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Title: [Diorama of a scene from the American Revolution displayed at the 27th Annual Exhibition of the Pennsylvania State Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880]
Description: Shows the diorama displayed at the annual exhibition of the Pennsylvania State Agricultural Society in 1880 showing British troops during the Revolutionary War marching in formation past a residence adorned with a banner inscribed, "Don't Tread on Me." The family stands outside of the house, and an African American woman domestic stands in the front doorway., Title supplied by cataloger., Text printed on mount: 27th Annual Exhibition of the Penna State. Agricultural Society, held in the Main Building, Fairmount Park, Phila., 1880., Publisher's imprint printed on mount., Yellow mount with rounded corners., Gift of Francis James Dallett, 1994., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: E.F. Hovey, pub., 813 Arch St
Location: Library Company of Philadelphia | Print Department stereos - Hovey - Exhibitions [P.9461.2]

Title: Back to back
Description: Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [ca. 1829]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: [African American primary school classroom]
Description: Depicts two African American women teachers overseeing a class of African American grade school children. The younger children play on the floor and at tables with blocks. The older ones sit and read on benches lining the wall. On the floor, a group of girls play with white dolls as others ride on tricycles and push a carriage. In the left, a teacher stands by two blackboards; one board lists the names of good and bad boys, and the other of good and bad girls. Stencils of animals and playing children decorate the walls., Title supplied by cataloger., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8846.29]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from duplicate print., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15a]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from manuscript note on verso., Date inferred from attire of the people., Photographer's blind stamp on recto., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15]

Title: [African American family in front of their Pennsylvania residence]
Description: Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator: United States View Company, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]

Title: Leadbeater's renowned stove polish
Description: Racist advertisement for Leadbeater & Co.’s stove polish depicting a white woman and an African American woman polishing stoves. In the left, the brown-haired white woman, attired in a blue ruffled dress, white gloves, a necklace, and bracelets, stands holding a bottle of Leadbeater’s stove polish in her left hand, which she brushes onto a heating stove. In the right, an African American woman domestic, attired in a yellow head kerchief, gold hoop earrings, a red collared shirt with the sleeves rolled to her elbows, and a green skirt with black stripes, kneels as she brushes polish on the cooking stove. She turns her head to see her reflection on the stove in the left. Also visible in the image are a framed portrait, landscape, and still life, and a green sideboard with white plates and a cup. Leadbeater & Company, was a one year partnership between Philadelphia stove polish merchants, F.C. Leadbeater and D.L. Wells, at 920 Market Street., Title and date from manuscript note written on recto: Leadbeater's Renowned Stove Polish; Feb. 1861., Not in Wainwright, Philadelphia on Stone, POSP 134, Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Date: [February 1861]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [(7)1322.F.441a]

Title: Two souls with but a single thought
Description: Lantern slide formerly owned and probably used in art lessons by Philadelphia painter, photographer, and art teacher, Xanthus Smith of a racist depiction of African Americans in caricature by comic artist, Thomas Worth. Depicts a young and dapperly-dressed African American couple eating a piece of watermelon on a porch as the parents of one of the couple watches them from a doorway. Seated on a bench, the woman, wearing her hair tied up with a pink ribbon and attired in a blue shirt with buttons down the center, a white skirt with ruffles at the bottom, red and black checked stockings, and black shoes, sits beside the man, attired in a gray bowler hat, a white shirt with stripes, a gray waistcoat, gray and black striped pants, and black shoes. They hold a large slice of watermelon up together and bite from it while looking at one another. In the left, the mother, attired in a blue and pink plaid head kerchief, a pink and black striped shirt with a white lace collar, and a pink skirt, and the father, attired in a white collared shirt, a black waistcoat, and black pants, looks on at the couple from an open doorway. A banjo hangs from the post of the porch in the right. In the background, trees and the night sky is visible., Title from label on mount on verso., Gift of Edna Andrade, 1994., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Lantern Slides-Smith, Xanthus [P.9471]

Title: [Folk art portraits of two African American women and two African American men]
Description: Folk art bust-length portraits of two African American men and two African American women, portrayed in racist caricature, shown in a row, alternating woman, then man. In the left, the woman, wearing her hair in two braids tied with blue bows on either side of her head that stick out, with red lips, and attired in an off-the-shoulder blue dress with ruffles, faces forward with her eyes looking left. Beside her the man, with red lips and attired in a white collared shirt, a pink tie, and a black jacket, slightly faces left and his eyes look at the woman. The woman, wearing her hair tied in multiple braids, with pink lips, and attired in a pink, ruffled dress, looks to the left. In the right, the man, with pink lips and attired in a blue bowtie, a white shirt with blue stripes, and a black jacket, faces left and looks at the woman., Title supplied by cataloger., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1909]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Unidentified - Faces [P.9057.28]

