P.9877.4
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.4i
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.4j
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.4n
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.6a
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.6h-1
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.8g
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.10k
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.10m
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.12a
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.12b-2
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.18
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.19
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.6
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.7
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.8
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.9
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.10
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.11
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.12
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.9877.13
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"
Title
[Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description
Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]
P.9877.5
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
Civil War photograph collection [graphic].
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
5779.F.12c
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.2006.1.8
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.2006.1.26
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
P.8532.2
Title
Civil War photograph collection
Description
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-ca. 1900, bulk 1861-1865
Location
Library Company of Philadelphia | Print Department Small Civil War Photograph Collection [(11)1540.F.(various); (12)1540.F.(various); 5779.F.(various); P.2006.1 & 28; P.8532.1-26; P.9877.1-29; P.9878.1-14], Library Company of Philadelphia | Print Department Civil War photograph collection [5779.F.(various)]
Historical.
Title
Historical The plan for the organization of the Sunday School Union of the African Methodist Episcopal Church was presented by Rev. C. S. Smith to the Council of Bishops at their annual meeting in Cape May, N. J. August 11, 1882. The bishops approved of the plan, and the Rev. C. S. Smith was appointed corresponding secretary. At the General Conference, which met in Baltimore, MD. May, 1884, the Union was adopted as one of the general departments of the church, and the Rev. C. S. Smith was unanimously elected corresponding secretary of the same. The building now owned and occupied by the Union was purchased February 28, 1888, at a cost of $9,000. The building is situated on the north side of the public square in the city of Nashville, Tenn., and is a handsome five story structure with a solid stone front. The printing department was organized February, 1889, and is known as the publishing house of the A. M. E. Sunday School union. The first book ever issued by a Colored publishing house in the history of the world was issued by the Union, September, 1890, with the title, "Poor Ben." The first Children's Day to be observed in the A. M. E. Church took place on the 4th Sunday in October, 1882
Description
Print commemorating the ten year anniversary of the Sunday School Union containing half-length portraits of the president, and founder of the Sunday School Union, and three-quarter length portraits of the four regional queens of Children's Day 1891. Shows Bishop D[aniel] A. Payne D.D. L. L. D. President of A. M. E. Sunday School Union, an avid proponent of higher education for African Americans; Rev. C[harles] S. Smith. Founder of the A.M.E. Sunday School Union and organizer of Children's Day; Miss Amelia Boddy, Philadelphia, Pa. Eastern Queen; Miss Ida Jenkins, Independence Mo. Western Queen; Miss Mamie Pettiford, Franklin, Ind. Northern Queen.; and Miss Minnie Mabrey, Vicksburg, Miss. Southern Queen. The young women wear crowns, sashes, and flowers and hold scepters. Also contains a central vignette showing the exterior of the publishing house and a border comprised of flowers, ferns, and greenery. Children's Day was devoted to the interest of the children in the church, and included donations, special programs, and exercises such as original poetry, hymns, and African American history lessons., Title from item., Accompanied by original mailer tube containing label printed: Lithograph. Handle with Care. From the A. M. E. Sunday School Union Publishing House, Nashville, Tenn. *albums (flat) [P.2006.27b], Purchase 2006., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
A. M. E. Sunday School Union
Date
1891
Location
Library Company of Philadelphia | Print Department *GC - Religion [P.2006.27a]
[Specimens album]
Title
[Specimens album]
Description
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1852-ca. 1876]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up
[J. & P. Coat's thread trade cards]
Title
[J. & P. Coat's thread trade cards]
Description
Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]
Band leading students to dinner, [Hampton Institute, Va.] [graphic].
Title
Band leading students to dinner, [Hampton Institute, Va.]
Description
Film negative showing a marching band leading a procession of African American women through two straight rows of African American men, attired in in uniforms and caps, at Hampton Institute. In the foreground, the African American men play their musical instruments while marching in five columns. Flanking them, the men stand at attention holding their hats to their chests. Following the band are several men carrying flags and the women, attired in white dresses, walking in rows. In the left, a crowd of white and African American men and women watch the scene. In the background, is the Hampton River where several boats sail and trees grow along the banks. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
April 24, 1912
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.467]
Mason's challenge blacking. James S. Mason & Co., nos. 138 & 140 North Front Street, Philadelphia.
