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- Title
- The colored beauty
- Description
- Bust-length portrait of a young African American woman facing slightly right. Sitter is attired in gold drop earrings with red stones, a three-strand gold necklace with a gold pendant, and a blue dress with a white lace collar., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the office of the Librarian of Congress at Washington., Purchase 2004., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1872
- Location
- Library Company of Philadelphia | Print Department Framed graphics [P.2004.25]
- Title
- Anti-slavery Token
- Description
- Reads, "Am I Not A Woman & A Sister 1838." The back reads, "United States of America." Picture of a wreath with "Liberty 1838" within it., These tokens were sold at antislavery fairs organized by abolitionist women to raise money for the cause. In this example, to avoid charges of counterfeiting, the N in United States is reversed., Gift of Chris McCauley, 1996., Exhibited in the Heritage Center at the Union League of Philadelphia exhibition, Philadelphia 1861: The Coming Storm (2011).
- Date
- 1838
- Location
- OBJ 869
- Title
- [Stevens-Cogdell/Sanders-Venning unidentified woman family member portrait]
- Description
- Half-length portrait. Shows the woman, her hair parted in the middle, and pulled back and attired in a long-sleeved dark dress adorned with a white collar and buttons down the bodice. Sitter also wears drop earrings., Title supplied by cataloger., Date from manuscript note on detached label., Accompanied by detached photographer's label., Removed to Print Department from Stevens-Cogdell/Sanders-Venning Object Collection., See Lib. Company Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2022., Access points reviewed 2022.
- Creator
- Fenton, J., photographer
- Date
- Summer 1869
- Location
- Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders-Venning Portrait Collection [P.2012.37.4]
- Title
- The whitewasher
- Description
- Illustration shows a familiar Philadelphia character: a black, female whitewasher. The woman is dressed in work-clothes and coarse shoes; her sleeves are rolled-up and the illustrator emphasizes her muscular forearms. According to the accompanying text, the bucket on the floor contains a mixture of lime and water, with a little salt and indigo to make it clear. In the course of her work, the whitewasher dips long-handled brushes (like those seen here) into the mixture and rubs it onto the walls for cleaning., Illustration in City characters, or, familiar scenes in town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 12., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1851]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 12, https://digital.librarycompany.org/islandora/object/Islandora%3A2782
- Title
- Forget me not
- Description
- Album page with an embossed border and containing a drawing of forget-me-nots. Shows a sprig of red and blue flowers, and red and blue buds, as well as green leaves. Border is composed of ornament details., Title from album page., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [ca. 1843]
- Location
- Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.83]
- Title
- The laundress
- Description
- Illustration shows a familiar Philadelphia character: a black laundress. She is neatly dressed in a long, flowing skirt; and her head is covered with an untied bonnet. "This woman," as the accompanying text explains, "is engaged by rich people to wash and iron clothes, which have been soiled by wearing." The text continues, "The woman in the picture looks as though she had just finished a hard day's work and was taking clothes home to the owners; she what a large basket she carries. It is full of articles of clothing neatly folded up; and this shows how much the woman has done in one day.", Illustration in City Characters, or, Familiar Scenes in Town (Philadelphia: Geo. S. Appleton; New York: D. Appleton & Co., 1851), p. 32., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1851]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Cit 68429.D p 32, https://digital.librarycompany.org/islandora/object/Islandora%3A2783
- Title
- The desperation of a mother
- Description
- With an axe in one hand and a candle in the other, a slave woman kneels in the cramped attic space where her two young sons sleep on the floor. Hovering above the boys, she shines her light upon them before killing them. According to an accompanying text, she then kills herself., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. I, no. 9, p. 97., Small caption underneath the image reads: "Why do you narrate the extraordinary cases of cruelty? These stories will not convert the cruel, and the wound the feelings of masters who are not son." REPLY. Cruelty is the fruit of the system., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [September 1835]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 16998.D v 1 n 9 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2858