Title: A darktown wedding, the ceremony
Description: Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1901
Location: Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Picking cotton
Description: Scene showing three African American men and an African American woman as they pick cotton in a large field. In the foreground, the workers, attired in hats, bend over at the waist as they harvest the cotton and place it in bags that they carry. A very young African American girl stands in front of the woman and looks at the viewer. A house is visible in the right background., Title from manuscript note on verso., Date inferred from photographic medium and attire of the people., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Afro-Americana

Title: Tallahasse, Florida
Description: Portrait of an African American man and woman seated in the doorway of a wooden cabin made of boards. In the left, the woman, attired in a head kerchief, a long-sleeved quilted shirt, a torn and worn skirt, an apron, and shoes, sits and looks at the viewer. In the right, the older man, attired in a head kerchief, a torn and worn long-sleeved shirt, a vest, pants, and open-toed shoes, sits with his right leg propped on a log., Title from manuscript note by photographer on verso., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.183]

Title: Compliments of Bechler's notion and variety store, 44 Irving Street, Rahway, N.J
Description: Trade card promoting the notion and variety store in Rahway, New Jersey of possible George Bechler and depicting a racist caricature of an African American nanny. The woman smiles and is attired in a short-sleeved, orange dress with red stripes, blue and white checked apron, and red head kerchief. She stands with one hand on her hip while the other holds a screaming white baby attired in a white layette to her other hip. In the foreground is a picket fence with a sheet draped in front with words advertising Bechler's store. Green foliage comprises the background., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from the attire of the figures depicted., Advertising text printed on recto: Compliments of Bechler's notion and variety store, 44 Irving street, Rahway, N.J. Just opened!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bechler [P.2017.95.12]

Title: Vickery's Aunt Sally baking powder
Description: Trade card illustration depicting a snowy scene. Two white boy, a woman, and a dog stand by a sled. They are under a large barren tree and near the steps of a house. Visible in the background are trees, a body of water and mountains. On the verso, there is a racist illustration of an African American woman holding a tray of biscuits. A speech bubble near her head reads, "Dar's no use talking, Missus' Vickery's Aunt Sally am de best fur biscuits and cakes." Vickery & Co. manufactured Aunt Sally's Baking Soda and was likely founded in Scranton, Pennsylvania in 1875. The company's founder, George H. Vickery later moved to Philadelphia after a fire destroyed his business., Title from item., Partially visible advertising text printed on verso: Presented with each box. Vickery's Aunt Sally baking poser, trade mark patented. The secret told. [...] put a laundry gloss on your shirts [...] Buy a bottle of Aunt Sally Harsh Gloss and see how it is done. You [...] with it, it puts that shiny gloss., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Vikery [P.2017.95.183]

Title: Willard & Lane's improved Eagle Stove Polish better than any made
Description: Racist trade card promoting Willard & Lane’s Eagle Stove Polish and depicting caricatures of an African American woman and two African American boys using stove polish. Shows the African American woman, portrayed with exaggerated features and attired in a hat decorated with a ribbon, a white, short-sleeved dress, and slippers, standing and carrying a brush in her left hand. She looks with concern to the left at the two boys sitting on the floor. In the left, the barefooted boy, attired in a short-sleeved white shirt and shorts, sits on the floor with his legs stretched out. The barefooted boy in the right, attired in a white, long-sleeved shirt and white pants with a patch, applies stove polish with a brush on him. In the foreground is a box labeled, “Willard & Lane’s Improved Eagle Stove Polish.” A stove is in the center of the room. Abel Lyman Willard (1829-1892) opened an apothecary and drug store in 1855 in Taunton, Mass. In circa 1874, he founded the firm Willard & Lane with A.F. Lane, manufacturing Eagle Stove Polish., Title from item., Date deduced from the history of the advertised business., Gift of David Doret.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Willard [P.2017.95.190]

Title: Wm. M. Smith, 474 Broad Street
Description: Racist trade card depicting a snowy scene with several African American figures. At the center of the image is an African American man attired in a long button-down coat with a hood walking past a group of children. He stands with his left hand in his pocket and holds a cane in his right hand. Small hosues, bare trees, a fence, and several people are visible in the background. Three children in the right foreground of the image look up at the man in the center and adog in the left of the image runs in front of him. The figures are portrayed with exaggerated features. William M. Smith owned a clothing store in Newark, New Jersey in the late 19th century., Title from item., Advertising text on verso: 2424. Two thousand, four hundred and twenty-four Customers, whose names and measurements are registered on our books, will attest to the superiority of the "Domestic Shirt" over all others in make, material, fit, and economy. Factory attached to the Store, No. 474 Broad Street opposite Orange St. where the public are cordially invited to examine our Shirts in every stage of manufacture. N.B. The Otto Gas Engine Furnishing the power to run our machines is a marvel of mechanical ingenuity. Wm. M. Smith, 474 Broad Street, Opp. Orange Street., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.160]

