Advertisement containing a large central text panel with a background printed in color in a rainbow style and surrounded by an ornate decorative border. Border contains symbols, allegorical figures, and pictorial details representing the United States and patriotism (the American flag, Liberty, a shield adorned with the banner "E Pluribus Unum," and an eagle); Pennsylvania (a portrait of William Penn and the Pennsylvania state seal); and trade, commerce, and farming (barrels, crates, bundles of goods, a scythe, a hoe, sheaves of wheat, a mast of a sailing ship, and a land/marinescape view with a railroad and "John Fitch" steamboat). Some goods are marked "R & G.A.W." or "R." or "C.R." Border also includes a maternal female figure, attired in Roman garb, holding two children, and wrapped in a banner reading "Love One Another"; medals, some with classical figures and one with the text "Reward for 1849"; a book open to an illustration titled "Chemistry Analysis"; scroll-like ornaments; grape vinery; and floral and botanical details. R. & G. A. Wright, a partnership established about 1845 between Richard and George A. Wright, was a premier Philadelphia perfume manufacturer. The business was noted in the mid-19th century as the largest manufactory of its kind in the United States, England, and France. The Wright partnership relocated to 624 Chestnut Street about 1860. The business operated as R. & G. A. Wright until circa 1878., Title from item., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America...Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 45 3/4. (HSP O 458), Not in Wainright., Retrospective conversion record: original entry, edited., LCP AR [Annual Report] 1981, pg. 51-52., Philadelphia on Stone, POSP 295
Creator
Reen, Charles
Date
[1856]
Location
Library Company of Philadelphia | Print Department *BW - Advertisements - Wright [P.8692]
Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]
Collection of business correspondence dated between August 23, 1879 and May 5, 1898, including form letters, stationery, blank forms, billheads, and a circular. Two of the billheads contain ornamented type, decorative lettering, and an allegorical view. View includes an inset of a medieval apothecary at work surrounded by scenes of transportation and trade. Scenes show a train traveling past a large bundle and barrels, and a man standing near a horse-drawn cart loaded with bundles near a wharf by which a steam ship and sailing ship are visible on the water. Items billed include "Eng Catheters asstd," Rhubarb Root, Cuttle Bone, "Jayne's Cough Pills," Ayer's Sarsaparilla, Dandelion Root German, Garfield Tea, "Box from Fowler Mfg & Novelty Co.," Best Tooth Brush, and Dodds Kidney Pills. Collection also contains the August 1885 promotional circular "W. H. Schieffelin & Co's Soluble Pills and Granules" illustrated with images of the exhibition medals awarded to the firm, including Gold Medal, Holland International Exhibition, 1883; Paris Exposition, 1878; First Award, Sydney, 1879; Medal of Superiority, American Institute, New York, 1879; and Silver Medal, Melbourne, 1880. Medal imagery includes allegorical female figures, portrait busts, and garlands. Other correspondence relates to an invoice of goods, receipt for goods, requests for circulars from college of Pharmacy, the incorrect "William N. Clark," and an erroneous shipment of diphtheria antitoxin., Title supplied by cataloger., Printers include American Bank Note Company New York., Correspondents include G. W. Aimar & Co., Charleston, S.C. (founded in 1852); O. J. Griffin; David Hayes; M. Berliner & Co., Carry, Pa.; A. W. L. Jackson; William N. Clark; H. J. Patterson; and Polk Miller Drug Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., W.H. Schieffelin & Co. was originally founded by Effingham Lawrence in 1791. Lawrence sold the business to his brother-in-law Jacob Schieffelin and his brother John B. Lawrence in 1794 and it operated as Lawrence & Schieffelin until 1799 and the departure of Lawrence. Schieffelin continued in business and in 1805 entered into partnership with his son as Jacob Schieffelin & Son, which was reestablished in 1814 as H. H. Schieffelin & Co. following the retirement of Jacob. Henry H. retired in 1849 and his four sons assumed the firm, which became Schieffelin Brothers & Co. Between 1853 and 1859, Asher F. Randolph, John D. Dix, and William H. Schieffelin, William A. Gellatly and Joseph H. Westerfield also became partners in the business. In 1865, the four Schieffelin brothers retired and the firm became W.H. Schieffelin & Co. Schieffelin died in 1895 and William N. Clark, great-grandson of Jacob Schieffelin became president in 1895. The firm, which specialized in the manufacture of heavy chemicals and the distribution of synthetics, was incorporated as Schieffelin & Co. in 1903.
