Search results

Title: [African American man looking through a hand lense]
Description: Die-cut scrap depicting a racist caricature of an African American man looking through a hand lense or magnifying glass. Shows the man attired in a red top hat with a black band, a white collared shirt, a white bowtie with a gold pin, a yellow waistcoat, a blue jacket with gold buttons, off-white gloves, and red and white striped pants. He stands facing to the left and looks through a hand lense or magnifying glass, which he holds in his right hand., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 34 [P.2017.95.286]

Title: The Start
Description: Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.269]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 35 - The start [P.2017.95.287]

Title: [African American man minstrel playing the flute]
Description: Die-cut scrap depicting a racist caricature of an African American man minstrel playing the flute. Shows the full-length portrait of the man attired in a brown hat, a white collared shirt with red polka dots, a blue jacket with green plaid cuffs, green plaid pants, and red and black shoes. He smiles at the viewer as he holds a flute in both of his hands., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 36 [P.2017.95.288]

Title: [African American man minstrel playing the violin]
Description: Die-cut scrap depicting a racist caricature of an African American man minstrel playing the violin. Shows the full-length portrait of the man attired in a black top hat, a white collared shirt, a blue jacket with red lapels and tails, blue pants, and black shoes. He plays the violin, resting it underneath his chin, and sweeps the bow over the strings with this right hand., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 37 [P.2017.95.289]

Title: [African American man singing from sheet music]
Description: Die-cut scrap depicting a racist caricature of an African American man singing from sheet music. Shows the full-length portrait of the man attired in a white collared shirt, a green bowtie, a brown jacket with tails, white pants with blue stripes, and brown shoes. Shows the full-length portrait of the man standing and singing. He raises his right hand up and holds sheet music in his left hand. On the ground behind him is a black top hat turned upside down., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 38 [P.2017.95.290]

Title: [African American man playing the triangle]
Description: Scrap depicting a racist caricature of an African American man playing the triangle. Shows the man, attired in a gray top hat with a blue band, a gray coat with a red collar, white and red striped pants, blue socks, and black shoes, straddling a wooden chair backwards. He smiles at the viewer as he plays the triangle., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 39 [P.2017.95.291]

Title: [African American man tipping his hat and carrying a parasol]
Description: Scrap depicting a racist caricature of an African American man tipping his hat and carrying a parasol. Shows the full-length portrait of the man standing and attired in a brown top hat, a white collared shirt, a red bowtie, a white waistcoat, a gold pocket watch chain, a blue jacket with tails, white pants with gold polka dots, and black shoes. He smiles and looks at the viewer as he tips his hat with his right hand. He carries an open, multi-colored parasol edged in white lace in his left hand., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 40 [P.2017.95.292]

Title: [African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings. Shows the bust-length portrait of the man facing to the left., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy of [P.2017.95.276]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 41 [P.2017.95.293]

Title: [African American man minstrel playing the accordion]
Description: Scrap depicting a racist caricature of an African American man minstrel playing an accordion. Shows the man, portrayed with exaggerated features, attired in a white collared shirt, a blue tie, a brown jacket, blue and white checked pants, pink socks, and brown shoes. He smiles at the viewer as he plays the accordion, holding it in both hands in front of him., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 42 [P.2017.95.294]

Title: In danger
Description: Die-cut scrap depicting a racist caricature of an African American man trying to control the horse pulling the cart he is riding in. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a two-wheeled cart. He opens his mouth in alarm as he pulls back on the reins of the brown horse hauling the cart. The horse’s mouth is open as it runs off making the cart jerk, causing its right wheel to lift off of the ground. The man also carries a whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.270]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 13 - In Danger [P.2017.95.266]

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves; and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.268]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 14 - The finish [P.2017.95.267]

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves, and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.267]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 15 - The finish [P.2017.95.268]

Title: The Start
Description: Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.287]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 16 - The start [P.2017.95.269]

