Search results

Title: Sanford's new Opera House Race Street, between Second & Third Excursion! Free, to the city and back Sanford's complimentary benefit, on Saturday evening, Dec. 17th, 1864 Card.--The directors of the Southwark and Frankford Road will, on the above evening, carry passengers to the city and return free on the above occasion, to those who will attend Sanford's benefit! Parties will purchase their tickets of the conductors of the dummy engine cars, who will give them a check to return. Cars will be in waiting at the corner of 5th and Race! The performance terminating at 10 o'clock, thus enabling all parties to get to their homes in respectable time. The entertainment will comprise a great variety of minstrelsy! New acts, new songs, new pieces, new dances, by Sanford's Troupe! The wonder of the world, Nino Eddie will also appear on this occasion. The price of admission remains the same. Parquet and family circle, 25 cents Orchestra seats, 50 " Doors open quarter-past 6. To commence at quarter of 8. Terminating at or near 10. Mark!----By asking the conductor for Sanford's tickets, at any of the above prices, your fare is included both ways---from Frankford to Sixth and Race, from Fifth and Race back to Frankford
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.73b (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday, Jan'ry 5th, 1865. Sanford's Opera Troupe! Full & fashionable houses have established this the family resort, and the locality, Race St., betw. 2d & 3d, has become a household word. Programme. ... Paddy's wedding, ... Stage-struck heroes ... To conclude with scenes of the old plantation by the company. Friday evening, Jan 6th, 1865, benefit of J. Wallace Saturday evening, Jan. 7th, benefit of J.P. Reese! Cards of admission, 25 cents Children will be admitted during the holidays, with their parents, at 15 cts. Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: T.R. Deverill, J.P. Heffron, H.J. Raynor (and his learned dog, Lilly Dale), J.P. Reese, Eddie Rivers (a.k.a. Nino Eddie), S.S. Sanford, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1865 (26)5761.F.89b (McAllister)

Title: Sanford's new Opera House Race Street, between Second and Third We challenge the world!!! Gerhart & Collins, proprietors J. Orr Finnie, stage manager Open for the season. Monday evening, Jan'y 23d, 1865, and every evening during the week The great family resort Collins & Gerhart's challenge minstrels & brass band The temple of minstrelsy, in which are given chaste and drawing-room amusements, by Sanford's Opera Troupe, comprising a combination of vocalists, musicians, comedians & artists of the highest order of merit. ... Two companies in one! Sanford's Opera Troupe and Collins & Gerhart's great challenge troupe & brass band ... In conjunction with the above troupe are Eddie Nino, the great child wonder, in his terrific ascensions, and Sig. De Louis the champion horizontal bar performer. 20 brilliant stars appear nightly! ... Good fires are constantly kept in the building Admission: Orchestra seats. 50 cents. Parquet, 25 cents. Family circle, 20 cents Seats in private boxes, 75 cents. Private boxes, $4 and $5 Box office open afrom 9 A.M. to 3 P.M. No extra charge for reserved seats. Doors open quarter of 7 o'clock. Commence quarter of 8 o'clock Buy your clothing at Harvey's fashionable clothing house, 918 Market St
Description: Printed area, including double-rule border, measures 54.7 x 20.1 cm, Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1865 (26)5761.F.97b (McAllister)

Title: Fun! Fun! Fun! The Soldiers' Ethiopian Troupe! Will be at [blank] on [blank] eve'ng [blank] '64 This troupe is composed entirely of wounded soldiers! Now is the time to serve your country's defenders. Admission, 25 cents Tickets to be had at the door. Doors open at 7 o'clock. To commence at half-past 7
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Soldiers' Ethiopian Troupe
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *PB 1864 Soldiers (28)5761.F.35 (McAllister)

Title: A grand promenade concert will be given by Emanuel Lodge, No. 30, A.Y.M on Friday evening, May 1st, 1863 at Franklin Hall, Sixth Street, below Arch. For the benefit of the lodge
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Ancient York Masons, Emanuel Lodge, No. 30 (Philadelphia, Pa.)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *PB 1863 Ancient (25)5761.F.66a (McAllister)

