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- Title
- Let Dinah Black tell you the story
- Description
- Racist mechanical, fold-out advertisement for black enamel depicting a caricature of an African American mammy figure "Dinah" on the exterior. The figure is portrayed with a red headwrap, red hoop earrings, and exaggerated features. The interior of the advertisement includes the caricature as the illustration of the "I'se Dinah Black" trademark in the center of the print. Several vignette images depicting various tools and appliances, including a radiator, iron fence, pencil sharpener, heater, and shears border the logo and advertising text. Maloney Oil & Manufacturing was established by Martin Maloney in Scranton, PA in 1874. He started the firm with profits from an earlier grocery business. Standard Oil Company acquired Maloney Oil in 1929., Title from item., Printed on recto: Printed in U.S.A. No. K46., Date inferred from content and dates of operation of business advertised., Distributor's imprint stamped on back of fold out: Maloney Oil & Mfg. Co. 141 Meridian St. Scranton, PA., Advertising text printed on back of fold out: Made by the makers of Kyanize - It's Good., Advertising text printed on inner panels of fold out: Use Anywhere. Stovepipe Rusty! That looks slack. Refine it with Dinah Black. When passing children scar the fence, Get Dinah Black for thirty cents. For Heaters, Farm Tools, Implements, Dinah Black is just immense! To make old engines glow with pride Dinah Black serves far and wide. Outdoor iron rusts with ease, So Dinah Black it, if you please. Shears and shovels, plows and carts, Dinah Black keeps bright their parts. Indoors, outdoors; high or low Dinah Black will make things glow. No benzine - small chance of fires - that's Dinah Black all over. Buyers. Only the name and label is improved - we couldn't improve the product, which is the same as we sold before under the name, Black Dazzle and made according to our own secret formula. The same old reliable black enamel for stove pipes, heaters, and al wood and iron work, indoors or out. On with ease and dry in a day. The Good Black Enamel On Anything., Gift of David Doret.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Maloney [P.2017.95.114]
- Title
- [Folk art portraits of two African American women and two African American men]
- Description
- Folk art bust-length portraits of two African American men and two African American women, portrayed in racist caricature, shown in a row, alternating woman, then man. In the left, the woman, wearing her hair in two braids tied with blue bows on either side of her head that stick out, with red lips, and attired in an off-the-shoulder blue dress with ruffles, faces forward with her eyes looking left. Beside her the man, with red lips and attired in a white collared shirt, a pink tie, and a black jacket, slightly faces left and his eyes look at the woman. The woman, wearing her hair tied in multiple braids, with pink lips, and attired in a pink, ruffled dress, looks to the left. In the right, the man, with pink lips and attired in a blue bowtie, a white shirt with blue stripes, and a black jacket, faces left and looks at the woman., Title supplied by cataloger., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1909]
- Location
- Library Company of Philadelphia | Print Department Drawings & Watercolors - Unidentified - Faces [P.9057.28]
- Title
- [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
- Description
- Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Hall, Bernhard, 1859-1935, artist
- Date
- 1905
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]
- Title
- The First lesson An exceptional offer to the users of Knox gelatine
- Description
- Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
- Date
- 1905
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knox [P.2017.95.100]
- Title
- The love drop
- Description
- Racist, card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title from item., Text printed on recto: The Love Drop. From Painting by Harry Roseland., Publication information and date from the copyright statement: Copyright 1903 by Harry Roseland., Gift of David Doret.
- Date
- 1903
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249]
- Title
- [The love drop]
- Description
- Racist post card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title supplied by cataloger based on P.2017.95.249., Date inferred by the date of the original painting., Text printed on verso: Post card. This side for address only. Place stamp here. United States, Cuba, Canada and Mexico one cent. Foreign two cents., Gift of David Doret.
- Date
- [ca. 1903]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249a]
- Title
- Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
- Description
- Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Underwood & Underwood
- Date
- 1902
- Location
- Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]
- Title
- Pore lil' Mose sends his Pa a valentine
- Description
- Racist cartoon containing vignettes about an African American family, portrayed in racist caricature, with the boy prankster Pore Lil' Mose giving valentines to his gal Happy Lil' Sal and his Pa. In the left, shows Miss Sally Sunbeam, portrayed in caricature and wearing her hair in pigtails with yellow bows and attired in a pink dress with a white ruffled collar, yellow stockings, and boots, standing with her dog. She smiles and holds up the valentine while Mose looks on from behind a fence. Below is a vignette depicting Pa angrily holding and reading his “comic” valentine, “Moses Pryor shif’less coon quit his job de first of June never works again till fall hates to ever work at all.” Mose’s mother, attired in a red headkerchief with white polka dots, a yellow shawl, and a blue dress, smiles as she looks over Pa’s shoulder. A younger brother, attired in a red and white sailor shirt with a green bow and green pants, stands behind Pa and scowls with his hands in his pockets. The next vignette, shows Mose fleeing the kitchen with only his legs visible running out the door as a mule looks on. Pa, tripping over the cat, flies through the air head down and legs up and carrying a stick in his hand. Ma leans back with her hand on her head as the plates, cutlery, and coffee pot are thrown from the kitchen table. In the top right is a portrait of Uncle Jack, wearing white hair and attired in a black top hat, a white and red striped shirt, a yellow vest with red polka dots, blue pants, red socks, and brown shoes, standing with his hands in his pockets. The image of Pa’s valentine depicts a racist caricature of an African American man stealing a chicken at night under the moonlight. Contains 21 lines of text written in the vernacular explicating the scenes ending with the line "Pore Lil' Mose.", Title from item., The "Por Lil' Mose" series was published in the New York Herald from 1901 until 1902., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Richard Felton Outcault (1868-1928) is renowned as the creator of the first published full page comic. He is also the creator of "Buster Brown."
