Search results

Title: [La Roche & Stahl florist shop, 1237 Chestnut Street, Philadelphia]
Description: Group portrait showing a line of eight men, including an African American employee and possibly co-owner Balthazar Stahl (third from right), standing in front of the flower store with large display windows marked "LaRoche & Stahl." Bouquets of flowers, floral wreathes, and other floral arrangements are displayed. A retracted awning with the name if the business adorns the building. A large garland of flowers is weaved across the awning frame. Potted plants line the base of the building and entryway near where the men stand. In the far left, the back of a horse traveling in the street near men patronizing a vendor's stand at the side of the flower store is visible. In the far right, signage for the adjacent business is partially visible. Florist Maximilian F. La Roche partnered with his brother-in-law Batlhazar Stahl in 1878. The partnership also managed several large greenhouses in Collingdale, Pa., which specialized in chrysanthemums and roses. Previously, La Roche had operated his own floral business in Philadelphia beginning circa 1876 when he purchased Brooker & Co. at 1319 Chestnut Street. La Roche removed his store to 1237 Chestnut in 1881. Stahl, who was in charge of the retail business, left the partnership circa 1898 when he started his own business at 27 South Eleventh Street., Title supplied by cataloguer., Date inferred from the attire of the men included in image.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Business - L [P.2008.11.6]

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: [Engravings]
Description: Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Date: [ca. 1832-ca. 1868]
Location: Library Company of Philadelphia | Print Department albums [P.9152]

Title: "Dar boss, how's dat?"
Description: Racist, satiric genre scene staged in a cargo hold setting. In the left, shows a well-dressed white man attired in a floor-length overcoat and bowler hat with valises at his side. He stands and watches an African American worker, attired in a cap and overalls, who secures the man's trunk with rope and his foot. Clothes hang out of and lie in front of the trunk. Stacks of trunks and valises line the wall in the background., Title from label on negative., Buff mount with rounded corners., Distributor's imprint stamped on verso: Robert Miller, 1110 W. Nor'W St., Gift of George R. Allen, 2013., RVCDC, Description revised 2022., Access points revised 2022., The Standard Series of New York was a producer of pirated views during the 1890s.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2013.65.14]

Title: [Group portrait of brick masons]
Description: Depicts seven masons, including two African American men, posed at an outside worksite in front of a partially completed brick wall. They stand on wood scaffolding and look at the viewer. Most hold tools of the trade, including trowels. Bricks, buckets, and other equipment are on the scaffolding around the worksite., Title supplied by cataloger., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department group portrait photographs - occupations - masons [P.9985.3]

Title: A new song suitable to the season, to the tune of good English beer
Description: A cartoon supporting the Old Ticket Party of Pennsylvania which advocated a conversion from a proprietary government to a royal colony. Depicts well-to-do Philadelphians in a tavern drinking and singing "Huzza Old ticket, Old Ticket Forever." An African American server serves the men as he states in patois his support of the Old Ticket. As the devil exits the tavern, he indicates his support for the New Ticket Party which supported the existing proprietary government. Contains an electioneering song of six verses from which the depicted Philadelphians sing verses. The tavern was often used as a place to canvass election support and treat voters., Place and date of publication supplied by Evans., Possibly the work of Henry Dawkins., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1765]
Location: Library Company of Philadelphia | Print Department Political Cartoons -[1765] - New [959.F.87a]

Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: Link-Belt type "CF" loader furnished to Baugh & Sons Company, Philadelphia, for handling acid phosphate to power operated buggies
Description: Product advertisement, probably from a trade portfolio, showing an African American man laborer near a Link-Belt loader inside the Philadelphia warehouse at 20 South Delaware Avenue. An African American man laborer, with debris covering his hat and clothes, stands behind the machine and looks at the viewer. Loader displays a manufacturer's plate for the Philadelphia branch of the company. Link-Belt Engineering Co. was founded by William Dana Erwat, inventor of the link-belt, in 1874., Title and date typed on recto., Inscribed in negative: Link-Belt 17061., Contains four hole punches., Retrospective conversion record: original entry, edited., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: November 1927
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.12]

Title: Portable type 'G' stone loader, Field, Barker & Underwood, Philmont, Pa
Description: Product advertisement, probably from a trade portfolio, showing a group of laborers, including an African American man, utilizing a Belt-Link portable type "D" stone loader in a cleared field. In the left, the white man stands behind a wheelbarrow filled with stone. In the center, a man digs with a shovel, another man tilts a wheelbarrow, and three other men stand and look on., Title and date from typewritten text on recto., Title altered in manuscript: Portable type "D" stone loader, Field, Barker & Underwood, Philmont, Pa., Typewritten on recto: 3 HP Ideal gasoline engine, SS825 chain with 14 x 7 M.I. AA buckets, having manganese steel digging prongs. Provided with extra chute and cutoff gate for delivering to wheel Barrows. (1913), Inscribed in negative: 6462., Purchase 1990., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1913
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.7]

Title: Link-Belt "D" loader handling coal from R.R. car to wagon in yard of Hamilton Coal Co., Wilmington, Del
Description: Product advertisement, probably from a trade portfolio, showing a Link-Belt loader removing coal from beneath a Philadelphia & Reading Railway car to a horse-drawn wagon. A laborer shovels the coal on the wagon bed. An African American laborer, attired in a brimmed hat, stands near the loader and looks at the viewer. Loader displays a manufacturer's plate labeled "Made by Link-Belt Company, Phila. Chicago New York." Link-Belt Engineering Co. was founded by William Dana Ewart, inventor of the link-belt, in 1874., Title typed on recto., Inscribed in negative: 8945., Contains four hole punches., Contains pencil marking on recto., Retrospective conversion record: original entry, edited., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.19]