Title: In danger
Description: Die-cut scrap depicting a racist caricature of an African American man trying to control the horse pulling the cart he is riding in. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a two-wheeled cart. He opens his mouth in alarm as he pulls back on the reins of the brown horse hauling the cart. The horse’s mouth is open as it runs off making the cart jerk, causing its right wheel to lift off of the ground. The man also carries a whip in his right hand., Title from item., Date deduced from visual content., Duplicate copy [P.2017.95.266]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 17 - In Danger [P.2017.95.270]

Title: [African American man swimming attired in red shorts]
Description: Die-cut scrap depicting a racist caricature of two African American men swimming. Shows the African American man, attired in red shorts, standing in knee-high water and bending over with his right arm outstretched. In the left, an African American man has dived into the water head first. His legs and two hands protrude out of the water. In the background are some wooden boards nailed together. Trees and fronds grow up out of the water., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 20 [P.2017.95.273]

Title: [African American man attired in a gray hat and smoking a cigar]
Description: Die-cut scrap depicting a racist caricature of an African American man smoking a cigar. Shows the bust-length portrait of the man, attired in a gray top hat with a red band, gold hoop earrings, a white collared shirt, a green and blue bowtie, and a red jacket. He has a cigar in his mouth and looks to the left., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 21 [P.2017.95.274]

Title: [African American man attired in a gray hat with a blue striped band, a pink collared shirt with blue polka dots, and a green striped tie]
Description: Die-cut scrap depicting a racist caricature of an African American man attired a gray hat with a blue striped band, a pink collared shirt with blue polka dots, and a green striped tie. Shows the bust-length portrait of the man smiling and looking to the left., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 22 [P.2017.95.274x]

Title: [African American man attired in spectacles, a black top hat, a white shirt with an oversized collar, a red bowtie, and a plaid, beige jacket]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in spectacles, a black top hat, a white shirt with an oversized collar, a red bowtie, and a plaid, beige jacket. Shows the bust-length portrait of the man smiling as he looks down., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 23 [P.2017.95.275]

Title: [African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings. Shows the bust-length portrait of the man facing to the left., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy of [P.2017.95.293]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 24 [P.2017.95.276]

Title: [African American man attired in a brown hat and smoking a cigar]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in a brown hat, a white collared shirt, a red and white striped tie, a brown jacket, and a gold earring. The bust-length portrait of the man faces right as he smokes a cigar., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 25 [P.2017.95.277]

Title: [African American man pulling a donkey on a rope]
Description: Die-cut scrap depicting a racist caricature of an African American man pulling a donkey on a rope. Shows the man in the left attired in a black hat, a white collared shirt, a blue jacket, white pants, and black shoes. He strains forward as he attempts to pull the donkey on a rope, which he holds over his right shoulder and in his right hand. He looks behind him with an open and downturned mouth. He also carries a stick in his left hand. The gray donkey pulls back against the rope with its mouth open., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 27 [P.2017.95.279]

Title: [African American man riding a donkey]
Description: Die-cut scrap depicting a racist caricature of an African American man riding a donkey. Shows the man, attired in a brown hat; a white collared shirt; a red tie; a brown checkered waistcoat, jacket, and pants; and black shoes, sitting on a saddle riding a donkey. He carries a whip in his left hand and holds his hat down on his head with his right hand. His eyes and his mouth are opened wide as the gray donkey runs with all four of its legs off of the ground., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 29 [P.2017.95.281]

Title: [African American man minstrel playing the bones]
Description: Die-cut scrap depicting a racist caricature of an African American man minstrel playing the bones and dancing. Shows the full-length portrait of the man portrayed with an oversized head and attired in gold hoop earrings, a blue jacket with yellow trim and tails, a white waistcoat, and green bowtie with red polka dots, yellow and red striped pants, and black shoes. He looks at the viewer and smiles as he holds bones in both of his hands. His legs are bent and his heels are off the ground as he dances on the grass., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 30 [P.2017.95.282]