- Creator
- Outcault, Richard Felton, 1863-1928, artist
- Date
- [ca. 1901]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1901 Por [8391.F]
- Title
- Uncle Tom's Cabin. On the Levee
- Description
- Racist scene derived from Stowe's popular abolitionist book, probably a theater advertisement for a minstrel production. Depicts enslaved African American men and women, portrayed in racist caricature with exaggerated facial features, having a hoedown on a levee. In the foreground, two women and two men dance facing the viewer. In the left, the woman, attired in a straw hat with a white ribbon tied over the hat and under her chin, a pink smock, a green skirt, black stockings, and black shoes, puts her right foot on its heel and raises her left arm up. Beside her the man, attired in a yellow collared shirt, red suspenders, gray and yellow checked pants, and brown shoes, steps back on his right leg as he raised his right arm up. Beside him, the woman, attired in a yellow headkerchief, a green collared shirt with red polka dots, a copper colored skirt with black polka dots, black stockings, and black shoes, holds her skirt with her right hand as her left hand touches her mouth. In the right, the man, attired in a yellow collared shirt with red stripes, white overalls, and black shoes, leans to the right with both hands in his pockets. Seated in the right, two men play banjos. More African American men and women, seated and standing, clap, sing, and raise their arms up. In the background are stacks of wooden crates, and the water is visible., Title from item., Date from copyright statement: Copyright 1899. Courier Litho. Co. Buffalo, N.Y., Purchase 1988., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1899
- Location
- Library Company of Philadelphia | Print Department **GC - Entertainment [P.9219]
- Title
- [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
- Description
- Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1895]
- Location
- Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]
- Title
- Two souls with but a single thought
- Description
- Lantern slide formerly owned and probably used in art lessons by Philadelphia painter, photographer, and art teacher, Xanthus Smith of a racist depiction of African Americans in caricature by comic artist, Thomas Worth. Depicts a young and dapperly-dressed African American couple eating a piece of watermelon on a porch as the parents of one of the couple watches them from a doorway. Seated on a bench, the woman, wearing her hair tied up with a pink ribbon and attired in a blue shirt with buttons down the center, a white skirt with ruffles at the bottom, red and black checked stockings, and black shoes, sits beside the man, attired in a gray bowler hat, a white shirt with stripes, a gray waistcoat, gray and black striped pants, and black shoes. They hold a large slice of watermelon up together and bite from it while looking at one another. In the left, the mother, attired in a blue and pink plaid head kerchief, a pink and black striped shirt with a white lace collar, and a pink skirt, and the father, attired in a white collared shirt, a black waistcoat, and black pants, looks on at the couple from an open doorway. A banjo hangs from the post of the porch in the right. In the background, trees and the night sky is visible., Title from label on mount on verso., Gift of Edna Andrade, 1994., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Lantern Slides-Smith, Xanthus [P.9471]
- Title
- Vickery's Aunt Sally baking powder
- Description
- Trade card illustration depicting a snowy scene. Two white boy, a woman, and a dog stand by a sled. They are under a large barren tree and near the steps of a house. Visible in the background are trees, a body of water and mountains. On the verso, there is a racist illustration of an African American woman holding a tray of biscuits. A speech bubble near her head reads, "Dar's no use talking, Missus' Vickery's Aunt Sally am de best fur biscuits and cakes." Vickery & Co. manufactured Aunt Sally's Baking Soda and was likely founded in Scranton, Pennsylvania in 1875. The company's founder, George H. Vickery later moved to Philadelphia after a fire destroyed his business., Title from item., Partially visible advertising text printed on verso: Presented with each box. Vickery's Aunt Sally baking poser, trade mark patented. The secret told. [...] put a laundry gloss on your shirts [...] Buy a bottle of Aunt Sally Harsh Gloss and see how it is done. You [...] with it, it puts that shiny gloss., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Vikery [P.2017.95.183]
- Title
- Dr. W. W. Wogan
- Description
- Racist trade card promoting dentist Dr. William W. Wogan and depicting a caricature an African American woman dancing. Shows the woman portrayed with exaggerated features and attired in floral headband, red hoop earrings, green gloves, a pink dress with a white collar and white lace petticoat, and white shoes. She holds her skirt up with her left hand and sticks her left foot forward in a dance step. She tilts her face to the left and curves her right arm up. William W. Wogan (1864-1934) was a dentist in York, Pa., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: Go to Dr. Wogan, to have your teeth extracted. Full sets of teeth from $5.00 to $10.00. All kinds of work done as cheap as elsewhere and satisfaction guaranteed. 12 W. Market Street, York, PA., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wogan [P.2017.95.193]
- Title
- Wm. M. Smith, 474 Broad Street
- Description
- Racist trade card depicting a snowy scene with several African American figures. At the center of the image is an African American man attired in a long button-down coat with a hood walking past a group of children. He stands with his left hand in his pocket and holds a cane in his right hand. Small hosues, bare trees, a fence, and several people are visible in the background. Three children in the right foreground of the image look up at the man in the center and adog in the left of the image runs in front of him. The figures are portrayed with exaggerated features. William M. Smith owned a clothing store in Newark, New Jersey in the late 19th century., Title from item., Advertising text on verso: 2424. Two thousand, four hundred and twenty-four Customers, whose names and measurements are registered on our books, will attest to the superiority of the "Domestic Shirt" over all others in make, material, fit, and economy. Factory attached to the Store, No. 474 Broad Street opposite Orange St. where the public are cordially invited to examine our Shirts in every stage of manufacture. N.B. The Otto Gas Engine Furnishing the power to run our machines is a marvel of mechanical ingenuity. Wm. M. Smith, 474 Broad Street, Opp. Orange Street., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.160]
- Title
- I'm yo' valentine chile!