Title: [Broad Street Station fire, Philadelphia, June 1923]
Description: Scene showing smoke filled interior of the burnt train shed. Depicts laborers, including African Americans, clearing debris from a row of tracks upon which two burnt out train cars rest. Wires hang down from the skeletal framework ceiling. Fire hoses are strewn across the tracks. A camera and tripod rest on a walkway near the damaged trains. In the background, a group of well-dressed men and a group of firemen consult amongst debris. The fire, started by a short circuited cable, was at the time considered one of the worst fires in the city's history with an estimated $1,500,000 worth of damage. By the second day, despite the fire continuing to burn in areas, 2000 laborers began to clear debris and set up umbrella shelters to prepare for the station's planned reopening by the end of that week., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 1923]
Location: Library Company of Philadelphia | Print Department photo - unidentified - transportation [P.8683.13]

Title: [Aftermath of the Broad Street Station fire, Philadelphia, June 1923]
Description: Scene showing a large crowd of men and women commuters on a makeshift walkway stretching to the back of the interior of the train shed. Depicts the crowd, including African Americans, milling about on the landing overseen by a railroad conductor. Two laborers with a plank, one an African American, wait at the front of the crowd. Labor crews on either side of the commuters repair the destroyed platforms and tracks upon which burnt out train cars rest. Under a sign pointing left "To Filbert Street," a conductor and two men consult near a telephone box. The Broad Street Station fire started on a Monday and burned for three days. The fire was still burning when 2000 laborers began repairing the station to reopen that Friday., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 1923]
Location: Library Company of Philadelphia | Print Department photographs- unidentified - transportation [P.8683.19]

Title: [714-716 N. 10th Street, Philadelphia]
Description: Real estate photograph commissioned by the Jackson-Cross Company depicting several African American laborers working in a coal, ice, and scrap lot for sale by Arthur Boswell in the Spring Garden neighborhood. In the center, an African American man, attired in a brimmed hat, a collared, zipped up jacket, an apron tied around his waist, pants, and shoes, leans on the open wooden door with signs that read, “Sale Arthur Boswell” and “Ice never fails.” The other wooden door has “coal” written in paint. In the scrapyard, several men moving material are visible. Planks of wood lie in piles on the ground. The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Title from manuscript note on verso., Date inferred from content., Number 16., Purchase 2000., Description revised 2022., Access points revised 2022.
Date: [ca. 1945]
Location: Library Company of Philadelphia | Print Department Jackson-Cross [P.9784.8]

Title: [Portrait album of well-known 19th-century African American men of Philadelphia]
Description: Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865-ca. 1885]
Location: Library Company of Philadelphia | Print Department albums [P.9304]

Title: [Portrait album of well-known 19th-century African American men of Philadelphia]
Description: Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865-ca. 1885]
Location: Library Company of Philadelphia | Print Department albums [P.9304]

Title: [Employees of the Philadelphia Grain Elevator Company's Twentieth Street elevator]
Description: Depicts a group portrait of nine employees of the Philadelphia Grain Elevator Company at Twentieth Street and Pennsylvania Avenue in Philadelphia, Pa. posed before the grain storage facility. In the left, two white men employees stand in an open doorway underneath the sign, "The Phila. Grain Elevator Co’s. Twentieth St., Elevator." An African American man, holding his bowler hat in his hand, and another white man stand in front of the doorway. An African American man, holding his bowler hat in his hand, and two white men, stand in the center. In the right, an African American man, attired in a brimmed hat, a striped shirt, a waistcoat, torn pants, and shoes, stands with his hands at his side. A barefooted white boy, attired in a long-sleeved white shirt and pants with suspenders, looks at the viewer. Behind him is a horse-drawn cart with two horses resting under grain chutes near an open entranceway. The cloth chutes are labeled, "Philadelphia Seamless." The Philadelphia Grain Elevator Company was incorporated in 1878 and engaged in the operation of a rail terminal elevator for the exporting and importing of grain., Title supplied by cataloger., Date based on the operation of the business and the attire of the sitters., Gift of Chester County Historical Society, 1991., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department group portrait photographs - occupations - Philadelphia Grain Elevator Co. [P.9325.1]

Title: [Construction of the Frankford Elevated railroad tracks at Front and Arch Streets in Philadelphia, September 6, 1922]
Description: Scene showing predominantly African American construction workers laying down railroad tracks near a block of rowhouses at Front and Arch Streets in Philadelphia. The men are surrounded by piled planks, buckets, and construction debris. Many of the workers have stopped to pose, including a white man, possibly a foreman. In the left, two men continue to work and consult near steps by a curved railing. The half completed tracks, bridge platform, a billboard, factory buildings, and water tower are visible in the background. Constructed under the auspices of the City of Philadelphia's Department of City Transit (later Transit Operations and Planning Division) between 1915 and 1922, the Frankford Elevated Railway consisted of a two track structure six miles in length that extended north over the roadway of Front Street, Kensington Avenue and Frankford Avenue between Arch and Bridge Streets. Operated under lease to the Philadelphia Rapid Transit Company (later South Eastern Public Transportation Authority or SEPTA), the line opened November 5, 1922., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [September 6, 1922]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.419]