Date
[ca. 1870-ca. 1890]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - S [P.2011.46.220-228]
Set in a lush grove on the bank of a river, lake, or pond, the vignette features a black man (presumably a slave), who helps a young white boy (most likely the son of his master) steady a fishing pole. The well-dressed boy sits on the knee of the barefoot slave., Vignette in a full-page advertisement for Sarah Hale's Northwood; or, Life North and South (New York: H. Long & Brother, 43 Ann-Street, [1852]), printed in The Literary World: a Gazette for Authors, Readers, and Publishers, edited by C.F. Hoffmann (New York: Osgood & Co., 1852), vol. 11, no. 299 (October 23, 1852), p. 272., Fels Afro-Americana Image Project, Scenes from Slave Life
Creator
Orr, John William, 1815-1887, engraver
Date
[October 1852]
Location
Library Company of Philadelphia | Books & Other Texts | Rare *Per L 49.7 2478.Q v 11 n 299 p 272, https://digital.librarycompany.org/islandora/object/Islandora%3A2883
Set in New York, the image shows William Peterson, a black boy who prepares to rescue a white boy who has fallen through the ice while skating. Next him, a white boy supports another skater whom Peterson has saved from drowning. A few others continue to skate in the background., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. II, no. IV (April, 1836), whole no. 16, p. 1., Small caption underneath the image reads: "William Peterson -- The Heroic Colored Boy.", Curator's note: Notice here the use of the term "Africo-Americans," used infrequently but persistently by some African Americans and abolitionists from at least the early 1830s through the Civil War period. The common usage of "blacks" and "Africans" was supplanted in the 1820s with "Negro" common among most whites, and "Colored" among most African Americans. As in all the terms used to describe black Americans over time, there is a nationalist-assimilationists dichotomy at work here, with "Africo-Americans" suggesting separate nationality and culture, and "Colored" suggesting darker-hued members of the common American nation and culture., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[April 1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 60026.D v 2 n 4 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2849
Satire belittling the increasing rights of African Americans following the Emancipation Proclamation and depicting a white shoe shine boy shining the shoes of an African American man, portrayed as a racist caricature of a Black dandy. On the street corner, the white boy shines the shoes of the African American man, attired in a top hat with a decorative band, a white collared shirt, a black bowtie, a plaid waistcoat, a checked jacket, striped pants, and black shoes. The shoe shiner speaks to another white boy, who is barefoot and attired in torn and worn clothes, "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" In the left, a carriage passes by., Title from item., Date of publication supplied by Weitenkampf., Lib. Company. Annual Report, 1972, p. 63., Purchase 1972., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Potomac, artist
Date
[1863?]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1863-13W [8033.F.3]
Issued to subscribers in 4 pts., 1808-9. The subsequent trade ed., of which this is a copy, has copyright notice, dated 20 Jan. 1809., Added t.p. has subtitle: Part the first., The 20 plates include both t.ps., which are illustrated. Most plates have legend: Drawn, engraved & published by W. Birch. The 10th plate is "painted by T. Birch;" the 12th is "drawn by G. Birch.", Lacking 3 11. letter-press descr. of plates., Lib. Company. Annual Report, 2017, p. 49 - 50., With copyright statement on v. engr. t.p. and wrapper title: Birch's Country Seats In The United States., 19 plates., Obl., Retrospective conversion record: MARC Link database., Recon note: Match points differ
Creator
Birch, William Russell, 1755-1834
Date
[1808, [c1809]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Print room Am 1809 Bir 13327.Q
Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing is after Joseph Andrew's engraving of the work by painter John Gadsby Chapman. Depicts two Native American men on a rock, one seated, and portrayed with a forlorn expression, and the other standing with their arms raised in an anguished pose, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., Title from album page., Date from album page., LCP exhibit catalogue: African American Miscellany p. 45., RVCDC, Description revised 2022., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
