governor Pollock’s visit to the "colored High School in Lombard Street"; tariffs established by hotel keepers (1855); the extent of foot traffic at Third and Chestnut Street in one hour; the demographics of South Street; and stocking the Delaware with salmon., Ephemera includes seven lottery tickets, issued between 1796 and 1833, and playbills for Chestnut Street Theater and Deutches (i.e., German) National Theater. Lotteries represent the Union Canal of Pennsylvania, Washington Canal, Connecticut, Maryland, New York and Delaware. Scrapbook also includes detailed manuscript notes about "Morris’ Palace"; the Farmers & Mechanics Bank; Chestnut Street Theatre signage; "List of American Theatres"; "St. Peter’s church steeple and bells"; and "The German Theatre.", Graphic materials, predominately views and illustrations of landmarks, and advertisements, include wood engravings, engravings, and cameo stamps. Views and illustrations include images of Fairmount Water Works; "The Coal Wharves at Richmond, near Philadelphia"; Masonic Hall; Philadelphia Bank; "Front View of the American Sunday School Union Buildings, 146 Chesnut St., Philadelphia"; St. Mark's Church; the Philadelphia Library (i.e., Library Company); and the Orphan Asylum. Advertisements depict “A View of the Laboratory and Residence of Dr. Schenck, S.E. corner of Coates and Marshall Streets…”; Charles Ellis & Co., wholesale druggists (56 Chestnut); Beck & Co., perfumery (205 Arch, i.e., 500 block); "Messrs. Glenn & Co.’s Store, 180 Chestnut Street" (i.e., 700 block); Dr. McClintock’s Family Medicines (Ninth and Filbert); Blanchard & Co., wallpaper and upholstery (227 Chestnut, i.e., 700 block); James, Kent, Santee & Co., wholesale dry goods (147 N. Third, i.e., 200 block); M. Walker & Son, wire railing manufactory (Sixth and Market); Fritz, Williams & Henry, leather (29 N. Third); S. A. Harrison, warming and ventilating warehouse (Walnut near Sixth); "Northeast corner of Third and Chestnut Streets" (includes Moran & Sickels, printers); “Anthy. Finley’s Bookstore, corner of Chesnut and Fourth Streets”; Joseph Maples, sculptor and marble cutter (Arch near Broad); F. H. Smith, pocket book and port monaie manufacturer (Fourth and Chestnut); Fowler, Wells & Co., phrenologists (231 Arch, i.e., 600 block); Lippincott’s clothing warehouse (400 block Market); W. P. & G. W. Hacker, china, glass, queensware (60 N. Second); Henry Duhring & Co., hosiery and yarns (22 N. Fourth); and Lindsay & Blakiston, publishers., Cameo stamps advertise Jones’ Exchange Hotel (77 Dock); W. & E. H. Hawkins, flour & feed mills (Ninth above Poplar); and William Gorman boys clothing establishment (Ninth and Market). Majority of the advertisements include street and pedestrian traffic. Graphics also include prints from William Birch's and C.G. Child's "Views of Philadelphia" series; vignettes depicting an "ice water" fountain, trunks by T.W. Matson, "chamber furniture," a woman using opera glasses, a spit, an arm chair, the exterior of the “Book & Stationary, No. 104 South Third Street,” “Statue of William Penn,”and ladies bonnets; and illustrations of “the fashion of ladies costume of 1853 – not exaggerated!” including shawls and overcoats and military and fireman’s caps “worn in 1854”., Majority of contents annotated with a date or explicative manuscript notes by Poulson., Cut outs pasted on title page. Imagery includes allegorical female figures representing art and writing, a pedestal, and a gilted memorial vignette., Verso of title page contains Poulson inscription: “The dates of the articles herein, are those of the newspapers &c from which they were cut. Cutout of vignette of roman garbed woman holding a mirror frames the inscription., "Index to set in back part of vol. XI.", Insert opposite p. 40: Lettersheet inscribed with explicative text about “picture representing the building at N.E. corner of Third and Chestnut street." Insert opposite p. 44: 2 lettersheets inscribed with explicative text about contents (Wetherill Family and Finley's Bookstore) on p. 44. One signed by Thompson Westcott and dated 1858. Insert opposite p. 88: Lettersheet dated 1855 and inscribed with explicative text about the Philadelphia Bank received by Poulson from “Mr. Robins the present Prest. Of Philadelphia Bank”, Scraps with manuscript notes about the estates "Solitude" and "Landsdown House" tipped in before p. 80., Artists, engravers, and printers include Beller; Joseph H. Brightly; J. H. Byram; Edward Clarkson; W. Croome; George Devereux; W. E. Gihon; Gilbert & Gihon; A. Kollner; Jacob Maas; H. L. Stephens; William Strickland; H. Tanner; and R. Telfer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date
