a Product advertisement, probably from a trade portfolio, showing the Link-Belt coal loader in action behind a small ivy covered building on the campus. In the foreground are large piles of coal. In the center, a coal shooting loader is set up and an African American man, attired in a brimmed hat, stands and oversees the operation. A laborer shovels coal from the back of a dump truck. Link-Belt Engineering Co. was founded by William Dana Ewart, inventor of the link-belt, in 1874., Title from typed note on verso., Date inferred from photographic medium and content., Inscribed in negative: 9249., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.21]
View of a fenced exposed area of the street with unearthed pipes protected by a series of wood girders. African American construction workers guide a steel bin over the girders and haul dirt from the site with a horse-drawn cart. Several spectators, including a well- dressed African American man, line the fence. In the distance, a white boy with a bucket rests on a crane near a workman's shed. Businesses line the street including "Leiber's Red Front Dining Room, 1788 Market Street." Painted advertisements for Coca Cola and a liquor dealer adorn the building visible on the street corner., Title supplied by cataloger., Negative inscribed: 554., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[July 8, 1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.362]
View of the interior of the burnt out train shed during the fire of June 11-13, 1923. Depicts several workers, including African Americans, building a new train platform and clearing debris from the tracks near the destroyed row of gates. Slightly damaged train cars and engines trapped by the fire, including "Al G. Barnes Wild Animal Circus," rest on the tracks. Large burnt pieces of the destroyed ceiling lay under a "Baggage Claim" sign. The Broad Street Station fire, started Monday, June 11, 1923 by a short circuited cable, was at the time considered one of the worst fires in the city's history with an estimated $1,500,000 worth of damage. By the second day, despite the fire continuing to burn in areas, 2000 laborers began to clear debris and set up umbrella shelters to prepare for the station's reopening at the end of that week., Title supplied by cataloger., Date inferred from content., Manuscript note on verso: Tues. noon., Reproduced in Harry Albrecht. Broad Street Station.... (Harry P. Albrecht: Philadelphia: 1976), p.30. (LCP Ok A1026.O.5), Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[June 12, 1923]
Location
Library Company of Philadelphia | Print Department photo - unidentified - transportation - railroad [P.8683.9]
Recruitment print depicting members of an African American regiment posed with their white commander at Camp William Penn, Cheltenham Township. The troop members, including the drummer boy, attired in military uniforms, are gathered on an open green near a tent. One soldier holds the flagpole with the American flag. Begun in 1863 with the support of the Union League, eleven regiments were formed at Camp William Penn, the first Pennsylvania camp for volunteer African American regiments. William Penn was the largest Civil War camp for the training of officers to lead African American troops., Title from item., Date inferred from content., LCP exhibition catalog: Negro history,, Edwin Wolf's Philadelphia: portrait of an American city. (Philadelphia: Camino Books, 1990), p. 217., Probably originally part of a McAllister scrapbook., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
P.S. Duval & Son, lithographer
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Military Camps - Penn [P.9177.17]
Depicts Philadelphia Eagles football players Edward Herman and Dennis Harrison, with Woody Peoples behind them, entering Veterans Stadium, Philadelphia. They are attired in football helmets and uniforms. They pass through two lines of cheerleaders, attired in sweat suits and white boots, who raise pom poms in their hands. In the background, spectators are visible in the filled stadium., Title supplied by cataloger., Date inferred from content., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Photo Illustrators (Firm), photographer
Date
[1980]
Location
Library Company of Philadelphia | Print Department Photo-Illustrators - non-Phila - Afro-Americana
Constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Title from item., Date inferred from content., Not in Wainwright., Philadelphia on Stone, POS 763, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 4th-5th, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator
Deroy, Laurent, 1797-1886, artist
Date
[1848]
Location
Library Company of Philadelphia | Print Department BW - Banks [P.2283.19]
View looking north from the east side of Broad and Chestnut Streets showing part of the 000 block of Broad Street and City Hall. Shows in the left, the West End Trust & Safety Deposit Co. skyscraper building built 1898 after the designs of Furness, Evans & Co. at 1404 South Penn Square. Adjacent buildings on Broad Street include one adorned with "For Rent. B. F. Teller & Bro. 606 Chestnut St." signage. View also includes street and pedestrian traffic. In the left foreground, an African American man, attired in a bowler hat and jacket, walks with a bundle under his right arm. In the background, men and women, some as couples walk on the sidewalk near a utility pole and a horse-drawn carriage parked in the street. City Hall is visible in the far background., Title from manuscript note on verso., Date inferred from attire of pedestrian traffic documented in image., Description reviewed 2022., Access points reviewed 2022.