Title: [African American man holding on to a bucking donkey]
Description: Die-cut scrap depicting a racist caricature of an African American man holding on to a bucking donkey. Shows the man, attired in a black top hat, a white jacket, blue pants, red socks, and black shoes, grasping on to a bucking donkey. He wraps his arms around the donkey’s neck and his legs press against the donkey’s back as he tries to hold on. His eyes and mouth are opened wide. The gray donkey sinks his head down and kicks his back legs up., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 31 [P.2017.95.283]

Title: [African American man minstrel playing the banjo]
Description: Scrap depicting a racist caricature of an African American man minstrel playing the banjo. Shows the full-length portrait of the man attired in a white collared shirt, a blue bowtie with white polka dots, a white waistcoat, a white jacket with red polka dots and tails, yellow pants with blue stripes, and black shoes. He looks at the viewer and strums a banjo as he lifts his left leg up in a dance step., Title supplied by cataloger., Date deduced from the visual material., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 44 [P.2017.95.296]

Title: [African American man minstrel playing the accordion]
Description: Scrap depicting a racist caricature of an African American man minstrel playing the accordion. Shows the man attired in a white top hat with a black band, a white shirt with an oversized collar, a yellow jacket with red polka dots and tails, and red and white striped pants. He opens his mouth as he plays the accordion, which he pulls apart in both of his hands. A plant with long, green leaves is visible in the background., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 45 [P.2017.95.297]

Title: [African American man smiling and carrying a watermelon]
Description: Scrap depicting a racist caricature of an African American man smiling and carrying a watermelon. Shows the full-length portrait of the man portrayed with exaggerated features and attired in a white collared shirt with blue stripes, a yellow waistcoat, a red jacket with tails, white pants with blue stripes, and yellow and blue shoes with red buttons. He smiles with his mouth opened wide and carries a watermelon in both hands that he holds in front of him., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy [P.2017.95.300]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 47 [P.2017.95.299]

Title: [African American man smiling and carrying a watermelon]
Description: Scrap depicting a racist caricature of an African American man smiling and carrying a watermelon. Shows the full-length portrait of the man portrayed with exaggerated features and attired in a white collared shirt with blue stripes, a yellow waistcoat, a red jacket with tails, white pants with blue stripes, and yellow and blue shoes with red buttons. He smiles with his mouth opened wide and carries a watermelon in both hands that he holds in front of him., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy [P.2017.95.299]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 48 [P.2017.95.300]

Title: [African American man attired in a white collared shirt and beige bowtie]
Description: Die-cut scrap depicting a racist caricature of an African American man attired a white collared shirt and beige bowtie. Shows the bust-length portrait of the man facing left with his mouth open. He is portrayed with exaggerated features and attired in a white collared shirt and beige bowtie., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 11 [P.2017.95.264]

Title: Joyous birthday
Description: Racist, metamorphic birthday card depicting a caricatured portrayal of a Black man taxi driver and a Black man passenger, riding in a taxi. Scene, with the card closed, shows the exterior of a yellow taxi with blue and checkered trims. The passenger and driver, depicted with exaggerated and minstrelized features, including wide eyes and a circular mouth, look out their respective rear and front windows, and toward the viewer. The passenger wears a bowler hat and the driver is in a uniform, including a cap. A suitcase is strapped to the top and a a spare tire is attached to the rear of the vehicle. Scene, with card opened, shows the rear door of the car open and the passenger, attired in a pink plaid suit, seated on a blue car seat, and holding a pot with three flowers on his lap. The trim of the taxi is pink., Title from item., Date deduced from the visual content., Printed in the vernacular on inside front cover: When yo' Birf'day rolls around. May it find yo' Up to Snuff,' And may it bring de best ob joys. Now ain' dat Fare enuf?, Printed on verso: Made in U.S.A., Manuscript note on verso: Hoping you have many more Happy and Joyous Birthdays to come. Ruth., RVCDC, Gift of James Hill.
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - Birthday [P.2021.26.2]

