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Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: The capture of an unprotected female, or the close up of the rebellion
Description: Cartoon satirizing the capture of the Confederate president Jefferson Davis by Union cavalry troops on May 10, 1865. Davis,disguised as a woman, is surrounded at gunpoint by jeering soldiers. Davis holds his hands in the air as one soldier pulls up his dress to reveal trousers below. Mrs. Davis, the lone female figure, begs the soldiers to leave her husband alone as they mockingly comment on his legs., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Cameron, John, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-31W [P.8978]

Title: Northern coat of arms
Description: Racist cartoon expressing anti-abolitionist sentiment within the North by depicting a "Northern Coat of Arms," in which only the rights of African Americans are represented. Depicts a Phrygian cap from which an African American man's large feet protrude. The cap, inscribed "Liberty," is adorned with the American symbols of stars and the eagle with an arrow and olive branches., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by j.E. Cutler in the clerk's office of the district court of the dist. of Mass., Series no. printed on recto: 159., Probably drawn by Joseph E. Baker, Boston., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-36R [P.2275.4]

Title: How free ballot is protected!
Description: Racist cartoon accusing the Republican party of electoral fraud and obstructionism in the presidential election of 1864. Depicts a ballot office where an armed African American man, portrayed in racist caricature and attired in torn and worn clothing, prevents a disabled white Union soldier from voting for McClellan. In the left, the African American man holds a bayoneted rifle and says in the vernacular, "Hallo dar! You can't put in dat you copperhead traitor, nor any oder 'cept for Massa Lincoln!! [A copperhead refers to a Democrat who wanted peace with the South]. In the right, the Union veteran, attired in uniform, wears an eye patch and has an amputated left arm with an artificial limb and an amputated right leg. He leans on a crutch and holds a ballot reading "McClellan" in his right hand. He replies, "I am an American citizen and did not think I had fought and bled for this, alas my country!" In the background, election workers comment about the potential trouble and the need to ignore the situation., Title from item., Date inferred from content., Possible place of publication supplied by Reilly., RVCDC, Purchase 1960., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Baker was a New England etcher and lithographer who drew many Civil War caricatures.
Creator: Baker, Joseph E., approximately 1837-1914, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-35R [6395.F]

Title: Secession displayed
Description: Pro-Union cartoon containing a montage of vignettes representing the consequences of secession, particularly the denigration of American freedom. Depicts Roman soldiers representing the "Demons of Nullification, Secession, and Treason" attacking the "Temple of Freedom," the edifice adorned with the names of Revolutionary heroes and battles. The allegorical army carries a "Flag of Disunion" inscribed "Liberty! [To Extend Slavery]," swords, spears, and torches. These soldiers of "war" and "rapine" trample upon the torn Constitution and American flag. In the background, surrounding vignettes depict the bloodied, manacled "Genius of Liberty," depicted as a white woman, fallen beside "Free Speech" and the "Free Press"; the "Servile Insurrection" depicting enslaved Black men attacking white men, women, and children; the king "Military Despotism," depicted as a white man attired in a crown, brandishes manacles and bayonets to complete "the work begun by the traitors"; ghostly figures of "Departed Heroes & Sages," including Washington, Jefferson, and Adams look aghast "on the sacrilege perpetrated in the name of Liberty"; and Liberty, depicted as a white woman, weeps beside an upside down American flag and below the quote of the executed French revolutionary, Madame Roland, "O Liberty! What crimes are committed in thy name.", Text printed above image: "Indignantly frown upon every attempt to alien any portion of our country from the rest"--Washington., Text printed below image: The enemies of the Republic, from the Gulf, or Lower Regions, led on by the Demons of Nullification, Secession and Treason, assail the Temple of American Freedom, consecrated by the blood of the Martyrs of Liberty. Raising the Flag of Disunion, the Traitors trample on the Star-spangled Banner and the Constitution which they have sworn to defend. The Genius of Liberty is stricken down and manacled. War and Servile Insurrection prevail. Military Despotism, of necessity, succeeds, and with its chains and bayonets completes the work begun by the Traitors. The Genius of America weeps, while, above, the shades of departed Heroes and Statesmen gaze with sad astonishment on the sacrilege perpetrated in the name of Liberty! “God Save the Commonwealth.”, Title from item., Date from copyright statement: Entered, according to Act of Congress, in the year 1861, by John Barber, in the office of the Clerk of the District Court of Connecticut., Retrospective conversion record: original entry, edited., Accessioned 1981., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department *Political Cartoons-1861 Sec [P.8699]