Title: Corn Picking. Population 1,542,180. Area in sq. miles 59,475
Description: Racist trade card promoting Arbuckle Bros. coffee and depicting African Americans in a field harvesting corn. Shows an African American woman, attired in a straw hat, a green, long-sleeved shirt, a yellow shawl, and a red skirt, smiling as she picks corn off of a stalk in the foreground. In the left, an African American man, attired in a straw hat, a white shirt with the sleeves rolled up to the elbows, brown pants, and brown shoes, looks at the viewer as he carries corn in his arms. In the background, two more farm laborers are visible. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Publication information and date from the copyright statement: Copyright 1889 Arbuckle Bros. N.Y., Print trimmed., Description of Colorado printed on verso. Sections of text missing. "[Colo]rado. east and west of 380 miles, a breadth o[?] square miles, or 66,512,000 acres, divided [?] are still unsurveyed 40,657,679 acres; i[?] mountain range, the foot hills, and the [?] [nor]th and south through the centre of the [?] [ra]nges, with many peaks over 13,000 fee[t] [?] immense mountains, are the “Parks,” [?] natural feature of Colorado. These co[?] [?] tion of 9,000 to 10,000 feet above the se[a]. [T]he principal ones being the North and [?] White and Green rivers, most of which[?] navigable. The South Platte has a fa[?] [?] Denver, and one of the canons of th[e] [?] [?] a rule, severe, with heavy falls of snow [?] plains and in the valleys, the mildness [?] as to render Colorado the paradise [?] and are glad to find that “Arbuckles” [?] 65,196 females, of whom 154,537 were [?] [?]rth, white, 191,126; colored, 3,201.", Gift of David Doret.
Date: 1889
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Corn [P.2017.95.199]

Title: [African Americans picking cotton with a cotton compress]
Description: Racist, trade card specimen depicting African Americans picking cotton on a plantation. In the left foreground, shows an African American man, attired in a hat, a long-sleeved shirt, pants, and shoes, carrying a basket on his back filled with cotton. In the right, two African American children sit on the ground and fill a basket with cotton. In the background, is a large, wooden compress or cotton press. An African American man, with a basket of cotton at his feet, puts cotton into the compress. Another man stands in the right of the stairs leading to the compress with a basket of cotton. In the right background is a building and two women crouching on the ground and another man standing. In the top of the card is an additional illustration depicting a pine tree falling over. In the foreground is a bird on a branch, and a house is visible in the background., Title supplied by cataloger., Publication information and date from the copyright statement: Copyright by Robinson Eng. Co. Boston U.S.A. 1881., Gift of David Doret.
Date: 1881
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 28 [P.2017.95.239]

Title: [African American woman on a balcony talking on a tin can telephone to an African American man minstrel]
Description: Die-cut trade card specimen shaped like a top hat and depicting racist caricatures of an African American woman on a balcony talking on a tin can telephone to an African American man minstrel. Shows the African American woman, attired in a yellow dress, leaning over the balcony of a palatial building, while holding a tin can telephone on a string to her right ear. On the ground, the African American man minstrel is portrayed with exaggerated features and attired in a white top hat with a black band, a white collared shirt, a black bowtie, a white waistcoat, a black jacket with tails, red and white striped pants, and black shoes. He stands holding the other end of the tin can telephone to his right ear. A banjo lies at his feet., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 29 [P.2017.95.239x]

Title: " Othello"
Description: Racist trade card specimen depicting an African American man “Othello” holding a knife and jealously looking at an African American woman and man conversing. Shows the African American man, attired in a hat, a red shirt with a white collar, white and blue striped pants with yellow suspenders, red socks, and black shoes, baring his teeth in an angry expression while he holds a knife in his right hand. He stands beside a building and looks over his right shoulder. Behind the building, in the background, an African American woman, attired in a red, short-sleeved dress with a white collar and red shoes, stands with her hands on her hips. She talks with an African American man, attired in a hat, a white collared shirt, a black jacket, khaki pants, and brown shoes, who has his left hand in his jacket pocket and points his index finger on his right hand at the woman., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Othello [P.2017.95.207]

Title: [African American domestics holding a white sheet]
Description: Racist, trade card specimen depicting caricatures of two smiling African American domestics portrayed with exaggerated features and holding a white sheet. In the left, shows an African American man, attired in hoop earrings; a blue and white striped collared shirt; a red vest; purple pants; yellow striped socks; and black shoes with buckles, holding two corners of a white sheet in his hands. A red and green feather duster lies on the ground at his feet. In the right, an African American woman, attired in a yellow head kerchief with red dots; hoop earrings; a white, beaded necklace; a white, short-sleeved shirt; a pink vest; a blue skirt; white socks; and yellow shoes with red bows, holds the opposite two corners of the sheet. A broom rests against her right shoulder., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 5 [P.2017.95.216]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]