Creator
Douglass, Robert M. J., 1809-1887, artist
Date
September 25, 1841
Location
Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.70]
Cartoon predicting the dire consequences to follow President Jackson's withdrawal of federal funds from the Bank of the United States. Depicts a riot in which Supreme Court Justice John Marshall warns that "the day of retribution is at hand" as anti-bank fiscal advisors Reuben Whitney and Thomas Ellicott use a rope to pull down a statue of Justice, depicted as a white woman holding scales and stepping on a snake, from a pedestal labeled "Constitution." An angry mob of white men farmers, laborers, and tradesmen carry instruments including axes, pitchforks, and shovels and papers labeled, “Broken Bank.” They fight and demand the recharter of the bank, shouting "Send back the deposites! Recharter the Bank!" and "Come back old responsibility." In the right, Jackson escapes on the back of "Jack Downing" cursing Postmaster General Kendall, "By the Eternal Major Downing; I find Ive been a mere tool to that Damn'd Amos [Kendall] and his set, the sooner I cut stick the better." In the left background, under "Senate Chamber," Henry Clay gloats to Daniel Webster and John Calhoun, "Behold Senators the fulfilment of my predictions." In the left foreground, two African American men, portrayed in racist caricature and speaking in the vernacular, predict freedom and the ascension to the throne of abolitionist William Lloyd Garrison, "Hurrah! for Massa Garison, den he shall be King!" A Jewish banker, portrayed in caricature, undercuts a sailor offering him a ten dollar bank note, "Mine Got that ish one of the Pet Bankhs I'll give you one Dollar for the Ten." In the right foreground, newspapers supportive of Jackson, "collar presses," symbolized as dogs with human heads labeled "Evening Post, N. York Standard, Journal of Commerce, Albany Argus," run away chained together., Title from item., Date from copyright statement: Entered according to Act of Congress in the Clerk's Office for the Southern District of New York by T.W. Whitley in the year 1834, and for sale at 104 Broadway., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Whitley was a mid-19th-century New York landscape and figure painter who also wrote about art and drama for the New York Herald.
Creator
Whitley, T. W. (Thomas W.), artist
Date
1834
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1834-7 [1884.F.3]
Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by Bromley & Co. New York in the Clerk's office of the District Court of the United States for the Southern District of New York., Text printed on recto: Single Copies sent pr. mail post paid 25 cts; 5 Copies $1.00; 50 express $9.00; 100 $16.00. Express charges paid by purchaser. Address: Bromley & Co., Box 4265 New York City. Write your address: Post Office, County and State plainly., Third in a series of four., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Cartoon criticizing the Republican's self-destructive support of abolitionism during the presidential election of 1864 depicting the "Union" train of Democrats steaming toward the White House passing the wrecked Republican train. Candidate George McClellan engineers the smooth running Democratic train powered by "Democracy" and adorned with the flag "Constitution." Several of the passengers including Horatio Seymour praise McClellan as others mock the Republican Party's demise. The Republican train has crashed into several rocks symbolic of the war including "Abolitionism," "Confiscation," and "Emancipation." The crash ejects Abraham Lincoln. Several African Americans, who are depicted in racist caricature and speak in the vernacular, are crushed and maimed. Tossed and injured prominent Republican passengers include Edwin Stanton; Horace Greeley; Henry Ward Beecher who holds an African American baby; Charles Sumner; William Seward; John McKeon; Benjamin Butler and Thurlow Weed; many of whom pray for help. "John Bull," Emperor Maximilian of Mexico, and France's Napoleon III observe and comment on the crash's effect on the puppet empire of Mexico. Another observer, recently resigned Secretary Salmon P. Chase, expresses relief that he left the Republican train in the "nick of time."