Title: The capture of Jeff Davis His last official act "the adoption of a new rebel uniform." He attempts to "clear his skirts," but finds it "all up in Dixie"
Description: Cartoon satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers on horseback riding through marshes and chasing down Davis, who flees on foot. The president wields a dagger and wears a woman's dress and cape as well as a "Blockade Runner" boot. Nearby, Mrs. Davis scolds the soldiers "not to provoke the President." In the background, a horse packing a sack of "Confederate Gold" gallops away ( an allusion to Jefferson's safeguarding of the remaining Confederate treasury)., Printed above the title: "Don't provoke the President, or he may hurt some of you!", Name of artist supplied by Weitenkampf., Retrospective conversion record; original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Giles, J. L., lithographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-18W [6381.F]

Title: The last of the chevaliers. (End of the play.) Jeff. "I thought your government was more magnanimous than to hunt down women and children."
Description: Comic collecting card satirizing the unusual circumstances of the capture of Confederate President Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts a full-length view of Davis, attired in a shawl, a hoop skirt with a patch, and boots with spurs. A bonnet is tied around his neck, the edge of his skirt cage is visible, and he holds up a dagger in his right hand. A disembodied hand with a gun is pointed at him from the left., Date from copyright statement: Entered according to Act of Congress in the year 1865 by L. Prang & Co., in the Clerk’s Office, of the district court of Mass.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Civil War - Davis [P.2017.22.3]

Title: The last ditch of chivalry or, a president in petticoats
Description: Cartoon satirizing the unusual circumstances of the capture of Confederate President Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Union soldiers chasing a fleeing Davis, who wears a bonnet and dress and carries a bag of gold (an allusion to Davis's safeguarding of the remaining Confederate treasury). The soldiers wave pistols and swords and harrass Davis about his surrender, the bounty on his head, his ineffectual disguise, and his having reached his "last ditch." Davis responds that he thought that their government was "more magnanimous than to hunt down women and children." In the background, Davis's wife warns the soldiers "Look out you Yankees, if you make him mad he will hurt some of you.", Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: c1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-32W [6384.F]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: The Declaration of Independence illustrated
Description: Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
Creator: Fabronius, Dominique, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: The triumph
Description: Print predicting the Union's triumph over the Confederacy using an allegory of "Humanitas" (i.e., Humanity) depicted as a white woman holding a child astride an eagle, reaching to save a shackled African American held on the ground by the evil "King Cotton." From a break in the clouds an apparition appears behind "Humanitas," including "Freedom" depicted as a woman wearing a crown of feathers holding a large American flag and a Liberty cap; "Christianity" depicted as a white woman holding a bible; "Justitia" depicted as a white woman holding scales; George Washington; Thomas Jefferson; and Benjamin Franklin. The oppressed enslaved person reaches up as "King Cotton," portrayed with an alligator head with a body composed of a bale of cotton with a holster of pistols, raises his hands in horror as the eagle clutches his cloak and shoots lightning bolts at his throne. To his right a column labeled "Lecompton", "Fugitive Slave," and "Missouri Compromise" is set aflame from the lightning. In the left, the "Hydra of Discord" accompanied by a hound "Fugitive Slave Law," a group of white men enslavers, and a Spaniard, who drops a package marked "Cuba $50,000,000," flee from the vision to the sea where a boat of enslaved African American men are docked. Contains eighteen lines of verse from Lord Byron's 1813 poem "The Giaour" below the image., Title from item., Date of publication supplied by Reilly., Per Reilly, published key to print exists., Copyright statement: Entered according to act of Congress in the year 1861 by M. H. Traubel, in the Clerks Office of the District Court for the Eastern District of Penna., Accessioned 1999., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department *political cartoons - 1862-15 [P.9654]