Title: On the o high o! Compliments of Goodwin brothers, wheel-wrights
Description: Racist trade card promoting wheelwrights the Goodwin Brothers and depicting caricatures of African Americans on a wooden barge “on the o high o,” i.e. Ohio River. In the right, two men stand and row using long oars. The man in the left is attired a hat, a blue jacket, and blue plaid pants, and the man in the right is attired in a hat, a white shirt, and green pants. In the left is a man seated on a stool playing a fiddle attired in a hat, a white jacket, and blue pants. The man in the center, attired in a hat, a green plaid shirt, and blue pants, dances with his left leg and arm raised up. Another man, attired in a hat, a white shirt, and blue pants with a straw in his mouth, watches the dancer while lying on the barge on his stomach propping his head up with his elbows. Behind the fiddler a woman, attired in a green head kerchief, a blue dress with polka dots, and a beige apron, claps her hands and taps her foot to the music. In the far left is a house with a man standing against the wall, and a boy that runs toward the barge. In the background is a white steamboat on the river. Brothers James K. Goodwin (1844-1910) and Charles W. Goodwin (1853-1943) were wheelwrights in Manchester, New Hampshire., Title from item., Date from the history of the advertised business., Advertising text printed on the verso: Goodwin Brothers, manufacturers of wheels and carriage wood work of every description. Also dealers in hubs, spokes, rims, shafts, bodies, seats, carriage gear &c. Hubs turned and mortised. Sawing and planing to order. Carriages built to order, complete. Special attention given to repairing. 441 Elm Street, Hodge’s Building, Manchester, N.H. J.K. Goodwin. C.W. Goodwin., Series number printed on the recto: 450., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Goodwin [P.2017.95.73]

Title: Lines Bros., the largest retail dealers in the state! Proprietors of ten shoe stores. Buffalo store- 95 E. Seneca St. Boots, shoes & rubber goods. Low prices. Plain figures
Description: Racist trade card depicting a comic, genre scene between a new white father and an African American woman caregiver. Shows the young, African American woman holding to her chest three white babies wrapped in blankets. The babies' father stands across from her and exclaims "Did any of them get away?" In the background, the new white mother is visible laying in a bed with a blanket up to her chin. The African American woman wears a cap adorned with a ribbon, an apron, and a long skirt. The white man wears mutton chops and is attired in an evening coat over a suit with a bowtie.The figures are depicted with caricaturized and exaggerated features., Title from item., Image caption on recto: Excited Father - "Did Any of Them Get Away." "Triplets'", Advertising text on verso: Lines Bros., Largest Retail Dealers in the State Proprietors of Ten Shoe Stores! Buffalo Store, No. 95 E. Seneca St., Boots, Shoes & Rubber Goods. Stores at Troy, Albany, Geneva, Elmira, Buffalo, Lockport, Rochester, Amsterdam, Schenectady, and Canandaigua., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Lines [P.2017.95.109]

Title: Muzzy's corn starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist genre scene of an African American woman domestic servant serving a white family at the dinner table. Shows in the center of the image the man and woman couple and child seated at a table. In the left, a man with brown hair and attired in a black jacket; a white collared shirt with a yellow bowtie; a yellow waistcoat; white pants with blue stripes; and black shoes, looks down and reads the newspaper he is holding. In the right, the blonde-haired woman, attired in a long-sleeved blue and white dress, rests her left hand on the table and looks towards the African American woman. The African American woman, attired in a blue striped dress, stands behind the table and carries a steaming pan of food. To the left, a blonde-haired child, attired in a white, short-sleeved shirt, reaches their hands up toward the pan of food. On the table are plates and cutlery. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.58]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Distributor's imprint printed on recto: John Cottrill, boots, shoes, trunks, &c, Wallingford, Conn., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.130]

