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Title: The Battle of Gettysburg, Pa., July 3d. 1863 This terrific and bloody conflict between the gallant "Army of the Potomac," commanded by their great General George G. Meade, and the host of the rebel "Army of Virginia" under General Lee, was commenced on Wednesday July 1st, and ended on Friday the 3d at 5 o'clock P.M._ The decisive battle was fought on Friday, ending in the complete rout & dispersion of the rebel army. _ Undying fame and a nations thanks, are ever due to the heroic soldiers, who fought with such unflinching bravery, this long and desperate fight
Description: View showing the Union army firing cannons into a flank of Confederate soldiers during the bloodiest battle of the Civil War. In the foreground, Confederates lay wounded, retreat, and scratch their heads in bewilderment. In the background, flanks of troops advance against each other., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: [1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles [5779.F.39]

Title: The Battle of Newbern, N.C., March 14th, 1862. Brilliant victory of the Union forces under Genl. A.E. Burnside and total rout of the rebel army, by the heroic volunteers of the North
Description: View showing Burnside, on horseback, leading a flank of charging soldiers past a cluster of fallen and injured Confederate soldiers. In the far right background, several other troops charge into battle., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: c1862
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Newbern [5779.F.43]

Title: General Stoneman's great cavalry raid, May 1863 Through the heart of Virginia, spending ten days in the rebel territory; _ Crossing the Rappahannock on the 28th of April and returning to head-quarters May 8th after throughly [sic] destroying all the bridges of importance, tearing up miles of railroad track, breaking their canals, destroying millions of dollars worth of stores, capturing prisoners at the very gates of Richmond and returning with the loss of only one man killed, one wounded, and fifty or sixty taken prisoners
Description: View showing flanks of General George Stoneman's troops leveling a band of Confederate soldiers in the foregroun2d. The Confederates retreat, are struck down, and lay bloodied. Many of the Union troops charge with their swords raised., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: [1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Stoneman's Raid [5779.F.55]

Title: The great battle of Murfreesboro, Tenn. _ Jany. 2nd 1863. Between the Union forces, under Genl. Rosecrans, and the rebel army under General Bragg This was one of the greatest battles of the war commencing on the 31st December 1862 and after terrible losses terminating on January 2nd 1863 in a glorious victory for the "Stars and Stripes." The desperate valor of both armies during this three days fight will be long remembered, by the brave heroes, who shared its dangers and its renown
Description: Battlefield scene showing Union and Confederate soldiers in hand-to-hand combat in the foreground. In the background, a Union officer on horseback, leads a flank of soldiers into the battle. Also shows an infantryman holding an American while in battle over a fallen soldier., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: c1863
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Murfreesboro [5779.F.53]

Title: The Lexington of 1861. The Massachusetts Volunteers fighting their way through the streets of Baltimore on their march to the defence [sic] of the National Capitol April 19, 1861. Hurrah for the glorious 6th... [Baltimore]
Description: View showing Southern sympathizers attacking Massachusetts militiamen with rocks, bricks, clubs, and guns. In the foreground, a soldier and citizen lay dead while debris flies from the fighting in the background. The attack of the Sixth Massachusetts Volunteer Militia regiment during their transit to the B&O rail station was the first bloodshed of the Civil War., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events., Trimmed.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Baltimore [5779.F.45]

Title: Gallant charge of the "Sixty Ninth" on the rebel batteries at the Battle of Bull-run Va., July 21st, 1861
Description: View showing the 69th New York state Irish militia regiment, under the command of Michael Corcoran, charging the battery with bayonets. Includes a shirtless soldier on the advance; several fallen soldiers in the foreground; and the "Prince of Wales" flag on display., Originally part of a McAllister scrapbook of Civil War views, places & events., Retrospective conversion record: original entry, edited., Trimmed.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Bull Run [5779.F.36]