Title: [An emancipated family]
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of Negro's Friend: on the ease, safety, and advantages of liberating the enslaved Negroes; and on compensation to their masters (London: Printed by Bagster and Thoms, 1830?)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1830?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1830 Neg Fri 67066.D front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2731

Title: An emancipated family
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of the American Anti-Slavery Almanac, for 1836 (Boston: Published by Webster & Southard, c1835)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [c1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Am Ant 65753.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2741

Title: Back to back
Description: Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [ca. 1829]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Life in New York
Description: Collection of social caricatures lampooning the pretensions of early 19th century middle-class African American New Yorkers. Influenced by an increased fascination with American culture and a growing racism pending the abolition of slavery in England, the black characters are depicted in outlandish dress with exaggerated manners, and speaking in patois and malapropisms in an inept attempt to mimic white high society. The caricatures focus on courtship and the merchant of a steam press laundry., English reprint of the Anthony Imbert series "Life in New York" originally published around 1830. Although the American series consisted of at least eight prints, the number of prints included in the London series is unknown. LCP holds two of the series. The English prints were published in London in the early 1830s by W.H. Isaacs, H. Isaacs, and G.S. Tregear., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 93-97. (LCP Print Room Uz, A423.O)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in New York (London Set)

Title: The Rivals embrace
Description: Racist, satiric trade card promoting varnish manufacturer Clarence Brooks and Co. Depicts a genre scene with two African American men suitors courting an African American woman while trying to ice skate on a frozen river. The figures are caricaturized and portrayed with exaggerated features. Two men, their mouths open clutch onto one another, their legs twisted, as they try not to fall on the ice. The man to the left is attired in ice skates; blue pants; a red jacket; white collared shirt; and a top hat that has fallen off. The man to the right is attired in ice skates; yellow suit with red checks; and a top hat. The woman they court watches the scene from the shore. Her mouth is open and her hands are apart in alarm. She is attired in white shoes; red stockings; a blue dress; purple coat; and straw bonnet adorned with a pink feather. In the background are two more ice skaters and a building. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.26]

Title: Abolitionist
Description: A man, one half of his body shown as a white man and the other half as an African American man, lectures in front of a small table. He holds an umbrella with his African American hand, as well as wears no shoe on his African American foot., Text: Whew! don't you know that you're played out? That your occupation's gone? Why do you make such fuss about that poor old well-pick'd bone? Or are you lost, so far corrupted, You can't improve 'till re-constructed?
Date: ca. 1865-1866

Title: [Two African American men advertising Higgin's German laundry soap]
Description: Portrait photograph showing two African American men, side-by-side, attired in suits, as well as top hats with advertising text for Charles S. Higgins Company soap. One hat reads "Try it" and the other reads "Higgins German Laundry soap is the best." One man holds a swagger stick and the other a walking cane, and both stand in front of a backdrop depicting a bucolic mountain scene. Charles S. Higgins Company, established by Higgins's father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title supplied by cataloger., Photographer's imprint printed on verso. Includes illustration of a paint palette., Purchased with funds from the Albert M. Greenfield Foundation.
Creator: Block, B., photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department cdv portraits - group - advertisements - Higgins [P.2013.26]

Title: Douglass, Margaret.
Description: In Educational laws of Virginia / The personal narrative of Mrs. Margaret Douglass, a southern woman, who was imprisoned for one month in the common jail of Norfolk, under the laws of Virginia, for the crime of teaching free colored children to read (Boston, 1854), frontispiece., Facsimile signature: Margaret Douglass., Douglass established a small school for free black children, teaching them to read and write in her home. For this offense, she spent a month imprisoned in jail in Norfolk, Virginia., Waist-length portrait of Douglass.
Date: [1854?]