Title: Hiram W. Stout, groceries, &c., 5th and Erie Ave
Description: Racist trade card illustration depicting an African American man musician playing the cello. The man is seated in a crouched position on a green chair. He is attired in a yellow cap, a red and white striped shirt, a dotted blue jacket, yellow and red striped pants, and blue, yellow, and black boots. The man holds the neck of the cello in his left hand and the bow in his right. He is depicted with exaggerated features., Title from item., Title and business name printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Stout [P.2017.95.172]

Title: Fine clothing, for men, youths and boys at the Misfitstore, cor. 10th & F Sts
Description: Racist trade card illustration depicting an African American man minstrel musician to promote a clothing store. Shows the man facing the viewer and playing a recorder. The man is attired in a red cap, a white shirt with the collar turned up, a green bowtie, a brown jacket, blue and white striped pants, and brown shoes., Title from item., Date inferred from content and genre of print., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misfitstore [P.2017.95.132]

Title: Skating. Scene on the River Delaware at Philadelphia. Febry. 12th 1831
Description: Amusing winter genre scene showing several individuals enjoying the frozen river as a place for recreation, travel, and as a place of observation for the February 12, 1831 solar eclipse. In the foreground, several ice skaters, predominately men, skate, perform tricks, and fall. One of the fallen includes an African American man, lying on his back, his hat on the ice near a dog playing with a ball. In the right of the image, a vendor serves beverages from a refreshment stand. In the background, several others skate, ride and pull sleds, or enjoy a horse-drawn sleigh ride., Philadelphia on Stone, POS 696, Historical Society of Pennsylvania: Bb 07 S 17, LCP exhibit catalogue: Made in America, entry #44, Smithsonian, Harry T. Peters Collection: DL*60.3655. Copy hand-colored., Trimmed.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1831]
Location: Historical Society of Pennsylvania HSP Bb 07 S 17

Title: [Young African American man, possibly Jerry Stevens an enslaved man, at Raceland Plantation, Dinwiddie, Virginia]
Description: Full-length portrait of an African American man, attired in a brimmed hat, a long-sleeved shirt, and pants with large tears and holes, holding a wooden plow over his shoulder. He stands in front of a wooden building and to the left of a wooden door. In the right is a white dog with its back to the viewer., Title supplied by cataloger., Date inferred from photographic medium and content., Purchase 2011., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1885
Location: Library Company of Philadelphia | Print Department portrait photographs - miscellaneous - Stevens [P.2011.16]

Title: Happy contraband
Description: Photographic reproduction of a caricature depicting a half-length, cameo portrait of an African American man playing a fife. Shows the man, posed to the right, looking up with his eyes, and holding up with both his hands, a fife to his pursed lips. He leans slightly forward, is portrayed with a furrowed brow, and is attired in a wide-brimmed hat adorned with a ribbon, white shirt with long sleeves, and a dark-colored vest. While commander of Fort Monroe, Virginia, General Benjamin Butler declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861. During the war, several visual materials, often satires, depicting Black persons as "contraband" were published., Title from manuscript note on verso., Date inferred from active dates of publisher., RVCDC, Philadelphia Photographic Company operated from 730 Chestnut Street circa 1864-1865 before relocating to 24 N. 8th Street. Active until about circa 1869, the firm, per advertisements, issued a catalog, sold "specialties" for albums, including "from original drawings by artists of high quality," and published "[Thomas H.] Johnson's Photographic Views of the Whole Oil Regions," as well as sold election campaign cards and badges.
Creator: Philadelphia Photographic Company
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - non-portrait -Philadelphia Photographic Company - Happy [P.2022.50]