Date
1864
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-39R [5793.F.2]
Illustrated souvenir trade card depicting two full-length figures of men modeling period clothing, one attired in Colonial dress and the other attired in a plaid suit, popular in the 1870s. Patriotic symbols separate and surround the figures, including stars, banners and an American eagle with a shield on its breast, clutching flags and the banner "E pluribus unum" in its talons., Contains advertising text (partially illegible after removing from scrapbook) printed on verso for Devlin & Co.'s leading American clothing house in two locations in New York City: Broadway and Grand St. and Broadway and Warren St., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department trade card - Devlin [5758.F.19e]
Advertisement issued during the Centennial Exhibition 1876 for the upholstery manufacturers and dealers containing illustrations of 5 different styles of patriotic bunting and an exterior view of a residence adorned with bunting and commemorative window shades. Illustrations depict bunting designs composed of shields, flags (including America, France, Great Britain), swaths of fabric, panels, and fringes. One design includes shield with portrait of George Washington. Section of advertisement also includes a design for lettering reading "1776 Union 1876" complemented by the figure of an eagle. View of residence shows a three-story mansard-roofed building with a portico entrance. The name and address of Cunningham & Hill are printed over and within the illustrations. Cunningham & Hill, the partnership between William B. Cunningham & Philip Hill, operated between circa 1871 and 1876 when the partnership dissolved., Advertising text printed below image: We would respectfully call your attention to the above illustration of store and house decoration, and advise those who attend decorating to do so at their earliest convenience to avoid a rush, which will be inevitable. Our shields are made of papier-mache, and can be exposed to all weathers, and can easily be attached to any window with out patent group-socket for five flags, making a beautiful group. Manufactured wholesale and retail., POSP 285
Date
[1876]
Location
Library Company of Philadelphia | Print Department *BW - Centennial [P.2011.53]
Carved wood block showing, in relief, an exterior view of Agricultural Hall designed by James H. Windrim for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of E. Perot Walker.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.8684.45]
Carved wood block showing, in relief, an exterior view of Horticultural Hall designed by Hermann J. Schwarzmann for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of E. Perot Walker.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department albums - Centennial Wooden Views [P.8684.46]
Carved wood block showing, in relief, an exterior view of the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of E. Perot Walker.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department albums - Centennial Wooden Views [P.8684.47]
Carved wood block showing, in relief, an exterior view of Memorial Hall, also known as the Art Gallery, built 1874-1876 after designs by Hermann J. Schwarzmann for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of E. Perot Walker.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department albums - Centennial Wooden Views [P.8684.48]
Carved wood block showing, in relief, an exterior view of Machinery Hall, designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of E. Perot Walker.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department albums - Centennial Wooden Views [P.8684.49]
Series of illustrated trade cards depicting two exhibition buildings constructed for the Centennial Exhibition in Fairmount Park in Philadelphia, including Agricultural Hall built after designs by James H. Windrim and Horticultural Hall built after designs by Henry Schwarzmann. Both scenes include horse-drawn carriages and pedestrian foot traffic in the foreground and are surrounded by decorative filigree. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1876]
Location
Library Company of Philadelphia | Print Department trade card - Miller [P.9573.10 & 11]
View showing two mules working in mud and dirt in front of a lemonade stand at the World Cotton Centennial held in New Orleans in 1884. A sign reading "egg and shaker to order" flanks the lemonade sign. The main building is partially visible opposite the lemonade stand. The World's Industrial and Cotton Centennial Exhibition was held in New Orleans from 1884-1885., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Centennial Photographic Co.
Date
c1884
Location
Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.48]
View showing the Delaware display in the Government and States Building at the World Cotton Centennial held in New Orleans in 1884. Signs for "Bark Sarah S. Ridgway," "Jas. H. Beggs & Co.," "Cowgill's wood stains," and "Queen and Crescent exhibit" are visible among the displays of potatoes and corn, framed images and paintings, miniature ships, textiles, and patriotic bunting. The World's Industrial and Cotton Centennial Exhibition was held in New Orleans from 1884-1885., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", Publisher's imprint blind stamped twice on mount: Wilson copyrighted 1885., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Centennial Photographic Co.
