Search results

Title: Use Lautz Bros. & Co's soaps, best in the market
Description: Racist trade card depicting an African American man minstrel musician to promote laundry soap. Shows the man, in profile, sitting on a stool, his left foot wrapped around its leg, and playing the flute. A music stand with pages of sheet music is visible to the man's left. The man is attired in a minstrel costume, including a white and blue cone-shaped hat, an orange and white plaid jacket with long tails, a white shirt with ruffles, and yellow pants with a blue stripe. Lautz Bros. & Co. was originally founded in 1853 in Buffalo, New York as the Lautz Company by German immigrant Wilhelm Lautz Sr. After his death in 1866, his wife, sons, and grandsons continued to run the firm from Buffalo, New York through the early 20th century., Title from item., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lautz [P.2017.95.104]

Title: Use Lautz Bros. & Co's soaps, best in the market
Description: Racist trade card depicting an African American man minstrel musician to promote laundry soap. Shows the man, in profile, looking toward the viewer marching with a drum strapped to his chest, and holding midstrike padded drumsticks in both hands. The man is attired in a white top hat adorned with a black ribbon, a red and white patterned jacket with long tails, a white shirt with ruffles and the collar up, and blue pants with a yellow stripe. Lautz Bros. & Co. was originally founded in 1853 in Buffalo, New York as the Lautz Company by German immigrant Wilhelm Lautz Sr. After his death in 1866, his wife, sons, and grandsons continued to run the firm from Buffalo, New York through the early 20th century., Title from item., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lautz [P.2017.95.105]

Title: Use Lautz Bros. & Co's soaps, best in the market
Description: Racist trade card depicting African American man minstrel musician to promote laundry soap. Shows the man, in profile, smiling, holding a large tambourine in his right hand, and raising his left leg in the air in a skipping motion. The man is attired in a blue jacket with long tails, a white shirt with ruffles and the collar up, and orange and white striped pants. Lautz Bros. & Co. was originally founded in 1853 in Buffalo, New York as the Lautz Company by German immigrant Wilhelm Lautz Sr. After his death in 1866, his wife, sons, and grandsons continued to run the firm from Buffalo, New York through the early 20th century., Title from item., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lautz [P.2017.95.106]

Title: Minstrels! Branch, 1602 South St
Description: Racist trade card illustration depicting a large troupe of African American minstrels on a stage. Five of the men in the front row are seated in white chairs and a man in the center stands on his right leg with his arms wide. In the background are several palm trees. Visible in the center of the image is an ovular gold pendant with a caricatured portrait of a smiling African American man depicted with exaggerated features. He is attired in a white collared shirt, a red checkered necktie, and a brown jacket. The minstrel troupe is attired in white pants, red jackets, and white shoes. Some men hold red and white hats in their hands. The trade card is likely advertising Phillip Conway's business, Conway Gent's Furnisher, a custom clothing shop., Title from item., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Minstrels [P.2017.95.131]

Title: Schaeffer Bros. Booksellers, stationers & fancy goods, 16 So. Union St. Middeltown PA
Description: Racist trade card illustration depicting an African American man pulling a white man off of a table after a white boy seated behind them spilled a bottle of Carter's Mucilage. The African American man is attired in a blue and white striped collared shirt, a red vest, brown pants, and black boots. He leverages his right foot against the table and pulls the white man with both arms. The white man is attired in a top hat, a monocle, a brown jacket, a yellow vest, brown pants, and black shoes. The white boy is attired in a pink and white striped collared shirt and green pants. Visible on the floor in the foreground is the white man's cane and the African American man's upturned straw hat. The African American man is depicted with exaggerated features. Carter's Ink was founded in the early 19th century by Timothy H. Carter in Boston, Massachusetts. His sons William and Edward Carter, joined the business in the 1850s and took it over in 1860., Title from item., Text printed on recto: Carter's Mucilage, the great stickist., Advertising text printed on verso: How to get an ink that will suit you. For copying, and for general use, buy Carter's Combined Ink. This is the original Carter's ink. It flows freely, copies perfectly, does not transfer on books or smooch, does not mould or fade. After evaporation by exposure, restore fluidity by adding Carter's Writing Fluid. Carter's Raven Black Ink. For writing black from the word "go!" This is a black fluid; writes black; dries black; stays black; does not blot off pale, or get thick or ropy; does not corrode steel pens; can't be removed by acids. For book-keeping and fine writing, buy Carter's Writing Fluid, which is chemically pure, without sediment and permanent. It is very limpid, and will not mould or thicken even after long exposure. The color is dark blue, changing to a deep black. For ruling, buy Carter's Crimson Fluid, which is more brilliant than Carmine, never thickens, and gives a good copy. For a brilliant colored ink, buy Carter's W. & C. Violet Ink. It is non-corrosive; flows freely and gives distinct copies. For "sticking things," buy Carter's Mucilage, "The Great Stickist." It has extra strength and will not mould or sour in any climate. In a recent canvas made of the banks and leading business housesin the principal cities of the United States, more of the above inks were found in use than all other American inks combined. At Paris, at the Centennial, and wherever exhibited for the past twenty years, they have received the highest awards. Carter, Dinsmore & Co., Boston and New York. For sale by Booksellers, Stationers, Fancy Goods Dealers, &c., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Schaeffer [P.2017.95.154]