Title: Gallant charge of United States Cavalry. Gallant charge of Lieutenant Tompkins of the Second Cavalry, at Fairfax Court House, Va., on the morning of June 1, 1861
Description: View of one of the first cavalry campaigns of the war showing the troop, swords raised, charging past a Confederate under the aim of two Union soldiers in front of his confiscated cannon. Also includes fallen Confederate soldiers, including one being trampled, laying in the foreground., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Magee, John L.
Date: c1861
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Tompkins Charge [5779.F.46]

Title: [Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location]
Description: Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]

Title: Camp Meigs
Description: View showing the Civil War camp under the command of Col. R.H. Rush at Old Second Street and Nicetown Lane on the estate of James Logan. In the foreground, soldiers drill on horseback in front of drill sergeants, officers-in-charge, and camp visitors, including men, women, and children. Also shows rows of tents for companies A-K, Conestoga wagons, hitched horses, a flagpole, and a locomotive traveling past the camp in the right background. Also includes the names and ranks of the field and staff officers, and a key to the camps depicted, including the names of the ranking officers, below the image. Officers include Lieut. Col. J.H. McArthur; 1st Major C. Ross Smith; Chaplain Rev. Erben, Surgeon Willliam Moss, and Quartermaster Sergeant Richard M. Sheppard. Company captains include George E. Clymer (G), Joseph Wright (D), and Howard Ellis (K)., Copyrighted by Charles Baum., Philadelphia on Stone, POS 79, Historical Society of Pennsylvania: Bc 54 M 512
Date: c1861
Location: Historical Society of Pennsylvania HSP Bc 54 M 512

Title: [Photographic reproduction of an allegorical view including Abraham Lincoln, a pavilion, and marching soldiers]
Description: Boudoir card depicting a photographic reproduction of an allegorical Civil War painting by Paul Philippoteaux, possibly a panel from one of his four versions of "The Gettysburg Cyclorama." Shows a figure resembling General George McClellan pointing to Lincoln, his hand on his chest and standing on the steps of a pavilion. A white and African American man stand next to Lincoln. The pavilion is comprised of a tent adorned with ornate shields and stone columns marked "Union" and "Liberty." Urns rest atop the columns. Smoke rises from them. A large statue of the figure of Liberty rises over the pavilion. Inside the pavilion, men in suits sit at a long table at which two other men, one in shirt sleeves, stand and sign documents. A crowd of men stand behind and beside the table. Near the "Liberty" column in the right, a white man breaks the shackles of a male slave as armed African Americans rush by. Troops of soldiers march around the pavilion in front of cheering men, women, and children, including blacksmiths near an anvil, flags, and a shield in the right foreground. In the left foreground, an older man holds the reigns of a rider less grey horse next to a man astride a black horse. In the left background, the U.S. Capitol is visible and in the right background ironclads sail on the ocean. French artist Paul Phillipoteaux was commissioned to create the Gettysburg Cyclorama painting in 1879. Depicting Pickett's charge, he created four versions, with the first completed in 1883 and displayed in Chicago. The second version was first shown in Boston in 1884, with the third and fourth versions shown in Philadelphia and New York in 1886. Two of the four versions are known to be extant (Chicago and Boston). Contemporary descriptions of the extant cyclorama paintings do not include the scene reproduced by Allen & Rowell, who also reproduced "The Gettysburg Cyclorama" as boudoir cards circa 1884., Date inferred from possible provenance and its year of display in Boston., Photographer's imprint printed on verso., Title supplied by cataloger., Purchased with funds for the Visual Culture Program (Junto 2015)
Creator: Allen & Rowell
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department photo - Allen & Rowell [P.2017.83]

