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Title: Sanford's new Opera House Race Street, between Second & Third Monday evening, November 28, 1864 The great pantomime of Ye shoemaker and tailor of Kensington, by Sanford's Opera Troupe Programme. ... The exempts! ... Challenge dance ... I'm from the country ... To conclude with the pantomime of The shoemaker & tailor of Kensington ... Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: J. Foster, Dan Gardner, J. Johnson, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, Larry Tooley, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.60a (McAllister)

Title: Scraps illustrative of the history of Phil[adelphia]. Vol. 5
Description: Scrapbook containing predominantly clipped illustrations, prints and ephemera dated 1855-1856 and pertaining to the built environment, and social and cultural climate of Philadelphia. Contents include several wood engravings, engravings, cameo stamps, and lithographs depicting prominent city landmarks, businesses, cityscapes, and caricatures and cartoons. Many of the graphics are advertisements and vignettes, or illustrate published articles. Advertisements depict F. Roussel Perfumery (114 Chestnut); W. J. Horstmann, trimmings (223 Chestnut); E. Mathieu, clarified cider and vinegar (14 Lombard); Stoddart’s Dry Good Store (278 N. Second); a Segars and tobacco store (93 S. Sixth, i.e., 300 block); Bennett’s Tower Hall (184 Market, i.e., 600 block); C. B. Rogers & Co. Agricultural Works and Bone Mill; P.F. Cunningham Catholic Book Store (104 S. Third); "Palmer’s Patent Leg, as exhibited at the World’s Exhibition, London, 1851"; J. H. Rohrman, Japan Ware Manufactory (96 Cherry); Carpenter’s Schuylkill & Eastern Ice Depot (Franklin & Willow); Mills B. Espy, preserved fruits (109 S. Third); J. Thornley’s India-Rubber Emporium and Magnetic Telegraph Offices (101 Chestnut, i.e., 300 block); Thomas & Sons auction house and E. H. Butler & Co., publishers (67 S. Fourth, i.e., 200 block); The State Savings Fund (83 Dock); Leary’s Cheap Book Store (158 N. Second, i.e., 200 block); John Baird Marble Mason (Ridge Avenue); Farmers & Mechanics Fire Marine & Life insurance Co. (200 block Walnut) Frederick Brown Building (Chestnut and Fifth); Fritz, Williams, & Hendry, leather (29 N. Third); Henry Tilge & Co., importers & dealers in hatters goods (140 N. Third); F.A. Hoyt & Brother, boys clothiers (1000 block Chestnut); Masonic Hall and adjacent properties, including Horstmann and Washington House (700 block Chestnut); Thornley & Chism, dry goods (700 block Spring Garden); and North, Chase & North, iron founders (Second and Mifflin)., Other graphics show "Chapel and Principal Entrance. To the Monument Cemetry [sic] Phila."; Institution for the Blind; First Presbyterian Church; a building at "Pine & William St. West Phila."; an 1837 view of the American Sunday School Union annotated "Chestnut Street next E. of Jones Hotel; and the houses eastward to S.E. cor. of Sixth & Chestnut Street – Durand’s apothecary shop"; Stand Pipe for the West Philadelphia Water Works; "City Ferry Boat"; and a view of the entrance to Mount Moriah Cemetery, and map, including the cemetery; and genre engravings "The Farm-House Pets" and The Roadside Inn " by J.H. Byram annotated "specimen of the art of engraving on wood in Philadelphia 1855." Vignettes depict "A Merchant of Philadelphia in the year 1745"; housewares, including a sieve, bath tub, ranges and furnaces, and drapery; a "“Know Thyself” phrenological head annotated “Fowler, Wells & Co."; a "J.B. Smith, New Street File Works" file; and an annotated 1832 view of C. & N. Jones Stockings (200 block Chestnut) [p. 28 and 31]. Caricatures and cartoons satirize an African American women peddler "Hot Corn Biddy"; spiritualism; fashion; the medical profession; and street musicians., Scrapbook also contains several lithographs from the 1830 edition of "Watson's Annals," ephemera, and newspaper clippings. Watson plates include Stone Prison at Philadelphia 1728, Carpenter’s Mansion, London Coffee House, and High Street & Market Shambles. Most are accompanied by detailed manuscript notes by Poulson. Ephemera includes a chart of "Length of Squares East and West"; hand-colored, illustrated lithographed invitation for the "Hand in Hand Fire Company, First Grand Citizens Dress Ball" (1847); illustrated invitation to Islington Park showing Islington Park (1848); seals of the Agricultural Society of Philadelphia, Pennsylvania Railroad Company, All Saints Church, Moyamensing; a “Ship news” cut from "Poulson’s American Daily Advertiser" (1822) annotated “designed at my request by my friend John Lewis Krimmel, the now celebrated painter; and engraved on brass by Mason, So. Fourth St."; "The Old State House Bell" souvenir poem; architectural drawing "N.W. Corner 2d & Chestnut St. extending W on Chest. St. torn down abt. 1832" (includes R. Jones, engraver; I. Davis confectionary; [C. & N. Jones] Stocking Store); and a partial circular advertising De Grath’s “Electric Oil” Depot, No. 39 South Eighth Street (1859)., Newspaper clippings include illustrated advertisements and articles; editorials; anecdotal and current event pieces; and columns reporting about city improvements and public interest stories. Illustrated pieces detail Lafayette Vauxhall Garden; a "Bird’s Eye View of the City of Philadelphia"; Central High School; the Society of the Cincinnati; the major 1856 fire at Sixth and Market streets; "The Trained Elephants ‘Victoria’ and ‘Albert’ " at the National Circus; "Gentlemen’s Short Boots"; and the new hall of the Athenaeum. Anecdotal and current event articles include commentaries about the closing of Blood’s Despatch Post in flavor of the Post Office (1861); the new traveling coach built by W. D. Rogers for entertainer Dan Rice; the influx of envelopes due to the change in the Post Office law (1841); a new cooling apparatus installed in Walnut Street Theatre (1855); the 1855 State Poultry Exhibition; and the planting of oysters in Back Creek below the city. Editorials discuss the Philadelphia Book Trade (1855); Academy of Natural Sciences; deterrents for pedestrians on Chestnut Street, including extension of shopfronts into the sidewalk and side show hawkers; ladies fancy work fads, including scrap furniture and poticho mania (1856); and the mansions of George Washington and George Willing., Other columns report about West Philadelphia; the 1856 fires at Bingham Mansion and the Artisan’s Building (100 block Chestnut); government buildings, including the Custom House, Commissioners Hall and United States Mint; city trades, including lager beer; city improvements, including the modification of street names, removal of the market sheds on Market Street, the laying of the cornerstone of the Church of Evangelists, the forthcoming erection of the new hospital for Christ Church; and new establishments, including Granville Stokes “picton stone” store (209 Chestnut). Clippings also include lists, reports, and tables about the cattle market; real estate sales; taxables (1841); crime statistics; the fire department companies; and building improvements. Scrapbook also contains explicative manuscript notes by Poulson (some tipped in or inscribed on lettersheets). Topics include Carpenter’s Mansion, Pennsylvania Hospital, and the State House. Some notes explicate accompanying graphics., Majority of contents annotated with a date. Several annotated with a detailed manuscript note by Poulson., Chromolithograph “Philadelphia” containing vignettes of portrait of Benjamin Franklin and the seal of the city and annotated by Poulson pasted on p. 4. Print inscribed: "Vincit qui se vincit. Vol. V. Collected from fugitive sources only, By C. A. Poulson.", "Index to set in back part of vol. XI.", Several photographs by F. De. B. Richards and James McClees, including views of Independence Hall, La Pierre House, and Central High School, removed to the Print Department., Original watercolors by Poulson, including view of Walnut Grove removed to Print Department., Various artists, engravers, and printers include William Avery; C. G. Childs; Edward Clarkson; S. H. Gimber; Alexander Lawson; C. A. Lesueur; J. H. Byram; King & Baird; R. Major; W. Mason; Charles F. Noble; Frederick Pilliner; John Sartain; Charles Spiegle; J. W. Steele; William Stott; William Strickland; R. Telfer; Cornelius Tiebout; and Charles Cushing Wright., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1822-1862, bulk 1855-1856
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 5 [(5)2526.F]