1796-1855, bulk 1855
Location
Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 4 [(4)2526.F]
Scrapbook containing clippings, prints, and ephemera dated between 1778 and 1864 pertaining to the built environment, and social and cultural climate of Philadelphia. Illustrated newspaper and periodical clippings (several from The Casket) describing prominent city landmarks during the 1820s to 1840s forms the majority of the content. Subjects include St. Stephens Church (Poulson's annotation states image includes the rear of President’s House on Ninth Street in background); Pagoda near Philadelphia; Gray's Ferry; the Philadelphia Library (i.e., Library Company of Philadelphia); "Statue of Wm. Penn, at the South Front of the Pennsylvania Hospital"; "New Street Cleaning Machine"; and "Rail Shooting on the Delaware.", Scrapbook also contains newspaper articles, advertisements, and prices lists. Subjects include historical anecdotes about Market Street in 1729, the Library Company of Philadelphia, Walnut Street Theatre, Letitia Court, Dock Street, Superstitions of ‘Ye Olden Times,’ and American “firsts”; improvements and alterations to city architecture, including Walnut Street Theatre and the State House; Infant Schools; the April 25, 1846 Eclipse of the Sun; an 1828 transparency illustrated with a caricature of Andrew Jackson; the dissolution of the circulation of “small notes” (1828); the Labyrinth Garden of Thomas Smith at Arch above Broad; Pennsylvania Museum and Menagerie (Market Street); commemoration of the Landing of William Penn; steamboat and stage coach schedules (1828); shift in social classes in Philadelphia society (1842); the 1837 court case against Commodore Perry sloop Capt. Blankman; and the Mauch Chunk Railway. Ephemera includes a facsimile of the original circular "Proposal for the Printing of a large Bible, by William Bradford" held by Nathan Kite. Many of the articles are accompanied by commentaries or are partially transcribed by Poulson. Scrapbook also includes detailed manuscript notes about Hamilton Mansion and the Old Court House., Graphic materials, predominately advertisements and views of prominent landmarks, include wood engravings, engravings, lithographs, and an albumen print. Views include images of "T.W. Dyott’s Apoth’y and Patent Medicine Store N.E. cor. Vine and Second Street"; "Gray’s Ferry on the Schuylkill (a Relic of the Olden Time)"; "Green Hill, The Seat of Samuel Meredith Esq. near Philadelphia"; Birmingham Meeting House "from a Daguerreotype by Mess. Langenheim"; and Cornelius & Baker manufactories on Cherry Street and Columbia Avenue. Advertisements depict N. Lloyd & Son (Seventh and Cherry) elegant coal grates; John Duross Black Horse Alley Old and Extensive Printing Establishment (showing a printing press); M.B. Dyott, manufacturer of Gas Fixtures and Lamps; Bennett’s Tower Hall Clothing Bazaar; Moore, Henzey & Co., hardware; and Wright, Smith & Co., china, glass, queensware. Graphics also include an 1828 vignette showing a carriage and captioned "High Fashion"; "The Stage Coach in 1816"; an 1857 caricature of a Quaker couple; and material added in the 20th century, including a 1905 photo-engraving of the "House and Counting House of Stephen Girard.", Majority of contents annotated with a date and explicative manuscript notes by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued for Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of front free end paper contains Poulson inscription: “The Dates of the articles herein, are those of the newspapers &c from which they were cut. Cut out designed with floral details frames the inscription., "Index to set in back part of vol. XI.", Artists, engravers, and printers include John Boyd; William Breton; Jacob Hoffman; George Gilbert; John Hill; Kennedy & Lucas; E. Rogers; Frederick Pilliner, Samuel Sartain; M. Schmitz; James W. Steel; and George Worley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Several pages have been removed., Small number of original photographs by McClees removed to the Print Department.