Title: Suitcase
Description: Cardboard suitcase with metal reinforced corners and edges. Missing side on bottom piece and lacking handle. Forms part of the Stevens-Cogdell/Sanders-Venning Collection. Given by the family with Bible inside [*Am 1873 Bible 17281.Q (SCSVC)]. Has labels for CC Hinkson, 329 N. 40th St. Phila. [ie Cordelia Chew Hinkson (1897-1983)]; Miss Bunny Hinkson [ie Mary Hinkson Jackson (1928-2014)] address obscured by Bekins sticker. [Cornelia was Mary’s mother]. Also has several Railway Express labels. Inside the top case, metal snap is labeled “United Carr.”, Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky, 2016.
Date: ca. after 1929-1940s
Location: OBJ 901

Title: Suitcase
Description: Cardboard suitcase with metal rivets with cloth straps that have metal reinforced ends. Has label of Dehaven Hinkson, 29 N. 40th Street, Phila, 4, Penna. and Mrs. Mary D. H. Jackson, 146 West 23rd Street, New York 11 New York stamped 1961 [ie Dr. Dehaven Hinkson (1891-1975); Mary Hinkson Jackson (1928-2014) DeHaven was Mary’s father].Also has Bekins sticker. Forms part of the Stevens-Cogdell/Sanders-Venning Collection., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky, 2016.
Date: Mid-20th century
Location: OBJ 902

Title: Market Street, from Front St. [graphic] / Lith. of J.T. Bowen.
Description: Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Snyder, Martin. "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53., Select link below for a digital image., View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, lithographer., creator
Date: c1840, 1848.
Location: http://www.lcpgraphics.org/wainwright/W227-3.htm, Library Company of Philadelphia Print Dept. W227 [P.2099]

Title: Jeff. Davis The last ditch "Bless my stars if dere aint Massa Jeff Davis in de las' ditch at last
Description: Caricature of Jefferson Davis., Printed area, including border, measures 20.9 x 11.3 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Jeff 5795.F.13a (McAllister)

Title: [Abraham Lincoln caricature satirizing the draft]
Description: Photographic reproduction of a racist caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln feeding a bottle of the "Black Draft" to a haggard looking man who sits with his feet in a tub. The bottle of "Black Draft" contains figures of African Americans., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln.
Date: ca. 1863
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Bispham - Caricatures and cartoon [5792.F.4g]

Title: King & Co's Grand Concert! Opera and Variety Troupe! will perform at [blank] [blank] The above named troupe would most respectfully announce to the ladies and gentlemen of this place that they will give one of the best and most pleasing entertainments ever witnessed in the city. Where are the lovers of mirth & good music? The following talented ladies and gentlemen will appear: Mary Lagrange, the pleasing vocalist. Josephine Carson, the young and beautiful star danseuse. Frank Dimond, the old and justly celebrated Ethiopian comedian, late of Sanford's Opera Troupe. Rody Maguire, the Australian banjoist, tamborinist, and comic jester. Fayette Welch, the celebrated comic vocalist and champion jig dancer. John Donald, leader of orchestra The above named artists will positively appear. The programme has been selected with great care, and will consist of songs, duets and choruses, from the best authors; banjo and bone solos, fancy dancing, overtures, &c., &c. A pleasing afterpiece! will conclude the evening's entertainment. Admission only 25 cents Doors open 7 o'clock. To commence at 8. Go early! Front seats reserved for ladies
Description: Frank Diamond appeared with Sanford's Opera Troupe from Aug. to Nov., 1864., Printed area, including ornamental border, measures 49.1 x 16.2 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: King & Co's Grand Concert, Opera and Variety Troupe
Date: [1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 King (28)5761.F.27b (McAllister)