Title: Harm oneons Carolina melodies arranged for the piano forte
Description: Sheet music cover showing the minstrel group, the Harmoneons, in Blackface as a musical group playing in a tropical setting. The four men and one man dressed as a woman are seated and play instruments, including a triangle, fiddle, banjo, tambourine, and clappers. The men are attired in button-down, yellow striped shirts and white pants, and the woman in a short-sleeved, red and white dress. Palm trees, a mountain side, and ocean are visible in the background. The entertainers' and their characters' names are printed below the image: Js. Power as Toney; M. S. Pike as Fanny; L. V. N. Crosby as Pomp; F. Lynch as Gumbo; and Jno. Power as Sambo. The Harmoneons, founded by Crosby and originally managed by J. Simmons Davis, were one of the earliest minstrel troupes in the United States and were active into the 1860s., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1845 by C. Bradlee & Co. in the clerk's office of the District Cou[rt]., Title list of scores printed on recto., Facsimile signature of minstrel L. V. N. Crosby printed on recto. LCP copy contains partial signature., Gift of Michael Zinman, 2009., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Lower corners missing., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sharp, William, 1803-1875, artist
Date: 1845
Location: Library Company of Philadelphia | Print Department GC - Entertainment - H [P.2009.25]

Title: I'm a masher
Description: Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
Creator: Chicago Picture Co.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]

Title: "De breddren and sisters will now relate dere experience."
Description: Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features and speaking in the vernacular, satirizing African American church life. Includes (1) "De Breddren and Sisters Will Now Relate Dere Experience" showing a white-haired African American minister at his pulpit before a small congregation of mostly African American women, attired in kerchiefs, and seated in pews; (2) Sister Hannibal. - "Oh Breddren and Sisters, Ise an Awful Sinner" showing Sister Hannibal standing up and confessing among the other congregants; (3) Sister Snowball. - "Yes, Breddren and Sisters, Dats So, I Kin Testify Dat Sister Hannibal is an Awful Sinner. I knows It" showing Sister Snowball standing, her hands clasped across her stomach, while Sister Hannibal, sits and frowns, and the minister rests his hand on his head; (4) "Sister Snowball, You Am a Liar" showing the "sisters" fighting among the other parishioners, who are in various states of commotion; (5) "De Congregation Am Dismissed" showing white men police officers escorting the congregation out of the church, including an unconscious Sister Hannibal in a handcart. Images also show the church interior and exterior, including windows, steps, and a tree., Title from item., Date of publication inferred from date of copyright, Series no. printed in upper left corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sammis & Latham was a New York publishing firm active in 1882 that issued comic card sets and juvenile novelty items.
Creator: Sammis & Latham
Date: 1882
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.24.1-5]

Title: "I'm a farder"
Description: Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]

Title: Philadelphia fashions, 1837
Description: Racist cartoon depicting middle class African American Philadelphians used to arouse Northern anti-Black fears that well-to-do African Americans threatened the racial status quo. Depicts a physically attractive and elegantly dressed African American man and woman couple who have stopped during a stroll. The woman, attired in a large bonnet, elegant gown, and holding a parasol asks in the vernacular, "What you look at Mr. Frederick Augustus?" The man, attired in a suit, a top hat, and holding a walking cane in one hand and a monocle to his eye with the other answers, "I look at dat White loafer wot looks at me. I guess he from New York." The man and woman also each wear broaches depicting portraits. The couple are possibly prominent African American Philadelphians Frederick Augustus Hinton and Elizabeth Willson Hinton., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1837, by H.R. Robinson in the Clerk's Office of the Dist Court of the U.S. of the Southern District of N. York., Due to the similar content of this caricature to the prints from the series, "Life in Philadelphia," the lithograph has been catalogued as a part of the series., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E.W. Clay (1799-1857), born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which racially lampooned middle-class African American Philadelphians of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1837
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1837 - Phi [6281.F]

Title: Practical illustration of the Virginia Constitution White man the bottom rail
Description: Cartoon promoting racist fears of the effects of equal rights for African Americans under Virginia's reconstructed constitution by portraying two captioned scenes where African Americans have power over white people. The first, a "Mixed School System," depicts a desegregated classroom in which a seated African American man teacher spanks a white boy as other students witness the punishment. The second scene, a "Negro Court and Jury," depicts an African American man attorney questioning a white woman witness in front of an integrated jury and audience including an African American spectator slumped over asleep in the front row of seats., Title from item., Date of publication inferred from content., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868 Pra [7814.F]