- Description
- Die cut Valentine card depicting a racist caricature of an African American woman carrying a basket of eggs. Shows the barefooted African American woman portrayed with exaggerated features and attired in a blue bonnet with white polka dots, a blue plaid shirt, a white apron, and a blue and white striped skirt. She smiles at the viewer and speaks in the vernacular, “I’m yo Valentine chile,” as she holds a basket full of eggs in both of her hands., Title from item., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - I'm yo' [P.2017.95.247]
- Title
- [African American woman with a cat]
- Description
- Scrap depicting a racist caricature of an African American woman with a cat. Shows the bust-length portrait of a young African American woman with a red flower in her hair and attired in gold hoop earrings, a gold ring, and a brown, long-sleeved dress with white cuffs and a white, lace collar. She looks at the viewer with her right hand on her chest. A white cat is perched on her right shoulder. In the foreground and right background are pink flowers and long, green leaves., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 5 [P.2017.95.258]
- Title
- [African American woman playing the harp]
- Description
- Die-cut scrap depicting a racist caricature of an African American woman playing the harp. Shows the woman attired in a white headband with her hair tied atop her head, a yellow dress with a white collar and decorated with blue ribbons, red earrings, green gloves, and blue dress shoes. She is seated and smiles as her fingers pluck the strings of the harp., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 28 [P.2017.95.280]
- Title
- [African American woman with gold earrings]
- Description
- Circular shaped scrap depicting a racist caricature an African American woman with gold earrings. Shows the bust-length portrait of the woman facing to the right. She is attired in an orange and red striped shirt with a white collared shirt underneath it, a gold pin or button in the center of the collar, and gold hoop earrings., Title supplied from cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 10 [P.2017.95.263]
- Title
- Use Queen Anne Soap I'se a waiting
- Description
- Racist trade card illustration depicting a full length portrait of an African American woman walking a small brown dog. The woman is attired in an elaborate orange, yellow, and green feathered bonnet, a blue and red dotted and frilled dress with white and blue details, a pendant, white and yellow fingerless gloves, red stockings, and black heeled shoes. She holds the dog's leash and a red and blue fan in her left hand and a blue parasol in her right hand. Visible behind her is a large yellow ribbon which is attached to the back of her dress. The woman leans forward while jutting out her backside and stands with her right foot in front of her left. The woman is portrayed with exaggerated features. Queen Anne Soap was owned by the Detroit Soap Company, which in 1915 was acquired by the Buffalo-based Lautz Bros. & Co., Title from item., Date inferred from dates of operation of advertised business., Advertising text on recto: Purest and best in the world., Series number on recto: 58., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Queen [P.2017.95.145]
- Title
- Excelsior metal polish, for polishing and cleaning cutlery, brass, copper, tin ware and all bright steel and metal work
- Description
- Trade card promoting metal polish manufacturer Walpole Emery Mills and depicting a racist caricature of an African American woman domestic polishing cookware. Shows an African American woman portrayed with exaggerated features and attired in a red and yellow striped head kerchief; a blue short-sleeved shirt; a red and yellow shawl; a red skirt; and a white apron with red polka dots, smiling and looking at the viewer. She holds a brush in her right hand and a pot in her left hand. In the left, a brown-haired white woman, attired in a yellow dress with white ruffles at the neck and sleeves and a red bow, bends over a table with a plate in her hands as she looks at the African American woman. In the foreground, two white children look at the reflection of their cat in a polished pan. A boy, attired in a blue Fauntleroy outfit, smiles with his arms apart as he looks down at the pan. A white girl, attired in a white dress decorated with orange bows at the shoulders, sits on the floor and holds the pan up with her right hand. She holds an orange cat with black stripes up to the pan with her left hand. The cat arcs its back with its fur standing up and has its mouth wide open. In the left is an oversized can labeled, "Trademark Excelsior Metal Polish Manufactured by the Walpole Emery Mills 114 Milk Street Boston." On top of the can is another orange cat with black stripes that is arching its back with its mouth open in alarm. In the background is a cupboard with plates and bowls on the shelves. In the right is a table with a large stock pot and lid and a can of metal polish with a skillet hanging from a hook at the front of the table. Walpole Emery Mills, manufacturers of Excelsior metal polish, was founded in 1877 in South Walpole, Massachusetts. The company operated into the 20th century., Title from item., Distributor’s imprint printed on verso: Holway, Wright & Miner, Manufacturers' agents, New York: 167 Chambers Street. Boston: 135 State Street., Advertising text printed on verso: Excelsior metal polish. Acknowledged the cheapest and best article known for cleaning and polishing cutlery, brass, tin ware, and all kitchen utensils, sewing machine plates, nickel plate, bath tubs, copper boilers, bicycles, needles, scissors, carpenter's tools, and all bright metal and steel work. A single trial will prove it to be a household and mechanical necessity. It is neatly put up in tin cans, containing one pound, half-pound and quarter-pound each, with directions for using. Price list. 1/4 lb. cans...10 cents each. 1/2 lb"....15"". 1 lb"...25"". For sale by grocers, druggists, hardware stove and tinware dealers. Illustration of a can of Excelsior metal polish., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Excelsior [P.2017.95.61]
- Title
- Try King's quick rising buckwheat. It is the best. The cook likes it
- Description
