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Title: Strike me pink if it ain't yo' anniversary!
Description: Racist, greeting card depicting a caricature portrayed with exaggerated features of an African American child's face. The oversized child's face looks directly at the viewer and purse's their lips. The interior image has a depiction of the same child with pink skin color. The child speaks in the vernacular to "strike me pink if it ain't yo' anniversary." The card is printed on pink paper., Title from item., Date inferred from history of the publisher., Manuscript written on recto: Louis & Ellis- from Wendy & Shie. The "me" in "strike me pink" is crossed out and "us" in written in manuscript., Text printed on interior: Ah hopes yo' has a million mo' each one bettah dan de one befo'!, Manuscript written on interior: drawings of four stick figures, each with an illegible name. "An hopes yo'" has been crossed out and "We" and "yos" is written in manuscript., Gift of David Doret.
Date: [after 1913]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Strike [P.2017.95.251]

Title: [African American child touching the hair of a crying white baby]
Description: Racist, trade card specimen depicting a caricature an African American child, portrayed with exaggerated features, touching the hair of a crying white baby. Shows the barefooted, smiling, African American child, attired in a long-sleeved white layette, seated behind a white child. Both of their hands touch the hair on top of the head of the white baby seated below, who cries with a look of alarm on their face., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 20 [P.2017.95.231]

Title: The Union Pacific Tea Co
Description: Racist trade card illustration depicting an interior scene with two African American women, a toddler, and a cat. One woman, who is thin and gaunt, stands and is attired in a long dark colored robe, a shawl, a head scarf, and shoes. The other woman, who is larger, is seated in a rocking chair and attired in a long sleeved dress, an apron with a star pattern, a headwrap, and shoes. The toddler is seated on the floor in the background. A broken chair and framed picture of a person kneeling are visible in the background of the image. A cat is seated on the floor in the foreground. All of the African Americans in the illustration are depicted with exaggerated features., Title from item., Text printed on recto: "Aunty Fat, and Auntie Lean.", List of firm's branches printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Union [P.2017.95.178]

Title: The guessing. Smith, Stevenson & Co., Byxbee house block, Meriden
Description: Racist trade card illustration advertising a competition to guess the weight of a horse. Image depicts a smiling African American child peering out from beneath a folded blanket with fringe. The upper left corner of the blanket is folded and bears advertising text and the word "Honey." Underneath the folded flap of the blanket is a branch with two roses. The child is depicted with exaggerated features. Smith, Stevenson & Co. was a clothing store in Meriden, Connecticut., Title from item., Advertising text on recto: I's gwine to guess de weight ob Meriden Girl, shuah!, Advertising text on recto: The Guessing on the weight of the bay mare Meriden Girl, will close Thursday, December 21st. We make this announcement that all may have a chance to guess before the box is closed. The mare will be weighed Christmas morning as before stated., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.158]

Title: Dey's de irons to make de angels' robes white and smooth in de colored folk's heaven
Description: Racist trade card illustration promoting Mrs. Potts' Cold Handle Sad Iron and depicting three African American winged angels. In the foreground is an African American woman attired in a white headwrap, along-sleeved white dress, and white flat shoes. She stands with her arms wide and holds irons in both hands. In the left is a smaller boy angel who stands with his hands on his hips and in the right is an identically posed girl angel. All three figures are depicted with exaggerated figures. A box of text is superimposed over the woman angel's torso. Three irons are depicted on verso along with a disembodied hand demonstrating the detachable handle., Title from item., Advertising text printed on verso: Mrs. Potts' Cold Handle Sad Iron. Advantages: A cold detachange walnut handle, are lined with nonconducting cement. Heat quicker than other irons. Retain the heat longer. Require no holder or cloth. Do not burn the hand. Are double pointed, iron both ways, the best in use, cheap., Distributor's imprint printed on verso: Smith, Seltzer & Co., Sixth & Market Sts, Philadelphia, PA., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Mrs. Potts [P.2017.95.135]

Title: I'm not to blame for being white, sir!
Description: Critical satire portraying the humanitarian sympathies of Massachusetts senator and abolitionist Charles Sumner as hypocritical toward whites. Depicts a well-dressed Sumner walking down a city street. He has stopped to hand coins to a barefoot, African American child carrying a basket. A white girl, attired in torn and worn clothes, carries sticks and holds out her hand to him, as well. Behind Sumner, two young white women witness the scene., Title from item., Publication information supplied by Weitenkampf., Probably drawn by Dominique C. Fabronius., Lib. Company. Annual report, 1972, p. 63., Purchase 1972., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1862-11 [8033.F.2]