Title: Happy Lil' Sal as the queen of the May
Description: Racist cartoon containing vignettes about a group of African American children, portrayed in caricature, at a May Day party where Happy Lil’ Sal and Por Lil' Mose are crowned as Queen and King. In the left, Mose, attired in a gold crown, a blue sailor suit, and blue shoes, stands holding the may pole. Sal, attired in a gold crown, red roses around her head and neck, a pink dress, yellow stockings, and white shoes, carries sunflowers. At the bottom, a group of African American children hold ribbons and dance around the may pole in exaggerated movements as a boy sits on a wooden fence playing the banjo. The center vignette depicts white men thieves, attired in torn and worn clothes, stealing baskets with the children’s lunch. In the right, a rain storm soaks Mose and Sal, and the wind blows the children off their feet while holding umbrellas. Along the top, shows the parade of children, led by Sal and Mose, followed by a boy playing the drum, children holding ribbons on the may pole, a dog pulling a wagon labeled, “the Prince of May” carrying a small boy, boys carrying the picnic baskets, and a boy playing the horn. Contains 25 lines of text written in the vernacular explicating the vignettes which end with the line "Por lil' Mose., Title from item., Date from copyright statement: Copyright 1901 by the New York Herald Co., The "Por lil Mose" series was published in the New York Herald from 1901 until 1902., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Richard Felton Outcault (1868-1928) is known as the creator of the first published full page comic. He is also the creator of "Buster Brown."
Creator: Outcault, Richard Felton, 1863-1928, artist
Date: 1901
Location: Library Company of Philadelphia | Print Department political cartoons - 1901 Hap [P.8435]

Title: Life in Philadelphia (London)
Description: Collection of social caricatures lampooning the pretensions of early 19th-century middle-class Philadelphians, mainly the city's growing community of free African Americans. Influenced by an increasing fascination with American culture and a growing racism stemming from the abolition of slavery in England, the African American characters are depicted with grotesque features and manners, wearing outlandish clothes, and speaking in patois and malapropisms to be portrayed as ineptly attempting to mimic white high society. Subject matter of the caricatures include absurd scenes of courtship and displays of etiquette on the street, at residences, at society balls, and in allegory; fashion; promenades; the abolition of slavery; the election of President Andrew Jackson; tea parties; and depictions of African Americans at work., British reprint of E.W. Clay's "Life in Philadelphia" series with ten of the original fourteen prints redrawn by William Summers, etched with aquatint by Charles Hunt, and published by Harrison Isaacs in London in the early 1830s. W.H. Isaacs continued issuing the prints altering the original content of the series by adding new subjects and removing the white caricatures. Around 1833 engraver and print seller, Gabriel Shire Treager assumed the publication of the series and added six new subjects creating a series of twenty. In 1834, Tregear published a similar series of caricatures in book form without the "Life in Philadelphia" moniker entitled, "Tregear's Black Jokes, being a Series of Laughable Caricatures in the March of Manners amongst Blacks." In 1860, London publisher T. C. Lewis reissued the series of twenty prints. Variants of prints from the series and additional caricatures with similar content; "The Cut Direct," "Sketches of Character. At Home and Abroad," "Philadelphia Dandies," and "The Lay Patroness of Alblacks" have been included as a part of the series., LCP AR [Annual Report] 1967 p. 51-53., LCP AR [Annual Report] 1968 p. 18-20., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 85-100. (LCP Print Room Uz, A423.O)
Creator: Summers, William, artist
Date: ca. 1831-ca. 1860, bulk 1831-1834
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set)

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a blue waistcoat with tails, a white shirt, vest, and cravat, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from image., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.2]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a green waistcoat with tails, a white shirt and cravat, yellow vest, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.1]

Title: Smoke Day's standard of the world Durham smoking tobacco
Description: Racist advertisement for J.R. Day and Brother smoking tobacco depicting a horse race between two African American men jockeys, portrayed in caricature. In the right, the jockey, attired in a blue and yellow cap and long-sleeved shirt, yellow pants, and riding boots, grimaces as he holds the reins to his white horse. The winning jockey, attired in a red and white striped cap and long-sleeved shirt, yellow pants, and riding boots, grasps the reins as his body lifts off of his brown horse. He screams, “Bound to win!” In the background, white men, all smoking pipes with "Day's Standard" tobacco, watch the race from a spectators' box behind a fence inscribed, "They all smoke it?" James R. Day left W.T. Blackwell & Co. in 1878 and applied for a patent for his smokeless tobacco in 1879., Title from item., Date inferred from operation of the advertised business., Text printed below image: Manufactured by Jas. R. Day, Late of the firm of W.T. Blackwell & Co. for J.R. Day & Bro, Durham, N.C., Gift of Carol Baldridge, 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *GC - Advertisements [P.9525]

Title: Uncle Tom's Cabin. On the Levee
Description: Racist scene derived from Stowe's popular abolitionist book, probably a theater advertisement for a minstrel production. Depicts enslaved African American men and women, portrayed in racist caricature with exaggerated facial features, having a hoedown on a levee. In the foreground, two women and two men dance facing the viewer. In the left, the woman, attired in a straw hat with a white ribbon tied over the hat and under her chin, a pink smock, a green skirt, black stockings, and black shoes, puts her right foot on its heel and raises her left arm up. Beside her the man, attired in a yellow collared shirt, red suspenders, gray and yellow checked pants, and brown shoes, steps back on his right leg as he raised his right arm up. Beside him, the woman, attired in a yellow headkerchief, a green collared shirt with red polka dots, a copper colored skirt with black polka dots, black stockings, and black shoes, holds her skirt with her right hand as her left hand touches her mouth. In the right, the man, attired in a yellow collared shirt with red stripes, white overalls, and black shoes, leans to the right with both hands in his pockets. Seated in the right, two men play banjos. More African American men and women, seated and standing, clap, sing, and raise their arms up. In the background are stacks of wooden crates, and the water is visible., Title from item., Date from copyright statement: Copyright 1899. Courier Litho. Co. Buffalo, N.Y., Purchase 1988., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - Entertainment [P.9219]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: [Migrating African Americans emancipated from enslavement]
Description: Drawing by Alexander Kitzmiller, a 24-year-old Pennsylvania German, prisoner Number 4780 at Eastern State Penitentiary. Depicts two African American families of freedom seekers emancipated from enslavement, portrayed in racist caricature, migrating on horseback and on foot. In the left, an African American man, barefoot and attired in a yellow hat, a blue collared shirt, and orange and white patterned pants, rides on a mule with his son and daughter. Behind him walking on foot is a boy, attired in a soldier’s cap, a red collared shirt with a red tie, and blue pants with suspenders and the African American mother, attired in a red head kerchief, hoop earrings, a yellow dress, and yellow and black shoes, who holds the arm of her daughter. The young girl, attired in a blue hat and a red and white striped dress, carries a Black doll. In the right, another family walks, including an African American man, attired in a yellow hat, a red and white striped collared shirt with a brown tie, white pants, and black boots, who carries a bundle on a stick; an African American woman, attired in a white head kerchief, hoop earrings, a red dress, and yellow and black shoes, who carries a baby on her shoulder, and a boy, attired in a soldier’s cap, an orange collared shirt, blue pants with suspenders, and brown shoes, who has his hand in his pants pocket. Adaption of Francis B. Schell's illustration, "Arrival at Chicksaw Bayou of the negro slaves of Jefferson Davis, from his plantation on the Mississippi," published in Frank Leslie's Illustrated newspaper on August 8, 1863., Title supplied by cataloger., Date inferred from content and tenure dates of S.W. Woodhouse as physician at Eastern State Penitentiary., Manuscript note on verso: Presented to me by a German prisoner in the State Penitentiary of Pennsylvania during my residency there. S.W. Woodhouse, M.D., Woodhouse was a Philadelphia surgeon, naturalist, and pioneer ornithologist who served as resident physician at the Eastern State Penitentiary from 1862 to 1863., Lib. Company. Annual report, 1997, p. 37., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kitzmiller, Alexander, approximately 1839-, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Kitzmiller [P.9547]