Title: The past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel is held under the year 1863 by Father Time; Thomas Crawford's statue of freedom; and the hellhound Cerberus fleeing liberty. The Great Central or Sanitary Fair of 1864 was organized by the Philadelphia division of the United States Sanitary Commission to raise money for their soldier relief organization. Although emancipation was a popular theme of the fair, African Americans were excluded from the exhibition., Title from item., Date inferred from content., Inscribed: Price [Fif?]ty Cents., Originally published in "Harper's weekly," January 24, 1863., LCP exhibition catalogue: African American Miscellany, p. 22., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Nast, Thomas, 1840-1902, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3a variant [P.9177.30]

Title: The first of May 1865 or gen'l moving day in Richmond Va
Description: Cartoon relishing the surrender of the Confederacy to the Union depicting a Southern general moving from his war damaged home which is to undergo a "Sheriff Sale" and to be let by "Lincoln & Co." Three white Southerners and two African American men, one who thumbs his nose, witness the General and a mover begin to load a "C.S.A." (i.e., Confederate States of America) cart. The cart, to be pulled by two dogs, is situated next to a "C.S.A Treasury" box of "Waste Paper" that is being urinated upon by another dog. The mover is burdened by several packages, many falling off his back, labeled with the names of Confederate states., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865, by H. & W. Voight in the Clerk's Office of the District Court for the Southern District of New York., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Kimmel and Forster was a 19th-century firm known more so for their engraving than their lithography.
Creator: Kimmell & Forster, lithographers
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-4W [P.2275.29]

Title: The peninsular campaign
Description: Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862 Pen [5793.F.7b]

Title: "Your plan and mine."
Description: Racist satire criticizing the 1864 presidential candidates, Democrat General George McClellan's and incumbent Abraham Lincoln's, divergent peace policies depicting each in a scene with Jefferson Davis and an African American Union soldier. The first scene depicts McClellan offering an olive branch, a frightened kneeling African American soldier, and a promise of non-interference to a scowling, armed Jefferson Davis, attired in torn and worn clothing. Davis acknowledges the branch, accepts the soldier, and expresses his satisfaction about the renewed ability for Southern domination of the government. The soldier, whose head Davis clutches, questions with horror McClellan's proposition to send him back to slavery after his service to the Union. The opposite scene depicts Lincoln pointing a bayonet at a cowering Davis who begs for readmission to the Union. Lincoln, on behalf of the nation, demands unconditional surrender and declares the end of slavery. The observing African American soldier replies in the vernacular that Davis will not have anything to do with him anymore., Title from item., Date from copyright statement: Entered according to act of Congress A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of N.Y., Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-18W [5793.F.4]

Title: John Brown exhibiting his hangman
Description: Cartoon depicting the imaginary execution of former Confederate President Jefferson Davis with the ghost of John Brown as his executioner. Jefferson, holding a sour apple and attired in a women's dress and bonnet, swings imprisoned in a birdcage which hangs from a gallows. To the left of the cage Brown rises from a hole in the earth and points accusingly at Davis. In actuality Davis had no direct involvement with Brown's execution. Beneath the cage, African American men and women minstrel figures, portrayed in racist caricature, rejoice, dance, clap, and thumb their noses at Davis., Title from item., Date from copyright statement: Entered according to act of Congress in 1865 by G. Querner in the Clerk's Office of the Sup. Court D.C., Originally part of a McAllister scrapbook related to Jefferson Davis and the Confederacy. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoon - 1865-16R [5795.F.b]

Title: Why dont you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Beard, Frank, 1842-1905, lithographer
Date: c1861
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-26 [5794.F.c]

Title: The battle of Bull's Run
Description: Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]

Title: Why don't you take it?
Description: Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-54W [P.2275.15]