Title: Grand variety concert for two nights only on Tuesday & Wednesday even'gs, Jan. 26 & 27 by Sam'l J. Murphy's Variety Company ... Programme. ... Minstrels! ... Turning the tables! ... To conclude with a celebrated walk-around composed expressly for this company. To-morrow evening will be another entertainment, with an entire change of programme. Cards of admission, 25 cts. to be had at the door. Front seats reserved for ladies. Doors open at 7 o'clock. Performance commences at 8
Description: Jan. 26 fell on a Tuesday in 1864., The company includes: Dick Berthelon, Mattie Clare, Prof. Cummings, Miss L. Davenport, Charles Davis, Jim Flake, William La Conta, Samuel J. Murphy, Prof. J. Robinson, and Ada Sinclair., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Murphy's Variety Company
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Murphy (28)5761.F.45b (McAllister)

Title: Union Concert Hall Thompson Street, below Fifth Conrad Hoffman, proprietor Billy Rose, stage manager Jacob Stroble, leader of orchestra Open every evening, with the most complete company in the profession--composed of a number of distinguished artists. Novelty and attaction. Fun, music, frolic and mirth! Each member a prominent star in his line of business. The company consists of the following-named stars: Miss Emma Miller the most pleasing balladist and comic vocalist--she also appears in her great song and dance of Young Dinah Snow every evening. Miss Clara Wells! the pleasing dansuese, and also appears in her jig in male attire every evening. Billy Rose Ethiopian comedian and comic vocalist. Johnny Clifford! the great song and dance man--the best in the business Mr A. Mortimer the very comic and eccentric banjoist. Pete Williams the great stump orator and happy contraband. Jacob Stroble, Frank Glading and Conrad Hoffman Novelties in active preparation. Admission, 15 cents Doors open at 7 o'clock. Performance to commence at 8 o'clock
Description: Johnny Clifford, Emma Miller, Billy Rose, and Pete Williams all appeared with Hoffman & Smith's Virginia Troupe of Serenaders in Feburary 1865., Printed area, including double-rule border, measures 42.2 x 16.4 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Union Concert Hall
Date: [1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Union (28)5761.F.7b (McAllister)

Title: Melodeon 421 Callowhill Street W. Butler, sole proprietor Mons. La Thorne, stage manager Will open for the season, on Wednesday evening, April 30, 1862. With the largest and most versatile company ever combined within the walls of any theatre in the world. Four companies combined in one: ballet, pantomime, opera and burlesque Look at the array of talent! A.M. Hernandez, the wonderful gymnast and pantomimist. Kathleen O'Neel, the celebrated serio-comic Irish vocalist. Sallie J. Bishop, the accomplished danseuse and actress. Charley Gardner, the original "Hop-Light-Loo." Millie Flora, the talented young danseuse and burlesque actress. Harry Leslie, burlesque dancer, pantomimist and versatile performer. J.C. Clark, the accomplished banjoist. Denny Gallagher, the favorite Ethiopian comedian. Paul Berger, Ethiopian delineator and pantomimist. Billy Drew, negro dancer and burlesque performer. Mons Paul Brillant the most accomplished ballet master in the world, and his great ballet troupe: Kate Francis, Ellen Collene, Mary Wesner, Kate Harrison, M'lle Theodore, Maria Wells, Maggie Marshall, Sallie Wesner and a host of others too numerous to mention, comprising a troupe of nearly 100 performers!
Description: Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Melodeon (Philadelphia, Pa.)
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Melodeon 1862 (25)5761.F.19a (McAllister)

Title: Raising colored infant - ry
Description: Racist satiric print comprised of a watercolor drawing and a photograph showing a white man in civilian clothes feeding an African American doll. The man, attired in a white shirt, a black bowtie, a gray vest, gray pants, and black shoes, sits on a wooden chair and holds a spoon to the doll, costumed in a white layette gown. A bowl labeled "Bounty" is set upon a wooden chair in the left. A photograph cut-out of a head, presumably of a white commander of an African American regiment, rests on the drawn body of the man., Title from manuscript note written on the recto., Date inferred from content., Originally part of a McAllister Civil War scrapbook of humorous views and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - unidentified - R [5780.F.5c]