Title: Volunteer Refreshment Saloon, supported gratuitously by the citizens of Philadelphia, Pa
Description: Print containing an exterior view and three titled interior views of the saloon and hospital of the volunteer relief agency located near the Navy Yard at Swanson and Washington Avenues. Exterior view shows heavy street activity. A Philadelphia, Wilmington & Baltimore Railroad train stops on the grounds in front of a cheering crowd of spectators. Hundreds of soldiers line up to enter and depart the "Hot Coffee and Refreshment" and "Water" stand and "Dining Saloon Free for Volunteers"; officers direct foot traffic onto the train; and other soldiers enter the adjacent "Post Office" and are greeted by women in front of a row of adjoining row homes. Also shows the O.K. House in the background, the fence of "W. Thorn Lehigh & Schuylkill Coal Yard, and an American flag marked "Union for Ever" adorning the saloon. Interior views, framed by filigree, shows a line of soldiers at, and others waiting for a row of wash basins at the "Washing Department"; the "Interior of the Dining Saloon Free for Union Volunteers" where soldiers wait in line for food, eat standing up at tables, and are served by female volunteers; and civilian spectators watching the men volunteers of the "Cooking Department" attend cauldrons atop ovens and carry baskets of food and large coffee pots. and freedmen., Also contains facsimile signatures of saloon supporters and a vignette portrait of General Winfield Scott below the image. Portrait framed by a laurel wreath held in the beak of an eagle surrounded by American flags, a fasces, cannons, and a banner reading "Respectfully dedicated by the Committee to Winfield Scott General in Chief of the U.S.A." Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing., First state., Philadelphia on Stone, Library of Congress: PGA - Boell--Volunteer refreshment saloon... (C size) [P&P], Historical Society of Pennsylvania: Bc 32 V 58c
Creator: Boell, William
Date: c1861
Location: Library of Congress | Prints and Photographs Division LOC PGA - Boell--Volunteer refreshment saloon... (C size) [P&P]

Title: Illustrated description of the Battle of Gettysburg. By Holtzworth. [graphic] / Peck.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Theatrical poster for the illustrated lecture by Civil War veteran and battlefield guide, William David Holtzworth, who toured throughout the United States decribing the Battle of Gettysburg. Contains a montage of scenes of military life including preparations for battle, wagon train caravans, drills, charges, removal of the dead, reconnaissance, and a soldier reading a letter from home by the campfire. Also contains an inset of a portrait of Holtzworth.
Date: [ca. 1866]
Location: Library Company of Philadelphia Print Dept. **GC - Civil War - Campaigns & battles [(2)5786.F.150a]

Title: Union Volunteer Refreshment Saloon, of Philadelphia. [graphic] : Being the first institution of the kind in the United States. Organized, May 27th. 1861 / J. Queen, del. & lith.
Description: Union Volunteer Refreshment Committee's blindstamp on recto., Detailed inscription by Fales about the history of the saloon on recto. Transcription available at repository., Manuscript note on recto: "John A. McAllister Esq. with the kind regards of Saml B. Fales, Phila. Nov. 24th, 1866." Fales served on the Union Volunteer Refreshment Committee as correspondence secretary and financial agent, and became the committee's main fundraiser., Lively scene containing a view of the two hospitals, refreshment stand, and other buildings of the Refreshment Saloon located near the Navy Yard at Swanson and Washington Avenues. Depicts a large crowd gathered to watch the arrival and departure of Union troops in November of 1863. Arriving soldiers march past the cannon, known as "Fort Brown," fired to forewarn saloon volunteers of the forthcoming arrival of troops. Departing soldiers board a Philadelphia, Wilmington, & Baltimore railroad car for the South. American flags dot the landscape. Crowd includes a band and an African American man. Contains the names of committee members and volunteers below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the Saloon was a volunteer relief agency providing meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing on December 1, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886 lithographer., creator
Date: [1863]
Location: http://www.lcpgraphics.org/wainwright/W412.htm, Library Company of Philadelphia Print Dept. **W412 [5778.F]