Title
Mason's challenge blacking. James S. Mason & Co., nos. 138 & 140 North Front Street, Philadelphia
Description
Advertisement depicting a "shoe blacking" competition between two African American shoe shiners to promote the manufactory of blacking established in 1832 by James S. Mason. Shows two African American men, portrayed in racist caricature, holding a brush, a canister of "Mason's" blacking, and a boot, while they dance on a table. An African American man fiddler sits on a stool and plays. In the foreground, a white man holds an oversized boot. A white shoe shine boy, his pack on his back, stands behind an older man holding his arm as he points at his reflection in the boot. In the left background, a troop of white Union soldiers marches in behind a parade marshal adorned in "M" insignias. The men carry a banner reading "Mason's (Original) Challenge Blacking (Philadelphia)," as well as boots, and signs spelling "M-A-S-O-N." In the right background, a crowd of spectators, including figures likely representing Germany, the Ottoman Empire, Britain, and possibly France, stand and watch the competition attentively. Scene also includes boxes of Mason's Challenge Blacking. Following the death of Mason in 1888, his son Richard assumed the business which was in operation into the 20th century., Title from item., Date inferred from directory listings for the artist and engravers., Attributed by cataloger to Francis H. Schell, but possibly by Frederick B. Schell., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Schell, Francis H., 1834-1909, artist
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department Ph Pr - 11x14 - Advertisements - M [P.2013.51]
The Freedman's Bureau! An agency to keep the negro in idleness at the expense of the white man. Twice vetoed by the president, and made a law by congress. Support Congress & you support the negro. Sustain the president & you protect the white man [graphic
Title
The Freedman's Bureau! An agency to keep the negro in idleness at the expense of the white man. Twice vetoed by the president, and made a law by congress. Support Congress & you support the negro. Sustain the president & you protect the white man
Description
Racist campaign poster in support of Democratic candidate Heister Clymer published during the Pennsylvania gubernatorial election of 1866 attacking his Republican opponent James White Geary and the Republican Congress's support of the Freedmen's Bureau. Depicts an oversize figure of an African American free man, portrayed in racist caricature with grotesque features, lazing on his back under the quote in the vernacular, "Whar is de use for me to work as long as day make dese appropriations." The figure is surrounded by imagery, including scenes, quotes, and a table, condemning the legislature's financial support of African Americans. Scenes include a white man chopping wood as "the white man must work to keep his children and pay his taxes"; a white man farmer plowing his field for "in the sweat of thy face thou eat thy bread"; and a view of a building similar to the Capitol under the heading "Freedman's Bureau! Negro Estimate of Freedom!" The building is inscribed with divisive words and terms including: "Freedom and No Work"; "Goods to eat & drink. Uncle Sam will have to keep me"; "Idleness"; "White Women"; "Apathy" and a list of foods stereotyped as part of the African American diet. Also includes a table listing appropriations issued by Congress in support of the Freedman's Bureau; a quote indicating the inequity of Civil War veteran's bounties in favor of African Americans; and a statement disapproving of the cost of the Freedman's Bureau to the "Tax-payers of the Nation.", Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Readex July 2013 update: This political cartoon is now housed in the Print Room; formerly Lib. Company. Afro-Americana, 3815., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866]
Location
Library Company of Philadelphia | Print Department *political cartoons - 1866-6 [(6)5777.F.79]
A distinguished arrival. [graphic] : Negro soldier - "Hi dar! Show dis ole lady a room - one wid a closet to put dis yar skelle in tum in!"
Title
A distinguished arrival Negro soldier - "Hi dar! Show dis ole lady a room - one wid a closet to put dis yar skelle in tum in!"