- Title
- The cook
- Description
- As the title suggests, the engraving is a portrait of a Virginia cook, whom Crayon described as "not merely a black woman, . . . but one bearing a patent stamp by the broad seal of Nature; the type of a class whose skill is not of books or training, but a gift both rich and rare -- who flourishes her spit as Amphitrite does her trident (or her husband's, which is all the same), whose ladle is as a royal sceptre in her hands, who has grown sleek and fat on the steam of her own genius, whose children have the first dip in all gravies, the exclusive right to all livers and gizzards, not to mention breasts of fried chickens -- who brazens her mistress, boxes her scullions, and scalds the dogs . . . ." (p. 176) Shown in her kitchen, the stout cook wears an apron and a kerchief, and is surrounded by bowls, buckets, a grill, and cooking utensils., Illustration in Harper's New Monthly Magazine, vol. 12, no. 68 (January 1856), p. 177., Engraving accompanies Porte Crayon's [i.e., David Hunter Srother's] "Virginia Illustrated. Adventures of Porte Crayon and his Cousins," which was published in book form in 1857. See David Hunter Strother, Virginia Illustrated (New York: Harper & Brothers, 1857)., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [January 1856]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 12 n 68 January 1856 p 177, https://digital.librarycompany.org/islandora/object/Islandora%3A2870
- Title
- A mark of friendship's pleasing power
- Description
- Album page with embossed border and containing a drawing depicting a bunch of flowers above a four-line sentimental poem about friendship and rememberance. Flowers include a rose. Other flowers are depicted in the colors of orange, red, and violet. Image also includes a stem and leaves., Title from manuscript verse., Probably by civil rights activist and educator Ada Howell Hinton who founded a school in 1849. Hinton was daughter of Philadelphia African American elite community member, barber, perfumer, and abolitionist Frederick Augustus Hinton., Contains four lines of verse: A mark of friendship pleasing power,/In this small trifle see/And sometimes in a lonely hour,/View it and think of me., RVCDC, Description revised 2022.
- Date
- ca. 1840
- Location
- Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.73]
- Title
- [Vase of flowers]
- Description
- Album page with embossed border and containing a drawing of a vase of flowers. Shows an arrangement of flowers including roses, camellias, pansies and forget-me-nots, in an urn-shaped vase. Border is composed of a leaf design., Title supplied by cataloguer., Date from album page., RVCDC, Description revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- 1843
- Location
- Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q.78]
- Title
- [Assorted flowers]
- Description
- Album page containing a pencil drawing of an arrangement of assorted flowers of different varieties drawn when the album was in a horizontal position. Arrangment also includes leaves and flower buds., Title supplied by cataloguer., Date from item., Probably by Lydia A. Bustill., Lydia A. Bustill, was an anti-slavery activist and cousin of educator, artist, and anti-slavery activist Sarah Mapps Douglass., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [October, 1841]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.52]
- Title
- [Rose with open scroll]
- Description
- Album page containing an incomplete drawing of a spray of red rose and three rose buds behind a blank open scroll. The stems of the flowers are depicted with thorns. Image possibly corresponds to an 1849 entry written by African Methodist Episcopal Bishop Daniel Alexander Payne (1811-1893) about the death of his wife and daughter that began, “Just by the side of this Rose, there grew a Rose-bud perfectly formed and softly tinged with the brightest carmine ….” (verso of p.64-66)., Title supplied by cataloguer., Date estimated from span of dates of dated entries within album., Possibly by Amy Matilda Cassey., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.62]
- Title
- [Floral watercolor]
- Description
- Album page containing a drawing of a rose bud. The rose bud is depicted on a stem with a number of leaves and thorns., Probably by educator and anti-slavery activist Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist, and prominent member of the Philadelphia African American elite community., RVCDC, Description revised in 2022., Access points revised in 2022.