Date
c1885
Location
Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9299.42]
Exterior view of the Main Building at the World's Industrial and Cotton Centennial Exhibition in New Orleans. Shows the building before the land around it was landscaped, and includes planks of wood lying in the grass., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Centennial Photographic Co.
Date
c1884
Location
Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.3]
Glass negative showing a large ship with three masts and one smokestack on the Delaware River at the Centennial celebrations. A smaller boat travels in front tethered to the large ship. The Centennial Anniversary of the framing and creation of the Constitution was held on September 16-18, 1887 in Philadelphia. Organized by representatives from the various states and territories, the festivities included a military display, orations and concerts, and an industrial parade., Photographer remarks: Misty., Time: 1:40, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
September 20, 1887
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1231]
Glass negative showing a group of sailors gathered on the deck of a ship during the Centennial celebrations. A man standing on the left holds a dog and there is a goat in the center of the group. A baby bear rests on the deck in the foreground with its head in a sailor's lap. The sailors all wear uniforms with knitted caps. The Centennial Anniversary of the framing and creation of the Constitution was held on September 16-18, 1887 in Philadelphia. Organized by representatives from the various states and territories, the festivities included a military display, orations and concerts, and an industrial parade., Time: 2:25, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
September 20, 1887
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1232]
Glass negative showing the gun deck of a ship seen from the bridge at the Centennial celebrations. Civilians and sailors mill about the deck as rigging rises overhead. A rowboat carring a group of people, one of whom holds a parasol, floats next to the ship. The Centennial Anniversary of the framing and creation of the Constitution was held on September 16-18, 1887 in Philadelphia. Organized by representatives from the various states and territories, the festivities included a military display, orations and concerts, and an industrial parade., Time: 2:30, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
September 20, 1887
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1233]
Glass negative showing a view of a steamship with two masts and two smokestacks, possiby at the Centennial celebrations. Other smaller ships sail around the large ship, whose deck is crowded with people. The Centennial Anniversary of the framing and creation of the Constitution was held on September 16-18, 1887 in Philadelphia. Organized by representatives from the various states and territories, the festivities included a military display, orations and concerts, and an industrial parade., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
ca. 1887
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.9895.11.10]
View showing the civic and industrial parade on South Broad Street marching toward City Hall. The procession represented industrial progress from 1787 to 1887. Shows spectators crowding the sidewalks and sitting on bleachers lining the street. Procession includes: a group of marching men in black hats, white pants, and white shirts; floats; a marching band; and firemen. City Hall is visible in the background., Buff mount with rounded corners., Title from label on negative., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
September 15, 1887
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Processions [P.9047.93]
ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Martin Luther King, Jr. Shows a bust-length, left-profile portrait of Martin Luther King, Jr. and a view from behind King during his "I Have a Dream" speech at the Lincoln Memorial, Washington D.C., August 28, 1963. View includes a mass of people in the background., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: "I Have A Dream.", Contains ink-stamp postmark: Atlanta, GA Jan 13 1979 3030A and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Martin Luther King, Jr. and an inset of a view of King and several men and women walking at a protest march. The King stamp issued in 1979, was the second issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Contains mailing label., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016.
Date
[1979]
Location
Library Company of Philadelphia | Print Department ephemera - envelopes - King [P.2019.80.5]
Illustrated envelope containing a composite image depicting a portrait of Black educator Booker T. Washington, a view of a log cabin, and a view of a classical-style building., Title and date from item., Date supplied from research and content., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Booker Washington Birthplace Va. Feb 12 1948 5PM and cancelled (Opening Day Cancellation) violet color-printed 3-cent stamp after the format of the Famous American Scientists Series of 1940 and depicting a bust-length portrait of George Washington Carver, Director of Agriculture at Tuskegee Institute., Inscribed in ink: [Pntd?] Washington Pitt [?], Addressed in type: Patricia Chapman, Newfield, N.J., Accompanied by four circulars titled: "Team Work ... by Dr. Booker T. Washington" (2 copies); "Atlanta Exposition Address Delivered by Booker T. Washington, September, 1895, Atlanta, Georgia"; and "Gems of Wisdom. Thoughts from Booker T. Washington's Philosophy That Have Rendered Invaluable Service to Mankind.", Gift of George R. Allen, 2022.