Title: "A guard of colored soldiers"
Description: Full-length group portrait depicting three African American Union soldiers, attired in uniform, standing with bayoneted Springfield rifle muskets and non-commissioned officer swords in hand. The soldiers include a sergeant (center left) who wears a regular belt plate, three chevrons on his sleeve, a kepi with a tarred cover, and a non-commissioned officer baldrick on his sword. The African American private (center) wears an infantry bugle and brass insignia on top of his kepi. The private (right) wears an unadorned kepi. In the left, is a white man soldier, probably a junior officer, attired in a great coat and slouch hat and holding possibly an 1850 foot officer's sword. Possibly soldiers from Camp William Penn, the African American training camp near Philadelphia, Pennsylvania., Title from manuscript note on recto., Name of photographer/publisher attributed from copy of photograph available in Hindman February 27, 2024 auction. Copy included revenue stamp and was stamped on verso: O.H. Willard's New Galleries, 1203 Chestnut St. No. [4485] Phl. Copy of listing included in Willard research file at repository., Date inferred from revenue stamp on verso of copy at Hindman auction, February 2024., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2024 with information from 2024 Hindman auction listing., Access points revised 2024., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Willard, Oliver H., -1875
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdv portraits- group - Military [5779.F.3d]

Title: I'se a dude!
Description: Trade card promoting New Jersey grocer H. G. Prall & Sons and depicting an African American man dandy, with a sheepish expression, and posed with his left hand to his lips and his other hand holding a white top hat at his shoulder. He is portrayed in racist caricature and attired in a ruffled white shirt, a white waistcoat adorned with a watch fob, a gold jacket with tails, and blue and white striped pants. He stands in front of a background of fauna details. H. G. Prall primarily appears as the sole proprietor of his grocery in later 19th-century directories, but is listed as H. G. Prall & Son in 1883., Title from item., Date inferred from city directory listing for business., Series no. printed on recto: 58., Advertising text printed on verso: H. G. Prall & Sons, Dealers in fine Groceries. Headquarters for Fish, Provisions, Flour, Feed, &c., 174 and 176 Main Street, Somerville, N. J., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Prall [113419.D]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a blue waistcoat with tails, a white shirt, vest, and cravat, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from image., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.2]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a green waistcoat with tails, a white shirt and cravat, yellow vest, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.1]

Title: Jim Crow and his poney [sic] never fail to please
Description: Racist print, possibly a performance handbill, depicting a simian equestrian rider attired in a military uniform and a hat. He holds an American flag while standing atop a horse galloping in a circus ring past a row of smiling and cheering white men, women, and children spectators., Title from item., Date inferred from content., Print pasted on back of ledger page with manuscript notes., Lib. Company. Annual report, 1997, p. 35-36., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Entertainment [P.9557.2a]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

Title: [Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location]
Description: Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man "luck I got a spool to mend yer clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.33]

Title: Clark's trade mark 36 Mile-End spool cotton
Description: Trade card promoting Clark Thread Company and depicting a racist caricature of an African American man minstrel drummer. Shows the man, in near profile, smiling and beating drumsticks on a drum strapped to his chest. The drum is a giant spool of thread labeled "Clark's Mile-End spool cotton." He is attired in black shoes; blue pants with a yellow stripe; a white jacket with pink flowers and long tails, with large buttons; a white ruffled shirt with a high collar; and a white top hat with a black band. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Clark's trademark Mile-End spool thread. Best six cord. All numbers from no. 8 to 100. The colors are especially dyed to match. All shades of dress goods and can be used instead of silk by dress makers and families. The black is strong and smooth, and of the purest dye. It will retain its very deep black hue as long as silk fabrics. The white, black and colored is the standard for use upon all sewing machines., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.32]