Description
Cartoon satirizing the imprisonment at Fort Monroe, Va. of Confederate president Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Shows an African American soldier escorting Davis to a cell door at the "Hotel De Monroe." In front of the door a noose hangs. Davis, attired in a bonnet, shawl, and overcoat, holds a money bag labeled "JD. CSA" (an allusion to Davis's confiscation of the remaining Confederate treasury). The soldier holds a bayonet to which a skirt hoop is attached and speaks in the vernacular "Hi dar! Show dis ole lady a room..." In the background, a smiling sun, an African American soldier, and a ship sailing the bay are visible. Davis was imprisoned at Fort Monroe between 1865 and 1867., Title from item., Date from copyright statement: Ent'd according to act of Congress, in the year 1865, by J. Chapman in the Clerk's Office of the District Court, for the Southern District of New York., Purchase 2004., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1865
Location
Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [P.2004.6.2]
A distinguished arrival.
Title
A distinguished arrival Negro soldier - "Hi dar! Show dis ole lady a room - one wid a closet to put dis yar skelle in tum in!"
Description
Cartoon satirizing the imprisonment at Fort Monroe, Va. of Confederate president Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Shows an African American soldier escorting Davis to a cell door at the "Hotel De Monroe." In front of the door a noose hangs. Davis, attired in a bonnet, shawl, and overcoat, holds a money bag labeled "JD. CSA" (an allusion to Davis's confiscation of the remaining Confederate treasury). The soldier holds a bayonet to which a skirt hoop is attached and speaks in the vernacular "Hi dar! Show dis ole lady a room..." In the background, a smiling sun, an African American soldier, and a ship sailing the bay are visible. Davis was imprisoned at Fort Monroe between 1865 and 1867., Title from item., Date from copyright statement: Ent'd according to act of Congress, in the year 1865, by J. Chapman in the Clerk's Office of the District Court, for the Southern District of New York., Purchase 2004., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1865
Location
Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [P.2004.6.2]
The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt. [graphic] / engrav'd, printed & sold by Paul Revere, Boston.
Title
The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt
Description
Depicts a scene during the "Boston Massacre" of March 5th, 1770 in which an officer signals seven British soldiers to fire into a mob of protesting colonists. The wounded lie on the ground or are carried away by the crowd. A woman in a shawl observes the carnage. Eighteen lines of verse criticizing the actions of the British and a list of colonists killed or injured appear below the image: "Saml Gray, Saml Maverick, James Caldwell, Crispus Attucks, and Patk Carr (killed) and it is noted that there were "Six wounded; two of them (Christr Monk & John Clark) Mortally." Crispus Attucks, included in the list of colonists but not transparently depicted, was a free man, sailor, and the alleged leader of the crowd who was the first colonist shot and killed., Title from item., Most well-known of Paul Revere's prints, and a nearly identical copy of a print entitled "The Fruits of Arbitrary Power, or the Bloody Massacre" by Henry Pelham who accused Revere of piratism., Facsimile based on the original by Revere., Inscribed: Copy Right Secured., One of the prints originally part of a McAllister scrapbook of views of Massachusetts. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Revere was a Boston silversmith, engraver, and cartoonist, most known for his patriotic activities during the American Revolution.
Creator
Revere, Paul, 1735-1818, artist
Date
March 5, 1832
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1770-1 [1884.F.25; 5738.F.8]
A peep into the Antifederal Club. [graphic]
Title
A peep into the Antifederal Club
Description
Satire of an Anti-Federalist (ie. Democratic-Republican) Club reflecting the Federalists characterizations of the clubs as atheistic secret societies with a debased membership that promoted revolutionary action and mob rule. Possibly Thomas Jefferson, a founder and leader of the Democratic-Republicans, orates to club members including: a Citizen Genet, a supporter of Edmond Genet, the minister of the French Republic who promoted the principles of the French Revolution for America; naval hero and New York radical Commodore Livingston; Philadelphia astronomer David Rittenhouse peering through his telescope at a satire of the "Creed of the Democratic Party;" the devil; an obese drunkard damning the Federal Government; New York Governor DeWitt Clinton, and an African American man referred to by another member as "Citizen Mungo.", Title from item., Manuscript note on recto: This Caricature the work of an Artist of our own Country is presented to the Library Company by the friends of that Institution., Inscribed: Price one half dollar., LCP exhibition catalogue: Made in America #15., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
August 16, 1793
Location
Library Company of Philadelphia | Print Department Political Cartoons -1793-1w [5760.F.6]
[I] take the responsibility. [graphic] / Hassan Straightshanks, Del.