Title: And he got!
Description: Racist trade card specimen depicting a scene of barefooted, African American men knocked about from a kicking mule in the middle of a field. In the center, a mule equipped with a saddle and reins, kicks its back feet into the air, above a wooden board lying on the ground. In the right, a man attired in a red shirt and white and blue checked pants, tumbles onto his back and with his legs in the air. Near him a man attired in yellow pants with red polka dots and an orange, checked shirt, runs away. In the left, a man attired in yellow pants and an orange shirt falls to the ground, head first and upside down. In the lower left, the lower leg and bare foot of a person attired in red checked pants and running away is visible. In the background, a man with a hat and checked red shirt stands with both arms up in the air in alarm. Two figures gathering crops are also visible in the distance., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - And he got [P.2017.95.196]

Title: "They all do it"
Description: Racist trade card specimen depicting a caricature of an African American man kissing a caricature of an African American woman on a bench in front of a house while people look on. Shows the African American man, attired in a hat, a white collared shirt, a waistcoat, a black jacket, plaid pants, and shoes, sitting on a bench. He carries a stick in his left hand and wraps his right arm around the African American woman’s neck and kisses her cheek. The woman, attired in a long-sleeved dress and apron, sits next to the man on the bench. She holds a flower in her hand on her lap and smiles. In the house behind the bench, a man, a woman, and a boy look down and smile at the couple from the second story window. In the left, a boy, attired in a hat, a long-sleeved shirt, and pants with a suspender, sits on the wooden fence with his back turned to the viewer. In the foreground is a dog scratching its ear., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - They [P.2017.95.209]

Title: Who's dar?
Description: Racist, trade card specimen depicting a caricature of an African American man eating honeycomb in a bear’s cave. Shows the barefooted African American man portrayed with exaggerated features and attired in a red collared shirt with the sleeves rolled up to his elbows and blue pants with the cuffs rolled up to his knees. He sits on the ground inside a cave and smiles as he holds a large piece of honeycomb in his hands. In the right are many large pieces of honeycomb. In the background, the back of a bear is visible climbing out of the cave through an opening above and to the right of the man's head., Title from item., Date deduced from the visual content., Series number printed on recto: 24., Copyright statement printed on recto: Copyright., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 10 [P.2017.95.221]

Title: [African American man on a mule-drawn plow]
Description: Racist, trade card specimen depicting a caricature of an African American man on mule-drawn plow. Shows the African American man, attired in a hat and a blue, plaid jacket and pants, sitting on top of a plow. He holds the lever to the plow in his right hand and the reins to the mule pulling the plow in his left hand. The mule is kicking its back legs into the air because three pigs are running around it. Trees are visible in the background., Title devised by cataloger., Date deduced from the visual content., Series number printed on recto: 468., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 15 [P.2017.95.226]

Title: "D em brats done gone and stole dat melon."
Description: Racist, genre stereograph depicting an African American man coming upon three African American boys sitting next to each other and eating large slices of watermelon at the entrance to a stone root cellar. Shows an outdoor setting in which the man, holding a switch, peers around the stone, curved structure at the boys who sit with their legs crossed, or bent at the knees, or to the side, before the open entryway. Each holds a slice of watermelon toward their mouth. Half a watermelon with a knife in it and two other slices of the melon lie near the boys. View also show a grassy hillside in the background and a patch of greenry near the cellar. The man is attired in a soft-brimmed hat, shirtsleeves, a vest, and slacks. The children wear shirts and shorts., Title from item., Date inferred from active dates of publisher and content., Name of photographer and publisher from copyright statement: Copyright Griffith & Griffith., Curved grey mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., RVCDC, Gift of George R. Allen, 2022.
Creator: Griffith & Griffith
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits & Genre [P.2022.42.18]

Title: [Country place of worship]
Description: Genre scene from a children's moral instruction book showing a man, children, and horses at leisure outside of a small church building within a grove of trees. In the right foreground, an African American man lies against a log, arms crossed, head down, and dozes near three, saddled horses bridled to a tree. Behind him, two white boys sit in the grass beside a dog and look over a book. In the right background, two, saddled horses are bridled to a tree near two white boys and a girl in conversation. In the left background, three, saddled horses are bridled within a cluster of trees. Scene also includes a small turtle passing the horses in the foreground. One appears to watch it. A white man stands near the church in the center background. Pastureland is visible in the distant, right background. All the male figures are attired in hats, jackets, and pants. The girl wears a bonnet and dress., Title from manuscript note on recto., Date from date of publication in which print is included., Published in Common sights on land and water (Philadelphia: American Sunday-School Union, 1852)., Gift of David Doret., Description revised 2022., Access points revised 2022.
Creator: Kollner, Augustus, 1813-1906
Date: [1852]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Prints [P.2018.63.4]

Title: [African American man jockey]
Description: Die-cut scrap depicting a racist caricature of an African American man jockey. Shows the bust-length portrait of the man smiling and facing left. He is attired in a red and yellow jockey cap and a red and yellow jockey shirt, which has a yellow tie., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 18 [P.2017.95.271]

Title: [African American man sailor]
Description: Die-cut scrap depicting a racist caricature of an African American man sailor. Shows the bust-length portrait of the man smiling and looking to the right. He is attired in a straw hat with a blue band and a blue sailor’s outfit with a black bowtie., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 19 [P.2017.95.272]