Title: View of the Philadelphia volunteer refreshment saloons. [graphic] / Lith. from nature by J. Queen; Printed in colors by T. Sinclair. Philada.
Description: Print trimmed., Gift of Isadore Lichstein., Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1861.
Location: http://www.lcpgraphics.org/wainwright/W434.htm, Library Company of Philadelphia Print Dept. **W434 [P.9001.6]

Title: View of the Philadelphia volunteer refreshment saloons. [graphic] / Lith. from nature by J. Queen; Printed in colors by T. Sinclair. Philada.
Description: Print trimmed., Gift of Isadore Lichstein., Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1861.
Location: http://www.lcpgraphics.org/wainwright/W434.htm, Library Company of Philadelphia Print Dept. **W434 [P.9001.6]

Title: Union Volunteer Refreshment Saloon, of Philadelphia. [graphic] : Being the first institution of the kind in the United States. Organized, May 27th. 1861 / J. Queen, del. & lith.
Description: Union Volunteer Refreshment Committee's blindstamp on recto., Detailed inscription by Fales about the history of the saloon on recto. Transcription available at repository., Manuscript note on recto: "John A. McAllister Esq. with the kind regards of Saml B. Fales, Phila. Nov. 24th, 1866." Fales served on the Union Volunteer Refreshment Committee as correspondence secretary and financial agent, and became the committee's main fundraiser., Lively scene containing a view of the two hospitals, refreshment stand, and other buildings of the Refreshment Saloon located near the Navy Yard at Swanson and Washington Avenues. Depicts a large crowd gathered to watch the arrival and departure of Union troops in November of 1863. Arriving soldiers march past the cannon, known as "Fort Brown," fired to forewarn saloon volunteers of the forthcoming arrival of troops. Departing soldiers board a Philadelphia, Wilmington, & Baltimore railroad car for the South. American flags dot the landscape. Crowd includes a band and an African American man. Contains the names of committee members and volunteers below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the Saloon was a volunteer relief agency providing meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing on December 1, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886 lithographer., creator
Date: [1863]
Location: http://www.lcpgraphics.org/wainwright/W412.htm, Library Company of Philadelphia Print Dept. **W412 [5778.F]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: View of the reception of the 29th Regiment, P. V., at Philadelphia
Description: An innovatively designed view of the December 23, 1863 procession of the Pennsylvania Volunteer regiment in honor of their heroic service with the Army of the Potomac. Depicts the procession as a serpentine with the order of procession arranged from top to bottom, with a large eagle, holding an American shield, and patriotic flags by the "Ladies for the 29th" flanked by banners reading "Welcome Home" above the entire view. Soldiers on horseback lead the procession, followed by infantrymen transported in horse-drawn wagons, with one also pulling a cannon, which are followed by a small brass military band. After the musicians, the 29th Regiment marches on foot, some carrying flags, amongst which additional military bands and officers on horse-back also process. Horse-drawn volunteer fire company ambulances carrying soldiers follow the troops, including the vehicles of Northern Liberty Fire Co. no. 1, Vigilant Fire Co., Assistance Fire Co., Weccacoe, Southwark Hose Co., and Hope Hose Company. Along the route men, women, and children watch and join the procession, shake soldier's hands, and cheer. Also shows two boys in a scuffle among the spectators., Buildings line the route, most in shadowy, partial views except the Cooper Shop Soldiers Home at Race and Crown (opened December 1863) and the adjacent buildings near the top of the view. Women crowd the windows of the home and a large American flag marked "Cooper Shop Soldiers Home" stands in front of the building. Also contains the names by Field and Staff Officers, Non-Commissioned Staff, and by Company, of the "Veterans of the 29th," including the African American Company K in addition to the names of the "Board of Managers of the Cooper Shop Soldiers' Home." The procession commenced at about one o'clock from Market Street Bridge down Market Street to Twenty-First Street eventually arriving at the Cooper Shop Soldiers Home where the members of the 29th regiment had dinner before proceeding to the National Guards Hall (518-520 Race Street) to be welcomed by Colonel John Price Wetherill. The order of the procession was as follows the First City Troop; 27th New York Battery; Liberty Coronet Band; Henry Guards; four companies of invalids corps; Provost Guard; discharged members of the regiment; Birgfield's Band; former (Murphy) and present (Rickards) commander of the regiment; Lieut. Col. Zulick of the regiment; the regiment; female family members; First Regiment, Jefferson Coronet Band, Pennsylvania Military Institute cadets, City Council members, and other guards and regiments; and lastly the ambulances of the firemen. The veterans of the 29th Regiment home on furlough re-inlisted for additional service, which was announced at the procession., Philadelphia on Stone, POS 807, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc85 B347., Reception described in the Philadelphia Inquirer (December 24, 1863).
Date: c1863
Location: Library Company of Philadelphia | Print Department ***W435 [P.2262 and (12) 1540.F]