Title: P.J. Brankin, artistic painter, no. 1815 N. Fifth Street, Philadelphia
Description: Trade card promoting painter P.J. Brankin and depicting a racist genre scene of an African American man being teasingly awoken by African American children. Figures are caricaturized and portrayed with exaggerated features. Shows a man, attired in a red, checkered shirt, blue pants, and one black boot, lying on his back, his right knee up, atop a large, white bundle. The boot on his left foot has fallen to the ground near his hat lying in front of the bundle. His left foot is bare. In the right, two mischievous boys peer around and over the bundle. The former, attired in a blue shirt, crouches to the ground from behind the bundle while the latter, attired in a yellow shirt with orange polka dots and orange pants, stretches out his right arm to poke the man's face with a piece of straw. In the background is a steamboat on a river. P.J. Brankin (1853-1928) was a house and sign painter who served as a president of the Master Painters' Association. By the 1920s, he was building and selling houses., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Brankin [P.2017.95.17]

Title: C.L. Jones & Co. tulip soap
Description: Trade card promoting soap manufacturers C.J. Jones & Co. and depicting a racist genre scene of an African American man being teasingly awoken by African American children. Figures are caricaturized and portrayed with exaggerated features. Shows a man, attired in a red, checkered shirt, blue pants, and one black boot, lying on his back, his right knee up, atop a large, white bundle. The boot on his left foot has fallen to the ground near his hat lying in front of the bundle. His left foot is bare. In the right, two mischievous boys peer around and over the bundle. The former, attired in a blue shirt, crouches to the ground from behind the bundle while the latter, attired in a yellow shirt with orange polka dots and orange pants, stretches out his right arm to poke the man’s face with a piece of straw. In the background is a steamboat on a river. Charles L. Jones founded the soap manufacturing firm C.L. Jones & Co. in 1845 in Cambridge, Massachusetts, with meat packer Charles Valentine, who wanted a way to use tallow. Valentine died in 1850, and Jones took charge of the business until his death in 1879. His brothers, Henry E. and Frank H. Jones, carried on the company until 1903., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - C.L. Jones [P.2017.95.21]

Title: Wm. M. Smith, 474 Broad Street
Description: Racist trade card depicting a snowy scene with several African American figures. At the center of the image is an African American man attired in a long button-down coat with a hood walking past a group of children. He stands with his left hand in his pocket and holds a cane in his right hand. Small hosues, bare trees, a fence, and several people are visible in the background. Three children in the right foreground of the image look up at the man in the center and adog in the left of the image runs in front of him. The figures are portrayed with exaggerated features. William M. Smith owned a clothing store in Newark, New Jersey in the late 19th century., Title from item., Advertising text on verso: 2424. Two thousand, four hundred and twenty-four Customers, whose names and measurements are registered on our books, will attest to the superiority of the "Domestic Shirt" over all others in make, material, fit, and economy. Factory attached to the Store, No. 474 Broad Street opposite Orange St. where the public are cordially invited to examine our Shirts in every stage of manufacture. N.B. The Otto Gas Engine Furnishing the power to run our machines is a marvel of mechanical ingenuity. Wm. M. Smith, 474 Broad Street, Opp. Orange Street., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.160]

Title: [African Americans picking cotton with a cotton compress]
Description: Racist, trade card specimen depicting African Americans picking cotton on a plantation. In the left foreground, shows an African American man, attired in a hat, a long-sleeved shirt, pants, and shoes, carrying a basket on his back filled with cotton. In the right, two African American children sit on the ground and fill a basket with cotton. In the background, is a large, wooden compress or cotton press. An African American man, with a basket of cotton at his feet, puts cotton into the compress. Another man stands in the right of the stairs leading to the compress with a basket of cotton. In the right background is a building and two women crouching on the ground and another man standing. In the top of the card is an additional illustration depicting a pine tree falling over. In the foreground is a bird on a branch, and a house is visible in the background., Title supplied by cataloger., Publication information and date from the copyright statement: Copyright by Robinson Eng. Co. Boston U.S.A. 1881., Gift of David Doret.
Date: 1881
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 28 [P.2017.95.239]

