Search results

Title: [Millie and Christine McCoy]
Description: Full-length portrait of the African American women conjoined twins and performers known as the "two-headed nightingale" and "Carolina twins." The twins wear their hair parted in the middle and in curls and with floral hair adornments at their crowns. They are attired in short-sleeved dresses with lace trim and black boots with heels. They also wear bracelets. They stand posed in front of a balustrade and beside a guitar and arranged branches. They were born in Whiteville, North Carolina on July 11, 1851, to Jacob and Monemia McKoy who were enslaved to Jabez McKay. Various enslavers and managers exhibited the twins nationally and internationally. They performed at the Assembly Building in Philadelphia in May 1866 accompanied by the 15 year old master pianist, J.W. Minnick., Title supplied by cataloger., Photographer's imprint stamped on verso., History and medical description of the two-headed girl:...(Buffalo, N.Y.: Warren, Johnson, & Co., 1869). (LCP Am 1869 Hist, 70318.D)., Purchase 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Germon was a Philadelphia engraver and early photographer who produced photographic portraits at his studio, the "Temple of Art."
Creator: Germon, W. L. (Washington Lafayette), 1822-1877
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Millie [P.9790]

Title: [Unidentified African American woman and boy]
Description: Copy print of a circa 1850 daguerreotype of a fair-skinned African American woman, seated, holding the hand of a fair-skinned boy, probably her son, who stands next to her. In the right, the woman wears her hair with waves, parted in the middle, and tied behind her head and is attired in a long-sleeved, striped dress with white cuffs and a white collar or scarf tied around her neck. In the left, the boy wears his hair parted to the right with waves and is attired in a long-sleeved shirt with buttons down the center, a white collar or scarf around his neck, and light-colored pants., Title supplied by cataloger., Photographer's imprint stamped on verso., Originally part of a McAllister scrapbook of unidentified portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schreiber & Son(s), a Philadelphia partnership of father, George Schreiber, and his several sons, specialists in portraiture and animal portraiture, were in business from 1857 until 1900, operating at 818 Arch Street from 1867 until 1879.
Creator: Schreiber & Sons, photographer
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Schreiber & Son [8313.F.10c]

Title: [Bust-length portrait of an unidentified young African American woman]
Description: Bust-length portrait of a young African American woman, possibly Ella Townsend, looking slightly right. She wears her hair parted in the center and tied back and is attired in a calico shirt with puff sleeves and a bib-like neckerchief adorned with a pin., Title supplied by cataloger., Date inferred from dates of operation of photographer and attire of the sitter., Photographer's imprint stamped on mount., Manuscript note on verso: Ella Townsend. Grinaye?-Webster-Gleves., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Withers, William C., photographer
Date: [ca. 1898]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Withers [P.9853.5]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of a young African American woman standing with her left hand resting on a side table covered in a patterned tablecloth. She wears her hair tied back with curls at the top of her head and is attired in a patterned shirtwaist with a high-neckline, a ruffled collar, and lace cuffs, and a matching skirt. The background is a painted backdrop of a parlor., Photographer's imprint stamped on mount., Title supplied by cataloger., Date inferred from operation of the photography studio and attire of the sitter., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 525 South 9th Street from around 1886 until around 1894.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9957.8]