- Racist trade card promoting King Cereal Manufacturing Company and depicting a caricature of an African American woman domestic serving pancakes to a white couple while an African American man cook smiles in the kitchen. Shows the African American woman domestic, attired in a red dress, a white apron, and a white bonnet, holding her apron up in her hands while looking at the viewer and winking her eye. In the right, a brown-haired, white man with a mustache attired in a black suit, a white collared shirt, and black shoes and a white woman with brown hair in a bun and attired in a blue dress, sit in wooden chairs at a table covered with a white tablecloth. The white woman looks at the viewer as she wipes her mouth with a white napkin. On the table is a plate of pancakes, a coffee pot, glasses, and a condiment tray with various bottles. Through a doorway in the left background, the African American man cook, attired in a white chef’s hat and jacket, a white apron, pants, and black shoes, smiles as he stands behind a table with a box of King’s Quick Rising Buckwheat. In the right on the wall are two framed pictures and a large window with white curtains. Image also includes a red rug and a wooden chair with a green cushion. Edward King (d. 1907) founded King Cereal Manufacturing Company in 1861 in Chicago. He sold his interest in the firm to H. Horner & Co., wholesale grocers in 1903. The firm continued operations into the 1920s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: We manufacture and sell all the package goods name[?] King’s Quick Ris[ing] Flour, King’s Quick Rising W[heat] For Biscuit, &c. Mrs. Hopper’s Pan[cake] a splendid substitu[te] [spe]cially adapted King’s R[ising] [?]ne Breakfast “Cut Oat Meal. “White Hominy. “Corn Grits or Samp. “Farina. (From the Best Wheat.) “Golden Corn Meal. “Silver Corn Meal. “Flaked Hominy. The best preparation of Corn ever placed on the market. Makes a delicious breakfast dish or after dinner dessert., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - King [P.2017.95.98]
- Title
- Muzzy's sun gloss starch. Elkhart Starch Co
- Description
- Racist trade card promoting Elkhart Starch Company and depicting a domestic, genre scene of a white family and an African American woman domestic on wash day. The woman is portrayed as a caricaturized figure. Shows in the right, the women domestic, attired in a red and yellow head kerchief; gold earrings; and a blue and white dress with gold buttons and the sleeves rolled up to her elbows, standing behind a wooden table with an iron on it. She holds up a stiffly starched and unwrinkled white collared shirt in front of the well-dressed mother and her three children. The reflection of the mother is seen on the shirt. In front of the mother, her brown-haired older son , attired in a white collared shirt and a yellow jacket, points his finger at the shirt. To his right, his younger, brown-haired sister, attired in a yellow dress with white ruffles at the neck and sleeves, reaches both arms toward the shirt. Beside her, a cat sits up at the table and looks at the shirt. Between her and her brother, the older blond- haired sister, attired in a blue dress with white ruffles at the neck and sleeves, a yellow bowtie, and a red sash tied around her waist, hands a box labeled "sun gloss starch" to her mother. In the left, the young mother with long brown hair and attired in earrings; a necklace with a red pendant; and a red dress with white ruffles down the middle and at the sleeves; reaches her right hand out to the box of starch. She cluthches an ornate fan to her chest in her left hand. In the far left, through a doorway, the young father attired in a black jacket with tails; a white collared shirt; and white pants with blue stripes, holds a top hat, stands in a hallway, and looks into the room. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Advertising text printed on verso: "Elkhart Starch Co. Elkhart, Ind. Manufacture Muzzy's Sun Gloss refined & corn starch. Of superior quality, by a new process. A thorough test makes it a household necessity. Muzzys corn starch is the purest & best made. Capacity ten tons of starch per day." Includes an illustration of a train running past the Elkhart starch works manufactory., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.56]
- Title
- Muzzy's corn starch
- Description
- Trade card promoting Elkhart Starch Company and depicting a racist genre scene of an African American woman domestic servant serving a white family at the dinner table. Shows in the center of the image the man and woman couple and child seated at a table. In the left, a man with brown hair and attired in a black jacket; a white collared shirt with a yellow bowtie; a yellow waistcoat; white pants with blue stripes; and black shoes, looks down and reads the newspaper he is holding. In the right, the blonde-haired woman, attired in a long-sleeved blue and white dress, rests her left hand on the table and looks towards the African American woman. The African American woman, attired in a blue striped dress, stands behind the table and carries a steaming pan of food. To the left, a blonde-haired child, attired in a white, short-sleeved shirt, reaches their hands up toward the pan of food. On the table are plates and cutlery. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.58]
- Title
- Enoch Morgan's Sons Sapolio
- Description
- Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting African American women domestics cleaning a parlor. Shows an African American woman, attired in a head kerchief; hoop earrings; a polka dotted dress with the sleeves rolled up to her upper arms; and black shoes, on her hands and knees cleaning a floor with a brush in her right hand. There is a wooden bucket beside the woman. In the right, another African American woman, attired in a short-sleeved dress with a bustle and checked skirt, stands cleaning the molding of a doorway with a cloth. In the background is a lit fireplace and mantle with vases on top of it. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Date deduced from history of the advertised business., Distributor's imprint stamped on recto: Tom S. Culver, Dealer in surplus [?] teas, coffees, [?] and flour. Canned, dried, and [?] vegetables, etc. Choice brands of [?] tobacco. A fine [?] Ithaca, N.Y., Advertising text printed on verso: There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in tin foil, and surrounded with Ultramarine Blue Band, and bears the above device.) Always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make House Cleaning an easy and quick job--Will clean paint and all painted surfaces-- Will clean marble, mantels, tables and statuary-- Will clean oil-cloths, floors, shelves, &c. -- Will clean bath tubs, wash-basins, &c. -- Will clean crockery, glassware, &c. -- Will clean kitchen utensils, of all kinds--Will clean windows without splashing of water -- Will polish tin, brass, and copperwares-- Will polish knives as you wash them-- Will polish all metal surfaces and Will clean all household articles -- and is better and cheaper than soap, emery, rotten stone, &c. Price 10 c. per cake. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.59]
- Title
- The "Gem" freezer
- Description
