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- Title
- [Eagle Starch Enamel Manufacturing Co., Frankford, Phila., Pa.]
- Description
- Racist trade card promoting Eagle Starch Enamel Manufacturing Co. and depicting three smiling African American children, portrayed in caricature. In the center, the toddler stands attired in a white dress with a large collar and blue sash, white stockings, and tan shoes. Flanking the toddler, the boy, attired white shirt with a large circular collar, a black jacket, black breeches, stockings, and shoes, and the girl, attired in a pink, brimmed hat, a yellow, long-sleeved dress with a pink sash, pink stockings, and white shoes, hold a wreath of leaves over the toddler’s head., Title supplied by cataloger., Date inferred from content., Contains advertising text printed on verso listing five reasons to use eagle satin gloss starch enamel., Purchase 1998., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Eagle [P.9577.16]
- Title
- Reed's, for clothing, furnishings, hats, shoes, 918-920-922 Chestnut St., Philadelphia Best quality, lowest prices
- Description
- Trade card for Jacob Reed's Sons and depicting African American children, portrayed in racist caricature, sledding. Shows ten African American children, attired in short-sleeved pajamas, in a toboggan sledding down a snow-covered slope. One child plays a horn. The child at the back holds on with their leg outside the toboggan. White spectators watch from the side of the incline, and other toboggans are seen in the distance at the top of the slope. Jacob Reeds Sons was established in 1825 by Jacob Reed and operated as a premier men's clothing store until 1983. The business, assumed by Reed's sons in 1877, relocated to 920-22 Chestnut Street by 1883. By the early twentieth century, the firm sold men's and young men's clothing, as well as specialty, chauffeur’s, military, and uniform clothing., Title from item., Date from copyright statement: Copyright 1887 by The Bufford's Sons Lith. Co., Printed lower right corner: 794., Description revised 2022., Access points revised 2022., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Duplicate image of: trade cards - P [113418.O], Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1887
- Location
- Library Company of Philadelphia | Print Department trade card - R [P.2011.42.1]
- Title
- L. S. Plaut & Co., 715, 717, 719 Broad St., Newark, N. J
- Description
- Trade card for L. S. Plaut & Co.'s boys' clothing department depicting African American children, portrayed in racist caricature, sledding. Shows ten African American children, attired in short-sleeved pajamas, in a toboggan sledding down a snow-covered slope. One child plays a horn. The child at the back holds on with their leg outside the toboggan. White spectators watch from the side of the incline, and other toboggans are seen in the distance at the top of the slope. L. S. Plaut & Co., established as "The Bee Hive" in 1870 by Leopold Fox and L. Simon Plaut, was a premier department store in Newark, N.J. The firm tenanted 715-719 Broad Street by the 1880s., Title from item., Date from copyright statement: Copyright 1887 by The Bufford's Sons Lith. Co., Printed lower right corner: 794., Stamped on recto: Harvey Cooley., Advertising text on verso: The Largest in the State. The Bee Hive Boy's Clothing Department. See our values in Short Pant Suits, at $2.48, $3.48 and $4.98. See our values in Short Pants, at 49c., 62c., and 98c. See our values in Overcoats, at $2.23, $3.48, and $4.98. Men's Shoes, Fine-Make Goods, all at Very Low Prices. Text accompanied by illustration showing a white boy attired in a cap, overcoat, pants, and boots., Duplicate image of: trade cards - R [P.2011.42.1], RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1887
- Location
- Library Company of Philadelphia | Print Department trade card - Plaut [113418.D]
- Title
- Waterbury Drug Store, established 1797. Leavenworth & Dikeman, Exchange Place, Waterbury, Conn
- Description
- Series of illustrated trade cards containing "Fishing" showing a white man and woman couple fishing in a rowboat with a pet dog that has its head in their picnic basket; "Caught on the fly" depicting a white man attached to the hook of his own fishing rod as he stands next to a stream; "We met by chance, or waiting for the swell" showing a white man floating on a wave in the ocean and colliding with a white woman as she stands in the ocean near other white women and children; "What are the wild waves saying sister?" depicting a boy, attired in overalls and a wide-brimmed hat, standing next to his sister, attired in a bonnet and long-sleeved dress, looking out at the ocean with their backs to the viewer; "Oh, come and see us" showing a group of white children standing in a pond jeering at an older, white man who stands on dry land in the foreground; and "Scoot, brother scoot!" depicting an African American boy and girl holding hands and scurrying from the approaching waves of the ocean. Leavenworth & Dikeman, the partnership between Elisha Leavenworth and Nathan Dikeman, operated in Waterbury, Connecticut between 1850-1890., Title from item., Date inferred from dates of operation of advertised business., Four prints [P.9828.7033-7036] printed by Phoenix Card Co., N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - W [P.9828.7031-7036]
- Title
- I'm a masher
- Description
- Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
- Creator
- Chicago Picture Co.
- Date
- [ca. 1882]
- Location
- Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]
- Title
- [Migrating African Americans emancipated from enslavement]
- Description
- Drawing by Alexander Kitzmiller, a 24-year-old Pennsylvania German, prisoner Number 4780 at Eastern State Penitentiary. Depicts two African American families of freedom seekers emancipated from enslavement, portrayed in racist caricature, migrating on horseback and on foot. In the left, an African American man, barefoot and attired in a yellow hat, a blue collared shirt, and orange and white patterned pants, rides on a mule with his son and daughter. Behind him walking on foot is a boy, attired in a soldier’s cap, a red collared shirt with a red tie, and blue pants with suspenders and the African American mother, attired in a red head kerchief, hoop earrings, a yellow dress, and yellow and black shoes, who holds the arm of her daughter. The young girl, attired in a blue hat and a red and white striped dress, carries a Black doll. In the right, another family walks, including an African American man, attired in a yellow hat, a red and white striped collared shirt with a brown tie, white pants, and black boots, who carries a bundle on a stick; an African American woman, attired in a white head kerchief, hoop earrings, a red dress, and yellow and black shoes, who carries a baby on her shoulder, and a boy, attired in a soldier’s cap, an orange collared shirt, blue pants with suspenders, and brown shoes, who has his hand in his pants pocket. Adaption of Francis B. Schell's illustration, "Arrival at Chicksaw Bayou of the negro slaves of Jefferson Davis, from his plantation on the Mississippi," published in Frank Leslie's Illustrated newspaper on August 8, 1863., Title supplied by cataloger., Date inferred from content and tenure dates of S.W. Woodhouse as physician at Eastern State Penitentiary., Manuscript note on verso: Presented to me by a German prisoner in the State Penitentiary of Pennsylvania during my residency there. S.W. Woodhouse, M.D., Woodhouse was a Philadelphia surgeon, naturalist, and pioneer ornithologist who served as resident physician at the Eastern State Penitentiary from 1862 to 1863., Lib. Company. Annual report, 1997, p. 37., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Kitzmiller, Alexander, approximately 1839-, artist
- Date
- [1863]
- Location
- Library Company of Philadelphia | Print Department Drawings & Watercolors - Kitzmiller [P.9547]
- Title
- [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
- Description
- Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
- Date
- [1879]
- Location
- Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]