Title: The shackle broken - by the genius of freedom
Description: Print containing a montage of vignettes and quotes supportive of African American civil rights centered around a scene of "Hon. Robert B. Elliott, of South Carolina, delivering his great speach [sic] on 'civil rights' in the House of Representatives, January 6, 1874" to the packed floor of white and African American Congressmen and balcony of spectators. Contains an American flag inscribed with the quote, "What you give to one class, you must give to all. What you deny to one class, you shall deny to all;" scenes of African American soldiers, officers, and sailors; statues of Lincoln holding his "Emancipation Proclamation" and Senator Charles Sumner holding his "Bill of Civil Rights;" and quotes referring to African American participation in the Civil War. Also contains a scene espousing "free labor is the present, slave labor is the past" with an African American family at their homestead where they "toil for [their] own children and not for those of others.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1874 by E. Sachse & Co. Baltimore in the office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro History #213., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E. Sachse & Company, a Baltimore lithographic firm active until the 1870s, was operated by Edward Sachse (also a painter), his brother William, and relative Theodore. The company produced numerous folio sized views.
Creator: E. Sachse & Co., lithographer
Date: 1874
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1874-1 [P.9653]

Title: The last offer of reconciliation In rememberance of Prest. A. Lincolns. "The door is open for all."
Description: Allegorical print with decorative border commemorating the reconciliation of the North and South at the end of the Civil War. Depicts Lincoln extending a hand to Confederate President Jefferson Davis and to Liberty, depicted as a white woman, who sits behind the presidents in a temple adorned with the names of the Union states. Secretary of State William H. Seward, Secretary of War Gideon Welles, two Union Officers, General Sherman, and General Grant on horseback accompany Lincoln in the prosperous North. Grant holds a ribbon containing the names of the Confederate states, and Sherman attaches it to the Temple of Liberty. In the burning, war-torn South where ghostlike figures roam, Davis is accompanied by General Lee, a man resembling Henry Wilkes Boothe, an enslaved African American man who holds his shackled arms above his head, and a solemn young man holding his stove pipe hat. The decorative border contains healthy vines and branches on the northern side, dead vines on the side of the "South," and vignettes of an enslaved African American man being whipped by a white man enslaver, hand-to-hand combat, white men working the field, and a white man fishing., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year of 1865 by Henry & Wm. Voight in the Clerk's Office of the Southern District of New York., Text below title: Dedicated to the Memory of our most lamented late President Abraham Lincoln., One of three companionate allegorical lithographs about the Civil War produced by Kimmel & Forster., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Thomas, Henry, lithographer
Date: 1865
Location: Library Company of Philadelphia | Print Department Political cartoons-1865-6R [5792.F]

Title: The ( Fort) Monroe doctrine
Description: Abolitionist cartoon depicting enslaved African Americans fleeing to Fort Monroe, which was occupied by Union General Benjamin F. Butler who had declared freedom seekers to be "contraband" of war. In the right, a white man Virginia enslaver brandishes a whip and says, "come back you black rascal." A bare-chested, barefooted, African American man attired in white shorts, responds in the vernacular, "can't come back nohow massa Dis chile's contraban." To the right of the enslaver, a barefooted African American man, attired in a brimmed hat, a white collared shirt, and striped pants with the cuffs rolled up, watches as he leans on a hoe. A number of other African American freedom seekers run toward the Fort, including a woman with a child., Title from item., Date of publication supplied by Weitenkampf., During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-3W [P.9127]