Date
[1948]
Location
Library Company of Philadelphia | Print Department *ephemera - envelopes - Nation [P.2022.42.4a-e]
Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Title from item., Date from copy with copyright statement in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 374, Copy received after original dates of Philadelphia on Stone project., Copy at Historical Society of Pennsylvania: Bc 8 St 57, George Stinson & Co. began operations about 1871 and in advertisements for sales agents in newspapers across the country promoted the "pictures" sold by the firm as the "finest and most pleasing in [the] country, and ... endorsed by all the leading papers ... " The firm advertised for sales agents through at least the early 1890s.
Creator
George Stinson & Co.
Date
1876
Location
Library Company of Philadelphia | Print Department **BW - Centennial [P.2019.54.3]
World War One recruitment poster for the United States Navy and depicting a white man American sailor standing among five other men sailors from allied countries. Flags are underneath each sailor to denote their nationality (left to right): Japan, France, United States, White Ensign of the Royal Navy used for the British Commonwealth, Russia, and Italy. In the left, the Japanese sailor, depicted with a dark-colored skin tone and attired in a blue uniform, holds his cap in his right hand. Next to him, the brown-haired, white French sailor with a mustache, attired in a blue shirt with two medals, a black utility belt, white pants, and black shoes, carries a rifle and bayonet in his left hand. He holds his cap up in the air with his right hand. The blond-haired American sailor, attired in a white cap and a blue uniform, stands in the center with his left arm around a sailor of the British Commonwealth. The British Commonwealth sailor, depicted with a light-brown color skin tone, is attired in a brimmed, straw sennet hat and a white sailor’s uniform (possibly to be portrayed from the Caribbean). He holds a telescope under his left arm and smiles at the American. The Russian sailor beside him with a mustache and attired in a white cap, a white shirt, and black pants, puts his arm on his back and on the back of the Italian sailor. In the right, the black-haired Italian sailor with a mustache and his face depicted with dark tones, is attired in a white cap, a blue shirt, and white pants. He stands and holds a rifle and bayonet over his right shoulder. In the background, battleships with Allied flags on the masts are visible on the water., Title from item., Publication information inferred from the content., Date from the artist's signature on recto: H. Reuterdahl, U.S.N.R.F. ’17., Accessioned 1980., Description revised 2022., Access points revised 2022., Henry Reuterdahl was a Swedish-born painter and illustrator who was well-known for his paintings of ships and nautical scenes. He served as artist-correspondent during the Spanish-American War and went on to develop a close association with the United States Navy.
Creator
Reuterdahl, Henry, 1871-1925, artist
Date
[ca. 1917]
Location
Library Company of Philadelphia | Print Department WWI Posters Drawer 2 Folder 12 [P.2284.191-204]
Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator
McRae, John C., engraver
Date
1867
Location
Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]
Top half of the commemorative print depicting a monument that contains vignettes; allegorical, patriotic, and historical figures; state seals; and references to the Declaration of Independence to symbolize "A Free Nations Progress." Includes a central arch containing a view showing "Philadelphia Public Buildings. 1776. Independence Hall." View includes street and pedestrian traffic. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Flanking the central view are columns labeled with the names of the signers of the Declaration of Independence. Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Also includes views of a stagecoach; a sailing vessel, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength." The centennial of the United States was celebrated through an international exhibition, the Centennial Exhibition, of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368a, Historical Society of Pennsylvania: Bb 47 Z 992
Creator
Leonholdt, Frank H.