- Racist trade card illustration depicting an African American woman maid serving two bowls of freshly churned ice cream on a tray to two white children sitting at a table with a white tablecloth. The girl is attired in a yellow dress with a white and purple ruffled collar and a white ribbon in her hair. She sits with her hands folded. The boy is attired in a long sleeved purple shirt and a white bib. He holds a spoon in his right hand and reaches his left hand out toward the maid. The maid is attired in a red headwrap, gold hoop earrings, a white collared shirt with a bowtie, a blue long sleeved dress, and a white apron. On the verso of the trade card is a black and white illustration depicting a "Gem" freezer. The "Gem" freezer was manufactured by the North Brothers Manufacturing Company, which was based in Philadelphia and owned by Selden Gladwin North, Ralph H. North, and Frank H. North. The company was founded in 1878 and became a major manufacturer of various kitchen appliances., Title from item., Date inferred from dates of operation of business., Note written in manuscript on verso., Advertising text printed on verso: The "Gem" freezer. The best in practical use, because convenient, compact in size, use for smallest amount of ice and salt, run easily, freeze quickly, produce smoothly frozen creams or desserts with little bother and less work. The Pails have electric-welded wire hoops, guaranteed not to break or fall off; the cans are made of heavy tinplate with drawn steel bottoms that are guaranteed not to fall out or break and do not leak, the strongest and most durable freezer can made; the automatic twin scrapers by their positive action insure perfect scraping of frozen particles from side of can as rapidly as formed without injury to can or scrapers. All inside parts are heavily coated with pure block tin, and outside parts all thoroughly galvanized. A recipe book with complete directions for making over 100 ice creams, water ices, sherbets and other desserts packed in each freezer. W.E. Sturges, Phoenixville, PA., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - North Bros. [P.2017.95.141]
- Title
- Corn Picking. Population 1,542,180. Area in sq. miles 59,475
- Description
- Racist trade card promoting Arbuckle Bros. coffee and depicting African Americans in a field harvesting corn. Shows an African American woman, attired in a straw hat, a green, long-sleeved shirt, a yellow shawl, and a red skirt, smiling as she picks corn off of a stalk in the foreground. In the left, an African American man, attired in a straw hat, a white shirt with the sleeves rolled up to the elbows, brown pants, and brown shoes, looks at the viewer as he carries corn in his arms. In the background, two more farm laborers are visible. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Publication information and date from the copyright statement: Copyright 1889 Arbuckle Bros. N.Y., Print trimmed., Description of Colorado printed on verso. Sections of text missing. "[Colo]rado. east and west of 380 miles, a breadth o[?] square miles, or 66,512,000 acres, divided [?] are still unsurveyed 40,657,679 acres; i[?] mountain range, the foot hills, and the [?] [nor]th and south through the centre of the [?] [ra]nges, with many peaks over 13,000 fee[t] [?] immense mountains, are the “Parks,” [?] natural feature of Colorado. These co[?] [?] tion of 9,000 to 10,000 feet above the se[a]. [T]he principal ones being the North and [?] White and Green rivers, most of which[?] navigable. The South Platte has a fa[?] [?] Denver, and one of the canons of th[e] [?] [?] a rule, severe, with heavy falls of snow [?] plains and in the valleys, the mildness [?] as to render Colorado the paradise [?] and are glad to find that “Arbuckles” [?] 65,196 females, of whom 154,537 were [?] [?]rth, white, 191,126; colored, 3,201.", Gift of David Doret.
- Date
- 1889
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Corn [P.2017.95.199]
- Title
- [Set of six African American caricature trade cards advertising Franz Aman, wine, liquor, and lager beer saloon, no. 727 North Second Street, Philadelphia]
- Description
- Set of racist trade cards, some captioned, depicting African American male and female caricatures and stereotypes. Figures portrayed with malproportioned facial features. Captioned cards include "A New Coon in Town" showing an African American dandy, with a cigarette in his mouth, and attired in a grey bowler, purple jacket with flower boutonnière, red stiff-collared shirt, blue checkered pants, and red socks accessorized with yellow gloves, a monocle, and an umbrella; "Bones" showing an African American minstrel performer, attired in a ruffled clown collared shirt and red jacket with tails while playing sticks above his head and side kicking; and "Did you see me" showing a comic African American male figure, holding his bowler in the air and with one foot extended toward the viewer ("Did you see me" written on the sole of his foot). Uncaptioned cards depict an African American minstrel figure, attired in a ruffled collared shirt, seated, and holding a tambourine on his knee (probably originally captioned 'I don't do this for a livin"); an older African American woman, attired in a bonnet, shawl, and apron, resembling a cook and smoking a pipe (probably originally captioned "Just like the old me"); and a curvaceous African American woman attired in a red hat, square neck, knee-length dress, sash, and red stockings while side stepping. Cards advertise the saloon operated by Franz Aman at the address listed 1886-1888, a period when "Coon" songs were a fad. The "Bones" and "Tambourine" figures were often a part of the standard first act of a three-act minstrel performance, Title supplied by cataloger., Two of the six cards contain slightly legible captions printed over with gold ink.
- Date
- [ca. 1886]
- Location
- Library Company of Philadelphia | Print Department trade cards - Aman [P.2014.26.1]
- Title
- A cotton ball
- Description
- Racist trade card depicting a view personifying cotton as a young African American woman. Shows the woman dancing with a large ball of cotton atop her head worn in the manner of a head dress. The woman leans to her left and kicks her right leg up as she pulls up the bottom of the skirt of her dress. The edge of her underskirt is visible. She is attired in a yellow dress patterned with black dots, a white kerchief tied around her neck, a red and white striped underskirt, and black shoes. Forestry is visible in the background. C. Meyer Jr. was a New York based fertilizer manufacturer who operated in the late 19th century., Title from item., Publication information from copyright statement: Copyright 1886. L.P. Griffith & Co. Baltimore., Advertising text printed on verso: The "Acme" Fertilizers Are Strictly Complete Manures of the Highest Grade, Guaranteed Bone Basis. Positively No Rock or Kainite Used. Guaranteed Analyses. Manufactured by C. Meyer, Jr., P.O. Box 26, Maspeth, L.I. Pure Ground Bone. Sulphate of Potash. Muriate of Potash. Dissolved Bone Black. Sulfate of Ammonia. Text surrounds table listing suitable grade (No. 1 and No. 2) of manure for specific crops, including potatoes, peas, cabbage, and corn, and the percentages of ammonia, available phosphorous acid, and actual potash of the grade of fertilizer., Gift of David Doret.