Title
[I] take the responsibility
Description
Satire concerning Andrew Jackson's role in the controversy over the discontinuation of federal deposits to the Bank of the United States. Jackson, portrayed as a jack-ass, is led by Van Buren, believed to be the force behind the discontinuation. He pulls a refuse cart labeled "K.C." (i.e., Kitchen Cabinet) which symbolizes the U.S. government. The cart is steered by a figure made of kitchen implements. A barefoot African American man, portrayed as a racist caricature and attired in a shirt with the sleeves rolled up and pants, pours a bucket of waste from a public privy labeled "Public Accommodations. Place of Deposit" into the cart. There is a white man sitting inside the "Public Accommodations" building and large rats run on the roof., Title from item., Pictograph of an eye is used in place of "I" in title., Date from copyright statement: Entered according to Act of Congress in the year 1834 by Endicott & Swett in the Clerk's office of the District Court of the southern District of New York., Inscribed: No. 1., Hassan Straightshanks is possibly a pseudonym for David Claypoole Johnston., Purchase 1957., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1834
Location
Library Company of Philadelphia | Print Department Political Cartoons -1834-12 [6194.F]
Not very like a whale but very like a fish. Seventh Ward Promenades. [graphic] /. A. Shad
Title
Not very like a whale but very like a fish. Seventh Ward promenades
Description
Cartoon depicting the riots caused by the corrupt electioneering tactics and voter coercion during the first general mayoral election in New York City in 1834. In the right, the mob of people shout "Hurrah for Lawrence" ie. Cornelius Lawrence, the Tammany candidate and winner of the election. The crowd, including African American men depicted in racist caricature, carry pieces of wood as they chase the white man attired in a nightshirt and cap, probably New York merchant and 7th Ward Bank investor, Preserved Fish. A dog also runs after him. "Preserved Fish" runs past a building with a banner, "Hurrah for Gulian C. Verplanck," the Whig candidate who contended that he was defrauded of the office. The corrupt 7th Ward Bank funneled money to Tammany officers and supporters. In the left background, another crowd of men is visible., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1834]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1834 - 15W [5760.F.86x]
The great Republican reform party, calling on their candidate. [graphic]
Title
The great Republican reform party, calling on their candidate
Description
Cartoon lampooning the Republican Party's constituency of radicals and reformers who supported the first Republican presidential candidate, John C. Frémont, in 1856. In the right, Frémont receives his eclectic array of supporters and promises "You shall all have what you desire--and be sure that the glorious principles of popery, Fourier, ism, free love, womans rights, the Maine law, and above all the equality of our colored brethren, shall be maintained, if I get into the Presidential chair." In the left is a white man puritanical reformer calling for the prohibition of tobacco, meat, and alcohol; a white woman suffragist attired in bloomers, smoking a cigarette, and carrying a riding whip; a white man socialist, attired in worn and torn clothing and wanting “an equal division of property”; an older, white woman libertarian espousing free-love as a "Freemounter"; a white, Catholic priest promoting the Pope; and a racist caricature of an African American man, attired in a white collared, ruffled shirt, a black jacket with tails, black pants, and black shoes, carrying a cane who comments in the vernacular, "De poppylation ob color comes in first--arter dat, you may do wot you pleases.", Title from item., Artist and publication information supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Maurer was a French-born painter and lithographer who worked for several years with the New York lithographic firm, Currier & Ives.
Creator
Maurer, Louis, 1832-1932, artist
Date
[1856]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1856-22 [5760.F.100]
How free ballot is protected. [graphic] / J.E. Baker, del.
Title
How free ballot is protected!