Title: Sapolio
Description: Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting the caricature of an African American child’s head emerging out of a watermelon. The child, portrayed with exaggerated features, smiles as their eyes look to the right. The green watermelon is ripped open revealing pink flesh and black seeds. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Publication information from copyright statement: Copyrighted 1882, by Donaldson Brothers., Advertising text printed on verso: One cake will do more work and will do it better than Three Cakes of any other mineral or scouring soap ever made. Enoch Morgan's Sons Sapolio. Better and cheaper than soap. For all house cleaning purposes. It will clean paint, marble, oil cloths, bath tubs, crockery, kitchen utensils, &c. It will polish tin, brass, copper and steel wares of all kinds better than Emery or Rotten Stone. Ask for it. Take no other as a substitute for it. It is the best and cheapest scouring soap. Hand Sapolio, for every day use, is the best and cheapest toilet and bath soap in the market. Removes stains of all kinds, and leaves the skin white and soft. Prevents chapping of hands. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Date: 1882
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.60]

Title: Lily White "the flour the best cooks use," Valley City Milling Co. Grand Rapids, Mich
Description: Racist trade card illustration depicting a vignette of a smiling African American infant sitting in a yellow high chair. A cup of water is overturned on the table attached to the high chair and water spills over the edge. The baby gestures toward the cup with her right hand puts her left index finger in her mouth. The barefoot child is attired in a blue, red, and white plaid dress and a white bib with red embroidery. Lily White flour was manufactured by the Valley City Milling Company, which was established in 1884 and eventually became known as the Grand Rapids Roller Mills., Title from item., Advertising text on verso: Your children will not hanker after cake and other injurious dainties so much if you provide them wiht light, sweet tasting bread made of Lily White, "the flour the best cooks use." This bread has the good old fashioned bread flavor which children like and the more they eat of it the better their general health will be. Give them more bread and less meat. Always for sale by the dealer who gave you this card. Valley City Milling Co. Grand Rapids, Mich., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Valley [P.2017.95.181]

Title: Compliments of Villa Park Improvement Co
Description: Racist trade card illustration depicting two African American girls and one boy standing near a fence and fending off two wild turkeys. The boy stands behind the two girls and is attired in a cap, a long brown coat, tan gloves, and black shoes. The older girl is attired in a red hat with a dark-colored ribbon, a yellow jacket, red gloves, red stockings, and black boots. She wields a stick in her right hand and holds the younger girl with her left. The younger girl is attired in a blue and white cap and a blue jacket. All of the children are depicted with exaggerated features. The Villa Park Improvement Company was based in New Jersey and James Moses, a Trenton businessman, was the organization's president during the 1890s., Title from item., Advertising text on recto: Compliments of Villa Park Improvement Co. Be sure to read the circular. It is interesting. Especially about the free life insurance and free car far. An ideal location for a home. Great value as an investment. No interest, no taxes, two trolley lines. Public school on the plot. Main office, 39 Muirhead Street. Branch office, Corner Hamilton and Quintin Avenues., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Villa [P.2017.95.183x]

Title: [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
Description: Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Bernhard, 1859-1935, artist
Date: 1905
Location: Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: Finnerty's, the champion of all root beer extracts, 15c. per bottle. 106 Market Street
Description: Racist trade card promoting E.J. Finnerty Jr. & Co.'s patent medicines and depicting a crying African American baby that is suspended from a tree branch. In the center of the image is a baby, attired in a white onesie, that has a white cloth wrapped around their midsection and tied to a blooming cherry tree branch. The baby's eyes are tightly closed, their mouth is open wide, and they grasp a branch of cherry blossoms with their left hand. A straw hat also is on the tree branch. E.J. Finnerty (1863-1901) was a druggist in Philadelphia. He created the firm Finnerty, McClure & Co. in 1891 and continued in the trade until his death., Title from item., Advertising text printed on verso: Go to the old reliable drug store, 106 Market St. Philadelphia, for pure drugs and medicine at the lowest prices. We make a specialty of compounding Physicians' Prescriptions, with great care and promptness. A full line of Perfumes and Toilet Articles always on hand. We will also continue the manufacture and sale of the following well-known and highly recommended remedies: Finnerty's W.C.&H. Expectorant, . Per bottle. Price, 25c. The best remedy for coughs, colds, etc. Finnerty's Beef, Iron and Wine, ... " 50c. The great nutritive tonic. Finnerty's Sarsaparilla, ..." 50c. The best blood purifier. Penn's White Linament, ... 25c. The great rheumatic remedy. Finnerty's Essence Ginger, ... " 25c. The reliable remedy for colic, nausea and debility. Finnerty's Cramp and Diarrhoea Mixture, ... " 25c. A sure cure for cholera morbus and stomach troubles. Finnerty's Liver Granules, ... " 25c. No better in the markey. Finnerty's Catarrh Remedy, ... Per Box 25c. Will cure catarrh, cold in the head and hay fever. Michner's German Dyspepsia Lozenges, ... " 50c. The greatest remedy known for the cure of dyspepsia. E.J. Finnerty, Jr. & Co. Druggists and Manufacturing Chemists., Gift of David Doret.
Date: [1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Finnerty [P.2017.95.63]