Title: [Construction crew in a fenced ditch below street level, July 12, 1904]
Description: Scene depicting a predominately African American construction crew, working with shovels and picks around a fire hydrant, exposed pipes, and a storm drain within a large fenced off ditch. Planks and sheet metal cover part of the site. Workers place dirt into steel bins. A crane hovers above. Spectators, including white men and boys and African American man, line the fence and pass the construction site. Further down the street another predominately African American construction crew works within another ditch., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [July 12, 1904]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.423]

Title: [Construction crew near railroad tracks, July 8, 1904]
Description: Scene depicting a predominately African American construction crew working with picks and shovels in a pit deeply dug out of a stone embankment near railroad tracks. Within the pit lined with wood planks, a well-dressed white man, standing near the hook end of a crane hanging above, oversees the work crew. At street level, near a pile of rubble, a horse-drawn flatbed truck loaded with logs and two white workers stand idle. In the foreground, a "P.R.R." (Pennsylvania Railroad) air brake steel car stands motionless on the track., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [July 8, 1904]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.424]

Title: [United States Department of the Interior] Quartermasters Interior Depot, 21 and Oregon Ave., May 24, 1917 [sic]
Description: View of a crowd witnessing the military performing a flag folding ceremony at the Depot under construction in Philadelphia during World War I. In the center, the soldiers hold a large American flag. More soldiers stand in formation in the right. Surrounding the soldiers are depot workers, some African American men, who watch the ceremony. In the foreground, men observe the scene while seated on a trailer and sitting and standing on stacks of cinder blocks. In the left, a man sits on a bicycle beside a building. Scaffolding is visible in the background., Title from item., Manuscript date written on recto should probably be 1918 not 1917., See related: P.P.9260.428., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [May 24, 1918]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.427]

Title: Quartermasters Department of the Interior, 21st & Oregon Ave. Phila May 24, 1918
Description: View of a crowd witnessing the military conducting a flag ceremony at the Depot under construction in Philadelphia during World War I. The majority of spectators, predominately depot workers, some African American men, surround the soldiers as they fold a large American flag in the right. In the foreground, men watch seated on a trailer and stacks of cinder blocks. In the left, a man stands with a bicycle in front of a building. In the background, men work within scaffolding., Title and date from item., See related: P.P.9260.427., Purchased 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [May 24, 1918]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.428]

Title: [African American construction crew installing a utility pole]
Description: Scene of a crew of African American men construction workers nearing completion of the installation of a utility pole along a cobblestone city street lined with homes and businesses. Most of the crew members hold their mallets on their shoulders and wait on the sidewalk as another laborer retrieves a long pipe from their nearby utility truck. A mound of freshly dug dirt is piled near his feet. A white pedestrian observes the scene. A gas station is visible on the opposite side of the street., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department photo - unidentified - construction [P.9260.603]

Title: Type "C" loader with swiveling belt conveyor storing coal at University of Pennsylvania, Philadelphia
Description: a Product advertisement, probably from a trade portfolio, showing the Link-Belt coal loader in action behind a small ivy covered building on the campus. In the foreground are large piles of coal. In the center, a coal shooting loader is set up and an African American man, attired in a brimmed hat, stands and oversees the operation. A laborer shovels coal from the back of a dump truck. Link-Belt Engineering Co. was founded by William Dana Ewart, inventor of the link-belt, in 1874., Title from typed note on verso., Date inferred from photographic medium and content., Inscribed in negative: 9249., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.21]

Title: [Construction on Market Street between 17th and 18th Streets, Philadelphia, July 8, 1904]
Description: View of a fenced exposed area of the street with unearthed pipes protected by a series of wood girders. African American construction workers guide a steel bin over the girders and haul dirt from the site with a horse-drawn cart. Several spectators, including a well- dressed African American man, line the fence. In the distance, a white boy with a bucket rests on a crane near a workman's shed. Businesses line the street including "Leiber's Red Front Dining Room, 1788 Market Street." Painted advertisements for Coca Cola and a liquor dealer adorn the building visible on the street corner., Title supplied by cataloger., Negative inscribed: 554., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [July 8, 1904]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.362]

Title: Looking east on Market St. from above 8th St., Philadelphia
Description: View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway on the 700 block of Market Street. Shows the very active street with several trolleys, horse-drawn vehicles, and men and women pedestrians hurrying on the street near the sidewalk mobbed with people. African American construction workers work under a "Danger" sign. Nearby, a man carries a sign advertising "Dr. Hyman" who "will fix your teeth." Several businesses line the street, including Lit Brothers department store (701-739 Market); "Dr. Wyeth's Painless Modern Dentistry" covered with signage; Hanscom's, grocery and lunch room (734 Market); Hertfelder's, tailor and clothiers; Wick Narrow Fabric Co.; and Asam Brothers, wall paper., Title from manuscript note on verso., Date inscribed in negative., Inscribed in negative: 4396., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: September 25, 1907
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.375]