Title: The "Gem" freezer
Description: Racist trade card illustration depicting an African American woman maid serving two bowls of freshly churned ice cream on a tray to two white children sitting at a table with a white tablecloth. The girl is attired in a yellow dress with a white and purple ruffled collar and a white ribbon in her hair. She sits with her hands folded. The boy is attired in a long sleeved purple shirt and a white bib. He holds a spoon in his right hand and reaches his left hand out toward the maid. The maid is attired in a red headwrap, gold hoop earrings, a white collared shirt with a bowtie, a blue long sleeved dress, and a white apron. On the verso of the trade card is a black and white illustration depicting a "Gem" freezer. The "Gem" freezer was manufactured by the North Brothers Manufacturing Company, which was based in Philadelphia and owned by Selden Gladwin North, Ralph H. North, and Frank H. North. The company was founded in 1878 and became a major manufacturer of various kitchen appliances., Title from item., Date inferred from dates of operation of business., Note written in manuscript on verso., Advertising text printed on verso: The "Gem" freezer. The best in practical use, because convenient, compact in size, use for smallest amount of ice and salt, run easily, freeze quickly, produce smoothly frozen creams or desserts with little bother and less work. The Pails have electric-welded wire hoops, guaranteed not to break or fall off; the cans are made of heavy tinplate with drawn steel bottoms that are guaranteed not to fall out or break and do not leak, the strongest and most durable freezer can made; the automatic twin scrapers by their positive action insure perfect scraping of frozen particles from side of can as rapidly as formed without injury to can or scrapers. All inside parts are heavily coated with pure block tin, and outside parts all thoroughly galvanized. A recipe book with complete directions for making over 100 ice creams, water ices, sherbets and other desserts packed in each freezer. W.E. Sturges, Phoenixville, PA., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - North Bros. [P.2017.95.141]

Title: The Redwood portable range, Spicers & Peckham, makers of highest grades only. Providence, R.I
Description: Racist trade card illustration depicting an interior scene with an African American woman delivering a loaf of bread to a well-dressed white woman. The African American woman is attired in a large yellow and green hat with a wide brim, a white bonnet with a green ribbon tied underneath her chin, a red shawl draped across her shoulders, a green and yellow long sleeved dress, a green apron, and brown shoes. The white woman is attired in a yellow dress lined with white and a blue ribbon attached to the back. She wears a blue hairpiece and holds a white fan in both hands. Visible in the background are a set of drawers, on top of which sits a large vase with flowers and cattail plants, and a larger partially obscured drawer in the right of the image with a large decorative plate, a vase, and an urn on top of it. A bordered image featuring a Redwood stove is superimposed over the drawer in the right. The African American woman is depicted with exaggerated features., Title from item., Several lines of partially legible advertising text printed on verso., Text printed on recto: "Don't buy you kitchen stove honey, till you have seen The Redwood.", Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Redwood [P.2017.95.146]

Title: A tale of the Rising Sun stove polish
Description: Racist trade card circular advertising Rising Sun Stove Polish. Depicts four scenes in which a white woman, identified as Mrs. Smith, buys cheap ineffective stove polish from a "crafty shopkeeper" and proceeds to purchase the more effective Rising Sun Stove Polish. In the background of the scenes in Mrs. Smith's kitchen is her African American housekeeper, Dinah. Also depicted in the scenes are Mrs. Smith's friend Mrs. Jenkins, her husband Mr. Smith, and a small white dog. Mrs. Smith and Mrs. Jenkins are attired in elaborate and colorful dresses, hats, and hair pieces. In the scene titled "The wretched household," Dinah frowns and is attired" in a yellow dress with the sleeves rolled, a white apron, yellow shoes, white socks, and a yellow headwrap. She holds a brush in her left hand. In the scene titled "The happy home," Dinah smiles and is attired in a blue and white dress with a yellow skirt visible beneath it, black flat shoes, and a red and white cap. She holds a brush in her left hand and raises it triumphantly. In both scenes, she is depicted with exaggerated features. Rising Sun Stove Polish Company was founded in Canton, Massachusetts by Elijah Morse in 1864., Title from item., Text printed on recto: The crafty shopkeeper. "It's just as good!" the shopman - he was a vile deceiver. And Mrs. Smith, unused to guile, alas, was a believer. And on the rascal's oily words and lying tongue depended, and bought the swindling compound that the shopman recommended. The wretched household. Next day wise Mrs. Jenkins called on Mrs. Smith, her neighbor, and found the house all upside down, herself distraught with labor: the fire unkindled in the stove, and Dinah vainly trying to black the stove with that vile stuff her mistress had been buying. The dinner not commenced to get, and Mr. Smith expected, each moment home - no wonder that his wife appeared djected. Wise Mrs. Jenkins gazed in tears upon the scene - said she - "For all your troubles, dear, I know a sovereign remedy.", Text printed on verso: The beautiful chromo. Wise Mrs. Jenkins and her friend a little ramble took, and at a splendid chromo in a window took a look. Said Mrs. Jenkins (verbum sap), "'twill all your cares abolish, if you will use the best of all - the Rising Sun Stove Polish." The happy home. "Home, home, sweet home," entranced we gaze upon the peaceful scene, a happy home where everything is quiet and serene. Within the polished stove the fire is burning bright, and on old Dinah's face appears a smile of a calm delight. Kind reader, heed the moral taught, and then our story's done - no stove polish is "just as good" as is the Rising Sun., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rising Sun [P.2017.95.149]