Date
[ca. 1900]
Location
Library Company of Philadelphia | Print Department Robert Swayne Collection [P.2017.88.61]
Ticket to the "Grand Mass Demonstration in favor of the Centennial Commemoration of American Independence, February 22, 1873" at the Academy of Music containing scenes contrasting life in Philadelphia in 1776 with life in 1876. Scene of 1776 shows white men colonists, including one attired as a backwoodsman, in front of a log cabin and standing near a barefooted, enslaved African American man, attired in torn and worn clothing, sitting on a pile of sticks. Scene of 1876 shows a white man soldier talking to a white man artisan near an African American man laborer seated next to an anvil and machinery gears. Cityscape is visible in the background. Also includes an eagle holding an American flag crest adorned with a portrait of Washington. Contains text printed on the verso soliciting subscriptions to make the Centennial a success as well as to make Pennsylvania the representative to the world of the "power of the Republic.", Title from item., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1873]
Location
Library Company of Philadelphia | Print Department Ph Pr -8 x 10 - Events [5758.F.26c]
Silhouette of Peale's Museum premier African American silhouettist, facing left. Williams wears his hair in a ponytail adorned with a bow at the end. A bow adorns his collar as well. Williams was enslaved by Charles Willson Peale following the manumission of his parents in 1786. After his manumission in 1804, Williams began work as a silhouettist in Peale's Museum., Possibly by Moses Williams or possibly Raphaelle Peale., Title from manuscript note on recto., Manuscript note on verso: Moses Williams, the Cutter of Profiles. Peales Museum., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See Gwendolyn DuBois Shaw, " 'Moses Williams, Cutter of Profiles': Silhouettes and African American Identity in the Early Republic," Proceedings of the American Philosophical Society 49 (March 2005), particularly p. 36., See Gwendolyn DuBois Shaw, "'Moses Williams, Cutter of Profiles,' Silhouettes and African American Identity in the Early Republic," in Portraits of a People. Picturing African Americans in the Nineteenth Century (Seattle & London: Addison Gallery of American Art in association with the University of Washington Press, 2006 ), pp. 45-55, 69., Originally part of a McAllister scrapbook of portraits., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021.
Date
[ca. 1803]
Location
Library Company of Philadelphia | Print Department Silhouette Collection [(3)5750.F.153b]
Shows the front facade to one of the motion picture theaters built for Philadelphia motion picture entrepreneur Siegmund Lubin. The exterior of the theater is heavily decorated with architectural ornaments, predominately female figures. In the center, shows the ticket booth with a sign that reads, "Lubin's 5¢." There are four sets of double doors. Above the doors in the left is a sign reading, "Entrance to Theatre. Box Office" with a finger pointing left. An African American man, attired in a cap, a white collared shirt, tie, and suit jacket and pants, holds a broom and stands in between the first two sets of doors. A second broom leans against the wall beside him. In the left is a door that reads on the glass, "Filling's Wine Room." Adjacent building in the right has two visible signs, "Der Doo" and a partial view showing "Chinese" probably a Chinese restaurant. Der Doo (1874-1929?) emigrated from China to Baltimore in 1900. He opened Chinese restaurants in Baltimore and Washington, D.C. He served as president of the Chinese Reform Association, which sought to repress the opium trade., Title supplied by cataloger., Date inferred from content., Retrospective conversion record: original entry, with corrections.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department photo - unidentified - theatres [P.9260.450]
Founder's Week postcards commemorating the 225th anniversary of the founding of Philadelphia. Copies of William Birch's engraved view of High (Market) Street from Ninth depicting a detachment of the First City Troop of Philadelphia drilling on horseback. The troop promenades up the busy street where several horse-drawn carts and a dray travel and several pedestrians, including an African American man and boy (in the right), watch the guard and/or stroll the tree-lined sidewalks. A market shed is seen in the distance. The First City Troop, one of the oldest continually mounted U.S. military units, was organized in 1774 to defend against British invasion. The troop used a variety of arenas to perform drills including circuses, riding schools, and various public grounds. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title from item., Date from copyright statement: Copyright 1908 by P. Sander, N.Y., Series no.: 254-1., Divided backs., Gift of Clarence Wolf, 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1908