Description
Racist cartoon accusing the Republican party of electoral fraud and obstructionism in the presidential election of 1864. Depicts a ballot office where an armed African American man, portrayed in racist caricature and attired in torn and worn clothing, prevents a disabled white Union soldier from voting for McClellan. In the left, the African American man holds a bayoneted rifle and says in the vernacular, "Hallo dar! You can't put in dat you copperhead traitor, nor any oder 'cept for Massa Lincoln!! [A copperhead refers to a Democrat who wanted peace with the South]. In the right, the Union veteran, attired in uniform, wears an eye patch and has an amputated left arm with an artificial limb and an amputated right leg. He leans on a crutch and holds a ballot reading "McClellan" in his right hand. He replies, "I am an American citizen and did not think I had fought and bled for this, alas my country!" In the background, election workers comment about the potential trouble and the need to ignore the situation., Title from item., Date inferred from content., Possible place of publication supplied by Reilly., RVCDC, Purchase 1960., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Baker was a New England etcher and lithographer who drew many Civil War caricatures.
Creator
Baker, Joseph E., approximately 1837-1914, artist
Date
[1864]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-35R [6395.F]
Practical amalgamation. [graphic]
Title
Practical amalgamation
Description
Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two inter-racial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., After E.W. Clay's Practical amalgamation (New York: Published and sold by John Childs, Lithographer, 119 Fulton Street, upstairs, 1839]., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1839
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839 - Pra 2 [7897.F]
American sympathy and Irish blackguardism. [graphic] / EWC.
Title
American sympathy and Irish blackguardism
Description
Cartoon depicting conflicting responses to the condemnation of slavery in the U.S. by Daniel O'Connell, an Irish abolitionist and leader of the movement for Irish independence (i.e. Irish Repeal Movement). Depicts O'Connell confronting President John Tyler as his son, Robert, an Irish repeal advocate introduces him. O'Connell, attired as an Irish thug, holds a club labeled "Agitation" and a bag labeled "Repale Rint." He condemns John Tyler for being an enslaver, "Arrah! give up your slaves I'd rather shake hands with a pick-pocket than wid a slaveholder, and if we get our repale we'll set em all free..." President Tyler, who was passively against slavery, greets O'Connell stating his support of repeal. Robert Tyler, dressed effeminately, and with "Ahasuerus" and the "Epitaph on Robert Emmett" (an earlier Irish patriot), the poems he authored in his pocket, confirms his father's support of repeal and proposes that the sale of his work could benefit the Irish cause. William Lloyd Garrison, who is to the right of O'Connell, states his support for O'Connell but not Irish repeal. An African American man, portrayed in racist caricature and speaking in the vernacular, overlooks the scene and says, "By jolly I wish Massa Harry Clay was here -- Dis dam low Irishman not dare talk to him dat way!", Title from item., Entered according to an act of Congress in the year 1843 by H.R.R. Robinson in the Clerk's Office in the District court for the Sc District of N.Y., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1843
Location
Library Company of Philadelphia | Print Department Political cartoons - 1843-2 [6258.F]
Not a drum was heard nor a funeral note as his corpse to the ramparts we hurried -- : Not a loco discharged his farewell shot o'er the ditch where our hero we buried. [graphic] / H. Buchholzer.
Title
Not a drum was heard nor a funeral note as his corpse to the ramparts we hurried -- : Not a loco discharged his farewell shot o'er the ditch where our hero we buried
Description
Cartoon of a funeral procession portraying the erosion of Democratic support for presidential hopeful Martin Van Buren, the "Kinderhook Fox," during the election of 1844. Depicts President Tyler, instrumental in Van Buren's defeat, stating, "Thus do all our hopes end in Clay," as he steers a funeral cart carrying Van Buren, depicted as a dead fox; his son, poet Robert Tyler; and a bale of cabbages. The cart is pulled by Andrew Jackson, depicted as an old nag boasting about his part in Van Buren's death. Following the cart are the devil sobbing and bemoaning that he is Van Buren's only friend and a rotund man in a wide brimmed hat who rings a bell and calls, "Bring out your dead." In the right, two barefooted African American men gravediggers, portrayed in racism caricature and attired in torn and worn clothes, hold shovels as they stand over and comment about the open grave they have dug for Van Buren. "Here comes Pompey, we'll have this Fox earthed at last." A small cabin, with an emaciated white man in the doorway, and labeled "Loco Foco Hall" (Loco Focos were a radical branch of the Democrats who supported Van Buren) stands in the background., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1844 by James Baille in the Clerk's office of the Dist Court of the Southern District of N. York., Gift of Mrs. Francis P. Garvan, 1977., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bucholzer was a New York cartoonist whose work was published by James Baillie from 1843 until 1847.