Date
[c1875]
Location
Historical Society of Pennsylvania HSP Bb 47 Z 992
Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date
1876, 1877
Location
Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]
ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Harriet Tubman. Shows a half-length portrait of Harriet Tubman and a view of Tubman with Black persons of all ages, their belongings, and horse-drawn carts on a snow-covered clearing., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Washington. DC. Feb 1 1978 20013 and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Harriet Tubman and an inset of a view of Tubman and three Black persons riding a donkey-drawn wagon. The Tubman stamp issued in 1978, was the first issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Mailing label removed., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date
[1978]
Location
Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2019.80.6]
View of the exhibition building built after the designs of Alexander B. Barry that displayed all the mechanical processes of making shoes and boots. Includes several fair visitors on the grounds in front of the building. Individuals walk, converse, admire a fountain, enter the hall, and sit on a bench in a small landscaped area. The grounds are lined by a tree and bushes. Also shows part of Machinery Hall in the right of the image. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by William H. Huntington., Philadelphia on Stone, POS 695, Historical Society of Pennsylvania: Medium Society Prints - Centennial - Misc. - Shoe & Leather
Date
c1876
Location
Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Medium Society Prints - Centennial - Misc. - Shoe & Leather
Cartoon ridiculing the Democratic and American (Know-Nothings) Party presidential candidates James Buchanan and Millard Fillmore by depicting them in a race to win the election of 1856. Depicts Buchanan having crashed his mount (i.e, running mate John C. Breckenridge depicted as a buck) into a rickety platform marked "Democratic Platform," Slavery," and "Cuba." An enslaved African American man, portrayed with racistly caricaturized features, and wearing shackles on his ankles and worn and torn clothes, shoes, and a hat, stands upon and ridicules the "Democratic Platform." Buchanan angrily replies, "You infernal Black Scoundrel, if it had not been for you and that cursed Slavery Plank that Scared and upset my Buck, I should have won this race certain." Following Buchanan is Fillmore using his running mate Andrew Jackson Donelson, depicted as a goose, as his mount. Fillmore, the American Party candidate, carries a "Know-Nothing" lamp and fears his loss will dissolve the Union. In the distance, the Republican candidate John C. Fremont pulls ahead to the cheers of many of the spectators. Brother Jonathan, (predecessor of Uncle Sam), stands on an observation or judging deck and carries a timer’s watch. Additional spectators include white men belittling Fillmore as "spineless" and a "goose," and a white boy holding a sign inscribed, "We Po'ked Em in 44; We Pierced Em in 52; and We'll 'Buck Em' in 56." He is being hoisted by two African American men, portrayed with racistly caricaturized features, upon the back of a gruff and annoyed-looking, bearded, white man asking him if he's a "Fre'mounter.", Title from item., Artist and publication information supplied by Reilly., Political cartoon Horse sassengers! A free lunch lithographed on recto. (political cartoons - 1858 Hor, P.2275.18b)., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
Creator
Magee, John L., artist
Date
[1856]
Location
Library Company of Philadelphia | Print Department political cartoons - 1858 Hor (verso) [P.2275.18a]
Elaborate Centennial Exhibition commemorative print depicting an arched monument containing central views of the "Philadelphia Public Buildings," Independence Hall (1776) and the new City Hall (1876), surrounded by vignettes; allegorical, patriotic, and historical figures; state seals; and references to prominent historical, national and local personages. The public building views include pedestrian and street traffic, the name of City Hall architect John McArthur Jr., and the motto "A Free Nation's Progress." City Hall image also contains misrepresentative views of other municipal- style buildings in the background. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Flanking the central views are columns labeled with the names of the signers of the Declaration of Independence; the states; the U.S. Presidents and Vice-Presidents; prominent citizens, including Alexander Hamilton, William Wirt, Thomas Sullly and Thomas U. Walter; and the Philadelphia Commissioners for Public Buildings. Also includes vignette views symbolizing industry, arts, politics, and technological advancement. Includes sailing vessels, bridges, locomotives, railroads, a factory, a turbine, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength" in addition to plaques with the names of the Mayor of Philadelphia, William S. Stokley, and the Governor of Pennsylvania, John F. Hartranft. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368, Historical Society of Pennsylvania: Bc 47 Z 992
Creator
Leonholdt, Frank H.