Title: Worship of the North
Description: Graphic cartoon steeped in Confederate bitterness toward the "Republican" North depicting a scene of Northern idolatry of the African American. Worshippers near a mound of skulls surround a blood-stained altar upon which lies the shackled sacrificed body of American youth. The altar, with a bust of Lincoln dressed as a clown overhead, is constructed from Northern principles such as "Puritanism," "Free Love," and "Negro Worship." Behind the altar an African American man idol, barefoot and bare-chested and portrayed in racist caricature, sits upon the "Chicago Platform." Near the idol stands the statue of "St. Ossawattomi" (i.e., John Brown). The worshippers include General Scott, General Halleck and a loot-laden General Butler, as well as Secretary Edwin Stanton, John Fremont, a knife wielding Henry Ward Beecher, a torch carrying Charles Sumner, Horace Greeley with a censer, and Harriet Beecher Stowe, praying and kneeling atop a volume of Uncle Tom's Cabin. Printed in the top corners is "Ego.", Published in: Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), pl. 1., Issued as plate 1 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Aldabert Volck (1828-1912), i.e., V. Blada, was a prominent Southern cartoonist from Baltimore who is best known for his 1863 work "Sketches from the Civil War," later republished circa 1886 by Porter & Coates in Philadelphia under the title "Confederate War Etchings."
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863 - Wor [P.2275.6]

Title: Jeff. Davis., the compromiser, in a tight place
Description: Cartoon expressing Northern exasperation with Jefferson Davis's attempt to negotiate for peace in 1865. Depicts Davis being slammed between the doors of the "United States Senate" by Uncle Sam and an armed Zouave soldier. Davis carrying on his back a bundle of "Compromise Goods. Latest Styles" begs the unsympathetic soldier to let him alone as Uncle Sam holding a noose declares that Davis has cheated him too often and deserves execution. In the left, an African American man, portrayed in racist caricature, holds a "Trinkets" box and says in the vernacular, "It pears to me, Massa Davis bring his goods to de wrong market dis time. All de better for cullored folks, Yah! Yah!", Title from item., Date of publication supplied by Weitenkampf., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1865]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-1W [5795.F.a]

Title: Home "on sick leave"
Description: Caricature showing a soldier dining with a young lady attired in an absurd hat. The soldier sips from a straw and looks sheepishly at his dining partner., Lithographer's signature on stone lower left corner., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of humorous caricatures and photographs., See related photograph: cdv - misc. - Civil War - Gurney - Caricatures and cartoons [5770.F.51i]., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Mullen, Edward F., lithographer
Date: c1863
Location: Library Company of Philadelphia | Print Department political cartoons-1863 Hom [5780.F.d]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Jeff . Davis in prison
Description: Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]

Title: Gallant capture of a ladys wardrobe by the brave troops of Florida
Description: Cartoon concerning the enforcement of the Confiscation Act of 1861 depicting the absurd seizure of a Florida woman's wardrobe to "pay the expenses of the troops." A military officer, possibly Union General Winfield Scott, and his troops, bayonets and swords raised, collect the belligerent, Confederate belle's hoop skirt as they trample an American flag. The lady demands the return of her clothes or threatens to go to Union-occupied Fort Pickens (visible behind her) and "man one of the big guns, and blow [the men] to pieces.", Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Print Department political cartoons - 1861-41W [P.9091]

Title: The meeting of the Friends. City Hall Park
Description: Cartoon portraying a distorted version of events surrounding New York Governor Horatio Seymour's "My Friend's" speech during the Draft Riots of 1863 when several African Americans were killed by working-class rioters. Portrays Seymour on the steps of City Hall in front of a riotous mob composed primarily of armed Irish-Americans who march past the building for "The Tribune," an anti-Seymour newspaper. Supporting Seymour from behind are a fool with a cap inscribed "Express" (i.e., a Pro-Seymour newspaper), and former Mayor Fernando Wood and Tammany boss Peter B. Sweeny, both "Copperhead" Democrats who advocated peaceful settlement with the South and who believed Republican philanthropy favored African Americans at the expense of working-class whites. Seymour placates the mob announcing that he is their friend and that he has ordered the President to stop the draft. At his feet is an African American with a noose around his neck. A white man holds the severed head of an African American man, and several more African Americans are seen hanging from trees in the background., Probably drawn by Henry L. Stephens., Title from item., Date inferred from content., Place of publication supplied by Reilly., Text printed below image: A friendly voice.—Governor, we want you to stay here. Horatio Seymour.—I am going to stay here, “My Friends.” Second Rioter.—Faith, and the Governor will stay by us. Horatio Seymour.—I am your “Friend,” and the “Friend” of your families. Third Rioter.—Arrah, Jemmy, and who said he cared about the “Dirty Nagurs”? Fourth Rioter.—How about the draft, Saymere? Governor.—I have ordered the President to stop the draft! Chorus.—Be Jabers, he’s a “Broth of a Boy.”, RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-12 [P.2275.11]