Creator
Bucholzer, H., lithographer
Date
1844
Location
Library Company of Philadelphia | Print Department Political cartoons - 1844-17 [8366.F.21]
Sunday laws : Hanging the cat on Monday for killing the mouse on Sunday. [graphic]
Title
Sunday laws hanging the cat on Monday for killing the mouse on Sunday
Description
Cartoon mocking Philadelphia's Sunday Laws depicting the moment before "Thomas" the cat will be hanged for his murder of a mouse on the Sabbath. In the center, shows the gallows surrounded by a line of white policemen, attired in uniforms and caps. In the left, three white hangmen, attired in suits, hold onto the rope and pull on the unlooped end of the noose. Two of the men smile sinisterly, while the third man wipes his tears with a handkerchief as he says, “Alas poor Tom!” To the right, an African American man, portrayed in racist caricature with exaggerated features, carries the "Blood Tub." Under the noose, a white man, possibly Philadelphia Mayor Alexander Henry, stands holding an execution order that reads, “Mayor Public Execution Tom” and the cat by the scruff of its neck. Before him stands a minister, resembling John Chambers, a champion of the Sunday Laws. He holds the dead mouse in this right hand and an open book in his left hand as he sentences the cat to death for murder. Behind the minister, an elderly white man, attired in a suit with a white bowtie, stands slightly hunched down holding an ear trumpet to his right ear. He comments, “I can’t hear a word the minister says on account of them cars,” a reference to the contested Sunday Law against the running of streetcars. A black dog runs in the left foreground., Title from item., Date from manuscript note written on recto: Aug. 1859., Place of publication inferred from content., Text printed on recto, below image: In the Dark Ages, long ago, One Horne was flogged on Monday; What for? That’s what I want you to know, He danced a horn-pipe Sunday! That was all! He but danced a horn-pipe Sunday, But he danced to the horsewhip Monday. By the roundheads, too, when Cromwell reigned, We read there was a hung on Monday, A cat who “the Sabbath day (?) profaned” By cat-ching a mouse on Sunday? Understand: She played with him first on Sunday, ‘Twas for that she was hung on Monday! And by America’s Puritan men, Mrs. Hotchkiss was punished on Monday; Cotton Mather forbade her, but once and again, She had kissed her babe on Sunday; A blow for a kiss. For so many kisses on Sunday, She got so many blows on Monday. So, too, in Brooklyn, the other day, Meyerbeer was tried on Monday; The complaint against him thus did say “He has sold lager beer on Sunday” And he had! But the jury said, on Monday! A good drink might be sold Sunday! And in the West’s “Queen city,” too, One Rudolph’s just ‘quitted on Monday; He would drive his ‘bus the whole week through And accommodate people on Sunday: And the Court, Gave the very Pruden-t decision on Monday, That “there’s more than ‘one thing needful’ on Sunday:” And so the “good time” is “coming” boys When a thing that is good on Monday—A drink, or a drive, or a joyful noise—Will be thought not bad on Sunday! Everywhere When wrong will be wrong on Monday, And right will be right on Sunday!, Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[Philadelphia]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1859-Sun [5656.F.24a]
The smokers. [graphic] / C.