Location
Library Company of Philadelphia | Print Department LCP postcards - Streets - [P.9049.43 - 44]
A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note: Published for the Election of the 1st of 8th 1764 of Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date
[1764]
Location
Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [959.F.74]
A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly Election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note on recto in Watson's hand: Wrote by the Revd. Isaac Hunt at or before 1764 - when Franklin was made agent to London for this "Medley" says "Franklin will be agent." [and] Property of John F. Watson., Manuscript note on verso: Purchased from John F. Watson, Esq. June 14 1860. C.P. [Charles Poulson]., LCP copy lacking fragments along center vertical fold. Backed with laid paper., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1764]
Location
Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [1885.F.32]
Procession of the advertising and publishing club established in 1906 in honor of Benjamin Franklin past the Poor Richard Club and the nightclub, "Club Madrid," on the 1300 block of Locust Street. Depicts the members being led by a Franklin impersonator and a man, wearing makeup and a curly, white wig and attired in an embellished long-sleeved shirt with a cap, shorts, and white stockings, on horseback. They are followed by costumed and uncostumed members. All the costumed "young Franklins," except for a few who hold flags and a club banner, carry loaves of bread simulating Franklin's arrival to Philadelphia. Spectators watch from the sidewalk and the street, including an African American chauffeur leaning on a parked car. Parade may commemorate the relocation of the club to 1319 Locust Street from 239 Camac Street on November 30, 1925., Title supplied by cataloger., Photographer's blind stamp on recto., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Photo Illustrators (Firm), photographer
Date
[ca. 1925]
Location
Library Company of Philadelphia | Print Department Photo-Illustrators-11x14 [P.8876.3]
Street scene with a view of the Bank of the United States on Third Street. Shows groups of men in conversation, couples strolling the sidewalk, and individuals walking up the bank's steps. View also includes, horse-drawn carts traveling in the street and, in the right, an African American man laborer working with wood scraps in front of a nearby building. Designed by Samuel Blodget, Jr., the Federal-style building was completed in 1797 and housed the first Bank of the United States until revocation of the bank's charter by Congress in 1811. Purchased by wealthy Philadelphian Stephen Girard, the building became "Girard's Bank," and operated on the site for the next twenty years., Title from item., Reproduced in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 17., Gift of James D. Johnson, 1995., Description revised 2021., Access points revised 2021.
Creator
W. Birch & Son
Date
1799
Location
Library Company of Philadelphia | Print Department Birch's views [Sn 17a/P.9485]
Half-length portrait of the first African American man ordained by the Presbyterian Church, seated and facing left, and with his right hand raised. Gloucester is attired in a shirt with a high neck collar, a vest, and a jacket. Contains decorative border with an inset of the Bible inscribed with the verse John I:29. Born and enslaved in Tennessee, Gloucester, initially a missionary, presided over the first African American Presbyterian church in the country., Title from item., See Lib. Company. Annual report, 1973, p. 43., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886. Accessioned 1973., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
B. Tanner & W.R. Jones, engraver
Date
August 1st 1823
Location
Library Company of Philadelphia | Print Department portrait prints - G [P.8911.430]
Scene depicting the procession of the catafalque transporting the flower covered casket with President Lincoln to Independence Hall. Funeral officials, attired in black suits and top hats, attend the open air funeral car with canopy, draped in black cloth, and drawn by eight horses. Mourners line the city street including an African American man and woman., Title from item., Date inferred from content., Philadelphia on Stone, POS 289, Reproduced in Edwin Wolf's Philadelphia: Portrait of an American city (Philadelphia: The Library Company of Philadelphia in cooperation with Camino Books, 1990), p. 221., Lib. Company. Annual report, 1971, p. 43., Purchase 1970., Description revised 2021., Access points revised 2021., Charles Tholey, Augustus Tholey, and their father, probably named Michael, worked as lithographers, engravers, and pastel portraitists in Philadelphia in the mid 19th century.