Title: Minstrel show. Wentworth Town Hall. March 26th - 8:15. Adults .25. Children .15. Orchestra - dancing
Description: Mixed media poster containing a clipped, bust-length, racist caricature depicting "N.D. Johnson" above manuscript text promoting a minstrel show, probably in Wentworth, N.H. Clipped image shows a man in black face, with an exaggerated broad smile, and looking to the left with his eyes. He wears a top hat, red bow, a white shirt with wide lapels and a "shiny" star-shaped pin at the chest, and a tuxedo jacket., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from content., Contains pasted, clipped photomechanical print captioned: N.D. Johnson., C. Belyea is possibly Charles Moses Belyea (1904-1980) of Grafton, New Hampshire., RVCDC, Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021.
Creator: Belyea, C.
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department *GC - Advertisements - Minstrel [P.2022.57.2]

Title: Clark's mile-end 60 spool cotton
Description: Racist trade card promoting Clark Thread Company and depicting a genre scene of an African American man and woman in conversation on a country road. The man and woman are portrayed with exaggerated features and speaking in the vernacular. Shows, in the left, the man standing on a dirt road and holding a piece of thread attached to a giant spool labeled "Clark's mile-end 60 spool thread." He is attired in black boots; yellow striped pants with patches on the knees and rolled to his calves; a white shirt; a red vest; and a green jacket. His straw hat is upturned on the ground beside him. In the right, an African American woman sits in a horse-drawn wagon holding the reins to a white horse. She tells the man, "Ef dat mile end thread don't hold, dere ain't anything - lucky I got a spool to mend yer old clos' with." She is attired in a yellow head kerchief and a red dress with yellow trim at the neck. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on recto: Ef dat mile end thread don't hold, dere ain't anything- lucky I got a spool to mend yer old clos' with., Advertising text printed on verso: Clark's Mile-End Spool Cotton is the best for hand and machine sewing. Clark's Mile-End Colors are made expressly to match the leading shades of dress goods, and are unsurpassed both in quality and color. Clark's Mile-End Spool Cotton is six-cord in all numbers to 100 inclusive., Stamp on the recto is illegible., See related copy: Goldman Trade Card Collection - Clark [P.2017.95.33]., Gift of George Allen, 2022., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade cards - C - Clark's [P.2022.42.7]

Title: The Declaration of Independence illustrated
Description: Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
Creator: Fabronius, Dominique, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]

Title: Union Volunteer Refreshment Saloon, of Philadelphia. [graphic] : Being the first institution of the kind in the United States. Organized, May 27th. 1861 / J. Queen, del. & lith.
Description: Union Volunteer Refreshment Committee's blindstamp on recto., Detailed inscription by Fales about the history of the saloon on recto. Transcription available at repository., Manuscript note on recto: "John A. McAllister Esq. with the kind regards of Saml B. Fales, Phila. Nov. 24th, 1866." Fales served on the Union Volunteer Refreshment Committee as correspondence secretary and financial agent, and became the committee's main fundraiser., Lively scene containing a view of the two hospitals, refreshment stand, and other buildings of the Refreshment Saloon located near the Navy Yard at Swanson and Washington Avenues. Depicts a large crowd gathered to watch the arrival and departure of Union troops in November of 1863. Arriving soldiers march past the cannon, known as "Fort Brown," fired to forewarn saloon volunteers of the forthcoming arrival of troops. Departing soldiers board a Philadelphia, Wilmington, & Baltimore railroad car for the South. American flags dot the landscape. Crowd includes a band and an African American man. Contains the names of committee members and volunteers below the image. Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the Saloon was a volunteer relief agency providing meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing on December 1, 1865.
Creator: Queen, James Fuller, 1820 or 21-1886 lithographer., creator
Date: [1863]
Location: http://www.lcpgraphics.org/wainwright/W412.htm, Library Company of Philadelphia Print Dept. **W412 [5778.F]

Title: View of the Philadelphia volunteer refreshment saloons. [graphic] / Lith. from nature by J. Queen; Printed in colors by T. Sinclair. Philada.
Description: Print trimmed., Gift of Isadore Lichstein., Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1861.
Location: http://www.lcpgraphics.org/wainwright/W434.htm, Library Company of Philadelphia Print Dept. **W434 [P.9001.6]

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