- Date
- [ca. 1840]
- Location
- Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.69]
- Title
- Fuchsia
- Description
- Album page containing a drawing of a stem of fuchsia with four flowers copied after a figure in a plate from James Andrews' Lessons in Flower Painting. A Series...(London: Charles Tilt, Fleet Street; John Menzies, Edinburgh; Thomas Wardle, Philadelphia [1836]), pl. 11. (LCP Am 1836 And, 13878.Q). The fuchsia is depicted with the blue petals, red sepals, and pink stamens of the flowers facing down. Image is also composed with the bud of a flower at the end of the stem that has multiple green leaves., Title and date from item., LCP exhibit catalogue: African American Miscellany p.45., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, educator, community activist, and prominent Quaker member of the Philadelphia African American elite community. Mary Anne Dickerson was her pupil.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [July 15, 1846]
- Location
- Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q.75]
- Title
- "A token of love from me, to thee"
- Description
- Album page containing a drawing of a black butterfly on a twig with pink flowers. Shows the butterfly with a black head, thorax, and abdomen and black wings with specks of green and red. The twig also contains several green leaves that fold up, fold down, and/or droop. The stem and branches of the twig are outlined with pink lines., Title from manuscript note., Date inferred from complementary entries in album., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [ca. 1833]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.2]
- Title
- "I love a flower!"
- Description
- Album page containing a drawing of a wild pink rose above eight lines of allegorical verse about the beauty of flowers. Shows the rose with a stem, five green leaves surrounding the petals, and two buds., Title from manuscript verse., Date inferred from complementary entries in album., Contains eight lines of verse: I love a flower! it ever brings/ A warmth of feeling to my heart,/ Unlike those gay and gilded things/ That flatter coldly, coldly part./ But flowers! – Oh they are eloquent/ They speak when lips would still be dumb/ When by the hand of friendship sent,/ Her price interpreters they come., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [ca. 1833]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.9]
- Title
- "Forget me not!"
- Description
- Album page containing a drawing of a stem of blue forget-me-nots above a poem about remembrance. Shows the stem with mutiple flowers and leaves., Title from manuscript verse., Date from item., Probably by Margaretta or Mary Forten, civil rights activists and members of the multiracial Pennsylvania Female Anti-Slavery Society. The women were the daughters of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten, Contains lines of verse: Forget me not”!—how sweet the token,/ When early hours have faded long,/ And hopes as well as hearts are broken,/ To know they still exist in song!/ Thus, may the exile fondly dream of/ Many a dear and transie[n]t ray/ And watchful memory catch a gleam/ Each colouring of a by-gone day. What tho the wave with ceaseless motion/ Protracts the union of o’er lot:—/ Our Hope’s the rock, which stems Time’s ocean,/ Our Love’s the flower, “Forget Me Not.” Excerpt adapted from poem by William G. Simms Jr., “The ‘Forget Me Not,’” in Early Lays (Charleston, South Carolina: A. E. Miller, 1827)., Manuscript of "Philadelphia" outlined with dots., Manuscript numbers for year "1834" formed with dots., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [1834]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.14]
- Title
- "Long long be thy heart with your memory fill'd..."
- Description
- Album page containing a drawing of a white vase of flowers on a square-shaped base and above a poem about memory and remembrance. Flowers depicted are of various kinds and include roses. They are long-stemmed, have leaves, and are in colors of pink, red, yellow, white and blue., Title from manuscript verse., Date inferred from complementary entries in album., Contains four lines of verse: Long, long be my heart with your memory fill’d!—/Like the vase in which roses have once been distill’d—/ You may break, you may ruin the vase if you will;/ But the scent of the roses will hang round it still., RVCDC, Description revised 2022., Access points revised 2022., Forten, was a civil rights activist, founding member of the multiracial Pennsylvania Female Anti-Slavery Society, and educator. She was the daughter of Philadelphia African American entrepreneur and abolitionist James Forten and abolitionist Charlotte Vandine Forten.
