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Title: "Raising the liberty pole" Dedicated to the American people. Commemorative of 1776. The centenary of independence
Description: Print after painting by New York historical painter and Art Union exhibitor, Frederick Augustus Chapman, commemorating the Declaration of Independence. Depicts the raising of a liberty pole in a colonial town square. Image contains a group of men, including an African American man, raising the pole as around them revelers rejoice; a tavern sign with a portrait of King George III is pulled down; the Sons of Liberty rally; volunteers for "War, Liberty, and Rights" are recruited; a white man loyalist turns away in disgust; and a white woman raises her baby in celebration as other women solemnly look on. Liberty poles, symbols and meeting places of the radical group, Sons of Liberty, first appeared in 1766 following the repeal of the Stamp Act., Title from item., Date from copyright statement: Copyrighted 1875. By John C. McRae; New York., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: 1875
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.13]

Title: The dawn of liberty General Gage said "The very children here draw on a love of liberty with the air they breathe. You may go my brave boys, and be assured if my troops trouble you again they shall be punished."
Description: Historical print based on lore depicting a 1774 meeting in Boston between British Massachusetts Royal Governor General Thomas Gage and a "committee" of boys about British troops infringing their rights by destroying their snow hills and skating ice when unprovoked. Depicts the rotund Gage seated in a palatial drawing room decorated with an ornate rug; damask-style, blue wallpaper; red drapery; a large painted portrait of King George III; a book case; and a fireplace with a mantle adorned with a gold sculpture of the British lion. Gage, in uniform, sits in an arm chair near two of his officers, in uniform. One is seated at a table, covered in a cloth with an ornate design and the other stands next to him. A ledger and sheets of paper rest on the table. A delegation of boys, in long jackets, pantaloons, and tri-corn hats, enters the room through an open door. The lead boy extends his hand toward Gage as the others look at the room, each other, and the royal governor. An African American male servant, attired in a blue jacket and pantaloons and depicted with simian-like features, tends to a fire in the fireplace behind Gage. Written about in children's history texts beginning with Samuel Griswold Goodrich's in the 1830s, the episode is likely based on a 1775 incident involving a servant of General Frederick Haldiman, Haldiman, and a group of Boston boys about which Gage heard and then commented they had "caught the spirit of the times.", Artist's signature in lower right corner of stone., Date from copyright statement: Entered according to act of Congress in the year 1864, by Wm. Smith in the Clerk's Office in the District Court of the United States for the Eastern District of Pennsylvania., Purchased with funds for the Visual Culture Progam (Junto Funds 2015).
Creator: Rosenthal, Max, 1833-1918, artist
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.2017.87]

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