Title: [Broad Street Station fire, Philadelphia, June 12, 1923]
Description: View of the interior of the burnt out train shed during the fire of June 11-13, 1923. Depicts several workers, including African Americans, building a new train platform and clearing debris from the tracks near the destroyed row of gates. Slightly damaged train cars and engines trapped by the fire, including "Al G. Barnes Wild Animal Circus," rest on the tracks. Large burnt pieces of the destroyed ceiling lay under a "Baggage Claim" sign. The Broad Street Station fire, started Monday, June 11, 1923 by a short circuited cable, was at the time considered one of the worst fires in the city's history with an estimated $1,500,000 worth of damage. By the second day, despite the fire continuing to burn in areas, 2000 laborers began to clear debris and set up umbrella shelters to prepare for the station's reopening at the end of that week., Title supplied by cataloger., Date inferred from content., Manuscript note on verso: Tues. noon., Reproduced in Harry Albrecht. Broad Street Station.... (Harry P. Albrecht: Philadelphia: 1976), p.30. (LCP Ok A1026.O.5), Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 12, 1923]
Location: Library Company of Philadelphia | Print Department photo - unidentified - transportation - railroad [P.8683.9]

Title: [African American worker at a work site near the Trenton Elevated Railroad Bridge in Philadelphia]
Description: Portrait of an African American construction worker standing next to a support column of the Philadelphian & Trenton Railroad Bridge at Trenton Avenue near Frankford Avenue. The man, attired in a bowler hat, a long-sleeved shirt with only the top buttoned, torn and worn overalls, and shoes, tucks his hands into the waist of his overalls and looks at the viewer. Behind him, two laborers perform street work, including a white man holding a shovel that looks at the viewer. In the background is Frankford Avenue. Pedestrians walk on the sidewalk along the row of brick buildings., Title supplied by cataloger., Date inferred from content and attire of the people., Gift of Ruth Molloy, 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1918]
Location: Library Company of Philadelphia | Print Department photo - 5x7 - unidentified - Transportation [P.9481.3]

Title: [Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location]
Description: Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]

Title: Arbuckle's ariosa coffee. Arbuckle Bros. Coffee Company, New York
Description: One of a series of "fifty" trade cards, "each one of which shows a correct map (properly bounded) of one State, or Territory" to promote Arbuckle's Ariosa Coffee. Depicts a map of Alabama (left) and a scene with African American men and women picking cotton in a cotton field (right). Scene shows a man in the foreground placing cotton in a basket piled high with it. In the center, right background, a woman stands and holds a large basket piled high with cotton on her head. In the distant background, two men and three women bend over and pick cotton from the plants. A piece of harvesting equipment is visible in the far left background. The men and women wear long sleeve shirts and hats or bonnets. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Image captions: Cotton Picking; Population 1,262,[ ]5; Area in Sq. Miles 52,250., Date inferred from content, dates of activity of lithographer, and reference to Washington which gained statehood in 1889 as a territory., Series number printed on verso: No. 67., Several lines of advertising text printed on verso explicating why Arbuckle's Ariosa Coffee "costs more and is worth more than other brands of coffee," including higher grade green coffee and the "glazing" process. Also includes a "Read This." section describing the series of cards as "interesting, instructive, and artistic," and their purpose as and "object lesson or both young and old." Section ends with the alphabetical list of 50 states and territories depicted. Washington, New Mexico, and Wyoming are listed as territories., RVCDC, Description reviewed 2022., Access points revised 2022., Some degradation to image.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle's [P.2017.44]

Title: Uncle Ned's school
Description: View, photographed with a black background, showing a small narrative plaster after the John Rogers' bronze sculpture patented in 1866. Sculpture is comprised of the figure of an African American girl, an older African American cobbler, an African American boy, and a ramshackle cabinet. All the figures are barefoot. In the left, the young female charge of the cobbler stands, holds a book, and points to a page that she has been reading. In the center, the cobbler, his hair receded, leans over, and looks at the book as he has one leg swung over a rickety cabinet and the other behind it. He holds a shoe buffer in his right hand that rests on the book and a boot over his left hand and forearm that rests on his hip. A second boot stands at the base of the cabinet near the girl's feet. In the right, the cobbler's male charge reclines next to the cabinet. He has his left hand behind him and his left leg outstretched, as his right hand touches the base of the foot of the hanging leg of the cobbler. An open book rests in the boy's lap. The girl is attired in a straight neck, off-the-shoulder dress that is cinched at the waist. The cobbler wears rolled-up shirt sleeves, pants, and an apron at his waist. The boy wears shirt sleeves and pants with a hole at the knee. Rogers' original sculpture "Uncle Ned's School" was exhibited at the National Academy of Design in 1866. Rogers mass produced and sold tens of thousands of plaster sculptures after his bronzes 1859-1893., Title from title carved in base of depicted sculpture., Date inferred from style of mount and 1866 patent of sculpture., Yellow mount with rounded corners., John Rogers (1829-1904), a New York sculptor and artist, specialized in sculpted narrative group scenes beginning in the late 1850s. He established a workshop for the mass production of his sculptures at affordable prices that were marketed as "Rogers' Groups." Rogers retired in 1893., Gift of David Long., RVCDC, Description and access points reviewed 2022.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo. - Monuments and Statues [P.2018.16.12]

Title: Street cries
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting a group of African American men and boy peddlers at the corner of a city street. The figures are drawn with racist and caricatured features and mannerisms. In the center, a milk peddler stands and hawks with a trumpet in his left hand and a canteen of milk, ladle, and pitcher in his right hand. The man is attired in a wide-brimmed hat, shirtsleeves, pants, and a long apron. To the left, another African American man peddler pushes a large cart of junk wares and looks down at a young African American child running from a dog. The man wears a rumpled top hat, torn shirtsleeves, a vest, and patched pants. The child wears a smock dress and their hat has fallen by the feet of the milk peddler. In the right, a newspaper boy hawks the papers under his right arm. He is attired in a soft-brimmed hat, jacket, and pants. In the far right, a man attired in a hat, a shirt with turned-up collar, a long jacket, and striped pants, holds a bell and has his left leg stepped up on a box. Cityscape, a white woman street vendor at a table, and a horse-drawn cart are visible in the background. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1870., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.5]