Title
The smokers
Description
Cartoon concerning smoking as a vice depicting a crowd scene where everyone smokes, including women and children. In the foreground, a white man sits on a wooden chair holding a pipe in hand, refers to his "illustrious predecessor," Andrew Jackson. Two white boys light their cigars together. A finely dressed white woman carrying a parasol is horrified and says, "Oh! The monsters, I'm half blinded and suffocated" as she holds her nose. An elegantly dressed African American woman holds her hand to her nose and exclaims, "What a nasty practice, it's enough to make a dog sick." In the right, a white man street peddler carries a tray of plaster busts, including a pipe smoking Jackson. "Jack Downing," cigar in hand, states he picked up the habit in France and that his lighter was made from Jackson's spectacles but thinks a loco-foco (a faction of the Democrats who were named after a type of match) would go quicker. An African American chimney sweep and an African American shoe shiner shake hands with cigars in their mouths. They are portrayed in racist caricature and speak in the vernacular about smoking. "I say Josh, wot you smoke dem long nines for, why don't you smoke Half Spanish like a gen'leman." "Cause I've called in my Shin Plasters, and suspended Specie payments!!", Title from item., Date from copyright statement: Entered according to act of Congress, in the Year 1837, by H.R. Robinson, in the Clerk's Office of the District Court of the U.S. of the Southern Dist. of New York., Text printed on recto: Tobacco is a stinking weed, It was the Devil sow'd the seed, It drains the purse & fouls the clothes, And makes a chimney of the nose., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1837
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1837-25W [5656.F.3]
Johnny Q., introducing the Haytien Ambassador to the ladies of Lynn, Mass. Respectfully inscribed to Miss Caroline Augusta Chase, & the 500 ladies of Lynn who wish to marry black husbands. [graphic] / EWC.
Title
Johnny Q., introducing the Haytien Ambassador to the ladies of Lynn, Mass. Respectfully inscribed to Miss Caroline Augusta Chase, & the 500 ladies of Lynn who wish to marry Black husbands
Description
Anti-abolition print satirizing the Lynn Female Anti-Slavery Society which was successful in its petition to the state legislature to abolish race-proscriptive laws, including a ban on interracial marriage. Depicts a parlor where the Society's members, composed of unattractive white women and African American men, have gathered to be introduced to the fictitious Haitian Ambassador, General Marmalade, by John Quincy Adams. The ambassador, portrayed in racist caricature and attired in an uniform and powdered wig, takes his hat off and bows as he holds a monocle up. He lasciviously addresses the women in the crowd in broken French and vernacular, "Mesdames votre trés humble serviteur! me no speak much Anglish-En regardant ces charmants bontons de rose de Lynn l’eau vient dans la bouche! Excuse bot de charming rose buds ob Lynn make vater in my mouse." The women await their introduction and remark about the ambassador's "lovely" and "beautiful" features, as well as his overall attractiveness. African American men, portrayed in racist caricature and attired in elegant suits, stand behind the women and comment in the vernacular about the ambassador, "Demd fine specimen of a man! pon honor." In the right background, a white man servant and a white woman servant enter the room carrying trays of food and drinks., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1839, by John Childs, in the clerk's office, in the District Court for the Southern District of New York., Caroline Augusta Chase headed the Lynn Female Anti-Slavery Society., Purchase 1959., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820's and early 1830's.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1839
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839-25w [6333.F]
Practical amalgamation. [graphic] / ENC.
Title
Practical amalgamation
Description
Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two interracial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., First of a series of five., Lib. Company. Annual Report, 2015, p. 41., Purchase 1957., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African-Americans of the late 1820s and early 1830s.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1839
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1839-Pra 1 [6207.F]
Republican platform, or the political montebank. [graphic]
Title
Republican platform, or the political montebank
Description
Cartoon critical of the inequity of the 1868 Republican platform's post-war monetary policy. Depicts pensioners and bond holders witnessing Republican presidential nominee General Ulysses S. Grant, attired in his military uniform and spurs, balancing himself on a plank using a baton inscribed "U.S. Treasury" from which gold pieces shoot out from the one end as greenbacks (paper money without gold backing) shoot out from the other. The gold falls in the direction of the smug, well-dressed, white men bond holders who gladly accept such reimbursement for their government bonds. The greenbacks land on the pensioners, which include a white disabled veteran with an amputated arm and leg and a white, widowed mother with a baby who bitterly question such a form of payment for their war services. The plank is supported by a kneeling Horace Greeley, the New York Tribune editor, and a kneeling African American man, portrayed in racist caricature and speaking in the vernacular, "you as got to carry dis chile on dat platform, Massa Grant, too." Greeley warns that "we must not let this Election go by default, so hurry up you stump speakers.", Title from item., Date from copyright statement: Entered according to act of Congress by John McDermott in the Clerk's Office of the District Court of the Southern District of New York., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1868
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-13W [6270.F]

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