Title: Mrs. Amanda Smith
Description: Three-quarter length portrait of the African American Methodist evangelist preacher, missionary, and temperance advocate who was born to enslaved parents in Maryland. Shows Smith, standing, slightly turned to her right, and attired in medium-colored, Quaker-like garb including a shawl, shirtwaist with an upright lace collar adorned with a pendant, skirt, and scoop bonnet. She holds a book, possibly a Bible, in her right hand, top edge down, and with her fingers interspersed between a few pages. A chair is partially visible in the right of the image and dark-colored drapery serves as the backdrop. Smith, her freedom bought by her father when a child, entered preaching in 1869. Known as a compelling speaker and singer, she preached at Methodist Episcopal churches throughout the East and Midwest, including Philadelphia. In 1878 she felt called to travel to Keswick, England for a Methodist convention and remained in the country to minister and then worked as a missionary in India (1879-1881) and West Africa (1882-1890). In 1890 she returned to the United States and settled in Chicago where she was also a prominent member of the Women's Christian Temperance Union (Smith joined in the 1870s). In 1893 her "Autobiography" was published, from which she began to raise funds for an orphanage for African American children. 1n 1899 the Amanda Smith Orphan's Home, later the Amanda Smith Industrial Home opened in Harvey, Il. The home was razed by fire in 1918., Title from manuscript note on verso., Photographer's imprint printed on mount., Publisher's imprint printed on verso. Also includes a vignette depicting the British coat of arms., Mount designer's imprint printed on verso., Lib. Company. Annual Report, 2018, p. 59 - 60., RVCDC, Description reviewed 2022., Access points revised 2022.
Creator: Pettitt, Alfred, -1880
Date: [1878]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Smith [P.2018.13]

Title: Use Queen Anne Soap I'se a waiting
Description: Racist trade card illustration depicting a full length portrait of an African American woman walking a small brown dog. The woman is attired in an elaborate orange, yellow, and green feathered bonnet, a blue and red dotted and frilled dress with white and blue details, a pendant, white and yellow fingerless gloves, red stockings, and black heeled shoes. She holds the dog's leash and a red and blue fan in her left hand and a blue parasol in her right hand. Visible behind her is a large yellow ribbon which is attached to the back of her dress. The woman leans forward while jutting out her backside and stands with her right foot in front of her left. The woman is portrayed with exaggerated features. Queen Anne Soap was owned by the Detroit Soap Company, which in 1915 was acquired by the Buffalo-based Lautz Bros. & Co., Title from item., Date inferred from dates of operation of advertised business., Advertising text on recto: Purest and best in the world., Series number on recto: 58., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Queen [P.2017.95.145]

Title: Wheatley, Phillis, 1753-1784.
Description: In Wheatley, P. Poems on various subjects, religious and moral (London, 1773), frontispiece., Possibly based on a drawing by Scipio Moorhead., Three-quarter length portrait of writer, seated at a table, with pen in hand; inkwell and book nearby.
Date: [1773?]
Location: http://www.librarycompany.org/women/portraits/wheatley.htm

Title: Eldridge, Elleanor, 1784-1845?
Description: In Green, F. H. Memoirs of Elleanor Eldridge (Providence, 1840), frontispiece., Eldridge, of mixed African and Native American heritage, established herself as a successful businesswoman who worked in numerous trades, successfully defended her brother in a lawsuit against him, and became a landowner and homeowner., "Elleanor now, with her sister, entered into a miscellaneous business, of weaving, spinning, going out as nurse, washer, &c.--in all of which departments she gave entire satisfaction: and in no single instance, I believe, has failed to make her employers friends. She also, with her sister, entered considerably into the soap boiling business. Of this article they every year made large quantities, which they brought to the Providence market, together with such other articles as they wished to dispose of, or as were, with suitable commissions, supplied by their neighbors. By this time the earnings of Elleanor had amounted to a sum sufficient to purchase a lot and build a small house, which she rented for forty dollars a year."--P.63., Waist-length portrait of Eldridge, holding a broom.
Date: [1840?]

Title: Lee, Jarena, b. 1783.
Description: In Lee, J. Religious experience and journal of Mrs. Jarena Lee (Philadelphia, 1849), frontispiece., Waist-length portrait of black preacher, seated at table with pen in hand; inkwell, books, and other papers also on table.
Date: [1849?]
Location: http://www.librarycompany.org/women/portraits_religion/lee.htm