Title: The light-running New Home sewing machine, D.S. Ewing, general agent, 1127 Chestnut St. Phila, PA
Description: Racist trade card illustration depicting an African American family riding a donkey and leaving their small cabin, which is likely located on or near a plantation. The family consists of a father, son, mother, and baby. Surrounding the family are two small dogs, two children waving goodbye on a wooden fence, a child who tugs the donkey's tail, a woman bidding the group farewell with her arms outstrethced, and a man who sits on the steps of the cabin in the background. A second cabin is visible in the background of the image behind the wooden fence. The father is attired in a yellow coat, a white and black top hat, and shoes. The son is attired in a white dotted shirt, a hat, plaid yellow pants, and shoes. The mother is attired in a yellow shirt, a white bonnet, a blue dotted shirt and shoes. She holds the baby in a wrapped blanket and gestures toward the onlookers behind her. A sign shaped like an arm with a hand pointing its index finger is situated beside the wood fence and reads "New home." In the upper right corner is a circular image of a New Home sewing machine. Daniel S. Ewing was a Philadelphia merchant who sold sewing machines at his eponymous store. The store was located in Philadelphia on Chestnut Street., Title from item., Text on recto: We's gwine to get a new home we is!, Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - New Home [P.2017.95.140]

Title: [Print specimens depicting African Americans from the Thomas Richardson and American Bank Note Company scrapbook]
Description: Includes predominantly banknote specimens showing enslaved, free, and possibly free African American men, women, and children. Images depict an African American man driver hauling a wagon filled with hay (p. 38); an African American man farm hand tending to horse in a farmyard (p. 38); enslaved men harvesting a field of grain (p. 45); an African American man cart driver hauling bundles up an incline (p. 50); enslaved men picking cotton juxtaposed with a townscape vista (p. 54); African American men workers collecting sap from trees under the view of a white foreman on horseback (p. 61); enslaved men, women, and children cutting and loading sugar cane onto a wagon at a “Sugar Plantation” (p. 66); an African American man driver leading “The Mule Team” on a country road (p. 67); African American men workers “Breaking Hemp” (p. 68); and a proof copy of an illustration from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861) depicting a scene by a hearth from “The Spy” with an African American male servant looking over the shoulder of a white woman housekeeper (p. 26). Majority of specimens include roadside scenery or plantation or residential buildings in the background. “Sugar Plantation” view also shows a steamboat on a river in the background., Title supplied by cataloger., Date inferred from the active dates of the partnerships of the printers in the imprints and content., Artists include F. O. C. Darley and Louis Denoce., Printers include American Bank Note Co.; Baldwin, Bald & Cousland; and Bald, Cousland & Co., Some items contain specimen number printed in lower right corner. Includes 131, 144, and 212., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Date: [ca. 1855-ca. 1857]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Andrew Wurfflein manufacturer & importer of guns, rifles & pistols, no. 208 North Second St. 5 doors above Race. Philadelphia Repairing in all its various branches
Description: Advertisement showing the exterior of the storefront containing a display window and a large model rifle above the entrance. An American flag projects from the muzzle of the model that is attached to the building by ropes. Patrons holding rifles and attired in hunting gear depart from the store as other patrons sit and stand near the open cellar doors of the establishment. A dog flanks the hunters and a boy walks ahead with two other dogs on leashes. Rifles, hunting bags, and guns adorn the display window. Street activity includes an African American laborer pushing a handcart of rifles and a boy carrying a wrapped rifle over his shoulder. Also shows neighboring buildings. Wurfflein's son, Andrew assumed the business circa 1871 and operated it until 1915., Printed on lower sides: Wholesale; Retail., Philadelphia on Stone, POS 21, Atwater Kent Museum: 54.3.3/2
Date: [ca. 1861]
Location: Atwater Kent Museum | Print Department AKM AKM 54.3.3/2

Title: Centennial commemoration at Philadelphia [ticket] Three millions of colonists on a strip by the sea. Now forty millions of freemen ruling from ocean to ocean
Description: Ticket to the "Grand Mass Demonstration in favor of the Centennial Commemoration of American Independence, February 22, 1873" at the Academy of Music containing scenes contrasting life in Philadelphia in 1776 with life in 1876. Scene of 1776 shows white men colonists, including one attired as a backwoodsman, in front of a log cabin and standing near a barefooted, enslaved African American man, attired in torn and worn clothing, sitting on a pile of sticks. Scene of 1876 shows a white man soldier talking to a white man artisan near an African American man laborer seated next to an anvil and machinery gears. Cityscape is visible in the background. Also includes an eagle holding an American flag crest adorned with a portrait of Washington. Contains text printed on the verso soliciting subscriptions to make the Centennial a success as well as to make Pennsylvania the representative to the world of the "power of the Republic.", Title from item., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1873]
Location: Library Company of Philadelphia | Print Department Ph Pr -8 x 10 - Events [5758.F.26c]