Creator
Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date
1798-1864, bulk 1829-1845
Location
Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 11 [(11)2526.F]
Souvenir viewbook containing twelve captioned views of prominent sites and landmarks of and along the Pennsylvania Railroad in the Mid-Atlantic. Includes "Pennsylvania R. R. Station, Jersey City, Showing Birds eye View of the Hudson River, New York City Etc."; "Pennsylvania R. R. Ferries Plying Between Jersey City & New York"; "New Brunswick N. J. Penna. R. R. Bridge Crossing the Raritan River"; "Broad St. Station Penna. R. R. Co. Philadelphia. Grandest R. R. Depot in America" with inset showing Independence Hall"; "New Public Building, Philadelphia Cor. Broad & Market Streets. Built of Marble & Granite. Grandest Single Structure in the World. Cost Already Over $15,000,000. View at Left, U. S. Mint. View on the Right, Penna. R. R. Depot."; "Views at Bryn Mawr, 10 miles West of Philadelphia: Bryn Mawr Hotel. Bryn Mawr Station. Residences."; "Penn. R.R. Bridge Crossing the Susquehanna River 6 Miles West of Harrisbugh PA"; "Lewiston Narrows"; "Jacks Narrows, From Mapleton"; "Along Jack Narrows"; "The Horse Shoe Curve, Pennsylvania Railroad"; "Near Bolivar on the Conemaugh with inset showing "Scene at Allegrippus"; "In the Pack Saddle, On the Conemaugh/Spruce Creek Tunnel"; "Penna. R. R. Co’s Depot, Pittsburgh Pa."; View of Pittsburgh & Allegheny City Pa. with inset showing "Iron Works South Side." Views also show American's first immigration center Castlegarden (i.e., Castle Clinton, Battery Park, N.Y.), traveling trains, piers, factories, pedestrian and street traffic, and landscapes, including mountains, valleys, and creeks. Some inset images also designed as trompe l'oeil., Publication information from copyright statement., Title from embossed brown morocco binding, front cover stamped: Album of Pennsylvania R. R. Scenery., Prints connected by accordion folds., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of David Doret.
Date
[1888]
Location
Library Company of Philadelphia | Print Department albums - Album [P.2011.45.26]
Scrapbook containing newspaper clippings and prints, predominantly dated between 1850 and 1855, pertaining to the history and built environment, and social, cultural, and economic climate of Philadelphia. Subject matter mainly relates to improvements to the cityscape, transportation, businesses and industry; historical articles (some illustrated) about the evolution of the city, including notices of destruction of former landmarks; daily, yearly, and seasonal accounts about the weather; and reports (and prices lists) for mortality, election returns, real estate sales, city permits, taxables, debt, stock, trade, exports, and cattle, domestic, and produce markets. Articles about city improvements (some illustrated) describe new construction of churches, storefronts and factories, residences, and places of amusement, on major Center City streets and outerlying neighborhoods, including Arch Street, North Second Street, Market Street, Chestnut Street, Belmont district, Bush Hill, Germantown, Moyamensing, North Philadelphia, Penn District, the Seventh Ward, Southwark, West Philadelphia, and the “vicinity of the Navy Yard.”, Properties referenced include the American Sunday School Union (1100 block Chestnut); Bulletin Building (Third Street below Chestnut); New Presbyterian and Tabernacle Baptist churches; Major Eastwick’s estate at Bartram’s Gardens, Newlin’s Brewery (100 block N. Second), the Farquhar Building (opp. Merchant’s Exchange); Girard Buildings (Chestnut and Third); Matthew T. Miller & Co. (Third and Chestnut); New Masonic Temple (713-721 Chestnut); Stoddart & Co. (278-282 N. Second); M. Thomas & Sons (100 block S. Fourth); Cornelius, Baker & Co. (800 block Cherry Street); Caleb, Cope & Co. (429 Market); the Concert Hall; City Museum; Pennsylvania Academy of the Fine Arts; Philadelphia Gas Works; Farmer & Mechanics Bank; Howell Evans, printing establishment (130 S. Fourth); New Iron Building (600 Arch); Xavier Bazin, perfumer (Seventh and Chestnut); T.W. Evans & Co., mantle and silk store (214-216 Chestnut); and the New Assembly Building (Tenth and Chestnut)., Also contains columns from the series “Benevolent Institutions of Philadelphia” (1849); “Churches and their Pastors” (1849); “Philadelphia