Title: Alice, d. 1802.
Description: Bust-length portrait of Alice, wearing a bonnet., In Thomas, Isaiah. Eccentric biography; or, Memoirs of remarkable female characters, ancient and modern (Worcester, 1804), plate preceding p. vii., Alice, known variously as Black Alice and Alice of Dunk’s Ferry, was a native of Philadelphia and a slave, born to parents who had come from Barbados. She is said to have been 116 at the time of her death in 1802. In extreme old age Alice received many visitors who enjoyed hearing stories about early Philadelphia and its famous first settlers, including William Penn and Thomas Logan. Alice was also a lifelong worshiper at Christ Church in Philadelphia., “Being a sensible intelligent woman, and having a good memory, which she retained to the last, she would often make judicious remarks on the population and improvements of the city and country; hence her conversation became peculiarly interesting, especially to the immediate descendents of the first settlers, of whose ancestors she often related acceptable anecdotes.”--P. 9.
Date: [1804?]
Location: http://www.librarycompany.org/extraordinarywoman/age.htm

Title: Williams, Sally, b. ca. 1796.
Description: In Aunt Sally; or, the cross the way of freedom. / A narrative of the slave-life and purchase of the mother of Rev. Isaac Williams, of Detroit, Michigan (Cincinnati, 1858), frontispiece., Sally Williams's son Isaac purchased her freedom. The publishers envisioned the narrative of her life, in which the portrait appears, as a text that would inspire readers "to labor for that oppressed and unhappy race which "Aunt Sally" represents, so, at length, this unfortunate people shall be slaves no longer, but shall find that, to them all, the Cross has been the Way of Freedom."--P.v., "And this is the mother and this is the son, who, through such peril and labor, have escaped from bondage into freedom. The facts need no comments. They are eloquent enough of themselves. But when we remember that these are not isolated cases, but that every day there is this suffering and strife for liberty, with only now and then one fortunate enough to obtain it, they become "trumpet-tongued," and plead with us to rest not till all over the land liberty shall no longer be a name only, but the right and blessing of every creature."--P.213., Another illustration picturing Williams appears in: Aunt Sally; or, the cross the way of freedom, plate opposite p. 214., Waist-length portrait of Williams, wearing a bonnet and eyeglasses.
Date: [1858?]

Title: Truth, Sojourner, d. 1883.
Description: In Gilbert, O. Narrative of Sojourner Truth (Boston, 1850), frontispiece., Bust-length portrait of Sojourner Truth, with a scarf around her head.
Date: [1850?]
Location: http://www.librarycompany.org/women/portraits_religion/truth.htm

Title: Louisa A. White Album
Description: Photograph album of portraits of unidentified middle-class African Americans including fourteen men, eleven women, and three babies.

Title: Spear, Chloe, 1750-1815.
Description: In Memoir of Mrs. Chloe Spear (Boston, 1832), frontispiece., Full-length portrait of Chloe and other black girls being pursued by white men and a dog; a ship is visible in the background.
Date: [1832?]

Title: [Beach scene, with boardwalk, New Jersey?]
Description: Depicts people strolling along the beach, with a view of the boardwalk in the distance, including a pavilion with "Clabby's" written on the side. In the foreground, a white man and an African American woman attired in bathing suits, talk to a man attired in a suit and hat. Many men and women walk on the beach. An unidentified pier is visible in the distance., Modern reference prints available., Gift of Richard R. Frame, 1983., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Berry, Frank, 1863-, photographer
Date: [ca. 1907]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.71]

Title: [Beach scene, with boardwalk, New Jersey?]
Description: Depicts people strolling along the beach, with a view of the boardwalk in the distance, including a pavilion with "Clabby's" written on the side. In the foreground, a white man and an African American woman attired in bathing suits, talk to a man attired in a suit and hat. Many men and women walk on the beach. An unidentified pier is visible in the distance., Modern reference prints available., Gift of Richard R. Frame, 1983., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Berry, Frank, 1863-, photographer
Date: [ca. 1907]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.71]

Title: Croquet
Description: View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bartlett, George O., photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]

Title: Croquet
Description: View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bartlett, George O., photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Recreation [P.9486.6]