Title: Institute for Colored Youth. 716 Lombard Street, Philadelphia The managers of the Institute for Colored Youth desire to place before the view of the friends of the institute, and of others who take an interest in the intellectual advancement of the colored race, the following statement of facts connected with the financial condition of this school. ... Below will be found a subscriptions list, upon which the reader is requested to place his name, with the amount which he is willing to contribute annually for three years or a longer period
Description: "The greatly increased cost of living has rendered necessary an advance of the salaries of our teachers, ... An appeal was made to the friends of the institute for annual subscriptions for a short term of years, which met with a liberal response ..."--Institute for Colored Youth, Annual report, 1865, p. 17., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Institute for Colored Youth (Philadelphia, Pa.)
Date: [1864 or 1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1864 Inst Col Log.(1)1322.F.115 (McAllister)

Title: J. P. Mounier & Lallou, hair dressers from Paris and ornamental hair manufacturers, wholesale & retail, no. 28 South Fourth Street, corner of Ranstead's Court, (nearly opposite the Indian Queen Hotel,) between Market and Chesnut [sic] Streets, Philadelphia
Description: Billhead illustrated with two bust-length white male figures, one in three-quarter profile and one in profile. Three-quarter profile view shows man with full head of hair. Profile views shows a bald man with his head diagramed to key "Manner of Taking Measure of a Wig by Any Person." He wears a jacket with epaulette., Includes several lines of advertising text, including Mounier & Lallou's dissatisfaction policy of a new wig free of additional expense with "transportation at the cost of the purchasers. Price $10"; "manner of taking measure for a wig by any person"; and a list of goods, relating to their profession, found in their store such as curls, puffs, wigs, scalps, braids, frisette, gentlemen's "WHISKERS," and imported artificial flowers., Completed as bill on recto to Mr. [Swerangen?] on Feb. 20, 1834 for $69.36 (after less 3 percent) worth of items, including curls Grecian, puffs, frieze, frisettes, and "1/2 d[ozen] negro braid.", Inscribed on verso: J.P. Mounier & Lallou. Bill Feby. 20th, 1834. $69.36 copied., Description revised 2021., Access points revised 2021.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Freedman Collection - Certificates, etc. [P.2013.87.72]

Title: The bridal dance
Description: Engraving depicts a fictional episode from Chapter IV, "Christmas." The scene takes place on Fairfax Plantation on Christmas day. The newly married couple, Jim and July, dance merrily to the music of fiddles, banjos, and tamborines, while other slaves look on. The pair are still dressed in their wedding attire: July is described as "resplendent in a white dress, white cotton gloves, a string of mock-pearls about her neck, and a wreath of silver flowers about her head," while Jim wears "a gorgeous waistcoat, had a sprig of flowers in the button-hole of his coat, and also sported white cotton gloves." According to the text, a bonfire provided the illumination for these festivities, which grew gayer as evening turned into night., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: N. Orr & Co., engraver
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2808

Title: The broomstick wedding
Description: Illustration is included in Chapter XIV, "I am the Innocent Cause of a Fight -- Religious Services among the Slaves in 'Ole Virginny.'" It shows a "broomstick wedding" that the author recalls having seen. Standing to the left, the betrothed slaves Pompey and Susan hold hands as they wait to jump over the broomstick, which is held by two slaves who are bent at the waist. Uncle Aaron, an elderly slave know as a preacher and a conjuror, presides over the ceremony. According to the author's description, the bride and groom wore the cast-off clothes of their mistress and master: she in a half-worn, ill fitting, maroon-colored merino gown, and he in checked trousers, a white vest and a brown linen duster that was several sizes too big. Numerous wedding guests fill the cabin., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 257., Caption underneath the image reads: "'Look squar' at de broomstick! All ready now! one-two-three-jump!'", Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 257, https://digital.librarycompany.org/islandora/object/Islandora%3A2839