Title: [African American man jockey]
Description: Die-cut scrap depicting a racist caricature of an African American man jockey attired in a red jockey cap with yellow stripes and a blue band, a white collared shirt and bowtie, a red jacket, and a gold earring. Shows the bust-length portrait of the man smiling and facing to the right., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 26 [P.2017.95.278]

Title: Customer. "Rather cool weather Pete, for a close crop like that." Pete. "Can't help it Boss---the proprietor says long hairs gits in de wittles."
Description: Reproduction of a drawing of a racist, comic scene showing an African American waiter serving a bearded, white man seated at a restaurant table. The African American waiter is depicted with exaggerated features, including an oblong-shaped head. He wears a black suit, a white shirt with a high collar, and an apron around his waist. The waiter stands beside the table that is covered in a tablecloth. He rests his left hand on it and holds a bowl of soup on a saucer in his right. The customer, attired in a tuxedo, rests his left arm near a pitcher, glass, napkin and condiment display on the table. In the background, a bald man, sits and eats at a nearby table. Paneling adorns the walls of the restaurant on which the morphed shadow of the waiter is visible., Title printed on negative., Yellow mount with curved corners., Date inferred from attire of depicted figures., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2018.16.8]

Title: Mirth! music! originality! The success of the season! "Jollities"
Description: Racist trade card promoting “The Electrical Doll” play at the Gaiety Theatre in Boston. Depicts a caricature of an older African American man, possibly a peddler, carrying a dead duck and a basket of produce. The man is balding and has tufts of white hair on the sides of his head and is attired in plaid pants, a collared shirt, a collared jacket, and a plaid scarf tied around his neck. He holds a dead duck by the legs in his left hand. Around his left shoulder, he carries a straw handled basket, which has the leaves of a vegetable sticking out of it. Behind him in the background is a shelf that has a bottle and a glass on it. The Gaiety Theatre in Boston was located on Washington Street between West and Avery Streets. The 800-seat theater operated from 1878 to 1882 when it became the Bijou Theatre. Charles Atkinson with his Jollities theatre troupe produced comedic plays, including “The Electrical Doll,” which was written by Clinton G. Parrefield with music by J. Adalim. It first appeared in December, 1879 and ran for a number of years in America and Europe., Title from item., Publication information and date inferred from the content., Text printed on the recto: (Over.), Advertising text printed on the verso: Boston Press Notes. [Boston Herald, Dec. 14.]“Standing room only.” and precious little of that, was what late comers at the Gaiety Theatre found last evening. One of the largest audiences ever gathered in this cosy little house extended to the ‘Jollities’ Combination such a welcome as to dispel all doubts, if, indeed, any existed, that the levees to be given during the present week by “The Electrical Doll” will be little short of a perfect ovation.” [Boston Post, Dec. 14.] “The ‘Jollities’ presented the ‘Electrical Doll,” the funniest of all musical absurdities, before an over-flowing house last evening at the Gaiety, and gave universal satisfaction.” [Boston Globe, Dec. 14.] The Jollities. “There was not a vacant seat at the cosy Gaiety last evening. Why? Simply from the fact that Manager Gouge, who knows just what a Boston audience requires, gave one of the best performances that has graced this theatre this season. If good acting, splendid singing, bright and witty dialogue, with a capital orchestra—whose sparkling music was rendered under the baton of J.A. Norris in such an acceptable manner that encores were demanded—deserve to be called first-class, then a faint idea may be conceived of the excellencies of the Jollities Combination entertainment.”, [Boston Journal, Dec. 14.] Gaiety Theatre—“The Jollities Combination is well named, for jollier lot of performers could scarcely be brought together. At the Gaiety Theatre, last night, they appeared before a large audience in a two-act musical piece entitled ‘The Electrical Doll.” On the bills the piece is called an ‘absurdity,’ and it is deliciously absurd, yet marked by a consistency that places it as a composition for the stage very far ahead of the majority of similar productions. The Jollities deserve full houses during their stay of a week, and all who attend their clever entertainments are certain to be pleased.”, Printed with green ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Gaiety [P.2017.95.67]

Title: I. Knopf, fine shoes, also trunks & valises. 822 Market St. Phila
Description: Racist trade card promoting I. Knopf's shoe store and depicting a racist caricature of an African American man portrayed with exaggerated features and carrying two bouquets of flowers. Shows the rotund, African American man attired in a yellow hat, a monocle, a white shirt with a red striped collar, a blue bowtie, a yellow waistcoat with red checks, a purple jacket, white gloves, yellow pants, and brown shoes. He holds up two multi-colored flower bouquets, including red roses and white daisies, in his hands. Isidor Knopf (1848-1934) had a store selling shoes and luggage at 822 Market Street, Philadelphia in the 1880s. In the 1900s, he became a pawnbroker at 2501 Frankford Ave., Philadelphia. He advertised in the newspapers as I. Knopf & Sons when he sold forfeited clothing and jewelry from his pawnbroking business as late as 1910., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knopf [P.2017.95.99]