Title: A free lunch
Description: Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in earrings and a white dress with puffed upper sleeves, cradles an infant on her lap and holds her breast to the baby as it suckles. A wooden chair is visible on the porch in the background., Title from item., Date from copyright statement: Copyright 1898 by C. H. Graves., Warped grey mount with rounded corners., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - Graves - Portraits & Genre [P.2002.8.3]

Title: Board of Education of the City of Camden of the State of New Jersey second class certificate
Description: Teacher's certificate illustrated with three allegorical vignettes: the New Jersey state seal with Liberty and Prosperity, portrayed as white women; a group of objects representing knowledge including books, a globe, a protractor, and a beaker; and a group of objects representing the arts including musical instruments, an artist's palette, a painting on an easel, sculpture, and a camera., Title from item., Issued to Mary S. Bunday, who qualified as a "first assistant in a grammar school," on September 25th, 1874. Bunday, an African American woman, was issued a second class certificate awarded to Black teachers., Date from manuscript written on recto., Manuscript note on frame backing: second class certificate meant Black for a Black Teacher., Unframed 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Traubel, M. H. (Morris H.), 1820-1897, lithographer
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: [Louisa A. White photograph album]
Description: Photograph album of portraits of unidentified middle-class African Americans including fourteen men, eleven women, and three babies., Various photographers from New York, Rhode Island, and Philadelphia. Philadelphia photographers include J. Fenton, J.W. Hurn, Parlor Galleries, and Comly T. Santman., Title supplied by cataloger., Date from manuscript inscription written on inside cover: Louisa A. White, Wishes & Regards of Anna Gibbs Philadelphia, With the best, Christmas 1878., Missing front cover, back cover, spine, and back pages., Gold gilded pages, edges cut with leaf design., Purchase 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums [P.9505]

Title: "Watching Grandma smoke"
Description: Genre scene depicting an older African American woman, attired in a head kerchief, a long-sleeved, patterned dress, and a striped apron, smoking a pipe. She is seated on the steps to the open doorway of her dilapidated, wooden house surrounded by her three young grandchildren who intently watch her. A small, barefooted girl, attired in a dress and a torn and worn jacket, sits with her legs stretched out across the bottom step. A barefooted boy, attired in a shirt, a jacket, and shorts, sits on the next up above with his right leg crossed over his left knee and looks up at his grandmother. Standing in the doorway is a girl, attired in a dress, a jacket, and shoes, who looks down with her hands at her side., Photographer's imprint stamped on mount., Title from manuscript note by photographer on verso., Signed by photographer on verso., Manuscript note on verso: No. 4. Class A., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1886]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.529]

Title: Picking her Thanksgiving turkey
Description: Genre scene depicting an older African American woman, attired a white head kerchief, a neckerchief, a long-sleeved dress, a checked apron, and shoes, sitting on a small bench plucking a turkey on her lap. She places the plucked feathers in a basket sitting between her and a water pump. Behind her in the right is a dilapidated slatted shed with a swatch of cloth tacked to it. A small cottage is visible in the background., Photographer's imprint stamped on mount., Title from manuscript note by photographer on verso., Frances Orlando's "George Bacon Wood, photographer of the 1880s: an introduction to the Wood Collection in the Library Company of Philadelphia." (Master's thesis, Philadelphia College of Art, 1985), p. 42., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1886]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.532]

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: [Interior of a medical clinic]
Description: Depicts women patients, including two African American women, receiving and awaiting treatment in a clinic with stained floors. In the right, two white men doctors, attired in suits, treat a seated African American woman's arm using nearby basins. In the left, two men attendants attend to the other two seated women patients. In the right foreground, a white woman nurse organizes medical supplies on top of a draped table. In the left foreground, medicinal bottles rest on a desk with an open drawer of bandages., Title supplied by cataloger., Date inferred from attire of the sitters., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Afro-Americana