Title: Scene in a Lynchburg tobacco factory
Description: Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828

Title: [The rebel pirate's fatal prize]
Description: Image depicts a scene on board the schooner S.J. Waring. The ship's steward William Tillman [i.e., Billy Tilghman], "the brave and daring negro," armed with a hatchet, defends himself and his wife from three men identified as the "Pirate Prize Master, Lieutenant, and Mate," who stand in his doorway. Having learned of their secret plot to sell him and his wife into slavery, Tillman murders them., Vignette on the broadside advertisement for The Rebel Pirate's Fatal Prize (Philadelphia: Reichner & Co., 1862)., Accompanied by the caption: "Back sirs! She is my wife, she is no slave! Seize her at your peril.", Fels Afro-Americana Image Project, Resistance.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1862 Und (2) 5786.F 46e broadside vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2809

Title: [Consequences of emancipation]
Description: In the foreground center, a black man reads aloud from the Bible while a girl kneels and prays before him. In their immediatie proximity, a mother holds her two small children. Behind them, several figures perform various chores and tasks. A group congregates in the middle-ground, and what looks to be a representation of Monticello is visible in the background., Front cover of the American Anti-Slavery Almanac, for 1837 (Boston: Published by N. Southard & D.K. Hitchcock, 1836)., Two captions appear underneath the image: "A sketch from God's description of the 'Consequences of Emancipation.' Psa. 58." and "We hold these truths to be self-evident -- that all men are created equal.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Ame Ant 16996.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2745

Title: Tearing up free papers
Description: A man restrains a free Southern black woman as another man destroys the papers that attest to her freedom. The woman's small child stands beside her. In the background, at least two figures are visible behind bars., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 7., Caption underneath the image reads: "In the Southern States, every colored person is presumed to be a slave, till proved to be free; and they are often robbed of the proof.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 7, https://digital.librarycompany.org/islandora/object/Islandora%3A2750

Title: Emancipated slaves can take care of themselves
Description: At the left, the illustration depicts a free black man, or a "paid" laborer. He works vigorously with a hoe, and is dressed in a suit and top hat. At the right, a slave, or an "unpaid" laborer, is shown. He also works with a hoe, but unlike his counterpart, he is barely dressed, and looks weak and despondent., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 21., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2765

Title: Kidnapping
Description: Engraving relates to an incident recounted by Torrey. In the middle of the night, five men forced their way into the room of a free black woman, who was pregnant and recently widowed. They dragged her out of the bed in which she was sleeping with her child, tied a noose around her neck, and then carried mother and child to a Maryland tavern, where they were bought by a slave-dealer and brought to Washington., Plate in Jesse Torrey's A Portraiture of Domestic Slavery, in the United States (Philadelphia: Published by the author. John Bioren, printer, 1817), p. 48., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Goodman & Piggot, engraver
Date: 1817
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1817 Tor 4875.O p 48, https://digital.librarycompany.org/islandora/object/Islandora%3A2723

Title: Gang of slaves journeying to be sold in a Southern market
Description: Driven by mounted men with whips, a large procession of bound slaves travels down a shallow creek. Some of the slaves hold children in their arms; others carry baskets and bundles on their heads. A family of free blacks watches from the banking on the left., Illustrated plate in James Silk Buckingham's The Slave States of America (London; Paris: Fisher, Son, & Co. Newgate St. London; rue St. Honoré, Paris [1842]), vol. 2, p. 552., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Holl, F., engraver
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Buc 10584.O v 2 p 552, https://digital.librarycompany.org/islandora/object/Islandora%3A2775

Title: Solomon Northup in his plantation suit
Description: Portrait of Solomon Northup, a free citizen of New York, who was kidnapped in Washington City in 1841 and sold into slavery. Northup is shown in a suit that he wore as a slave on a Louisiana cotton plantation., Frontispiece for Solomon Northup's Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, from a Cotton Plantation near the Red River, in Louisiana (Auburn: Derby and Miller; Buffalo: Derby, Orton and Mulligan; London: Sampson Low, Son & Company, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Nor 54079.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2791