Title: Robinson's sura cura for rheumatism, &c., &c. Dr. Prior's cough balsam
Description: Racist trade card illustration depicting a white man opening the door of his home to find an African American baby in a basket on the doorstep. The white man is attired in pajamas and a sleeping cap. He holds a candelabrum in his left hand and looks at the baby with a surprised expression. The baby kicks their right leg up and raises their right hand in a fist while holding the handle of the basket with their left hand. Superimposed over the scene is a painter's palette with splotches of paint and text advertising Robinson's Sura Cura and Dr. Prior's Cough Balsam. R.W. Robinson & Son manucatured Robinson's Sura Cura and also operated a wholesale drugstore located on Greenwich Street in New York. The business was founded in 1835 and was known as Bush & Gale until 1857 when R.W. Robinson joined the firm. The partnership dissolved in 1870 and Robinson's son, F.M. Robinson, joined the firm. Prior Medicine Co. was based in Middletown, New York in the late 19th century., Title from item., Text printed on recto: A Male Package., Advertising text printed on verso: The household remedies. Robinson's Sura Cura, the sure cure for rheumatism, neuralgia, malaria, and a specific for all diseases arising from an impure state of the blood. Price, 50 cents and $1.00 per bottle. Dr. Prior's Cough Balsam, the best botanical remedy known for the prevention and cure of consumption, and all lung and throat complaints, cures sore throat, diptheria, whooping cough, croup, asthma. Read testimonials on circulars., Distributor's imprint on verso: Dr. AS Gibbs, Hope NJ., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Robinson [P.2017.95.150]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.152]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.153]

Title: The chivalry at the English court
Description: Cartoon mocking Southern secessionists who sought foreign aid for the Southern Confederacy by depicting white men emissaries from the "Gentlemen colony of South Carolina" asking Queen Victoria if she can spare a King. The South Carolinians stand before the throne and present bales of “Cotton” to the Queen. Behind them a contingent of enslaved African American children, portrayed as racist caricatures, carry an umbrella, a fan, a serving tray of “julips,” and hold the tail of the emissary’s jacket. In the right, Queen Victoria sits on her throne surrounded by white boys and flanked by a lion and a unicorn. She responds that her family is small but possibly a "Coburg" relation may satisfy their needs., Title from item., Publication date supplied by Weitenkampf., Text printed below image: May it please Your Majesty, We, the Republicans of the Gentlemen Colony of South Carolina are desirous of having a Royal Master; would You graciously please to spare us a King out of your illustrious house? Her Majesty. Thank you Gentlemen, but my Family is small, you know; -- perhaps one of my Coburg Relations may accommodate you, I can recommend them, they give Satisfaction in every Place., Accessioned 1899., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1860]
Location: Library Company of Philadelphia | Print Department political cartoons - 1860-6W [5780.F]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: Slavery as it exists in America : Slavery as it exists in England
Description: Racist, anti-abolition print challenging Northern abolitionists' view of slavery by favorably contrasting the living conditions of enslaved African American people in America with that of British industrial workers. First image depicts enslaved men, women, and children playing music, singing, and dancing during a hoe-down while Southerners and Northerners observe and comment about how the false reports to the North about the hardships of slavery will now be rectified. Second image portrays a British cloth factory where several emaciated white factory workers, attired in torn and worn clothes, have gathered, including a woman and her children referring to themselves as slaves; two workers discussing running away to an easier life in the coal mines; and workers commenting on their premature aging. A rotund priest and tax collector observe. Soldiers march in the background. Below the image is a small portrait of the "English Anti-slavery Agitator" George Thompson., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1850 by J. Haven in the clerk's office of the District Court of Mass., Manuscript note on verso: Deposited April 9, 1851, Recorded vol 26. pag, 145., Lib. Company. Annual report, 1967, p. 55., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1850
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850-6 [P.9675]

Title: [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description: Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]