Title: "She lives way down dar"
Description: Scene depicting an older African American woman giving directions to another African American woman in front of her home. At her open gate, the woman, wearing gray hair and attired in a long-sleeved, patterned dress, a plaid shawl, and a white apron, points left indicating the desired direction. The other woman, attired in a bonnet, a long-sleeved shirt, and a skirt, holds a milk can in her right hand and looks left with her back to the viewer. In the background is a wooden house with a large vine propped up on poles., Title from manuscript note by photographer on verso., Signed by photographer on verso., Alternate title from lantern slide at the Staten Island New York Historical Society., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [photographed ca. 1886, printed ca. 1895]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.177]

Title: Logan Square, Park Boulevard, Philadelphia
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm

Title: Logan Square, Park Boulevard, Philadelphia
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm

Title: Logan Circle
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from photographer's manuscript note on verso., Date inferred from content., Duplicate print P.8513.109., Digital file shows P.8513.109., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.9], Library Company of Philadelphia | Print Department P.8513.9, http://www.lcpimages.org/wilson/wilson109.htm

Title: [African American woman holding a dog]
Description: African American woman sitting in a meadow holding up a small dog from her lap. The woman, attired in a short-sleeved dress, smiles and looks at the viewer as she holds a small white and brown dog up. Trees and a vegetable garden are visual in the background., Title supplied by cataloger., Date inferred from attire of sitter and active dates of the photographer., Purchase 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich was a professional Philadelphia landscape photographer and avid traveler who privately produced several candid portraits of family and friends.
Creator: Rich, James Bartlett, 1866-1942, photographer
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Rich - Portraits - Unidentified [P.9266.970]

Title: [African American woman playing tambourine]
Description: Snapshot photograph showing an African American woman outside and playing a tambourine between two white women who play guitars. The white woman in the left is partially removed from the view and the white woman in the right is partially obscured by the woman playing tambourine. The tambourine player has her hair pulled back and wears a silk shawl and long, ruffled, tiered skirt. Spectators, including an African American boy attired in overalls, and white men attired in summer suits stand near and behind the women. Wooden warehouse and barn-like structures, including one with signage reading "Sterline," are visible in the background., Title supplied by cataloger., Date inferred from format of photograph and attire of sitters., Gift of Ivan Jurin, 2019., Description revised 2022., Access points revised 2022.
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - female [P.2019.2.1]

Title: Trexler & Hartzell
Description: Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]

Title: The love drop
Description: Racist, card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title from item., Text printed on recto: The Love Drop. From Painting by Harry Roseland., Publication information and date from the copyright statement: Copyright 1903 by Harry Roseland., Gift of David Doret.
Date: 1903
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249]

Title: [The love drop]
Description: Racist post card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title supplied by cataloger based on P.2017.95.249., Date inferred by the date of the original painting., Text printed on verso: Post card. This side for address only. Place stamp here. United States, Cuba, Canada and Mexico one cent. Foreign two cents., Gift of David Doret.
Date: [ca. 1903]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249a]