Title: Standard screw fastened boots & shoes are the best in the world
Description: Racist trade card illustration depicting two African American men and one African American woman. The woman walks arm in arm with one of the men; both figures are well-dressed. The man is attired in a black hat, a white collared shirt, a blue jacket, gloves, striped pants, and black heeled shoes with the Standard logo. He holds a flag promoting the Standard brand in his left hand and a flower in his right. The woman is attired in a hat, a white dress with blue dots and a bow at the collar, gloves, blue and white striped tights, and blue heeled shoes. The man in the left of the image is attired in black tattered clothing and worn out shoes that expose his toes. All of the figures are depicted with exaggerated features., Title from item., Text printed on recto: "Go way Ephraim, Ise got a new beau now dat wears Standard Boots!", Advertising text printed on verso: Remember and buy only Standard Screw Fastened Boots and Shoes. They surpass all others., 1882-1883 calendar printed on verso., Gift of David Doret.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Standard [P.2017.95.165]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Several lines of advertising text printed on verso; text is not visible., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.128]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.127]

Title: J. & P. Coats thread. Come in Topsey out of the rain. You’ll get wet. Oh! it won’t hurt me missy I’m like Coats black thread de color won’t come off by wettin
Description: Racist trade card promoting J.&. P. Coats thread and depicting a caricature of an African American woman domestic washing outside in the rain. Shows an African American woman in the left, attired in a white, short-sleeved shirt, a white and yellow checked apron, a red skirt, and black shoes. She stands outside in the rain and places her right hand on an oversized spool of thread labeled, “J.&P. Coats best six cord 200 yds 40,” which sits on top of a wooden stool. Behind the woman, a pipe fills a wooden wash tub with water. In the right, a blonde-haired, white woman, attired in a blue dress with a white collar and bow tie and a red sash below the waist, white stockings, and black shoes, stands at the door inside the house. She lifts her right hand to the domestic and says, “come in Topsey out of the rain. You’ll get wet.” The African American woman replies in the vernacular, “Oh! It won’t hurt me Missy. I’m like Coats black thread. De color won’t come off by wettin.” Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title from item., Date deduced from the history of the advertised business., Advertising text printed on verso: Fast Black Spool Cotton. Does it wear? Does it wash? When a textile fabric must be dyed a pure, rich, deep black, the question that presents itself to the dyer is: “Will these goods be washed in ordinary soap and water, or will they be dipped in some powerful acid, like aquafortis, sulphuric, or muriatic acid?” It they must withstand every-day wear and tear; he will not be so foolish as to fix his black by aid of powerful acids, but will treat the goods mildly, and thus secure superior strength and endurance. In like manner, a druggist will not put a rubber stopper in a bottle filled with sugar and water; he will naturally use an ordinary cork, and save the rubber for resisting violent acids. It is well to look with suspicion on all Acid Tests applied to Spool Cotton. To resist acids, the dyer must use acids at peril of rotting the thread. Intelligent people do not wash their clothes in acid baths. J. & P. Coats’ Black will hold its color as long as any fabric on which it can be used., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - J. & P. Coats [P.2017.95.88]

Title: Marriage certificate. This certifies that [blank] of [blank] and [blank] of [blank] united in holy matrimony according to the ordinance of God and the laws of [blank] at [blank] on the [blank] day of [blank] A.D. [blank]. Witnesses [blank] [blank]
Description: Marriage certificate containing a scene with an African American bride, groom, and reverend, pictorial details, and an ornamented border. Scene depicts the bride, in the left, in right profile, standing, and attired in a long-sleeved white wedding dress and bridal cap with floor length veil draped down her back. She holds a large bouquet from which ribbons stream and she bows her head slightly forward. In the right, the groom, in left profile, stands, attired in a dark suit with morning jacket and a boutonniere adorning the lapel. His head is slightly bowed. Between them, facing the viewer, stands an older reverend, attired in a clerical waistcoat and pants. He is balding with tufts of grey hair by his ears. He holds a Bible at his midriff. Ferns adorn the background. Pictorial details, surround the scene and text of the certificate, and include two Black putti; a vignette depicting the clasped hands of a Black bride and groom; and tropical greenery. The ornamented border is composed of ribbons and a chain link., Title from item., Name of publisher inferred and date from copyright statement: copyrighted 1910 P.P. and F. Co. Chi., Description of print (No. 1900) included in 1911 trade catalog for the Consolidated Portrait and Frame Co., p. 135a. Description reads: Good Luck Marriage Certificate. This certificate was printed and designed especially for the negro race. There is no other certificate so far as we know, exclusively for them., RVCDC, Purchased with partial funds from the Davida Tenenbaum Deutsch Women's History Fund.
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC - Certificates - Marriage [P.2023.7]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a brown waistcoat with tails, a red vest, a blue-striped shirt, black cravat, tan pants, yellow gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a red and yellow headpiece over her hair that is in a top knot. She is attired in a yellow calf-length, cap sleeved dress with floral details, red and white trim, and décolleté neckline; white opera gloves; ankle-laced slippers; flower-detailed stockings; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand on a patch of grass. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring., Title from item., Date inferred from content., After the work of Edward W. Clay., Plate 9 of the original series published in Philadelphia., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, LCP exhibit catalogue: Made in America p. 29., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Imbert, Anthony, 1794 or 5-1834
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [P.2004.39.2]