Title: The dis-united states. Or the Southern Confederacy
Description: Cartoon mocking the inherent dissension within the newly formed Confederacy depicting the Confederate state leaders as conniving self-opportunists led by the Governor of the first state to secede, South Carolina's Francis Pickens. Pickens, armed with a whip and pistol, is astride the back of an enslaved African American man on all fours, and demands as a "file leader," obedience from Stephen R. Mallory of Florida, William Yancey of Alabama, Jefferson Davis of Mississippi, Joseph Brown of Georgia, and an unidentified white man from Louisiana. The Confederates seated upon representations of their state interests (a wrecked hull, bales of cotton, and a barrel of sugar) ignore Pickens and demand acquiescence to their different state needs including coastal control, control of profits from the sale of cotton, and increased bonds and duties as compensation for separating from the Union., Title from item., Date inferred from content., Date of publication supplied by Reilly., Purchase 1964., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-6R [6612.F]

Title: Yankee volunteers marching into Dixie. "Yankee Doodle keep it up, Yankee Doodle Dandy."
Description: Shows a Union officer, sword raised in the air, leading a troop of men attired as the Yankee character Brother Jonathan. Civilians and officers on horseback watch as the "troop" passes. Also shows the Potomac River and Washington skyline, including the Capitol, in the background., Copyrighted by C.F. Morse., Retrospective conversion record: original entry, edited., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bufford, John Henry, 1810-1870, lithographer
Date: c1862
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-1 [P.9177.14]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: Offering a substitute. A scene in the office of the provost marshall
Description: Cartoon addressing the impropriety surrounding the purchase of substitute draftees during the Civil War. Depicts four wealthy gentlemen attempting to find substitutes in a draft office. To the right, near an "Avoid the Draft" notice, a gentleman offers a wad of cash to a possible substitute. The man dressed in working man's clothes informs him, "I'm looking for a substitute myself." In the center, two gentlemen, one holding several bills, the other overweight and bemoaning "I walk but one square I chafe," display for inspection their wretched, raggedly dressed substitutes to two Union officers, including a doctor. The physician accepts a "Lee veteran" despite his extreme thinness and missing teeth, while the second officer tells the portly man that he would prefer him to the substitute and that "one days march will take down his fat and a little tallow will remove the chafing." To the left, the fourth gentleman, crying into a handkerchief, tells an officer that he would rather "bleed for his wife" than for his "suffering country." In the background, bandaged and ailing men line up in front of the marshall., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-15W [P.2275.17]

Title: Oh! Massa Jeff. dis sesesh fever will kill de nigger
Description: Cartoon depicting the ill effect of secession on enslaved people. In the dwelling of the enslaved African American men, Jefferson Davis, attired in a broad-brim hat and with the Union flag hanging from his pocket, checks the pulse of an emaciated, bedridden African American man with "Bond Plasters" on his chest. An angst-ridden enslaved African American man stands behind the bed and weeps as he holds a bottle of medicine. On the wall behind him are three posters advertising various medicines: "Dr. Jeffy's Celebrated Bond Plasters ...," "The Great Southern Remedies," "Dr. Jeffy's Celebrated Lettres du Marque A Radical Remedy for all Constitutional Afflictions.", Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1861 in the Clerks Office of the District Court of the Southern District of Ohio., Purchase 1961., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-22W [6449.F]