Title: Go to Edelman's for your kid gloves, zephyrs, ribbons and hosiery, 335 Northampton St., Easton, PA
Description: Trade card promoting Edelman's store and depicting a satiric, racist caricature of an older African American man misunderstanding an operator to whom he speaks on a wall-mounted telephone. He faces the viewer, leans against the wall, and remarks in vernacular speech "dis chile's rich...dis man... gib me de city hall." The man is balding and has tufts of hair on the sides of his head. He has a white beard and is attired in a beige coat, an undersized, green vest with buttons, and blue plaid pants rolled up at the bottom exposing his socks and black shoes. On the ground beside his feet is a banjo and brimmed hat. M.A. Edelman had a shoe store on 146 Northampton Street, Easton, PA circa 1871. Circa 1880s, he opened a store selling women's accessories on 335 Northampton Street., Title from item., Publication information from copyright statement: Copyright 1883 by J H. Bufford's Sons., Text printed on recto: Golly! I guess dis chile's rich- dis man him say wait a minute and him gib me de city hall., Gift of David Doret.
Date: 1883
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Edelman [P.2017.95.54]

Title: Out of Vacuum Harness Oil in an inland town. People cannot exist without it. Sold by WM. R. Fero, dealer in dry goods, groceries, hardware, hats, etc. Glen, N.Y
Description: Racist trade card illustration advertising Vacuum Harness Oil and depicting an African American man riding a horse. The man is attired in an orange long-sleeved shirt, yellow checkered pants, and black boots. The man is portrayed with exaggerated features. Vacuum Harness Oil was founded by Hiram Bond Everest and Matthew P. Ewing in 1866. Standard Oil Trust acquired Vacuum Oil Company in 1879., Title from item., Advertising text on verso: The celebrated Vacuum Harness Oil is put up in Quart, Pint and Half-Pint Cans with Gilt Labels, and warranted full measure., Distributor's imprint printed on recto: Sold by Wm. R. Fero, dealer in dry goods, groceries, hardware, hats, etc. Glen, N.Y., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Vacuum [P.2017.95.180]

Title: Van Stan's Stratena, the best cement in the world Great lecture on Van Stan's Stratena by Julius Augustus Cesar at Ethiopian Hall. Mends china, glass, wood, bone, metal, jet, coral, porcelain, leather, ivory, stone, &c. &c
Description: Racist trade card illustration depicting an African American man lecturing in front of an audience of well-dressed African American men on a stage. The lecturer leans on a wooden table and is attired in a brown jacket, a tan vest, a white shirt with gold cuff links, a white bowtie, blue pants, and black shoes. Rolls of paper stick out from the man's back pocket. The man's upturned top hat is visible underneath the table. A decorative object advertising Stratena and a cup sit on the table. All of the men are depicted with exaggerated features. Van Stan's Stratena was manufcatured in Philadelphia during the late 19th century., Title from item., Advertising text on recto: One drop of dis yere Stratena on de conscience of a politician will make him stick to his principles. One drop on de mariage certificate will prevent de divorce court from separating you from de wife of your bosom. Do you hear me! Gentlemen I am a talking., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Van Stran [P.2017.95.182]

Title: W.H. & S.V. Lines
Description: Racist trade card showing an African American man facing the left and depicted in bust-length. The man is attired in a straw hat, from which three chicks peek out, and a collared shirt. He is depicted with exaggerated features., Title from item., Advertising text on verso: Boots, shoes, rubbers, trunks & bags. Good goods! Low prices! All the novelties. Buying direct in large lots to supply our seven stores enables us to sell cheaper than other dealers. Stores at Rochester, Schenectady, Ithaca, Amsterdam, Elmira, Lockport, and Geneva, N.Y. W.H. Lines, S.V. Lines, Jr., Text printed on recto: Injured innocence. I hain't seen nuffin of yer chickens! Do yer took me for a thief? Do yer see any chickens 'bout me? Go' way dar, white man! Treat a bo 'spectable if he am brack!, Gift of David Doret.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - W.H & S.V. Lines [P.2017.95.184]

Title: For the holidays, good dinners, &c., to be had at the Model Coffee House, Chas. Huber, Proprietor No. 48 East Seneca Street, Buffalo, N.Y. Separate room for ladies
Description: Racist trade card illustration depicting an African American man cook delivering food to a table and two blonde-haired white children trailing him. In the foreground is a table with a red and white tablecloth. Plates of food, trays, and a pitcher are visible on the table. A fish is depicted atop a plate at the center of the table and a tray in the right bears bunches of grapes and bears. Behind the three figures are shrubbery and a trellis covered in leafy vines. The cook is attired in a white chef's hat and uniform and is depicted with exaggerated features. The young white girl dons a red ribbon in her hair. Charles Huber owned a restaurant, Model Coffee House, in Buffalo, New York during the late nineteenth century., Title from item., Date inferred from content and genre of print., Advertising text printed on recto: Separate room for ladies., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Model [P.2017.95.133]

Title: S.H. Zahm & Co., dealers in new and second-hand books, stationery and blank books, Nos. 18 & 20 South Queen Street, Lancaster, PA
Description: Racist trade card illustration depicting an elderly African American man looking out of a window. The gray-haired man is attired in a red long-sleeved shirt and gold-rimmed spectacles. He holds a newspaper in both hands and a pipe in his left hand. The man looks toward the right side of the image and his mouth is agape. He is depicted with exaggerated features. S.H Zahm & Co. was owned by Samuel Hensel Zahm and his business partner Samuel Auxer. Zahm was an active member of the Lancaster community and was a member of the board of health, the Lancaster County Historical Society, and the Pennsylvania German Society. He was also a collector of Native American artifacts., Title from item., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - S.H. Zahm [P.2017.95.151]