Title: A line shot - the recoil
Description: Comic print using racist stereotypes to satirize the gunmanship of African Americans. Shows an older African American couple, portrayed in racist caricature with exaggerated features and mannerisms, in the aftermath of the husband firing a shot in their backyard. Shows, in the left, the husband, attired in blue coat tails and striped pants, jumping a fence, his gun powder horn flying above his head, and his rifle and hunter's hat lying on the ground behind him. He is accompanied by his dogs, a bony brown dog climbing over the fence with him, and a pit-bull like dog who holds his owner's torn pants seat in his jaws as he prepares to follow him. In the right, his wife, attired in a yellow bonnet, a blue top, a red skirt, and white pantaloons, topples over in a wicker basket of laundry. Her shoes fly off her feet. The clothesline pole lands on her head as her bare-footed legs are knocked into the air. Pieces of clothing, including a gunshot white shirt with clothes pins at the shoulders fly about her. A log house with a chimney and a dog house are visible in the background. The Darktown series of over 100 prints was issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series., Title printed below image., Issued as part of the "Darktown" comics series., Date from copyright statement: Copyright 1881 By Currier & Ives, N. Y., Gift of David Maxey, 2015., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Currier & Ives
Date: 1881
Location: Library Company of Philadelphia | Print Department *GC - Genre - Line [P.2015.52.1]

Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: Granite floor paint. Manf'd only by Acme white lead & color works, Detroit, Mich
Description: Trade card containing two panels and depicting a contrived, racist scene of two African American women domestics talking to each other from the kitchens of the respective, separate homes in which they work. The women are portrayed with caricaturized features and speak in the vernacular. They are attired in head coverings, sheath dresses with rolled-up sleeves, aprons, stockings, and slipper shoes. The depicted kitchens contain a sink, pans stored on hooks or a shelf, and a stove. In the left panel, the woman frowns and holds a kettle in one hand and the side of her skirt in the other. She stands "like a monument" on a floor "painted tree days now" and marked with her footprints. In the background, a white man, his mouth open in a shocked expression, and attired in a suit opens the door to the kitchen. In the right panel, the woman dances with one leg raised and her hands on her hips on a floor with "hard 'nuf" Granite Paint. In the background, a smiling white man attired in a suit looks on behind an open door to the kitchen. Separating the panels is a column of red cans labeled "Granite Floor Paint." Acme White Lead and Color Works was incorporated in Detroit in December 1884, by H. Kirke White, A.E.F. White, and W.L. Davies. In March 1920, Sherwin-Williams of Cleveland purchased the company and renamed the brand Acme Quality Paints. The firm continued under that name into the 21st century., Title from item., Text printed on recto: G'way chile! Dis floor been painted tree days an now I'se stuck fas' like a monument, why dont you use de Granite Paint? Law sakes only painted las' night and dat Granite Paint am hard 'nuf dis mawnin fur a breakdown., Advertising text printed on verso: Granite Floor Paint. You have undoubtedly in your experience, had an occasion to paint a floor, steps or a piazza. If such is the case, the chances are that you realize that the same paint used for painting the exterior of houses will not answer to paint floors, yet up to the time we invented the Granite Floor Paint that was what must be used. There are three great faults with the paints heretofore used, namely: First, they require a long time to dry, which causes great inconvenience; second, they never dry perfectly hard, and consequently will not wear; third, cold water will stain, hot water blister, and soap will to a certain extent remove them. After many long and costly experiments we succeeded in perfecting the Granite Floor Paint, and present it to the public with the assurance that it has none of the above faults. It is sure to become as great a favorite as our other popular specialty, "Neal's Carriage Paint," which is prepared ready for use in eight beautiful colors, and renders the re-painting of a buggy possible at a cost of not to exceed one dollar. Acme White Lead and Color Works, Sole Manufacturers, Detroit, Michigan., Distributor’s name on verso: For sale by Thorne & Rogers, Troy, N.Y., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Acme [P.2017.95.1]

Title: The Universal clothes wringer
Description: Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text printed on verso: The Universal Wringer has the following points of superiority. 1. Rolls of solid white rubber. 2. Rowell's double cog-wheels. 3. Two independent pressure screws. 4. Double cogs at both ends of each roll. 5. Folding apron or clothes guide. 6. Rocking springs of wood and rubber., Distributor's name on verso: J. Russell & Co., Dealers in hardware, carpenters' and machinists' tools, 23 Dwight and 23 Race Streets, Holyoke, Mass., Gift of David Doret., Library Company holds a duplicate copy with a variant distributor [113420.D].
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -American [P.2017.95.6]