Title: The house that Jeff built
Description: Cartoon attacking slavery and Jefferson Davis as the Confederate President. Contains twelve vignettes indicative of the inhumanity of the institution of slavery with accompanying verse following the frequently used cartoons scheme of the nursery rhyme "The House that Jack Built." The vignettes starting with the house that Jeff built (a depiction of a "Slave Pen") continue to include images of bales of cotton; enslaved African Americans working in the cotton fields; an auction of enslaved African American men, women, and children; a white man auctioneer; shackles; a white man enslaver whipping an enslaved African American woman; and a portrait of "arch rebel" Davis. The vignettes end with the image of several smashed symbols of slavery, such as shackles and whips alongside a notice of Davis's execution. The accompanying verse predicts that "Jeffs infamous house is doom'd.", Title from item., Artist and publication information supplied by Reilly., Date from copyright statement: Entered according to act of Congress in the year 1863 by D.C. Johnson in the Clerk's Office of the District Court of Massachusetts., Purchase 1966., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., David Claypoole Johnston (1779-1860), known as the "American Cruikshank," was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: 1863
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-9 [7549.F]

Title: The question settled
Description: Cartoon depicting Abraham Lincoln as "Old Abe," a white cat who drives "Jeff," (i.e., Jefferson Davis) depicted as a grey striped cat with a noose around his neck from the "United States" food dish. The black cat, "Contraband," (i.e., African American Civil War freedom seeker) makes his way into the dish from the other side. The plate rests upon the Union flag and a map depicting the lower Southern States blockaded by figures of Union ships., Title from item., Possible date of publication supplied by Weitenkampf., During the Civil War, the U.S government declared African American freedom seekers as "contraband of war.", Purchase 1970., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-12W [7870.F]

Title: Young England O, shameful England! Greedy puffed with pride, a friend in sore distress, thy false heart hath denied
Description: Cartoon critical of Great Britain's lack of support of the Union depicting the country as a greedy, pompous, and disingenuous child. Depicts a smiling, well-dressed, plump lad partaking of a lavish table of food in front of an emaciated, begging dog on an outside patio near the ocean. In the background, an American ship sails near the shore and displays a banner labeled, "Coal?" On the shore, near a row of cannons and a pile of coal, soldiers display a British flag labeled "No!", Date of publication supplied by Weitenkampf., Publisher's imprint stamped below title., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [between 1862 and 1864]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-30W [6392.F]

Title: A disloyal British "subject"
Description: Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: Columbia's noblest sons
Description: Memorial print published after the assassination of Abraham Lincoln in April 1865 containing portraits, allegorical figures, vignettes, and pictorial details. Depicts Columbia, depicted as a white woman and attired in classical garb and a Phrygian cap, crowning a bust-length portrait of George Washington (left) and bust-length portrait of Lincoln (right) with laurel wreaths. Flagpole finials with flags appear as wings behind her. Documents, partially rolled, associated with Washington and Lincoln, the "Declaration of Independence 1776" and the "Emancipation Proclamation 1863," appear below the portraits of the presidents. Each president's life dates are inscribed on the edge. On the left are vignettes with scenes from the Revolution depicting the Boston Tea Party "Dec. 18th 1773"; the signing of the Declaration of Independence "July, 1776"; and the British surrender at Yorktown "Octr. 19, 1781." On the right, are vignette scenes of the Civil War depicting the bombardment of Fort Sumter "April 14th, 1861"; an encounter between an ironclad and two wooden ships ("Progress"), and Lincoln's triumphant arrival via coach with an African American driver in Richmond "6th April 1861." Latter vignette also includes an African American man cheering in the crowd. Vinery details frame the vignettes. Columbia's right foot rests on the British lion, and an American eagle emerges from behind her other leg. On the ground, near her feet, rest cannons, cannon balls, and broken shackles., Title from item., Name of publisher and date from copyright statement: Entered according to Act of Congress in year of 1865 by Henry & Wm. Voight [illegible] D[istrict of] N[ew York]., Reproduced and described in The Lincoln image, p. 194-195, 197., Gift of Gordon Wright Colket, 1970., Description revised 2021., Access points revised 2021.
Creator: Lang, Manson, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons 1865-9 [7879.F]

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