- Creator
- Forten, Margaretta, 1806-1875, artist
- Date
- [ca. 1834]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.16]
- Title
- [Vase of flowers]
- Description
- Album page containing a drawing of a white, urn-shaped vase of flowers. A variety of flowers are depicted including a pink rose and white lilies. Leaves also comprise the depicted floral display., Title supplied by cataloguer., Possibly by Amy Matilda Cassey., Date estimated from span of dates of dated entries within album., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.21]
- Title
- No marvel woman should love flowers
- Description
- Album page containing a drawing of coupled red and blue flowers above six lines of allegorical verse about unappreciated beauty. Shows the red camellia with fluffy stamens below three, five-petal blue flowers, possibly forget-me-nots. The flowers are also depicted with buds, leaves, and stems. The stem of the red flower contains thorns., Title from manuscript verse., Date inferred from complementary entries in album., Contains six lines of verse: No marvel woman should love flowers, they bear/ So much of fanciful similitude/ To her own history; like herself repaying/ With such sweet interest all the cherishing/ That calls their beauty or their sweetness forth;/ And like her too—dying beneath neglect. Verse from a poem by English writer Letitia Elizabeth Landon that was frequently published, including in the Ladies’ Miscellany (Salem, Mass., April 7, 1830)., RVCDC, Description revised 2022., Access points revised 2022., Douglass, was an artist, prominent Quaker member of the Philadelphia African American elite community, educator, and anti-slavery activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [ca. 1833]
- Location
- Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764.24]
- Title
- [Honeysuckle]
- Description
- Depicts a stem of honeysuckle., Title supplied by cataloger., Name of artist from manuscript note on verso., Gift of William Woys Weaver, 1995., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Douglass, an artist and prominent Quaker member of the Philadelphia African American elite, was best known as an educator and community activist.
- Creator
- Douglass, S. M. (Sarah Mapps), 1806-1882, artist
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Drawings & Watercolors-Douglass [P.9493]
- Title
- Lines Bros., the largest retail dealers in the state! Proprietors of ten shoe stores. Buffalo store- 95 [Seneca St.]. Boots, shoes & rubber goods. Low prices. Plain figures
- Description
- Racist trade card depicting a comic scene between an African American woman and African American man. Shows the woman hitting a man in the face with the back of her right hand. She clutches an umbrella in her left hand. The man falls backwards with his arms and legs splayed out. The woman is attired in a long striped dress, a dot-patterned apron, and a hat with a flower adornment. She is portrayed with exaggerated features., Title from item., Date inferred from 1884 Buffalo City Directory., Image caption on recto: A mistaken identity., Adverstising text on verso: Lines Bros., Largest Retail Dealers in the State Proprietors of Ten Shoe Stores! Buffalo Store, No. 95 E. Seneca St., Boots, Shoes & Rubber Goods. Stores at Troy, Albany, Geneva, Elmira, Buffalo, Lockport, Rochester, Amsterdam, Schenectady, and Canandaigua., Place of publication inferred from place of business advertised., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lines [P.2017.95.108]
- Title
- The Universal clothes wringer
- Description
- Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text on verso: The Universal Wringer Has the Following Points of Superiority. 1. Rolls of Solid White Rubber. 2. Rowell's Double Cog-wheels. 3. Two Independent Pressure Screws. 4. Double cogs at both ends of each Roll. 5. Folding Apron or Clothes Guide. 6. Rocking Springs of wood and rubber. N. P. Baker, Dealer in General Merchandise, Sunapee, N. H., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department trade card - American [113420.D]
- Title
- Beauty on the street--front view E. B. Hall, druggist. Established 1852. Wellsville, N.Y
- Description
- Racist trade card promoting druggist E.B. Hall and depicting an African American woman, portrayed in racist caricature and attired in a brimmed hat with decorative feathers, an elegant, long-sleeved dress with ruffles, gloves, who carries a tiny purse. She walks down the street carrying a parasol in her right hand and her small dog's leash in the other. Edwin B. Hall opened his drug in Wellsville, N.Y. in 1852., Title from item., Date inferred from content., Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department trade card - Hall [P.9984.3]