Date
c1875
Location
Historical Society of Pennsylvania HSP Bc 47 Z 992
Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 374, Historical Society of Pennsylvania: Bc 8 St 57
Allegorical print depicting "Columbia" (i.e., the United States) as a white woman with brown hair, on the deck of a ship. She holds a caduceus and disperses treasures from a horn of plenty held by "Wisdom," who is portrayed as a white woman attired in a helmet, armor, a skirt, and sandals. Wisdom holds a spear in her left hand and gives the treasures to three male figures representing the country's international trade partners. Figures depicted are: Africa as a Black man attired in a headpiece shaped like an elephant's head and leaning on a tusk of ivory; Asia as a bearded man with a light-brown color skin tone attired in a turban; and South America as a man in a feathered headpiece carrying a bow., Title from item., Date inferred from content., Possibly published in London and not the United States., Revised state. Previous title and imprint faintly visible and illegible below image., Gift of Dr. Mary DeWitt Pettit, 1965., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1789-ca. 1800]
Location
Library Company of Philadelphia | Print Department *GC - Allegories [7737.F]
Photographic reproduction of a caricature of William Seward, the Secretary of State under Abraham Lincoln. Shows Seward with a vest and coat, wings, and a toga skirt. He holds a sword. Also includes a caricature of Napoleon III in "Mexico" in the background. Seward threatened American intervention against the puppet government installed in Mexico by France in 1864., Originally part of a McAllister, Hart, Phillips Civil War scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [(11)1540.F.18b]
Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Currier & Ives
Date
[1862]
Location
Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]
Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
[1861]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]
Image: A clergyman stands at a lectern and looks down at the bible resting on top. A devil figure stands behind the clergyman and points to scripture he wants the clergyman to read., Verse 110: An eminent southern clergyman, during an eloquent discourse, is wonderfully assisted in finding scriptural authority for Secession and Treason, and the divine ordination of Slavery., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: Depicts a mother pelican feeding her young in the Louisiana state seal. Above the scene are scales of "Justice" and sixteen stars., Caption: Arms of Louisiana. Rebels., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: A smiling Quaker woman holds a bayonet and takes a hat from a tall man who leans on his cane., Verse 678: Friend Jane - I have bought thee a Staff and Hat, which I hope will prove serviceable in these times., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: Depicts the state seal of Kentucky, which centers around two men clasping their hands together underneath of the motto "United we stand, Divided we fall.", Verse 1189: Kentuckians! Beware of Traitors!, Verse 2603: United we stand, divided we fall., Caption: "If Kentucky to-morrow unfurls the banner of resistance, I never will fight under that banner. I owe a paramount allegiance to the whole Union--a subordinate one to my own State." Henry Clay, Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: A zouave, dressed in a red and blue uniform, holds a Union flag in his right hand and a bayonet in his left hand., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: Union and Confederate troops climb ladders to fight on the feeble back of Old Dominion, an old woman representing Virginia, who holds a "secession" cane with a snake wrapped around it. Slaves runaway in the background as the battle rages above., Verse 1415: "Mother of the states and of statesmen!" How art thou fallen!, Verse 1530: Old Dominion, Caption: Southern Chivalry! You may plant your seeds in peace, for Virginia will have to bear the brunt of the battle.--Gov. Pickens/While massa tends to fightin dis hot weather, dis "counterband" Darkie and his Fambly will spend de Summer down to "Ole Pint Comfort.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: George Washington rides on a horse next to four views of Union-related monuments and landmarks, including the Washington Monument, Andrew Jackson Monument, Mount Vernon and the Tomb of Washington., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Image: Jefferson Davis, in military uniform, peers into binoculars while standing with one foot at the edge of a bowl that carries six other armed men at sea. A jolly roger flag is raised., Verse 1877: "Seven wise men of Gotham went to sea in a bowl.", Caption: Jeff's Knave-y., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