Title: Negro children in America
Description: Card depicting two African American women taking care of African American children in a nursery. In the foreground, three African American children sit on the floor and play with toys. In the left, the girl, attired in a blue dress, yellow socks, and black shoes, plays with blocks. In the middle, the girl, attired in a white shirt and green and red dress, holds a white girl doll costumed in an orange dress. In the right, the girl, attired in a red stocking cap, a yellow shirt, blue pants, and green socks, holds her right hand to her mouth. Beside her on the floor is a white girl doll costumed in a blue dress and a stuffed dog. Behind the seated group, two children stand and pull toys out of a container. In the left, the girl, attired in a white cap and a pink romper, leans over the container. In the right, the girl, attired in an orange dress, carries a teddy bear. In the right background, the woman, attired in a long-sleeved white dress, sits on a wooden chair with a baby wrapped in a yellow blanket on her lap. In the left background, the woman, attired in a long-sleeved pink shirt, a purple skirt, and a white apron, leans over a crib to help a young child attired in a red shirt. Two framed pictures are on the wall., Title from item., Text printed on verso: Bible Picture Card. Vol. 1, no. 14. Second Quarter. January 4, 1942. The Peanut Cow. Miss Mary’s class had met on Sunday morning. Ethel’s brown face seemed very thoughtful. “I want to tell you something,” she said after awhile. “Yesterday I was out walking. I saw six little children. They were very thin. I wish we could help them in some way.” The class was very still. They were thinking hard. “I know!” cried one of the girls. “Let’s parch peanuts and sell them. Then we can buy milk for these children.” Each day the class met. They parched peanuts and took them to be sold. They bought good rich milk with their money. “Those children need fruit.” Ethel said one day after one of her classes. “We learned today that everyone should have fruit.” “But it takes all our peanut money to buy milk,” said one of the girls. “Maybe the other boys and girls at Browning Home would like to help,” suggested Miss Mary. “Put a milk bottle in the lunch room. They can put in their extra pennies, nickels and dimes.” “Let’s call it the Peanut Cow,” suggested Ethel. Eagerly they watched the Peanut Cow. It grew fuller and fuller. How happy they were! Now they could buy both fruit and milk. Verse to Remember: “We are God’s fellow-workers.” I Corinthians 3:9. Published quarterly in sets of 13 at 4 cents per set per quarter. The Methodist Publishing House, 353 Prairie Ave., Providence, R.I. Executive and Editorial Offices, 810 Broadway, Nashville, Tennessee. Entered as second-class matter, September 15, 1941, at the post office at Providence, R.I., under the act of March 3, 1879. c. 1942, by Whitmore & Stone., Gift of David Doret.
Date: 1942
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Negro [P.2017.95.250]

Title: A mistaken identity
Description: Racist trade card specimen depicting a caricature of an African American woman striking a passing white man with the back of her hand. Shows the woman portrayed with exaggerated features and attired in a hat, a striped dress, a polka dotted apron with a patch, and black shoes, carrying an umbrella in her left hand and hitting a man with her right hand. In the left, the man lifts his right leg and his left hand up as he jumps in alarm after being struck., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Mistaken [P.2017.95.205]

Title: I'm yo' valentine chile!
Description: Die cut Valentine card depicting a racist caricature of an African American woman carrying a basket of eggs. Shows the barefooted African American woman portrayed with exaggerated features and attired in a blue bonnet with white polka dots, a blue plaid shirt, a white apron, and a blue and white striped skirt. She smiles at the viewer and speaks in the vernacular, “I’m yo Valentine chile,” as she holds a basket full of eggs in both of her hands., Title from item., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - I'm yo' [P.2017.95.247]

Title: [African American woman at the window with a white cloth on a clothesline]
Description: Racist, trade card specimen depicting a caricature of an African American woman at the window with a white cloth on a clothesline. Shows the African American woman portrayed with exaggerated features and attired in a red, patterned head kerchief; a blue and red shawl; and a blue shirt. She leans her elbows on the sill of the open window and rests her head in her hands as she looks directly at the viewer. Outside of the window is a white cloth hung with clothespins on a clothesline. The exterior of the building is red brick., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 14 [P.2017.95.225]

Title: [African American woman dancing]
Description: Racist, trade card specimen depicting a caricature an African American woman dancing. Shows the woman portrayed with exaggerated features and attired in a red hat decorated with flowers, gold bracelets, a dress composed of a yellow, blue, and white pattern with a red and black sash and flowers at the waist, orange stockings, and yellow shoes. She holds her skirt up with her hands and lifts her right leg up in a dance step., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 24 [P.2017.95.235]

Title: [African American woman with a cat]
Description: Scrap depicting a racist caricature of an African American woman with a cat. Shows the bust-length portrait of a young African American woman with a red flower in her hair and attired in gold hoop earrings, a gold ring, and a brown, long-sleeved dress with white cuffs and a white, lace collar. She looks at the viewer with her right hand on her chest. A white cat is perched on her right shoulder. In the foreground and right background are pink flowers and long, green leaves., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 5 [P.2017.95.258]