Creator
Tholey (Firm), artist
Date
[1865]
Location
Library Company of Philadelphia | Print Department **W146 [7929.F]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; lithographer, John Childs; and engravers, stationers and producers of embossed cards, envelopes, labels, etc., Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 resided at the site until dissolving in 1860., Title from duplicate print., Date from Poulson inscription on recto: Fourth Street; s.w. cor.; Library Street; Feby, 26, 1856., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[February 16, 1856]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.2277.23]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; blank book manufacturer, J.R. McMullin; and engravers, stationers, producers of embossed cards, envelopes, and labels, Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the site until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 remained at the site until dissolving in 1860., Title from item., Date inferred from content and history of the printer., Advertising text printed around border., Advertisements printed on verso: engraver, J.H. Byram - wholesale collar manufacturer, Robert C. Winters - and truss manufacturer and importer, C.W. Van Horn & Co., Originally part of a McAllister scrapbook of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[ca. 1857]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [(7)1322.F.158.1a]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; and blank book manufacturer, J.R. McMullin. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1852 remained at the site until dissolving in 1860. J.R. McMullin remained from 1857 until 1859., Title from item., Date from Poulson inscription on recto: Decem. 1858., Signage on building for Evans, Card & Fancy Printer stamped with gilt., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[December 1858]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.8729.8]
Advertisement showing the busy street corner at Front and Walnut streets near the Delaware River with a view of the building containing the oil manufactory, and the flour and farina store. The scene is depicted within a lithographed tromp l'oeil wood frame containing an inset of an exterior view of Peck's Works at Dock Street. Delivery wagons and drays traverse the business-lined streets, including one for Peck's driven by an African American man. Pedestrians walk the sidewalks and cross the intersection, and a white boy rolls a hoop past a white woman peddler sewing by her food stand. Visible in the background are the busy Walnut Street Ferry wharf and Smith and Windmill Islands in the Delaware River. Louis L. Peck's varnish business operated from around 1848 until 1855., Title from item., Date supplied by Wainwright., Printed below the image: Orders for the City, Country, or Shipping put up, with Care and Despatch, at the lowest market prices., Philadelphia on Stone, POS 444, Reproduced in Edwin Wolf's Quarter of a millennium (Philadelphia: The Library Company of Philadelphia, 1981, rev. 1990), p. 177., LCP exhibition catalogue: Made in America #79., Lithograph reproduced on the cover of Nicholas B. Wainwright's Philadelphia in the romantic age of lithography (Philadelphia: The Historical Society of Pennsylvania, 1958). Proof of cover in the Library Company's collections (W222.1)., Accessioned 1982., Description revised 2021., Access points revised 2021., Wagner & M'Guigan, was an early successful experimenter in chromolithography, winning a silver medal at the 1844 Franklin Institute exhibition.
Date
[ca. 1855]
Location
Library Company of Philadelphia | Print Department **W222 [P.2134]
Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease, W.H, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department **W230 [P.2129]
Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator
Queen, James Fuller, 1820 or 1821-1886, artist
Date
1861
Location
Library Company of Philadelphia | Print Department **W434 [P.9001.6]
Advertisement depicting an exterior view of the Rogers' industrial complex, the "model coach factory of America," at the busy corner of Sixth and Master streets. A white man clerk displays a carriage to a man and woman couple as laborers work on the upper stories. Drays, surreys, "Rogers" delivery carts, and a young African American man with a horse traverse the intersection. A white man passenger disembarks from a Sixth Street line horse-drawn omnibus near the factory entrance. A second omnibus rests at the corner, the white man driver unhappily receiving a citation from a white man constable; his young, white boy passenger watching with a look of awe sitting beside his mother. Rogers, the business established in 1846, and the factory erected in 1853, absorbed rival manufactory George W. Watson in 1870. The business operated over sixty years., Title from item., Date supplied by Wainwright., Philadelphia on Stone, POS 855, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease & Schell, artist
Date
[ca. 1854]
Location
Library Company of Philadelphia | Print Department **W464 [P.2268]
Advertisement depicting an exterior view of the Rogers' industrial complex, the "model coach factory of America," at the busy corner of Sixth and Master streets. A white man clerk displays a carriage to a man and woman couple as laborers work on the upper stories. Drays, surreys, "Rogers" delivery carts, and a young African American man with a horse traverse the intersection. A white man passenger disembarks from a Sixth Street line horse-drawn omnibus near the factory entrance. A second omnibus rests at the corner, the white man driver unhappily receiving a citation from a white man constable; his young, white boy passenger watching with a look of awe sitting beside his mother. Rogers, the business established in 1846, and the factory erected in 1853, absorbed rival manufactory George W. Watson in 1870. The business operated over sixty years., Title from item., Date supplied by Wainwright., Philadelphia on Stone, POS 855, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease & Schell, artist
Date
[ca. 1854]
Location
Library Company of Philadelphia | Print Department **W464 [P.2268]
Exterior view of the coffee house and merchants' exchange at the southwest corner of Front and Market streets in Philadelphia during the colonial era. An auction of enslaved African American people occurs outside the coffee house and pedestrians traverse the sidewalks and street, including an African American woman carrying a basket on her head. Views of the adjacent printing house and book store of "Pennsylvania Journal" publisher, William Bradford, are visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. Razed in 1883., Title from item., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 339., Philadelphia on Stone, POS 442, Gift of James Rush., Description revised 2021., Access points revised 2021.