- Title
- [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
- Description
- Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1895]
- Location
- Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]
- Title
- Use Queen Anne Soap I'se a waiting
- Description
- Racist trade card illustration depicting a full length portrait of an African American woman walking a small brown dog. The woman is attired in an elaborate orange, yellow, and green feathered bonnet, a blue and red dotted and frilled dress with white and blue details, a pendant, white and yellow fingerless gloves, red stockings, and black heeled shoes. She holds the dog's leash and a red and blue fan in her left hand and a blue parasol in her right hand. Visible behind her is a large yellow ribbon which is attached to the back of her dress. The woman leans forward while jutting out her backside and stands with her right foot in front of her left. The woman is portrayed with exaggerated features. Queen Anne Soap was owned by the Detroit Soap Company, which in 1915 was acquired by the Buffalo-based Lautz Bros. & Co., Title from item., Date inferred from dates of operation of advertised business., Advertising text on recto: Purest and best in the world., Series number on recto: 58., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Queen [P.2017.95.145]
- Title
- Liberty Stove Works, Philadelphia. Iron King Cook improved
- Description
- Trade card for the Philadelphia stove manufacturer showing an African American house cook showing off the households's new "Iron King" stove to a baker delivering pies. The woman in kerchief, shawl, checkered dress and apron points to the stove and states "No more of your pies. The Missus has one of dem Iron King Stove -Shure Baker" to the baker in a baker's hat, smock, apron, and holding a square basket of pies. A kettle, frying pan, pot, and dutch oven rest on the burners of the stove that is marked "Chas. Noble & Co., Philada." Scene also shows a partial view of the baker's delivery wagon (advertising pastry and bread) outside of the open kitchen door. Founded as Abbott & Lawrence in 1851, later renamed Abbott & Noble in 1858, the stove manufactory was reestablished as Charles Noble & Co. in 1870., Advertising text of distributor on verso: Giersh, Senseman & Co., Manufacturers of Tinware, and Dealers in Stoves, Tinware, &c. An Examination of Our Stock Solicited. Sign: Big Coffee Pot. Agents for sale of the Improved Iron King Cool Salem, N.C., Printed on recto: Centennial Award 1876 Philada., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program.
- Date
- [ca. 1876]
- Location
- Library Company of Philadelphia | Print Department trade card - Noble [P.2014.16.1]
- Title
- Wheatley, Phillis, 1753-1784.
- Description
- In Wheatley, P. Poems on various subjects, religious and moral (London, 1773), frontispiece., Possibly based on a drawing by Scipio Moorhead., Three-quarter length portrait of writer, seated at a table, with pen in hand; inkwell and book nearby.
- Date
- [1773?]
- Location
- http://www.librarycompany.org/women/portraits/wheatley.htm
- Title
- Eldridge, Elleanor, 1784-1845?
- Description
- In Green, F. H. Memoirs of Elleanor Eldridge (Providence, 1840), frontispiece., Eldridge, of mixed African and Native American heritage, established herself as a successful businesswoman who worked in numerous trades, successfully defended her brother in a lawsuit against him, and became a landowner and homeowner., "Elleanor now, with her sister, entered into a miscellaneous business, of weaving, spinning, going out as nurse, washer, &c.--in all of which departments she gave entire satisfaction: and in no single instance, I believe, has failed to make her employers friends. She also, with her sister, entered considerably into the soap boiling business. Of this article they every year made large quantities, which they brought to the Providence market, together with such other articles as they wished to dispose of, or as were, with suitable commissions, supplied by their neighbors. By this time the earnings of Elleanor had amounted to a sum sufficient to purchase a lot and build a small house, which she rented for forty dollars a year."--P.63., Waist-length portrait of Eldridge, holding a broom.
- Date
- [1840?]
- Title
- Lee, Jarena, b. 1783.