Title: Granite floor paint. Manf'd only by Acme white lead & color works, Detroit, Mich
Description: Trade card containing two panels and depicting a contrived, racist scene of two African American women domestics talking to each other from the kitchens of the respective, separate homes in which they work. The women are portrayed with caricaturized features and speak in the vernacular. They are attired in head coverings, sheath dresses with rolled-up sleeves, aprons, stockings, and slipper shoes. The depicted kitchens contain a sink, pans stored on hooks or a shelf, and a stove. In the left panel, the woman frowns and holds a kettle in one hand and the side of her skirt in the other. She stands "like a monument" on a floor "painted tree days now" and marked with her footprints. In the background, a white man, his mouth open in a shocked expression, and attired in a suit opens the door to the kitchen. In the right panel, the woman dances with one leg raised and her hands on her hips on a floor with "hard 'nuf" Granite Paint. In the background, a smiling white man attired in a suit looks on behind an open door to the kitchen. Separating the panels is a column of red cans labeled "Granite Floor Paint." Acme White Lead and Color Works was incorporated in Detroit in December 1884, by H. Kirke White, A.E.F. White, and W.L. Davies. In March 1920, Sherwin-Williams of Cleveland purchased the company and renamed the brand Acme Quality Paints. The firm continued under that name into the 21st century., Title from item., Text printed on recto: G'way chile! Dis floor been painted tree days an now I'se stuck fas' like a monument, why dont you use de Granite Paint? Law sakes only painted las' night and dat Granite Paint am hard 'nuf dis mawnin fur a breakdown., Advertising text printed on verso: Granite Floor Paint. You have undoubtedly in your experience, had an occasion to paint a floor, steps or a piazza. If such is the case, the chances are that you realize that the same paint used for painting the exterior of houses will not answer to paint floors, yet up to the time we invented the Granite Floor Paint that was what must be used. There are three great faults with the paints heretofore used, namely: First, they require a long time to dry, which causes great inconvenience; second, they never dry perfectly hard, and consequently will not wear; third, cold water will stain, hot water blister, and soap will to a certain extent remove them. After many long and costly experiments we succeeded in perfecting the Granite Floor Paint, and present it to the public with the assurance that it has none of the above faults. It is sure to become as great a favorite as our other popular specialty, "Neal's Carriage Paint," which is prepared ready for use in eight beautiful colors, and renders the re-painting of a buggy possible at a cost of not to exceed one dollar. Acme White Lead and Color Works, Sole Manufacturers, Detroit, Michigan., Distributor’s name on verso: For sale by Thorne & Rogers, Troy, N.Y., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Acme [P.2017.95.1]

Title: " Creme" oat meal toilet soap
Description: Incomplete series of trade cards, including duplicate and variant imagery with the same series number, to promote "Crème" toilet soap manufactured by J.D. Larkin & Co. Depicts racist, anthropomorphic chimpanzee figures in social situations and leisure and cultural activities., Series no. I (variant 1) depicts a man and woman as well-dressed anthropomorphized chimpanzees greeting each other. In the left, the man attired in a black top hat, blue jacket, and checkered yellow pants, nods his head to the left and holds up his walking stick. In the right, the woman, her back to the viewer, is attired in a yellow bonnet adorned with flowers and a ribbon, and a long-sleeved green dress with a pink belt at the waist and a bow at the bustle. She lifts up her skirt and exposes her slip. Series no. I (variant 2) depicts an anthropomorphized chimpanzee as a man artist. He rests back on his chair, and holds a palette in one hand, and a paint brush in the other. He sits in front of an easel and canvas. He is attired in a green-colored smock shirt with collar and buttons, yellow pants, and brown laced shoes. His eyelids droop down and his mouth is slightly ajar., Series no. II depicts an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a shot gun under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. Series no. III depicts an anthropomorphized chimpanzee as a man fishing at a dock. The man hangs his legs over a pier and holds a pole into the water. A basket of fish lays beside him. He wears a wide-brimmed hat, a brown jacket with the collar turned up, and blue checkered pants. The backs of two other anglers are visible in the left background. Series no. IV (2 copies) depicts anthropomorphized chimpanzees as a man and woman couple on promenade. The woman, in the left, is attired in a yellow bonnet, a yellow, three-quarter length sleeved dress with ruffling down the front and ruching on the skirt, and white gloves. She holds a fan by her left cheek, looks to her left, and lifts up the skirt of her dress and shows the edge of her slip. To the right, the man smiles and looks over her shoulder. He is attired in a bowler, red jacket, and grey-striped pants and holds a walking stick up under his arm., Series no. VI depicts anthropomorphized chimpanzees as a man and woman couple getting married by a clergyman. The couple, their backs to the viewer, stand to the left of the clergyman attired in his ceremonial robes. The man wears a suit with a long jacket. The woman wears a white wedding dress with a veil adorned with floral ornaments. The dress is composed with ruched sleeves, and adorned with pink bows and ribbons. The figures all have solemn expressions. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from items., Date, publisher, and manufacturer (printer) from copyright statements on prints: Copyright J.D. Larkin & Co., Buffalo, N.Y. 1881 and Copyright Clay & Richmond, Buffalo, N.Y. 1881., Majority of prints (P.2020.3.1-4&7) distributed by J.D. Larkin & Co., P.2020.3.5&6 distributed by the People’s Manufacturing Co., Prints include the company logo “J.D. L. & Co., Buffalo, N.Y.” in two designs; one in cursive and the other as a monogram with a central block letter., Includes series numbers: I. (2 variant images); II.; III.; V. (2 copies, same image); and VI., Five of the prints contain variant advertising text on verso. All texts include statement: To Card Collectors.- There are six different designs in this set. We will mail the complete set to any address, on receipt of 3 c./three cent stamp., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade cards - Larkin [P.2020.3.1-7]

Title: The colored band
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting African American women and girl spectators reacting to a passing African American marching band. The figures are drawn with racist and caricatured features and mannerisms. Shows in the foreground, two girls and a younger and an older woman, running next to and toward the band, mimicking the band leader, and dancing. The girls and women are barefoot and wear shift dresses of either calf or ankle lengths. The older, running woman (in right) also wears a kerchief. The mimicking girl who stomps and raises her left arm in front of the band leader wears short-cropped hair and is attired in a dress with wornout sleeves (center). The young woman dancing (center) and the running girl (left) wear their hair full and wavy. In the center foreground, the band leader looks past the girl in front of him. He wears a mustache and is attired in a tall, round-top shako with plume and a uniform. The uniform has tassels at the shoulder and a decorative chest plate and pants with a vertical stripe on the outseam. He holds up a mace adorned with an eagle with his right hand. In the background, members of the marching band, attired in caps with plumes and uniforms, play tubas. A line of older African American boys and a girl walks ahead of the band. Two of the children look behind themselves toward the band, including a boy with a look of surprise. During the Civil War, African American brass bands were formed by white commanding officers to promote and increase recruitment of African American soldiers. Following the war, many of the ex-military musicians formed civilian bands associated with quasi-military drill teams, volunteer organizations, and social clubs., Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1881. Mrs. R. Colburn, RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.1]