Creator
Breton, William L., lithographer
Date
[1830]
Location
Library Company of Philadelphia | Print Department BW - Hotels, Inns, Taverns [9245.Q.20], http://www.lcpimages.org/afro-americana/F-London.htm
Advertisement depicting the three-and-a-half story warehouse operated by Frederick Foering and C.A. Thudium at 87 North Second Street. In the open entranceways, a white man clerk assists a white woman shopper and an African American laborer lifts a stove. Displays of stoves line the sidewalk and the store walls. On the second floor near open windows, white laborers work. A horse-drawn cart departs an adjoining exitway. Foering and Thudium, one of the city's first domestic stove manufacturers, started in business in 1828, and operated on North Second Street from 1845 until 1847., Print trimmed and lacking caption., Title from item., Date from Poulson inscription on recto: Dec. 1846. North Second Street., Philadelphia on Stone, POS 266, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease, W. H., lithographer
Date
[December 1846]
Location
Library Company of Philadelphia | Print Department *W132 [P.2045]
Periodical illustration depicting the bustling market near the Camden Ferry and the Delaware River on Market Street below Water Street. Under the market shed, in the right, women peddlers sell their goods to the many milling customers. Under the adjacent canopy walkways, in the left, white men sailors and couples of men and women stroll and an African American man and woman couple argues. On the street, in the right background and center foreground, dockworkers deliver wheelbarrows of goods and a white woman peddler chases a dog stealing a fish. From the late 18th century, Philadelphia continually had a fish market below Water Street. The permanent shed, built in 1816, was torn down when the market closed in 1860., Title from item., Originally published in Gleason's pictorial drawing room companion, ca. 1852., Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Leslie, most known as the publisher of "Frank Leslie's Illustrated News," began his career as an engraver at "London Illustrated News." He left the London newspaper for "Gleason's Pictorial..." where he worked from 1851 until 1853.
Creator
Leslie, Frank, 1821-1880, engraver
Date
[ca. 1852]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Markets-Philadelphia Fish Market [P.9361.2]
Whimsical publisher's advertisement containing four vignettes in a fanciful border of food imagery surrounding a list of cookbook titles in German and English authored by Marianne Struf and the steward of the Union League, William Vollmer. Vignettes depict three quirky scenes representing agricultural work, hunting, fishing, and fine dining. Also contains a scene depicting four women peeling apples, mincing meat, and baking in a kitchen. Vignettes include an African American man waiter and an African American woman cook. Fanciful border contains stone pedestals adorned with seals comprised of cooking implements, as well as a basket of bread, bottles of wine, a crab holding oranges, a tureen of soup, dead game, ears of corn, plates, a pitcher, a coffee grinder, and mischievous monkeys., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1856 by J. Weik in the Eastern District Court of Pa., Printed above image: Life Preserver., Printed under title in German: All five books can be had here., Not in Wainwright., Philadelphia on Stone, POSP 126, LCP exhibition catalogue: The Larder invaded, aft. p. 9., LCP exhibition catalogue: Philadelphia revisions #32., Lib. Company. Annual report, 1973, p. 44., Top corner and center edge mended., Purchase 1973., Description revised 2021., Access points revised 2021.