in Olden times” (1853); “Reminiscences” (Sunday Dispatch, 1853); “The Progress of Philadelphia”; local historian Thompson Westcott’s “Street Scenes: Philadelphia in 1798, 1799 and 1800” (Sunday Dispatch, 1853); and "Revolutionary Relics" (1854). Topics of historical pieces include Cathedral Cemetery; several churches, including Assumption, Swedes, Tabernacle Baptist and Associate Presbyterian; Videll’s Alley; Market and Chestnut streets; Centre Square; the Pennsylvania Hospitals, including for the Insane in West Philadelphia; Naval Asylum; Commissioner’s Hall, Spring Garden; Robert Morris Mansion; the "libraries of Philadelphia," including the Library Company; and the city police, Quakers and Odd Fellows., Other articles report about the consolidation of the city (including a satiric piece criticizing the grand consolidation ball); Girard College; Philadelphia medical schools, including the Female Medical College of Pennsylvania; auctions conducted by M. Thomas & Sons and James A. Freeman; meteorological reviews, reports and bizarre weather lore, including the 1850 freshet on the Schuylkill; the gas industry in the city; various city water works, including Fairmount and Schuylkill; the number and improvements to omnibuses and their lines and other modes of transportation, including steam boats, ferries, and railroads; improvements to Camden; islands in the Delaware, including Windmill Island. Additional subject matter includes temporary housing of the Post Office in the Jayne Building on Dock Street; “haunts of vice and misery,” including raffling , i.e., gambling, and dance houses; the cleaning of streets through ordinances and sweeping machines; daguerreotypist M. A. Root as the first bidder of the auction of Jenny Lind Tickets in 1850; critical and satirical articles about the newest style of men’s striped pants, the 1855 city directory, the implementation of police hats, and artificial stone fronts on houses; an 1853 benefit at the Parisian Hippodrome; and a black book at the mayor’s office for the reception of “complaints of citizens.”, Scrapbook also contains wood engravings (several from newspaper and periodicals), engravings, cameo stamps, and lithographs. Graphics include predominantly advertisements and cameo stamps. Images show the various locations of the Charles Oakford hat manufactory, including his first shop on Lombard and the mulit-tenanted building on the 700 block of Chestnut; F.C. Kropff, chemical warehouse and laboratory (380 N. Sixth); Keen & Co., manufacturers of ranges and furnaces (Broad & Sansom); J. Smith Harris, merchant tailors (61 S. Fourth); Samuel Hart & Co., manufacturers of playing cards, mother o' pearl goods, and traveling bottles (236 S. Thirteenth); Thomas J. Dickson, brush manufacturer (66 S. Second); W.H. Maurice, blank book and stationery establishment (123 Chestnut); M. Thomas & Sons, auctioneers (67-69 S. Fourth); storefront and factory for Howell & Brothers, paper hangings; the storefront and Callowhill Street manufactory of Daniel Bohler & Co., essence of coffee; Horstmann’s Manufactory (Fifth and Cherry); James Moore’s Porter & Ale brewery (700 block S. Thirteenth); Inquirer Office Building (Third and Carter); interior view of George J. Henkels City Cabinet Warerooms (173 Chestnut); the New Hat Company’s Store (201 Chestnut); John H. Weaver & Co., grocers and tea dealers (Second and Pine); Homeopathic Medical College; J.W. McCurdy & Son, ladies boots and shoes (111 Chestnut); Pratt & Reath, watches & Jewelry (80 Market;) and "View of N.A. College of Health" (Fifth and Race)., Also includes views of benevolent and educational institutions and historical buildings; clipped vignettes showing “Parlors Stoves 1854,” "Newly invented chimney top ventilator," “Fashionable bonnet,” “Melodeons” (with descriptions and prices), spectacles, shoes dated 1832, a “Prize pianoforte,” and a “Washing Machine 1854”; and clipped images of street laborers, including a boy selling lozenges, a “pandy woman” holding a baby to her chest, a female “rag picker,” a girl selling fruit, an organ grinder, “itinerant news boy,” wood collector, and a street advertiser holding a picketed sign promoting "designer and engraver [David] "Scattergood." Latter annotated “a common method of advertising through the streets.”, Several of the clippings annotated