Title: The election a medley, humbly inscribed, to Squire Lilliput Professor of Scurrillity
Description: A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note: Published for the Election of the 1st of 8th 1764 of Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1764]
Location: Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [959.F.74]

Title: The election a medley, humbly inscribed, to Squire Lilliput Professor of Scurrillity
Description: A pro-Franklin cartoon depicting a crowd gathered to vote at the Philadelphia courthouse during the Pennsylvania Assembly Election of October 1764. The print advocates Franklin's appointment as provincial agent to Britain despite his election loss which was a result of his double-sided politics in dealing with the "Paxton Boys," white frontiersmen who murdered peaceful Native Americans. Contains thirty-three verses attributed to Rev. Isaac Hunt to be sung to various tunes. Created as an attack on satirist James Dove, referred to in this title as "Squire Lilliput Professor of Scurrillity," in response to his anti-Franklin print, "The Paxton Expedition." The courthouse crowd includes caricatures of James Dove and five African Americans, including a woman stating in the vernacular, "Mase Lidiput you puchuss a me," a reference to a character pursued sexually by Dove in an earlier anti-Dove cartoon, "A Conference between the Devil and Mr. Dove" (1764)., Place and date of publication provided by Snyder and Murrell., Possibly after the work of Henry Dawkins., Manuscript note on recto in Watson's hand: Wrote by the Revd. Isaac Hunt at or before 1764 - when Franklin was made agent to London for this "Medley" says "Franklin will be agent." [and] Property of John F. Watson., Manuscript note on verso: Purchased from John F. Watson, Esq. June 14 1860. C.P. [Charles Poulson]., LCP copy lacking fragments along center vertical fold. Backed with laid paper., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1764]
Location: Library Company of Philadelphia | Print Department Political Cartoons - [1764] Ele [1885.F.32]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a green coat with tails, red collar, blue bow tie, yellow pants, stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large yellow bonnet adorned with bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date inferred from content and name of publisher., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., First edition of print described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.4]

Title: Life in Philadelphia. "What you tink of my new poke bonnet...?"
Description: Racist caricature depicting an African American woman trying on a bonnet in the company of her African American companion, "Frederick Augustus." Depicts the woman in profile, in front of a standing mirror tilted toward her, trying on a yellow Dunstable bonnet so large that the side of her face is obscured. Her hand rests on the side of the hat adorned with a pink ribbon. Her reflection is not visible in the mirror. She wears a yellow calico dress with a white collar that covers her shoulders, black gloves, patterned stockings, and blue slipper shoes. She asks "Frederick Augustus" what he thinks. He stands behind her with his arms crossed and looks toward the mirror. He holds a walking stick under his left upper arm. A dog with a muzzle sits behind him. He responds that he does not like the style. He wears a beard and is attired in a top hat, long green overcoat with collar, red-striped pants, white gloves, and black slipper shoes. A white woman sales clerk, wearing a large top-knot hairstyle, watches the woman from behind a counter on which another Dunstable bonnet is displayed. Pink bunting is visible above the clerk’s head. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date from item., Inscribed: Plate 14., Inscribed: Copy right secured., Contains seven lines of dialogue in the vernacular and dialect above the image: What you tink of my new poke bonnet Frederick Augustus? I don’t like him no how, case dey hide you lubly face, so you can’t tell one she nigger from anoder., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Described in Pennsylvania Inquirer, 17 June 1830, p. 2 and ‘Life in Philadelphia, No. 14. The Dunstable Bonnet’, Pennsylvania Inquirer, 17 June 1830, p. 3., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1830
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.5]