Title: [Series of photographs of children in North Carolina]
Description: Series of primarily captioned photographs depicting white children, a number also including a Black woman caregiver. Images also depict a goat and goat cart. Captions include: "An Important Conference"; "Back yard scenery in N.C."; "Summer"; "Showing the effect of not closing the mouth properly";"Rear view of 'my youngest'"; "Mistaking the shadow for the substance"; "Benjamin My youngest!"; "Master C.M. Gibbon - at 2 yrs"; and "'The 'non-adventurous Billie.', Title supplied by cataloger., Date inferred from the attire of the sitters., Gift of Marjorie G. Battles.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Recreation [P.8502.115-125]

Title: [African American woman playing the harp]
Description: Die-cut scrap depicting a racist caricature of an African American woman playing the harp. Shows the woman attired in a white headband with her hair tied atop her head, a yellow dress with a white collar and decorated with blue ribbons, red earrings, green gloves, and blue dress shoes. She is seated and smiles as her fingers pluck the strings of the harp., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 28 [P.2017.95.280]

Title: [African American woman with gold earrings]
Description: Circular shaped scrap depicting a racist caricature an African American woman with gold earrings. Shows the bust-length portrait of the woman facing to the right. She is attired in an orange and red striped shirt with a white collared shirt underneath it, a gold pin or button in the center of the collar, and gold hoop earrings., Title supplied from cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 10 [P.2017.95.263]

Title: Beauty on the street- front view. J.T. F[ritch], jobber & dealer in tobacco cigars, snuff, pipes &c. Main Street, Kurtztown, PA
Description: Racist trade card illustration depicting an African American woman walking her dog. The woman is attired in an elaborate feathered wide-brimmed top hat, a form-fitting jacket with a ruffled collar, a long skirt, petticoat, and boots. The woman holds an umbrella in her right hand and her dog's leash in her left. The dog appears to urinate behind a pole. The woman is depicted with exaggerated features. J.T. Fritch was a businessman based in Kurtztown, Pennsylvania who was trained as a printer, became a cigar manufacturer and dealer, and embarked on several other business ventures during the late 19th and early 20th centuries., Title from item., Printed in blue ink., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Tobacco [P.2017.95.176]

Title: The Union Pacific Tea Co
Description: Racist trade card illustration depicting an interior scene with two African American women, a toddler, and a cat. One woman, who is thin and gaunt, stands and is attired in a long dark colored robe, a shawl, a head scarf, and shoes. The other woman, who is larger, is seated in a rocking chair and attired in a long sleeved dress, an apron with a star pattern, a headwrap, and shoes. The toddler is seated on the floor in the background. A broken chair and framed picture of a person kneeling are visible in the background of the image. A cat is seated on the floor in the foreground. All of the African Americans in the illustration are depicted with exaggerated features., Title from item., Text printed on recto: "Aunty Fat, and Auntie Lean.", List of firm's branches printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Union [P.2017.95.178]

Title: Let Dinah Black tell you the story
Description: Racist mechanical, fold-out advertisement for black enamel depicting a caricature of an African American mammy figure "Dinah" on the exterior. The figure is portrayed with a red headwrap, red hoop earrings, and exaggerated features. The interior of the advertisement includes the caricature as the illustration of the "I'se Dinah Black" trademark in the center of the print. Several vignette images depicting various tools and appliances, including a radiator, iron fence, pencil sharpener, heater, and shears border the logo and advertising text. Maloney Oil & Manufacturing was established by Martin Maloney in Scranton, PA in 1874. He started the firm with profits from an earlier grocery business. Standard Oil Company acquired Maloney Oil in 1929., Title from item., Printed on recto: Printed in U.S.A. No. K46., Date inferred from content and dates of operation of business advertised., Distributor's imprint stamped on back of fold out: Maloney Oil & Mfg. Co. 141 Meridian St. Scranton, PA., Advertising text printed on back of fold out: Made by the makers of Kyanize - It's Good., Advertising text printed on inner panels of fold out: Use Anywhere. Stovepipe Rusty! That looks slack. Refine it with Dinah Black. When passing children scar the fence, Get Dinah Black for thirty cents. For Heaters, Farm Tools, Implements, Dinah Black is just immense! To make old engines glow with pride Dinah Black serves far and wide. Outdoor iron rusts with ease, So Dinah Black it, if you please. Shears and shovels, plows and carts, Dinah Black keeps bright their parts. Indoors, outdoors; high or low Dinah Black will make things glow. No benzine - small chance of fires - that's Dinah Black all over. Buyers. Only the name and label is improved - we couldn't improve the product, which is the same as we sold before under the name, Black Dazzle and made according to our own secret formula. The same old reliable black enamel for stove pipes, heaters, and al wood and iron work, indoors or out. On with ease and dry in a day. The Good Black Enamel On Anything., Gift of David Doret.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Maloney [P.2017.95.114]