Title: Eleventh St. Opera House Eleventh Street, above Chestnut. The family resort. Carncross and Dixeys Minstrels ... Tuesday evening, March 15th, 1864
Description: A playbill., Part of the McAllister collection., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Carncross (15) 5761.F.1

Title: "Who would be free, themselves must strike the blow!" Colored men of Burlington Co., your country calls you
Description: Signed at foot: Geo. Snyder, recruiting agent for colored volunteers of Burlington County., Printed area measures 54.0 x 42.5 cm., Illustration signed: L. Johnson & Co., Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Snyder, George, recruiting agent
Date: [1863?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1863 Snyder (1)5777.F.16j

Title: Libby Prison The only view of this notorious prison made during the Rebellion. Dick Turner stands in the foreground
Description: Exterior view of the notoriously inhumane Confederate Prison, previously a warehouse. Depicts Turner, the former commandant of the prison, standing with a small group of white people including a child, in front of rows of tents. African Americans look on from a nearby hill., Title from label mounted on verso., Date from copyright statement: Entered according to Act of Congress in the year 1865, by Levy & Cohen in the Clerk's Office, of the District Court, for the Eastern District of Pennsylvania., Gift of Elinor Solis-Cohen, 1980., Forms part of small Civil War Photograph Collection, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish Philadelphia photographers who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: 1865
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - cdvs - Levy & Cohen [P.8532.2]

Title: The darktown fire brigade - saved!
Description: Comic print using racist imagery to satirize African American men firefighters. Shows a brigade of eight African American firefighters during a rescue of an African American family from a burning wooden house. Flames and smoke extend from the right side of the roof of a two-story residence. In the center foreground, two firefighters, one not wearing a helmet, hold open a striped blanket. A woman attired in a white nightgown and holding her gown down with one hand and a fan with the other is midair and about to drop, feet first, into it. In the left, another firefighter runs out of the doorway of the building and with a woman over his shoulder. She wears a white cap and night gown. In the right, a fourth firefighter sprays water from a hose into the body of a man in a white nightshirt stuck in a hole in the roof. His head and chest poke through the hole and his legs project out through an upper floor window. The firefighter uses a hose that extends from a fire engine marked "Niagara."It is being pumped by four other firefighters in the right background. The firefighters stand on barrels and push the lever of the water pump on the engine. In the far right distance, another firefighter attends to a donkey. The firefighters are attired in red shirts, blue pants, and black boots. Four men wear helmets, one man wears a top hat, and two men are bare-headed. The men and women figures are portrayed with wide eyes and lips, and large feet. The rescued family members are bare foot. The Darktown series of over 100 prints was originally issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series. Joseph Koehler reissued the prints in the early 1900s., Title from item., Reprint of number from "Darktown" comics series originally published in 1884. Joseph Koehler purchased over 200 lithographic stones, including the "Darktown" series, from the Currier & Ives firm following its dissolution in 1907., Contains copyright statement: Copyright 1884, By Currier & Ives, N. Y.
Creator: Currier & Ives
Date: [ca. 1907]
Location: Library Company of Philadelphia | Print Department *GC - Genre - Darktown [P.2019.55.4]

Title: Chapel of the Lebanon Cemetery
Description: View of the chapel with steeple at the African American rural cemetery founded in 1849 at Passyunk Road near 18th and Wolf streets in South Philadelphia. Also shows monuments in the cemetery and visitors, including a family. Cemetery protected by a stone wall with iron fencing, including an iron gate. Cemetery was condemned in 1899 and closed in 1903, with the bodies removed to Eden Cemetery., Philadelphia on Stone, POS 103, Historical Society of Pennsylvania: Bc 63 L 441, Repair upper left edge.
Creator: Dubois, George, artist
Date: [ca. 1850]
Location: Historical Society of Pennsylvania HSP Bc 63 L 441