Title: "No higher law."
Description: Antislavery print denouncing the immorality of the Fugitive Slave Law by exploiting abolitionist Senator William H. Seward's famous quote that "a higher law" than the Constitution should exist regarding slavery. Shows "King Slavery," depicted as a bearded, bare-chested, white man, attired in a crown made of finger bones and armed with pistols in his waistband. The King sits and leans upon the arm of his throne composed of the "Fugitive Slave Bill," the Bible, and human skulls as he defiantly holds a whip of chains above his head. An American flag on a pole billows behind the throne. Below the throne, Seward, depicted as a priest, looks up and raises his left hand toward the King. He stands before a cat-faced altar inscribed "Sacred to Slavery," which rests upon a book of "Law" and pours oil from a container onto the altar fire, generating clouds of smoke. In the right, three enslaved men squat with their heads bowed. Senator Daniel Webster gestures toward them and holds a paper supporting the Fugitive Slave Bill "to the fullest extent." Near them, "Freedom," depicted as a bearded, white man and attired in a robe, displays his sense of defeat by removing his crown and lowering his liberty pole. In the left, an African American man freedom seeker fends off dogs attacking him. An African American woman freedom seeker and two children flee from two white men mercenaries on horseback and run toward a white woman with outstretched arms in front of a house. In the right background, the figure of Liberty falls from her pedestal., Title from item., Place of publication inferred from the residence of the distributor., Weitenkampf suggests date of publication as 1851., Text printed on recto: Price $3 A Hundred And Six Cents Single Copy., William Harned was an abolitionist printer in New York who also published the pamphlet, "The Fugitive Slave Bill:...." in 1850. (LCP Am 1850 Fug 16809.D.1)., A.B. Maurice and F.T. Cooper's The History of the 19th century in caricature (New York: Dodd, Mead, and Company, 1904), p. 156., Lib. Company. Annual Report, 2000, p. 40-2., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1851]
Location: Library Company of Philadelphia | Print Department political cartoons - 1851 - 2W [P.9739]

Title: Handicap race presidential stakes 1844
Description: Satire of the presidential election of 1844 depicting the potential candidates; Whig Henry Clay, and Democrats Martin Van Buren, Lewis Cass, John Calhoun, Richard M. Johnson, and John Tyler on various mounts racing for the White House. Clay riding a racoon leads the pack claiming that no one can overtake him. Van Buren follows riding a fox and holding a weather vane labeled "N" (North) and "S" (South) with the slogans "Free Trade Texas" and "Abolition Oregon" attached. He acknowledges that Lewis Cass is closing in. Cass on his hound gloats that he has finally overtaken the "old fox." Calhoun, positioned fourth, rides a lion with an enslaved African American man and child, portrayed in racist caricature, on his shoulders and bemoans his extra weight. Johnson, on foot and holding a hook, follows Calhoun stating he will "hook on" to whomever gets in. Last is Tyler, who switched political parties, trying to ride the two mounts of the "Loco Foco" (radical Democrats) donkey and the "Whig" horse., Title from item., Date from copyright statement: Entered according to act of Congress in year 1844 by J. Childs in the Clerk's Office in the District Court of the Southern District of N.Y., Gift of Mrs. Francis P. Garvan, 1977., Lib. Company. Annual report, 1977, p. 51-52., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-55W [8366.F.36]

Title: A grand slave hunt, or trial of speed for the presidency, between celebrated nags Black Dan, Lewis Cass, and Haynau
Description: Cartoon criticizing presidential candidates Daniel Webster (i.e., Black Dan) and Lewis Cass's avid support for the enforcement of the Fugitive Slave Law during the election of 1852. Shows Webster, carrying a copy of the Fugitive Slave Law and a flag, leading a group of white men, including the lagging Michigan Senator Lewis Cass; the infamously cruel Hungarian General Baron Haynau with a pitcher of "Barclay Best" on his head (a symbolic reference to the brewery workers who attacked him in England); and President Millard Fillmore holding a Fugitive Slave Bill. They pursue an enslaved African American woman who runs clutching a baby in her arms and holding the hand of her young son. Additional figures in the background include Horace Mann, Massachusetts Congressman and opponent of the Compromise of 1850; an orator resembling Webster bombasting Mann before a group of kneeling white men admirers; a preaching white man minister with Bible in hand; and an African American woman freedom seeker with her child being tugged between a yelling man and a white man mercenary carrying handcuffs., Title from item., Date of publication supplied by Weitenkampf., Purchase 1967., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1852-7W [P.9676]

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