- Description
- In Lee, J. Religious experience and journal of Mrs. Jarena Lee (Philadelphia, 1849), frontispiece., Waist-length portrait of black preacher, seated at table with pen in hand; inkwell, books, and other papers also on table.
- Date
- [1849?]
- Location
- http://www.librarycompany.org/women/portraits_religion/lee.htm
- Title
- Alice, d. 1802.
- Description
- Bust-length portrait of Alice, wearing a bonnet., In Thomas, Isaiah. Eccentric biography; or, Memoirs of remarkable female characters, ancient and modern (Worcester, 1804), plate preceding p. vii., Alice, known variously as Black Alice and Alice of Dunk’s Ferry, was a native of Philadelphia and a slave, born to parents who had come from Barbados. She is said to have been 116 at the time of her death in 1802. In extreme old age Alice received many visitors who enjoyed hearing stories about early Philadelphia and its famous first settlers, including William Penn and Thomas Logan. Alice was also a lifelong worshiper at Christ Church in Philadelphia., “Being a sensible intelligent woman, and having a good memory, which she retained to the last, she would often make judicious remarks on the population and improvements of the city and country; hence her conversation became peculiarly interesting, especially to the immediate descendents of the first settlers, of whose ancestors she often related acceptable anecdotes.”--P. 9.
- Date
- [1804?]
- Location
- http://www.librarycompany.org/extraordinarywoman/age.htm
- Title
- Williams, Sally, b. ca. 1796.
- Description
- In Aunt Sally; or, the cross the way of freedom. / A narrative of the slave-life and purchase of the mother of Rev. Isaac Williams, of Detroit, Michigan (Cincinnati, 1858), frontispiece., Sally Williams's son Isaac purchased her freedom. The publishers envisioned the narrative of her life, in which the portrait appears, as a text that would inspire readers "to labor for that oppressed and unhappy race which "Aunt Sally" represents, so, at length, this unfortunate people shall be slaves no longer, but shall find that, to them all, the Cross has been the Way of Freedom."--P.v., "And this is the mother and this is the son, who, through such peril and labor, have escaped from bondage into freedom. The facts need no comments. They are eloquent enough of themselves. But when we remember that these are not isolated cases, but that every day there is this suffering and strife for liberty, with only now and then one fortunate enough to obtain it, they become "trumpet-tongued," and plead with us to rest not till all over the land liberty shall no longer be a name only, but the right and blessing of every creature."--P.213., Another illustration picturing Williams appears in: Aunt Sally; or, the cross the way of freedom, plate opposite p. 214., Waist-length portrait of Williams, wearing a bonnet and eyeglasses.
- Date
- [1858?]
- Title
- Truth, Sojourner, d. 1883.
- Description
- In Gilbert, O. Narrative of Sojourner Truth (Boston, 1850), frontispiece., Bust-length portrait of Sojourner Truth, with a scarf around her head.
- Date
- [1850?]
- Location
- http://www.librarycompany.org/women/portraits_religion/truth.htm
- Title
- Louisa A. White Album
- Description
- Photograph album of portraits of unidentified middle-class African Americans including fourteen men, eleven women, and three babies.
- Title
- Spear, Chloe, 1750-1815.
- Description
- In Memoir of Mrs. Chloe Spear (Boston, 1832), frontispiece., Full-length portrait of Chloe and other black girls being pursued by white men and a dog; a ship is visible in the background.
- Date
- [1832?]
- Title
- [Beach scene, with boardwalk, New Jersey?]