Title: [Working plaster sculpture of D.C. French and E.C. Potter Columbian Exposition statue of African American teamster with work horse]
Description: View of the sculpture designed by renown sculptors Daniel Chester French and Edward Clark Potter for the Court of Honor lagoon at the Columbian Exposition of 1893 in Chicago. The African American man teamster, attired in a sleeveless shirt, his muscular arms exposed, and pants cinched at the waist and ankles with rope, stands by the front leg of his draught horse. His legs slightly apart, his left hand behind his back, the laborer rests his right elbow on the shoulder of the yoked and harnessed animal. The statuary, the base marked "E.C. Potter" and "D.C. French, Sc.," stands before a drop cloth, probably within French's studio in Enfield, Massachusetts., Title supplied by cataloger., French, a renowned sculptor of several federal commissioned pieces including the Lincoln Memorial, collaborated with Potter, his former student and respected equestrian sculptor, on several sculpted works including the Court of Honor statuary at the Columbian Exposition and the statue of General Grant in Philadelphia's Fairmount Park., McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Arnold, C. D. (Charles Dudley), 1844-1927, photographer
Date: 1892
Location: Library Company of Philadelphia | Print Department photo - Arnold [5785.F.61b]

Title: Arch Street ferry, Philadelphia
Description: View of the Arch Street ferry terminal on the Delaware River. Depicts Philadelphia's busy waterfront and includes sailing ships, warehouses, bartering merchants, and dock workers weighing, as well as loading, barrels and bundles of produce onto carts. Others, including white women, are fishing and looking out onto the river. To the far left of an unoccupied dock, dock workers, including an African American man, move large bundles. At the turn of the 19th century ferries were the main source of transportation to Southern New Jersey. New Jersey provided much of the fresh produce sold at Philadelphia markets., Inscribed: 1., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 4., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 4c/P.2276.7]

Title: Girard's Bank, late the Bank of the United States, in Third Street Philadelphia
Description: Street scene with a view of the Bank of the United States on Third Street. Shows groups of men in conversation, couples strolling the sidewalk, and individuals walking up the bank's steps. View also includes, horse-drawn carts traveling in the street and, in the right, an African American man laborer working with wood scraps in front of a nearby building. Designed by Samuel Blodget, Jr., the building was completed in 1797 and housed the first Bank of the United States until the revocation of the bank's charter by Congress in 1811. Purchased by wealthy Philadelphian Stephen Girard, the building became "Girard's Bank" and operated there for the next twenty years., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: Free Library of Philadelphia, 1982, rev. 2000), pl. 17., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 17c/P.2276.38]

Title: [Wine & liquor store. Charles Egner 10 North Third Street, Philadelphia]
Description: Advertisement showing the busy four-story storefront for "Charles Enger Wine & Liquor Store." Two white gentleman converse near a row of stacked barrels within the store and two male workers, including an African American man, hoist a barrel at the second entranceway. In front of the open cellar to the building, a white man employee rolls one of several barrels lined on the sidewalk. To the left of the worker, three barrels stand upright and a white gentleman approaches. Also shows boxes in the first-floor store window; the shutters and windows of the upper floors in various states of being open; and partial views of the adjacent buildings., Poulson inscription on recto: N. Third St. Third Street. Oct. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 845, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking title., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Breton, William L., approximately 1773-1855, artist
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department W460 [P.2244]

Title: [Construction at Ninth and Sansom streets]
Description: Depicts four African American men construction workers on the framework of store fronts (i.e., Burd Building) under construction on the former grounds of the Shippen Burd mansion, demolished in 1861. In the background stands the hippodrome-shaped auction house of "Alfred M. Herkness Philadelphia Horse & Carriage Bazaar," in operation from around 1848 until 1913., Title supplied by cataloger., Date from manuscript note on verso., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, 1980), p. 180., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Broadbent & Co., photographer
Date: September 6, 1862
Location: Library Company of Philadelphia | Print Department cdv - Non-Portraits - Broadbent & Co. [(8)1322.F.47f]

Title: Not a drum was heard nor a funeral note as his corpse to the ramparts we hurried -- : Not a loco discharged his farewell shot o'er the ditch where our hero we buried
Description: Cartoon of a funeral procession portraying the erosion of Democratic support for presidential hopeful Martin Van Buren, the "Kinderhook Fox," during the election of 1844. Depicts President Tyler, instrumental in Van Buren's defeat, stating, "Thus do all our hopes end in Clay," as he steers a funeral cart carrying Van Buren, depicted as a dead fox; his son, poet Robert Tyler; and a bale of cabbages. The cart is pulled by Andrew Jackson, depicted as an old nag boasting about his part in Van Buren's death. Following the cart are the devil sobbing and bemoaning that he is Van Buren's only friend and a rotund man in a wide brimmed hat who rings a bell and calls, "Bring out your dead." In the right, two barefooted African American men gravediggers, portrayed in racism caricature and attired in torn and worn clothes, hold shovels as they stand over and comment about the open grave they have dug for Van Buren. "Here comes Pompey, we'll have this Fox earthed at last." A small cabin, with an emaciated white man in the doorway, and labeled "Loco Foco Hall" (Loco Focos were a radical branch of the Democrats who supported Van Buren) stands in the background., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1844 by James Baille in the Clerk's office of the Dist Court of the Southern District of N. York., Gift of Mrs. Francis P. Garvan, 1977., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bucholzer was a New York cartoonist whose work was published by James Baillie from 1843 until 1847.
Creator: Bucholzer, H., lithographer
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-17 [8366.F.21]