Title: 50 new elegant embossed chromo cards with your name printed on them, for only 8 cents in stamps. This offer lasts only till October 30, after that our regular price will be charged. Address Star Card Co., East Boston, Mass. Box 38
Description: Racist trade card illustration depicting an African American man peering over a fence and gazing downard. The man is attired in a cap and holds a cane in his left hand. His right hand grips the top of the fence. A sign on the fence bears the advertising text promoting personalized greeting cards. Below the sign is a notice that reads, "Post No Bills." The African American man is depicted with exggerated features., Title from item., Advertising text printed on verso: Read! Read! These cards are something new, Gold Floral, Rememberance, Sentimental, Hand Floral, etc. with Love Friendship and Holiday Mottoes. Besides this maginificent offer we give with every pack, 10 pieces New and Popular music, and with 6 packs we give a fine Nicle-Plated Pocket Fruit knife. Try us once. We want an agent in every city and town. We give fine premiums, or we will allow you to retain 25 cts. on eah Dollars worth of orders sent. Send stamp for Premium List, Circulars, and how to become an agent. It pays. Address Star Card Co., East Boston, Mass., Text is printed in red ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star [P.2017.95.166]

Title: Compliments of McGeoch & Pierce
Description: Racist trade card depicting African American man minstrel musician to promote laundry soap. Shows the man, in profile, smiling, holding a large tambourine in his right hand, and raising his left leg in the air in a skipping motion. The man is attired in a blue jacket with long tails, a white shirt with ruffles and the collar up, and orange and white striped pants. McGeoch & Pierce was a clothing firm partly owned by M.L. Pierce in Greenwich, New York. Pierce joined the firm in 1881., Title from stamp on item., Date inferred from operation dates of advertised business as referenced in biographical entry for M.L. Pierce in "Biographical and Historical Memoirs of Adams, Clay, Hall and Hamilton Counties, Nebraska, Comprising a Condensed History of the State" (Chicago, 1890), p. 784., Advertising text on verso: Temple of Fashion, 83 Main St., Greenwich, N.Y. McGeoch & Pierce, Carry The Best Selected Stock of Clothing in Washington County. Mens' and Boy's Suits & Overcoats In all the New and desirable goods and styles. Fine Goods and Perfect Fit A Specialty. For your next suit call on McGeoch & Pierce, The Leaders in Low Prices., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - McGeoch [P.2017.95.116]

Title: Melloy & Ford, wholesale tin ware manufacturers. [graphic] / On stone by W. Rease, No. 17 Sth 5th St.
Description: Print trimmed and lacking caption., Poulson's inscription on recto: Mar. 1849; Market Street., Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates", "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements including a large scale model of a coffee pot contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a couple strolls, two laborers lift a crate onto a horse-drawn sulky, and a female customer enters the store. An African American peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address.
Creator: Rease, W. H., lithographer., creator
Date: [[March 1849]
Location: http://www.lcpgraphics.org/wainwright/W231.htm, Library Company of Philadelphia Print Dept. *W 231 [P.2105]

Title: Lacey & Phillips. [graphic] / Drawn on stone by W.H. Rease No. 17 So. 5th St., Philda.
Description: Print trimmed and lacking caption., Poulson inscription on recto: Aug. 1847., Select link below for a digital image., Advertisement depicting William N. Lacey's and Samuel R. Phillips' busy four-story equestrian store at 12 South Fifth Street selling "ladies and gentlemen's saddles, single and double harnesses, and bridles and whips." Saddles, bridles, harnesses, and blankets are prominently displayed in the storefront window and on the building facade. On the upper floors, several employees work by open windows. Elegantly dressed patrons converse near the entryway and four horses are lined up in the street awaiting and receiving service including a pair reined in by an African American coach driver. Partial view of the adjacent building containing the carpenter, W.B. Morrell, is visible. Lacey and Phillips partnership, established in 1845 remained at the site until 1852.
Creator: Rease, W. H., lithographer., creator
Date: [August 1847]
Location: http://www.lcpgraphics.org/wainwright/W215.htm, Library Company of Philadelphia Print Dept. *W 215 [P.2108]

Title: John Hibler, importer & wholesale dealer in foreign & American wines & liquors. No. 56, North Third Street, (second door above Arch,) Philadelphia. [graphic] / On stone by W.H. Rease, 17 So. 5th St., Phila.
Description: Date of publication supplied by Wainwright., Advertisement depicting the four-story shop containing signage advertising wines & liquors. The doors, windows, and cellar are open for business. Inside the shop, wine casks, crates, jugs, and bottles line the floors and a laborer raises a cask with a pulley. Outside, a laborer loads casks onto a horse-drawn cart as nearby. An African American peddler with a basket and ringing a bell passes by. Partial views of the adjacent stores, possibly an apothecary and bolting cloth business, are visible. Hibler, operated the wine business at the location from 1840 until 1844, where afterward he operated a grocery.
Creator: Rease, W. H., lithographer., creator
Date: [1844]
Location: http://www.lcpgraphics.org/wainwright/W203.htm, Library Company of Philadelphia Print Dept. *W203 [P.2116]