Title: Monday morning or the tender passion
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an outdoor wash day. The figures are drawn with racist and caricatured features and mannerisms. Shows, in the background, in the right an African American woman bent over and with her hands in a wash tub. A basin and large ladle rest near the tub. Behind her, a sheet and stockings hang from a clothes line. In the left background, an African American woman, standing on the tops of her toes, pins a sheet to a clothesline. A wooden basket of laundry rests by her feet. A young African American girl with short hair peers at the woman hanging the wash from behind a hanging sheet. The women wear kerchiefs, shirtwaists with the sleeves rolled up, and long pleated skirts with aprons. Between the women, an African American man attired in a panama hat, a shirt, a cross tie, long jacket, and pants, stands, looking to the left and with his left hand on his hip, and holding a cane in his right hand. In the center foreground, two barefoot young African American boys face each other and dance. The boys are attired in long-sleeved blousy shirts and pants. One boy has his back to the viewer. The boy facing the viewer also wears a bucket hat. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1877., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.2]

Title: The old and the new – “Nothin’ but niggers nohow.”
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an older African American woman watching and "judging" a young African American couple walking in a park. The figures are drawn with racist and caricatured features and mannerisms. Shows, in the right, the older woman, attired in a kerchief, coat, shawl, long skirt, and holding a wooden cane, and with a squinted expression looking toward the back of a fashionably-attired couple in the left. The man of the couple to the right of the woman looks down and at his companion whose back is to the viewer. She is attired in a cap, a long winter wrap, and a skirt with a short train. The man wears an imperial mustache and is attired in a cap and a long winter coat. The man and women walk on a path lined with trees and birds peck at the ground. In the far left background, a woman and child attired in winter wear and walking on the path are visible. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1881., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.3]

Title: Street cries
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting a group of African American men and boy peddlers at the corner of a city street. The figures are drawn with racist and caricatured features and mannerisms. In the center, a milk peddler stands and hawks with a trumpet in his left hand and a canteen of milk, ladle, and pitcher in his right hand. The man is attired in a wide-brimmed hat, shirtsleeves, pants, and a long apron. To the left, another African American man peddler pushes a large cart of junk wares and looks down at a young African American child running from a dog. The man wears a rumpled top hat, torn shirtsleeves, a vest, and patched pants. The child wears a smock dress and their hat has fallen by the feet of the milk peddler. In the right, a newspaper boy hawks the papers under his right arm. He is attired in a soft-brimmed hat, jacket, and pants. In the far right, a man attired in a hat, a shirt with turned-up collar, a long jacket, and striped pants, holds a bell and has his left leg stepped up on a box. Cityscape, a white woman street vendor at a table, and a horse-drawn cart are visible in the background. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1870., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.5]

Title: The ( Fort) Monroe doctrine
Description: Abolitionist cartoon depicting enslaved African Americans fleeing to Fort Monroe, which was occupied by Union General Benjamin F. Butler who had declared freedom seekers to be "contraband" of war. In the right, a white man Virginia enslaver brandishes a whip and says, "come back you black rascal." A bare-chested, barefooted, African American man attired in white shorts, responds in the vernacular, "can't come back nohow massa Dis chile's contraban." To the right of the enslaver, a barefooted African American man, attired in a brimmed hat, a white collared shirt, and striped pants with the cuffs rolled up, watches as he leans on a hoe. A number of other African American freedom seekers run toward the Fort, including a woman with a child., Title from item., Date of publication supplied by Weitenkampf., During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-3W [P.9127]

Title: Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements
Description: Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days' Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, evocative theatrical performances, acts of daring, cross dressing and comic scenes in silhouette.

Title: Life in Philadelphia. "Have you any flesh coloured silk stockings...?"
Description: Racist caricature of an African American woman shopping for a pair of "flesh coloured silk stockings" in a hosiery store with a white male sales clerk speaking with a French dialect. Depicts, in the center right, the woman standing at the counter in front of the clerk who holds up a pair of gray-colored stockings from out of a rectangular box. She is attired in a pink floral patterned dress, as well as tall, wide-brimmed pink hat adorned with several flowers, greenery, and a veil and long yellow ribbon, and yellow gloves, earrings, and blue button-up boots. She rests her yellow, flower-patterned purse on the counter and holds up a monocle from the end of her neck fob to inspect the stockings that the clerk declares are of "de first qualite!" Her red parasol rests against the counter. Rows of red, blue, and yellow stockings hang on the wall behind the clerk. The clerk is attired in a blue waistcoat with tails, a yellow vest, red cravat, and white pants. In the right, an African American woman attired in a yellow polka dot dress and tall, wide brimmed yellow hat adorned with ribbons is seen in the doorway of the shop in which multi-colored curtains hang and are pushed to the side. The wheel of a carriage is seen behind the woman. The figures are portrayed with oversized and exaggerated features. The women’s skin tone is depicted with brown hand coloring. The man is depicted with rosy cheeks and brown, curled hair., Title from print., Date from print., Inscribed: Plate XI., Inscribed: Copy Right Secured., Contains five lines of dialogue in the vernacular and dialect above the image: Have you any flesh coloured silk stockings, young man? Oui Madame! here is von pair of de first qualité!, RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: May 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.2004.39.1]

Title: Life in Philadelphia. "How you like de new fashion shirt...?"
Description: Racist caricature ridiculing the 1829 male fashion fad of striped shirts depicting an African American man-woman couple discussing the "new fashion shirt" that he is wearing. In the right, the man stands slightly turned and hands on hips. He is attired in a brown waistcoat with tails, a red vest, a blue-striped shirt, black cravat, tan pants, yellow gloves, black shoes, and a neck fob. He holds a black top hat in his left hand. In the left, "Miss Florinda," stands, forward facing, and holding a fan near the right side of her face. She wears a red and yellow headpiece over her hair that is in a top knot. She is attired in a yellow calf-length, cap sleeved dress with floral details, red and white trim, and décolleté neckline; white opera gloves; ankle-laced slippers; flower-detailed stockings; and jewelry, including earrings, necklace, and bracelets. She holds a handkerchief in her left hand and states that she finds the fashion elegant and how his wearing it within the "Abolition siety" will make him look like "Pluto de God of War!" They stand on a patch of grass. In classical mythology, Pluto is also the god of the underworld and wealth. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring., Title from item., Date inferred from content., After the work of Edward W. Clay., Plate 9 of the original series published in Philadelphia., Contains seven lines of dialogue in the vernacular and dialect above the image: How you like de new fashion shirt, Miss Florinda? I tink dey mighty elegum_ I see you on New year day when you carry de colour in de Abolition ‘siety -You look just like Pluto de God of War!, LCP exhibit catalogue: Made in America p. 29., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist in Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 88-89. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Imbert, Anthony, 1794 or 5-1834
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [P.2004.39.2]