Title: [Progress photographs documenting the construction of the Sesquicentennial Exhibition, South Philadelphia, 1926]
Description: Series of progress photographs of the construction of the Tower of Light and "Progress on Lagoon" west of Broad Street and near Packer Street. Photographs depict the construction of the tower from its foundation to completion and the early stages of development of the lagoon from muddy marshland. Images show construction workers, including African Americans; construction equipment and supplies; automobiles and horse-drawn wagons; and foot traffic, including spectators. Lagoon photographs also show neighboring exhibition buildings under construction. Series also contains a view of the completed exhibition grounds. In the foreground, cars and visitors travel past the "Kodak" building. In the background, other exhibition buildings, including the "Battle of Gettysburg" theater, "Fire and Flame" hall, Alpine Haus restaurant, and Louis Mark Model Shoe Manufactory, are visible. The exhibition near the Navy Yard celebrated the 150th anniversary of independence in Philadelphia through attractions and entertainment in the form of pageants, exhibitions and sporting events., Title supplied by cataloger., Negative numbers written lower right corner. Includes 644; 1257; 1715; 1922- 1923, 1927, 3171; and 4057., Three photographs contain dates. Dates include: June 13, 1926 (Neg. #1257); June 26, 1926 (Neg. #1715); and July 2, 1926 (Neg. #1923)., See also related collection: Brightbill postcards [Sesquicentennial Exposition - 155]., Purchase 2010., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Cardinell, John D., photographer
Date: [1926]
Location: Library Company of Philadelphia | Print Department photo - Cardinell [P.2010.18.2-9]

Title: State-House
Description: Exterior view from the southeast showing the intersection of Sixth and Chestnut streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, omnibuses, delivery carts, an African American man porter pushing a hand-cart, and white men, women, and children strolling and conversing. Visible on the northeast corner of Sixth Street is Hart's Building, a row of stores and offices owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected in 1848., Title from item., Plate 11 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 721/722, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Government Buildings [P.2283.20]

Title: State-House
Description: Exterior view from the southeast showing the intersection of Sixth and Chestnut streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, omnibuses, delivery carts, an African American man porter pushing a hand-cart, and white men, women, and children strolling and conversing. Visible on the northeast corner of Sixth Street is Hart's Building, a row of stores and offices owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected in 1848., Title from item., Not in Wainwright., Plate 11 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 721/722, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, lithographer
Date: [1848]
Location: Library Company of Philadelphia | Print Department *BW - Government Buildings [P.2283.26]