Title: Penn Hotel & Denny's harness shop. [graphic] / On stone by W.H. Rease 17 1/2 S. 5th St.
Description: Print trimmed and lacking caption., Poulson inscription on recto: Dec. 1848 No. 327 1/2 Market Street., Select link below for a digital image., Advertisement depicting the three-and-a-half-story building containing the hotel and tavern operated by John Thompson at 329 Market Street and Robert Denny's saddles and harness store at 327 1/2 Market Street. Harnesses and other horse paraphernalia hang from the shop's display window and entranceways, including a stable entrance marked, "Entertainment for Horses." In front of the building, a man with his horse enters the marked entrance; a clerk from Denny's converses with a customer by a stack of trunks; and other horses rest nearby and in front of the adjacent hardware store, including one attached to a sulky attended by an African American man. Hotel guests stand near the second floor windows and enter the hotel entrance. The hotel, tavern, and harness and saddle store resided together at the site only for the year 1848 to 1849.
Creator: Rease, W. H., lithographer., creator
Date: [[December 1848]
Location: http://www.lcpgraphics.org/wainwright/W270.htm, Library Company of Philadelphia Print Dept. *W 270 [P.2156]

Title: City Marble Works and Steam Mantel Factory. Corner Tenth and Vine Streets Philadelphia. J.E. & B. Schell. [graphic] / Rease & Schell's Lith., No. 17 So. 5th St., Philda.
Description: Although Wainwright suggests date of publication as circa 1855, date of circa 1854 is used since Rease relocated to the new business address of 97 Chestnut Street as of 1855., Contains two lines of text below the title advertising the manufactory's improved facilities., Advertisement depicting a corner view of the three building showroom and factory operated by the Schells from 1853 until 1856. J.E. Schell continued the business as J.E. Schell & Company starting in 1857. On Tenth Street, patrons enter the four-story storefront and mantle room adorned with signage and statuary displayed on a second floor veranda. At the corner, a coach waits, the disembarked African American driver standing at the ready. On Vine Street, behind the showroom, a family of passerbys admire the marble statuary, monuments, and headstones in the factory's fenced in yard. Factory laborers load a headstone onto a horse-drawn cart, inspect open crates lining the street, and review slabs of marble outside the factory's storage building. Partial views of adjacent buildings and the "10th" Street carriage are visible.
Creator: Rease & Schell, lithographer., creator
Date: [ca. 1854]
Location: http://www.lcpgraphics.org/wainwright/W071.htm, Library Company of Philadelphia Print Dept. **W71 [P.2032]

Title: [Peace Jubilee parade, military men marching along North Broad Street near Columbia Avenue, Philadelphia]
Description: View showing the white men members of an unidentified marching band playing instruments as they walk down Broad Street, Philadelphia during the Peace Jubilee, a celebration commemorating the end of the Spanish American War. The Tenth Cavalry Regiment, an African American regiment that served at San Juan Hill, Cuba, marches and performs behind them. A large crowd stands on the sidewalk and sits in the viewing stands near the Columbia Avenue Savings Fund, Safe Deposit, Title & Trust Co. Depicts the east side of Broad Street looking southeast, including the spire of the Oxford Street Presbyterian Church in the distance. Bunting and American flags decorate the buildings. In October of 1898, Philadelphia honored the end of the Spanish-American War with the Peace Jubilee. To pay tribute to the armed services, the Court of Honor was built on Broad Street with the Triumphal Arch erected at Sansom Street. The celebration included military reviews and parades, and President William McKinley attended., Title supplied by cataloger., Gift of Albert L. Doering, 1994., Description revised 2022., Access points revised 2022.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.266]

Title: [Frederick A. Rex & Co. trade cards]
Description: Series of illustrated trade cards promoting coffee manufacturer Frederick A. Rex & Co. and depicting a fox leaping to grab grapes in its mouth from a vine running along the top of a tall stone wall. Racist trade card titled "An absorbing subject" and depicting a caricature an African American man lying on top of a barrel and drinking from it with a straw. Shows the barefooted man, portrayed with exaggerated features, and attired in a straw hat, a striped shirt with the sleeves rolled up to the elbows, and patched and torn pants. He lies straddling on top of a wooden barrel and rests his head in his hands. He closes his eyes as he drinks from a straw through a hole in the barrel. The barrel has a label pasted on it and is marked “XXX.” In the foreground, a painter’s palette leans against the front of the barrel. Frederick A. Rex (1850-1916) founded the Frederick A. Rex Company in the 1880s which manufactured coffee and tea. The firm had an office in Philadelphia and a mill in Camden, N.J., Title supplied by cataloger., One print [P.9651.20] copyrighted 1881 by Geo. M. Hayes., One print [P.9651.20] contains advertising text printed on verso promoting "Peerless Coffee," the finest coffee sold, roasted and packed by Fred'k A. Rex & Co., 39 North Front St., Philadelphia, with mills in Camden, New Jersey., Purchase 1999, 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rex [P.9651.20 & P.9984.2]