by Poulson with dates and manuscript notes., Cut out designed as a monument-like edifice with ornamental pictorial details pasted on title page. Cut out frames title written in ink. Also includes vignette pen and ink sketch showing a beaver., Note by Poulson on verso of front free endpaper: "The dates affixed to the articles in this book, all generally, those of the newspapers from which they have been cut. CAP", Artists, engravers, and lithographers include J. H. Brightly, J. Cone, George T. Devereux, [ ] Farmelee, Alfred Hoffy, Francis Kearny, David Scattergood, R. Telfer, Wagner & McGuigan, and J. L. White., "Index to set in back part of vol. XI.", Volume 7 includes separate index to volume. Index detached and housed with original of volume., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date
1828-1855, bulk 1850-1855
Location
Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 7 [(7)2526.F]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Album compiled by Draucker between 1913 and 1918 containing snapshots, photocollages, and photomechanical prints of family and friends in Philadelphia, getaways and vacations, and his experiences as a World War I draftee in Fort Sill, Ok. and Rochester and Long Island N.Y. Philadelphia views depict University of Pennsylvania; Fairmount Park, including the waterworks, Boat House Row and the Schuylkill River; Logan’s Square; Delaware River; Broad and Market streets near and including City Hall; Draucker’s residence at 235 South 15th Street; and Rittenhouse Square, including the annual Flower Show in 1916. Vacation images show Draucker and friends and/or family at recreational sites in Atlantic City, N.J., Lock Haven, Pa., Hecla Park, Center County, Pa., and Riverview, Pa. The vacation views often show picnicking, canoeing, and swimming. World War I imagery predominantly includes portrait snapshots of Draucker and his fellow soldiers, as well as interior views of his barracks at 202nd Aero Squadron and the U.S. School of Aerial Photography in Rochester, N.Y. Album also contains portrait studies of persons and pets, including Rau "celebrity dog 'Bob'," as well as photocollages composed of sketched bodies and photographic heads; views of the dam at Lafayette, Pa. and Cascadella Gorge, Ithaca, N.Y.; images of the “Ad-Men’s Convention 1916” in Philadelphia; works by Draucker awarded prizes at exhibitions at John Wanamaker’s and the Y.M.C.A. (p. 19, 25, 27, 30); and a series of images of a crashed car being removed from a Philadelphia storefront (p. 31)., Portraiture depicts Draucker’s family, including his sister Annetta and father Edward; friends and professional colleagues, including Al Swope, Charles R. Darwin, D. Sargent Bell, and William Rau; and group portraits of “M[otion P[icture] Operators Lyric Theatre, Lock Haven, Pa. 1912” and young men “Fredericks. Swope. Myers. Messerly. Kissenger” in driving attire and riding motorcycles., Stamped on front cover: National Simplex., Inscribed on inside cover: Draucker., Illustrated National "Simplex" Note Book advertisement printed on inside front cover., Many of the pages contain titles., Majority of images annotated with a caption., Accompanied by "Studio Light: a Magazine of Information for the Profession. Published by the Eastman Kodak Company. Rochester, N.Y. 1930." Vol. 22, No. 7. (September 1930). Promotional periodical illustrated with Draucker’s photographs and including biography of Draucker. [P.2007.35b]., Carson R. Draucker (1895-1971), son of Stathia and Edward Draucker, a hotel manager in Clinton, Pennsylvania was a professional photographer who specialized in portraiture in Syracuse, N.Y. by 1921. During his early years, he worked as a motion picture operator in his hometown of Clinton, Pa. and later, most likely in the Philadelphia photographic studio of William H. Rau. His early work was displayed and awarded at amateur exhibitions at John Wanamaker’s and the Philadelphia Y.M.C.A. Camera club. He attended Army Schools of Photography at Rochester and Cornell University and served in the Photographic Section of the Air Service during World War I. Draucker was also featured in "Studio Light: A Magazine of Information for the Profession" (1930) and copyrighted a photoflash calculator in 1937. He was married to Lucretia Draucker and passed away in San Diego, Ca. in January 1971.