- Description
- Depicts people strolling along the beach, with a view of the boardwalk in the distance, including a pavilion with "Clabby's" written on the side. In the foreground, a white man and an African American woman attired in bathing suits, talk to a man attired in a suit and hat. Many men and women walk on the beach. An unidentified pier is visible in the distance., Modern reference prints available., Gift of Richard R. Frame, 1983., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Berry, Frank, 1863-, photographer
- Date
- [ca. 1907]
- Location
- Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Berry [P.8986.71]
- Title
- [Louisa A. White photograph album]
- Description
- Photograph album of portraits of unidentified middle-class African Americans including fourteen men, eleven women, and three babies., Various photographers from New York, Rhode Island, and Philadelphia. Philadelphia photographers include J. Fenton, J.W. Hurn, Parlor Galleries, and Comly T. Santman., Title supplied by cataloger., Date from manuscript inscription written on inside cover: Louisa A. White, Wishes & Regards of Anna Gibbs Philadelphia, With the best, Christmas 1878., Missing front cover, back cover, spine, and back pages., Gold gilded pages, edges cut with leaf design., Purchase 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1878]
- Location
- Library Company of Philadelphia | Print Department albums [P.9505]
- Title
- "What do you all want to do wif dat pixture tak'en contraption"
- Description
- Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Wilson, G. Mark (George Mark), 1879-1925, photographer
- Date
- [ca. 1923]
- Location
- Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm
- Title
- Logan Square, Park Boulevard, Philadelphia
- Description
- Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Wilson, G. Mark (George Mark), 1879-1925, photographer
- Date
- [ca. 1923]
- Location
- Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm
- Title
- Trexler & Hartzell
- Description
- Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
- Date
- [ca. 1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]
- Title
- The love drop
- Description
- Racist, card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title from item., Text printed on recto: The Love Drop. From Painting by Harry Roseland., Publication information and date from the copyright statement: Copyright 1903 by Harry Roseland., Gift of David Doret.
- Date
- 1903
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249]
- Title
- [The love drop]
- Description
- Racist post card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title supplied by cataloger based on P.2017.95.249., Date inferred by the date of the original painting., Text printed on verso: Post card. This side for address only. Place stamp here. United States, Cuba, Canada and Mexico one cent. Foreign two cents., Gift of David Doret.
- Date
- [ca. 1903]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249a]
- Title
- Negro children in America
- Description
- Card depicting two African American women taking care of African American children in a nursery. In the foreground, three African American children sit on the floor and play with toys. In the left, the girl, attired in a blue dress, yellow socks, and black shoes, plays with blocks. In the middle, the girl, attired in a white shirt and green and red dress, holds a white girl doll costumed in an orange dress. In the right, the girl, attired in a red stocking cap, a yellow shirt, blue pants, and green socks, holds her right hand to her mouth. Beside her on the floor is a white girl doll costumed in a blue dress and a stuffed dog. Behind the seated group, two children stand and pull toys out of a container. In the left, the girl, attired in a white cap and a pink romper, leans over the container. In the right, the girl, attired in an orange dress, carries a teddy bear. In the right background, the woman, attired in a long-sleeved white dress, sits on a wooden chair with a baby wrapped in a yellow blanket on her lap. In the left background, the woman, attired in a long-sleeved pink shirt, a purple skirt, and a white apron, leans over a crib to help a young child attired in a red shirt. Two framed pictures are on the wall., Title from item., Text printed on verso: Bible Picture Card. Vol. 1, no. 14. Second Quarter. January 4, 1942. The Peanut Cow. Miss Mary’s class had met on Sunday morning. Ethel’s brown face seemed very thoughtful. “I want to tell you something,” she said after awhile. “Yesterday I was out walking. I saw six little children. They were very thin. I wish we could help them in some way.” The class was very still. They were thinking hard. “I know!” cried one of the girls. “Let’s parch peanuts and sell them. Then we can buy milk for these children.” Each day the class met. They parched peanuts and took them to be sold. They bought good rich milk with their money. “Those children need fruit.” Ethel said one day after one of her classes. “We learned today that everyone should have fruit.” “But it takes all our peanut money to buy milk,” said one of the girls. “Maybe the other boys and girls at Browning Home would like to help,” suggested Miss Mary. “Put a milk bottle in the lunch room. They can put in their extra pennies, nickels and dimes.” “Let’s call it the Peanut Cow,” suggested Ethel. Eagerly they watched the Peanut Cow. It grew fuller and fuller. How happy they were! Now they could buy both fruit and milk. Verse to Remember: “We are God’s fellow-workers.” I Corinthians 3:9. Published quarterly in sets of 13 at 4 cents per set per quarter. The Methodist Publishing House, 353 Prairie Ave., Providence, R.I. Executive and Editorial Offices, 810 Broadway, Nashville, Tennessee. Entered as second-class matter, September 15, 1941, at the post office at Providence, R.I., under the act of March 3, 1879. c. 1942, by Whitmore & Stone., Gift of David Doret.