Title: " Does you love me hun?"
Description: Racist stereograph of an outdoor caricatured, genre scene showing an African American man woman couple seated together on a tree swing in a clearing in the woods. The woman sits on the lap of the man. Her left leg dangles. Her right cheek rests against his left one. She smiles and looks out. His eyes are turned toward hers. The woman wears a patterned, dark-colored shirtwaist, a floral-patterned skirt, dark stockings, and boots. He wears a suit. Scene also includes leaves on the ground and trees and bushes in the background., Date from copyright statement: Copyright 1898, by R. Y. Young., Title from item., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Universal Stereoscopic View Company
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - misc. photo - Universal [P.2018.16.7]

Title: " Does you love me hun?"
Description: Racist stereograph of an outdoor caricatured, genre scene showing a man woman couple, portrayed in Blackface, seated together, and embracing each other on a wooden swing in the countryside. The woman sits next to the man, her legs dangling. She smiles and looks up toward him. He smiles and looks out, his legs crossed at the ankle and his feet touching the ground. The woman wears a kerchief, dark-colored shirtwaist, a striped skirt, white stockings, and laced shoes. He wears a cap, long-sleeved white shirt, light-colored pants and boots. Scene also includes a pile of branches behind the couple and a wood fence in the distant background., Title from item., Date inferrred from publisher and places of publication., Curved buff mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., RVCDC
Creator: Griffith & Griffith
Date: [ca. 1908]
Location: Library Company of Philadelphia | Print Department Rau Misc. Collection [P.2012.56.56]

Title: Pennsylvania Colonization Society. [membership certificate]
Description: Life membership certificate containing a "View of Monrovia," the original settlement of Liberia, the African American colony established by the American Colonization Society in 1822. Depicts a landing party with well-dressed African American emigrant men arriving to a crowd of male and female well-wishers and family at the palm-tree lined shore of the colony. New colonists depart the boat and run to relatives as Liberian men raise their hands in greeting. White sailors man the small boat. In the background, another landing party with new colonists sails from the transport ship. The settlement of Liberia is visible in the distance. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 that promoted black American emigration to resolve the problem of race inequality and to end slavery., Not in Wainwright., Philadelphia on Stone, POSP 164, Historical Society of Pennsylvania: Certificates - Pennsylvania Society, Free Library of Philadelphia: Philadelphiana - Societies - Certificates, P. S. Duval & Co. operated as a firm 1851-1857.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1855]
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Certificates - Pennsylvania Society

Title: Speech of Andrew Johnson Governor Andrew Johnson's speech to the colored people of Nashville on the 24th ultimo, already noticed, is fully reported by a correspondent of the Cincinnati Gazette, who says
Description: Broadside contains extracts from Johnson's speech with commentary; Johnson made the "Moses speech" on October 24, 1864., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1864?]
Location: Library Company of Philadelphia | BOOKS RARE sm# Am 1864 Joh 71708.O

Title: Washington Hall One night only, positively, Monday evening, Feburary 29, 1864 Entire change of programme. Everything new! Crowded houses nightly! Everybody delighted! Patronized by the first families in the city! Morris' Minstrels brass band and burlesque old folks' concert troupe! To obtain good seats, come early! Tickets can be had at the hall from 10 to 12, A.M. 3 splendid burlesques this evening! Opera, farce, burlesque and comedy this evening. ... The busted note: ... The stupid servant! ... The whole to conclude with the plantation scene, Jack on the green! by the entire company. Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., Printed area, including double-rule border, measures 55.1 x 20.0 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.132a (McAllister)

Title: Library Hall! Three nights only, positively, Tuesday, Wednesday and Thursday, March 1st, 2d & 3d, 1864 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above nights. This company give an entire change of performance every night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign, ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 54.9 x 20.0 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.133a (McAllister)

Main menu

Pages