- Date
- 1886
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Meyer [P.2017.95.125]
- Title
- Dixon's carburet of iron stove polish
- Description
- Series of trade cards promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming copper kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item, Printers and engravers include Major & Knapp Engraving, Manufacturing & Lithographic Co. (New York) and A. Gast & Co. (New York and St. Louis)., Advertising text printed on verso: Advertising text printed on verso: Established 1827. Dixon's stove polish; over fifty years in the market. Neat; quick; brilliant, and lasting. No dust. No odor. Nothing will make a stove so bright and cheerful for so long a time as the Dixon stove polish. It is by far the cheapest in use, in the long run. Buy it. Try it. Take no other. Pressed into a neat quarter-pound packet, absolutely free of adulteration. Six millions sold in 1880. Jos. Dixon Crucible Co., Jersey City, N.J., Gift of Emily Phillips, 1883. Purchase 1998., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department trade card - Dixon [1975.F.235; P.9577.14; P.9599]
- Title
- [J. & P. Coat's thread trade cards]
- Description
- Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]
- Title
- The Universal clothes wringer
- Description
- Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text on verso: The Universal Wringer Has the Following Points of Superiority. 1. Rolls of Solid White Rubber. 2. Rowell's Double Cog-wheels. 3. Two Independent Pressure Screws. 4. Double cogs at both ends of each Roll. 5. Folding Apron or Clothes Guide. 6. Rocking Springs of wood and rubber. N. P. Baker, Dealer in General Merchandise, Sunapee, N. H., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department trade card - American [113420.D]
- Title
- Trexler & Hartzell
- Description
- Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]
- Title
- Dixon's carburet of iron stove polish
- Description
- Trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming copper kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Established 1827. Dixon's stove polish; over fifty years in the market. Neat; quick; brilliant, and lasting. No dust. No odor. Nothing will make a stovd (sic) so bright and cheerful for so long a time as the Dixon stove polish. It is by far the cheapest in use, in the long run. Buy it. Try it. Take no other. Pressed into a neat quarter-pound packet, absolutely free of adulteration. Six millions sold in 1881. Jos. Dixon Crucible Co., Jersey City, N.J., Gift of David Doret., Library Company holds duplicate copies [1975.F.235; P.9577.14; P.9599].
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dixon [P.2017.95.44]
- Title
- Dixon's carburet of iron stove polish
- Description
- Trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: 57 years in market Dixon's pure carburet of iron. Stove polish. The oldest. The best. The quickest. The neatest. Ask your grocer for it., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Dixon [P.2017.95.45]
- Title
- Warner's Safe Yeast. Up with the sun
- Description
- Racist trade card promoting Warner’s Safe Yeast and depicting a white mother with a sick infant and an African American woman nanny who suggests using Warner’s yeast. Shows the mother with her brown hair tied up in a bun and attired in a long-sleeved, striped pink dress with yellow pleats at the bottom and white lace at the collar and cuffs of the sleeves. She cradles in her arms an infant wrapped in a white blanket with two yellow stripes. She looks down at her son standing in the right. He is attired in an orange, long-sleeved shirt with a white collar, a yellow skirt and leggings, and black shoes. He asks, “Mamma, what’s the matter with baby?” She replies that, “Baby’s very sick.” The boy holds up a cannister labeled “Safe Yeast” and states, “Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him.” In the right, Dinah stands looking on, attired in a yellow bonnet, red earrings, a yellow, short-sleeved dress with a white collar and red tie, and a white apron. In the bottom right is a large cannister of Warner’s Safe Yeast. Image also includes a blue and green rug, fireplace andirons, and in the background a windowpane with a blue vase with yellow flowers. Outside the window the sun comes up and reads, “up with the sun.” Hulbert Harrington Warner (1842-1923) founded a patent medicine business in Rochester, N.Y. in 1878. He created Warner’s Safe Yeast in 1885. In the Panic of 1893, he was unable to cover the company's debts, and the business failed., Title from item., Date deduced from the history of the advertised business., Text printed on recto: Precocious Youngster: Mamma, what’s the matter with the baby? Mamma: Ah, Darling, Baby’s very sick, I’m afraid we won’t be able to raise him. Precocious Youngster: Try this Mamma, Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.187]
- Title
- The wedding party off for Europe. And they have all got on the neat $2.50, gaiters made to measure at the Co-operative Shoemakers, arnt they splendid. 220 & 222 S. Halsted St
- Description
- Racist trade card promoting the Working Shoe Makers Co-Operative Union and depicting a scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Shows the twins, attired in yellow hats decorated with a red feather and long-sleeved yellow dresses with a white collar and a red belt, standing on the deck of the ship with their husbands. The husband in the left is attired in a white collared shirt, a blue jacket, red pants, and black shoes. The other twin’s husband in the right is attired in a blue hat, a white collared shirt, a green jacket, red and white striped pants, and black shoes. The couples, newly married, are “off for Europe” and look over the ship to say goodbye to the people on the dock. In the foreground, a number of African American men, attired in hats and suits, and women, attired in hats and dresses, talk amongst themselves and wave goodbye. In the left, a man stands up over the crowd, attired in a black hat, a red jacket, and yellow pants, and throws a bouquet of flowers at the couples onto the deck. The Working Shoe Makers Co-Operative Union was active in the 1880s in Chicago, Ill., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: The Working Shoe Makers. Co-Operative Union 220 & 222 S. Halsted Street, The Cheapest Custom Made Shoe Store in the City. Button & Congress Gaiters, to measure. Ladies’ Button & Laced Gaiters, to measure. Half soleing & heeling 1.00 Ladies 75 cts, Craddock & Auston, Managers., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Working [P.2017.95.194]
- Title
- Buy clothing for self & boys of Tefft & Boswell, the great Oak Hall clothiers, No. 70 E. Main-St. Amsterdam, N.Y
- Description
- Racist trade card illustration depicting an African American woman walking past a white man. The woman is attired in a straw hat, a dot-patterned dress with a ruffled collar, and flat shoes. She holds a basket filled with flowers in her right arm. The white man is attired in a checker-patterned suit and a top hat. He holds an upturned cane in his right hand and tips the brim of his hat with his left hand. Tefft & Boswell was a clothing business in Amsterdam, New York owned by H.J. Boswell and founded in 1883., Title from item., Text printed on recto: "Lord a massa I done gone made a mash!", Series no. 414 printed in right corner on recto., Place of publication deduced from place of operation of advertised business., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Tefft [P.2017.95.173]