Creator
Nissle, J., artist
Date
1856
Location
Library Company of Philadelphia | Print Department **BW - Advertisements [8074.F.1]
View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway on the 700 block of Market Street. Shows the very active street with several trolleys, horse-drawn vehicles, and men and women pedestrians hurrying on the street near the sidewalk mobbed with people. African American construction workers work under a "Danger" sign. Nearby, a man carries a sign advertising "Dr. Hyman" who "will fix your teeth." Several businesses line the street, including Lit Brothers department store (701-739 Market); "Dr. Wyeth's Painless Modern Dentistry" covered with signage; Hanscom's, grocery and lunch room (734 Market); Hertfelder's, tailor and clothiers; Wick Narrow Fabric Co.; and Asam Brothers, wall paper., Title from manuscript note on verso., Date inscribed in negative., Inscribed in negative: 4396., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
September 25, 1907
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.375]
Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date
[1930]
Location
Library Company of Philadelphia | Print Department framed graphics [P.2023.5]
Half-length portrait of the African American bishop, seated, and holding a book, possibly the Bible, in front of a curtain. He looks slightly to the left and points to an open page of the book with his right hand and clasps the upper edge of the other side of the book with his left hand. Allen is attired in a collared shirt, a vest, and a jacket. Allen was the first African American bishop as well as founder of the African Methodist Episcopal Church. He was born in Philadelphia and was enslaved by Benjamin Chew. He worked as a wood-cutter during his ordination. A full-length portrait of the white Quaker abolitionist and little person Benjamin Lay is on the verso. Lay is attired in a tricorn hat, a long shirt and jacket, britches, and boots. He holds a cane and book in his right hand., Manuscript note on border: "The curiosity of the portrait below is that it was made for the first Black Bishop in the UStates and perhaps the world! He is indeed a self created Bishop; nevertheless, as such he has now, in his 65 years, in 1824, probably created 100 ministers, by his ordination! He was born & bred in Philada. He was originally a slave of Benjn Chew's Esqre & learnd the trade of a Shoemaker; & like St. Paul, 'labored with his own hands,' while he ordained-", Title from item., Date form item., In John Fanning Watson's Extra-illustrated autograph manuscript of "Annals of Philadelphia", p. 276., Gift of John F Watson, June 1830., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1813
Location
Library Company of Philadelphia | Print Department Watson's Annals manuscript [Yi2 1069.F.276]
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator
Luders, E., artist
Date
[ca. 1856]
Location
Library Company of Philadelphia | Print Department **W158 [P.2080]
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator
Luders, E., artist
Date
[ca. 1856]
Location
Library Company of Philadelphia | Print Department **W159 [P.2079]
Series of trimmed, captioned scraps containing racist African American imagery based on the “Life in Philadelphia” series after the designs of Edward W. Clay first published 1828-1830. The series of primarily racist social caricatures lampooned the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Caricatures depict scenes of courtship, society balls, fashion, freemasonry, and the election of Andrew Jackson, as well as sexism, sexual harassment, and sexual innuendo. The figures are portrayed with oversized and exaggerated features and often in the fashion of dandies and belles. Scenes include an African American man leaving his card for “Clotilda” at her basement apartment door within the dishcloth of her African American woman house servant before him (P.2021.28.1a); an African American man-woman couple stopped during their walk in a park to watch a man watching them (P.2021.28.1b); an African American ball at which an African American man attendee asks an African American woman attendee for a dance in front of other African American attendees in the background (P.2021.28.2a); an African American man sexually harassing an African American woman on a city street (P.2021.28.2b); an African American woman and man in conversation on a Sunday (“day of our lord”)(P.2021.28.3a);, African American couple “Mr. Lorenzo” and “Miss Chloe,” seated on a couch, by a window, in a parlor in conversation (P.2021.28.3b); an African American ball at which an African American woman attendee asks an African American man attendee if he likes the waltz in front of other African American attendees in the background (P.2021.28.4a); an African American woman in a dry goods store asking a white