Title: [Incomplete set of racist playing card game Game of In Dixieland. No. 1118]
Description: Incomplete collection of playing cards from the racist card game "Game of In Dixieland. No. 1118" issued by the Fireside Game Co. of Cincinnati, the subsidiary company established in 1896 by executives of the U.S. Playing Card Company. Advertised by the publisher as "life-like reproductions of characteristic sketches from the Sunny South," the captioned and lettered cards depict stereotyped and caricatured portraits and scenes of African American men, women, and children and African American southern life. The object of the game was to compile all the cards with the same letter into a book, with the winner holding the most books. Cards include: "A1. The Crossing Sweeper." Scene depicts an African American boy street sweeper on a street corner. He is attired in oversize jacket and pants. He also wears a cap and holds a broom. "A3. In Clover." Scene shows three young African American boys, attired in worn long-sleeve shirts and pants, seated on a log and eating quarters of a watermelon. The boy in the middle wears a bucket hat. Stacks of watermelon, including the remaining quarter of the one being eaten by the children rest at their feet. "A4. Picking Cotton." Scene shows an African American boy in a field of cotton, bent over, and picking a cotton boll. He wears a cap, long-sleeved shirt, and loose ankle-length pants. He is barefoot. Men picking cotton and a cart are visible in the background. "B2. Picking Up a Living." Portrait shows an African American girl holding a large satchel over her left shoulder. She wears a checkered, long-sleeved dress, and floppy hat. "B3 '"Jest A Restin’."' Portrait shows a young African American man seated on a crate next to a barrel and a second crate. He wears a domed cap; loose, long-sleeved jacket; cropped pants; and rolled-down boots., "D4. Heavily Laden." View shows two young African American girls, attired in ankle-length shift dresses, and aprons, and carrying buckets on their heads. Girl in left, balances the bucket on her head, and her apron contains a hole at the chest. The girl in the right holds the bucket on her head with her hands. They are bare foot and stand near the brick wall of a mill. "E1.A Georgia Charmer." Bust-length portrait shows an African American woman, slightly smiling, and her right hand resting on the side of her chin. She wears a light-colored blouse with slightly puff sleeves; a short-brimmed, straw hat; and bracelet. "F2. The Coquette." Full-length portrait shows a young African American woman, her hand on her hip, bare foot, and standing in front of the door to a log cabin. She wears a kerchief on her head, a shirtwaist, belt, and calf-length skirt. "F3 '"Look pleasant, please."' Reproduction of a drawn view shows an African American man taking a photograph of an African American woman, three African American children, and a dog on a beach. The women and children, attired in summer dresses and jumpers, sit and stand on a log and the photographer stands by a makeshift camera and removes the lens cap. The photographer wears a hat, overalls, and a long-sleeved shirt., "G2. A Genuine Brunette." Full-length portrait shows a very young African American girl, bare foot, attired in a shift dress, and seated on a step. She frowns slightly and she clasps her hands in her lap. "G4. Learning to Walk." View shows two, very young, African American girls, in blousy dresses, standing side by side on a sidewalk and in front of the brick wall of a building. "H3. The Virginia Pine Chopper." Full-length portrait shows an older African American man, with a white beard, seated on a stump, holding an ax over his left shoulder. He also has the handle of a tin pail over his left wrist and holds a walking stick in his right hand. He is posed in a dirt yard laden with sticks. Stacks of logs and a wooden fence are visible in the background."I2. A Mississippi Beauty." Half-length portrait shows a young African American woman, her left hand resting on the side of her chin. She looks slightly to the right and has a slight smile. Her hair is pulled back and somewhat teased at the crown. She wears a shirtwaist and checkered, apron dress., "J2. A Hidden Nest in the Bushes." View shows two African American boys seated on their knees in a field and eating slices of watermelon. They wear wide-brimmed caps, long sleeved shirts, and pants. Boy in right also wears a jacket. “J3. On the Wharf.” View shows an African American man and woman seated on the edge of a wharf. The man attired in a long-sleeved shirt, vest, pants, and cap, sits with his feet dangling over the edge. The woman attired in a shirtwaist, skirt, and cap sits with her feet on the wharf landing. Sailing vessels are visible in the background. "K3.'"Mos’ to de end ob de road."' Full-length portrait shows an older African American man, with a beard, seated on a chair, in front of a crumbling brick wall. He wears a worn jacket, vest, shirt, and pants. A hat with kindling rests at his bare feet. He holds a walking stick that he rests between his legs. "L3. Among the Virginia Pines." View shows a log cabin, in the distance, along a dirt road lined with dry underbrush and a few trees, some barren. A woman stands in the yard of the cabin. Fireside Card Co. was dissolved in 1908 and U.S. Playing Card Co. began to issue educational card games., Publication information from copies included in the World Web Playing Card Museum. Publication date inferred from copyright date included on box covers., Card letter printed in upper left corner., Copyright statement printed on 8 of the cards: Copyright ’96 by L.D. Baldwin., Gift of Jennifer Woods Rosner., Housed in phase box., Many stained and in poor condition., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Fireside Game Co.
Date: [1897]
Location: Library Company of Philadelphia | Print Department albums [P.2019.47]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation containing a bust-length portrait of Abraham Lincoln and two abolitionist vignettes above text from the Proclamation. In the center, Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right and is bordered by an American eagle clutching an olive branch and arrows in front of a backdrop of American flags. To the left and right of the portrait are scenes of an auction of enslaved people, with an African American woman, and free African American men working in a carpentry shop. Below the scenes, two African American cherubs hold a banner inscribed, "By the President of the United States of America." Below the text, an allegorical vignette contrasts the productive North with the destitute South depicting a white woman crying, surrounded by her children, sitting underneath a tree., Title from item., Date from copyright statement., Purchase 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., J. Mayer & Company, the Boston lithography firm established by John Julius Mayer in 1862, specialized in practical lithography. Despite the official firm name, John Mayer had no partners.
Creator: J. Mayer & Co., lithographer
Date: 1865
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [8025.F.4]

Title: [22nd Street, west side north of Market Street, Philadelphia]
Description: View showing an African American man laborer and two horse-drawn carts in front of the Philadelphia Gas Works building. Shows the man, attired in a cap, a coat, pants, and shoes, standing in the street with his right hand on top of the cart. Trolley tracks line the street. Includes partial view of a railroad overpass., Inscribed in negative: 215011., Inscribed in negative: 9 30 13., Title from manuscript note on negative envelope: Penna. R.R. Co. 22nd St. W. side North of Market St. September 29, 1913. Pennsylvania Railroad No. 177. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: September 30, 1913
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.215811]

Title: Pennsylvania Rail Road Co. connecting bridge at Girard Ave
Description: View of a construction crew working under a viaduct of the bridge to enlarge West River Drive. In the foreground, an African American man crew member lowers a hose into the ditch in which the crew of predominately African American men work. Most of the men sift through a large pile of dirt and rubble near a horse-drawn cart., Title from note on negative sleeve: Penn R.R. Co. connecting bridge at Girard Avenue., Inscribed on negative: 7314., Published in Harry Silcox's Philadelphia: the life of photographer William Nicholson Jennings, 1860-1946 (Philadelphia: Brighton Press, Inc., 1993), p. 85., Purchase 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: August 29, 1912
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.7314]

Title: [Forrest Theatre prior to demolition for the construction of the Fidelity-Philadelphia Trust Company building at the southeast corner of Broad and Sansom streets, Philadelphia ]
Description: View of the old Forrest Theatre on Broad Street at night shortly before being razed to be replaced by the Fidelity-Philadelphia Trust Company building. Spectators watch as laborers, mainly African American men, dismantle and remove building materials through a large hole in the side of the theatre. Signs for "Removal Sale" and "Drugs" are visible on the front of the building. Signage on the upper story window advertises "U.T.A United Tourist Agencies Travel Bureau." The Forrest Theatre, built in 1907, was Philadelphia's leading musical theater until its demolition in 1927., Title supplied by cataloger., Date inferred from content., Inscribed in negative: 1501, Gift of Philadelphia Savings Fund Society (PSFS), 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: 1927
Location: Library Company of Philadelphia | Print Department photo - Jennings - Fidelity series [P.9264.1]

Title: Cars loaded with cotton bales on levee near cotton growing district, Texas
Description: Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company, publisher
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department stereo - Keystone - Work [P.9600.12]

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