Title: In seventeen hundred and eighty three, by the Treaty of Paris, our states were made free, and the Enterprise cork puller helped on the cause while the patriots drank to our land and its laws
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Cork Pullers." Contains an anachronistic scene including a caricaturized depiction of John Adams, John Jay, and Benjamin Franklin. Depicts the statesmen near a black servant using an Enterprise cork puller clamped to a table to open a bottle. Adams holds the "Treaty of Peace" and a glass. Behind the three men, several other dignitaries holding up glasses are partially visible. Also contains a view of the Massachusetts State Building designed by Peabody & Stearns. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Cork Pullers. Our cork pullers are first-class and are made in two styles, one screwing to the table and the other clamping thereto. The sliding barrel, both handles, etc. are nickel-plated; its action, exerting great pulling power where the strain is the greatest, is simple, expeditious and effective. Prices. No. III,...$1.50. No. 113,...$1.75., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts a cork puller clamped to the edge of a table., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.60 & 71]

Title: [Domestic Sewing Machine Co. trade cards]
Description: Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]

Title: Grand complimentary benefit to Jos. Lindsay and Corp. R.L. Sanford Joseph Lindsay was formerly a member of Baxter's Fire Zouaves, 72d Regiment, P.V., and was severely wounded at the Battle of Savage Station. Corp. R.L. Sanford was formerly a member of the 118th Regiment, Corn Exchange, and was deprived of his leg at the Battle of Antietam. These gentlemen respectfully solicit the patronage of their friends and public in general. Great array of talent for this occasion. Read the programme. ... Woman's rights! ... Stump speech! ... Burlesque stranger! ... Comic act! ... The Gobble family! ... To conclude with The masquerade ball! ... Admission, 25 cents Children, 10 cents. Doors open at 7 o'clock. Performances to commence at 8. Front seats reserved for ladies
Description: Performers, many of whom appeared in Philadelphia in April 1863 with the Rose and Burr Opera Troupe, include: W. Archibald, F. Anthony, N.J. Bark, A. Fisk, R.J. Harrison, H. Kirk, S. Lane, W. Lynch, the Marion Brothers, C. Renz, Billy Rose, and R.L. Sanford., Illustration signed: Strong., Library Company copy cropped at foot, possibly removing imprint; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Grand (25)5761.F.50a (McAllister)

Title: Grand complimentary benefit to Andy Williams and Billy Burr on Wednesday eve'ng, Nov, 2d, '64 on which occasion the Jenks' Comedy Combination will appear in one of their screaming farces. ... Also, the Star Minstrels ... Admission, twenty-five cents Doors open at 7 o'clock. Performances commence at 8. Front seats reserved for ladies. Polite ushers will be in attendance. Programme. ... First time of Andy Williams' act, entitled Pepper-pot Jeemes ... By particular desire, will be repeated, The black statue! ... To conclude with the screaming farce of My neighbor's wife
Description: The two companies include: T.H. Adams, Billy Burr, C.M. Christy, R.W. Finley, J.S. Fox, Isabella Freeman, C.W. Hilfrem, Harry Hilfrem, W.G. Hilfrem, F.W. Hulfish, Frank Jenks, P.M. Lewis, F. Marion, Ed. Martin, Miss M.A. Mortimer, J.W. Morton, Lizzie Smith, and Andy Williams., Illustration signed: Strong., Printed area, including double-rule border, measures 55.0 x 19.8 cm., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Jenks' Comedy Combination
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Jenks (26)5761.F.50a (McAllister)

Title: Fun! Fun! Come one come all--Give us a call First grand complimentary concert for the benefit of the Wildey Assembly to be given at Herman Hall, Coates Street, above Second, on Wednesday evening, June 17th, 1863, on which occasion Jackson & Jones' Ethiopian Minstrels will appear. ... The elegant piano forte, used on this occasion, is from the factory of George Steck, New York, and is furnished by Mr. J.E. Gould, Seventh and Chestnut Streets. Programme. ... Hungarian warblers! ... Fields of olden ... Exempt Quakers ... The surprise party, ... The Crow family ... Gum man of Philadelphia ... The whole to conclude with the walk around, Who's heel's dat a burnin' by the whole company. Prices of admission, 20 cts. Children, under 12 years, 10 cents Front seats reserved for ladies. Doors open at quarter-past 7 o'clock. Performance commences at 8
Description: Performers include: J.E. Harris, A. Henry, G. Jackson, George Jones, Billy Morton, G. Simons, and S. Smith., Illustration signed: Strong., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Jackson & Jones' Ethiopian Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Jackson (25)5761.F.82a (McAllister)

Title: Laugh and be merry Grand complimentary benefit to Wm. D. Dunsford late of Co. "F," 196th Regiment, P.V. The Excelsior Minstrels at Washington Hall, S.W. corner of Eighth and Spring Garden Streets, on Wednesday evening, Jan. 4, 1865. Leader, E. Brennan Acting manager, J.W. Everitt Stage manager, L. De Costa ... Programme. ... Ole Bull in a tight place ... City shaver! ... Trespassing on these premises! ... Countryman's visit ... The whole to conclude with The black statue ... Cards of admission, 25 cents Children, 15 cents. Doors open at seven o'clock. Commence quarter before eight
Description: Performers include: Billy Ashford, E. Brennan, Billy Dunsford, Mr. Gordon, T. Hughs, J. Johnson, W. King, H. Leach, William Sutherland, C. Trull, and L. Wood., Illustration signed: Strong., Printed area, including double-rule border, measures 55.3 x 19.8 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Excelsior Minstrels
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Excelsior (26)5761.F.79b (McAllister)

Title: City Hall, Burlington Second & positively last night this Friday evening, Feb. 26, 1864 Entire change of programme. Everything new! Crowded houses nightly! Everybody delighted! Patronized by the first families in the city! Morris' Minstrels brass band and burlesque old folks' concert troupe! To obtain good seats, come early! Tickets can be had at the hall from 10 to 12, A.M. 3 splendid burlesques this evening! Opera, farce, burlesque and comedy this evening. ... The busted note: ... The stupid servant! ... The whole to conclude with the plantation scene, Jack on the green! by the entire company. Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., Printed area, including double-rule border, measures 54.9 x 20.0 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.130 (McAllister)