Creator
Draucker, Carson R., 1895-1971
Date
[1913-1918]
Location
Library Company of Philadelphia | Print Department albums [P.2007.35a&b]
Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator
M'Clees, Jas. E. (James E.), photographer
Date
1859
Location
Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]
Family snapshot photograph album photographed and compiled by a Lorah family member, possibly Mary (Lorah) Rismiller and containing portraits of family members and friends and views of Eastern and Central Pennsylvania during family visits and excursions between 1907 and 1916. Album pages are annotated with the name of town visited and often the date of the visit. The photographs are captioned with descriptive or identifying titles and/or annotated with the names of the sitters photographed. Towns and cities visited include Houtzdale, Pa. in 1910; Emaus, Pa. in 1911; Duncannon, Pa. in 1911; Millerstown, Pa. ; Philadelphia, Pa.; Ocean Grove, N.J.; Atlantic City, N.J.; Camden, N.J.; Mexico, Pa. in 1915; and Wernersville, Pa. in 1916. Imagery includes views of businesses and industries, several churches, schools, residences, and recreational areas, as well bridges, streetscapes, cityscapes, and landscapes. Sites depicted show the Houtzdale Coal Mining Region, including views of workers, the entrance, the breaker “after the fire,” and the air shaft; Camden, N.J. Alms House Hospital and Stables; Edwin Glass near the brick oven of a bake shop and “Novelty works” (Duncannon, Pa.); a duck farm (Emaus, Pa.); the Office of Dr. M.J. Stine, Old & New Shirt Factory of B.W. Paget & Son, a wooden tripod structure “Devils Catcher,” and Slaughterback Hill (Millerstown, Pa.); the Juniata River; a bridge and shirt factory (Mexico, Pa.) and South Mountain Park (Wernersville, Pa.), Several photographs document the facilities and staff, including Mary’s brother W. C. Lorah, at the State Hospital at Wernersville. The views show the “Filtering Bed,” “Turburcular” [sic] ward, “Stables,” the “Reservoir,” “Refectory,” “Day Room,” “Isolation Building,” “Laundry/Cold Storage,” “Industrial Building,” “Green Houses,” “Infirmary Force,” (i.e. hospital attendants); and the “Dormitory.” Also contains views from the Lorah family hometown of Blandon, Pa., including the “Lorah House”; views of the railroad, including tracks, stations, and bridges; camping along the Delaware River; and the Camden Carnival., Portrait photographs show men, women, and children posed in front of residences, in yards and public spaces, and on outings. Several of the portraits depict Mary Ritzmiller’s mother Ellen Becker Lorah, as well as niece Selena Lorah, and nephew Merit O. Lorah (as a baby), and brother W.C. (William Chester) Lorah. Other portraits depict a group portrait of “J. Benson employees” posed in front of a shoe store in Holzdale; “Mrs. Lukens” posed from her wheelchair; and an out of focus view of W.C. Lorah “Among the Fens.” Portraiture also includes a portrait taken in Blandon and captioned “Black Annie” and shows an older Black woman standing on the steps of probably a general store and attired in a kerchief, heavy jacket, and skirt. She wears a tambourine at her waist and walks with a cane. A few portraits depict women in chicken coops and Ellen Lorah holding a goose. Several portraits are also annotated with humorful and wry-toned captions, including a series of images of individuals posed to represent “Sports," “Obeying,” “Cherubs,” “Temptation,” and “Just for Fun.” Many of the photographs include objects of the everyday, including horse-drawn vehicles, water pumps, wash tubs and a hand-powered washer, baby carriages and rockers and other children’s furnishings, dolls and stuffed animals, and an automobile. Album also contains portraits of friends from and views of Toledo and Gibsonburg, Ohio in June 1907., Title supplied by cataloger., Date from content., Stamped on front cover: Photographs., Photographs arranged in diagonal patterns on p. [24-30]., Many of the pages contain titles., Majority of images annotated with a caption., Mary Lorah Rissmiller (1883-1959), daughter of Allen Lorah (1849-1922) and Ellen Becker Lorah 1856-1917), was born in Blandon, Pa. and married railroad freight laborer William Rismiller (1879-1959) in 1903. Her siblings included Daniel Clement Lorah (b. 1874), Josiah Curtis Lorah (1876-1957), Allen Harvery Lorah (1886-1967), and William Chester Lorah (1888-1918).
Creator
Rismiller, Mary Lorah, 1883-1959
Date
[1907-1916]
Location
Library Company of Philadelphia | Print Department albums [P.2022.14]
Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator
Kollner, Augustus, 1813-1906
Date
[1878-1894]
Location
Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]
Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date
[ca. 1860-ca. 1952]
Location
Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]