- Date
- 1942
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Negro [P.2017.95.250]
- Title
- A mistaken identity
- Description
- Racist trade card specimen depicting a caricature of an African American woman striking a passing white man with the back of her hand. Shows the woman portrayed with exaggerated features and attired in a hat, a striped dress, a polka dotted apron with a patch, and black shoes, carrying an umbrella in her left hand and hitting a man with her right hand. In the left, the man lifts his right leg and his left hand up as he jumps in alarm after being struck., Title from item., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Mistaken [P.2017.95.205]
- Title
- I'm yo' valentine chile!
- Description
- Die cut Valentine card depicting a racist caricature of an African American woman carrying a basket of eggs. Shows the barefooted African American woman portrayed with exaggerated features and attired in a blue bonnet with white polka dots, a blue plaid shirt, a white apron, and a blue and white striped skirt. She smiles at the viewer and speaks in the vernacular, “I’m yo Valentine chile,” as she holds a basket full of eggs in both of her hands., Title from item., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - I'm yo' [P.2017.95.247]
- Title
- [African American woman at the window with a white cloth on a clothesline]
- Description
- Racist, trade card specimen depicting a caricature of an African American woman at the window with a white cloth on a clothesline. Shows the African American woman portrayed with exaggerated features and attired in a red, patterned head kerchief; a blue and red shawl; and a blue shirt. She leans her elbows on the sill of the open window and rests her head in her hands as she looks directly at the viewer. Outside of the window is a white cloth hung with clothespins on a clothesline. The exterior of the building is red brick., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 14 [P.2017.95.225]
- Title
- [African American woman dancing]
- Description
- Racist, trade card specimen depicting a caricature an African American woman dancing. Shows the woman portrayed with exaggerated features and attired in a red hat decorated with flowers, gold bracelets, a dress composed of a yellow, blue, and white pattern with a red and black sash and flowers at the waist, orange stockings, and yellow shoes. She holds her skirt up with her hands and lifts her right leg up in a dance step., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 24 [P.2017.95.235]
- Title
- [African American woman with a cat]
- Description
- Scrap depicting a racist caricature of an African American woman with a cat. Shows the bust-length portrait of a young African American woman with a red flower in her hair and attired in gold hoop earrings, a gold ring, and a brown, long-sleeved dress with white cuffs and a white, lace collar. She looks at the viewer with her right hand on her chest. A white cat is perched on her right shoulder. In the foreground and right background are pink flowers and long, green leaves., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 5 [P.2017.95.258]
- Title
- [African American woman playing the harp]
- Description
- Die-cut scrap depicting a racist caricature of an African American woman playing the harp. Shows the woman attired in a white headband with her hair tied atop her head, a yellow dress with a white collar and decorated with blue ribbons, red earrings, green gloves, and blue dress shoes. She is seated and smiles as her fingers pluck the strings of the harp., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 28 [P.2017.95.280]
- Title
- [African American woman with gold earrings]
- Description
- Circular shaped scrap depicting a racist caricature an African American woman with gold earrings. Shows the bust-length portrait of the woman facing to the right. She is attired in an orange and red striped shirt with a white collared shirt underneath it, a gold pin or button in the center of the collar, and gold hoop earrings., Title supplied from cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 10 [P.2017.95.263]