Title: Bombardment & capture of the forts at Hatteras Inlet, N.C. By the U.S. fleet under Commander Stringham and the forces under Genl. Butler, Aug. 27th 1861
Description: Shows a fleet of battleships, including the Minnesota, Wabash, Susquehanna, Pawnee, and Harriet-Lane firing upon the Confederate forts in the distant background. In the foreground, several rowboats of Union soldiers sail toward the shore where previously disembarked troops await. Includes the names of the battleships printed below the image., Accompanied by newspaper clipping of a map showing the "Position of the Union Troops and Squadron and the Rebel Forts Hatteras and Clark.", Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events., Trimmed.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Hatteras [5779.F.40]

Title: Interior of Fort Sumter during the bombardment, April 12th 1861
Description: Shows Major Robert Anderson, Union commander of the fort, overseeing his soldiers manning cannons during the first battle of the Civil War. The men gather cannon balls, hold sponge-rammers at the ready, and fire the cannons. The fort fell to Confederates following 33 hours of bombardment on April 13th, 1861., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War material.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Sumter [5794.F.4]

Title: The siege of Charleston. Bombardment of Fort Sumter, and batteries Wagner and Gregg by the Union batteries on Morris Island, under command of General Gilmore._ August 1863
Description: Shows Union soldiers at the island encampment firing several lines of cannons at the forts and batteries in the distance. Other soldiers man a barricade behind the cannons. Also shows a steamer and submarines firing from the harbor. Includes the names of the forts printed below the image., Originally part of a McAllister scrapbook of Civil War materials., Retrospective conversion record: original entry, edited., Reaccessioned as P.9177.15.
Creator: Currier & Ives
Date: [1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Charleston [5794.F.2]

Title: The victory of Roanoke, Feby. 8th, 1862. The brilliant and decisive bayonet charge of New York 9th Hawkins Zouaves
Description: Battlefield scene showing a troop of zouaves from the 9th New York Infantry Regiment charging a Confederate barricade during the battle at Roanoke Island. Fallen zouaves lay in the foreground., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Roanoke [5779.F.54]

Title: Bombardment of Fort Sumter, Charleston Harbor. 12th & 13th of April 1861
Description: View of the opening engagement of the Civil War showing Confederate soldiers at Fort Moultrie, under the command of General P.G.T. Beauregard, manning and firing cannons at Fort Sumter in the background. Also shows the Confederate battery, Cummings Point, under a cloud of smoke from Union fire. Includes the names of the battery and forts printed below the image. Union forces under the command of Major Robert Anderson surrendered the fort on April 13, 1861., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War material., Trimmed.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Sumter [5794.F.3]

Title: The battle of Bull's Run
Description: Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]