Title: A cotton ball
Description: Racist trade card depicting a view personifying cotton as a young African American woman. Shows the woman dancing with a large ball of cotton atop her head worn in the manner of a head dress. The woman leans to her left and kicks her right leg up as she pulls up the bottom of the skirt of her dress. The edge of her underskirt is visible. She is attired in a yellow dress patterned with black dots, a white kerchief tied around her neck, a red and white striped underskirt, and black shoes. Forestry is visible in the background. C. Meyer Jr. was a New York based fertilizer manufacturer who operated in the late 19th century., Title from item., Publication information from copyright statement: Copyright 1886. L.P. Griffith & Co. Baltimore., Advertising text printed on verso: The "Acme" Fertilizers Are Strictly Complete Manures of the Highest Grade, Guaranteed Bone Basis. Positively No Rock or Kainite Used. Guaranteed Analyses. Manufactured by C. Meyer, Jr., P.O. Box 26, Maspeth, L.I. Pure Ground Bone. Sulphate of Potash. Muriate of Potash. Dissolved Bone Black. Sulfate of Ammonia. Text surrounds table listing suitable grade (No. 1 and No. 2) of manure for specific crops, including potatoes, peas, cabbage, and corn, and the percentages of ammonia, available phosphorous acid, and actual potash of the grade of fertilizer., Gift of David Doret.
Date: 1886
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Meyer [P.2017.95.125]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text printed on verso: The Universal Wringer has the following points of superiority. 1. Rolls of solid white rubber. 2. Rowell's double cog-wheels. 3. Two independent pressure screws. 4. Double cogs at both ends of each roll. 5. Folding apron or clothes guide. 6. Rocking springs of wood and rubber., Distributor's name on verso: J. Russell & Co., Dealers in hardware, carpenters' and machinists' tools, 23 Dwight and 23 Race Streets, Holyoke, Mass., Gift of David Doret., Library Company holds a duplicate copy with a variant distributor [113420.D].
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -American [P.2017.95.6]

Title: People's boot and shoe store, 104 Clark Street, corner Washington Street The return from Europe
Description: Racist trade card illustration depicting a group of well-dressed African American men and women strutting past other African American men, women, and children. The two well-dressed men are attired in striped pants, suit jackets, collared shirts, bow ties, and top hats. They both carry canes. The two well-dressed women are attired in frilled patterned long sleeved dresses and caps. One woman carries a parasol in her gloved hand. The other carries a handkerchief. The onlookers are dressed in plain clothing. A dog, a tree, a small wooden house, and a fence are visible in the image. The figures are depicted with exaggerated features. The illustration is based on one of a series of racist cartoons drawn by Sol Eytinge and printed in Harper's Weekly in 1878 which depicts the courtship and marriage of families by "The Twins." C.E. Wiswall & Co. was a boot and shoe company based in Chicago. The company's original building burned down durin gthe Chicago Fire of 1871., Title from item., Advertsising text printed on verso: Try us for your next pair of boots and shoes. We will give you a good article at a low price. C.E. Wiswall & Co., Proprietors., Based on "No. 8 Return from the honeymoon tour," photo - 5 x 7 - Unid. - Events [P.2017.26.7], Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - People [P.2017.95.144]

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