Title: H. Jahke, wholesale & retail dealer in all descriptions of fresh & salt pork, hams, lard, tongues, &c. 130, 131, 132 & 133 Nineteenth St. market, residence, cor. Baring & Sloan Sts., West Phila
Description: Racist, trade card promoting butcher John Henry Jahke and depicting a caricature of an African American man on mule-drawn plow. Shows the African American man, attired in a hat and a blue, plaid jacket and pants, sitting on top of a plow. He holds the lever to the plow in his right hand and the reins to the mule pulling the plow in his left hand. The mule is kicking its back legs into the air because three pigs are running around it. Trees are visible in the background. John Henry Jahke (1835-1919) was a prominent butcher who owned a slaughtering and packing plant in West Philadelphia on Baring and Sloan Streets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Emily Phillips, 1883., Digitized., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department trade card - Jahke [P.9766]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: Colossal hand and torch "Liberty"
Description: View of Bartholdi's Electric Light or Liberty Enlightening the World hand and torch statue on display near the lake. A group of men, including an African American man in the foreground, stand near the kiosk and two white men stand on the balcony of the torch. The Women's Pavilion designed by Hermann J. Schwarzmann and Horticultural Hall designed by James H. Windrim are partially visible in the background. Money raised at the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art, helped to pay for the completion of the statue and pedestal., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Purchase 1989., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.45]

Title: The eureka poisoned fly-plate will kill every fly in the house
Description: Trade card promoting Eureka Fly Plate Co. and depicting an African American man, portrayed in racist caricature, observing the fly plate kill a swarm of flies. The man, attired in a white collared shirt, a red jacket, and blue pants, stands holding a broom, which he uses to sweep dead flies from the table in the left. On the table is the fly plate that fills with flies. Above the table is a window., Title from item., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Eureka [1975.F.294]

Title: President Lincoln's hearse
Description: Photographic reproduction of a print showing the five horse-team drawn catafalque carrying the flower-covered casket of the President stopped in front of a church. White men funeral officials, attired in black suits and top hats, attend the horses and hearse. Mourners line the city street, including an African American man., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by Henszey & Co., Photographers, No. 812 Arch St., in the Clerk's Office of the District Court, for the Eastern District of Pennsylvania., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Henszey & Co.
Date: 1865
Location: Library Company of Philadelphia | Print Department cdv - Henszey & Co. - Lincoln [5792.F.48b]

Title: Southern tombstones
Description: Photographic reproduction of an anti-Confederate political cartoon showing a dilapidated graveyard of tombstones and a mausoleum inscribed with vitriolic epitaphs for predominately prominent military figures from the Confederate States. The fictionalized deceased include Generals P.G.T. Beauregard, Braxton Bragg, John B. Floyd, Robert E. Lee, Leonidas Polk and Henry A. Wise in addition to Vice-President Alexander Stephens. Within the cemetery, an African American man with a bayonet peers out from behind a tombstone near a debris-strewn path marked "secession, mob rule, and nullification." Plantations burn in the background., Title from item., Date inferred from content., Publisher's imprint printed on verso., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - McAllister & Brother - Caricatures & cartoons [5780.F.52o]

Title: Scene of camp life
Description: Busy scene showing numerous activities occurring simultaneously at a military camp. In the center, Union Generals look at a map while sitting and standing under a canopy made from an American flag. In the background, soldiers drill on horseback, with cannons, and in lines near rows of tents. In the left, two barefooted African American men and a child approach a Zouave. A white man soldier stands with a rifle and looks on while another white man soldier leans upon a cannon., Title from item., Date inferred from content., Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events. McAllister Collection, gift, 1886., Trimmed., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department GC - Civil War - Military Camps [5779.F.90f]

Title: [Automatic Electric Shoe Shining Company of Philadelphia]
Description: Shows men getting their shoes shined at the Automatic Electric Shoe Shining Company of Philadelphia at the 1300 block of Market Street, Philadelphia. The shoe shining booths line the perimeter. Men, attired in boater hats and suits, stand with one foot on the ground and one foot in the electric shoe shiner. In the right, a man, attired in a suit and tie, sits at the ticket booth under a sign, “Get your tickets here. 8 shines for 25c. One ticket good for both shoes.” Standing in the center is African American man, attired in a uniform and cap, holding a rag., Title supplied by cataloger., Gift of Matthew Schultz, 1998., Description revised 2022., Access points revised 2022., One of the images [P.9645.203] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 59., Arcadia caption text: At the turn of the century the Automatic Electric Shoe Shining Company of Philadelphia opened its first parlor on the north side of the 1300 block of Market Street. For a nickel, customers could enjoy the latest technological wonder, a machine designed to shine either black or tan shoes. The African American attendant standing in the center of this c. 1900 photograph holding a rag probably buffed the customers’ shoes. According to the large advertisement above the door, the company planned to open 15 parlors in Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: 1900
Location: Library Company of Philadelphia | Print Department glass negatives - Levis [P.9645.203 & 584]

Title: [Mr. and Mrs. Fairman Rogers chaperoning coach of young ladies, May 10, 1879]
Description: Shows the Philadelphia engineer and noted coaching enthusiast and his wife Rebecca in the cab of a four-in-hand coach in a landscape setting. Several young ladies from prominent Philadelphia families sit on the deck behind the couple. Two African American groomsmen stand near the horses. Rogers was the founder of the Philadelphia Coaching Club and the first person in Philadelphia to drive a four-in-hand, which was painted by Thomas Eakins., Title supplied by cataloger., Manuscript note on verso: Saturday May 10, 1879. Mr. & Mrs. Rodgers [sic]; Hattie Meigs; Annie Williams; Lily Sturgis; Marian Rawle; Emily Newbold; Maidie Hart; Maud Potts; May McMichael; Mrs. Dick; Harriet Etting., Purchase 2010., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schreiber & Sons
Date: May 10, 1879
Location: Library Company of Philadelphia | Print Department photo - 5x7 - Schreiber (by photographer) [P.2010.18.1]