Title: Union Volunteer Refreshment Saloon, of Philadelphia Being the first institution of the kind in the United States. Organized, May 27th. 1861
Description: Lively scene containing a view of the two hospitals, refreshment stand, and other buildings of the Refreshment Saloon located near the Navy Yard at Swanson and Washington Avenues. Depicts a large crowd gathered to watch the arrival and departure of Union troops in November of 1863. Arriving soldiers march past the cannon, known as "Fort Brown," fired to forewarn saloon volunteers of the forthcoming arrival of troops. Departing soldiers board a Philadelphia, Wilmington, & Baltimore railroad car for the South. American flags dot the landscape. Crowd includes a band and an African American man. Contains the names of committee members and volunteers below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the Saloon was a volunteer relief agency providing meals, hospital care, washing, sleeping, and writing facilities to military personnel, freedom seekers. It served over 800,000 men, 1,025,000 meals before closing on December 1, 1865., Union Volunteer Refreshment Committee's blindstamp on recto., Title from item., Date inferred from content., Philadelphia on Stone, POS 771, Detailed inscription by Fales about the history of the saloon on recto. Transcription available at repository., Manuscript note on recto of 5778.F Union Volunteer: "John A. McAllister Esq. with the kind regards of Saml B. Fales, Phila. Nov. 24th, 1866." Fales served on the Union Volunteer Refreshment Committee as correspondence secretary and financial agent, and became the committee's main fundraiser., Manuscript note on recto of P.2023.2: Mr. McNally with the compliments of Samuel B. Fales, No. 707 Vine St. Philadelphia., Description revised 2023., Access points revised 2021., P.2023.2 gift of Philadelphia Magazine., Digital image shows 5778.F Union Volunteer., Queen was a premier Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, who served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department **W412 [5778.F Union Volunteer and P.2023.2]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: On the march to the sea
Description: Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1868
Location: Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]

Title: Soldiers memorial. 4th Regiment. Company F. U.S. Col. Troops Mustered into the United States Service at Baltimore, Md., Aug. 4, 1863, by Col. Wm. Birney
Description: Stock commemorative certificate with some variations for the African American 4th Regiment, Company F troop and containing a montage of allegorical and battle scenes, patriotic motifs, and soldier vignettes above the printed names of 4th Regiment Privates, Lieutenants, Sergeants, Corporals, and Field and Staff Officers. The allegorical scene depicts the female figure of Columbia, resting upon an American shield and seated next to an American eagle that looks down on a snake it clutches under its claws. Columbia holds her head with her left hand and the "Constitution of the United States" down between her knees in the other. She is portrayed as a white woman with long dark hair, wearing a gold headpiece and white veil, and attired in a dress with a blue bodice, red skirt, and white sleeves and collar. Surrounding the central scene (counterclockwise) are views of white Union soldiers at battle and firing cannons near a harbor and across from Union forts displaying American flags; a departing white Union solder embracing his wife in front of his family, an older woman holding her grandchild, his crying son, and their dog, outside of their home in the countryside as troops march in the distance; white Union cavalry corps charging during battle; the previously depicted white Union soldier returning home, shown in mid stride and holding his cap in the air as his family heads toward him with their arms out; and white Union soldiers, with a cannon, and at battle near a trench. The scene and views within the montage are bordered and framed by portraits of George Washington, Henry Clay, and Andrew Jackson and pictorial details of American flags, flowers, and filigree., Pictorial details surrounding the names of the soldiers in the lower half of the print include outer columns composed of marble and wood trunks with one unsplit and adorned with the placard "United We Stand" and another split with stakes and adorned with the placard "Divided we fall; inner columns wrapped within the American flag; medallions depicted with red, white, and blue stripes and stars; and images of the American eagle atop an American shield that is adorned with a banner reading "E Pluribus Unum." A. Hoen & Co. printed several slightly variant copies of the Soldiers Memorial in 1866, to commemorate different regiments and with different publishers. In the upper half of the print, the montage imagery remained the same, and in the lower half of the print, the imagery for and near the columns was altered in addition to the printed names of the officers and soldiers and their placement between the columns. The 4th Regiment, United States Colored Infantry was organized in Maryland, July 15-September 1, 1863. The African American unit saw action in Virginia and North Carolina before being mustered out May 4, 1866 after the designation change to 76th U.S. Colored Troops on April 4, 1864. The Regiment lost nearly 300 officers and enlisted men while in service., Title from item., Name of publisher from publication statement: Published at Baltimore by Jos. L. Kessler., Date inferred from copyright statement: Entered according to Act of Congress in the year 1863 by Whitney & Anderson in Dist. C. of Md., Purchased with Louise Marshall Kelly Fund.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Certificates [P.2022.28.2]