Title: City Hall, Bordentown For one night only, positively This Saturday evening, Feb. 27, 1864 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign, ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 54.7 x 20.0 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.131a (McAllister)

Title: City Hall, Burlington For two nights only, positively Thursday and Friday evenings, Feb. 25 and 26 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above nights. This company give an entire change of performance every night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 55.1 x 19.9 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.129 (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's complimentary benefit, on Saturday evening, Dec. 17th, 1864 on which occasion a bill of rare attraction will be presented. Sam Long, the great clown will sing his last new songs. Larry Tooley, renowned dancer, will appear--together with Sanford's Troupe! ... Nino Eddie! in his great act of the tight rope. Miss Julia Sanford in her grand dance. Programme. ... Sanford's dramatic effect of "Villikins and his Dinah!" ... Brother Josh and Gus ... To conclude with Sanford's version of Uncle Tom's cabin ... Cinderella for the holidays! Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, Sam Long, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), Julia Sanford, S.S. Sanford, W. Schaffer, Larry Tooley, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.72b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's Troupe! Tuesday evening, December 20th, '64 Go see the star troupe Nino Eddie one week more! Programme. ... Strange scenes from The stranger ... Our ancestors! ... Sublime & ridiculous ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Two illustrations signed: Boerum., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.116 (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Sanford's Troupe! Monday evening, December 19th, '64 Go see the star troupe Nino Eddie one week more! Programme. ... Strange scenes from The stranger ... Our ancestors! ... Sublime & ridiculous ... Frightened darkies! ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Two illustrations signed: Boerum., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.74a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday evening, December 15, 1864. Beauty & fashion all come to see the most extraordinary performance in the world, by Nino Eddie together with Sanford's Troupe! who are giving the most chaste and select entertainments in the city. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Music taught here ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Sanford's benefit, Saturday evening! Secure your tickets in advance. Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.72a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Wednesday evening, December 14, 1864. Most extraordinary performance in the world by Nino Eddie The audience spell-bound at the most daring feat ever performed by man or boy. This wonderful act is alone worth the price of admission, independent of Sanford's Troupe! who are giving the most chaste and select entertainments in the city. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Just from the oil regions ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Sanford's benefit, Saturday evening! Secure your tickets in advance. Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the Americcan Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.71a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Wednesday evening, Dec'r 21st, 1864. Card to the public. Mr. Sanford begs leave to acquaint the unknowing, who are daily asking the question, whether ladies attend his entertainments? at the above place, that he claims to be the first who ever established a place for family resort in this city, viz: at his Twelfth Street Opera House, (which was destroyed by fire, December 21st, 1853;) also at his Eleventh Street Opera House, which, for respectability, commands as many ladies! as any family resort in the world. Now, that he has invested a few thousand dollars in converting the old Olympic (late Varieties) into a respectable place of amusement! he distinctly wishes to impress upon the public that he has a first-class opera house, ... Programme. ... Strange scenes from The stranger ... Our ancestors! ... Handy Andy ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.74b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Friday evening, December 23d, 1864. Card to the public. Mr. Sanford begs leave to acquaint the unknowing, who are daily asking the question, whether ladies attend his entertainments? at the above place, that he claims to be the first who ever established a place for family resort in this city, viz: at his Twelfth Street Opera House, (which was destroyed by fire, December 21st, 1853;) also at his Eleventh Street Opera House, which, for respectability, did command as many ladies! as any family resort in the world. Now, that he has invested a few thousand dollars in converting the old Olympic (late Varieties) into a respectable place of amusement! he distinctly wishes to impress upon the public that he has a first-class opera house, ... Programme. ... Strange scenes from the stranger ... Handy Andy ... Our ancestors! ... To conclude with a new plantation walkaround ... The holiday pantomime Harlequin, prince and Cinderella! Saturday evening, Dec. 24. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: F. Basquin, T.R. Deverill, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.75b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Tuesday evening, December 13th, 1864. Second night of the wonder of the world, Nino Eddie the smartest boy of his age--being only eight years old; pronounced by all a more daring performer than Blondin! will appear every evening during the week. Dan Gardner, the greatest clown, will appear to his acts. Sanford's Troupe! The best minstrels in the world. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Just from the oil regions ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.70b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third the temple of minstrelsy. Grand gala night! Saturday, Dec. 10th in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe! Programme. ... Der Deitcher's dog, ... After which a burlesque scene on East Lynne. ... To conclude with T.D. Rice's farce of The Virginia mummy ... Monday next, the wonder of the world, Nino Eddie, the infant Blondin. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: Dec. 10 fell on a Saturday in 1864., The company includes: S.J. Anderson, F. Basquin, T.R. Deverill, Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (27)5761.F.115b (McAllister)

Title: Raw recruits, or, Abraham's daughter
Description: For voice and piano., Attributed to Septimus Winner in: Biographical dictionary of American music / Charles Eugene Claghorn, p. 480; work has also been attributed to Tony Emmett., Verses 3-5 printed on p. 5; bottom of page is signed: Clayton., "Entered according to Act of Congress in the year 1862 by Firth, Pond & Co. in ... the Southn. Dist. of N.Y.", Title page illustration is lithograph depicting caricatures of African American soldiers in assortment of uniforms, one holding a standard labelled "Raw recruits, Capt. Dan Bryant"; signed: Lith. of Sarony, Major & Knapp, 449 Broadway, N.Y., First line of text: first line: Some years ago I suppose you know., First line of chorus: And when he comes here to interfere., Publisher's plate #5206., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Winner, Septimus, 1827-1902, cmp
Date: 1862
Location: Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Raw 13649.Q

Title: Sanford's new Opera House Race Street, between Second & Third the temple of minstrelsy in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe! comprising a combination of vocalists, musicians, comedians & artists of the highest order of merit! The convenient locality of this elegant institution, (being accessible by city passenger cars,) recommends itself to every citizen and stranger. Music, song and poetry is the theme for all, and in the manner presented by Sanford, fathers, mothers, sisters and brothers may attend and enjoy a treat free from all that could offend the most fastidious. ... Thursday evening, Dec. 8th, 1864. ... Programme. ... Der Deitcher's dog, ... After which a burlesque scene on East Lynne. ... To conclude with T.D. Rice's farce of The Virginia mummy ... Monday next, the wonder of the world, Nino Eddie, the infant Blondin. Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: S.J. Anderson, F. Basquin, Dan Gardner, J.M. Mortimer, H.J. Raynor, J.P. Reese, Julia Sanford, S.S. Sanford, Frank Schaeffer, W. Schaffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.68b (McAllister)

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