Title: Life in Philadelphia. "Is Miss Dinah at home?"
Description: Racist caricature depicting a well-dressed, middle-class African American dandy, his right side toward the viewer, calling upon "Miss Dinah" on the outside of her basement apartment. He wears a black top hat, bright green waistcoat, tan pants, yellow gloves, and black slipper shoes adorned with bows. He holds a walking stick perpendicular to his thigh and a fob hangs away from his coat. An African American woman servant, wearing short-cropped hair and earrings, and attired in a red, short-sleeved dress and blue apron, stands at the open cellar doors and informs the suitor that Miss Dinah "is bery pertickly engaged in washing de dishes." She holds out a silver tray to collect the dandy's calling card. The dandy states that he is sorry that he "cant have the honour to pay [his] devours to her" and slightly crouches to place his card on the tray. The figures are portrayed with oversized and exaggerated features. Scene also shows an adjacent basement cellar with open doors and views of shuttered windows on the first floor to "Dinah's" residence and those adjoining, Title from item., Date inferred from content., Inscribed: No. 5., After the work of Edward W. Clay., Probably printed and published by Anthony Imbert of New York., Contains three lines of dialogue in the vernacular and dialect below the image: "Is Miss Dinah at home?""Yes sir but she bery pertickly engaged in washing de dishes.""Ah! I'm sorry I can't have the honour to pay my devours to her. Give her my card.", Shane White and Graham White's Stylin': African American Expressive Culture (Ithaca: Cornell University Press, 1998), p. 108. (LCP Ii 4, A2880.O)., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., the University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O), Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.2]

Title: Life in Philadelphia. "How you find yourself dis hot weader Miss Chloe?"
Description: Racist caricature mocking the ambitions of free Blacks depicting, "Mr. Cesar," an African American dandy asking an African American belle how she finds herself in "dis hot weader?" "Miss Chloe," responds that she is doing well, but "aspires too much!" In the left, the man stands and faces the woman, in the right, and whose back is to the viewer. The man is attired in a blue waistcoat with a black collar, a white vest, pink cravat, white pants, gloves, and black slipper shoes. He holds a walking stick perpendicular to the ground in his right hand. The woman is attired in a yellow, puff-sleeved, ankle-length dress and with a pink neckerchief, wide-brimmed yellow hat with a long veil and adorned with several pink flowers and blue ribbon, gloves, and white slipper shoes. She also wears a necklace and earrings. She holds a purse and fan in her left hand and a parasol in her right hand. The man and woman stand on a grassy knoll. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Inscribed: P. 4., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains three lines of dialogue in the vernacular and dialect below the image: “How you find yourself dis hot weader Miss Chloe?” “Pretty well I tank you Mr. Cesar only I aspire too much!”, RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.1]

Title: Life in Philadelphia. "Shall I hab de honour to dance de next quadrille...?"
Description: Racist caricature ridiculing the etiquette of attendees of an African American dance ball. Depicts, in the right and in profile, "Mr. Cato," an African American man dressed in a blue coat with tails and a black collar, white pantaloons and stockings, ruffled white shirt, yellow gloves, a gold neck fob, and black slipper shoes bowing with his hat in his hand to invite "Miss Minta" to dance. In the left, "Miss Minta," a curvaceous African American woman, forward facing, her head turned to the right, and dressed in a pink, cap-sleeved gown with an apron detail, a large pink headpiece, white opera gloves, and several pieces of jewelry, including a neck fob, bracelets, armlets, and earrings, declines his invitation because she is already "engaged for de nine next set." She also slightly holds up the lower right corner of her apron with her right hand. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Scene also includes background imagery depicting other African American men and women ball attendees., Title from item., Date inferred from content., Inscribed: No. 6., Plate 5 of the original series published in Philadelphia., Probably published by Anthony Imbert of New York., Shane White and Graham White's Stylin': African American Expressive Culture... (Ithaca: Cornell University Press, 1998), p. 98. (LCP Ii4, A2880.O)., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.3]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a green waistcoat with tails, a red vest, a blue-striped shirt, black cravat, blue pants, yellow gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a red and green headpiece over her hair that is in a top knot. She is attired in a yellow calf-length, cap sleeved dress with floral details, red trim, and décolleté neckline; white opera gloves; ankle-laced slippers; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand on a patch of dirt. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content., Plate 9 of the series., The symbol of a key is used in place of the name Clay., Name of the artist, faint lower right corner., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, LCP exhibit catalogue: Made in America p. 29., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.8]

Title: A dead cut
Description: Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Title from item., Publication information from duplicate in collection and advertisement in the Philadelphia Inquirer, December 30, 1829, p. 3. Advertised as entitled "A Dead Cut, or an attempt to slight old Acquaintance.", Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Sarah Hart was a Jewish Philadelphia fancy goods store owner and printseller who with her son future Philadelphia publisher Abraham Hart, assumed publication of the "Life in Philadelphia" series in 1829. Sarah Hart solely reprinted the entire series of 14 prints in 1830. She also published complementary in subject lithographs after the work of Clay during the same period., Described in the Daily Chronicle, December 26, 1829, p. 2., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1829]
Location: Library Company of Philadelphia | PRINT. Life in Philadelphia (Philadelphia Set) [5656.F.39]

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