Title: Satterlee Polka for the piano. Composed and respectfully dedicated to Surgeon I.I. Hayes U.S.V. Comg. Satterlee U.S.A. Genl. Hospital W. Phila
Description: Sheet music cover containing a view looking down at the Satterlee U.S.A. General Hospital grounds from a hill in West Philadelphia. In the foreground, soldiers, women, and children, on foot and horseback, descend a path on the elevation en route to the Civil War Union hospital. Recuperating soldiers and visitors recline on a large rock on the hillside and in the adjoining valley. A foot bridge lined by trees leads from the valley to Satterlee. Several figures are visible walking, and arriving by foot and omnibus at the hospital grounds that are also lined by tents. In the left, a horse-drawn omnibus crosses a bridge, overshadowed by trees, spanning Mill Creek., Manuscript note on recto: NW fr. Balto Ave. N of 43rd St., Price printed on recto: 4., pdcc00023, Philadelphia on Stone, Library Company copy acquired after POS 2010: P.2011.63.5., Free Library of Philadelphia: Castner 9:71, Hayes served as the ship's surgeon during Elisha Kent Kane's Artic explorations (1853-1855) and organized his own Arctic exploration in 1860 before serving at Satterlee General Hospital.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1863]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 9:71

Title: Smuggling medicines into the South
Description: Partisan genre scene depicting the unloading of a rowboat with medical supplies along a shoreline near dense thickets of trees. In the center, a white man Confederate military officer keeps the boat moored through a rope in his hand. He looks back toward a white man, possibly a doctor, climbing down from a tree. An enslaved African American man (his back to the viewer), ankle deep in the water, holds a wooden pole on the shore as a lever as a white man in civilian clothes rolls a barrel toward a Confederate soldier (his back to the viewer). The soldier places sacks on the back of a mule. A sack, crate, and barrel lie near the mule. Volck was active in smuggling medicines into the South across the Potomac River in response to the Union's ban of the passage of medical supplies to the South., Inscribed upper left corner: 18., Issued as plate 18 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., Description revised 2021., Access points revised 2021.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 18 [2990.F.21]

Title: Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue. [graphic] / Drawn & lith. by James Queen, Philada.
Description: Wainwright retrospective conversion project., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals., Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: [1862]
Location: http://www.lcpgraphics.org/wainwright/W068.htm, Library Company of Philadelphia Print Dept. *W68 [5778.F]

Title: Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue. [graphic] / Drawn & lith. by James Queen, Philada.
Description: Wainwright retrospective conversion project., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals., Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: [1862]
Location: http://www.lcpgraphics.org/wainwright/W068.htm, Library Company of Philadelphia Print Dept. *W68 [5778.F]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: Shadows of the times
Description: Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kramer, Peter, 1823-1907, artist
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons 1862-3 [(10)1540.F; 5780.F; 5780.F.32-34]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: Citizens Volunteer Hospital Association of Philadelphia. Instituted, September 5th 1862 Erected September 5th 1862 for temporary relief of sick and wounded soldiers, arriving in and passing through Philadelphia. Closed August 9th 1865
Description: Certificate containing a view showing a bustling street scene around the hospital situated opposite the Philadelphia, Wilmington, and Baltimore Railroad depot at the corner of Broad Street and Washington Avenue. On the sidewalk, soldiers converse, men and women pedestrians stroll, and a female peddler and vendor sell their goods and wares, the latter patronized by Zouaves. In the street, medical personnel and doctors accompany injured soldiers, by stretcher, foot, and on crutches toward the hospital. Men, women, and children walk, converse, and greet each other, and horse-drawn carriages, including possibly an ambulance, travel past and stop near the hospital. Children include a boy carrying a basket and two attempting to help a man with his valise. Also shows surrounding buildings in the background. The hospital provided care to the most seriously injured before their reassignment to other hospitals. The hospital closed on August 11, 1865., Signed Thomas T. Tasker Junr President and F. Bayle Secretary pro tem., Philadelphia on Stone, POS 129, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:, Variant of image used as central scene in Wainwright 69.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department **W67 [P.8650]