Title: [Armand Dalsemer trade cards]
Description: Series of illustrated trade cards for Armand Dalsemer's "fine shoes" and "common sense shoes" at 136 North Eighth Street in Philadelphia. Illustrations depict a grinning African American man, portrayed in racist caricature, standing in an open window holding a newspaper labeled "The American Citizen"; a cherub sitting on a lily pad in a lily pond; and a portrait of a little girl wearing a bonnet., Title supplied by cataloger., Printers and engravers include Sunshine Publishing Company (Philadelphia) and Leon Meyers, 29 S. Liberty St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Dalsemer [1975.F.15; 1975.F.19; 1975.F.286]

Title: He dreamt dat from away off thar de angels sent him news. He 'woke and found it was Dunbarr dat sent dem bully shoes; 60 N. Fourth St. Philadelphia
Description: Racist, satiric trade card depicting an African American man, portrayed in racist caricature and attired in a straw hat, a white collared shirt, pants with patches at the knee, and old shoes, sleeping with his back resting against a haystack in a field. A rifle is propped on the haystack beside him. An African American angel with wings flies toward the sleeping man with a pair of boots in his outstretched right hand. In the background is a scarecrow. Text printed on the recto describing the scene is written in the vernacular. Burns & Zeigler succeeded the firm of Geo. S. Clogg & Son in 1875., Title from item., Date inferred from dates of operation of business., Contains advertising text printed on verso: E. L. Burns. F. T. Zeigler. Burns & Zeigler, dealers in fashionable boots and shoes, No. 1109 Pennsylvania Avenue, betw. Eleventh and Twelfth Sts., Washington, D.C. F. Lisiewski & Co., prs., 639 Arch St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Creator: Donaldson Brothers (Firm)
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department trade card - Burns & Zeigler [1975.F.33]

Title: The wood-cart
Description: Plate from children's moral instruction book showing an African American man and three passengers traveling in a horse-drawn cart down a dirt path towards the lumber yard. A residence facing the road is visible in the background., Published in Common sights in town & country. Delineated & described for young children (Philadelphia: American Sunday-School Union, No. 146 Chestnut Street, [ca. 1853])., Accompanied by text titled "The wood-cart" moralizing, through the tale of the diligent wood-carter, that good habits in this lifetime offer peace and comfort, and prepare us "for the better life which is to come"., Philadelphia on Stone, POS 865, Historical Society of Pennsylvania: Bd 61 K 8342.30, Free Library of Philadelphia:, Atwater Kent Museum: 46.57.1.3
Creator: Kollner, Augustus, b. 1813
Date: [ca. 1853]
Location: Historical Society of Pennsylvania HSP Bd 61 K 8342.30

Title: East front of Main Building
Description: Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, 1844-1894
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]

Title: East front of Main Building
Description: Oblique view of the east front of the Main Building on the grounds of the Centennial Exhibition of 1876 designed by Henry Pettit and Joseph M. Wilson. In the foreground, a white man rests his right foot on a box as he has his shoes polished by an African American man, who kneels on the ground. Two white men browse through a box of goods that an African American man peddler, attired in a white hat and apron, carries on a strap around his shoulders. Two other white men stand to the right and look at the viewer. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title and photographer's imprint on mount., Orange mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Creator: Barker, George, 1844-1894
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department stereo - Barker - Centennial [P.9047.69]

Title: [Proofs from specimen album loose prints collection]
Description: Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the stereotype character "Uncle Remus" (portrayed in racist caricature) designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860-ca. 1882]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Proofs [P.9349.296, 308, 320, 339, 342, 344-347, 349, 351-353, 360, 365, 416, 419, 427-430, 443, 445]

Title: Franks Dining Room, for ladies and gents, open day and night, 216 N. Ninth St., Phila
Description: Racist trade card promoting the restaurant of Frank Tiefenthaler and depicting an African American man, portrayed in caricature with grotesque facial features. Shows the man, portrayed with a blank stare and attired in a striped, long-sleeved shirt, eating from several stacked bowls of "mush." He holds a spoonful of porridge close to his open mouth from within a wooden pantry. Illustration also shows the open door to the pantry. Tiefenthaler began to operate his restaurant from 216 North 9th Street in 1884. Tiefenthaler died in 1934 retired from business, but was listed in city directories as operating a dining room through the early 1920s., Title from item., Date inferred from dates of operation of advertised business., Printed above image: "Mush-Room.", Printed in blue., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - F [P.2015.35.2]

Title: Lined up for march to dinner, [Hampton Institute, Va.]
Description: Film negative showing a group of African American men, attired in uniforms, white gloves, and caps, standing in formation at the Hampton Institute. The men stand in two rows facing forward. In the background are trees and a three-story brick building. In the left, a man walks with a bicycle beside a woman. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 24, 1912
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.463]

Title: Starting the march, [Hampton Institute, Va.]
Description: Film negative showing a group of African American men, attired in uniforms and caps, marching in straight lines across a lawn at the Hampton Institute. The men march with their backs to the viewer in four groups of two rows each. Two men carry flags, including an American flag. In the background is a white, two-storied house with shuttered windows and a brick building. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 24, 1912
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.464]

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