man sales clerk, who speaks with a French dialect, about stockings (P.2021.28.4b); an African American military volunteer chastising an African American boy drummer at a military encampment (P.2021.28.5a); an African American man-woman musical couple where she plays the guitar and he sings “Coal Black Rose”(P.2021.28.5b); two African American masons in conversation about “Gen’l Jackson” in front of an altar at a masonic hall (P.2021.28.6a); an African American woman, “Dinah,” being asked by an African American man, “Mr. Durang,” about his new checkered “fashion trousers” (P.2021.28.6b). Women figures are attired in wide-brimmed, and/or ornately adorned, wide-brimmed hats or headpieces, puff-sleeved dresses or a hooded cape in ornate patterns, as well as gloves, slipper shoes, jewelry, and monocles. Men figures are attired in top or wide-brimmed hats, waistcoats, vests, large bowties, trousers or pantaloons, military uniform, masonic regalia, gloves, and slipper shoes or boots. Accessories held by the figures include purses, umbrellas, fans, walking sticks., Scenes also include detailed backgrounds and interior and exterior settings including residential facades; dogs; a white man seated on a bench in a park; ballrooms with attendees and a band playing in a balcony; a section of a city street with a guardhouse; parlors; a counter at a dry goods store; a volunteer military encampment; a masonic hall; as well as pieces of furniture, such as chairs, mantles, and side tables., Title supplied by cataloguer., Date inferred from content., P.2021.28.1a contains three lines of dialogue in the vernacular and dialect below the image: Is Miss Clotilda at home? No sir she’s particularly ingaged in washing de dishes – Ah! give her my card!, P.2021.28.1b contains two lines of dialogue in the vernacular and dialect below the image: Vol is you looking at my dear? Vy I’m looking at dat imperent fellow vat’s laughing at us?, P.2021.28.2a contains three lines of dialogue in the vernacular and dialect below the image: Will you hona me wid your hand for de next codrille Miss Manda? Tank you sa’ but I’m ingaged for de nest ten set!, P.2021.28.2b contains two lines of dialogue in the vernacular and dialect below the image: What do you take me for? you black nigger? Why I take you for myself to be sure., P.2021.28.3a contains two lines of dialogue in the vernacular and dialect below the image: Bery hot dis day of our lord Mr. Cesa! Berry hot indeed Miss Juliet – de terometa is 96 degree above joho., P.2021.28.3b contains two lines of dialogue in the vernacular and dialect below the image: Mr. Lorenzo dat’s a nice dog you’ve got” Lord! Miss Chloe., P.2021.28.4a contains two lines of dialogue in the vernacular and dialect below the image: do you walse Mr. Wellington? No, my dear creta_ It’s to common. I go nothin but de Manourkey!, P.2021.28.4b contains two lines of dialogue in the vernacular and French dialect below the image: Have you any flesh coloured silk stockings, Sir? Oui Mamselle here is von pair of de last Parisian touch-, P.2021.28.5a contains two lines of dialogue in the vernacular and dialect below the image: You say I belong to de milishy you black varmont. I’ll let you know I’m a wolunteer., P.2021.28.5b contains two lines of dialogue in the vernacular and dialect below the image: How will your voice harmonize wid de sentiment. Mr. Cato you quite equal to Horn!, P.2021.28.6a contains three lines of dialogue in the vernacular and dialect below the image: Well brudder Jones what you tink of Genl Jackson now? Day say he’s gwang to be Anti Masonic! I don’t know, I tink dat depend on de new cabinet., P.2021.28.6b contains three lines of dialogue in the vernacular and dialect below the image: How you like de new fashion trousers Dinah. Oh quite lubly! You look like Mr. Durang when he play harlequin in de masqarade., Printed in upper left corner of P.2021.28.1a: [E?]dition., Printed in upper right corner of P.2021.28.2a and trimmed: 2nd E?[dition?], RVCDC
Date
[ca. 1838-ca. 1855]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Miscellaneous) [P.2021.28.1a-6b]
View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthenware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible., Title from item., Date from Poulson inscription on recto: Dec. 1848., Contains advertisements for six of the depicted businesses below the image., Philadelphia on Stone, POS 331, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease, W. H., lithographer
Date
[1848]
Location
Library Company of Philadelphia | Print Department **W 162 [P.2077]
Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [P.9304]
Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [P.9304]
Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date
[ca. 1860-ca. 1952]
Location
Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]