Title: Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue
Description: Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865., Philadelphia on Stone, POS 130, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1862]
Location: Library Company of Philadelphia | Print Department *W68 [5778.F Citizens Volunteer]

Title: Citizens Volunteer Hospital, corner of Broad St. & Washington Avenue
Description: Print containing a montage of 11 exterior and interior views of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Central view shows a bustling street scene outside of the hospital. Horse-drawn carriages, possibly including an ambulance, arrive and depart; injured soldiers are carried by stretcher and assisted by fellow soldiers to the building; male and female pedestrians converse and traverse the streets; two boys attempt to help a man with his valise; and Zouaves patronize a female vendor's stand. Other views show the "Interior of Hospital" where women volunteers and doctors attend to bed-ridden soldiers; the "Kitchen" equipped with an ice box, cooking stove, and heating stove where two women prepare food on a counter; the "Dining Room" in which several soldiers eat at three long rows of tables near a heating stove; the "Laundry" room where women sort, fold, and wash cloths in a sink, near a large vat of boiling water; the "Ladies Kitchen" containing cupboards of dishware, a small cooking stove, and a rack of cooking utensils in which three women work; the "Wash Room" in which four men wash up at a trough of sinks; the "Drug Room" in which a pharmacist distills drugs for a soldier and women volunteer in front of a wall of medicinal bottles; a female volunteer at the counter of the "Store Room" attended by a man surrounded by several shelves packed with supplies; the "Bath Room" lined with tubs in which a soldier begins to undress; and female volunteers setting tables in the "Officers Dining Room.", Also includes two American flags draped over the borders of one of the views. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865., Philadelphia on Stone, Library of Congress: PGA - Queen--Citizens ... (D size) [P&P], Historical Society of Pennsylvania: Bc 15 C 581 b copy 1, Historical Society of Pennsylvania: Bc 15 C 581 b copy 2, HSP copy 2 missing blue tint stone.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1862]
Location: Library of Congress | Prints and Photographs Division LOC PGA - Queen--Citizens ... (D size) [P&P]

Title: Patriotic souvenir pies.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Series of four, titled military-themed souvenir pies containing eight panels printed with illustrations corresponding to verse printed on the verso that promotes patriotism, bravery, honor, chivalry, duty and piety. Contains "History of The Soldier Lad Folded in What He Best Loves, The Stars and Stripes, Red, White, and Blue" depicting a soldier's tour of duty including his farewell to his family, his fighting in battle, his promotion to Captain, and his celebrated return home; "The Sailor Boy" depicting the life of a powder boy including a farewell to his mother, nightly prayers, performing bravely during battle, and a hero's welcome home; "The Soldier Boy" depicting a boy's life before and after entering the military including school studies, his father questioning his future profession, his joining the army as a drummer boy, and his father recognizing the honor in his son's brave service to protect his country; and "The Union Forts" depicting and describing the location of Fort Sumter, Fort Morgan, Fort Lafayette, Fort Wagner, Roanoke Island, Fort Donelson, and Fortress Monroe.
Creator: Strong, Thomas W., creator
Date: c1864.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [(2)5786.F.7a&b; 9a&b]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes.Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

Title: Civil War photograph collection
Description: Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-ca. 1900, bulk 1861-1865
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]

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