- Title
- The Redwood portable range, Spicers & Peckham, makers of highest grades only. Providence, R.I
- Description
- Racist trade card illustration depicting an interior scene with an African American woman delivering a loaf of bread to a well-dressed white woman. The African American woman is attired in a large yellow and green hat with a wide brim, a white bonnet with a green ribbon tied underneath her chin, a red shawl draped across her shoulders, a green and yellow long sleeved dress, a green apron, and brown shoes. The white woman is attired in a yellow dress lined with white and a blue ribbon attached to the back. She wears a blue hairpiece and holds a white fan in both hands. Visible in the background are a set of drawers, on top of which sits a large vase with flowers and cattail plants, and a larger partially obscured drawer in the right of the image with a large decorative plate, a vase, and an urn on top of it. A bordered image featuring a Redwood stove is superimposed over the drawer in the right. The African American woman is depicted with exaggerated features., Title from item., Several lines of partially legible advertising text printed on verso., Text printed on recto: "Don't buy you kitchen stove honey, till you have seen The Redwood.", Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Redwood [P.2017.95.146]
- Title
- A tale of the Rising Sun stove polish
- Description
- Racist trade card circular advertising Rising Sun Stove Polish. Depicts four scenes in which a white woman, identified as Mrs. Smith, buys cheap ineffective stove polish from a "crafty shopkeeper" and proceeds to purchase the more effective Rising Sun Stove Polish. In the background of the scenes in Mrs. Smith's kitchen is her African American housekeeper, Dinah. Also depicted in the scenes are Mrs. Smith's friend Mrs. Jenkins, her husband Mr. Smith, and a small white dog. Mrs. Smith and Mrs. Jenkins are attired in elaborate and colorful dresses, hats, and hair pieces. In the scene titled "The wretched household," Dinah frowns and is attired" in a yellow dress with the sleeves rolled, a white apron, yellow shoes, white socks, and a yellow headwrap. She holds a brush in her left hand. In the scene titled "The happy home," Dinah smiles and is attired in a blue and white dress with a yellow skirt visible beneath it, black flat shoes, and a red and white cap. She holds a brush in her left hand and raises it triumphantly. In both scenes, she is depicted with exaggerated features. Rising Sun Stove Polish Company was founded in Canton, Massachusetts by Elijah Morse in 1864., Title from item., Text printed on recto: The crafty shopkeeper. "It's just as good!" the shopman - he was a vile deceiver. And Mrs. Smith, unused to guile, alas, was a believer. And on the rascal's oily words and lying tongue depended, and bought the swindling compound that the shopman recommended. The wretched household. Next day wise Mrs. Jenkins called on Mrs. Smith, her neighbor, and found the house all upside down, herself distraught with labor: the fire unkindled in the stove, and Dinah vainly trying to black the stove with that vile stuff her mistress had been buying. The dinner not commenced to get, and Mr. Smith expected, each moment home - no wonder that his wife appeared djected. Wise Mrs. Jenkins gazed in tears upon the scene - said she - "For all your troubles, dear, I know a sovereign remedy.", Text printed on verso: The beautiful chromo. Wise Mrs. Jenkins and her friend a little ramble took, and at a splendid chromo in a window took a look. Said Mrs. Jenkins (verbum sap), "'twill all your cares abolish, if you will use the best of all - the Rising Sun Stove Polish." The happy home. "Home, home, sweet home," entranced we gaze upon the peaceful scene, a happy home where everything is quiet and serene. Within the polished stove the fire is burning bright, and on old Dinah's face appears a smile of a calm delight. Kind reader, heed the moral taught, and then our story's done - no stove polish is "just as good" as is the Rising Sun., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rising Sun [P.2017.95.149]
- Title
- G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise
- Description
- Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Publication information and date from the copyright statement: Copyright 1884 by J.H. Bufford's Sons., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown, PA., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Advertising text printed on verso: G.F.H. Guth, Dealer in first class pianos, organs, sewing machines and musical merchandise. Only first-class makes on hand. No poor ones in stock. Specialties. Behr Bros. Pianos. Farrand & Votey Organs. Standard Rotary Shuttle Sewing Mach’s. 830 Hamilton St. Allentown PA., Gift of David Doret.
- Date
- 1884
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Guth [P.2017.95.77]
- Title
- Hoyer & Milnor, great 99¢ store, 29 N. Third St., Harrisburg, PA
- Description
- Racist trade card promoting Hoyer & Milnor’s retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. George Hoyer and George W. Milnor (1856-1925) established the firm Hoyer & Milnor in 1884 and opened a store selling furnishings and fancy goods in Harrisburg Pa. The firm dissolved in 1896., Title from item., Publication information and date from copyright statement: Copyright 1884 by J.H. Bufford's Sons., Series number printed on the recto: 468., Gift of David Doret.
- Date
- 1884
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hoyer [P.2017.95.87]
- Title
- I'm a masher
- Description
- Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
- Creator
- Chicago Picture Co.
- Date
- [ca. 1882]
- Location
- Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]
- Title
- "De breddren and sisters will now relate dere experience."
- Description
- Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features and speaking in the vernacular, satirizing African American church life. Includes (1) "De Breddren and Sisters Will Now Relate Dere Experience" showing a white-haired African American minister at his pulpit before a small congregation of mostly African American women, attired in kerchiefs, and seated in pews; (2) Sister Hannibal. - "Oh Breddren and Sisters, Ise an Awful Sinner" showing Sister Hannibal standing up and confessing among the other congregants; (3) Sister Snowball. - "Yes, Breddren and Sisters, Dats So, I Kin Testify Dat Sister Hannibal is an Awful Sinner. I knows It" showing Sister Snowball standing, her hands clasped across her stomach, while Sister Hannibal, sits and frowns, and the minister rests his hand on his head; (4) "Sister Snowball, You Am a Liar" showing the "sisters" fighting among the other parishioners, who are in various states of commotion; (5) "De Congregation Am Dismissed" showing white men police officers escorting the congregation out of the church, including an unconscious Sister Hannibal in a handcart. Images also show the church interior and exterior, including windows, steps, and a tree., Title from item., Date of publication inferred from date of copyright, Series no. printed in upper left corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sammis & Latham was a New York publishing firm active in 1882 that issued comic card sets and juvenile novelty items.
- Creator
- Sammis & Latham
- Date
- 1882
- Location
- Library Company of Philadelphia | Print Department GC - Genre [P.2012.24.1-5]
- Title
- In the land of cotton
- Description
- Racist trade card promoting Hart & Smith's steamboat route on the Indian River in Florida. Depicts caricatures of African Americans picking cotton on a plantation. Shows an African American man, attired in a hat, a blue collared shirt with the sleeves rolled up to the elbows, and blue pants, bending over and putting cotton into a large basket. To the left of the man, an African American boy, attired in an orange, short-sleeved shirt and orange pants rolled up to the knees, places cotton into the same basket. In the left, an African American woman, attired in a white headkerchief, a blue shirt and apron, and an orange skirt, bends over to pick up a basket overflowing with cotton. Behind her, an African American woman, attired in an orange dress, apron, and a blue checked shawl, stands with her right hand on her hip and her left hand balancing a large basket on top of her head. A man, attired in a white collared shirt with the sleeves rolled to the elbows and blue pants, walks and steadies a basket on his left shoulder with both hands. In the center background is a large wooden structure and a person picking cotton. In the right background a man attired in a hat sits on a horse and holds his right arm out to two people, one of whom carries a basket on their left shoulder. Hubbard L. Hart (1827-1895) ran the most prominent steamboat line in Florida, helping to make it a tourist destination. In 1883, the Hart Line began a steamboat route on the Indian River. After Hart's death in 1895, his brother-in-law operated the business into the 1920s, when automobile travel rendered it obsolete., Title from item., Publication information and date from the copyright statement: Copyrighted 1882 by J.H. Bufford's Sons., Advertising text printed on verso: Hart & Smith’s Rockledge Line for Indian River. The Steamer “Astatula” leaves Sanford every Monday and Thursday at 8:30 A.M. Arrives at Lake Poinsett next day at 7 A.M. 3 miles to Rockledge by hack. Connecting with Steamer going North Tuesdays and South Fridays. Returning, leaves Poinsett at 3 PM., Tuesday & Friday, arriving at Sanford on Wednesday & Saturday morning, making connections for all points. In January the Steamer Waunita, thoroughly overhauled & furnished, will be put on the line making tri-weekly trips. Accommodations and table will be first class in all respects. Capt. Joe Smith, Manager. E.B. Van Deman, Agent at Sanford., Gift of David Doret.
- Date
- 1882
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hart [P.2017.95.79]
- Title
- Standard screw fastened boots & shoes are the best in the world
- Description
- Racist trade card illustration depicting two African American men and one African American woman. The woman walks arm in arm with one of the men; both figures are well-dressed. The man is attired in a black hat, a white collared shirt, a blue jacket, gloves, striped pants, and black heeled shoes with the Standard logo. He holds a flag promoting the Standard brand in his left hand and a flower in his right. The woman is attired in a hat, a white dress with blue dots and a bow at the collar, gloves, blue and white striped tights, and blue heeled shoes. The man in the left of the image is attired in black tattered clothing and worn out shoes that expose his toes. All of the figures are depicted with exaggerated features., Title from item., Text printed on recto: "Go way Ephraim, Ise got a new beau now dat wears Standard Boots!", Advertising text printed on verso: Remember and buy only Standard Screw Fastened Boots and Shoes. They surpass all others., 1882-1883 calendar printed on verso., Gift of David Doret.
- Date
- [ca. 1882]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Standard [P.2017.95.165]
- Title
- A line shot - the recoil
- Description
- Comic print using racist stereotypes to satirize the gunmanship of African Americans. Shows an older African American couple, portrayed in racist caricature with exaggerated features and mannerisms, in the aftermath of the husband firing a shot in their backyard. Shows, in the left, the husband, attired in blue coat tails and striped pants, jumping a fence, his gun powder horn flying above his head, and his rifle and hunter's hat lying on the ground behind him. He is accompanied by his dogs, a bony brown dog climbing over the fence with him, and a pit-bull like dog who holds his owner's torn pants seat in his jaws as he prepares to follow him. In the right, his wife, attired in a yellow bonnet, a blue top, a red skirt, and white pantaloons, topples over in a wicker basket of laundry. Her shoes fly off her feet. The clothesline pole lands on her head as her bare-footed legs are knocked into the air. Pieces of clothing, including a gunshot white shirt with clothes pins at the shoulders fly about her. A log house with a chimney and a dog house are visible in the background. The Darktown series of over 100 prints was issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series., Title printed below image., Issued as part of the "Darktown" comics series., Date from copyright statement: Copyright 1881 By Currier & Ives, N. Y., Gift of David Maxey, 2015., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Currier & Ives
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department *GC - Genre - Line [P.2015.52.1]
- Title
- [Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
- Description
- Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
- Creator
- McGreer, John, 1839-1908
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]
- Title
- No. 1. The flirtation
- Description
- First scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the African American twins greeting two African American men. They depart from the gate of their log cabin home, attired in polka dot dresses, aprons, and turned-up brimmed hats. They smile at the two African American men as they begin their walk. One twin lifts her handkerchief. One of the men is tall and thin and he tips his hat. The other is shorter and squat and has a hand on his chest. The men are attired in suits with striped pants that are hemmed high. The twins' log cabin home with their parent's seeing them off is visible in the left background. Background also includes the log cabin with "Dr. Black’s Office"; the town church; a "Dry Goods and Clothing” store; a "Saloon"; and a "Hotel.”, Title from item., Name of publisher from other photographs in series., Date from copyright statement on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
- Creator
- McGreer, John, 1839-1908
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1]
- Title
- No. 2 The introduction
- Description
- Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
- Creator
- McGreer, John, 1839-1908
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]
- Title
- No. 3 The courting
- Description
- Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
- Creator
- McGreer, John, 1839-1908
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]